#is anyone other than me specifically into that

[tiredsmashbros]

SMG34: LIPBITE COMIC WIP UPDATE

oh boy... i know a bunch of folks are hyped for this comic... and boy oh boy are ya'll's prayers going to be heard... kind of... butt for the celebration milestone, and granted majority are from this comic, i thought it was best to give EVERYTHING that i have currently.

starting off STRONG with what you freaks most want: the completed pages. andddd yep that's it that all that i have done LMAO. i've been fixated on my own smg4 oc: tsb, and during the end of my summer was unfortunately fucked over by some personal issues that fortunately got resolved last minute good grief the anxiety prevented me from drawing the gays sigh... aNYWAYS LINEART WIPS!!!!

here are linearts i have completed / in the progress of!! want to aim like i did in the past by finishing up lineart first, and then speed through with color + minor rendering. the reason i have a few colored is to test out what it would look polished and my god... i have improved A LOT. THESE GAY PEOPLE GIVE POWER I AM NOT KIDDING BELIEVE ME IM NOT CRAY- anyways onto wip pages!

jumpscare: tsb stickman sketches. oh yeah. this is how i sketch and i blame sensei eiichiro oda /j. and in case anyone is unable to understand it {i don't blame u LMAO}, smg4 wakes up from the dream and is startled to see mario by his bed. they have a short convo before mario leaves, and we get a job to smg4 in the bathroom trying to put up a brave face. until the moment he leaves he's stunned due to seeing smg3 at his front door. will i elaborate more on specifics or unwritten dialogue? NOPE! gotta keep secrets to make it even more enjoyable at the end!!

currently at 13 sketched pages total, but this is probably gonna be reaching towards 20-ish pages, surpassing part two, but it will depend on how i come up with how to end it. additionally to confirm there will be a PART FOUR / chapter 3, to end this story. my goal is to have it done before i finish my senior year, or at least during the summer after i graduate bc good lord who knows whats gonna happen.

and lastly, before i end this crazy update, SCRAPPED PAGESSS!!!!!

CONTENT WARNING : NSFW SKETCHES !!!! PLEASE LOOK AWAY IF YOU ARE A MINOR OR DON'T LIKE THIS TYPE OF STUFF!!!

oh boy... dont draw comics while sleep-deprived at 6am... idek what i was even aiming with this ngl other than just for fun, but i scrapped it due to not being what i had in mind for the story. if it doesn't serve a purpose or narrative, its bye bye YEAH BYE BYE THIS IS THE CLOSEST NSFW UR GONNA GET FROM ME HAHAHAHAHA- i say that despite writing a nsfw jojo wattpad smh im only confident doing it in words good lord. btw not watermarking these bc i gen don't care since they're legit scrapped {left top part was kept and completed} so idk what to do with these. im just throwing it and walkin away

now to end with this update, i can hear your question, "when will this be done?" and to answer that question: i'm not entirely sure due to my heavy focus on my smg4 oc: tsb, but my best chance is postponing my oc lore a bit and complete this before november UOIYGJDSIUHJKDWSXYUGHJKCS but we shall have too see...

if you want to join the ping list comment on this post LMAO [click]

ignore below if you're not from the tsb birthday partydddjdhdhdjd

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thurs: smg34 is canon in the tsb universe / au. though most of their encounters are platonic or best-friendy-way, they eventually express their feelings to one another and start dating 3/4’s way of the tsb storyline arc. tsb is a supporter of his friend's relationship and admires and takes inspiration from their relationship heavily to input his future love life. yearning to be in a similar position... to learn what is to really love someone... or what it's truly like to be loved...

[wayward-delver]

I've been seeing this opinion floating so let me ask you? How is Tessa any worse than any other character?

This isn't directed to anyone specific or even the fandom as a whole. But I've seen a few people claim this means that her parents were good and justified for chaining/abusing her or worse that she deserved getting killed by Cyn.

First of all, how is a kid who was so dehumanized she only identified with robots treating a cemetery like a scrapyard more awful than any of the other character? Yes it's weird and macabre, but not malicious. She had NO intentions of harming anyone until it was clear everyone was in danger.

But lastly Murder Drones is a silly horror comedy and rarely takes itself too seriously. Injecting 100% realistic morality into this show is pointless at best and straight up pretentious at worst. Let the girl be silly, she's suffered enough.

[pampushky]

Teaser: My Name Is Brutus (And My Name Means Heavy)

Alpha! Lando Norris/Omega! Lauda! Reader

oooo what's this?? me dropping a juicy little teaser of probably one of my favorite things I've written??

so. this is basically an ABO au with a race engineer & lauda mc, with the wonderful trope of enemies to lovers thrown in, as you will soon see from the scene I'm releasing a bit early.

other things about the fic: slow, and i mean fucking slow, burn. exploration of what disabilities would look like in the ABO world (especially centered around the sense of smell and how that could be considered a disability if someone doesn't have one in a world where most things are communicated by smell), societal pressures about what the ideal alpha/omega/beta should look like to the rest of the world which leads to Lando making assumptions about MC's secondary gender/sex, mentions of past emotional & mental abuse, PTSD, scarring, and worries about self-worth. Oh. and obvious hurt/comfort. But again, and I cannot emphasize this enough. Slow. Fucking. Burn.

uhhh i guess i'll do a tag list too for this so. tell me if you wanna be on that.

“I do have… issues, with the way you run things here,” you scratch your claw into the wood of the table, a low rumble in your throat. The scent blockers you have on are distracting to Lando. He wonders, briefly, what your scent is like, when it’s not so medicinal. “You need more discipline. Less media. It makes you seem… soft.”

“Soft?” Lando leans forward, tilting his head. You look back at him with your constantly blank stare, a slight frown on your lips, icy eyes that challenge even the Lauda death stare. “What do you mean?” You hesitate, looking to Zak and Andrea, who both gesture for you to continue. You then look at Oscar, who bites his lip and makes eye contact with you, and shrugs softly, as if permitting you to say whatever you were about to say.

“....you will take offense to what I’m about to say, I’m warning you.”

“Please, I’ll be fine,” Lando waves it off, grinning lazily. His nose twitches. The heavily medicinal smell of your scent blockers is getting to him. Do you truly need to cover your scent that much? Are you worried that he’ll act aggressively because you’re also an Alpha?

“.... no. You won’t. I’ve seen your interviews.” You say dryly, and fold your arms. Lando balks. 

“I beg you pardon?”

“You don’t take criticism well.”

“I take it just fine!” Lando shoots back, feeling himself starting to get frustrated. Why did you have to wear them? Even if you are an Alpha, the medication provided by the FIA should be more than enough to keep anyone’s tempers from flaring.

“Then you won’t throw a hissy fit when I list out all my problems with the way you work?” 

Your tone is icy. Even. Perfectly calculated. 

“Oh, you know I want to hear about your issues with me,” Lando slams his hands down onto the table, and you just raise an eyebrow at him. He’s down to his undershirt, his fireproofs hanging at his waist as you stare at him. “So say it! Don’t hold back!”

Andrea just massages his temples as Zak looks like he wants to be anywhere else. 

“Only if you don’t throw a tantrum when I’m right.” You state, examining your nails from where you sit, as though this is boring for you. Monotonous and icy-calm. 

Lando hates your voice. Specifically how robotic and monotone it sounds. What little he knows about you— which is as much as the rest of the world, with how private the Lauda family is— is that you apparently have some vocal chord and brain damage. Nothing substantial enough to impede your thought process or the way you speak to make you mute, but enough to have caused the monotonous way you talk. A small enough problem that Lando doesn’t feel like a total dick for what he’s about to say.

“Oh, just fucking say it, you robotic bitch!”

That gets your attention. You pause, slowly bring your hand down, and look at him. With the classic, terrifying Lauda glare. Your eyes pierce his soul, and for a second, just a second, Lando considers apologizing. Tucking his tail between his legs, his ears folded back. But then, he remembers who he is, and he meets your glare with his own, lips drawn back to bare his teeth....

[twoa-plus]

part 2 of turning everyone in gravity falls into creatures !! also my specific monsterfalls lore involves human versions of The Horrors so some of those will be in here also

(part 1)

i’m pretty sure unicorns already have some kind of association with nobility or the upper class or whatever and the in-universe unicorns are. Like That. so i think it fits :)

someone on tiktok said she’d be a cyclops and i agree :3 a lot of older depictions of cyclopes seem to still have like empty sockets where the eyes would normally be which i thought was neat so i kept that, felt like she needed smth extra too so i gave her little sheep ears & a tail :3 something something odyssey reference

LISTEN HEAR ME OUT OK i don’t. like a lot of more stereotypical “demon” depictions of bill. like i think it would be neater if he had a design where u could imagine him doing his whole “i’m a muse :D” thing and actually be believable yknow. also he’s short this guy totally has tiny man rage u can’t convince me otherwise

orthrus-like thing for blubs & durland :) blubs is a shih tzu for the mustache and durland is a borzoi bc he long. also for anyone concerned this au is post-canon & all of these people were born human they are not related lmao

baku fiddleford. LISTEN OK there’s like this whole thing of “oh yeah baku will eat ur nightmares but if they’re still hungry they’ll eat ur hopes and dreams too and leave u an empty shell of the person u once were” and i read that and i thought abt him and it made me sad so now all of u have to be sad too

toby determined is a squonk. i don’t even have to explain this one

tad strange is a normal human.

(personally i think of him as some kind of lovecraftian horror in human form but he can be whatever u want lol)

cockatrice tambry ?? i had no clue what to do with her other than that she kind of has bird vibes to me, and the cockatrice has enough edgy teenager energy that i think it works

mrs gleeful is an asrai bc they have anxiety and also it’s an excuse to give her a pool vacuum

human axolotl !! i really like the sort of pastel space thing they have going on in canon, hopefully this fits them :)

that is all for now !!! if i remember i’ll link part 3 here when i have it :D

[rafecameroninterlude]

https://www.tumblr.com/bunnirafe/762217744169091072/copying-other-writers-isnt-the-way-to-start-your

girl what is going on??

..this is what we’re not going to do. this isn’t acceptable whatsoever. below are pictures of side by side comparisons of what i messaged her about. the left is mine, the right is her’s. they speak for themselves.

i messaged her and kindly asked her if she could change the photos since they were too similar for her own rendition of bambi!reader. which i don’t claim to be mine by the way. the only thing that’s mine is the lore and personality for my !reader’s that i create specifically for each their own.

she said ok and changed the pictures. that’s all there is to it. i do have this account blocked because she followed me after i sent her a message and my account is 18+, but other than that, please do not send her any hate. at the end of the day, we’re all just here to read and/or write fanfiction.

since this is here though, i’ll just say this: please, please, please do not copy or make your moodboards, layouts, fics, etc.. similar to mine or any other writer’s. i can’t stress it enough how much thought and effort i put into my !reader’s and works in general just for it to be replicated. things like this are always being pointed out to me and i always hold my tongue but not anymore. i’ve posted about things of this nature before, and it’s also written in my pinned post that anyone who does this will be blocked.

[nocturnowlette]

Aren't you worried about forming a cult of personality?

Group hypnotherapy, mediated especially by a single individual, seems to encourage that kinda parasocial following.

Mix that with personalised sessions with multiple people, possibly seen as lovebombing. Elevating your audience to the idea that they're a mutual, when they're not even close to your personal life.

Why not just point to a larger, more professional hypnotherapy server? Such could guide the individual to somebody that may be better equipped for them personally, and constructive yet critical peers for yourself and other hypnotists.

It could offer other methods (including non-hypnotherapy ) that could guide individuals to heal faster.

Imo, it's a lot healthier when attention is spread out mutually, and treatment exposure is not at the whim of a subjective personality.

And if just a group, not primarily about hypnosis and more about your explorations of it, then you should post that kinda stuff to your channel instead so the video can receive feedback from hypnotherapists, and it'll be able to be seen by everybody, not just the people in your server, and you can just do puppy stuff there. As long as it's all safe and doesn't form unhealthy bonds that prioritise escapism over wellbeing.

You seem confused on what this server is.

Firstly, it's not hypnotherapy at all; it's a recreational hypnosis server. I, in fact, actively discourage anyone who is not a professional therapist (let alone hypnotherapist) from attempting to serve that role to someone else. Many hypnotists who just start out see conditioning as a hammer and every emotional problem as a nail, and I shut that down immediately.

You also seem to heavily overestimate my role as the server leader. If we were to quantify activity of hypnotists in the server, I likely would not even be in the top 5. I've largely lost my interest in regular hypnosis sessions for the last few months and serve mostly as the teacher and guide, as well as just the administrative server owner.

This server is not even about hypnosis so much as it is a community server that has hypnosis as a binding topic. If I were to give a topical split of how much it's talked about versus everything else, I'd say that it composes less than 10% of all discussion in the server. Therian/puppy stuff takes up slightly more than that, maybe 20 to 25%, then the rest of the server is nerds talking about their interests and having fun.

Any emotional progress made in the server is consequential and due to the place letting people feel safe to be themselves. Such a thing does seem to help folks quite a lot, but no active therapy is being done, and we encourage folks to actually seek therapy among other things.

My role as the server owner is largely due to necessity. I've always found myself at a lack of communities that actually suit me, so I've always had to make them myself. I quite dislike being the leader and much like with hypnosis, I actually prefer being on the lack-of-power end and not the super-in-power one. I'm a subject far more than a hypnotist.

I'm selective about who joins because every single server member to have caused issues and then left joined the first day of the server before there was a member cutoff. This place simply won't work for the majority of people, and the people who are let in are ones that would benefit from it.

On to the other topic, I trust therapists who know some hypnosis, not hypnotherapists. Hypnotherapy has been infected by quacks who know next to nothing and is, by almost every measure, a community destroyed by scientific mysticism. It is maybe the worst representation of hypnosis in our world and at best is hardly helpful, while at worst is actively destructive.

Every hypnotherapist I've met has been woefully knowledge-less on the actual functions of hypnosis and how it works, and seems to only know how to do the specific things they're taught. It's the difference between memorization and understanding. They were chewed up and spit out by the pseudoscience factory and think they know anything.

I have no intentions to ever be a hypnotherapist because it is not even close to the best method of processing any emotions whatsoever. I like hypnosis as a hobby, a way to have fun with people. If you want something similar that is more helpful, look into Gestalt therapy.

[chaifootsteps]

the other thing I thought watching that Brandon TikTok clip - besides that his response ate - was "what do these cosplayers even want him to apologize for?"

Blitzo already apologized to Stolas and it was arguably better apology than the one he gave Fizz! He straight up told Stolas 'you're too good for me, I don't understand why you would want me' and dropped all his legitimate grievances with him just to coddle Stolas' feelings (just have to Stolas give a response that shows he cares jack shit about Blitzo's insecurities and anyone would do, which he then proved by making out with the first guy who propositioned him when Blitzo was right there)

like maybe the cosplayer was just doing a bit (though why would Bee care if Stolas is weeping all over the place? she doesn't know him, as far as it's been established in the show anyway) but it feels like a lot of shippers won't be satisfied until Blitzo starts roleplaying whatever romantic fantasy Stolas wants or just grovels on the floor at his feet. that's basically what the show is saying should happen and idk how anyone can be onboard with the ship at this point if that isn't what they're rooting for, since it's obviously all the show wants to give them

and if Brandon's been getting a lot of these 'just apologize!' roleplay with me types, I don't blame him for dropping the mask and pointing out how not only shortchanged but abused his character - the supposed main character of the show - is.

the thing is he knows what the finale of the show is going to be, so if the episodes don't offer him any catharsis he might as well do it himself as a roleplay response

My thoughts pretty much exactly. I think that even if by some slim chance he really isn't bothered by the ship or the show's direction, it's got to be tiring constantly getting requests from fans wanting him to act out their highly specific roleplay fantasies.

"You want an apology to Stolas? He's a privileged piece of shit who took advantage of me and I don't care if he's crying in his mansion getting his tiny cock sucked. Leave me alone."

[thebramblewood]

Apologies if you've answered this before, but I was looking through your asks and couldn't find anything.

Do you have any advice on how you take such good screenshots of your game? You have such a knack for lighting, having variety of shots, and making them immersive.

This is so sweet. Thank you! 🥰

If I'm being honest, it's 90% vibes and gut feelings for me. I don’t have any formal background in filmmaking or photography, and everything I know is by sheer osmosis. There’s a lot of fancy terminology to describe why certain image compositions look better than others. I admire and respect anyone who purposefully keeps that in mind. But I am definitely not that person. I think I’ve watched enough film and TV, though, to subconsciously be doing the "right thing" - or at least what looks right to me.

That being said, I think the best way to improve is practice. If you spend enough time doing something you'll obviously get better at it, even if you don't realize it at first. So the most important thing is to give yourself the patience to grow and the freedom to experiment! At any rate, here are some things I've learned that will maybe be helpful to others.

Camera Tricks: We all know the camera in TS4 can be a little wonky at times. I use Buckley's camera mod. It hasn't been updated in eons but still works as far as I can tell. It gives you more freedom with movement, and I've found it especially helpful for getting shots that are lower to the ground.

Now that I've realized how sneakily useful first person camera can be, I also take advantage of that all the time. There's the trick of making your Sim look in a specific direction. (This works with poses and gameplay actions, by the way! For example, I used it to turn Caleb's head toward Lilith while he was trimming the bonsai tree.) There's the Dutch angle trick explained in this video. This is great for moments of disorientation and unease. I also just straight-up used first person camera to convey Helena's confusion upon waking after being turned.

Also, saved camera positions are your best friends. You can save up to five positions using CTRL+5-9. Then you just click the corresponding number to return to that position. I've used these for so many reasons. By taking two shots in the same position and Photoshopping them together, I've been able to edit Sims in (like Vlad below), fix accessory clashes (the book was in the hat category, so Lilith couldn't actually wear it at the same time as the towel on her head), and to pose Sims in open doorways (Helena had to walk through the door to open it for the Vatores, so I shot both halves separately).

Zoom: I love smashing that zoom button, whether it's zooming way in or way out. Zoomed out shots are perfect for establishing setting or as interstitial shots during a long conversation when you don't want to always focus on Sims' faces. They're also great for the draaama. Extreme close-ups are great for emphasizing emotion or a tiny but significant detail. Playing around with the extremes of zoom is one of the best ways to achieve shot variety!

Focus: I don't think Reshade is a necessity for good visual storytelling, but it does make certain things easier. I rely a lot on depth of field shaders to pull focus in shots. I like using cinematic depth of field especially in conversations to blur some characters while emphasizing others. I feel like this helps ground conversations because it reminds us there are multiple participants instead of always zeroing in on the speaker alone. Another way to play with focus is to allow the angle to mirror the emotions of the conversation. It's an older shot, but I always liked how Caleb seems to cower beneath Lilith's bat form here even though she's technically smaller. And in the recent conversation between Lilith and Helena, I kept the camera to Lilith's back to emphasize her vulnerability and discomfort and put the focus on Helena's reaction to it.

Framing/Angles: I do this by pure instinct, honestly, and have gotten better at getting it right on the first shot over time. I used to take half a dozen shots of the same pose from different angles and choose the best one. Nowadays, I'm quicker to commit and often take only one shot. I've learned that if something immediately tickles my brain, it's usually the way to go. I usually angle shots so that the characters aren't looking directly at camera, as it seems more natural that way. On the other hand, sometimes the direct to camera look can actually work in more confrontational or unsettling moments.

Environment: If I can help it, I don't do my own builds. In some ways, this is a disadvantage because I have to set up the scene within a space that wasn't specifically catered to it. On the other hand, it makes for fun little surprises, like the ability to peek in through a skylight or frame two characters within perfectly placed archways. I like using objects and structures to create interest when I can. I often don't discover things like this until I'm pulling the camera around and randomly happen upon them. I definitely recommend navigating all around to see what you've got to work with before committing to any specific angle. You might find one you didn't even think of!

Lighting: I do what I can with the game's lighting. I avoid placing ceiling lamps or at least turn the brightness down much lower, and I don't usually turn all the lights on in a room at once. I tend to change the color to one of the warmer golden hues to avoid a stark white that washes everything out. I always like when I can get some sources of light into frame because it adds a lot to the ambience. But I've also been using Relight on all of my posts lately. It's an addiction, and it truly makes all the difference. I'll use it to give light sources a stronger glow so they stand out more and also to create shadows on Sims' faces. It's also very good for flashlights and computer screen glow!

After having self-indulgently written all this, I'm not sure how much is usable advice versus rambling musings. I find it hard to give storytelling "tips" because so much of it feels innate and personal and hard to put into generalized terms. I also don't want to imply that every one of my shots is perfect or that there aren't a million other ways to go about achieving good results. But thank you to anyone who's made it this far, and I hope you found it worthwhile. 💕

[pumpkinmetaphor]

im pretty sure its a running joke in the kyokao fandom that they actively make each other worse which i think is absolutely hilarious (because like, yeah annoying capitalist x annoying capitalist) but what are some of the ways you think they improve each other? :D /gen

Great question!

I think Kyoya makes Kaoru more ambitious. Kaoru is smart enough to skirt by most of the time without much effort or forethought. I would not hesistate to believe that he and Hikaru are only doing like half their subjects and then taking tests for each other. I also think Kaoru is immature and nebulous about the future and what he wants from it.

Someone like Kyoya, who is very goal oriented and future focused would be somewhat of a motivating factor. Hikaru and Kaoru's decision to go to Tokyo University is more triggered by Haruhi and Nanako than Kyoya's still pending decision to stay in Boston, but I think Kyoya seeing what he wants and going for it is impressive. I think Kaoru would take his work more seriously, maybe take more of an interest in the business side of things if Kyoya made it more fun.

Meanwhile, I think Kaoru would motivate Kyoya to reevaluate what he thinks freedom means. Freedom is Kaoru's family motto and something Kyoya strives for and thinks he has- but has he? I think in the same way Tamaki makes him reevaluate the box his father has put him in, Kaoru would help recontextualise that a bit more. Yes, you don't have to be trapped in the expectations of your birthright, but maybe you don't need to be beholden to anyone's expectations of you- Kyoya himself said it doesn't matter as long as the people he cares about knows who he is, so maybe he should live by that instead.

The host club in general convinces Kyoya to have a bit more fun, but I think even Kaoru's specific situation- overshadowed by his elder brother, possibly disinherited due to reasons unrelated to merit- and the fact that Kaoru would be entirely unbothered by it would allow Kyoya to maybe reevaluate his options and pick ones that allow him that freedom. After all, those who live freely are the winners, right? And Kyoya wants to win.

I think this "Kaoru makes Kyoya a freer spirit" stops slightly short of Kaoru getting him on a motorbike at any point.

Basically, I think they mellow each other out. Kaoru works harder, Kyoya becomes less of a workaholic. Kaoru becomes a little more self-possessed, Kyoya becomes a little bit freer.

I also think, as me and @pilindiel were only discussing earlier, they mesh pretty well with each other's anxieties. They're two people who believe that they can only be love for the mask they put on, and two people who quite easily see through each other's masks. As long as the people you care about know who you are, nothing else matters- is as much about Kaoru as it is about Kyoya. It's an inadvertant, egotistical admission by Kyoya that he does know who Kaoru is and Kaoru does care about him, and vice a versa. Platonically, and bewildering to Kaoru at this point, but important nonetheless. Kyoya proves his point by even saying it and articulating it as a viewpoint that Kaoru would share- because he does know who Kaoru is, and nothing else about it matters.

But yeah, Kyoya believes that it is more important for the people he cares about to know him than it is for them to love him. And Kaoru is kind of into the whole evil scheming ambition thing so that negates that concern. And Kaoru meanwhile is terrified of being made obsolete and being left behind. Which is negated somewhat by Kyoya being the kind of guy with the dedication to stick to his convictions, one of which he has decided is the perpetuity of the host club. And one would be Kaoru too, of course.

Also just tacking on at the end because I'm rambling too much. I think Kyoya would make Kaoru more independent-- something Kaoru already strives for a bit more of, but there's nothing like giving someone a reason not to share a bedroom with their sibling anymore as that final push. And I think Kaoru would encourage Kyoya to be less self-isolating, less of a lone wolf. Mainly because he likes getting into other people's business. Kaoru loves teamwork <- freak.

[thecoolerliauditore]

Pls tell me about Scott's views on women in general pls I'm begging you

o7 and I'm sorry

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

fyi, the post itself isn't NSFW, but I'll be getting all gender theory in this bitch so I'll be referencing a lot of things and putting in pictures of naked ppl sometimes. maybe skip this one if you don't like that

(long post)

Disclaimers

An explanation for the tweet up there

I usually don't write these because I assume the people on my blog have enough sense to realise when I'm talking about the characters vs the CCs or are comfortable enough being a little confused, but I feel the need to extra-clarify here and expand on how I specifically view C vs CC because I think it differs a little from the average person.

To me, C and CC are two separate entities but not entirely disconnected. What differs (e.g. the exclusion of irl relationships -- their wives, kids, etc.) is poignant enough to severely detach them from the people they originated from, at least in my eyes, but there's also the fact that these are not scripted characters, just creators being themselves with a hint of behind the scenes drama-adding and improv thrown in.

For example, CC Pearl is a car nerd. So I assume her character is too.

This is where I state very clearly that yes, a lot of these thoughts come from things I've seen on Scott's twitter, which is undoubtedly the CC and not the C. However I, to me, am still talking about the C because any observations/judgments I could make on actual irl youtuber CC guy Scott Major would be tabloid at best and slightly invasive at worst. I'm seeing these statements within the context of "the death game guy would say this too and I'm writing this based on that", not "this is the inner psychological workings of the youtuber because I, as a fan, can totally tell".

TLDR I don't consider this post RPF but you might. This is a little more RPF-y than my usual stuff. If you don't rock with it we cool.

Everyone is weird about women, and that's okay

One short-hand I've used in the past to talk about Scott and women is just by saying that he's "weird about women" which I'm sure isn't exclusive to him.

(shitpost I made awhile back)

I see a lot of people now who love "villains" and "evil" but when it comes to any traits resembling real life evil (e.g. misogyny in this case) they suddenly become insecure. Just a couple of days back a saw a post on twitter essentially asking for permission to continue liking CC Scott in spite of the "bad things" he did.

And I think, in order to present an analysis like this, I must address that mindset first.

This is not a judgment on Scott's morality, nor is it trying to dissuade you from liking him. This is not saying that he is any more misogynistic than any other player in the series. This is just me pointing out Scott's attitude towards women and what I read it as, nothing less or more.

The feelings that me pointing these things out - be they apathy, disgust, anger or, what I would hope to see most, interest - are your own. I'm not here to tell anyone how to feel and never will try to police that on my blog.

Scott's Relationships with Women

aka. oh yeah this is about minecraft.

Scott and Cleo || "Yeah, you can kill me."

Scott and Cleo's alliance is arguably the strongest in the entire series, spanning through all five seasons and remaining unbroken with no (serious) drama attached. You'd expect from this that they two have a very settled and stable understanding of eachother, yet this isn't a case.

Their power dynamic shifts dramatically from one season to the next.

3L's initial Widows Alliance began on fairly equal footing, built on the mutual agreement that they were waiting for their respective partners to die. Both understood they were eachothers' "plan B" and felt comfortable in that arrangement.

Come LL, Cleo does what she couldn't in 3L, and initiates that plan, going to Scott after her last alliance, the fairy fort, fell apart. Scott requests nothing from her in return.

DL is the longest the two spent as eachothers main ally. Cleo is the one who initially proposes teaming up to spite their "cheating" soulmates and Scott agrees. Cleo admits to Martyn in private that she's aware she's taking advantage of Scott (which I've always interpreted as her talking about all seasons, not just DL). Due to the time they spend together, it's here where it becomes apparent that their initial assumptions during 3L were not entirely accurate, as Scott shows a level of gameplay competency much higher than Cleo's (e.g. teaching her how to axe-crit) but despite this Scott never berates her or thinks any less of her value as his ally.

LimL is probably this pairing at their most unhinged, as Scott, despite once again asking for nothing (or very little -- I'll be honest I'm a bit fuzzy on this) in return from Cleo, allows them and their allies to butcher him repeatedly for time. He gives more time to the Clockers than he does to Martyn, his closest ally that season. Despite this, Scott is never ever considered as a "family member" by the Clockers, despite them giving that title to even temporary allies (like the Bad Boys being their cousins) -- even Martyn gets a title with Scott completely unattached.

SL is relatively more chill, but shows that the two inevitably end up teaming together even despite their oath to avoid eachother that season.

The point being -- again and again, we see Scott literally and metaphorically making sacrifices for Cleo, with the only real transaction he requires from her being that she continues having his back when times get rough. This is despite that he's aware she isn't any more capable than he is and the fact that so far it has only been Cleo in rough times (LL, LimL and SL) and never Scott.

Speaking from a purely transactional perspective, Scott is not getting a bargain here -- and even Cleo seems acutely aware of it, judging by her comment during DL as well as the way she tends to speak of her survival capabilities very lowly in general ("rubbish pvp skills and spiffy one-liners"). I'm speaking in this sense because I've seen discussions in the past about the transactional way Scott views relationships but rarely does Cleo get brought up.

This is at stark contrast to how he treats Jimmy, whose predicted death was what spurred on Scott and Cleo's alliance in the first place.

Scott assumes Jimmy is "incompetent", where he assumes Cleo is capable. When Jimmy messes up, he reprimands him, when Cleo struggles to crit him, he patiently teaches her. When LL begins, Scott's first instinct was to look at Jimmy's lives and note that he was "useless to (him)", but holds no objections to Cleo joining his alliance despite her already having enemies being a potential liability. In SL, he jokes about how Cleo and him being allied is a given and pretty much expected of them, whereas in LimL he explicitly requests from Jimmy a recognition that he still cares ("say love you back!") before he will help him.

Scott and Gem || "You HAVE TO kill me, Gem,"

In SL, Gem settles in very easily in a leadership position within Gem and the Scotts due to her trying to live up to her reputation but also due to Scott and Impulse's more laid back, passive playstyles.

Both Scott and Impulse let Gem kill them for extra health this season, although Scott is arguably much more subservient than Impulse is, with him not only insisting that she kill him in the final episode but also not fighting back (and only yelling for her to stop) when she starts hitting him with a sword during the episode where her task was to literally kill everyone on the server.

Once again comparing her to Jimmy, Scott in 3L had a tendency to brush aside Jimmy's concerns over alliances (e.g. Jimmy questioning if they could trust Cleo) while in SL Scott runs his plans by Gem (and Pearl and Impulse) in terms of who he wanted to team up with (specifically excluding Joel from the potential mounders alliance) implying he held her opinion in some form of regard.

Before this becomes less of an analysis of Scott's treatment of men vs women and more of Scott's treatment of Jimmy vs everyone else, I think it's notable enough to mention that he and Martyn also lacked this sort of communication in LimL. He would inform Martyn of his plans, but rarely was it ever framed as a request.

SL almost feels as if Scott has slid Gem into the slot he had previously designated for Cleo in 3L (his girlboss ally) as he provides her and pretty much forces onto her by the end the acts of service he'd become accustomed to performing for Cleo.

Scott and Lizzie || "You killed her! I don't.. I don't know what to even say!"

Relatively shorter section because this is the one woman he hasn't teamed with, but there's still some interesting stuff I wanted to touch on.

In LL, one of the first thing Scott does is yell at Pearl to revenge-kill Joel for boogey-killing him. Pearl does as she's told and Joel's wet miserable pathetic LL life gets worse from there.

Several episodes later, the roles are reversed -- Lizzie lies to both of them and manages to isolate and boogey-kill Pearl. Scott, instead of reacting with the anger he had for Joel, is almost in a state of shock as he asks Lizzie to let him down so he could collect Pearl's belongings. He doesn't act aggressively towards Lizzie at all, with his most antagonizing act against her being to lie about his intentions when giving her a wither skull.

In SL, he's the only one aware of her early permadeath, but keeps quiet about it almost as if he's in a state of shock akin to when he saw Lizzie kill Pearl in LL. It's not until the others have noticed when he finally brings it up.

Scott and Pearl || "Tilly death do us 'part"

I wrote a whole post just for their relationship alone so for the sake of my sanity I'll be leaving this here.

So now I get to dedicate this section to the meat of this post -- how the way Scott treats women in general impacts his relationship with Pearl and how I view his heel-turn on her as seeping with relevance to Pearl's perceived gender.

In all three of the previous sections, the running theme is that Scott is 1. kinder and more patient with women, regardless of their competency and 2. someone who likes to be in a supporting role to women, occasionally aiding them more than he aids himself and his closer male allies (e.g. Jimmy and Martyn). As shown with Cleo, he assumes that girls have it together, but even if they don't it's not a big deal. When a girl's actions are truly disastrous, such as with Lizzie's, he goes into a state of shock and doesn't really react, preferring to swallow it down and not acknowledge it.

With the amount of times he sacrifices himself, I don't think it's a reach to say that Scott values his own life less than he values the lives of his (female) allies. This specific point actually does extend to his male allies too, shown when he's happy when Martyn literally backstabs him in LimL, but just as with the Martyn post where I point out his victim status-ing doesn't end at only women but includes all the women, Scott has pedastal-ed all the women he's teamed with.

Lizzie is, once again, the exception here due to his limited interactions with her. However that's actually somewhat patched over if you look at adjacent series (such as x-life) where he definitely shows her a level of admiration and respect.

Back to Scott and Pearl.

Their relationship during LL is very standard of how Scott treats women. While the power dynamic between them is obviously more caused by the initial life trade agreement, I don't think it's a far reach to say that Scott is somewhat comfortable in the arrangement.

However, this is also the first thing that sets their relationship apart from Scott with Cleo or Gem -- Pearl is the one making sacrifices, not Scott. She is the one "sacrificing" her lives to him, just in a more non-violent way as allowed by the season's mechanics.

When viewed through this lens, Scott trying to make it up to her and wanting his effort acknowledged makes even more sense. This is suddenly uncharted waters for him. His assuming that Pearl doesn't value him as a person goes hand in hand with him valuing himself less than her.

What Scott has with Cleo or Gem, situations where the other party is clearly uncomfortable with how he treats himself (Gem) or actively aware they are taking advantage of him (Cleo), is equalized to him because he is inherently worth less. What he has with Pearl, on the other hand, looks more equal to most people (lives vs labour) but is wildly imbalanced to him.

It's one of the many factors I see going into Scott's weird decision to abandon her in DL.

An Interlude, Before We Get to DL

La Pieta, Michelangelo

So this has been a lot of words so far and some of you might be wondering at this point: why say Scott is "weird" about women when so far this has been describing how he values women more, is kinder to them, is more patient with them, etc.? How is any of this behaviour remotely misogynistic?

And I would feel horrible if I forced you to read through all of my DL thoughts before I clarified this -- Scott is not your classic wifebeater "women are lesser" misogynist, Scott is someone who subscribes to misogynistic schools of thought and probably considers himself an ally to women, when in reality his beliefs are still rooted in dehumanizing them and these beliefs end up harming the women around him as well as himself.

After all, seeing women are your superiors is still not seeing them as your equals.

I know it's a bit of a meme on this blog at this point. But. Sigmund Freud identified what we know refer to as the "madonna/whore complex", which he described as a pattern of behaviour in men who separated women into being madonnas (pure, holy and admirable) and whores (debased, sexual, deviant). We'll be focusing on the former, the madonna, as it is more relevant to Scott's character.

Freud proposed that the madonna figure was something men projected onto women as a replacement for maternal love. These women are sacred and untouchable, literally as the projection of the maternal role onto them also makes it so that the sufferer cannot feel any sexual attraction towards her (keep this in mind for later).

Scott projects the madonna figure onto his female compatriots -- they are to be protected, served and supported. They are goddesses, queens, but they are never human. The madonna role in of itself is not inherently harmful to the woman, as seen with Cleo who takes control and advantage of it. However, it is enforced, as seen with Gem who at first revels in the superiority but almost breaks down when Scott offers him up as her sacrificial lamb one last time.

I linked this Utena AMV awhile back when vaguely talking about Scott and women, and this was the point I was alluding to.

Girls are beautiful and pure. They don't spit on the street, they don't piss on the street, they don't build hierarchies -- they subvert all the expectations of masculinity that I hate having to deal with. They are my escape.

But what about the girls who do spit on the street? The girls who piss on seats? Who build social hierarchies, who size up their competition?

The girls Scott interacts with are all painfully human. Cleo weaponizes his beliefs and take advantage of him. Scott is smart enough to know and accept this. Gem's playing into a role she has been assigned into by not only Scott but everyone around her. Scott supports the character she plays. Lizzie reflects traits he hates in Joel and Jimmy, but for her, he looks the other way.

Are they "demons", as the song says, or are they no longer girls at all?

(demons, gods, but never humans)

Weaponized Femininity and Women In Total Control of Themselves ;)

Hylas and the Nymphs, John William Waterhouse

Historically, weaponized femininity I'd argue is one of the oldest tropes in storytelling. Whether it's nymphs or sirens or witches or succubi or even more roundabout cases like Helen of Troy, there's countless stories of men's sexual attraction to women leading them to disaster.

One way to view these stories is to see them as warnings, don't let womens allure be the end of you.

There's a lot of good writing done on the femme fatale trope both in the context of weaponizing femininity and as a sexist way to argue against victims of sexual assault, as these stories often say that men who experience attraction to these "evil" women no longer have agency over their own actions.

Look at the painting above, for example - is it the nymphs who are responsible for drowning Hylas, or is Hylas climbing into the lake of his own accord?

Despite the fact we all know sirens, nymphs and succubi aren't real, the belief that men will simply lose control of themselves when encountering a particularly alluring woman persists to the modern consciousness. That there's something inherently dangerous about women and attraction to them.

(this is not 100% applicable to Ninja saying he won't stream with women, but it's the real life example I felt most comfortable putting in here)

Now, let's combine this with what's been said so far -- let's say you don't hate women. You love women, in fact, and you hate the way men treat women. You hate men, in fact.

Yet, you still believe in this inherent power women hold by being female and the loss of agency that men experience when attracted to them -- how disgusting.

It quickly becomes easily to not only demonize men for sullying the holiness of women, but also men, masculinity and attraction to women as a whole.

(apologies for using twt discourse in the meta post but this flew by my TL and i had to grab the irl example of mens non-violent attraction to women being used to frame them as misogynistic before the stupid app refreshed and i lose everything forever)

"To Venner" is a student film exploring a world set within this belief, where all the women have vanished and the men have become monstrous figures as a result of their pent up sexual frustration. fyi this is one of my favourite student films (and ive watched a bunch), but I do think its messaging is worth breaking down (especially its juxtaposition of dirty horrible monstrous sexuality vs pure and beautiful romantic love)

NOTE: this film is super graphic, lots of violence and nudity. have fun. or not

I admit this section is a bit hard to gauge as everyone in the series is gay as fuck. The closest in-series example I can think of is Scott reacting to Martyn's antics in DL with a sort of indigence but otherwise I can't really think of an example of a man expressing attraction to a woman at all, let alone one Scott reacted to. However, I do think it's still worth talking about because it opens up some interesting trains of thought in regard to Scott and Pearl.

For Scott, he himself has never been part of the picture. He's gay, after all, which gives him an edge over the bad straight men who objectify and assault women. Likewise, there's little evidence to suggest he finds the expectations of masculinity frustrating, but I don't think it's too far a reach considering how common of an experience that is for gay men and his adapting of more feminine mannerisms.

Double Life and Corruption

As mentioned in my previously linked post about Scott and Pearl's relationship, I do think Scott experiences what he would name as attraction towards Pearl, so my writing will reflect that.

Pearl is. ahem. not like other girls.

Not actually. But to Scott, she probably isn't like other girls.

She remains unaware of his different standards for her (how could she when she had nothing to compare them to), she acts out, sometimes violently, against Scott's urging (such as when she stole from Scar's wagon). She maintains their already irregular dynamic, and while she appreciates his care for her, she never quite falls into seeing him as a source of subservience the way Cleo or Gem do.

At the end of LL, right before the 1v1v1v1, she monologues to herself that she no longer has to feel bad for killing Scott. Which, in turn, implies she expected Scott to give it his all against her as well.

She entirely fails to embody the madonna with her immature naivete and her questionable morals. She is unpredictable, she doesn't take what she is owed, she is a monster in a lot of ways.

Scott, too, is a monster, to himself, for how he feels about her.

The very foundations of your understanding of yourself being ripped apart aside, let's rewind to the madonna/whore complex. To sexualise the madonna is to corrupt her and make a monster of yourself. Suddenly, you are no better than the men around you, the ones you've grown to hate. Suddenly, you are the grotesque figures in films like To Venner. You are Hylas and she is the nymph. And you are so stupid. Your worldview crumbles around its flawed foundations.

Scott is, however, immune to this corruption. This is a theme that appears in Empires as well, but throughout the traffic series he's prided himself on being loyal and kind and good. His monologue leading up to LL's 1v1v1v1 summarizes it quite well.

He can't let himself or anyone else see this side of him, but the energy needs to go somewhere. To defy fate, abandon your soulmate, is to admit you had a fate in the first place, is to acknowledge that she was your soulmate in the first place.

I've previously talked about how fate and romance are very ingrained in Scott's belief system, if it was anyone else it would've been amazing. He could've been like Bdubs and Impulse or Ren and Bigb, diving into domestic life and performative romance with a stranger. Or the world could've made his happy ending from 3L real, as he got to be Jimmy's husband all over again. I think it says something that he accepts Cleo as a "soulmate" before Pearl.

So what do you do with all that energy and tension, clearly apparent to yourself and everyone else, when you can't let them observe your feelings?

You project them.

Shout-outs to @/legally-allowed-to-slime for pointing out Pearl's comment early on in DL that she "feels like (she's) been broken up with" confirms she never saw Scott in a romantic sense. The "crazy ex-girlfriend" and "this is why I'm gay" comments really did come out of thin air, or perhaps insecurity.

Pearl is the crazy one. She's insane, because she wants me. She wants to be with me, so she does all this crazy stuff. She's lost control of herself because she wants me. She's disgusting.

I mentioned before that Scott is not your classic misogynist, but this is where the gears start turning. Scott's views of Pearl echo that of other players, most prominently Ren and Martyn, that Pearl has been overcome with some sort of corruption. She has become the witch, the demoness, the whore, in their eyes. Scott does not want to be the same as these men and I think his overcorrecting his behaviour in SL makes sense when you view it from this angle, but for now he has to rely on more traditional misogyny in order to navigate this new obstacle.

"Corruption" also implies that she had to have been pure (or at least pure-er) beforehand, something Scott personally knows is not true, but it falls in line with defaulting women to being "madonnas".

This is a Scott post but. shout outs to Ren for being all of this about Pearl but without the complexity of Scott like he literally accuses Pearl of seducing Bigb what the fuck man.

Pearl is, of course, none of that. But she plays into the role of being the witch much better than she fared playing into the role of the madonna.

Sidenote: I know I'm looking at this from a Scott/Pearl POV but I do feel like you can omit Scott's attraction if you look at it from a purely "pearl not performing to standards of femininity I expect and she makes me realise I don't view women as a whole as human which makes me feel weird so now we have to do this" POV. Like idk I think the exact reason he abandoned Pearl is going to be lost on everyone forever so any analysis I could perform is going to suffer at least a little bit of making-shit-up-itis.

I do also think there's something to be said about Pearl being pushed until she performed a role, any role and generally failing at Being A Girl tm but that's another post i think. yknow shes um. a bit. 🏳️‍⚧️ (but also very much not at the same time idk that's gonna need its own post)

anyway yeah uh the minecraft movie looks crazy huh

[seyaryminamoto]

My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D

The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!

The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...

Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD

Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!

Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...

... And that is my likely unexpected choice for Yao:

ZUKO.

ZUKO IS YAO.

YES.

I'M NOT EVEN SORRY.

(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)

People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)

Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:

Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).

And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...

So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.

... but this isn't all.

Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:

WHY ZUKO AS YAO, THO??

... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!

What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...

He treats Mulan as his RIVAL.

And more often than not? SHE SCREWS HIM OVER. Intentionally or not.

What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!

The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?

So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!

I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney hasn't seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.

So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.

Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.

And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!

Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!

[silverzoomies]

hello !!! i was just wondering if you think there are any other bands peter would like besides nirvana, pink floyd, and rush ?? he gives me classic rock (& just rock in general) vibes tbh !!

anon you just opened up a can of worms !!

i once did extensive research into this. way more than anyone should for a character way past his relevance. and i'm still discovering new tunes i think he'd be into all the time !! i'll try not make this long winded (it will be). but for now...

🎶👾 peter maximoff's (potential) favorite tunes 👾🎶

we already know pink floyd, rush, and nirvana are included. they're shown through the shirts he wears !!

rush is a major one. because unlike the other two, apocalypse era peter has rush all around him !! the rush posters in his basement. the leg cast with "i luv rush." it's safe to say he's kind of a rush fanboy (and he's so real for that because rush is rad as hell).

i have a list of bands/artists i can confirm he canonically likes, as they've been referenced before. whether it be through background clues (posters, background music, etc), or because they were explicitly mentioned by people involved in making the films.

🎶 yardbirds 🎶 the doors 🎶 led zeppelin 🎶 buffalo springfield 🎶 alice cooper 🎶 jim croce 🎶 neil diamond

and while we know he listens to eurythmics (sweet dreams), i don't necessarily include them as a band. just because i personally feel this has less to do with the artist, and more about whatever was mainstream in 1983 (but you can choose to include them if you want !! after all, people mostly listened to whole albums back then).

peter definitely enjoys rock overall. but he doesn't seem averse to mainstream pop either. so we can probably assume he'll listen to anything, as long as it's catchy !!

here's some bands/artists we can assume he likes based on what we already know:

🎶 jimi hendrix 🎶 cream 🎶 the beatles 🎶 fleetwood mac 🎶 queen 🎶 david bowie 🎶 tom petty 🎶 ac/dc 🎶 bon jovi 🎶 journey 🎶 guns n roses 🎶 the eagles 🎶 joan jett & the blackhearts 🎶 deff leppard 🎶 tears for fears 🎶 michael jackson

and if there's some other classics i missed (from the 60's/70's/80's) you think he might like - please feel free to drop me an ask !! i'd love to add more to the list !!

lastly, i'm gonna drop some bands/artists i personally like to think he might listen to. mostly because it's fun to imagine so:

🎶 iggy pop 🎶 bee gees 🎶 thin lizzy 🎶 toto 🎶 a flock of seagulls 🎶 elton john 🎶 u2 🎶 redbone 🎶 madonna (i 100% believe it, you can't convince me otherwise) 🎶 pearl jam 🎶 radiohead 🎶 red hot chili peppers 🎶 green day 🎶 my chemical romance 🎶 beastie boys 🎶 smash mouth 🎶 nickelback (fight me, i dare you)

if you're looking for any specific songs, there's a really awesome playlist i listen to religiously. chai_vibes's "songs peter maximoff would unironically listen to" is so peak !! and i'll go ahead and drop my own peter maximoff playlist too, just because i worked really hard on it !! lol

happy listening !! thanks for hearin' me out !!

[on-the-clear-blue]

The idea warms are hitting extremely hard today, so outside of my usual DPxDC I give you, Spider-Man in Gotham...Not MCU Peter edition!

Give me a Peter Parker that is 18 going on onto 19, he has been Spider-Man for like, 5 almost 6 years, getting his bite very early, and dealing with all the things that happen to him younger.

And give me a Year One Batman. Who is still trying to figure out what the hell he is doing, and toting along a 9 year old Robin

Peter, falling out of a portal, and doing his standard check of surroundings, spotting Batman staring at him in clunky armor and a brightly colored child: Waves slowly

Bruce, who heard some freaky shit was happening with a cult near by and went to investigate: blinking at the blue and red being that got summoned

Dickie, who is trying (and failing) to do the Bat glare: still waves back.

And like, just the idea of this 19 year old Spider-Man taking a much older vigilante under his wing, teaching him the ins and outs of it all.

Like..

Bruce, Storming through a bag guys base gets suddenly pulled back by a web to his cape.

Peter, giving him a "bitch you dumb" look under his mask: Traps! LOOK FOR TRAPS?? AND LOOK UP? PEOPLE HID THINGS UP?

Bonus, Spider-Man bending himself into a human pretzels and Dick "I have no bones" Grayson is gleefully testing to see if he could do it too.

Jump cut, years later, Peter beats emotional intelligence into Bruce with Dick.

All the Bat kids grow up with Uncle Peter, (either Peter can't get back or has been told specifically that he can't by a higher being or something) and like...

Peter is the only one that catches Tiny Tim following them during patrol, he shows him all the places to get the best angles, even poses a few times for him.

Either is there when Jason dies and saves him, or is there mourning with Bruce

(Gotham lives in fear of the memory, Batman at his most brutal and Black Suit Spider-Man)

Teaches Jason how to control his pit rage after he comes back, what is Spider-Man if not control?

Stephanie is his bestie in puns and white girl music tastes.

Tim finds a partner in constantly staying up far to late as well as someone who likes to invent,( because I hc that Peter has pretty much worked with every scientist in New York, cus like since this is a blend of canons, he has worked with the Lizard, Doc Oct, Reed Richards, the only one he said no to an internship was Stark)

Duke gets a meta mentor that can help him with his powers, Spidey has been on more than one team with someone that had some form of light powers.

Plus I think Spider-man is Gothams daytime hero before Signal joins him, they are the daytime duo

Cass is his favorite (don't tell anyone because they already know) she can see him and he can see her in a spider sense, they do the point meme whenever they sense each other.

Little stabby Damian finds out that this person with his father has been trained by many an assassin (Wade, Daredevil, Natasha, Shield in general)

And Wade...Deadpool pops up occasionally, even he doesn't understand why or how lBruce gets a strange feeling he should punch the Flash in the face the next time he sees him)

Bruce having to deal with Deadpool is terrible for him and I sadly love it.

(Also on the point of Black suit spidey in Gotham...ESPECIALLY after Jason is murdered? Oh Peter is killing the Joker, or his arm privileges forfeit. I feel like Peter would try not to kill him but wouldn't try too hard.)

Spider-man being a founding members of the Justice League, them having to deal with Peter crawling on the ceiling, and scuttering through air vents!

Peter making Parker Industries, pointing inventions from other heros/villains from his world, he isn't above pettiness, and that's how the DC world gets some of Reed Richard's old designs he gave to Peter "Because they are practically useless" they arnt they save millions of lives. Not to mention Arc Reactors, Peter grinned the whole time claiming it was his idea.

Hope you enjoy my ADHD rambling brought to you be sleep deprivation

[enbysiriusblack]

autistic marauders battle

submitted propaganda

albus dumbledore:

"- stims with pacing and humming (it's canon that he paces around in his office (J.K. Rowling said she chose the name Dumbledore, which is derived from "bumblebee" because she imagined him walking around humming to himself a lot.)

- special interest: the deathly hallows. this man's obsession with a fairy tale runs DEEP. i would argue it would be his special interest if he were to be autistic

- has "unusual" emotional responses. for example, when the ministry threatens to remove all his orders awards, his biggest worry is that they remove his chocolate frog card... silly sweets lover

- OBSESSED with sweets. man had specific sweets name as his password for years + we see him eating sweets a lot in the books + man LOVESSS his sherbet lemon. i think he feels very safe with his sweets so they might be considered a form of safe food

- bro infodumps a lot to harry lmao

- insanely gifted magically but struggles to find people who understand him. ("DUMBLEDORE is looking at the pictures. These memories are agony. He is full of remorse but, almost worse: nostalgia for the only time in his life he felt fully understood.") He only ever felt truly understood by Grindelwald, who was equal to him in intelligence and power. As an autistic person who is considered "gifted", I relate to this struggle sooooo much.

- (‘Is he – a bit mad?’ he asked Percy uncertainly. ‘Mad?’ said Percy airily. ‘He’s a genius! Best wizard in the world! But he is a bit mad, yes. Potatoes, Harry?’) others view him as eccentric and "different" frequently in the books

- Dumbledore can sometimes seem detached or quirky in social situations. His interactions with others are often unconventional—sometimes lacking typical social cues or emotional responses, which could suggest difficulty with typical social interaction, a trait associated with autism.

- doesnt conform to social norms (how he dresses & his mannerisms). he seems to not place much value on society's expectations and thinking

- gets repeatedly mistreated by the ministry of magic. i think the way torquill travers for example treated him reminded me very much myself lmao

- very black and white thinking about himself. he views himself as an awful person who cannot be trusted with power and cannot be convinced that there is nuance

- Strategic & analytical thinking: Dumbledore is portrayed as highly strategic and analytical, sometimes to the point where he seems detached or overly focused on the "big picture" rather than the emotional needs of those around him.

- how he handles his past trauma. he hyperfixates on specific events of his past and seems to have an intense need for personal order and logic in his decisions

- has an unique communication style. his manner of speaking is often indirect, filled wigh metaphor, and sometimes difficult for others to understand. Many autistic people communicate in ways that might seem unusual to neurotypical people, whether through complex speech patterns, an affinity for precise language, or challenges with verbal communication

- constantly misunderstood by literally anyone

PERSONAL REASONS: -i relate so much to him and his way of existing. i think he fits the 2E very well - (2E= gifted through high IQ & disabled) he is insanely intelligent but also suffers from feelings of not belonging / never being truly understood except by grindelwald and all"

[yanderenightmare]

heya! do you have any more writing tips for writing on tumblr? like, any tips to get as much attention as you, kinda

Oh yes.

♡ Post in different lengths!

Or, more precisely, don’t only post long full-fics with multiple chapters.

I know it sounds weird, but the more effort you put into something doesn’t actually guarantee more payoff. Why would anyone read your hour-long fic if they have no previous experience with your writing that gives you credibility? In other words, how can they know spending an hour reading your writing is worth it?

More people are likely to grab a bite-sized appetizer than they are to sit down for a full five-course meal.

But! The more people like those bite-sized appetizers, the more likely they are to want to sit down for that full five-course meal, you know?

Think of those bite-sized appetizers as taste tests—kind of like commercials that bring more people in to give your actual meals a try.

Also, writing in different lengths is good for you! Only writing hour-long stuff makes you burn out quickly, which brings me to my next tip:

♡ Post often!

If you can, try posting something every day. Of course, you can’t post full hour-long fics every day, which is where writing smaller things such as drabbles, headcanons, and tiny prompts come in. Think of them as flings you have in between your long-term relationships. They’re fun little things good for your health!

But anyway, here’s a tip for when you do have those long-term relationships—as in, when you want to write full-fics or longer posts in general:

♡ Start with a hook! 

My attention should be seized by the first paragraph, if not the very first sentence I read. This is so important.

I’m a very picky reader sometimes—so if that first line doesn’t interest me, I’ll be fast to scroll to find something more enticing. And you can be sure a lot of readers are the same.

Under are some examples of my own start-liners.

Something foreboding:

There’s something very off about your roommate… something eerie that makes you keep your distance.

The plot:

Thinking about the big and burly behemoth Omega finally finding himself the cutest little Alpha to breed with…

Something catchy:

Give a brat an inch, and they'll take a mile. 

Something snappy:

You’re his favorite whore…

Dialogue:

“Feels like you’re luring me into some trap.”

A prompt:

Yanderes who keep you higher than a kite…

In medias res:

You lay on your belly on the bed.

Anyway, they don’t have to be groundbreaking—just anything that will spike interest in the reader.

♡ Write for different characters! And try writing inserts!

Inserts are when you don’t name any specific character in the story but either give options for what characters your audience can imagine or leave it completely up to them. This works best if you have a nice starter-line that tells you what kind of character this is without naming them.

Examples:

Bruiser boyfriend

Ex-military Yandere

Benevolently sexist boyfriend

Creep Step-bro

You can go further and identity the reader as well:

Big, brawny, chubby-muscled Boss and his perfectly bite-sized assistant

In other words, people like to know what they’re about to read before they start.

Otherwise and lastly:

♡ Something logistic you can have in mind is making your writing accessible. 

Say I like one of your posts, and I click your profile to check you and your other posts out, but all I see when I scroll through your blog is endless reblogs and one-off comments about this and that. My second instinct is to check out your Masterlist. If you don’t have one, my mission is fraught, and I’ll be out of there quickly. If you do have one, but it’s messy, then my patience will wane, and again, I’ll be out post-haste. 

The bottomline is to have a neat pinned post that makes it easy to navigate your blog, with all your relevant stuff easily accessible. Check out mine for reference. But the most important is for it to include your rules, how to request, and your masterlists.

Then, of course, this is obvious, but:

♡ Things take time

I’ve been running @yanderenightmare since 2020. Back then, it took me half a year to get my first 1000 followers. And most of my posts would only get about 500 or so likes. And, that’s another thing—if I was doing it for the likes and follows I probably wouldn’t still be here, so make sure you enjoy what you’re writing and stuff. If you have that conviction, then the rest is just a nice bonus.

[herefortheships]

Why would you say people ship Beetlejuice and Lydia? I’ve been a fan for so long I’m just like “huh…why do we ship it?”

Suddenly remembered I hadn’t answered this, and since I can’t sleep right now I’ll answer it! I meant to earlier and forgot.

I personally ship it because I love the concept of monster x human relationships, and especially when one character (usually the male part of the ship when it’s m/f) in this case this character is Betelgeuse, is dark, powerful, often immortal and even terrifying, (in Betelgeuse’s case also unhinged and absolutely crazy lol), and definitely the least you would expect to EVER fall in love, and yet he does fall in love with this other character who happens to be human, mortal, often quiet and also unlikely to fall in love. These two are the least likely to fall for each other, but they do! Then he starts to show a softer, completely unexpectedly romantic side to him that is reserved only for this woman he loves and no one else. She is both his strength and his weakness all at the same time. He is willing to do everything and anything for her.

Often these two characters are complete opposites and at odds with each other (or even enemies!) and yet they find each other in the middle. There is something they find in the other which cannot be replaced or found in anyone else in the world, and as unexpected and unusual and crazy at it is, before they even know it, their connection is forged in a way where they cannot and will not ever belong or fit in with anyone else. They’ve become a part of each other, even when the odds were against them or might be against them forever because they are intrinsically worlds apart. But love just finds them, and they meet in the middle.

I also love this kind of couple a lot when one of the two realizes their connection before the other, like Beetlejuice just knowing Lydia is *the one*, even if he can’t explain to her how he knows or why. This same scenario happens with Spike in Buffy the Vampire Slayer. At some point he realized she was the one, and she just got under his skin and became an inseparable part of his being.

Although not always, I believe this type of couple also follows the female gaze, since the male character (as I mentioned above it’s often the male character) shows an interest in the emotions of the female part. This is true in Beetlebabes. He isn’t interested only in her body, but also in honoring her emotions and desires (like Betelgeuse honoring Lydia’s wishes to have a more private wedding and respecting her boundaries by not forcing her to kiss him or something like that, plus making an effort at being romantic by serenading her and giving her an absolutely romantic wedding with a magical dance in the air). These interactions that are more romantic than sexual speak to the female gaze.

I think also that Beetlejuice Beetlejuice had several “Universal fantasies” entwined in the Betelgeuse x Lydia relationship that are just irresistible for many romance lovers and when those are present, our minds just inevitably grab on to those fantasies and identity them whether we are aware of them or not. Our mind just goes yep this is a romance and oh boy what a romance this is and before you know it you are obsessed. If you haven’t read about Universal Fantasies in writing, these are basically just more specific tropes that really speak to audiences in a way that hooks them powerfully to a story, and more specifically to romantic stories. This concept is introduced by Theodora Taylor in her book 7 Figure Fiction (which I’m sure many writers know about since it’s pretty popular but I mention it just in case it’s new to someone reading this).

Another reason lots of people love this ship is just aesthetics as well which is also valid. For me this for sure became one of my top three Burton couples.