#involved in the creation process and for them to all be working as one to create a thing that's like

[tripleskxawng]

i think a reason i like avatar's human characters so much, or at least try to, is that this franchise sometimes dances dangerously close to an anarcho-primitivist flavor of ecofascism of the light human extinction variety. beyond that i would regard it as kind of an ideological hodge podge because in the movies alone you have that + the paternalistic imposition of western values through sully as a leader + the magical native trope + the symbolic christianization thing going on with eywa/grace/kiri and these all kind of all both mesh together and contradict at once. it feels coherent on a watch because it dazzles you but at the same time i feel like the message is confused

[fuckyeahisawthat]

So OBVIOUSLY Jayce is as smart as Viktor; I don't think Viktor would give him the time of day if he wasn't. But I think he does have a bit of the Elle Woods "What, like it's hard?" about his weird freak genius brain in that he doesn't realized quite how much of an outlier he is.

Like it seems from Jayce and Viktor's chalkboards and also the scenes of Ekko, AU Powder and Heimerdinger building the Z drive that there is actual rune math involved, in that runes have mathematical properties and you can do equations with them. And I think it's highly unlikely anyone in Piltover formally teaches this branch of mathematics because no one believes magic can be accessed in this way, and also it's not like Jayce is gonna be requesting an elective to learn the stuff needed for his illegal science project. So I'm guessing Jayce was teaching himself an entirely new branch of mathematics probably out of some weird old books imported through slightly irregular means, on top of all his regular coursework/research. Hell, he was probably inventing/discovering new rune math in the process of creating Hextech; by the time the Hexgates are open he could probably write the textbook on it.

With Viktor, I actually think the element he would think was no big deal is his engineering skill. Zaun is absolutely full of crazy tinkerers building shit out of nothing and jerry-rigging solutions to problems and keeping things working with spit, rubber bands and ingenuity. They have advanced prosthetics and body mods (I am sure Viktor's back brace is an Undercity creation; no one in Piltover knows how to make that stuff because no one needs it); they have "potions" that heal serious wounds quickly; even the Firelights' hoverboards are a technology we don't see in Piltover. Jinx and Ekko both figure out how to make usable Hextech artifacts with way fewer resources than anyone in Piltover has; Ekko and AU Powder invent fucking time travel when they have a bit of time to mess around with things.

And when it comes to book learning I'm guessing Viktor had no one to compare himself with as a child, so he's teaching himself calculus at age ten out of a book he stole out of some rich Piltie kid's backpack and thinking this is probably how everyone learns topside. He probably ran circles around his fellow Academy students when it came to formal classwork but he barely pays attention to that because it's not discovery; it's just demonstrating that you know the material and he already knows that he knows it. He spends one evening reading Jayce's notebook and is able to understand enough to know the science is solid and contribute to advancing it. (And how much do I love the idea that he fell for Jayce's brain, as seen through his research notes, before any other part of him.) Viktor builds what's essentially a magical AI (the Hexcore) which no one even knew could be done and is still frustrated that he's not figuring out how it works fast enough.

Tl;dr these guys match each other's freak on a brain level instantly and like no one else around them and that would already be some soulmate-level shit no matter what else you think is going on.

[wroteclassicaly]

18+

Warnings: Language, past trauma, mentions wounds, ptsd, anxiety, panic, fluff, mentions hurt/comfort, and smut. Plus sized reader. NSFW!

A/N: I missed Eddie. I’m feeling quite down on my body type, so I kind of wrote this with my own body size in mind ❤️

~*~

Eddie Munson always said he didn’t care. Didn’t want to be a boyfriend. Wasn’t pissed off if girls didn’t cling onto him after their brief time together (usually late nights, quiet places). If they don’t want the freak, why would the freaky freak want them? Fuck love, it’s just a facade.

At least, that’s what he used to say until he met you in the Spring of 86. You were involved in Henderson’s little banded family unit, constantly being talked about even before Eddie saw you. He was a bit perturbed already. If you were close to Wheeler and Harrington, you were probably a snob. Quite the contrary, as Eddie remembers clearly, watching you quiet from the sidelines as he’d been told monsters were real, but not cool dragons or slayers — just a teenage girl with mind powers.

Gentle, but rough. You dove in before Wheeler to save Harrington, you jumped back into that disgusting hole in the floor to try and help wake Nancy up, and when it came down to battle? You wore your outfit without fear, and silently had reached for Eddie’s hand on the way to everyone’s stations, squeezing. He’d seen that face before, your vacant expression, a false smile you attempted when you were not in thought. You weren’t okay, but you had been trying to make it that way for everyone else.

And it wasn’t, not for a long time. Not after you lost, he died, Carver died, and Mayfield went into a coma. A fight occurred in Hawkins before he was brought back, one that Eddie still sees in your eyes when the sun goes down and it’s quiet in the trailer, sans the beeping of the smoke alarm. Sometimes you just bring him impossibly closer, that he isn’t sure whose body heat is causing him to perspire. And others, you wake up in his arms, pulling him on top, clinging to his neck, your lips panting pleas into his mouth that ask for help.

Mutual scars, tragedy, blame, regrets, trauma, you helping his recovery, his process, even when he wasn’t so nice, that he wished he’d stayed gone. It’s all there, things that he feels safe only sharing with you. His marked body, one he is comfortable letting only you feel, see. He isn’t sure when it happened, really. But he knows now, especially looking at you beside him, your necklaces hanging around your neck, their charms dangling between your breasts, one leg propped, the other flat, lying open, evidence of the previous half hour shining between your thighs, and he’s propped on his palm, blowing out the last of his cigarette smoke, stubbing out the end.

You’re reading a piece of his work in progress fantasy novel, one based off of things that have happened. You’re lost in his vivid descriptions, captivated by his words, led by the hand that holds his pen. And his enriching, dark eyes, they caving into blown pupils, his ring clad finger trailing down your shoulder, following the curvature into your elbow’s inside. You’re already smiling by the time that he reaches your neck, sucking the flesh into his mouth, trailing wet kisses over your jugular. His arm elongates, easing his creation from your grip to throw aside.

You pretend to huff, and he catches your mouth in a kiss. It’s sloppy, tastes of smoke, but it’s precise, it’s familiar, it’s Eddie. Your fingers slide through his curls, freshly washed, yet frizzed from previous humidity. You tug on his blood stained pick, and he knows your implications, follows your soft look. He has to tilt your chin, shaking his head. “Remember that I’m right here, sweetheart. All of me but one nipple.”

He treasures you by bestowing that trademark Munson smirk, making your brief panic ebb away to pleasure. And you cave you into him, permitting his fingers to slide against your cunt, cupping. It’s a whine in his mouth that gets him to slide an ankle beneath yours, pulling you open for more availability. You could have anyone, you could’ve had something going on with Steve. But it’s Eddie you go to bed with every night, it’s he that you spend hours talking to on the phone when you’re not together, it’s him who holds you when you have a nightmare, and it’s Eddie Munson that you’ve already given your heart to, unbeknownst to him.

He’s falling into your grip, trying to situate himself, amused as he asks. “Already? Can you take it —“

And he goes head over ass, world Olympics type shit when you manage to maneuver him onto his back, unafraid, sat on top him in all over your glory. Your curves overflow, breasts sitting heavy, begging to be touched. You reach behind you, taking him in your hand. He’s nodding like an eager ass, little nerdy beaver. He could giggle right now. Your pupils are blown to the brim of your irises, a look of lavish possessiveness sweeping across him, and holy fuck does he feel sexy.

He doesn’t have to verbalize his consent, his brazen ‘take me now’ appears in the form of his hands reaching for your tits. You groan upon him getting a handful (and Christ, they still won’t fit). It’s a burning stretch, but you slide down his cock in moments, ones that Eddie holds his breath for, only able to gasp when you’re seated fully, sticky and spread around him.

He cares. He cares so much.

You grasp onto his wrists, clenching around him as he gives you two words, “Go, baby.” And then your hands are dropping to dig into his chest, thumbs beneath his chain, in newly grown out hair along his sternum, making scars feel like warrior wounds he’s proud to own.

You look at, leveling off his hands before they can drop from your breasts, pressing down so that he gets the message to grip tighter.

Fuck. He’s in love. He’s in love with you.

[saturnbeknownst]

all the references in dr. ratio’s character that i could find.

if i missed something, or got something wrong, yell at me in the comments. there are a few other analysis on my page, if you wanna check them out :3 hope u enjoy!!

“ratio” can be traced back to the ancient greek logos. early translators rendered this into Latin as ratio (“reason;” as in the word "rational"). a more modern interpretation of Euclid's meaning is more akin to computation or reckoning.

in Latin, ratio has several meanings, including "reason, ration, calculation," etc

in Roman mythology, Veritas, meaning "truth," is the Goddess of Truth.

there's a lot of owl symbols on ratio, and owls symbolize wisdom, mystery, intelligence and protection.

there's a lot of greek symbolism, esp in his outfit and the way the fabric is tied and the laurel leaves in his hair (in Ancient Rome, it was worn on the head as a symbol of triumph) and the owl motif, the symbol of Athena goddess of wisdom.

dr. ratio's plaster head besides being an obvious reference to ancient greek's herma (symbol of protection, warding off unwanted intrusion or evil spirits), but it is also a reference to, euler, who famously went blind towards the end of his life. his productivity only increased after his blindness, and he was reported to having said, "now I will have fewer distractions," after going blind in both eyes.

dr ratio's eidolons are all based off multiple philosophical concepts and proverbs;

eidolon one: "pride comes before fall" comes from the 'book of proverbs' in the bible.

eidolon two: "the divine is in the detail" explores the relationships in aisha khalid (a visual artist)'s work amongst geometry and precision with respect to the spiritual. the exhibition title is a play on the commonly heard phrase ‘the devil is in the detail’, in other words, the difficulties or problematics of specificity.

eidolon three: "know thyself" is a philosophical maxim which was inscribed upon the Temple of Apollo in the ancient Greek precinct of Delphi. initially, it meant "know your limits," then it was re-interpreted by Plato who understood it to mean "know your soul." then it was re-interpreted again by christian, jewish and muslim scholars used "know thyself" as a command to study the physical properties of the human body.

eidolon four: "ignorance is blight." i couldn't find much for it, but ignorance (lack of knowledge) is blight (a thing that spoils or damages something), which could be the opposite of a quote by poet Thomas Gray "ignorance is bliss."

eidolon five: "sic itur ad astra" literally means 'thus, one goes to the stars'. the phrase is most famously attributed to the Roman poet Virgil in the Aeneid. the phrase can be interpreted as a motivational statement. it suggests that greatness and high achievements are attainable if one follows the right path or method. it also implies that the journey to greatness involves effort and perseverance. it's not just about the destination (the stars) but also about the path one takes to get there.

eidolon six: "vincit omnia veritas" means "truth conquers all things." similar to the Latin phrase "amor vincit omnia," meaning "love conquers all things." this phrase emphasizes the idea that truth is powerful and ultimately prevails over falsehood or deceit.

combat skills:

"mind is might:" the idea behind this phrase is that through the power of the mind, individuals can solve complex problems, innovate, lead effectively, and make decisions that have far-reaching positive impacts. it underscores the value of mental prowess in various aspects of life, from personal development to societal progress.

"intellectual midwifery:" intellectual midwifery is a metaphorical concept that describes the role of a person or a process in helping someone else develop their ideas and thoughts. it's like how a midwife helps in childbirth by supporting and assisting, but instead of a baby, it's about helping ideas or intellectual creations come into being. this can involve guiding someone through the process of thinking critically, asking questions, and providing support so they can articulate and develop their ideas effectively.

"syllogistic paradox" is a situation where a series of logical steps leads to a conclusion that seems contradictory or unexpected. in simple terms, it's like following a set of rules or ideas that seem logical individually, but when put together, they create confusion or a surprising result. these paradoxes often highlight flaws in reasoning or assumptions that we might not initially notice.

"cogito, ergo sum" is a Latin phrase that means "i think, therefore i am." it was famously stated by the philosopher René Descartes. it expresses the idea that the act of thinking proves that a person exists. Descartes used this statement to assert that even if everything else could be doubted or uncertain, the fact that he was thinking was undeniable proof of his own existence as a thinking being.

"mold of idolatry" refers to the different shapes and forms that idol worship or excessive devotion can take. it includes worshiping statues or images as gods, being overly focused on material possessions, or putting anything above the rightful place of worshiping the true divine or ultimate reality. essentially, it describes the various ways people might stray from focusing on what truly matters spiritually.

[justin-chapmanswers]

hi Justin! just want to say I ADORE ii and it's one of my favourite shows out there; actually inspired me to start my own!

which is a lame segue into my question- do you have any advice for someone wanting to make their own show?

That's so exciting!! Art makes art!

Oh golly uhhhh. There's so so much to say in so many different departments. So. I'll keep it broad and of course anyone can ask more specific questions haha.

My go-to advice tends to be for creators to start as small as possible early on. Even if you aspire to create projects that are huge-in-scale down the line. So much about becoming a great artist involves moving through the stages of your art (whatever type it may be!) from start-to-finish, every step of the process, over and over and over again. So say in show creation, idk if you plan to be hands-on in every department or if you have a lot of help, but that could mean breaking down stories and outlining, writing, recording, constructing audio scenes and boarding, character and prop and background design, animating, music assembly, mixing, finalizing and editing, etc, over and over again. Obviously not every step may be involved in your project depending on what your goal is, but whatever it is that you do, do it sooooooooo many times.

While there's nothing inherently wrong with jumping in and making your first project something say, movie-length, or something immensely complex in scope, I do find it can, for many (not all) be limiting when it comes to learning a lot of fundamental building-blocks in craft. As well, I see a lot of people get lost in an overwhelming project, trying to focus on quality>quantity right out of the gate. But spending the majority of your time just on adding some extra polish as opposed to running through the whole process again and again can only do so much for you. Obviously, a mentality of quality>quantity is great once you have a strong baseline understanding of production. But again, I think it's a huge plus to work on shorts and teeny-projects to start.

Since the above is pretty dry, I'll add an additional fun one. I've found that a lot of newer artists will toss away the concepts that make them joyous in hopes that they can instead create something that fits an objective perception of "professional." Nothing wrong with that, but I strongly advise artists of all levels of experience to toss everything they've love about the world and other media into their work. Their favorite genres and tropes, the stupid inside jokes that make them light up with their friends that they can invite the audience in-on, adaptations of stories that have made them cry. Create the things YOU love to experience. It's fine to let go of what you think the audience wants. Cause that's not easily guessable. But what YOU enjoy is something certain to you. It's sorta like how they say, it's better to go to the gym and do an suboptimal-but-fun workout that keeps you coming every day than a perfect workout that leads you to quitting. Share your joy with the world, and someone will resonate!

Be silly, be cringe, have fun!

[intotheelliwoods]

So, I think it is finally time for a whole history regarding the black goo guy. I put lots of thought into how the thing plays into the rise lore! I can finally share it!

First thing is first, the creation of the Key when the krang had first arrived.

Simple enough, make key trap krang who have invaded the planet into it. But. I have always wondered, how did they manage to get every single krang on the planet at that time into the key?

By this point I feel that the krang were at least somewhat spread around the area, and there were more of them than just the 3 we saw in the movie. I do not think they fought every single one to cram into a key.

So along side the key, they needed to also create a device to command that would spread around the world and obtain only krang, to put into the key. They ended up creating the goop guy. This would also explain the sort of ick-like look that the movies visuals had when trapping the krang.

The black thing they created worked! It did its job! Spread around the world and collected every krang on the planet to shove into the key! But now what?

The collecting creation grew impatient, what was its purpose now that its job was complete? So to the dismay of the 4 warriors at that time it began collecting and containing other things.. the 4 warriors saw the dark turn that their creation had taken, and decided that it needed a trap too.

A box, they just made a simple box. Its location is in Japan. People could enter and exit the box fine and ask questions but the black ick creation was trapped. Generations passed, the 4 warriors moved on, and the origin of the strange thing in the box was forgotten.

Eventually leading up to well... comic events.

Another thing I wanted to point out is, Big Mamas Orb! Look! Something designed to spread black little arms wherever she pleased to trap inside whatever she wants? Hello? Are you seeing that? To me this is just a refined form of the technology. Of the goop guy was version 1.0 gone wrong, Big Mama has version 4.74, now made safe for in-home use without the fear of a world eating monster spawning in your house!

Alright now we get into comic events.

So how did the krang key help its escape?

I figured that, the only thing strong enough to break the box trap made by the 4 warriors, was to use the power of something equal in power, that being another trap made by the same warriors. Therefore unless the 4 warriors created something else, or unless the goop thing wanted to sacrifice itself to break the box, the key was the only option.

Big Leo meanwhile, was the nutcracker to access the energy lmao. You guys all remember Karai yeah? She scarified herself to hold down the shredder in the twilight realm. Equal trade. Big Leo did the same thing, but instead of the shredder it was the krang key. Big Leo held down the key in exchange for himself. However, since a third party was involved (the goop shit), the black ick thing was able to intersect the energy, and repurpose it as means to break the box and escape. Which means Big Leo was only holding down the key in its physical form, while the goop guy stole the keys mystical/energy form.

What is the deal with Sprout then?

Sprout was about to do the same thing that Big Leo did, however the process was disrupted. And the energy while being processed and transferred was lost. Think of it like someone deciding to cut your plastic straw with scissors while you are drinking out of it and the fluid just spills everywhere. Thank you Poptart.

So what ended up happening was, he scarified his finger, toe, and a small piece of his mind for the key to be broken and the energy lost. It evaporated into the air.... Does this mean theres Sprouts finger and toe just?? floating around the Twilight Realm? yeah lmao probably.

How did Big Leo know about the goop thing to begin with?

I would like to imagine that during Big Leos timeline/krang apox, the box made a great place of refuge for people on the other side of the world. I cant recall where but I know it was stated that there are multiple hidden cities around the world, and by that time I would figure that even humans would need hiding from the krang. I also assume that there may be some form of communication between all refugees and hideouts around the world.

So, when word gets out to the goop guy that "hey, lmao, the key which is the one thing that can free you is over in nyc-" the goop guy would do all it can to send out a message over there that, Hey, if you can bring the key over, I can help get rid of the krang for good, there is definitely no catches :)

Big Leo eventually heard this message and proposition, he just needed to get the key. But well, looks like they could not get the key back from the krang in that timeline, look what happened.

Anyways, Big Leo keeps this offer in his head when he goes to Sprouts timeline. So when the foot keep coming back for Sprouts family to try and get the key that cant be destroyed, he ends up taking the offer.

Fire hurts it? How did that work here, but not save Sprouts timeline?

Fire worked as a temporary solution in Sprouts timeline! But since it was so spread out everywhere, the fire would not spread far, the goop entity could separate the fire from the rest of itself. It worked as a temporary thing but would never kill it entirely. Sprout and the rest of the timeline could never find and catch the core, it was always on the move, and could be anywhere in the world.

Fire worked in the box in Poptarts timeline however because the goop along with its core was contained within a small area. The core had nowhere to go to escape the fire, thus burning it. After it was burnt the Core was taken to Big Mama, who can possibly refine the technology or find another way to contain it, in case it activates again

Hey Ell what the hell is going on?

read da comic :D or re-read it, but if you did all that you are free to send an ask since I may have missed something or made something confusing!

Hey Ell, where is Big Leo?

Twilight Realm, like Karai! :D

[egg-emperor]

The relationship of Eggman and his creations VS the relationship of Eggman's creations with each other

Eggdad and the eggfam has a ton of potential and interesting things to explore in fanon and not in the way people think. People seem to really be into the idea of it being this super unified thing where all the "members" fit perfectly into solid family roles and traditions and get along perfectly and literally just recreate the nuclear family structure. But it's so much more complex, unique, and interesting as a result. Not just to how they all are with Eggman but also with each other too.

Let's look at what we've actually got in the game canon so far. We'll start with-

The relationship of Eggman with his creations:

Metal Sonic has never once been called "son" by Eggman in a game. He has no known attachment to him besides bringing him back for convienience if he finds he can get more use out of him, but he's been more than happy to abandon him if he betrays or fails him.

Orbot and Cubot have also never been seen as sons of Eggman's. He's constantly yelling at them, hitting them, and threatening them. There's no fatherly bond, they're his assistants that he treats terribly.

In fact, as you see at the end of this segment, in the Japanese version of Sonic Colors, Eggman is heavily against the idea of being seen as Cubot's father. (But also Cubot has almost expressed attraction towards Eggman in Team Sonic Racing so it gets weird and complicated lol)

This hasn't changed since I made the above clip as he still treats them cruelly, even in front of Sage in Murder of Sonic

And this is clearly an aspect of their dynamic that's here to stay, as Eggman is even still whacking them around in TailsTube too

Sage is currently the only character where we know the familial aspect exists and is mutual. However, Eggman values her and accepts this dynamic for uniquely selfish and twisted reasons. Specfically for her usefulness and loyalty, how her skill can serve him well, and how he can take the credit for such an impressive skilled life-like creation, especially emphasized if he accepts the title of her father. His reasoning is quite disturbing really lol

It's a huge subversion of the traditional father and daughter dynamic in the way Eggman created Sage to protect him and serve as type of guardian for him rather than the other way around as a parent would typically be,

to the point she gets into danger and sacrifices herself for him and he lets her because it's specifically her function and this doesn't change even after developments

Sage is also still a servant/assistant to her master Eggman, she's mature and reliable and will get work done

(Link to translation here)

and so he promotes her to taking control of the Eggnet, a big responsibility.

She clearly isn't some immature child that needs her hand held and to be protected and coddled. He values her because she's so capable and useful to him and says so himself.

It's to the point that Eggman is the one who can actually be the irrational stubborn manchild throwing tantrums in some situations, while Sage is the more mature level headed rational one in those moments.

Sage is the very first creation he's called himself a father of and it was the best first choice that makes a lot of sense with his already existing character being considered and involved, rather than a complete change of his character and this is why it's great and works.

Not only is it not true that Eggman has ever felt a familial connection to any of his creations pre Sage in the canon games, it would also ruin the whole plot point in Frontiers of him starting to feel that way about a creation for the first time and processing it. This is clearly a first time thing for him.

So now let's talk about-

The relationship of Eggman's creations with each other

Eggman hasn't, and as far as we know, still doesn't see the likes of Metal Sonic or Orbot and Cubot as his sons. However, we do know that some of them seem to feel familial connections/at least desire a familial dynamic amongst each other that we know of.

As I showed above, Cubot did have a voice mode in the Japanese version of Colors where he would call Eggman his father and Eggman absolutely hated it.

In Rise of the Wisps, Orbot and Cubot express a desire to see Metal Sonic as their "big bro". Metal Sonic however, clearly isn't thrilled or into the idea, constantly looking pissed off to be around them.

Metal doesn't want anything to do with them and doesn't react well to the dynamic of seeing them like family, he's just like "whatever I don't have time for this" and focuses on the job that he's created to do, eager to ignore them and take off and get away from them.

Sage however, has expressed interest in Orbot and Cubot as being like brothers to her for being his creations too. Which Eggman half-heartedly went along with in a "I suppose so" shrug kind of way. Likely because he could see it made her happy and kept her loyal and useful.

But of course with all the examples I provided earlier in the post, he hasn't and still very much doesn't see them as his sons and still treats them terribly. Even in front of her, which is really interesting after he tried to entertain her desire to see them as her brothers before. Even that desire of hers doesn't stop him.

And lastly, it has been said that the "let's go dad" shirts Sage and Metal Sonic wore in Murder of Sonic were Sage's idea, so this tells us that Sage also wants to see Metal Sonic as her brother, which makes sense as she does with Orbot and Cubot too.

However, we don't know if this is mutual and if Metal wants to see her as a sister or not (for all we know, he could've been forced into the shirt by Eggman to keep Sage happy as we didn't get to see any enthusiasm from him lol) and this certainly wouldn't suggest how Eggman sees Metal still, especially with how he clearly still doesn't see Orbot and Cubot as his sons despite Sage wanting to see them as her brothers.

So yeah that's the current canon status of Eggman's relationship with his creations and his creations' relationships amongst each other. I think there's a lot of potential and fun ways to explore it without forcing them onto strict family role and tradition boxes because it's clearly much more complex than that.

They don't all see each other as family, Eggman doesn't automatically see and accept the idea of all his other creations being like his children too and some of them are even against the idea of being each other's siblings and don't get along like that. It's interesting to think about the difference in dynamics among each.

Eggman accepts Sage as his daughter but doesn't automatically see all the others as his children, while despite this Sage wants to see Orbot and Cubot and Metal Sonic as her brothers, and Orbot and Cubot want to see Metal as their brother but Metal clearly doesn't like the idea, etc.

There's also the potential complicated feelings and competition they could have against each other, especially when Eggman only sees Sage as his daughter and didn't see the others as his children before and so far it's quite clear he still doesn't see Orbot and Cubot as such even after Sage wants to see them as her brothers.

The ways Eggman could notice and exploit this to make all of them work even harder to please him to outdo each other, or possibly in hopes that he'll see them as family too if they're interested in that also has tons of potential. It's so much more fun than restricting them by putting them all in specific strict boxes.

Especially because not even the one dynamic that has the 100% known mutual familial feelings involved with Eggman and Sage are completely vastly different from the typical traditional expected dynamic canonically! I'd love to see more fanon not just embrace this but also the nuance and complexity between his creations with each other too. :D

[idontcaboose]

Haunted car Au part 14

So, it has been a week, and it feels like when you wake up from an unplanned 30 minute nap and have to ask 'What year is it?' While feeling like you have been run over by a whole procession of clowns, clown cars, and maybe a camel for good measure. Granted, that may be from the ragweed that is pollinating like crazy, but oh well... new part!

THIS IS YOUR WARNING! SWEAR WORDS! Plenty of cursing ahead! You have been warned!

Previous. Masterpost

It had been over 24 hours since Jason saw Danny. The most troubling thing was, there were no whispers of a trafficking group in that area. He couldn't fathom what had happened to the kid. Barbara couldn't find the kid on her cameras either, so he might need to go to the cave and look at the Batmobile himself. The footage Babs pulled were just as corrupted as the ally cameras were. Maybe the kid built himself a little jamming device, wouldn't be his first strangely useful creation. Whether or not he had a jamming device, he was still missing and none of the other street kids had seen him. He knew they were probably not harboring him with the bounty for finding Danny being as lucrative as it was. Jason knew offering to cook 3 meals a day for a week would get all of his street kids looking, some adults too.

Jason was a little surprised to see Duke looking at the Batmobile's underside when he drove in. Normally only Bruce and Jason worked on the cars since they had the most hands-on experience with them. Case in point, Duke had the car up on the lift with the front doors open. Did he have to sit Duke down and go through safety in maintenance 101? Maybe he could borrow little Timmy's version “The importance of Maintenance Safety: Or why you don't let Megan write safety plans.” It would hit all the important bits and sear the information in with neon yellow and blue comic sans font.

“So, Glowstick, mind telling me why the fuck you are trying to get yourself crushed?” Jason growled at the kid, the helmet making it even more menacing.

Duke gave Jason an unimpressed look. “B got a stick up his ass and thinks I somehow was involved with the Batmobile running weirdly." Duke sneered as he continued. "Last night when Red Robin activated his emergency beacon, the lead goon got in it and ran over some of his goons. The fail safes for theft didn't activate. Somehow, it was my fault. Perks to being the closest non-injured, I guess.”

Jason was surprised at the bitterness the usually sunshine-y kid had.

“Well, good news, we can swap for a bit, and I can teach you properly how to maintain this beast.” Jason offered.

“Why are you so interested?”

“I can't be nice?”

“You are here willingly, and no, you usually are not ‘nice’. So what is it?”

Jason was not expecting such hostility from Duke, but if Bruce had his panties in a twist and took it out on Duke, he could forgive some of the bite. Couldn't hurt to get Duke in on his hunt for Danny anyway.

“I… need help. One of my guys mentioned they bet a kid, named Danny, some money to put a sticker on the Batmobile. No one has seen the kid after entering the alley where the car was parked. Oracle said the cameras were corrupted at the time the kid was there with it. Figured I would check the car for clues.”

“Oh…. Sure.”

They both looked at the undercarriage of the car in silence before Jason gave a snort.

“The kid really did put a sticker on the oil pan. That is hilarious.”

Sure enough there was a Green Arrow sticker, one where he had his arms crossed and looking smug as all hell, positioned in such a way that eluded that when the oil was drained it would look like Green Arrow was pissing.

“That is amazing, if you find the kid let me give them a high-five for that. What does he look like anyway?”

“Adoption bait, pretty much a mini me with a more ‘polite’ mouth.” Jason was sure Duke could hear his smile when talking about the kid.

“No shit? You with manners? I don't think I can imagine that from a Alley Rat.” Duke teased.

“Watch it Narrows, us Alley Rats are all a little rabid.” Jason found himself teasing back before sniffing. “Besides, Alfie would have my head if I didn't have some manners.”

They went back into a more comfortable silence while working, Jason took to looking through the center, hoping to find some sort of clue of a struggle if Danny got nabbed. Duke was focusing on the engine compartment and any wirings that he could follow. It was rather relaxing until Duke went to move some rubber piping to get a closer look at a relay.

Neither person expected the car to shudder and produce a kind of creepy giggle. Duke froze and Jason reacted by tackling him away from the car and pulling one of his guns at the Batmobile.

“What in the ever loving fuck?” Jason screamed, the Batmobile responded with its own car alarm going off.

“Don't shoot! I'm sorry, I didn't expect that to happen, we are still trying to figure things out!” Duke had jumped back up and put himself in front of Jason, waving his hands and trying to keep attention on him.

“We? What the fuck Narrows?!”

“Just, both of you, stop! Hood, gun down, Car dude, stop the alarm. Please.” Duke all but whined the last word in desperation.

Jason took a Very deep breath, and growled out in the now silent cave.

“Car. Dude?”

Next

@kizzer55555 @sebas-nights @candeartist422 @trappednyourheart @fandom-life-corrupted-me @tkiesai @2lbballpeenhammer @admiralwidow @rewrittenwrongs @whotfevenknowsanymore @symmetricalastigmatism @thespacedragons @atinygracie @okami-love @lesbian-spider-drone @1n0sss @forgetmenot-bluepurple

[alongtidesoflight]

in wake of yet another wave of people being turned off by windows, here's a guide on how to dual boot windows and 🐧 linux 🐧 (useful for when you're not sure if you wanna make the switch and just wanna experiment with the OS for a bit!)

if you look up followup guides online you're gonna see that people are telling you to use ubuntu but i am gonna show you how to do this using kubuntu instead because fuck GNOME. all my homies hate GNOME.

i'm just kidding, use whatever distro you like. my favorite's kubuntu (for a beginner home environment). read up on the others if you're curious. and don't let some rando on reddit tell you that you need pop! OS for gaming. gaming on linux is possible without it.

why kubuntu?

- it's very user friendly

- it comes with applications people might already be familiar with (VLC player and firefox for example)

- libreoffice already preinstalled

- no GNOME (sorry GNOME enthusiasts, let me old man yell at the clouds) (also i'm playing this up for the laughs. wholesome kde/gnome meme at the bottom of this post.)

for people who are interested in this beyond my tl;dr: read this

(if you're a linux user, don't expect any tech wizardry here. i know there's a billion other and arguably better ways to do x y and/or z. what i'm trying to do here is to keep these instructions previous windows user friendly. point and click. no CLI bro, it'll scare the less tech savvy hoes. no vim supremacy talk (although hell yeah vim supremacy). if they like the OS they'll figure out bash all by themselves in no time.)

first of all, there'll be a GUI. you don't need to type lines of code to get this all running. we're not going for the ✨hackerman aesthetics✨ today. grab a mouse and a keyboard and you're good to go.

what you need is a computer/laptop/etc with enough disk space to install both windows and linux on it. i'm recommending to reserve at least a 100gb for the both of them. in the process of this you'll learn how to re-allocate disk space either way and you'll learn how to give and take some, we'll do a bit of disk partitioning to fit them both on a single disk.

and that's enough babbling for now, let's get to the actual tutorial:

🚨IMPORTANT. DO NOT ATTEMPT THIS ON A 32BIT SYSTEM. ONLY DO THIS IF YOU'RE WORKING WITH A 64BIT SYSTEM. 🚨 (win10 and win11: settings -> system -> about -> device specifications -> system type ) it should say 64bit operating system, x64-based processor.

step 1: install windows on your computer FIRST. my favorite way of doing this is by creating an installation media with rufus. you can either grab and prepare two usb sticks for each OS, or you can prepare them one after the other. (pro tip: get two usb sticks, that way you can label them and store them away in case you need to reinstall windows/linux or want to install it somewhere else)

in order to do this, you need to download three things:

rufus

win10 (listen. i know switching to win11 is difficult. not much of a fan of it either. but support's gonna end for good. you will run into hiccups. it'll be frustrating for everyone involved. hate to say it, but in this case i'd opt for installing its dreadful successor over there ->) or win11

kubuntu (the download at the top is always the latest, most up-to-date one)

when grabbing your windows installation of choice pick this option here, not the media creation tool option at the top of the page:

side note: there's also very legit key sellers out there who can hook you up with cheap keys. you're allowed to do that if you use those keys privately. don't do this in an enterprise environment though. and don't waste money on it if your ultimate goal is to switch to linux entirely at one point.

from here it's very easy sailing. plug your usb drive into your computer and fire up rufus (just double click it).

🚨two very important things though!!!!!!:🚨

triple check your usb device. whatever one you selected will get wiped entirely in order to make space for your installation media. if you want to be on the safe side only plug in the ONE usb stick you want to use. and back up any music, pictures or whatever else you had on there before or it'll be gone forever.

you can only install ONE OS on ONE usb drive. so you need to do this twice, once with your kubuntu iso and once with your windows iso, on a different drive each.

done. now you can dispense windows and linux left and right, whenever and wherever you feel like it. you could, for example, start with your designated dual boot device. installing windows is now as simple as plugging the usb device into your computer and booting it up. from there, click your way through the installation process and come back to this tutorial when you're ready.

step 2: preparing the disks for a dual boot setup

on your fresh install, find your disk partitions. in your search bar enter either "diskmgr" and hit enter or just type "partitions". the former opens your disk manager right away, the latter serves you up with this "create and format hard disk partitions" search result and that's what you're gonna be clicking.

you'll end up on a screen that looks more or less like in the screenshot below. depending on how many disks you've installed this might look different, but the basic gist is the same. we're going to snip a little bit off Disk 0 and make space for kubuntu on it. my screenshot isn't the best example because i'm using the whole disk and in order to practice what i preach i'd have to go against my own advice. that piece of advice is: if this screen intimidates you and you're not sure what you're doing here, hands off your (C:) drive, EFI system, and recovery partition. however, if you're feeling particularly fearless, go check out the amount of "free space" to the right. is there more than 30gb left available? if so, you're free to right click your (C:) drive and click "shrink volume"

this screen will pop up:

the minimum disk space required for kubuntu is 25gb. the recommended one is 50gb. for an installation like this, about 30gb are enough. in order to do that, simply change the value at

Enter the amount of space to shrink in MB: to 30000

and hit Shrink.

once that's done your partitions will have changed and unallocated space at about the size of 30gb should be visible under Disk 0 at the bottom like in the bottom left of this screenshot (courtesy of microsoft.com):

this is gonna be kubuntu's new home on your disk.

step 3: boot order, BIOS/UEFI changes

all you need to do now is plug the kubuntu-usb drive you prepared earlier with rufus into your computer again and reboot that bad boy.

the next step has no screenshots. we're heading into your UEFI/BIOS (by hitting a specific key (like ESC, F10, Enter) while your computer boots up) and that'll look different for everyone reading this. if this section has you completely lost, google how to do these steps for your machine.

a good search term would be: "[YOUR DEVICE (i.e Lenovo, your mainboard's name, etc.)] change boot order"

what you need to do is to tell your computer to boot your USB before it tries to boot up windows. otherwise you won't be able to install kubuntu.

this can be done by entering your BIOS/UEFI and navigating to a point called something along the lines of "boot". from "boot order" to "booting devices" to "startup configuration", it could be called anything.

what'll be a common point though is that it'll list all your bootable devices. the topmost one is usually the one that boots up first, so if your usb is anywhere below that, make sure to drag and drop or otherwise move it to the top.

when you're done navigate to Save & Exit. your computer will then boot up kubuntu's install wizard. you'll be greeted with this:

shocker, i know, but click "Install Kubuntu" on the right.

step 4: kubuntu installation

this is a guided installation. just like when you're installing windows you'll be prompted when you need to make changes. if i remember correctly it's going to ask you for your preferred keyboard layout, a network connection, additional software you might want to install, and all of that is up to you.

but once you reach the point where it asks you where you want to install kubuntu we'll have to make a couple of important choices.

🚨 another important note 🚨

do NOT pick any of the top three options. they will overwrite your already existing windows installation.

click manual instead. we're going to point it to our unallocated disk space. hit continue. you will be shown another disk partition screen.

what you're looking for are your 30gb of free space. just like with the USB drive when we were working with rufus, make sure you're picking the right one. triple check at the very least. the chosen disk will get wiped.

click it until the screen "create a new partition" pops up.

change the following settings to:

New partition size in megabytes: 512

Use as: EFI System Partition

hit OK.

click your free space again. same procedure.

change the following settings to:

New partition size in megabytes: 8000 (*this might be different in your case, read on.)

Use As: Swap Area

hit OK

click your free space a third time. we need one more partition.

change the following settings to:

don't change anything about the partition size this time. we're letting it use up the rest of the resources.

Use as: Ext4 journaling system

Mount Point: /

you're done here as well.

*about the 8000 megabytes in the second step: this is about your RAM size. if you have 4gb instead type 4000, and so on.

once you're sure your configuration is good and ready to go, hit "Install Now". up until here you can go back and make changes to your settings. once you've clicked the button, there's no going back.

finally, select your timezone and create a user account. then hit continue. the installation should finish up... and you'll be good to go.

you'll be told to remove the USB drive from your computer and reboot your machine.

now when your computer boots up, you should end up on a black screen with a little bit of text in the top left corner. ubuntu and windows boot manager should be mentioned there. naturally, when you click ubuntu you will boot into your kubuntu. likewise if you hit windows boot manager your windows login screen will come up.

and that's that folks. go ham on messing around with your linux distro. customize it to your liking. make yourself familiar with the shell (on kubuntu, when you're on your desktop, hit CTRL+ALT+T).

for starters, you could feed it the first commands i always punch into fresh Linux installs:

sudo apt-get update

sudo apt-get upgrade

sudo apt-get install vim

(you'll thank me for the vim one later)

turn your back on windows. taste freedom. nothing sexier than open source, baby.

sources (mainly for the pictures): 1, 2

further reading for the curious: 1, 2

linux basics (includes CLI commands)

kubuntu documentation (this is your new best friend. it'll tell you everything about kubuntu that you need to know.

and finally the promised kde/gnome meme:

[chaoticloving]

the making of stomper

harry styles x reader masterlist

summery: harry has his wife make the feature of his new music video

a/n: reader is described as an engineer and the "flashbacks" are italicized

“Satellite was inspired by my love of Wall-e.” Harry explained. “I love the little guy, looking around in search for his point of life—so human, really.”

~

“I need your skills.” Harry ambiguously stated, rushing into the bedroom and meeting Y/n who was relaxing on the bed on her laptop.

"Come again?" Y/n laughed, confused by her husbands question and vaguely raunchy implications.

Harry climbs on the bed, sitting between his wife's legs on his sock-clad feet, yes, the pair with holes in them. "I have an idea and I need your help building it."

Harry gave a sweet smile, the face he poses whenever he wants Y/n to build something for him, first it was a new camera, fixing up a new engine for an old car harry had his eyes on, and any other little thing Harry wanted. Y/n never minded of course, she enjoys creating new things and Harry was always there to help by any means he could. She enjoyed working on other things besides work--which at her level typically involved designing, no actual building.

"Intriguing , what is it?"

"Wall-e."

"Wall-e?"

"Wall-e."

"Huh." Y/n thought for a moment, before switching tabs on her laptop and opening up a new design file, labeling it "wall-e". "What's your vision."

"It's to go with Satellite and it would feature a little robot roomba thing thats looking for the meaning of life. It would walk or roll and move it's little face around." Harry summarized, stopping before he rambles too long, and make a list too extravagant.

“I’m down, I just need some time to think about what I’ll need and the process.” Y/n decided.

~

“Stomper was actually the 6th Stomper.” Harry thought back. “The first couldn’t move its head and only go very slowly on it’s little wheels. Two through four short-circuited. Five got injured by our cat. But six—he was a trooper.”

~

“Alright, we rolling?” Y/n spoke over to Harry, doing some final looks on the remote and Stomper.

“Yup! Ready for testing!” This was always Harry’s favorite part, despite it not being Y/n’s because she was always very thorough and was always waiting for a flaw with her creation. Harry, ever the optimist, was excited to see the little creature come to life.

“Okay, lemme just turn him on.” It was definitely a he this one, something in Y/n was just telling her it was a boy—as boyish a robot could be. But maybe she just thought the robot would act like Harry and all of his boyish charm.

Stomper grew to life, it’s “eyes” producing a subtle glow.

“Alright and moving forward—“ He moved, a little quicker then the others before him, which Y/n surprised and confused about. “Turning around…” The little robot did just that.

“It works?!” Harry shouted, letting the camera out of focus. He ran up to Y/n and hugged her tight, kissing her wherever his mouth could reach.

“Harry we got to give it more time, he might explode or something-“

“It’s perfect.” Harry chided, ignoring any concern his wife had for the little robot.

~

“I think Stomper was a subliminal message of some sort—“ Harry told the camera. He held on tight to the small child in this lap, who was trying to grab his ear and hair. “Y/n didn’t know she was pregnant yet. Only about a week after the music video went up Y/n had this epiphany that she didn’t have her period for the past two months—and the rest was history.”

Harry looked down at the little boy in his arms, brown hair showing through and a nose like his daddy’s. His eyes and lips through, were a copy and paste from his Mama.

“I joked that we should name him stomper--Y/n did not like that joke at all—so we settled on something else that will forever remain a mystery for you lot, or until I end up rambling uncontrollably.”

Harry, ever the scared Papa Bear, wouldn’t let anyone get a picture of any sort of the small boy. During the video, the boy was wearing a hat covering his face while Harry’s large hand would cover from the neck up. The only way you could know that Harry’s son was there was from the little grabby hands that kept making an appearance.

“But it’s getting close to this bubs nap time, so thank you for all the love.” Harry turned the camera off, smiling as he know the fans would love the one year special treat.

Harry went upstairs and met with his lovely wife taking a nap in their shared bed. His little boy yawned, causing Harry to yawn, so he knew it was family nap time.

“How’d it go?” Y/n whispered.

“Good.” Harry said, moving around so he could big spoon his son and wife. “Bubs was the star.”

“He takes after you.”

Harry smiled at the comment, but knew the opposite to be true. His little baby was showing signs of intelligence that could only be traced to his wife. “With any luck he’ll turn out just like his mama.”

[heybiji]

In reference to the last ask you posted! Do you mind going over your tips on role-playing as that active-type character and/or digging up the thread of conversation it seems the original asker was referring to? I'm so interested in your experience role-playing for both prep in possibly joining a game someday and also bc it sounds like such good character creation and general writing advice!!!! I tried checking you blog but didnt turn up anything that touched pn it more (No worries if not though!)

Sorry for this late response!

My advice is make characters that create opportunities for story.

Reacting to a story is fun! Reacting to a character is fun! But if you're always reacting then you're creating opportunity for other characters to react, so sometimes you gotta Act to let the other characters and the story React.

To do this, characters should all want something. And not something vague (like "to be happy"), it should be something more tangible, more specific, and everything else can stem from there. It'll guide your character naturally. It's their Motivation.

More under the cut (or skip to the end for more standard advice)

For example, my dnd character Dandelion wanted more than anything to go home. "Going home" meant a lot of things, yeah it means being happy, it means he wants to be with his family, it means he wants to be loved, it means he wants to feel safe, it means he wants to belong somewhere, but the tangible idea is "go home."

Because I knew this is what he wanted most of all it guided all his actions, and his actions for better or for worse all made sense because of it (and I made it clear that was what he wanted "on-screen" on multiple occasions). So anything that involved the idea of getting home would activate him, and he'd also deeply empathize with anyone and anything else away from home/away from family. Giving him one strong, clear motivation instantly made him an active participant in the story. This made him active with other characters too, any mention of home, any mention of family, any idea of not belonging, it drew him toward them.

(as a DM now this is also what I need more than anything, what's your hook? how can I tempt you? how can I make your character move forward? how can I make your character react? also characters that create opportunity for story take a LOT of work off the DM's shoulders in my experience, it shows you're engaged and it feels less like dragging a cat around on a leash haha like "are you enjoying this? do you want this? i don't know! please give me something!")

my more standard advice?

Be a good listener

Be present (in the moment)

Be curious

Be the biggest fan of all the characters

Put your story on-screen frequently, give people the opportunity to react to it and join in on it (this can be as simple as "my character's body language changes at the mention of 'home')

Create opportunities for the other characters to have their story on-screen (ask them questions! if you know what the character's buttons are and it makes sense in the moment, press them! listen to what they're saying, pay attention to what they're doing, and react to it)

Interact with the world! Interact with each other! And make these things mean something to your character!

Your character should make mistakes. Mistakes create opportunity for everyone.

If there's a genre, or theme, play toward them earnestly.

The more you RP, the better you'll get at it! It's a process and that's okay!

my little tip for knowing whether your character is Active vs Reactive: if the story were a musical, do they have an I Want song? do they have multiple moments for songs within the narrative? have they shared a duet with another character? do their songs change, evolve? songs happen for important moments in a musical so if you're not contributing to important moments, it may mean you're reacting more than you're acting. which is fine if you're playing a game solo and are granted access to the narrative by virtue of being the designated main character, but because RPing is collaborative storytelling, everyone should be doing their part!

[jade-gemstone]

Danganronpa Ultimate Categorization

Welcome back to another episode of: Jade is a nerd about something absolutely useless! Today's topic: Talent classification in Danganronpa/Fangans.

In the process of making my own fangan/s, I've created a classification system for the types of talents you can give characters. These classifications are...

Arts: Talents that are involved in the visual arts, performing arts, or fashion. Encompasses performers of all types, any type of visual artist, or anyone involved in fashion. (Ex. Actor, Abstract Artist, Model)

Practical: Talents that focus on a specialized skill or work with your hands. Also includes any talents that are religious or spiritual in nature. (Ex. Mechanical Engineer, Detective, Shrine Maiden)

Academic: Talents that are recognized by how much knowledge or experience a character has in an academic field. Covers most science, literature, math, and research based talents. (Ex. Chemist, Theologian, Archaeologist)

Sports: Talents relating to athletic skill. (Ex. Footballer, Kickboxer, Bowler)

Novelty: Talents given to a person who is special simply by existing. Can also be given to characters who win a contest for their talent. Includes Lucky/Unlucky Students, royalty, and non-human characters. (Ex. Lucky Student, Student, Princess)

This system of classification was based on my experience in the community over about three or four years, seeing many other people's original characters as well as creating my own. I found many fell into these categories. My "perfect" ratio, which my friends and I used as a guideline for making our fangan casts, is 4 arts : 4 practical : 4 academic : 2 sports: 2 novelty. I felt this ratio kept things even and grounded.

A few months ago, I began to wonder if my "perfect" ratio was more of my own creation than an actual pattern I saw. I thought, in the event it was, that I would come up with a mathematically accurate ratio that better represented the talent distribution of Danganronpa and its fan projects. This was my attempt at doing just that.

Data Collection

For this, I tried to collect as varied of a sample as possible. I included the three mainline Danganronpa games and sixteen fangans, ranging from very popular ones to very obscure ones. The fangans sampled for this analysis were...

Danganronpa Another

Super Danganronpa Another 2

Danganronpa Despair Time

Brave Danganronpa Coward's Paradise

Project Eden's Garden

Danganronpa He(art)less Deceit

Danganronpa Hushed Whispers

Danganronpa Muave

Danganronpa Despair's Revival

Danganronpa Re:Birth

Danganronpa Twisted Truths

Danganronpa Survivor's Guilt

Danganronpa Despair's Flame (my fangan! also the one where the talent ratio originated)

Danganronpa Cyberspace

Danganronpa Akeda Amusements

Danganronpa Lost Paradise (my other fangan that isn't released anywhere but I'm counting anyway)

I figured out the talent ratio for each individual game by looking through their casts and sorting them with my classification system. Ultimate ???'s were thrown out if possible (such as in the case of Akeda Amusements, where Hanari was thrown out due to the fangan having seventeen participants) and if not, they were counted as novelty.

Also, shout out to Yuki Maeda and Teruya Ōtori for managing to count for two different data sets despite my best efforts at finagling a way to keep them confined to one.

Observations

The first thing I noticed in looking at the ratios for canon Danganronpa was that Academic ultimates are underrepresented compared to what I initially remembered. It had been a while since I revisited the mainline games, and it was a shock to be reminded of that. I was also reminded, but not quite as shocked by the greater emphasis on practical ultimates.

In fangans, the focus on practical ultimates continues to be heavy, with none having less than two. There was also less focus on sports ultimates, with the majority having only one or two compared to the three that the mainline games had a majority of the time. They also tend to have more academic ultimates.

I think that this could be explained by looking at the types of people who make fangans. The majority of people I know who make fangans have very particular knowledge about certain fields due to experience or heavy research, and more often than not these fields do not include sports. They are more likely to make characters based on their experiences and knowledge that they can then insert into the story to make it seem more authentic.

I also, unsurprisingly, found that my "perfect" ratio was not reflected in many of the fangans I looked at. There was only one besides my own that followed that ratio.

Now, if my "perfect" ratio is not the mathematically perfect ratio, then what is?

According to the data collected for the canon games, this is.

This just so happens to also be the ratio for Trigger Happy Havoc.

According to the data collected from the fangans, this is the perfect ratio.

The only fangan that followed this ratio exactly was Akeda Amusements. V3 also had this distribution.

When considering both mainline and fan made games, the perfect ratio was this.

Ironically, not a single mainline game or fan game followed this ratio.

Out of curiosity, I also calculated the standard deviation for each data set.

Canon Danganronpa has little to no variation, conveying that talent ratios are quite consistent between games. The biggest variation would be in the novelty category, making sense as V3 scaled down the amount of novelty ultimates compared to the other two games.

The fangans are shown to have a much larger variation. Though I can't be surprised by this, as perhaps it is an unfair comparison. The mainline Danganronpa games were written by mostly the same team and had less to sample from, while the fangans have not only a larger sample size in which to deviate, but many different writers that think differently about talent distribution.

Final Thoughts

In putting this all together, I found that my classification system, while not perfect in any sense of the word, has some validity to it. If I wanted to, I could definitely make some improvements to it (especially in distinguishing between certain academic and practical fields from novelty), but as of now it works perfectly fine as an aide in cast creation for me.

My ratio is also not perfect, which was an expected outcome. Really none of the ratios I found are perfect, with none of them representing more than one or two of any mainline or fan made game. While ratios like the ones I found can be good for making sure you have a balanced distribution of talents, they aren't required to make a good cast. Personally, I'll continue using my personal "perfect" ratio as a baseline for any cast I make in the future.

I also had a lot of fun making this, and hope I can find a way to make more posts like this in the future. Thank you for reading this.

[50calmadeuce]

Ch. 7: Your Story (R)

Disclaimer: This is a work of fan fiction using characters from the Top Gun: Maverick world, trademarked by Paramount Pictures Corporation. I do not claim ownership of the characters and the world that I am borrowing.

The story and situation I am creating are a work of my own imagination and I do not ascribe them to official story canon. This work is for entertainment only and is not a part of the storyline.

I am not profiting financially from the creation and publication of this story, so please do not copy it and claim it as your own. As always, I hope it gives you happy thoughts :)

You, Jake, and Natasha gather around the kitchen island in Natasha's apartment. You sit in one of the chairs at the island, Jake standing to your right, while Natasha stands on the other side, her gaze flicking between the two of you.

"Jake, before you really think you want to get involved with me, there's something you need to know," you say, your voice steady but carrying the weight of what you’re about to share.

Natasha "Phoenix" Trace stood across from you, her arms crossed tightly over her chest, her eyes narrowing as she took in the scene. "I'm not thrilled about this," she said, her tone sharp as she glanced between you and Jake. "I think you could do way better."

Her words hung in the air, heavy with concern and judgment, her protective instincts kicking in as she assessed the situation.

Jake smirked, his confidence unwavering. "Nothing’s better than this," he stated, his tone light but assured.

Phoenix rolled her eyes, clearly unimpressed with his response, and you couldn’t help but playfully smack his arm, a small smile tugging at your lips. "I’m starting to think you two are more alike than I thought," you teased. "You also said the same thing about Christian," you added with a knowing look.

Phoenix's expression shifted slightly, but she remained silent, her arms still crossed as she waited for Jake's response. Phoenix points her finger at him. “And if you hurt her, you’ll have me to deal with.”

"I'm not going to hurt her, Phoenix, but who's Christian?" Jake asked, his curiosity piqued.

Phoenix turned her gaze to you, her eyes narrowing. "I take it you haven’t told him?"

You shook your head, a hint of unease creeping in. "I was just getting to that."

“Well, now I’m beyond curious.” Jake’s voice was filled with intrigue.

“Does the name Christian Astor ring a bell?” Phoenix asked, raising an eyebrow.

Jake thought for a moment, then it hit him. “Wealthy guy who joined the Army and became a kick-ass Apache helicopter pilot. Got killed in Iraq a few years ago. Left everything to his wife, and his rich parents didn’t like that, so the parents have been trying to take everything from her because he was an only child. I believe she’s a Doctor of Wildlife Veterinary Medicine. I’ve read a few articles about her and her work. She’s pretty bad ass.”

“Oh, she’s pretty bad ass,” Phoenix confidently states as she slowly walks away, her tone leaving no room for doubt.

You extend your hand to Jake, your voice steady but tinged with the weight of the moment. “Doctor Y/F/N Astor. And it’s my mother-in-law who’s trying to take everything from me. Nice to meet you.”

Jake stood frozen, his mouth agape, clearly speechless as he tried to process what you had just shared.

Jake blinked a few times, trying to grasp the full weight of your words. His expression softened, a flicker of understanding crossing his face as he slowly took your hand in his.

“Damn, that’s... a lot,” he finally said, his voice quieter than before. “I had no idea.”

You let out a sigh, the weight of your situation pressing down on you again. “It’s been a battle I didn’t expect. Losing Christian was hard enough, but dealing with all of this... it’s like a never-ending storm. Hence why I said you probably don't want to be with me."

Jake nodded, his eyes searching yours, as if trying to find the right words. “I can’t imagine what you’ve been through, Y/N. But I’ll tell you this—you don’t have to go through it alone. Whatever this is, I’m not going anywhere.”

The sincerity in his voice catches you off guard, and for a moment, you feel a warmth spread through you, something you haven’t allowed yourself to feel in a long time—trust.

"Thanks," you whisper, your voice soft. The weight of everything you’ve been through presses down on you, but his presence grounds you. "That means more than you know."

You pause, your heart racing as you continue, "But you also must know, I haven't been with anyone since Christian. I haven't even thought about anyone since Christian."

You look at him then, your gaze locking with his, the unspoken truth hanging between you. "You're the first one that has made me feel that way again."

Jake’s expression shifts, his eyes softening with a mixture of understanding and something deeper. He doesn’t rush to speak, letting your words hang in the air for a moment.

“I wasn’t trying to push you into anything, Y/N,” he says, his voice low and sincere. “But I’m not gonna lie—I’m glad I’m the one who made you feel that way again. You deserve to feel that way.”

A quiet, almost fragile silence fills the room, and for the first time, you’re not sure where to go next. Part of you wants to reach out, to bridge the distance that still lingers, but another part of you pulls back, afraid of what it could mean. After everything with Christian, the idea of opening yourself up again feels daunting, almost like you’re tempting fate.

“You don’t have to say anything right now,” Jake continues, his gaze never leaving yours. "We’re in no rush. I just want you to know that I’m here, for whatever you need."

You swallow, the vulnerability in his words disarming you. There’s no game here, no pretenses, just raw honesty. It’s the kind of connection you didn’t expect to find, especially not now, when your heart still carries so much weight.

“I don’t know what the future holds, Jake,” you say, your voice quieter now, unsure but resolute. “But I know that... right now, this feels like the first step in something that could be real.”

Jake’s grin returns, though it’s softer this time, the playfulness replaced by something more genuine. “Well, darlin', that’s all I’m asking for—one step at a time.”

"But there's more," you say, your voice trembling slightly as you pause, trying to steady yourself.

"Well, whatever it is, we’ll get through it," Jake acknowledged confidently, his expression softening with understanding. "I’ve never backed down from a challenge."

Phoenix walked back into the kitchen, raised an eyebrow, and nodded in agreement. “I can’t disagree there.”

You take a deep breath, your nerves growing as you prepare to share the last part. "Jake. I can’t ask you to go through this with me," you confess, your voice tinged with uncertainty. "It’s not fair to you."

"Darlin'," Jake said, his voice firm and reassuring. "I’ll let you know what’s fair to me or not." He winks at you, a playful yet sincere glint in his eyes.

"Then you need to know one more thing before you make your final decision," you say, the weight of your secret pressing down on you.

"Give it to me," he replies without hesitation, his tone steady and confident.

"I have a son," you say quietly, meeting his gaze.

For the second time in one day, Jake 'Hangman' Seresin is speechless.

Tags: @smoothdogsgirl @alwayshave-faith @devil-angel-winchester @khouse712 @illisea @hooklsove1592 @tgmreader @juliemarauderfan @djs8891

[error84744838]

Tbh, i don't know what I am doing. I just saw other people having this and decided i wanted to do it as well

Stuff i am working on

I am currently working on two undertale related projects that are all unpublished at the moment as I decided to rewrite them before I post them

Meet The Nulls

Meet the Nulls is a story based on the idea if there's a void between AUs where popular outcodes like Error sans and Ink sans live, why not have a void that exists between different multiverses

So Meet the Nulls will be a collection of stories that all exist in the same setting instead of a story that follows a cast in a continuous story

A few stories I got plan for Meet the Nulls is

Meet the Nulls: The Pioneer

A story about my alternate version of Ink sans going by the name Luu and his journey in the nullvoid from getting his mask to him gaining the title "The pioneer"

Meet the Nulls: Who's ready to Rumble

A story that follows a character known as Yokai Error and his time in the multiversal event known as the rumble where tons of different multiversal variants are forced to fight it out to see who wins

Meet the Nulls: Multiversal Exterminators

A story that follows an average day for the Nullvoid trio that consists of Error Prime, Nightmare supreme, and X ink, which of course involves destroying an entire multiverse, but they have there own way of making it fun

Meet the Nulls: One killer of a Salesmen

A story about a killer sans that after ended up in the nullvoid and became a Salesman and follows his strange interactions in the nullvoid as he does his new job

I have more stories plan for it, but these are the ones I am currently working and plotting for

Undertale:DATASPLIT

Basically what Undertale:DATASPLIT is about is basically the reimagining of every popular concept that the fanon had made like villain sans squad, shattered dream, the alpha bros(heavily reimagined with no connection to the AU Alphatale other then concept), fresh ink, evil ink, error being a menace, Erratum and so on all into a series where they interact alongside with original characters such as Datasplit Sans himself who's I'm still in the process of making

No story is currently planned for this yet

Stuff about me(WIP)

MY DNI LIST

Nobody, just don't be overly toxic to me, and you're fine unless you ship something weird and haven't made an attempt to make it more appropriate in that case. Do not interact with me

My kind of writing warning

I would just want to say that I am a part of the darker and edgyer side of the fandom, and my future writings have some inspiration from that which some people may not like but just know that my stuff may contain some dark elements so you have been warned

Fandoms I am in

Undertale

Hollow knight

TC (I will not be explaining what that stands for unless you really like grimmdark stuff)

Minecraft

Bendy and the ink machine

Looking for willing artists

I am on the lookout for artists who are willing to draw stuff about my creations as I am extremely supportive of any people making artwork of my characters and worlds

[torchship-rpg]

Dev Diary 16 - Aquillians

Hello cosmonauts! I’ve been almost non-stop sick for three months which hasn’t been great for progress, but this can’t be delayed any further. We’re going to try to do more frequent dev diaries again; next week I’ll do a diary on Meta-Campaign mechanics and the current state of character creation, but for now, it’s time to do some lore.

So, let’s talk the biggest alien species in Torchship, our local Space Elves, the Aquillians!

Aquillian Basics

Aquillians are a diverse species of humanoids who superficially resemble, well, green-blooded elves, and they’re very much inspired by taking a few of the greatest hits of sci-fi space elves and shuffling it all up. Torchship might be a deconstruction of a lot of common sci-fi tropes, but it’s also a reconstruction embracing fun ones along the way and wearing inspiration on our sleeves.

Though pretty human-looking on the surface, like all humanoids in Torchship, they look like that because of a mysterious process of directed evolution from very different routes. Humanity’s first inkling of just how dominated Local Space is by the mysterious forces of Star Gods and K2 civilizations was discovering an alien that looked just like them, but had totally different biochemistry, internal anatomy, and evolutionary history. The ancestors of Aquillians were gliding arboreal bird-like pack hunters, sent along the path to sapience by their increasingly complex social dynamics and changing climates on their relatively small, low-gravity homeworld. Flight proved less useful in lean times than dexterous hands and the intelligence to shape the massive, tangled trees into built environments.

Evidence of this ancestry is still present in their constant-volume unidirectional respiration system and energy-conserving metabolism (and fluffy protofeather hair). This is reflected through the only universal Aquillian Trait, which is also part of our new category of Evolutionary Origins Traits; everyone gets to pick one representing the evolutionary lag of their ancestral environment. (Most) Humans now get the Persistence Predator Trait, letting humans take more Strain before experiencing Fatigue penalties.

In contrast, the Efficient Metabolism Trait of the Aquillians allows them to avoid taking Strain on dice rolls if they succeed by a large enough margin; this encourages you to double-down on your specialities and lets you perform low-stress work more or less indefinitely. This was very handy for a species whose path to sapience involved becoming the galaxy’s best tree-pruners.

Aquillians are also generally encouraged to take the various Psychic traits. The thing about psychic powers in Torchship is that while they’re not genetic, they are heritable, in that people raised by or around psychics tend to become psychics themselves. The widespread emergence of psychics is predicated on certain social conditions, but once it’s become widespread in a species it’s unlikely to fade. Thus, nearly all Aquillians possess some level of psychic potential simply because their species has been puttering around all the psychic weirdness of Local Space for so long.

Aquillians are the most widespread and populous species in Local Space by a considerable margin; they’re either the primary species or a sizeable minority in multiple states and are otherwise generally present everywhere. One could make the serious argument that Local Space is defined by being the part of the galaxy that’s Aquillian-majority, and when you come across an independent planet with faster-than-light travel and humanoid aliens, they’re probably Aquillians of some description.

The reason for this is that the Aquillians have been around a very long while, and one way or another have been in a dominant position that entire time. They’ve had FTL travel for forty thousand years, and for at least half the time an Aquillian political body has been either a great power or the undisputed regional superpower. The nature of this dominance has varied massively over time, but it most recently manifested as the Aquillian Empire.

In The Empire/Remnant

If you listen to their propaganda, the Aquillian Empire was/is Local Space’s rightful heirs, existing for forty thousand years of unbroken and absolute rule. Under the guidance of wise Emperors, they did more to preserve interstellar civilization than anyone else with their ruthless enforcement of the Exploration Taboo, their rigid hierarchy of specialised castes and subordinate species, and the wonders of a massive, high-speed web of FTL beacons. They crushed the dangerous Argent Empire, drove the upstart Zinovians from their homeworld, and brought Pax Aquillia to the stars.

In reality, the Empire only existed for about fifteen hundred years, and they just claimed the entirety of their species’ spacefaring history; with total control over the presentation of their own history, it was kind of hard to call them out. 1500 years is still really impressive, as empires go, but it wasn’t quite grand enough for the swelling egos of the ruling class. It’s a bit like saying, “As you can see, Sumer prevails!” while pointing at New York City.

The Aquillian Empire was well-known for their historic use of genetic engineering on both themselves and their enemies, which creates the setting’s taboo on genetic engineering that humans are in blatant violation of. For this reason, Aquillians in the Empire were changed considerably from the ancestral template, modified for life on heavier worlds; their capital isn’t their mineral-poor, low-gravity homeworld, which is instead a bit of a sad backwater now. This gives the Imperial Aquillians and those derived from them the Downweller Gravity Trait, which is in-between the Freefaller Trait used by human spacers and the Heavyworlder Trait of Terrans; it’s the ‘average’ trait with no real strengths or weaknesses.

It also resulted in a degree of artificial phenotypical convergence, as waves of engineering were used to aesthetically modify sections of the species in-line with current fashions. This isn’t universal, but the higher in the hierarchy you go, the more Aquillians tend to be tall, gaunt, and have desaturated skin and hair colours to match their self-reinforcing image of nobility.

The biggest consequence, however, is the clades. The Aquillian Empire’s power structure emerged from a caste structure inherited from one of their precursors, now entrenched with genetic engineering. Initially this was in the form of creating a large number of specialised subspecies for different tasks, but as the Empire grew in strength, automated more infrastructure, and acquired more and more vassals, the priority increasingly became engineering for control, outsourcing labour to client states and modifying their own population for compliance instead of productivity.

At the time the Empire fell, the many specialised groups had been condensed into three diverse Clades; the ruling Nobles, the ruthless Enforcers, and the mass of numbed Commoners, all with their own Traits.

The Clades

The Nobles, or High Aquillians, are the highest Clade, forming a kind of industrialised aristocracy inside the Empire, acting as administrators, military leaders, governors, lawmakers, and scientists. Functionally immortal, fabulously wealthy, and relatively rare, the nobility have an agreement within their own ranks to only produce new Nobles for specific purposes in order to avoid diluting power or creating succession crises. This worked out fairly well historically, but has resulted in every major faction of the currently-simmering civil war in the Divine Empire cloning their own Ideal Monarch(s) for when they overthrow the upstart Empress and seize power (after they win the actively-boiling-over civil wars against the other remnants and crush the humans, of course). Those other remnants are mostly ruled by planetary governors or admirals who have seized power, but a handful are also hard at work in Build-A-Tyrant Workshop.

Each noble is tailored to their role and raised to serve that particular purpose, so as Traits go they are pretty much completely freeform, save encouragement to take Augment and various psychic traits. There’s not a lot of them in the Union for obvious reasons, but that makes playing as one and casting aside your birthright to fight for a fairer world all the more meaningful.

(We’re also playing around with a funny Trait, whose working title is Class Traitor, to represent how even with your defection, there’s a lot of places who still respect the title… and a lot of others who really, really don’t. Renouncing your title doesn’t necessarily destroy your claim; there’s probably a lot of servants and functionaries back home wondering when you’ll get all this communism out of your system and come back to run the planet again.)

The Enforcer clade constitutes the law enforcement, colonial bureaucracy, and military officer class of the Empire, and are as much defined by their upbringing and social isolation as their genetic modification. The Enforcers are descendants of a specialised clade to create the ideal secret police, which unsurprisingly meant they soon infiltrated, dismantled, or took over every other lever of power they could get their hands on and firmly established themselves as the middle managers of society. The only reason they never successfully couped the Nobility is the fact they are categorically incapable of trusting one another.

Enforcers are biologically distinguished by a change in their neurology which rewires the way they experience empathy. While humans initially believed (to their horror) they’d encouraged a subspecies of engineered sociopaths, the truth is more complicated; Enforcers have had their mirror neurons modified to basically receive the alien equivalent of a dopamine hit from understanding the emotions and thoughts of others. Genuine empathy is very difficult when your neurochemistry rewards you for treating other people as fun little puzzles to take apart and put together; it makes them very good interrogators, investigators, and spies, but also means the closest thing to emotional attachment most of them feel is having favourite subjects. This means they historically spend the time they could have used seizing power scheming endlessly with one another instead.

To represent this, Enforcers are recommended the Reserved Trait, which modifies how you interact with Relationships and the Unity system, the Turncoat Trait (because playing as one almost inherently implies defection), and Narrow Socialisation, which lets you select two types of Relationships (in this case Rival and Nemesis) to get a target bonus in social interaction with, while hitting you with a target penalty for all others. You also typically are a Psychic Void; the deeply engrained secrecy and distrust of their artificial anti-society makes them largely invisible to psychic powers as well as making them very difficult to access.

Finally, there are the great masses of Commoners, the dispossessed masses of once-workers who increasingly existed to be ruled in the Empire, acting as an enormous reserve army of labour and potential conscripts to give bulk to the Empire and be selectively employed for economic or military violence. In between those times, the Commoners didn’t really have much to do, and to keep them manageable, they were gradually engineered to be more and more easily controlled and managed.

This involved, essentially, breaking their motivation system by genetically curtailing the natural production of neurotransmitters and replacing these systems with electromechanical implants. If the Empire didn’t need the Commoners for anything, they left them in a state of numb apathy and executive dysfunction; they could get away with just bread without circuses. If they needed labourers, soldiers, or to stop the population declining, they would just start pressing the feel stuff again button as needed to reward useful behaviour. Crude but tragically effective.

Though they believed this made their population a docile and cultureless stockpile of potential labour, the Commoners retain a complex internal culture built around their tactile telepathy, developing a sort of introspective philosophy of dualism, intellectualism, and fatalism. Unable to confront a system that had control over their own neurochemistry, common Aquillians instead developed a parallel culture which existed in their collective shared imaginations, sharing aspects of their thoughts and personalities with one another in a quiet network, with their philosophers living on in transmitted fragments alongside loved ones and comrades.

Commoners also get the Reserved Trait, for different reasons than the Enforcers but with similar effects. Plural System allows you represent transmitted personalities by essentially having Crew NPCs that fortunately don’t take up limited bunk space in your spacecraft, Stiff Upper Lip and Fearless reflects how the limits placed on them also mute strong reactions to pain and fear, and Prodigy simulates having cybernetic modifications which reward pursuing certain work.

This system survived a very long time in the Empire, and persists in its Remnants. Once you get outside them, though, it gets interesting.

In the Breakaways

The Aquillian Breakaway states are the Union-aligned or neutral bodies which broke away from the Empire during the civil conflicts which ended the Aquillian-Human War. Some of these still function more or less like the Remnant before them, but the majority are revolutionary states of some kind which have elevated Commoners to the top of the pack. You’re probably not playing an Enforcer or Noble; they, uh, aren’t too well liked there for obvious reasons.

If you play an Aquillian from one of these states, you’re probably playing a Commoner who still has the above modifications (as these states have very strong taboos against further genetic engineering they are still struggling with), but who now has their hands on the remote control for their emotions. 

This ties into one of the core principles of Torchship; you can always change your character’s Identity at any time you like, at no mechanical cost, provided you have a narrative reason. Your character’s external neurology interface is a special use of the Cultural Tool Trait which acts as that narrative reason to turn on and off many of the common Traits listed above whenever you like, as is advantageous to you. Of course, that also does mean there’s a remote control with your emotional state on speed-dial which is just lying around, taking up an equipment slot and just begging to be stolen for the sake of drama.

Regrettably, while the chances of experiencing Spock’s Brain are low, they are never zero.

In The Union

There are quite a few Aquillians in the Star Union, making up the largest alien minority by a significant margin (larger even than the Koath). These are a mixture of refugees taken on during and after the war, immigrants flocking to a place which might be able to undo the genetic modifications done to them, war orphans who wound up in the Union through various dubious humanitarian programs or ad-hoc adoption, and the former prisoners of war of Camp Aldrin on Earth’s moon. In fits and starts, they’ve largely undone or changed the way their various genetic modifications affect them to suit their needs better.

These groups live all over the Sol system now, and many of them have integrated into the various human cultures and, in so doing, have often taken on some of the genetic alterations used by those groups (seeing as they self-select for ‘cool with some level of genetic modification’). So one of the ways you can play an Aquillian, particularly a young one who has largely or entirely grown up in the Union, is by basically making a Terran, Martian, Spacer, etc, just swapping out Persistence Predator for Efficient Metabolism. It’s increasingly common to meet Aquillians in Star Patrol with the flag of their adoptive home country on their sleeve and no more connection to the Empire than peers of their age, for good or ill.

If you’re playing somebody from Camp Aldrin (first or second generation), then it gets a little more interesting, because these Aquillians aren’t being directly assimilated into human cultures, instead creating their own experimental one in their lunar enclave, with an abolition of the clades and an attempt to create a more egalitarian society. Any older Camp Aldrin Aquillian is going to be a Turncoat and War Veteran from the Imperial military, and traits like Augments or Prosthetics are quite appropriate.

This is also where you’d most likely find former members of the Enforcer or Noble clades, taken prisoner during the war. Though Solar Patrol developed a bad habit of pushing Enforcers they captured out of airlocks during the middle period of the war, they still captured an awful lot of them, and the process of many Aquillian Breakaways forming was made a lot smoother by the Union offering asylum to Nobles in exchange for laying down their arms. These groups, who don’t usually see their genetic modifications as burdens like the Commoners do, will have an interesting time figuring out where they fit in a more egalitarian world.

In the CNFT

Outside the Empire’s successors, the largest concentration of Aquillians are found in the multicultural capitalist empire of the CNFT, where they form a plurality of the population with a historical position of social and economic dominance. This is because the CNFT’s origins; about two and a half thousand years ago they were a colony of one of the Empire’s precursors. They took advantage of changing interstellar geography (astrography?) to declare independence, forming a network of political bodies which eventually solidified into an increasingly multicultural capitalist state.

This means that the Aquillians of the CNFT are, largely, pre-genetic modification Aquillians, predating the clades. They’re visually quite distinct, with vibrant multicoloured hair, much more diverse phenotypes, and a preference for low-gravity worlds that give them back their ancestral Freefallers Trait. A lot of them are even totally unmodified Baseliners, because their ancestors were displaced off the increasingly-irrelevant Aquillian homeworld and went looking for places that suited them. Being the dominant group in the Territories, they’re also recommended Foreign Connections with their former markets, and Driven, because being a workaholic is how you survive under Space Capitalism.

There’s also various Imperial Aquillians who ended up in the CNFT as refugees, in the recent war or earlier. They’re distinctly an underclass there, with little in the way of resources or help… well, except for the Nobles, who usually arrive with shiploads of antimatter and set themselves up nicely as investors.

Others

Being so common, so widespread, and having been around so long, you’ll stumble across Aquillians of one sort or another a lot across Local Space. They’re more or less the default, the alien you should reach for if you haven’t got anything else in mind.

Aquillians form a portion of the population on a lot of former Aquillian client worlds, which aren’t really breakaways in the traditional sense but where the Aquillian settlers still form powerful political blocs. Defusing tensions caused by these arrangements is a pretty common job for Star Patrol missions operating inside the Union’s de facto space.

There’s an awful lot of Aquillian pirates out in Local Space now, given they had the largest fleet in the region by a considerable margin and the fall of the Empire saw a lot of them cut off with nothing but a very powerful warship at their disposal. Many of these pirates are privateers who still mostly work for a Remnant power to keep up the wars against the Star Union and Universal Republic, but save their patron power money by also picking off civilian convoys for profit along the way. Others are now without allegiance, just hitting whoever they can and taking shelter around sympathetic planets. Some even side with Breakaways and prey on their former Imperial comrades. It’s equally likely you’ll be fighting them, scaring them off, or helping them.

Finally, the Aquillian presence in space is so old, and their history so distorted by successive waves of authoritarian censorship and purges, that there are many, many colonies that just slipped through the cracks. You’ll very often come across planets at just about any imaginable stage of technological and social development that were settled thousands or even tens of thousands of years prior by Aquillians, and were then cut off by some long-forgotten political cataclysm and left to develop or decay on their own. Sometimes it feels like you can’t turn over a rock without finding another weird space elf.

[verynichewritingadvice]

World-building Ideas for Cosmology Myths

Meaning, essentially, "origin of the world", cosmogony describes where your world comes from, mainly via a story called the creation myth. There are several basic templates for them:

From Nothing, where a supreme deity or force of some sort creates the world with nothing to work with. What ends up becoming the world varies — Judeo-Christian God manifests matter and time out of literal void, while in other religions, a god will dream a world into existence, or use their own bodily fluids as the material (a little squicky, but there you have it).

From Chaos, where there is some omnipresent, nebulous substance (the chaos) and it slowly becomes ordered, possibly giving birth to gods in the process. Most famous of those myths would be the Greek one, where the first gods — Gaia (and, by extension, our planet), Eros, Tartarus and Erebus — were born from Chaos, and all others were descended from those four.

Several creation myths feature the god(s) defeating a primordial monster of some sort which represents Chaos — think of Marduk's victory over Tiamat, or the slaying of the Leviathan by God. This subset, when the creation myth involves a battle against a representation of chaos, is called Chaoskampf.

From Gods, which comes in two forms. In one, two deities (typically sky and earth, though you're free to make your own versions) have sex and one gives birth to the world (or other gods). In other, a deity breaks apart (whether by actions of outside forces or by choice), and the resulting body parts form the world.

From Another World, where our world is merely the last in a long line of worlds, each of them emerging from the last. Buddhist and Aztec Mythology are the most famous for this, with the Aztecs believing we're currently on the fifth world, and Buddhists believing in an endless cycle of universal destruction/recreation, one that's been going on for eternity.

From The Ocean, where initially, the world was a giant ocean before something lifted the rock and mud from the bottom, creating land.

No Beginning, No End, where the world was never created, because it has always existed, and will always continue to exist (though not always in forms we'd be familiar or comfortable with). This is what Jainism teaches.

Those stories will often overlap, and in fantasy, you can probably imagine a few more origin stories particular to your world.