#is it foreshadowing if it’s something about the past? idk

[callie-ann-darling]

ooc

"Do you understand the violence it took to become this gentle?"

- Nitya Prakash

[antiquepearlss]

Something that’s really cool about the Varian And The Seven Kingdoms Mini-Series that plays in my head occasionally, is how the writers treat Varian’s villain arc.

It’s something he keeps hidden. Because while yes, his past is something he’s made peace with, and is even something he can joke about with his friends. But it’s one thing to joke about something with your friends who see you as an equal, to joke about it with people who were there and affected.

But it’s almost impossible to bring up around people you’re supposed to be leading, around people who you recently met. He’s trying to earn the trust of Yong, Nuru, and Hugo. He needs to earn their respect so they trust him to lead them through the trials, not to mention the fact that Nuru and Yong are both children.

So instead of Varian ever mentioning his past- a fabled man named “The Alchemist” is brought up. Yong hears about him at the market, and asks about him at the camp fire, where Nuru regales him with the tale of The Alchemist who tried to take over Corona- the ruthless scientist who took the queen hostage, experimented on animals, and tried to kill the princess. As she goes on, she gives Yong a story that is clearly filled with exaggerations and lies, scaring him. This only furthers Varian’s desire to keep quiet about everything. Throughout the series The Alchemist is brought up again, always in a negative light. Varian always shuts down any conversation about the mythical being.

And Hugo gets suspicious.

On their way to Corona, the episode before the two-part finale, they’re walking through the woods and find Varian’s old wanted poster, and he confesses to everything.

Nuru and Yong are understandably upset and set up their tents elsewhere- having no desire to be around the person who lied to them all year, even if they understand his side of the story. It’s still a hurtful betrayal to learn that someone isn’t who you thought they were…

But Hugo stays. Hugo put it together long ago, and even if he didn’t, he knows that sometimes a part of yourself is best kept hidden- or a part of yourself shouldn’t be revealed until you’re ready. He consoles Varian, confirms he still trusts him, and assures him that Nuru and Yong will eventually forgive him too. Varian is incredibly moved by the support and affection.

The two even almost share a kiss, before they notice a blue lantern float towards them. Like one of Rapunzel’s birthday lanterns- but blue and being powered by chemical vials, with The Brotherhood’s emblem stamped on. (The fact that Rapunzel sent birthday lanterns for Varian to lead him back home from his journey made me tear up a little.)

Idk I just thought that was a really sweet way the writers handled that storyline and I love the special moment between Varian and Hugo that foreshadows the finale…

[armageddidnt]

Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

[whppxdit4chi]

EDIT TO ADD:

Just to be clear if anyone cares and because this post kinda blew up and people started dragging me and I’m pretty sure they assumed that I was suggesting anything I said was in some way representative of my beliefs/theories:

I was totally just spitballing shit off the top of my head.

I never intended my word salad to trigger such a heated debate, I genuinely was just hoping for a civilised discussion about what’s right/wrong, what’s most/least likely. I want to understand all this deep stuff and engage with the fandom and hear people’s thoughts. I don’t have the mental capacity to weave intricate theories that tie all strings together like some of this fandom does. This post was incredibly fucking low effort drivel that I tossed out into the universe in the hopes of exploring different possibilities and engaging in conversation about exploring the significance of the differing appearances of the Stark children. Nowhere was it supposed to say I *want* the characters mentioned to fail/succeed. Nowhere was it supposed to imply that I know the significance of it. I just picked up something that was sitting with me and thought aloud about what it could mean and just came up with a random idea of what it might mean without much thought. At least some part of the thought was shaped by the end of Robb’s story and because he failed due to what I interpreted as getting too close to Southern politics and perhaps forgetting the core values he was fighting for along the way. I don’t know. I feel like I shouldn’t say anything else now cause anything I could say feels like it will just fuel the fire.

I’ve confessed multiple times now that what I said was shortsighted, wrong and didn’t consider intricacies that refute what I was saying entirely. Now if people could chill and take the post for what it is, that would be great.

ORIGINAL POST:

Do any of y’all asoiaf homies think there could be some significance to the Stark kids’ appearance?

My brain does not currently have the capacity to explain what I mean exactly but I’m talking in the sense that the majority of the kids look like Tullys not Starks, notably it’s said that Arya and Jon look most like Starks and it just made me wonder whether that somehow foreshadows their failures- in the sense that the rest cannot truly uphold Stark values and therefore ultimately fail? Idk if I’m just pulling shit from thin air and this may not make much sense but I just think that fact might somehow imply that they’ll be the ones to uphold Stark values in the send and ultimately succeed in their endeavours.

Ofc I understand I’m ultimately damning Sansa, Bran and Rickon in this but I wouldn’t put it past GRRM to plan that far ahead and use some kind of magical heritage-related symbolism like that… and ofc nobody is safe in asoiaf so there’s that too.

[destinygoldenstar]

Anyone else noticed this?

When the tape recorder for Mildenhall mentions him shooting his wife in his schizophrenic mental state, the camera shows Pomni looking at KINGER and noticing his sad expression hearing it.

Then there's this:

Idk how possession works, exactly. In every show it's different.

So I would say the biggest possibility is the adventure itself, and the program, MOCKING KINGER for his past.

It CAN'T be Pomni that's saying this. SHE'S POSSESSED. And at this point in the episode, she DOESN'T KNOW Kinger had a wife. He tells her about her AFTER she gets snapped out of the possession.

So the demon ISN'T feeding off of Pomni's brain and thoughts to say this line. Because she didn't know this.

So this MIGHT be foreshadowing HOW EXACTLY Queenie abstracted.

From the backstory, it seemed as though Queenie had no resentment towards her husband whatsoever, as she was soothed by him in her final moments.

That doesn't mean Kinger doesn't blame himself for her abstraction.

(He blames himself for him and Pomni ending up in hell too. BECAUSE HE SHOT THE BIBLICALLY ACCURATE ANGELTHINKING IT WAS A MONTSER) (I blame the tape recording's timing)

After all, no one said his looniness was spawned from losing his wife. It's a link to his sanity, actually. So he could've been losing his own mind from the circus, and this memory was helping him not abstract and lose all hope.

Kinger COULD have been responsible for Queenie's abstraction in some way, and he doesn't WANT to remember that.

But despite what he's been through, he kept his cool the entire adventure despite the mockery and reminders of his wife's abstraction that the program put him through. Which says a lot about his character.

We MIGHT get a reveal that Kinger was responsible for Queenie's abstraction in the future, but as of now, that's not the focus of this story.

No matter what happened and why it happened, what mattered to Kinger was that Queenie was soothed in her final moments.

She was calm.

That was all that mattered in the end.

That's why he looks after Pomni in this scene and sooths her.

This warm, loving moments, EVEN IN HELL, stay with you forever. More than the bad moments, if your mind is in a healthy place.

He realized that when his wife abstracted. He remembers his last calming moment with her over her getting sent to the cellar. He wants Pomni to have something soothing to remember from all of this instead of the trauma she's going through.

GUARDIAN ANGEL, I SALUTE YOU!

(This episode gets a lot better the more I think about it)

[warblogs17282]

Saw a tweet that said something along the lines of 'If it's hinted at or mentioned that Blitz contemplated suicide at some point in his life in ghostfuckers' and now my brain is just constantly thinking back to Apology Tour and it's imagery.

and the 'Blitzo KYS' merch Wally is selling.

Fully willing to admit that I'm probably overthinking this considering why the party was thrown in the first place but I cannot shake the possibility from my head that this is subtly foreshadowing that Blitz has contemplated suicide at some point in his life, which very well could be revealed in ghostfuckers considering that's all about Blitz's past.

Really hoping I'm entirely wrong about this because idk how I'm gonna react if that ends up getting revealed.

[iloveoldermen-posts]

Idk if you do these kinds of things but I kinda wanna get this off my chest. 141 or whoever you chose with an actual ghost reader? Like they kinda haunt the base and leave little trinkets and notes. Uh little ghostie has taken a liking to them and vice versa. The boys like to sometimes leave little things they find for her to eventually move somewhere else either for a prank or a pick me up to show she’s there. This is my first time ever doing a request so feel free to ignore if it’s too much

- ♠️ s

My Little Note I'M SORRY BUT THE CREATIVITY. My god this ask ateeee. I will try my hardest to bring the vision to life, thank youuu for suggesting it!!

Warnings: open ending, slight swearing, unsure about continuation of the one-shot, gender neutral however i have not proof read ୨୧

Everybody knew the base was haunted, I mean with how many people had died, with how many souls that were lost - it was bound to happen. The ghosts pretty much kept to themselves, wanting to finally be at peace. So unless you were a real pain in the as, they left you alone.

The 141 thought it was all a myth, something to make soldier's feel better about being afraid of their past haunting them. That was until 'little ghostie' took a liking to them. At first it was just the taunting of the man who dared call himslef 'Ghost', he hadn't reached that stage yet and Ghostie thought he shouldn't foreshadow the loneliest part of the cycle of life.

Ghostie thought it was funny seeing these big, wise men pracically shit themselves at the creak of floorboard, especially since everybody else knew about the base and accepted the idea of it being haunted.

When the 141 finally accepted Ghostie was there to stay, they started noticing things, trinkets of sorts. For example, leaving a bar of soap on Johnny's pillow, him replying 'real funny Ghostie.' Eliciting a gentle giggle to be heard and echoed through Johnny's mind for the rest of the week.

Or when Ghostie left a little ghost plush for Simon in his regular seat in the meeting room. He smiled under his mask and stuffed it in his pocket. Later that night when Ghostie was doing rounds of the base, they noticed Simon fast asleep with the small teddy almost engulfed by his arm muscle.

Gaz was given a drawing of himself sitting next to an empty chair filled with small orbs. Gaz classed it as a masterpiece and not only did he hang it up but he had it framed and placed on a wall in their common room, not even caring about the design rules.

Price was the last to recieve any gift at all, some of the boys even had multiple before he recieved his first. He didn't care about all of that when he recieved his gift - a beautifully written cursive letter explaing to him who Ghostie really was and how happy they are now they have all met.

The letter included the fact that when a ghost finally reaches full contentness, they either pass over or come back from the land of the dead.

That was the last time they heard from 'little ghostie' for the past week, unsure of what they finally chose..

My asks are currently open so get the requests in, and check out my masterlist.

THANK YOU FOR READING!! -> ALL REBLOGS, LIKES AND COMMENTS ARE GREATLY APPRECIATED!!

[cokoweee]

OH wow! Two updates in 24 hours! Okay I really wanted to dig into this, because there were so many things on just the writing and dialogue and I LOVE it!

These two panels were fun, because there is something soft in Kendra’s face. Nostalgia, affection…also the wet beads of water coming off her hair, since she climbed out of the bath….but I’ll continue this rant later…

This is interesting….We have seen Donnie borderline catatonic so this could be Draxum’s latent parental instincts not wanting to push Donnie just yet. (Or worried that Kendra might be a trigger?)

Though funny that this was what pushed Casey to reach out….I included a snippet from Replica…but…lol both you and Kat having Casey very particular about her male family members helping her out, is understandable

Heh…that’s rich, considering you are gonna have your own lizard children Kendra…not that you know that, I guess… Still this feels like a “tempting fate” line/foreshadowing. Mostly, because Casey insisted that the father is human. (I think?) But likely a jab at how Kendra calls her “Beast” all the time.

Ohhh…what is this trinket?! <_<

This is the face of someone who is either gonna pretend to be a toy or a child if Kendra gets pulled over XD

Okay this brings me back to my thoughts after the first image…Kendra likely had been thinking about stuff since her initial talk while fixing Yuichi’s arm the first time. However the “event” and Raph’s chat with her possibly had her start really mulling over it. We know Kendra has been struggling with her identity in the way of not belonging. She accepted she was an outcast…and possibly still considers herself an outcast. However with everything she has been doing: the training, modifying the jetpack, upgrading Yuichi’s arm…it certainly is setting this precedence. If Kendra doesn’t fit in this group’s mold by default, she is gonna make some changes so she does.

The past Kendra would never adjust to accommodate others. She is unapologetically herself. So why is she going through the trouble to make little changes…why does she want to properly ask Donnie if she can stay with him? Because when you love someone, you accommodate them. And not in the way, that you should change yourself for someone. However if there are traits that are holding you back, and it benefits you both in the long run, sometimes little changes are necessary. Kendra is changing, because she wants this. She may not know how her dynamic will change, but she wants it to get better.

And…I forget how I planned to wrap this up, but…. It is an organic way to bring happily ever after that much closer, and in a way that doesn’t compromise Kendra’s identity. Again, your writing and dialogue are amazing, and the way you pair it with your drawings makes some great storytelling.

Oof writing is such a struggle but considering I do hours of acting out dialogue both irl and in my head certainly do help. NOW TO ANSWER SOME OF THESE LIL SNIPPETS U SEPERATED but under a cut cause this is a bit long lol

Draxum is a weird dude to write for me but for me he’s another that lost almost his whole fam. He doesn’t wanna risk losing the last one that’s there even if they aren’t how they once were.

CASEY NOT WANTING DRAXUM ALL UP IN HER 🍰 IS A REAL! ITS LIKE UR GRANDPA/DAD/UNCLE SAYING THEYLL DO IT FOR YOU

That lil TrInkEt will be helpful later :D (I think. Please I haven’t fully thought this plan through)

You point out that she never would accommodate for someone else and yuh you’re right. Bitch would make others accommodate to her. This tho

“Because when you love someone, you accommodate them”

Idk how to word this, it’s pretty difficult to conjure up in my head words for this. For her it’s. She can’t see those feelings. Define them. It’s a case of extra caring without knowing why and it’s irritating. Like a fly u can’t kill. Or a butterfly. Pretty and you don’t want it to leave but also don’t want that big bitch flying all up in your face

[unknownteapot]

In light of Courtney mentioning they would possibly want to direct a movie some day during the Q+A, what do you think a Smosh movie would look like with this current cast? Would it be similar to the original Smosh Movie? I'm imagining something similar to Smost the Sitcom Live, like a sitcom comedy maybe? Anyway you don’t have to answer, I’m just curious 🤗

anon, you are NOT ready i was BORN for this question and i'm about to type up a storm so strap in!! thank you for sending it in!!! me being a yapper + film student is not boding well for me rn...

i completely see what you mean about a sitcom/comedy type thing, their vibes during ssl were immaculate, but i also think if they *were* ever going to make a movie it'd be something vastly different from what they've done before just to keep it fresh and give people something never seen before. which is why..

i propose to you: a horror comedy about the cast getting stuck at the smosh office overnight (more below the cut)

hear me out HEAR ME OUT god im so passionate about this. this type of premise would avoid the cast having to play characters per se, they'd kind of just play 'themselves' so it's easier for the existing smosh fanbase to transition to this new movie format without it feeling gimicky/overproduced- the movie begins with just a typical end-of-video outro into the camera for smosh games (maybe only main cast and not freelance? bc full cast might be too many people for a movie idk) and then cuts out to the cast getting off the soundstage like hehe good shoot whatever whatever. but. wait a second. why is it past midnight?? quickly they're realising everyone's gone and its WAY late and they're locked in. all the clocks have stopped around the office. phones are all out of service (but show a weird little digital snake symbol as foreshadowing to something ;)

so now they're like uh-oh. what the fuck do we do. and promptly the cast splits into groups/pairs that all deal with this in their own way the movie would cut back and forth between. maybe amanda and angela deciding to steal alcohol from the kitchen and then snoop on people's desks?? finding out ian has a love locket of anthony in his drawer?? damien grows mushrooms under his desk??? olivia collect's people's candy wrappers?????? idk it could be ANYTHING which makes thsi SO FUNNY to me

BUT this is where the horror comes in, because suddenly people start going missing. and its not fun and games at all. the air feels weird, its like 3 am, everyone's losing their shit a little bit. they start regrouping to see who they can find "hey have you guys seen Angela?" "No, but Courtney just went missing too." "Guys I don't feel well.." AND LITTLE BY LITTLE. THEY START SEEING APPARITIONS. SMOSH CHARACTERS. WHO HAUNT THEM.

like i'm sorry. tell me it would NOT be hilarious for Mental Illness to come haunt the cast in an eerie ghost form??? Augustus??? insulting the cast (but hitting truths about them) making them think about their life decisions??? COURTNEY FREAKING MILLER???? JUST YELLING???? TELEPORTING AROUND THEM AND SCARING THE SHIT OUT OF THEM>?>>>>??? god the jumpscares they could do with this insane INSANE. BIZANKA???????????????? im

BUT NOT JUST SMOSH CHARACTERS- fnaf characters in their eerie ass suits, chica demanding Amanda why she held the door so hard that one time and didn't let her in meanwhile everyone is terrified and somewhat sobbing

so now its CHAOS, they're trying to stick together to avoid getting haunted, they're trying to find their missing friends, they're running around to the footsteps of animatronics, when suddenly they find a door to some storage closet open. they walk in.

there they are!!!! all their missing friends lying passed out on the floor and.. what's this strange hissing noise and why is it kinda foggy in there.. "Oh my god!" Amanda yells out in relief that none of this was real (or was it), "There's a gas leak at the smosh office!" And then promptly passes out. So do they all. THE END.

maybe a post-credits scene of ian and anthony coming into the office in the morning and finding a MESS and them all passed out like god. we gotta put baby gates in here or some shit. they keep messing stuff up!! OR BETTER. they dont know about the cast at first and look at each other with knowing smirks like "wanna go get high :)" and then they head towards where all their friends are passed out and we find out it was actually their secret 'gas leak' spot where they get high on the regular from the gas. ian pouting like "damnit. they found our secret spot :(" anthony shruggs like "oh well" and then they prance around the room trying to huff the gas like idiots and also pass out.

more insane ideas idk how to incorporate yet:

a comedic bit where Amanda bonds with Chica from fnaf and reads her tarot cards (amanda would SO be the person to chat her up after getting over her initial fear and be like 'hey, you just need love, honey. i get it, we've all been there') and its this insane horror yet adorable moment where these two world collide?? BONUS: if the rest of the cast hide in a corner and look at her like "how is she doing this???"

Tim the IT guy actually turning out to be a hologram that haunts all the computers with snake graphics (from that one smoffice sketch 'it could happen to any one of us!') and actually gets his energy from sucking out ram from people's devices

Props and shit moving!!! just so much potential

INNOVATIVE FORMAT:

AND a great way to introduce horror elements could be through this whole 'found footage' thing- you know how in some movies you find like someone's security cam recording etc etc. they could SO integrate elements of that because the smoffice is primarily for content creation so there's LOTS of cameras everywhere

"Hey uh.. guys I think this camera's still rolling." And its us watching footage of that room through it MASTERFUL. or people recording tiktoks and we watch through their screen recording but we see stuff in the background moving before they do YEAH. the HORROR OF IT. god i love movies

okay for everyone's sanity i will now stop i was actually not expecting to type this much- anon who sent this ask, i owe you everything!! im now obsessed with this idea i wish this was real w o w

[paperstorm]

Oh I would love to hear what in retrospect you think makes Judd’s alcoholism make sense! (From your tags)

I’m thinking of things like … how much of a wife guy Judd has always been, being so obsessed with Grace and so devoted to taking care of her that maybe he never really learned how to take care of himself. If he spent his whole adult life putting his own needs as secondary because his love language is acts of service, how does he know how to put himself first when he actually needs to? (Societal expectations of masculinity wrapped up in here too). Things like instances in past episodes where Judd comes to Grace’s work to bring her tea or a treat, when I can’t remember her ever showing up at the firehouse with something like that for him. Which is perfectly fine this is not a criticism of Grace, but rather evidence that Judd is a caretaker of the people he loves, but not a very good caretaker of himself.

Things like that his love of Grace has always been so central to his character but often it has presented in disparagement of himself – it’s not just “I love Grace”, it’s “she’s too good for me.” It’s not just “we have a wonderful marriage”, it’s “I’m nothing without her.” Even the way that they met, with Judd’s belief that Grace saved him by shining her light on him that he wasn’t worthy of. All that of course can be read as just him thinking his lady is the most wonderful woman in the whole world, but in hindsight it can also be read as genuine insecurity and a really heartbreaking belief that he himself isn’t worth very much. As soon as she’s gone, that just ends up magnified because all he has left are the voices in his own head telling him that he isn’t enough.

Things like the fact that he (like Owen) bases a lot of his self-worth on his ability to be a hero in tangible ways like pulling people out of burning buildings (also like Owen, as a sort of cosmic penance for mistakes he made as a child). He definitely still has PTSD from what happened to his original 126 crew (something that traumatic never really goes away, you just hopefully grow around it), you can see it in the way he latched so tightly onto his new 126 family as a response to that and is so protective of all of them. Then he lost them when he quit, and had a) no social support system left which is such a key thing for addicts, loneliness is such a massive trigger, and b) had no reason in his day-to-day life to feel good about himself because he wasn’t getting to be a hero anymore.

Idk, obviously this storyline wasn’t being planned way back in season 2 or 3 so I’m not gonna say this was all brilliant foreshadowing because I don’t think it was. But the main reason people fall into addiction is because they have deep emotional needs that are not being met, and I think if you look backwards you can see Judd having both deep insecurities and emotional needs that were being met for the most part by Grace and his work family, it makes a lot of sense why his world crumbled when those things were taken away.

[kuerie]

rocky and his water motif

ive seen a few people analyze rocky and his symbolism with water, and i thought id jump on the train and contribute what ive found. i looked through every piece of art in the gallery and messed around with the dead drop to find everything here! with that being said…

obvious spoiler warnings! and warning for a lot of speculation and over analyzing! a lot of things i mention are really big stretches but i added them anyways incase anyone else wants to look into it more

starting where the pilot starts and near the start of the comic (the page “lackadaisy dithyramb”), right off the bat we have an entire poem from rocky dedicated to the mississippi river. this iconic poem is literally just about the river, and he recites it in both scenes from on the bridge over the river.

note that in both cases there is also a crescent moon featuring in the background

more poetry! this one is from the comic on the page “lackadaisy doggerel”. this is actually one of my favourite pages in the comic, its very cool! we have this poem that, again, is entirely about water. it talks about water in a metaphorical way, comparing it to memory and the passage of time. maybe ill try to analyze this poem sometime but idk im not very good at that stuff. seems to talk about rockys past but im not sure

i didnt want to just put this entire page here but i will note that the page has a raging storm, an ocean, a water mill, another storm cloud and a waterfall all picured above rocky, who, in this case is ahem under water, in a way.

last bit of poetry im talking about is probably the most relevant. rockys feauture in the “lacrimosa” poem/halloween artwork shows him seemingly drowning outside a window.

the significance of it being outside a window is somewhat unclear to me, as every other character appears in something reminiscent of a picture frame. my only idea is that its meant to show him outside of what could be a home, in reference to him getting the “unceremonious boot”. the text emphasizes this idea, saying hes away from home

this next one is more obscure and much more of a stretch! after digging around in sketchbook pages, i found this tiny little sketch on a page simply labeled “lackadaisy preview 0018”. the sketch page features sketches that were used for the page “lackadaisy palaver” in the comic, and a few bonus doodles. this was one of the bonus doodles, and i cant seem to find a comic pannel that matches it anywhere.

this sketch could be a lot of things, its a bit hard to tell. most likely, its an unsused pannel of rocky that was going to be used on the comic page. maybe him on whe windshield, or something like that. that being said, the first thing i thought of was the lacrimosa art. its a stretch but i thought id add it, just in case! who knows really

next up is rockys character artwork, which features him standing on a barrel floating in a river.

be careful rocky, you might fall! one little detail about this art that i like is that hes quite literally hiding his sadness behind his back. and again, the crescent moon motif features in the background. the cattails in this image also remind me of this scene in the pilot

…but i mean cattails do grow near water so i dont think that means anything

speaking of the pilot, this scene has rocky accidentally blowing up a water tower and flooding the area, and getting a whole bunch of water dumped on him

be careful rocky, you might get hurt! ...i dont think he cares

one last note from the pilot (for now) is a line from mitzi after rocky comes back with alcohol for them. it could mean nothing, could be foreshadowing, who knows

note in the second image: “rest” as in the rest of the alcohol they were meant to bring back

the music video for liquid gold ends with rocky dropping a bottle and the golden liquid flooding the room

i wasnt even looking for water symbolism when i found this, i was just rewatching the music video for fun! i just about had a heart attack when it ended like that D: rocky please dont drown

back to the comics! sorry this is a bit all over the place. forgive me for just uploading an entire comic page, but the page “lackadaisy thunderhead” features rocky standing over a river. at the bottom of the pannel on the right there are daisys, a symbol that features in a lot of rockys artwork and is generally associated with the lackadaisy speakeasy. the daisys could just be for aesthetics or to frame the pannel better, but its also notable that they appear where the water is.

the name “thunderhead” is interesting given some other pannels

not sure what it means though

the very first scene in the comic aside from the introduction shows rocky at the river.

in the page “lackadaisy trouble boys” from the early concept art mitzi makes a comment about rockys aim, and makes an… interesting metaphor

side note: im gonna cry is that actually how rocky gets the little hole in his ear lmao

the mini comic “wilderness” has rocky climbing out of a small muddy pool of water claiming “the waters great”, despite looking absolutely horrible. isnt shown here, but he says he cant feel his legs and calls for freckle to come back.

knock knock! its time for the playing cards! rockys card depicts him as the 8 of spades, although hes also been shown as the ace of clubs multiple times.

first up, 8 of spades! i really like this art but i have a lot of questions. for one, why is rocky holding a shovel and whats with the lantern? theres nothing wrong with it, just caught my attention since i think freckle is drawn with shovels a lot more than rocky (might be wrong on that though) second, this is the only picture i can find where you can CLEARLY see rockys head injury healed. cool! third, the outfit hes wearing is… atypical for rocky, you could say. for obvious reasons. he always wears blue, why suddenly the change to black? and obviously, the choice of making him the 8 of spades. some quick google searches and this is what i found: from various websites (the first things that popped on on google), apparently spades symbolizes the winter season and the water element. it seems to represent old age, change, wisdom and acceptance. the number 8 supposedly represents victory, prosperity and overcoming. i was going to put images, but i could only have 30 and i ran out of space lmao im so sorry this is SO LONG djfjsjnrfj

make of it what you will. as for the ace of clubs:

my google searches were much less interesting so ill just put my own thoughts. the clubs is likely just for the association with the lackadaisy speakeasy, as in both of these cases he is shown alongside other characters from the lackadaisy and everyone has clubs. as for him being the ace, the main notable thing about the ace is that its generally the highest card.

the main idea i personally took from these cards is the idea rocky will possibly not be a part of the lackadaisy in the furure. we see him in his classic outfit, no head injury as the ace of clubs, with clubs being associated with the lackadaisy. but we also see him with a healed head injury (so clearly in the future) with a new outfit and no more clubs suit.

not sure if this is even notable but this entire (very iconic) scene in the comic takes place in the rain

be careful rocky, you might get shot!

and now, even more crescent moon motifs

so why have i been pointing this out? well its undeniable that rocky also has motif with this crescent moon. i have no idea what it means but heres my very quick five minute thoughts on it: one: the moon controls the tide. obviously a river doesnt really have a tide, but still! theres some association with water there, so its notablea. two: this might be a stretch but in the pilot theres this very memorable frame where it shows the reflection of the moon (which initially looks like a cat) ahem in the water. obviously water reflects stuff so its not abnormal for the moon to reflect in the water but i just thought it was cool!

aaaand last but not least

this analysis was brought to you while listening to hatsune miku, i probably made a lot of typos so yell at me and ill fix them but not my grammar its terrible and im not fixing that, lmk your thought and if i missed anything, thank you for reading have a nice day sorry it was so long <3

[dyerink]

I’ve been thinking about the gojo one eye theory a lot, because I know people noticed that pattern and thought it would signify a comeback or something, but I’ve been rewatching jjk and there’s actually a lot of interesting eye imagery that I think actually shows how the one eye theory is correct the other way and actually foreshadows his death!

this is very half baked but:

first off, only one of gakuganji’s eyes are shown when he threatens/reprimands gojo, his left one specifically which is the same as all the gojo art. gakuganji is the first (and only?) higher up introduced and the first thhing we learn about the higher ups is that they’re too stuck to the past and tradition. I think it’s also pretty notable that he uses the phrase “young man” here, like that distinction again.

the next important eye moment is with junpei, when he’s talking about love and indifference with mahito. his hair already covers his right eye, but his hand actually moves up to cover it further when he says that he’s choosing indifference over love. the main theme of jjk is pretty much about the power of love/personal bonds causing change, and it seems like there’s a pretty 1:1 foreshadowing of junpei’s ultimate death because he’s choosing not to progress with those important to him here, at least philosophically

on the other hand, once he dies, yuji sort of snaps and he vows to kill mahito. This is the drawing used for that declaration:

unlike everyone so far, only his right eye shows! this scene is very much about him avenging a friend who he cares about, instead of his regular philosophy of indiscriminate saving, which again follows that logic of showing who’s moving forward in the story and who’s staying behind and how that’s pretty directly tied into their outlook on life and love.

Then there’s gojo.

arguably, gojo also operates under a personal emotion led philosophy (see also: him saving yuji because megumi asked). for him though, i think his left eye is shown because he was never supposed to continue into the new jujutsu world. despite what he believes and teaches his students, he’s The Strongest, a title which is very much a vestige of the higher ups beliefs. His entire position in the world is a symbol of jujutsu tradition, and for his students to surpass him and live on with the principles he instilled in him, he had to be left behind with everything else.

couple other maybe related things? spoiler maybe, but in the last chapter sukuna reflects on his beliefs and explains that he’s at a crossroads.

he ends up choosing the path with uruame, which also happens to be the path of self reflection and change instead of the path that signifies being stuck in the past and in one’s incorrect beliefs. And of course, the path with uruame is on the right.

Ok last thing.

I’m not sure if this is related at all, but when nanami is thinking about his life in the airport with gojo/geto/haibara, he says this about mei’s advice to him:

idk if this is a reach because I’m not sure how intuitively south is associated with left and north with right, but if it is I think it pretty much is the thesis of all the eye imagery, where starting anew means adopting a less external rules-based outlook on life and finding meaning in personal relationships and genuine love for people.

[tonydaddingham]

so i had the bright idea of rewatching s1 today whilst im working from home, now knowing what i know about s2, and so i can ruminate a little more on s1 with the additional context. ive barely made it past five minutes

im pretty sure ive gotten most of the frames accurate from this bit, and im sure it might just be a bit of demonstrative cinematography (which ya know, *chefs kiss*) but at the same time i love going into full year 9 english teacher mode about this shit, and i think there is something to comment on (which someone already might have done but w/e). in any case, this bit of dialogue is very noticeably layered with shots of crowley and aziraphale, but intercut with the shots of adam facing down the lion:

like, i can't help but feel that there is some symmetry in this and either other people have spotted it and im very behind, OR we havent spotted it and s2 spoilers have helped unlock it✨

so who is meant to be who here? for my money it would be that adam is mirroring aziraphale, and eve is mirroring crowley - in so much that at a really shallow level, aziraphale is a platoon leader, a guardian, fought in the war etc. crowley, regardless of his rank, is a starmaker, and let's face it the boy has the structural integrity of a strand of dried linguine. so we could look at it on that level (ignore the lion for the moment ill sort of explain that if it isn't already obvious)

but also we now know that this scene is not their first meeting, and that aziraphale and crowley do in fact remember each other and know that they have met, and in aziraphale's case is probably the teeniest bit shy bc damn heart eyes as an angel, heart eyes as a demon 🥵 but my point is that this is after the fall. after (as far as crowley tells it) crowley fell for 'just ask[ing] questions", and "just hung around the wrong people".

now i have my thoughts on why crowley fell: tldr because it would require another post - both reasons he gave above are bullshit and obvs conflict with each other, so i think that he doesn't actually know why he fell and has just guessed his transgressions so he can rationalise it, that god actually never had an issue with him asking questions, and instead it was actually god's plan to make him fall so he could represent the 'evil' side of free will on earth, as aziraphale's counterpart, and essentially ensure that humankind stays eternally 'in balance'

ANYWAY so the fact that in the lion sequence, 'crowley' is being shielded by 'aziraphale' against an unknown entity; but does this mirror a flashback, or is it foreshadowing? again, id put my bets on the former visually, but the latter... lyrically? idk the word but regardless take the dialogue:

"What if I did the right thing;

with the whole 'eat the apple business'?

A demon can get into a lot of trouble;

for doing the right thing."

so let's rephrase this:

"Was it the right decision to fall;

was I right to choose this for myself?

to choose the right to choose?

Because i feel like i could live to regret it."

so is crowley in essence already asking if aziraphale is on his side? is he asking if falling was the right thing, the good thing, to do (regardless of whether god gave him any choice in the matter)? But was he given the choice, first true free will? did aziraphale try to protect him during the fall, so crowley could get out in time (but ultimately fail? or at least bought Crowley enough time to find a back staircase and fall gently and peacefully, 'saunter vaguely downwards'?), and then get assigned to earth to be the 'good' side of the coin for humanity?

and is crowley asking if aziraphale will continue to be with him? in whatever romantic, platonic, acquaintance context you want - is he asking aziraphale if aziraphale will fight for him again, for them both? aziraphale made his decision, enacted his free will, in giving the humans a sword, and thus brought the concept of war and horror to earth, even if that was never his intention - so now swordless, and now only condemned to watch humanity as it strides out on its own (or was this the plan all along?👀), is aziraphale willing to do it? does he have the power, the strength, the will? would he stretch his finger over the line to fight on their side?

maybe im asking the wrong kind of questions, but all ill say is that in the above sequence? at the end of the dialogue? adam kills the lion.

i think 'their side' began in the job minisode, yes maybe, but also maybe the idea of it, the understanding of it, was planted here.

[noodle-made-a-mistake]

A short list of things that bother me about the Magisterium canon:

Forgive me in advance for rambling, I have to get these thoughts out of my brain lmao (also it's been a couple years so correct me if I'm wrong! (I really hope I’m wrong on some of these :’) )) Spoilers ahead obviously!

● The lack of Calron :(

● Not taking the opportunity to develop Tamara's character and keeping her static until she's randomly just different. Strong female characters aren't just skilled and perfect until their one flaw (usually it's having feelings like any other human being) is revealed shockingly (that's just sloppy characterization), they should be crucial to the plot and not overlooked in favor of developing other characters (from what I remember she literally was my favorite while reading the series until she just got annoying (??) after a while, of course that could just be because the story is told through Call's perspective but still)

● The entire school system that I need more info on bc it sounds so unthought out and not like something that has existed for hundreds of years

● The forceful nature of making people serve as masters?? That makes no sense? Like, “Congratulations on not dying during your schooling or in the war(s), your prize is forced labor 👍.”

● Also THE COLLEGIUM WAS MENTIONED AND NEVER ELABORATED UPON

● TGT. Least favorite book. Get out. Tgt truthers how do you do it??

● The Maugris plot twist. It destroys the meaning behind the past four books. It's just so uncalled for and frankly just sloppy ig? I love the idea in a way, but only if it's foreshadowed from the beginning. Also I'm too attached to the complicated dynamic of Alastair raising his possible ex-bestie for it to end up like that

● The fact that the iron trio is out of school for half the series, I'd like to know what's normal, y'know??

● THE LACK OF ELABORATION ABOUT THE FIRST GEN I WANT TO KNOW MORE I HAVE TO KNOW MORE

● They did my man Constantine especially wrong, give him some ✨️character✨️ aside from E V I L and problematic (trademark) and charming (???)

● AND ALASTAIR GOD TELL ME MORE?? He's characterized as distant and obviously traumatized with his hate of his magic involved past but I just need to know what that past was like. Like who was he before his dead wife syndrome?? Idk but I'd of liked any excuse to know more about it just so I can understand him more??

● Please give me a single character trait of Declan's?? Like he was mentioned a handful of times and that's all we got. He was just some guy and I am hating it !!

● And Sarah. Like. She was a mom and liked peace as a concept but she also made a cool ass knife. That's a lot of things left up for interpretation. And I know Call wasn’t allowed to ask questions for plot reasons but god i wish he had more information about his own dead mother for Christ's sake

● Also other than a victim, who was Jericho? I need to know who this kid who drew scribbles in the margins of his very important journal while writing about how he was slowly being killed was. What was his relationship really like with his brother if he was so scared to say that he was dying or what gave him the impression that he didn't care?? It's fascinating and I need him under a microscope immediately

● Also the lack of queer representation until the last two books. AND THEN IT WASN'T EVEN ANY OF OUR MAIN CAST. Literally the saddest L ever :(

● AND AARON WAS NEVER CONFIRMED QUEER LIKE WHAT THE FUCK JUST L O O K AT HIS CHARACTER AND INFACT ALL OF OUR CORE CAST IS AT LEAST BI LIKE C O M E O N (ik they're like kids but even I knew I was not straight when I was like 11 and i lived in the most conservative non-LGBTQ-friendly town known to man)

● Low key, callmara was so bad, like I love them but not the way it happened, horrible set up. Tamara deserved so much better and to not have her entire character destroyed by becoming a love interest. I wish they thought about her as an independent character instead of the means to implement a romantic subplot in tgt, they did so good in the first books with that

● Also there's no elaboration on what chaos is. It's the mystical 5th element. Wow! Let's go girl, give us nothing! You'd think that if Makaris were so exceptionally rare and special that we'd get some explanation on how they come to be and what it is exactly that they can control but we're just left to assume it's the special "chosen one" type of thing. Idk it bothers me for some reason :/

That's just off the top of my head and it's been years since I read the series all the way through (I should do a reread soon). For the most part I adore this funky series and I hate to bash it but I felt the need to ramble about it's shortcomings because I'm not crazy, right?? It had so much potential! Anyway, I'm sort of glad for the blanks in the story despite complaining about them because it leaves room for fics and fan interpretations that I always love to see, but on the other hand, I'd like for the story to feel finished and not like a last minute science fair project.

Thanks for sticking around for my late night rambling lmao

[littlelaurendraws]

Ok this may be a stretch (and I probably sound crazy) but as I was watching an out of context the owl house video I noticed something about King’s shadow from S1E1 when we’re about to be introduced to him

THIS

and I paused on it curious of what the shadow actually looked like AND THEN I NOTICED THE HEAD SHAPE

IT LOOKS SIMILAR TO THE GOLEMS/GUARDIANS (or whatever they’re called) HEAD SHAPES WHICH ALSO ARE RELATED TO KING (as we see in season 2 Ep3 Echoes of the Past, they are essentially his servants/guardians) SO

FORESHADOWING?? ISH? maybe? Idk if it’s just a coincidence tho I mean it’s not exactly the same but just wanted to point out the similarity

[misstrashchan]

Number 7 for the RWBY ask game!

Yang's "I CAN'T TAKE IT ANYMORE!!! CAN EVERYONE JUST CALM DOWN FOR LIKE FIVE MINUTES BEFORE SOMETHING CRAZY HAPPENS AGAIN!" from V1

No super deep reason why I like this one tbh. Often I just find myself repeating this line either in my head or out loud when I feel overwhelmed and stressed out. Idk I just find it cathartic and it's just a good line of expressing anger and frustration in a humorous way when too much is happening all at once.

"Do you believe in destiny?"

The last words said before her death, carrying Pyrrha's legacy. The way it encapsulates Pyrrha's arc and her struggle with agency and existentialism. The way it continues to haunt the narrative, especially for Cinder and Jaune's characters, makes it one of the most iconic lines of the show.

"This must be really hard on her too"

I have literally written an entire meta on why I love this line.

"Some things are more important, I think. Keeping our humanity."

I absolutely adore the humble and honest defiance Oscar's line has in the face of Ironwood's "we have to do whatever it takes to stop Salem, nothing matters more". It's also really when you see Oscar coming into his own and finding himself, starting to find and assert his own beliefs (...though you can clearly see Ruby's inspiration and influence shining through *gestures to her "so all those times you talked about having faith in humanity... That was just for everyone else?"). Because Oscar is trying to believe in Ironwood's humanity. And in his own, in the face of the merge. He pays for it dearly and yet that belief of his doesn't falter, and we see it again with how he believes in Oz, Hazel and Emerald. And what he says here really is at the heart of what will lead to them saving the day I think, in the same vein as Ruby and Maria's conversation about the Silver Eyes not being about destroying monsters, but preserving humanity and life.

"She's not protecting me. And I'm not protecting her. We're protecting each other"

If Blake and Yang facing against Adam again and holding hands wasn't enough to drive me wild and giddy, this line does. So much growth in Blake and Yang's relationship culminating in their confrontation with Adam, especially with this line. Letting go of matyr complexes, and instead coming together as equals to mutually uplift and support each other, so neither has to suffer alone or feel infantalised or overshadowed as the protector or protected, instead growing beyond that into something stronger and more beautiful, the moment their love truly began to blossom.

"You atlas elites are all the same! you think hoarding power means you'll have it forever, but it just makes the rest of us hungrier. And I refuse to starve."

I love this line for the feral energy it has, the raw drive and ambition Cinder has that it bleeds far past desire and into a need, a desperation. It carries so much weight with it, the foreshadowing for Cinder's backstory as a slave girl trampled and abused by atlas elites, literally starved for food, affection and agency. I really love the way the hunger motif in general is used. On top of that it makes the foiling between Winter and Cinder very apparent

"Without you I am nothing, but because of you I am everything"

Honestly up there as another one of the most iconic lines of the show. It's said in a a moment of rebellion and triumph by Cinder over her abuser, but simultaneously is tragic in how Cinder is essentially defining herself by the abuse and pain she endured. Fully expecting this line to resurface in a moment with Salem, but with the original meaning turned on its head.

"Maybe there was something you just weren't seeing" I also wrote another whole ass meta about why I love this line

also shoutout to Ilia's "Quit taking pot shots and FIGHT ME LIKE YOU MEAN IT!" and "I DON'T KNOW WHAT ELSE TO DO! I don't know what else to do..." purely for Cherami Leigh's brilliant performance in delivering such raw and emotional lines.

Ozpin's fear speech is pretty great too.

There's another line from V9 that's one of my favorites too, but I know you haven't watched V9 yet so I'll tell you that one later :)