#**meta

[hellamorte]

so interesting how zevran and lucanis seem to echo each other's words. another reason to mourn that we will never see them side by side 😔

[edsrosetattoo]

This is the best idea in the history of film.

[ladyshinga]

[h3artw0rms]

So the gift Powder received from Ekko was a necklace with a blue peony.

And you know me from my Vi and Caitlyn post so of course I'll look up what the flower language of that means and it's the following:

And if you look closely, you can see the profile faces of Ekko and Powder in between the petals

In this reality, the two can't be together, as he wasn't HER Ekko. But Powder still means the world to him.

[spoondrifts]

something about vi never wanting anyone in her life to change. something about jayce not caring at all how much viktor has changed so long as he's alive. something about the way vi associates radical change with death, perceiving jinx's continued existence as a kind of necromantic horror—the way jayce would shatter fundamental laws of nature without a second thought in order to give viktor the best chance at survival, in whatever form that may take. transformation as rebirth vs murder, hextech vs shimmer. nature has made us intolerant to change, but fortunately, we have the capacity to change our nature. and then jayce, realizing that he hasn't changed at all, not really—that he is a scientist at heart, and he shouldn't have tried to be anything else. and then vi, realizing she has become someone unrecognizable—never thought my sister would turn bluebelly. and for both of them, it's too little, too late.

[probablybadrpgideas]

The Monster Manual but it's blatantly written by the monsters

[mycroftrh]

Far worse, in my opinion, than the famous “he wouldn’t fucking say that” is “he WOULD fucking say that, as part of his facade, but you seem to think he would mean it genuinely”

[problemnyatic]

so matt's absolutely giving scorched earth orders behind the scenes right. Not only are publically visible transfems dropping like flies, but every third person who musters up the audacity to comment negatively on Staff or Matt about this vanishes fucking instantly

[poorly-drawn-mdzs]

Expertise can't help you here.

[memehex]

Would you like to import your contact—

[rollercoasterwords]

pet peeve is when a fellow hater conducts their haterism such that they leave the hater community vulnerable to attack. “i think characterizing Character A in x way is boring and annoying” = beautiful, flawless, unimpeachable haterism. no one can tell u that u aren’t allowed to find a certain characterization boring. “it is morally/objectively wrong to characterize Character A in x way” = sloppy, reactionary, overcommitting. you have left our eastern flank open to attack girl what the hell….now my dedicated hater troops are taking fire from YOUR enemies fuckkkkk

[hellamorte]

do you ever think about how lucanis keeps losing and losing and losing — his entire life? losing his parents, losing his childhood because of the crow training, losing his freedom, his sleep, and one year of his life due to imprisonment. then the maker smiles upon him, and he's discovering something good (rook, the veilguard team, purpose), acquiring something back (his family, his life, his freedom, his job, his city), finding some peace in mundane things (coffee, cooking, taking care of others). it feels like the scales are finally moving, balancing — only for him to lose again. he loses caterina, he can lose his city to blight, he loses at weisshaupt, he loses grip on himself (thanks to spite), he loses control — he loses himself, piece by piece. rook can help lighten the load on his chest (thanks to spite), he gets caterina back, and breathing feels a little bit easier. but loss is not done with him. he loses illario, and it feels like losing a limb, a large piece of himself violently torn away. he's visibly shaken, but no one truly knows what it takes to string the assorted pieces of himself together and keep functioning. and then loss deals what seems like the final blow: some of his friends are dead or lost, and rook is gone, too. he failed; he only knows death, doesn't he? life only takes, and takes, and takes, giving only to tease and take it back. at that moment, he's falling apart completely — until they find rook, and there's a sliver of hope once again. the scales are moving, the team wins, they eventually go back to their lives — and that's when he realizes that the final blow is the life as the first talon.

[malfoyesque]

[musashi]

i want more nuance to be entered into the discussion of the green girl sorority and how differently cynthia plays elphaba in comparison to those who came before her because while a lot of people are rightfully like "why was elphaba not black from the beginning" and celebrating that she is now being played by a black woman, i think we need to be careful in just writing off all the elphabas of the past as Random White Girls when the role was championed (and often followed/succeeded) by a jewish woman

the pop culture archetype of the Wicked Witch has deep roots in antisemitism stretching faaaar far back. there is a level of reclamation happening in casting idina menzel, a jewish woman, to play the Misunderstood and Maligned young girl who is branded as exactly that. and stage!Elphaba is also written and acted with jewish stereotypes in mind--she is loud, aggressive, no-nonsense, blunt. she is quick to advocate for herself and shut down the discrimination she faces. all of this is very intentional! her personality is abrasive from years of abuse, and that makes propagandizing her easy. this is literally the thesis statement of the musical--it's not about aptitude, it's the way you're viewed.

cynthia's performance of elphaba is fucking INSPIRED despite going in a completely different direction. she's much more reserved, analytical, one of her key character traits is how well she can read people (see her calling out Galinda as insecure/putting on airs in their first scene together, clocking that Fiyero is using his party guy persona as a shield for his own depression) elphaba's attempts to blend in and make herself smaller all fail simply because of her existence, if not that then because she feels empathy so strongly she often struggles to hold back from acting, protecting.

personality wise, though, cynthia's elphaba is very quiet and closed-off, not at all the bullet-to-the-face that she is in the stage show, and... she still gets propagandized and maligned. though this seems to contradict the other interpretation, it tells of the other end of the spectrum of propaganda, one that black women watching (and many, MANY other marginalized folks) are sure to identify with--it does not matter how "nice," how reserved, how small a black woman makes herself. a racist society will still scrutinize her every action for a way to parse ill intent from it, brand her as an angry black woman who is dangerous and wicked, and write off any humanity she has in the process.

these two very different interpretations tell of the lie of assimilation. the fact of the matter is, when you are marginalized, there is no way to sand down your edges enough to make the people oppressing you "accept" you. that is why wicked is a tragedy at its core. whether loud and aggressive or quiet and unimposing, there is nothing elphaba could have done to make the people of Oz see her as anything other than a scapegoat to blame all their problems on.

so while i definitely appreciate that people are excited for black girl era elphaba, i would encourage us all to still show appreciation for what came before--that was not white girl era elphaba. that was jewish girl era elphaba. two houses, both alike in dignity, two stories both worth being told.

[cornyonmains]

Correcting a Chinese kid's English homework that another American got wrong on a Chinese app named after Mao Zedong's Little Red Book as part of a mass online temper tantrum to help save TikTok was not on my 2025 bingo card, but here we are.

This might actually be the political fuck-up of the century. Our politicians are all 900 year old crypt keepers who probably turn off their computers by unplugging them from the wall. Were there a single synapse in their decrepit domes focused on something besides their next payday, they might have thought twice about challenging Millennials and Zoomers on the internet. I repeat, ON THE INTERNET. Oh to have the confidence of an octogenarian born into generational wealth.

Something I need people to understand is the "security threat" doesn't just stop at data. The mere act of normal Chinese and American citizens interacting scares the shit out of governments on both sides. I'm already seeing videos from folks here in the US talking about how shocked they were at the grocery hauls in China, and how much they could get with very little. Chinese people are watching Americans absolutely dog walk their own government and talk it for filth. People are having fun.

All rich people had to do was remember the deal. Americans are terrible people. If they had just paid folks enough to buy a house, an electric car, and a vacation once a year they'd sit in front of the TV in a docile fugue state while the wealthy shoved their boots up the ass of the global south. Now who knows what's going to happen. I just know it's a testament to how done with Mark Zuckerberg's ass people are that they're rather learn Mandarin than go back to Facebook.

I think 2025 is about to be a ride.