#is he giving it water 😭

[fcaruana]

"Found a goat and we took a selfie :) 🐐"

[akiacia]

some of the right words

[stuzsa]

Have someone done this already?

[crumb-crumblet-s-crumbington]

blasting my two favorite interests into each other because i can

[turtleducsk]

recharging ❄️

[hellamorte]

do you ever think about how lucanis keeps losing and losing and losing — his entire life? losing his parents, losing his childhood because of the crow training, losing his freedom, his sleep, and one year of his life due to imprisonment. then the maker smiles upon him, and he's discovering something good (rook, the veilguard team, purpose), acquiring something back (his family, his life, his freedom, his job, his city), finding some peace in mundane things (coffee, cooking, taking care of others). it feels like the scales are finally moving, balancing — only for him to lose again. he loses caterina, he can lose his city to blight, he loses at weisshaupt, he loses grip on himself (thanks to spite), he loses control — he loses himself, piece by piece. rook can help lighten the load on his chest (thanks to spite), he gets caterina back, and breathing feels a little bit easier. but loss is not done with him. he loses illario, and it feels like losing a limb, a large piece of himself violently torn away. he's visibly shaken, but no one truly knows what it takes to string the assorted pieces of himself together and keep functioning. and then loss deals what seems like the final blow: some of his friends are dead or lost, and rook is gone, too. he failed; he only knows death, doesn't he? life only takes, and takes, and takes, giving only to tease and take it back. at that moment, he's falling apart completely — until they find rook, and there's a sliver of hope once again. the scales are moving, the team wins, they eventually go back to their lives — and that's when he realizes that the final blow is the life as the first talon.

[myreia]

— v. raison d'être

It was never going to last. They knew it from the beginning, all of them. Their time in the First was temporary, fleeting. For some, that would have been enough to give pause, to keep distance. For them, it made these moments all the more precious—even when it was difficult, even when it was unfair. Ryne knows they are both proud of her. That will never change, even when they live in separate worlds. It is a bittersweet thing to say goodbye, to close one chapter and begin the next. But change is necessary, a fundamental aspect of life. There is no sense in clinging to the past when the future—with all its countless possibilities—lies ahead. There is no looking back. Only forwards.

[tiffysdeath]

evan def should've won some typa reward for playing kai😭😭

[teddybeartoji]

my cat is so funny why does he like to get manhandled so much😭😭😭 he's purring the loudest when i'm petting him so hard that he's melting into the floor he purring when i GENTLY tug on his ears????? he's walking around me and i pull him to me and keep him on my lap and he starts purring??????? bro is a little freak

[brunhielda]

Because this is becoming THAT blog-

The one where I review old movies we all have already seen, but I personally, have not seen for years until recently.

I just watched “An American Tale.”

If you were a child of the 90s, you just thought- “There are No Cats in America 🎶? THAT American Tale?”

Yes.

If you had that thought, you likely already know. If you have not had the absolute joy- buckle up. I am going to rant about a classic.

First of all- This is Don Bluth.

His movies do not get worse with age.

They get BETTER.

And American Tale is example number ONE.

No, it is not fond memories or nostalgia glasses, you can breath, and then go treat yourself to a viewing.

Secondly- the man did not dumb down or sanitize his history.

He said “I’m going to tell the immigrant story” and then opened with a fucking ethnic cleansing.

I said what I said.

The movie is set in the early Russian Empire, a time full of anti-Semitic sentiment and enforced laws, also seen in “Fiddler on the Roof.” Fiddler on the roof might actually be tamer on the subject.

Every other historical note in this movie is on point and easy enough to look up in a history book, if you have the common sense to realize that names have been altered.

The Statue of Liberty was not built by a pigeon, for example. It was built by a Frenchman. (Frederic Auguste Bartholdi).

I don’t know of an “honest John,” but I did guffaw out loud when he started taking names of the dead at funerals to add to his vote count. Ghost votes were very real, one of the reasons people are still so twitchy about voter fraud today.

I do not recall a moment in 1886 when the minorities of New York managed to run off prominate members of authority… but with how on point everything else is? It would not shock me.

Thirdly- Bluth DID NOT FLINCH

I don’t remember who said it first, but both Bluth and Spielberg had a belief that you could put very sad and scary things in children’s films, as long as the ending was happy.

This movie has multiple nightmare moments. Cats, monster waves, more cats, bugs and fish, and of course, the horrifying “Mouse of Minsk” (iykyk).

The thing is, it’s not even how they are drawn. Like, yes, the image is scary, but it’s the storytelling around it. It’s the lighting change. The soundtrack. The horrific sound effects. Seriously- whoever did foley on this film deserves all the awards- you make me scared of the kitty kats, and I LOVE cats. 🐈

Some people will question whether or not it is appropriate for small children. I would say maybe wait until they are six, and watch it with them, but they should watch scary things if they can. Being scared in appropriately safe space teaches you how to react to fear and handle moments when you are scared in real life. It is my major argument for Halloween. But each parent has to do as they think is best for each individual child. In any case, watch this one first before showing it to your kids- definitely more scary than you remember.

Finally- the animation on this film is a national treasure. I honestly hope this film is in the Library of Congress collection.

There are animation techniques here that don’t exist anymore.

Sparks. Sparkles. Glimmers. Stars in the Night Sky. Smoke billows.

Actually, I almost paused the film on a smoke billow. Sony is doing some things in the recent “Spiderverse” trilogy that are insane- and part of it is their mixed animation.

All the smoke billows? Hand drawn.

They look the same as Bluth’s smoke in this film, which is making me wonder if one of their artists studied under him. Maybe not- maybe they just did their homework on good hand drawn cloud formations. Either way, realizing how close they got to the master work in this film made me appreciate them even more.

Speaking of insane animation-

I don’t know WHO Bluth felt he had to show off to, but this man could DRAW WATER and he fucking knew it.

Like water is hard to do, ok? Like hands, Da Vinci had notebooks full of sketches of the substance, proving it to be the bane of the artistic existence.

Most water in hand drawn animation comes in two forms-

Flat water color with pretty things floating in it to distract you-

Or drawn over a live video of water that they spliced into the image.

Even that was hard to do, and they used a technology no longer available to us. It looks pretty cool honestly.

But no, not DON fucking BLUTH.

Not only can this man hand draw water without the underlying video, but he draws it moving in multiple different ways. He shows it from the top, side, and sinking underneath (with moving bubbles and shifting light, no flat blue for him).

He turns it into a NIGHTMARE FUEL WAVE MONSTER.

He ADDS it to SCENES it DIDNT HAVE TO BE IN!

The more I watched this film, the more I realized that if Milt Kahl had the head swaggle, Don Bluth had water, and by God was he going to use it.

He wrote plots AROUND the idea of water, so he could showcase it in every scene. “Rock-a-doodle,” and “Pebble and the Penguin” come to mind. “Anastasia,” “Thumbelina” and “All Dogs Go to Heaven” all feature action scenes in water. Heck- the one in “All Dogs Go To Heaven” came out of no where, and makes so much more sense if it was just Bluth wanting to show off.

“An American Tale” had the travel by boat sequence and our main hero being thrown over board. He could have left it there. NOPE. There were puddles and sewers and fire hoses and action scenes at the docks.

And the few scenes without water? Let’s throw some scary sparks in there. Maybe some smoke billowing. For funzies.

Also- we’re going to have a Love Song with the most incredible Night Sky you have ever seen and a Comedic song featuring fun house mirror distorted reflections because WHY NOT???

I think he was trying to make sure Disney regretted him leaving, the way you dress up when you know your toxic ex will be there, and I love that for him. 🩷

Also- the backgrounds are all beautiful water color. I love a good water color.

Also- yeah, the sound track holds up. The songs are just as catchy as they ever were- if you have ever seen this movie you WILL find yourself singing along.

As previously mentioned, when it comes to the scary parts, the composer UNDERSTOOD THE ASSIGNMENT and the music easily fits into a good horror film.

And finally- the music at the finale when everything is made right, and the happy ending is finally here, is the most heart breaking thing you will ever hear. You will cry. Watch the movie, but bring the tissues. 🤧

This movie is definitely worth a watch.

This movie is more than worth a watch, it should be mandatory for elementary history and college animation classes alike.

But also it’s just fun. 🤩

[mental1975]

Who let him in the kitchen

[doll-elvis]

“and then there was Charlie Hodge, of course. He was certainly one of the Memphis Mafia— the one man who was madly in love with Elvis and who also adored Elvis’s daughter, Lisa. Charlie was not gay but he breathed every breath for Elvis.”

same Charlie, same.

(excerpt from “Memphis Mafia Princess” by Shirley Dieu)

[ihamtmus]

.

[averagemediocrepie]

Eddie father figure ⁉️💥😱🤯

Hm. The kind mailman & emphatic librarian being best friends? Sure, why not?

Originally I didn't plan on having Eddie and Luddy be besties (or even be that close as neighbors) but overtime I was able to realize that it made the most sense to have Eddie be the first neighbor that managed to get Luddy to open up. Sure, I wanted to think it would've been either Wally or Poppy (since they're also very sweet & all) but honestly; it would've been Eddie. His clumsy, absent-minded but kind-hearted nature is perfect for helping the overly anxious librarian/poet to slowly gain a little more confidence.

《tags》

[horromcom]

havjng an f/o like plankton suckz sometiems like ‘auw imagine ur f/o helping ease ur headache’ brother he gave me th headache

[archersartcorner]

Sixxy doodles, baby boy baby… cross between thinking of the new hairstyle I’ve been drawing Six with and his relationship with Ulysses, aka, “Six You Have Got To Stop Collecting Dads This Is Getting Ridiculous.”