#irish identity

[blueheartbookclub]

Dubliners: A Captivating Exploration of Ordinary Lives

James Joyce's "Dubliners" is a collection of short stories that offers readers a poignant and vivid portrait of life in early 20th-century Dublin. Published in 1914, this seminal work of modernist literature is renowned for its richly detailed character studies, evocative prose, and incisive exploration of the human condition.

At the heart of "Dubliners" is Joyce's keen observation of the everyday lives of the people of Dublin, capturing the hopes, dreams, and disappointments of ordinary individuals with precision and empathy. From the working-class neighborhoods to the middle-class suburbs, Joyce paints a multifaceted picture of Dublin society, revealing the complexities and contradictions that lie beneath its surface.

One of the most striking aspects of "Dubliners" is Joyce's mastery of the short story form, as he skillfully crafts each narrative with economy and precision. From the atmospheric opening story, "The Sisters," to the haunting conclusion of "The Dead," Joyce's stories are united by a common theme of epiphany, as characters grapple with moments of revelation and self-realization that illuminate the hidden truths of their lives.

Moreover, "Dubliners" is celebrated for its richly drawn characters, who range from the disillusioned alcoholic in "Counterparts" to the young boy experiencing his first crush in "Araby." Through his vividly depicted characters and their inner lives, Joyce offers readers a window into the social, cultural, and psychological forces that shape their experiences and interactions.

In addition to its exploration of individual lives, "Dubliners" also serves as a poignant meditation on the broader themes of Irish identity, colonialism, and the search for meaning in a changing world. Joyce's portrayal of Dublin as a city caught between tradition and modernity reflects the broader tensions of Irish society in the early 20th century, as it grapples with its colonial past and uncertain future.

In conclusion, "Dubliners" by James Joyce is a timeless masterpiece of modernist literature that continues to captivate readers with its vivid depiction of Dublin life, richly drawn characters, and profound exploration of the human condition. Through its evocative prose and incisive insights, "Dubliners" offers readers a deeply moving and thought-provoking journey into the heart of Dublin and the lives of its inhabitants. With its enduring relevance and universal appeal, "Dubliners" remains a testament to the enduring power of Joyce's vision and storytelling prowess.

James Joyce's "Dubliners" is available in Amazon in paperback 15.99$ and hardcover 22.99$ editions.

Number of pages: 312

Language: English

Rating: 9/10                                           

Link of the book!

Review By: King's Cat

[blueheartbooks]

Dubliners: A Captivating Exploration of Ordinary Lives

James Joyce's "Dubliners" is a collection of short stories that offers readers a poignant and vivid portrait of life in early 20th-century Dublin. Published in 1914, this seminal work of modernist literature is renowned for its richly detailed character studies, evocative prose, and incisive exploration of the human condition.

At the heart of "Dubliners" is Joyce's keen observation of the everyday lives of the people of Dublin, capturing the hopes, dreams, and disappointments of ordinary individuals with precision and empathy. From the working-class neighborhoods to the middle-class suburbs, Joyce paints a multifaceted picture of Dublin society, revealing the complexities and contradictions that lie beneath its surface.

One of the most striking aspects of "Dubliners" is Joyce's mastery of the short story form, as he skillfully crafts each narrative with economy and precision. From the atmospheric opening story, "The Sisters," to the haunting conclusion of "The Dead," Joyce's stories are united by a common theme of epiphany, as characters grapple with moments of revelation and self-realization that illuminate the hidden truths of their lives.

Moreover, "Dubliners" is celebrated for its richly drawn characters, who range from the disillusioned alcoholic in "Counterparts" to the young boy experiencing his first crush in "Araby." Through his vividly depicted characters and their inner lives, Joyce offers readers a window into the social, cultural, and psychological forces that shape their experiences and interactions.

In addition to its exploration of individual lives, "Dubliners" also serves as a poignant meditation on the broader themes of Irish identity, colonialism, and the search for meaning in a changing world. Joyce's portrayal of Dublin as a city caught between tradition and modernity reflects the broader tensions of Irish society in the early 20th century, as it grapples with its colonial past and uncertain future.

In conclusion, "Dubliners" by James Joyce is a timeless masterpiece of modernist literature that continues to captivate readers with its vivid depiction of Dublin life, richly drawn characters, and profound exploration of the human condition. Through its evocative prose and incisive insights, "Dubliners" offers readers a deeply moving and thought-provoking journey into the heart of Dublin and the lives of its inhabitants. With its enduring relevance and universal appeal, "Dubliners" remains a testament to the enduring power of Joyce's vision and storytelling prowess.

James Joyce's "Dubliners" is available in Amazon in paperback 15.99$ and hardcover 22.99$ editions.

Number of pages: 312

Language: English

Rating: 9/10                                           

Link of the book!

Review By: King's Cat

[t0bey]

finally got around to designing an idv self insert for myself

[elodieunderglass]

I can't resist bothering you with more questions. I'm sorry! I want to put Killie in a basket and carry him around with me like a purse dog. Did Charlie always know that he wasn't going to be a horse pilot forever and that he would find a way out of his family's net, or was he never going to escape if him being kicked out hadn't forced him into it? My heart breaks for him a bit, even though he seems the most well-adjusted person in that family. How old was he when he ended up on his own?

(In reference to Killie the jockey OC, crown prince of a horse-obsessed family, and his identical twin brother Charlie, who was disowned/ escaped the orbit of the Horse Planet)

You are never a bother. Nobody could be anything but grateful to have such insightful, brave, witty and inspiring people to talk about their OCs with! Are you kidding?

That’s such a good and deep question - I don’t think that Charlie knows the answer himself. He certainly was quite a talented apprentice jockey. In terms of his place in the family, his parents and siblings all adored him - he is warm and charming and funny - and thought they understood him. He has that special child-of-rotten-parents survival-mode sensitivity to reading a room, that in Charlie translates into useful skills, like “changing the mood of the room” and “sensing what people want him to say”.

But Charlie has a strong sense of identity, and with it, a hard internal limit on personal sacrifice; there are parts of Charlie you can’t have.

And despite being a fifth-generation jockey of impeccable pedigree, the whole “stoic, fearless, impervious to pain” thing appears to be a state of mind - not a physiology thing, but a mental one, engendered by passion for the sport. Charlie has had passages of his life where he’s carried off the Jockey Constitution (TM), but a problem with armouring yourself with a mental state is that if you are an especially clever little liar yourself, like Charlie, you catch on to the trick.

And the sport is inextricable from the horses in their family. So Charlie stormed out (was thrown out) of both family and sport… but I think he does like horses and he was good at it. And it would’ve been hard, in that family, in that immersive and passionate world, to break out naturally - especially when you are so beautifully built for it. It would again come down to Charlie’s strong sense of self.

I think a lot of his sense of identity and resistance came, early on, from connecting honestly with his bisexuality. He’s clever and sneaky, and likes mind games and code-switching and putting on characters, and when he realised the necessity of masking early on, it felt like a secret identity. He was simply Built Different, and couldn’t change it, so he made a game of tap-dancing on the tightrope.

Then he left to build that secret identity into his real self, on purpose, and he threw himself into The Opposite of Being a Jockey. He was not only the first in their family to go to university, he went into academia. He covered his bills by bartending and busking (take that, Dad). He eats cake. He is valued for his mind and brain. He is NOT COMPETITIVE AT ALL. HE’S COLLABORATIVE, EVEN.

…He was just about eighteen. And perhaps it affected him more deeply than he’d say. But what saved him - what always would save Charlie - was a sense of identity.

[batarangsoundsdumb]

i know at this point i shouldn't be surprised at nationalism- but why is it so obvious in the wikipedia/google intro blurb of bicultural & multicultural celebrities.

[4nythin6]

I havent slept in way too long but smth smth the violence of assimilation and conformity as an old world monster that has to trick and bargain its way into your life. The product of previous colonization and imperialism. Smth smth the violent loss of identity and culture and the resulting hunger for it, then the violent, backhanded taking-appropriation-of what other communities have to sate your own emptiness. How the first one turned is a biracial character. Then the one who invites them in also skirts both "sides". The different reactions from weaponizing it, accepting it, fighting it, but also letting those who choose it, go. They sell the whole deal as equality and community but once youre in it, you're only singing their song.

[nidbaesenpai]

Loop joining the friends on their leisure journey around Vaugarde: It's only for a day then we'll part ways. Just a super brief visit, in and out. I can totally be normal about them.

Loop around the campfire watching everyone laugh: Oh yeah these are the people I died a thousand times for. I better leave now, I cannot be normal about them.

[marzipanandminutiae]

why are you determined to make this joke work sir

middle-aged male tourist at the museum, during a discussion about the cafe nearby and how I recommend their hot chocolate: what's your last name?

me, thinking he's having trouble reading my name tag: oh, it's Surname

him: is that Irish?

me: well, it can be short for Longer Irish Name Containing Surname, but for my family it's English from-

him: if you were Irish, we'd know what was in that hot chocolate! haha! ;)

me: ...ah. well, I have to go relieve my colleague upstairs now, so enjoy the rest of your day!

him, still in tones of high jocularity: what about your boss? I bet he's Irish! what's his last name?

me: ooookay have a nice day bye!

[gayeilgeoir]

Americans will joke about the famine, call gaeilge “simlish”, insult our dancing, berate our food, trivialise the oppression we went through, call us colonisers, mock our accents, make drinks mocking our very real trauma, erase and appropriate our culture, call us drunks and alcoholics, and put out countless pieces of media perpetuating stereotypes made about us during our genocide, and wonder why we hate them.

[ohmotherwhereartthou-if]

Random Heads Up

Same way I let it be known that if I mess up/or can make something better with the Italian inspired bits of the OMWAT world (Thank you @pirate-01-01 for helping me with that! Always feel free to message me if you think something can be improved anytime!)

As I write more for Evangeline (aka Mother) I will be adding more and more of her culture/history, I will be adding and researching how to do her Irish inspired bits justice. (Oh yeah, if you haven't read my replies to a few different comments; then yes. June is half, of what is the Irish counterpart of the OMWAT world. That's why her accent, songs and a few petnames are Irish and in Irish gaelic)

If anyone has insights of mistakes I might make or suggestions of what I could improve PLEASE let me know. Especially with the gaelic, I do research what I write but there is always the possibility for errors. If I ever write it incorrectly or accidentally use something that is in fact Scottish instead of Irish, please let me know so I can fix it!

Because sadly my only IRL reference of Irish culture, is my grandmother who is like.... 3rd generation, I think? So yeah... I am doing all the research I can to do that part of June justice.

[g00seg1raffe]

A (comparatively) Brief Thought about Steve Harrington's Names

Lucky Stevie has full names in three different languages and they're all equally incriminating in different ways!

For context: Steve's parents meet just as the summer of '66 is ending, in a perfectly legitimate bar with absolutely no connection to organised crime in Chicago. They introduce themselves as Christopher (call me Chris, Christopher is shite) Harrington and Anita (but you, bello, can call me Tina) Martino. They are both lying.

See, America is it's own little world. Founded by desperate refugees and religious extremists, the USA is the New York of the western world - the perfect place to disappear, because no matter your sins, there's always someone weirder. And in this totally not shady bar in Chicago, these two strangers have a lot of sins.

Mr. Ciarán Ótis Marcin Ó'hArrachtáin is what some might call a terrorist. Those 'some' are, of course, all eejits who seem to be fecking delirah with the Brits treating the Irish Free State as a colony. But Ótis and Martyna didn't raise a spineless dosser, not on tales of the shite they saw in Nazi Poland. Ciarán wants to be just like his mama, so does the only thing he can at sweet sixteen and joins the IRA. It was a grand old time - until some spanner decided to start the boarder campaign, make some things go boom, then it all goes arseways and suddenly he's a wanted man. Now he's legged it all the way out to this bar in Chicago where he can find some mostly-legal work, set himself up as someone who doesn't need to check over his shoulder every five seconds - and maybe he can take a chance on this absolute ride of an Italian who's just walked in, Jaysus -

Sig.na Alessia Stefania "Pieterina" Serafini has made a name for herself as a mafiosa. Beloved, wild, ruthless granddaughter of Don Alessio - caporegime since nineteen and well on her way to consigliere - and, right now, in molti problemi with la Cosa Nostra. So much problemi that she's been effectively smuggled into the US, like that goddamn heroin shipment that started all these problemi... ah well. She just needs to lie low for a bit (a decade) with her American cousins on the less than legal side of Chicago before she can return to her cosca and the people she actually trusts not to stab her the moment she turns her back - and maybe she can have some fun with this bello, bello Irishman who's looking her way, dannazione -

So. Discussing the evolution Mr and Mrs Harrington's relationship is gonna have to wait (though I'd love to hear from you guys) - the important thing here is the family history.

================================================

Tina's side: Alessia Stefania "Pietrina" Serafini.

Tina's father is Vincenzo Serafini and her grandfather is Alessio Serafini. Her first name is the feminine of her paternal grandfather's name. Steve's middle names are also from them.

(In case it wasn't obvious, the Serafini family are heavily involved in the Italian mafia - potentially involved in the Ciaculli massacre in '63 - and also have ties to the American mafia.)

Tina's mother is Pietra Tedesco and her grandmother is Stefania Tedesco. Her middle name - Stefania - and her son's first name - Stefano - are from her maternal grandmother. "Pietrina" is a diminutive nickname for Pietra - they're saying she's just like her mother, and since they figured this would be easy and natural enough for Steve to remember, his agreed Italian 'cover' surname is Di Pietro.

(Pietra is the feminine of her father's Petri Tedesco - which is itself the new name chosen by the German runaway Peter Thälmann. No relation to German Communist Party Leader Ernst Thälman, no sir, nothing to see here.)

So: Stefano Alessio Vincenzo Serafini - or, when he doesn't want to advertise the mafia part - Stefano Di Pietro.

Chris' side: Ciarán Ótis Marcin Ó'hArrachtáin.

Chris' father is Ótis Ó'hArrachtáin, and his paternal grandparents Steafán and Keira Ó'hArrachtáin. He gets his first name from the masculine of his grandmother's name, his middle name from his father, and gave Steve his grandfather's name.

(Steafán and Keira worked their asses off their whole life to put their kids through school, ennabling Ótis to work at the Irish embassy in Poland, where he managed to smuggle a handful of refugees past the Nazis to Britain, of which his future wife, Hannia Marcinkiewicz, was one.)

Chris' mother is Anita Marcinkiewicz. He gets his middle name from her surname. Steve gets his Irish 'cover' surname from that.

(Anita and her son are very similar as teenagers and young adults - the same heady cocktail of jaded rage and a naïve sense of justice, motivating spiky teens in parallel shitty situations to commit near-suicidal acts of heroism, with similar results. Just what did Anita do? Nothing you can prove, of course...)

(Yes, Anita Marcinkiewicz and Anita Martino - a wild coincidence that kicks of conversation for our young lovers in Chicago. Not in any way manipulated by an omnipotent fangirl who wants her OCs to have something neat to make slightly awkward but unexpectedly wholesome small talk about over a Guinness and a Negroni in a bar in Chicago). (This is why Chris calls his wife Tina all the time when anyone else would get shot if she's feeling anything less than saccharine.)

So: Steofán Ciarán Ótis Ó'hArrachtáin - or, when he'd rather avoid any connection to the wanted terrorist - Steofán Ó Máirtín.

================================================

Of course, as half Irish and half Italian - or, well, 1/8 German, 2/8 Polish, 2/8 Irish and 3/8 Italian but who's counting. Aside from me -

The point is, he's Catholic as fuck. He can be non-practicing and still Catholic (bc fuckboi), he can lose his faith and still be Catholic (bc interdimensional hell monsters), he can be an atheist (bc Irish) and still be Catholic, ok - he is Italian and Irish, there's no cure.

So, yeah, he's definitely been christened. And sure, you can old give any old name to the government (fuck them anyways) as long as it suits your purposes. But your christening name is the one that God knows you by, okay, you don't want to lie to the priest and end up with the wrong name tag when you get to heaven (or if, I guess).

What I'm saying is the paperwork says Steven Otis Harrington, but some poor Father/Reverendo gets hit with Stefano Stiofán Alessio Ciarán Vincenzo Ótis Serafini Ó'hArrachtáin. Good fucking luck!

[auxxrat]

also the race switching of the clones and jango continues to make me unbelievably mad.

every race/ethnicity BUT Māori.

“But! That culture doesn’t exist in star wars!!” You wouldn’t be saying this about Din, Finn, Poe, literally any POC character. When I’m telling you I see every race/ethnicity but Tem’s… I dont even care if its a hc at this point bc you wouldn’t hc black characters or asian characters to be ANYTHING BUT WHAT THEY ARE.

“Shouldn’t been ****** race/ethnicity” nope they are already Māori! Stop trying!

[llovelymoonn]

donal ryan the queen of dirt island

kofi

[fictionadventurer]

One day, I will wake up and the Wiggles version of "The Rattlin' Bog" will not be in my head.

[soupexpertt]

I personally don't care about the upcoming Harry Potter series/reboot but casting Cillian Murphy as lord Voldemort is an interesting choice. They will probably tell him to speak "normal" british english although he is insanely good at mimicking various accents/dialects/speech patterns.

When I first read about the casting my brain immediately went "the boy who lived has come to die" in Thomas Shelby's brummie dialect and the thought has been haunting me since then.

[grecoromanyaoi]

this especially goes for americans but just bc back home you're a hyphenated american doesn't mean us who stayed where we are consider you american first and foremost, before whatever's before the hyphen

also when will ppl understand that diaspora identities r inherently different than. idk whats the opposite of diaspora is. local? identities. like obv a. idfk. 6th gen irish-american is gonna have a different ethnic n cultural identity n experiences w being irish than irish ppl in ireland lol