#introduction to big data

[juliebowie]

Introduction to Big Data: Understanding the Fundamentals

In an era dominated by digital transformation, the term “Big Data” has become ubiquitous, symbolizing a seismic shift in how organizations collect, process, and utilize vast amounts of information. From enhancing business strategies to driving innovation across various sectors, Big Data has proven to be a cornerstone of the modern technological landscape.

This blog delves into the essence of Big Data, exploring its fundamentals, characteristics, sources, technologies, and applications, and concludes with an invitation to elevate your Data Science skills through Pickl.AI’s Data Science course.

Introduction

Big Data represents a paradigm shift in the way data is harnessed and leveraged for insights. Traditional data management techniques fall short in handling the volume, velocity, and variety of data generated in today’s interconnected world. Understanding Big Data is crucial for anyone aiming to thrive in a data-driven environment.

Definition of Big Data

Big Data refers to the massive, complex datasets that are beyond the capabilities of traditional data processing tools to manage and analyze. It encompasses data that is not only large in size but also varied in type and generated at an unprecedented speed. The defining characteristics of Big Data, often referred to as the three Vs — Volume, Velocity, and Variety — help in understanding its scope and challenges.

Volume: Refers to the enormous amount of data generated every second. Examples include data from social media platforms, sensors, transactions, and more.

Velocity: Describes the speed at which data is generated and processed. Real-time data processing is a key aspect of Big Data.

Variety: Encompasses the different types of data, including structured, semi-structured, and unstructured data such as text, images, video, and more.

Importance of Big Data in Today’s Digital Landscape

The significance of Big Data lies in its potential to unlock valuable insights and drive decision-making processes across various domains. Here’s why Big Data is vital in today’s digital landscape:

Enhanced Decision Making: By analyzing vast amounts of data, organizations can make more informed and accurate decisions.

Improved Customer Experience: Big Data allows businesses to understand customer behavior and preferences, leading to personalized services and improved satisfaction.

Operational Efficiency: Data-driven insights help in optimizing operations, reducing costs, and improving efficiency.

Innovation and Development: Big Data fuels innovation by providing the necessary insights for developing new products and services.

Competitive Advantage: Companies leveraging Big Data can gain a significant edge over competitors by quickly adapting to market trends and customer needs.

Characteristics of Big Data

Big Data is characterized by the following attributes, often expanded from the initial three Vs to include more dimensions:

Volume: Refers to the vast quantities of data generated from various sources.

Velocity: The speed at which data is generated, collected, and analyzed.

Variety: The diverse types of data, including structured, semi-structured, and unstructured formats.

Veracity: The quality and accuracy of data, addressing issues such as data inconsistency and uncertainty.

Value: The potential of Big Data to generate actionable insights and business value.

These characteristics highlight the challenges and opportunities associated with managing and analyzing Big Data.

Sources of Big Data

Big Data is generated from multiple sources, each contributing to the vast pool of information. Key sources include:

Social Media: Platforms like Facebook, Twitter, and Instagram generate vast amounts of user data through posts, comments, and interactions.

Sensors and IoT Devices: Devices connected to the Internet of Things (IoT) generate continuous streams of data from various applications, including smart homes, industrial equipment, and wearable technology.

Transactional Data: E-commerce sites, banking, and other financial services generate massive datasets from transactions and customer interactions.

Web and Log Data: Data generated from web traffic, server logs, and online interactions provide insights into user behavior and system performance.

Multimedia Data: Images, videos, audio files, and other multimedia content contribute significantly to Big Data, particularly with the rise of platforms like YouTube and Instagram.

Public Data: Government databases, research publications, and open data initiatives provide valuable datasets for analysis and innovation.

Big Data Technologies

Handling Big Data requires specialized technologies and tools designed to manage, process, and analyze large and complex datasets efficiently. Key Big Data technologies include:

Hadoop Ecosystem

Hadoop is an open-source framework that allows for the distributed processing of large datasets across clusters of computers using simple programming models. Key components include:

Hadoop Distributed File System (HDFS): A scalable and fault-tolerant file system designed to store large datasets.

MapReduce: A programming model for processing and generating large datasets with a parallel, distributed algorithm.

YARN: A resource management layer for scheduling and handling resource requests from applications.

Hive: A data warehousing solution that provides SQL-like querying capabilities.

Apache Spark

Apache Spark is an open-source, distributed computing system known for its speed and ease of use in processing large datasets. It provides an in-memory computing framework, making it much faster than Hadoop’s MapReduce.

NoSQL Databases

NoSQL databases are designed to handle unstructured and semi-structured data, providing flexibility and scalability. Examples include:

MongoDB: A document-oriented NoSQL database.

Cassandra: A highly scalable, distributed NoSQL database designed for handling large amounts of data across many commodity servers.

HBase: A scalable, distributed database that supports structured data storage for large tables.

Data Processing and ETL Tools

Tools for extracting, transforming, and loading (ETL) data are crucial for preparing Big Data for analysis. Examples include:

Apache NiFi: An integrated data logistics platform for automating the movement of data between systems.

Talend: A platform that provides tools for data integration, data management, and data quality.

Data Analysis and Visualization Tools

Analyzing and visualizing Big Data requires specialized tools to uncover insights and present them effectively. Key tools include:

Apache Spark MLlib: A machine learning library for Apache Spark, providing algorithms for classification, regression, clustering, and more.

Tableau: A data visualization tool that allows for the creation of interactive and shareable dashboards.

Power BI: A business analytics service by Microsoft, providing interactive visualizations and business intelligence capabilities.

Applications of Big Data

Big Data has transformative potential across various sectors, driving innovation and improving efficiency. Explore how Big Data transforms industries through applications in healthcare, finance, retail, transportation, energy, and entertainment.

Learn how predictive analytics, personalized recommendations, route optimization, and smart grids enhance efficiency, improve customer experiences, and drive innovation across various sectors, making data-driven decisions a cornerstone of modern business strategies.

Healthcare

Big Data is revolutionizing healthcare by enabling personalized medicine, improving patient outcomes, and enhancing operational efficiency. With its features, Big Data can transform the healthcare industry. The following list shows the same:

Predictive Analytics: Identifying patterns and predicting patient outcomes, enabling proactive care and early intervention.

Genomic Research: Analyzing large-scale genomic data to understand genetic disorders and develop targeted therapies.

Operational Efficiency: Optimizing hospital operations, reducing wait times, and improving resource allocation.

Finance

The financial industry leverages Big Data to enhance decision-making, manage risks, and improve customer experiences. These include the following:

Fraud Detection: Using advanced analytics to identify and prevent fraudulent activities in real-time.

Risk Management: Analyzing market trends and customer data to assess and mitigate financial risks.

Customer Insights: Understanding customer behavior and preferences to offer personalized financial products and services.

Retail

In retail, Big Data helps businesses understand customer preferences, optimize supply chains, and enhance marketing strategies. Some of the key applications of Big Data in retail industry are highlighted below:

Customer Analytics: Analyzing purchasing patterns to offer personalized recommendations and improve customer loyalty.

Inventory Management: Optimizing stock levels and reducing waste by predicting demand and managing supply chains efficiently.

Marketing Optimization: Tailoring marketing campaigns to target specific customer segments and maximize ROI.

Transportation and Logistics

Big Data is transforming transportation and logistics by improving operational efficiency, reducing costs, and enhancing customer experiences. The following list showcases how Big Data is used in the transportation and logistics industry:

Route Optimization: Analyzing traffic patterns and delivery routes to optimize transportation and reduce fuel consumption.

Predictive Maintenance: Using sensor data to predict and prevent equipment failures, reducing downtime and maintenance costs.

Supply Chain Visibility: Providing real-time insights into supply chain operations, improving transparency and efficiency.

Energy

The energy sector leverages Big Data to optimize production, manage consumption, and improve sustainability. Some of its key applications are listed below:

Smart Grids: Analyzing data from smart meters and sensors to optimize energy distribution and reduce outages.

Predictive Maintenance: Monitoring equipment and infrastructure to predict and prevent failures, improving reliability.

Energy Consumption: Analyzing consumption patterns to promote energy efficiency and reduce waste.

Entertainment

In the entertainment industry, Big Data is used to understand audience preferences, optimize content delivery, and enhance user experiences. Here are some of the key applications of Big Data that are transforming the entertainment industry.

Content Recommendation: Using data analytics to recommend personalized content to users on streaming platforms.

Audience Analytics: Understanding viewer behavior and preferences to inform content creation and marketing strategies.

Revenue Optimization: Analyzing data from ticket sales, merchandise, and advertising to maximize revenue streams.

Conclusion

The advent of Big Data has fundamentally transformed the way organizations operate, providing unprecedented opportunities for innovation, efficiency, and growth. From healthcare to finance, retail to energy, Big Data is driving advancements and enabling data-driven decision-making across various sectors.

Understanding the fundamentals and applications of Big Data is essential for anyone looking to thrive in today’s digital landscape.

To harness the full potential of Big Data, a strong foundation in Data Science is crucial. If you’re ready to embark on a journey to become a proficient data scientist, consider enrolling in Pickl.AI’s Data Science course. This comprehensive program offers hands-on training and expert guidance to equip you with the skills needed to excel in the field of Data Science.

Start your journey with Pickl.AI and transform your career with the best Data Science program available. Join now and unlock the power of Big Data to drive your success.

[faysalahmed]

What do we mean by worst-case performance of an algorithm?

The worst-case performance of an algorithm refers to the scenario in which the algorithm performs the least efficiently or takes the maximum amount of time or resources among all possible input data. In other words, it represents the "worst" possible input that an algorithm could encounter.

When analyzing the worst-case performance of an algorithm, you assume that the input data is specifically chosen or structured to make the algorithm perform as poorly as possible. This analysis is crucial because it provides a guarantee that, regardless of the input data, the algorithm will not perform worse than what is described by its worst-case time or space complexity.

For example, in the context of sorting algorithms, if you are analyzing the worst-case performance of an algorithm like Bubble Sort, you would consider a scenario where the input array is arranged in reverse order. This is the worst-case scenario for Bubble Sort because it requires the maximum number of comparisons and swaps.

In Big O notation, we express the worst-case time complexity of an algorithm using the notation O(f(n)), where "f(n)" is a function describing the upper bound on the runtime of the algorithm for a given input size "n." For example, if an algorithm has a worst-case time complexity of O(n^2), it means that the algorithm's runtime grows quadratically with the input size in the worst-case scenario.

Analyzing and understanding worst-case performance is important in algorithm design and analysis because it provides a guarantee that an algorithm will not exceed a certain level of inefficiency or resource usage, regardless of the input. It allows developers to make informed decisions about algorithm selection and optimization to ensure that an algorithm behaves predictably and efficiently in all situations.

[faultfalha]

The Data Science and AI Handbook is a must-read for anyone looking to start a career in data science. It is packed with information on everything from big data to machine learning. But what makes this book truly unique is the way it combines the best of both worlds, providing readers with both a theoretical and practical introduction to data science.

[analyticspursuit]

What is Data Science and why is it important? | Data Science Explained

In this short video, I'm going to explain what data science is and why it's important. I'll also give you a brief explanation of how it works and some of the advantages it has over other types of data analysis.

Whether you're a beginner or an experienced businessperson, data science is an important field to understand. This video will give you a basic understanding of what data science is and why it's so important.

So if you're looking for an overview of data science, this video is for you!

To read more about Data Science visit: Top Data Science Job Responsibilities

[rbtechnology]

Machine Learning Consulting & Development Services

Machine Learning is a subset of Artificial Intelligence, used in developing applications that learn from experience through pattern identification and make decisions depending on the learning without being explicitly programmed for it. Machine Learning eliminates the hassle of programming a computer to make a decision. Instead, the machine learns from historical data and delivers better accuracy in decision-making over time through continuous learning.

Machine Learning is not a new concept, but it has come a long way since its inception. With the increasing volume of available data, computational processes that are efficient but consume limited resources for data mining and interpretation are in demand. Machine Learning is a technology that fits perfectly into this requisite.

Machine Learning methods

There are three distinct styles in Machine Learning. Each differs in the way the algorithms are trained.

Supervised Machine Learning:In this method, a labelled data set is used for training. Here both the input and output are specified, and the label information is used by the machine learning model to determine or classify the data.

Unsupervised Machine Learning:In the unsupervised method, a bulk amount of unlabeled data is fed into the model which is then crunched by the algorithms for extracting meaningful information that can be used for classifying or labelling data in real-time. Here the algorithm establishes connection between the data sets after scanning.

[yumeka-sxf]

Spy x Family CODE: White - FULL MOVIE SUMMARY [SPOILERS]

Now that I've finally read through the entire novelization of CODE: White, I'm ready to share a full summary of everything that happens - basically spoil the whole movie for those interested 😅

But before I get to the summary, a few notes:

I didn't translate every line from the novelization as that would have taken way too long. I go into more detail for scenes I was particularly interested in (like Twiyor scenes), or scenes that were easy to translate. But I still made sure to mention everything that's important to the story. If I gloss over some parts more than others, it's either because they were difficult to translate, or I didn't think they were that important. But even so, the "summary" still ended up being way longer than I anticipated!

I have not seen the movie myself yet, so everything in the summary below is based on the novelization only (of which there were two versions released, with slight differences between them). Obviously the novelization is an accurate adaptation, but there is a chance that a few things are different between the novelization and the actual movie, and/or the novelization may have left out some dialogue or minor scenes.

And lastly, it goes without saying but BEWARE OF MAJOR SPOILERS BELOW! Not only that, but please be considerate of where you share these spoilers. Remember to properly tag this post if you reblog it and think twice before you share any of this information on other social media. Most people don't want to be spoiled to this degree!

Again MAJOR SPOILERS BELOW!

The movie starts with an introduction to the characters – we see Twilight carrying out a mission where he has to disguise himself as someone's wife. Meanwhile, Yor is doing an assassination mission. They both come home at the same time and are greeted by Anya. Bond has a vision of Anya and Loid getting sick from Yor's cooking, so Anya suggests that Loid cook instead.

At Eden, Henderson tells the students about the cooking contest and how the principal will be the judge. Loid is on the roof, reading Henderson's lips. A falcon flies overhead and drops him a note with an F cipher. He goes to meet with Sylvia at one of the WISE hideouts. She informs him that she has another big mission for him, but when he objects that he couldn't take on something so big in the midst of Operation Strix, she hands him a photo of a man and child. She explains that the man is Major Depple of the Army Intelligence Department who has a lot of important people backing him, and since they hadn't made enough progress with Operation Strix, the higher-ups decided to pass it onto him.

As Loid leaves, he bumps into Fiona. Her hat gets blown away with the wind and he reaches to catch it, just as Yor and her coworkers are across the street. From where Yor sees them, it looks like Loid is kissing "the mysterious woman." Loid and Fiona have a fake conversation – he compliments her hat, she says it was made overseas, etc – while they're actually doing their secret "spy talk" (like they did when she first visited him at home). He tells her what's happening with Operation Strix, and she tells him that she had tried to warn him that it shouldn't have been left up to ordinary citizens who don't know anything, and that she should take on the wife role. Meanwhile, Camilla and co. tell Yor about the three signs of cheating: one, an increase in travelling; two, a change in clothing taste (to match the taste of his new lover); and three, suddenly giving gifts (because he feels guilty).

Later that evening, Yor is still feeling anxious about Loid's possible "lover." When Anya gets home, she tells them about the cooking competition. Loid recalls from his data that the principal's favorite is the melemele pastry. If Anya could get a stella from the competition, that could help get him back into Operation Strix. He says that he read in the school newspaper that the melemele in Frejis is supposedly the best, so they should go there and try it for themselves via a family vacation over the weekend. Yor thinks back to the "increase in travelling" sign of cheating that Camilla told her about. Loid tells her that only families are allowed at the Frejis restaurant they're headed to, so she decides to go, though she's still conflicted about whether this is actually a sign of cheating or not.

They have some family time on the train to Frejis, though Loid still makes Anya study. They play cards and get food (Anya has a corn dog, Yor has a sandwich, Loid has a hamburger). After coming back from the bathroom, Anya notices a key by one of the sinks. Bond is with her, and through him she sees a vision of the future – in the vision, she goes to car 8 and opens a trunk with the key while overhearing two men mention that it's a key to a treasure of the Republic.

Back in the train car, Loid brings up Anya's terrible handwriting while Yor mentions that they had practiced handwriting the other day. Loid says that Yor's motherly side is really coming out, which causes Yor to get flustered and makes her think that it's not her skills as a mother he could be dissatisfied with but perhaps her skills as a wife. She gets even more flustered when she notices a couple across the way kissing and starts nervously moving her lips, to which Loid asks if something's wrong. She stammers that her lipstick didn't warm up and is itchy, then says she's going to look for Anya since she's taking a long time.

Meanwhile, Anya and Bond find the luggage compartment and locate the trunk from Bond's vision. When Anya goes to grab it, Bond tries to stop her. At first she thinks that she shouldn't just do whatever she wants with other people's stuff, but then she remembers that the men in the vision said it was a treasure of the Republic, a treasure that could possibly help achieve world peace. She opens the trunk and is disappointed to find just a chocolate in it. But when she hears the two men, Domitri and Luca, open the door, she gets startled and accidently knocks the chocolate out of the trunk. It bounces off of Bond's nose, and when she tries to grab it, it falls into her mouth. She hides when Luca and Domitri come in to look for the trunk.

They describe the ship sticker on it, and when they find that it's been opened and the chocolate stolen, they say they're going to kill whoever took it so the secret won't get out. When Anya accidently makes a noise, the men take notice. Domitri takes a flower out of his pocket and points it towards the dim light in the car, saying that his "flower fortune telling" will tell him who's hiding. They then notice Anya escaping into car 7 and give chase. They lock her in car 6, but when she starts screaming for Papa and Mama, Yor breaks open the locked door. She asks Anya who the two men are and Anya says that they're chocolate thieves who were being mean to her. Yor beats them up (after telling Anya to cover her eyes) just as the train arrives at Frejis station (Anya seems to feel bad that she sicced Yor on them when she was the actual chocolate thief). When they get off the train, Loid says that they should start heading to their destination (as Yor starts building a snowman). After they get their luggage and leave, Luca and Domitri emerge from the car they were in and say they need to contact the colonel.

The shop that has the melemele is called "Restaurant Rubble and Bonds." Since pets aren't allowed in the restaurant, they leave Bond outside when they go inside to eat. After ordering food along with the melemele, the waitress tells them that they're getting the last melemele. Bond watches them from the window, but then a waitress comes over and feeds him the special pet plate, which he happily eats. As the Forgers are eating, Loid tells Anya that she shouldn't eat with her hands, and that using a knife and fork are proper manners. Yor watches and notices the turtleneck sweater Loid is wearing, which makes her realize it's something that he never wears. She then thinks of Camilla's second sign of cheating, a change in clothing taste. The chef comes over and tells them how the war in Frejis was mostly fought in the sky, and the aircraft displayed at the front of the station belonged to a two-man team famous for shooting down planes during the war.

There's a brief scene where Yuri overhears his coworkers at the SSS talking about Frejis, and he of course wants to go since he knows Yor is there now. But the boss won't let him, so he makes a bit of a scene.

Back at the restaurant, the chef continues to talk about the war and how he lost everything at that time. His decision behind making a restaurant catering to families was so people could experience the homemade food that he remembered his mom used to make. Loid can't help but relate the chef's backstory to his own. The melemele is finally ready and brought to the table.

Just as Anya is about to dig in, Colonel Snidel and some other soldiers enter the restaurant. The waitress and chef try to tell them that only families are allowed, but Snidel says that the military have authority in this area, even when it comes to food, and could close down the restaurant if they wanted to. They order the melemele, and when they're told that there isn't any left, one of the soldiers takes the melemele from Anya. Loid politely tells the soldiers that his daughter was really looking forward to eating it and if they could possibly order a different dessert. Snidel asks if they're tourists that came here to eat the melemele. Loid replies that they travel around trying delicious food. Snidel challenges Loid to a competition – if Loid wins, he'll give them back the melemele. The competition involves trying the three cakes that were placed on the table and correctly naming every type of sugar in them. Even though Loid correctly names them, Snidel also mentions the exact number of grams, making his answers the most accurate. Everyone's bummed that Loid lost, but he says that they could try coming back again. However, the chef tells them that they won't have more until Monday, which is when the Forgers have to be back in Berlint for the cooking competition. Yor asks the chef that if they provide their own ingredients, would he make it for them, and he agrees.

The Forgers go to the Frejis marketplace to get the ingredients from the list that the chef provided. Having already memorized the list, Loid moves at super speed to every shop and quickly finds most of the ingredients. When he goes looking for the orange syrup, a man from a cosmetic shop asks if he'll buy one of the many lipsticks there for his wife. He picks one out, mentioning how back on the train Yor had said that her lipstick wasn't working out and if this one is a nice color. She's embarrassed at first, but then agrees that it's a nice color and accepts…but then she's reminded of Camilla's last sign of cheating: suddenly giving a gift (meanwhile Loid is just thinking how putting on the happy couple appearance is part of the mission). With all three signs of cheating having taken place, Yor says that she's going to the bathroom and dejectedly walks away. Loid wonders if she's just tired from the trip and if she'll be okay. Anya then calls Loid over to a shooting game booth that has the orange syrup as one of the prizes. After attempting the game and failing, Anya reads the booth owner's mind and realizes it's rigged. Loid gets suspicious as well and is able to masterfully shoot down the orange syrup while also exposing the owner's scam.

Loid is ready to look for the last ingredient, but then Anya runs off to ride the mini train. Yor rejoins them, having put on the lipstick while she was in the bathroom. Loid says it suits her and asks if she'd like to get a drink somewhere. They go to a café booth where Loid orders coffee. But Yor, thinking how she needs to confirm the whole cheating thing with Loid and can't open up without the help of alcohol, orders several cups of heated wine. She finally gets drunk enough to ask Loid if he has a lover.

From the train, Anya looks over to see Yor grab Loid's scarf and pull him to the ground. Anya freaks out about "Papa and Mama flirting." They're both on the ground now, with Yor hovering over Loid before she finally passes out. She wakes up on a bench, where Loid asks if she's okay. She apologizes for what she did, but thinks that Loid will definitely want a divorce after what happened. When Anya reads her mind, she thinks of what Becky told her about divorces and how they cause families to fall apart. She then hears the ferris wheel attendant calling for people to ride, saying that it'll be a happy, "flirty" experience. Anya tells Loid and Yor that she wants to ride the ferris wheel, but then ushers them onto the gondola without joining them, much to their surprise. She tells them to get "flirty," to Loid's dismay. Yor tells Bond to look after Anya.

Yor realizes that she must look really bleak right now and it's making Anya worry. Loid asks if she's okay and she again apologizes for her behavior earlier. Loid replies that she's been acting weird for a while, causing Yor to finally admit that she saw him with his "lover"…someone with a large hat. Tears start welling in her eyes, so she covers her face with her hands to hide them. Realizing that the person she's referring to was Fiona, Loid explains that she wasn't a lover, just someone who needed directions to the art museum. Feeling embarrassed about her mistake, Yor looks away from Loid and out the window. She sees Anya and Bond below, the former waving happily at her. Yor waves back before mentioning if Loid could want a divorce, to which he light-heartily replies "no way." Yor says that she's lacking in a lot of ways, not just as a mother but as Loid's wife. Loid then takes her hands in his, looks straight into her eyes and reminds her of the promise he made via their marriage proposal.

He says the marriage vows again before stating that he has no intention of breaking his promise. As Loid gets closer to her, Yor's face reddens and her heart races until she finally breaks – she smacks Loid on the cheek, sending him flying out of the gondola (which had reached the ground). But he adjusts himself in midair and lands gracefully on his feet. Yor grabs their belongings from the gondola and hurries out. Upon seeing Loid's swollen cheek, Anya panics that Papa and Mama were fighting and the Forger family is over. Loid and Yor object to this, with Loid saying that they weren't fighting. Anya then says that they were flirting, but they object to that as well, faces red with embarrassment. Anya just grins at them.

The clock tower bell chimes, signaling 5 o' clock. When Loid muses that it got so late already, Yor apologizes that it was due to her passing out from drinking too much. Loid asks if she and Anya will go back to the hotel while he gets the remaining ingredient, cherry liquor. He thinks to himself how it's something rare that would not likely be sold at a store, so he'd have to get it through illegal means, which means that Yor and Anya can't accompany him.

Snidel gets out of his military vehicle in front of a flying battleship. He's greeted by several soldiers who tell him that route negotiations with the Arbo Republic have ended and adjustments to Type F have been completed. Snidel suddenly shoots and kills one of the operations leaders, claiming he's a traitor who leaked military information to WISE. Luca and Domitri then arrive and inform him that the microfilm was eaten.

Meanwhile, Sylvia meets with a bunch of WISE agents at their Berlint hideout. She tells them that they lost contact with their Frejis agent, suspecting that Snidel has taken action. She says that if the microfilm reaches the Arbo Republic, it could lead to an all-out war between the East and West. She doesn't think their agent had gotten the microfilm, but she knows Twilight is currently in Frejis, so he may be their only hope. She orders a couple of the male agents to meet with Twilight at Frejis and get the microfilm. However, Fiona interrupts and requests that Sylvia leave the mission to her instead. Sylvia objects, but Fiona is already leaving the room and on her way, thinking over and over to herself "A mission with senpai, a mission with senpai, a mission with senpai…"

Back at Frejis, Loid looks everywhere for the cherry liquor – he sneaks into a moonshine factory and even the wine cellar of a wealthy man, but still can't find it. He calls Franky at his tabacco shop in Berlint, inadvertently interrupting Franky's flirting with a pretty girl. He asks Franky if he can get the cherry liquor and that he needs it by tomorrow morning. Franky says he'll try but it would take him half a day to even get to Frejis, but Loid had already hung up.

At the hotel, Yor unpacks while Anya admires the hotel amenities ("Hotel TV!" "Hotel toilet!" "Hotel bed!") She then takes her toys out of her bag – among them are crayons, a sketchbook, a rubber duckie, and a toy gun. She pretends to shoot Bond with the gun, then points the gun at Yor and asks if she's the "boss." At first Yor is uneasy about partaking in Anya's game, but then she gives in and pretends to be the boss who wants the treasure. This makes Anya even more fired up and she says "Let's battle, polite lady boss!" The three of them continue playing.

Loid returns to the hotel and finds Anya's drawings of the ferris wheel and shooting game booth on the table. Anya's sleeping on the sofa while Yor puts a blanket over her. Loid says that he's going out again because he found the liquor at a neighboring town. Since it's a bit far, he's taking a car that he's borrowing from the hotel. Anya wakes up and calls Loid a liar since he said he would be back soon but came back so late. He apologizes, but then she reads his mind as he thinks about the fact that if Anya doesn't get a stella soon, Operation Strix and their family will be over. Anya says she wants to come along with Loid, but when he turns her down, she sadly goes back to the bedroom with Bond. When Loid starts to leave, asking Yor to take care of Anya, Yor asks him how many seats there are in the car he borrowed. He answers five. She then asks if they can all go together, since it's a family trip.

In the bedroom, Anya hugs Bond while thinking about the sad state of the family. Bond suddenly has a vison of the cherry liquor behind the cash register of a store at the plaza. At first Anya wants to tell Loid about it, but then she thinks that her secret would be revealed if she did (Loid would say "How did you know that? You can read minds? And Bond can see the future?") After realizing she can't tell him about it, she looks towards the window...

Meanwhile, Yor tells Loid how happy it made Yuri to be with her all day for special occasions like birthdays and family outings, and that it's the same with Anya. Loid thinks back to how happy Anya was when they were doing things together on the trip, such as playing trump, playing in the snow, and eating at the restaurant. He picks up the toy gun on the table and thinks back to how grateful Anya was for being able to play "spy" at the old castle. As he returns the gun to the table, Yor tells him how Anya was looking forward to so many things on this family trip, like eating sweets and playing together. She says she understands Anya's feelings since she's made Yuri feel lonely before. She tells Loid that Anya was really looking forward to being with him and how lonely it is to be separated from your family. She asks again if they could all go together to get the liquor at the next town, even though it's passed Anya's bedtime. When he starts thinking of the possible harm of bringing Anya with him, he pushes those thoughts aside and agrees with Yor.

Suddenly, room service knocks at the door. When Yor says that she didn't order any, Loid looks through the peep hole and sees Fiona disguised as a maid. He then says that he forgot to order a large bathrobe and steps outside. In the hotel corridor, he asks Fiona why she's here. She repeats "room service" while actually saying "it's a mission" in spy talk. Loid says that she can talk normally since it's just the two of them, and asks if she could be quick since he's also on a mission. She starts blabbering internally about how she's alone with him – LOVE!

Back in the room, Yor hears a noise from the bedroom, and when she goes to look, the window is open and both Anya and Bond are gone. Meanwhile, Fiona explains the mission about the microfilm to Loid. When she mentions Colonel Snidel, Loid thinks back to his encounter with Snidel and the military back at the restaurant. Yor suddenly comes out of the room and tells Loid that Anya ran away through the window. She had left a note behind, but when Loid goes to read it, the handwriting is extremely messy – he can make out the word "sorry" (misspelled).

Anya and Bond arrive at the shop in the plaza from Bond's vision. She buys the bottle of liquor and happily walks with Bond back to the hotel, thinking that now the Forger family will be okay. At the same time, the military is looking for girls that match Anya's description, using a picture that Luca drew of her. Bond starts barking when he notices Luca and Domitri pull up in a car behind Anya. Anya and Bond try to run away, but Luca pulls Anya into the car. Bond bites Luca's arm but gets pushed away. As they drive off with Anya in the car, they run over a can in the road that hits Bond in the head. Bond howls sadly as he watches the car disappear. Back at the battleship, Snidel says that it will depart as soon as they get the microfilm.

Loid and Yor run through town calling for Anya. They find Bond collapsed on the side of the road. Loid asks if he's okay and if Anya was with him. Bond barks and tries to gesture about what happened, but Loid and Yor can't understand him. However, Loid notices something in Bond's mouth – Luca's armband that he had bitten off. Loid recognizes it and is in disbelief that Anya got caught up in the military.

Then Fiona, still disguised as the hotel maid, pulls up in a car nearby and calls to Loid saying that he dropped something. In "spy talk" however, she says that he should prioritize getting the microfilm over Operation Strix. Loid thinks for a minute, then says loudly (so Yor can hear) "Ma'am, I would like to ask a favor…"

Meanwhile, Anya is brought before Snidel. Upon seeing him, she shouts that he's the guy who ate her dessert. He says that more important than the melemele, she ate their chocolate. She then states that he's the boss of those thieves. Luca and Domitri reprimand her for not using polite speech in front of the colonel. Snidel asks if she's been to the toilet since. Anya reads his mind as he thinks about how they hid the microfilm in the chocolate, and it's better to wait until she poops it out before killing her. Anya then realizes that the chocolate she ate on the train had the "treasure" inside, and if she poops, she'll be killed. Anya then nervously says that she's so cute that poop has never come out of her body, but then admits that she's lying upon seeing Snidel's cold gaze. Snidel instructs Luca and Domitri to take Anya with them and inform him if she poops. Anya begins holding her butt and starts shaking in fear. Domitri asks if she has to go, but she says she's just cold. She knows she mustn't poop or she'll be killed, but the more she thinks about it, the more she has to go!

Back at the Frejis plaza in front of the station, Loid boards the old fighter plane that was parked there. He's able to operate the communication device and listen in on signals from Snidel's flying battleship. He manages to catch some of Luca and Domitri's conversation with Anya, including them saying that she's in this mess because she ate the microfilm. Upon realizing that Anya ate the microfilm, he breaks into a cold sweat, but quickly regains his composure as he gets off the plane and meets with Yor, who was waiting worriedly outside. He tells her that he thinks Anya is with the military, since he heard from the radio signals that they seem to have taken custody of a girl around five years old. Yor asks why Anya would be with the military. Loid knows that he didn't have any time to come up with an explanation, so he cuts the power cable on the plane and climbs back into the cockpit. As the propellers begin spinning, he asks Yor to stand back and tells her that he'll return soon. Yor thinks back to the two men who attacked Anya on the train and realizes that they might have been from the military, but she can't tell Loid about that or he'd know that she beat them up. She recalls what she said to Loid earlier: that they should all go together because it's a family trip. As the plane leaves, Yor jumps onto it and forces open the door at the bottom. Loid continues to pilot the plane into the Frejis sky, unaware that Yor is also on board.

Back at the WISE hideout, Sylvia thinks to herself that "the fate of the world depends on getting that microfilm…we're counting on you, Twilight."

Back at the battleship, Anya is trying hard to resist the urge to go to the bathroom. She moves her body back and forth to try and hold off the urge, which only makes Luca ask if she has to go. She says no and that she's just doing a dance she learned at school.

Meanwhile, Fiona infiltrates the Frejis air traffic control so she can communicate with Loid on the plane. She tells him the location of Snidel's battleship. Loid compliments her on being able to get the information so quickly, causing her to say that she's ready to be his lifelong partner anytime and asks again if he'd let her have the wife role for Operation Strix…but the communication line had already been cut.

Back at the battleship, Anya is still doing her "dance" to resist the urge to poop, but she's practically at her limit (Luca and Domitri had also prepared a duck-shaped potty for her). She's sweating, tearing up, and her stomach is rumbling. When she feels her consciousness wavering, a bright light suddenly fills her eyes. She finds herself standing in a beautiful meadow filled with colorful flowers and poop shaped clouds overhead. She hears a voice and looks up to see a divine-looking old man surrounded by light. He has a poop shaped crown and he's holding a staff with a poop shaped top. He tells her that he's the god of poop.

He says, "You've fought well, warrior Anya. You've tried your best to protect world peace but...enough is enough." He puts his hand on her shoulder. She can feel his compassion flowing through his palms. "Relax your butt and rest, warrior Anya. Let's go to the peaceful garden of the toilet!" Anya tries to fly through the sky like the poop god, but ends up falling into the ocean. However, she's saved by waves of toilet paper that lift her towards a temple lined with statues of the poop god. A toilet is enshrined in front of the statues. The poop god gives a shout, and the toilet paper carrying Anya turns into a giant duck potty. The poop god waves his staff and the duck speeds out of the water, heading towards the bathroom above the alter. The lid of the toilet opens with another shout from the poop god and the duck moves faster. Finally the duck bursts into a ball of light and Anya falls, laughing, into the shining toilet.

Back in reality, Anya finds herself on a bed in a room on the battleship. After hearing her mutter to herself about "what's the god of poop?" Luca excitedly asks if she's ready to poop and puts the duck potty on the bed. As soon as Anya looks at the duck, she comes to her sense and says, "no, I'm good." While Anya stays with Domitri, Luca reports to Snidel that Anya still hasn't pooped yet. Snidel tells him to cut open her stomach. Luca is taken aback by this and tries to protest, but after Snidel presses him, he reluctantly agrees to do it.

Meanwhile, Domitri is trying an exorcism ritual to get Anya to poop – he makes her lay on the bed with a banana, corn, and a pineapple along with coffee beans between them, all the while singing a song about "yellow three." When Luca returns, he asks Domitri what he's doing. Domitri replies that according to his coffee fortune telling, "yellow three" is lucky. Luca then tells him Snidel's orders and asks if Domitri would do it. Since neither of them want to, they decide via rock-paper-scissors, and Domitri wins. Anya reads Luca's mind about how he's going to cut open her stomach while Domitri holds her down. She starts shaking and thinks of Papa and Mama.

Meanwhile, Loid flies the plane close to the battleship and contacts them on the radio. He says that his plane is in a state of emergency due to a fuel system failure and would like to request an emergency landing on the battleship. When one of the soldiers tells Snidel that an unknown aircraft is requesting permission to board, Snidel demands that they shoot it down. Loid steers the plane out of the way of the sudden hail of bullets while Yor, still hiding in the back, hangs on as the plane starts shaking violently.

Back on the battleship, Domitri holds Anya while she screams for Papa and Mama. Luca approaches with a knife.

Back outside, Loid desperately steers the plane to avoid the gunfire from the battleship, including homing missiles. In the back compartment, Yor isn't able to see what's going on, so she thinks to herself that Loid's driving is…rough. Loid manages to dodge the missiles, but one of them explodes next to him, causing the fragments to fall on the plane and damage the left wing. He knows that crashing is inevitable, so he steers the plane towards the battleship. The impact of the plane crashing into the battleship shakes the room where Domitri, Luca, and Anya are in. They all lose their footing and fall, causing Domitri to let go of Anya. She then runs away and through the hallway while they give chase.

Loid jumps out of the cockpit with his bag of spy tools and onto the battleship as the plane crashes. He thinks to himself that he first needs to confirm where Anya is and heads through a narrow passageway. Meanwhile Yor makes her way out of the back part of the plane only to be greeted by a huge gust of wind. She's surprised to be on the outer part of a battleship. She peeks inside the cockpit to look for Loid, but he's not there. She remembers that Loid said Anya was with the military, so she must be on the battleship somewhere. The opening to the bottom of the battleship is too narrow, so she decides to go via the top, breaking into a fast sprint.

The soldiers find the plane wreckage and Snidel gives orders to search for survivors. When one of the soldiers tells him that there's a woman running along the outer part of the battleship, he thinks he's joking. But then he looks at the monitors and sees Yor for himself. He commands that they kill her, since she decided to come aboard using that plane, that makes her an enemy. The turrets at the top of the ship begin firing at Yor, but she swiftly dodges them. One of the soldiers readies a grenade, but she takes off her coat and throws it at him, causing him to lose his balance and fall backwards. When the soldier falls through the deck onto the catwalk, the grenade falls from his hand. Yor gets away just as the grenade explodes, causing the area around the hatch where the soldiers were firing to burst into flames. The soldier watching from the monitor shouts "Explosion on deck 3A!" When she encounters the soldiers, Yor politely says that she came to pick up her husband and daughter, but the soldiers were already unconscious from the explosion. She heads further into the ship. The fire continues to spread through the battleship. Snidel commands the soldiers to go put out the fire, and when asked what to do about the woman, he says to send out Type F.

Meanwhile, Anya is still running away from Luca and Domitri (while still holding her butt). She manages to elude them by slipping into a room without them noticing. She listens by the door, and when she hears that they went off to look for her elsewhere, she breathes a sigh of relief. As she turns around, she notices a toilet in the back of the room. Tears start welling in her eyes…after a long and painful battle, she finally won.

Loid hides in a small room while soldiers are running through the corridors. He wonders to himself what the explosion was and if the plane crash could have possibly damaged the ship's hull. He peeks through a gap in the door and notices an officer who appears to be a captain based on the number of stars on his badge.

After giving orders to the soldiers, the captain walks towards the door. Loid pulls him in, knocks him out, and gags him. He then steps out of the room, now disguised as the captain, wearing his clothes and donning a mask with his face.

The sound of sirens are blaring through the battleship. Yor notices the soldiers desperately trying to put out the fire and apologizes to them. She again says that she came to get her husband and daughter and asks if there's anyone who knows where they are. One of the soldiers looks up and shouts "It's that woman!" The soldiers begin firing at her, but she jumps out of the way, grabs a nearby fire extinguisher and throws it at them, knocking them down like bowling pins. She's confused as to why they're shooting at her, then thinks that they could be part of the bad guy group that attacked Anya on the train. She picks up two knives that the now unconscious soldiers dropped. She then thinks of Anya being in trouble, without anyone protecting her, and her face becomes clouded with anxiety as she tightly grips the knife in her hand.

Meanwhile, Anya happily bursts out of the bathroom with a refreshed look on her face, toilet paper rolling down her feet…only to bump right into Luca and Domitri. Domitri stands proudly with toilet paper around his feet, boasting about his toilet paper fortune telling. Anya's face goes pale. Snidel is informed by one of the soldiers that the child has been secured, and he commands that they bring her to him.

As she continues looking for Loid and Anya, Yor arrives at the entrance to the air cell and pries open the heavy door. She's met with a blast of hot air. The fire has spread all over the spacious room. As she goes further in, she feels a murderous intent behind her. As soon as she starts to look over her shoulder, gatling guns begin firing at her. She jumps out of the way as bullets are showered on her. She goes further down in the air cell just as a gigantic figure appears, slowly moving towards her with heavy footsteps. She politely asks who he is, but Type F doesn't answer. He reaches towards her but Yor kicks him to the ground, only to have more bullets fired at her that she subsequently dodges. She pulls out the knife and pounces on him, managing to knock off his helmet. She asks him to stop attacking but instead he presses his forehead against the knife, making a very inhuman metallic sound, breaking the knife. The arms of his cloak, that had been engulfed in flames, burn off to reveal that he wasn't holding gatling guns, but his arms themselves are guns. The rest of his cloak burns off, revealing a body made entirely of weapons. After he calls Yor an "intruder," she readies the other knife, realizing she has no choice but to fight him.

Meanwhile Loid, still disguised as the captain, gives orders to the soldiers to help them put out the fire. When one of the soldiers asks where the hostage is, Loid questions him and he explains that she's a child about five years old and that officer Domitri took her to the bridge.

At the bridge, Anya is tied and gagged in front of Snidel. Snidel is upset that they missed getting her poop, but Luca says that it could still be in the sewage tanks. Snidel says that it could also still be in her body, which makes Anya even more afraid. Snidel tells them to keep her in the room downstairs and he'll "take care of her" once all the chaos on the battleship is over, while also ominously adding that he brought an extra big knife to enjoy kebobs. He then orders them to go into the sewage tanks and find the microfilm or else he'll cut them like kebobs too.

After leaving Anya in the room, Luca and Domitri grumble about how they're in such a mess because of some greedy kid, and Luca groans that he's still sore from being bitten by the stupid dog. Suddenly Loid, still disguised as the captain, gets the jump on them and knocks them out. He wonders why Anya isn't here since this should be the only bridge on the ship. He enters the room where Snidel is and says that he's going to report on the status of the firefighting operations, but Snidel dismisses him, saying that he's busy now.

In the room below, Anya can read Loid's mind but she can't move or talk due to being tied up and gagged. She realizes that she's tied to a telephone pipe that leads to the room above, so she slams her head against the pipe to get Loid's attention. Just as Loid is deciding to back off so as not to make Snidel suspicious, he hears the banging in the pipe and notices a hatch right below it. He realizes that Anya must be under there, so he pulls off one of the buttons on his uniform and pretends he's going to pick it up when it rolls near the hatch. However, Snidel says "wait, captain" and asks him when he began to smell like...a city. Snidel then immediately shoots at Loid, who manages to dodge, but the bullet grazes the face mask that he's wearing. Snidel continues to fire at Loid, who hides behind a console in the room. Snidel asks if he's the traveler from Rubble and Bonds and says that he shouldn't underestimate the nose of a gourmet like himself. Realizing he's been found out, Loid tears off the captain's mask. Snidel and the other soldiers begin exchanging gunfire with Loid.

Back in the air cell, Type F continues to shoot at Yor, his gatling gun arm having now turned into a grenade launcher. She narrowly dodges his attacks and grabs a fire extinguisher set (with an axe) from the wall. They end up crashing down through the floor, with Yor slamming the axe onto his chest as hard as she can. However, this only reveals a firearm magazine in his chest hatch. The magazine sends bullets into the gatling gun. He aims at Yor again but she jumps away in time. As they stare each other down in the flame filled room, she wonders what she can do against an enemy who can't be damaged by knives or axes.

Meanwhile, Loid continues to exchange gunfire with Snidel and his soldiers. Snidel opens an attaché case with a gas mask and grenade that he calls "Type G." Anya reads Snidel's mind about the grenade being a poison gas grenade that he's been developing and wants to test out. She starts panicking, trying desperately to break free from her binds so she can warn Loid about the poison gas. An image of Loid covered in wounds as he tries to save her flashes in her mind as she thinks "It's Anya's turn to save you!"

Snidel pulls out the pin from the Type G and throws it over to the console where Loid is hiding…just as Anya breaks free. As the rope suddenly breaks, she falls and rolls across the floor, hitting her head against a console in the back of the room. A green light illuminates on the console. Suddenly, the windows in the bridge open and gas starts getting blown all over, much to the confusion of Snidel and the soldiers. Loid uses this opportunity to make a move.

As the gas eventually leaves the room through the open windows, Snidel's men are shocked at what they see through the dissipating gas – their leader Snidel wrestling with…another Snidel! One Snidel tells them to shoot the imposter while the other says that he's the real one. Loid (disguised as Snidel) thinks to himself that since Snidel is the only one with a good nose, he just has to fool the others. Snidel brandishes his knife and threatens to tear off Loid's "imposter skin" and turn it into pork scratching. But Loid gets the upper hand and manages to grab Snidel and cause him to lose his balance, saying that his "imposter" skin isn't so flimsy that it could be cut off by the likes of Snidel. He wraps his left arm around Snidel's neck and tightens his grip, causing Snidel to drop the knife in his hand.

The soldiers are still confused about which is the real one as Snidel's body falls to the floor. Loid says "Do you think I'd lose to a fake," fooling the soldiers into thinking he's the real one. He tells them that they're to head to the Arbo Republic as soon as possible and that they're abandoning the ship. He commands them to use the land route instead. Carrying the body of the real Snidel, the soldiers leave with shouts of "all personnel abandon ship!" When he's finally alone, Loid takes off his Snidel disguise.

Meanwhile, Type F's right arm is overheating but he tells Yor it's no use waiting until he runs out of bullets. Even though his chest plate was torn off earlier, all Yor has left is a broken knife…until she feels around in her pocket and pulls out the lipstick that Loid had bought her. She lowers the knife and tells Type F "this is your last warning, please stand aside. I only came here to get my husband and daughter." But Type F just says that they should all perish together along with the future of the East and West. He then readies another round of bullets. Yor dodges and makes a wide circle around him, dragging the lipstick along the floor. She slashes at his chest with the knife, causing the knife to break. As he jeers that a knife won't work on him, he looks confused for the first time when he notices a line drawn around him with the lipstick, leading up to his chest. She says that she heard that lipstick is half oil. He tries to shoot at her again but it's too late…the flames along the railing run down the lines of lipstick, igniting the weapons embedded in his body, causing him to explode. After confirming that he's been destroyed, Yor continues on her way.

Back on the bridge, Loid opens the hatch to the door where Anya is and jumps down. She's overjoyed to see him as he asks if she's okay. She clings to him and buries her face in his chest. Just then, something falls out of her pochette – the cherry liquor. She tells him it's what Papa was looking for and he realizes that's why she ran away from the hotel. Upon realizing this, he can't help but smile, and Anya smiles too when she reads the thoughts he won't say. Just then they hear a loud explosion. Loid holds onto Anya as the ship shakes from the explosion. "Anyway, we better get out of here" he says.

Meanwhile, Yor opens the hatch at the top of the air cell and makes her way to the outer part of the airship where she sees Loid and Anya. They're both surprised to see her. "Mama!" Anya says as she runs to Yor, who gently hugs her while asking if they're both alright.

Loid asks the same of Yor while also asking why she's here. After hesitating a bit, she admits that she came on Loid's plane and that since it was an "outing," that they should have gone together. She then asks if the people on the airship are actually the military. Loid pauses since he can't tell her the real explanation, but then Anya speaks up about how she ate their important chocolate on the train and that's why they were after her. Loid thinks to himself about how they must have hid the microfilm in the chocolate, but he can't tell that to Yor. So he says that chocolate theft is rampant in cold regions because people believe it will keep them warm...they'd even steal from a military ship. Yor believes him and comments that there's a lot of scary people in the world. They both scold Anya for what she did: Loid asks what the heck she was doing eating that by accident (while in his mind he's glad that she's safe) and Yor says that she shouldn't do whatever she wants with something that belongs to someone else. Anya guiltily says "sorry" and they both can't help but smile at her. They hear more explosions and Loid says that they need to get off the ship. Anya points towards the window and they realize that the ship is heading right towards the city of Frejis. Loid begins operating the device on the console. Yor asks if he knows how to operate it and he says that he knows how from when he did it as part time work when he was a student. Yor is impressed, but Anya knows he's lying.

Down in Frejis, people notice the large, burning battleship descending towards the town and begin running all over in a panic. On the battleship bridge, the ceiling blows off, causing an extremely strong wind to blow. Loid realizes that the propulsion system and lifting platforms are dead, and wonders if it's even possible to make a safe landing or even change course. Behind him, Yor and Anya are holding onto each other while the latter shouts "You can do it, Papa!" Loid says not to worry since the rudder is still intact. However, when he grips it, he can hardly get it to move and the ship is still losing altitude. Debris from the broken ceiling rains down on his head, causing him to lose his balance. Just then, he feels something on his right hand…Yor's hand. And on his left hand, Anya's. "Please let me help, too" says Yor, "Anya too!" says Anya. Working together, the three of them are able to move the rudder little by little.

The Frejis clock tower looms before them but they're able to steer the ship so that it narrowly avoids colliding and only grazes the side of the clock tower. The ship continues to lose altitude, heading towards the surface of a large frozen lake. Yor hugs Anya close to protect her as the ship shakes violent from the impact of the landing. The battered ship glides along the surface of the water at high speed, whipping up a cloud of steam. The frozen water crashes onto the ship, putting out the fire. On a hill not too far away from Frejis, Bond and Fiona stand near Fiona's car and watch with bated breath as the battleship crashes into the lake. "Senpai…" "Borf, borf, borf!"

Back at the ship, the Forges escape from the collapsed bridge and onto the roof. They look in wonder at the pretty scene before them of the glittering ice particles shining against the city lights like diamond dust. Suddenly, water that had collected on the deck roof pours onto them like a waterfall, leaving them soaked. They're perplexed for a moment before Anya bursts out laughing with a "waku waku splash!" Then Yor also laughs. As he watches the two of them laughing, Loid smiles softly.

Suddenly Anya sneezes and Loid notices something in her mouth. Loid realizes it's the microfilm, smaller than a fingernail. He wonders if it had somehow gotten stuck in her teeth. When Yor asks what it is, he clutches the microfilm in his hand and replies with a smile, "it's a return ticket."

The next morning at Berlint, Yuri listens to the news at his desk at the SSS: "The flying battleship that landed in Lake Frejis last night appears to have been an accident during a training flight. The committee has announced that it has already begun interviewing the manufacturer and the military." He remembers that Frejis is where Yor said she was taking a trip to and he wonders if she's okay. His lieutenant then opens the door and requests some documents. Yuri asks why the SSS has to be the ones to clean up this incident, and the lieutenant replies that if the people found out that the military was behind it, that would be troublesome. After the lieutenant leaves, Yuri muses to himself how it seems that WISE intervened in the incident though there's no solid information. He wonders how they could have possibly done it, then thinks "it must have been him…Twilight."

At the WISE hideout, Sylvia reads the newspaper headline which states that there were no survivors of the battleship incident. She compliments Loid, saying that even though the SSS put out the fire so to speak, he managed to not leave a trace of the Forgers' involvement. Loid replies that yes, the Forgers were just enjoying a normal family vacation. He takes out a wine bottle from his bag. Sylvia peels off the label, revealing the microfilm. She then tells him that he's back in charge of Operation Strix, much to Loid's surprise. She hands him a photo of Depple at night with a strange woman and says that his affair was exposed and he was disowned by the father of his wife. Loid smiles slightly when he notices that the woman with Depple in the photo is a WISE agent – in other words, he had fallen into their trap.

Afterwards, Loid meets up with Yor, Anya, and Bond at the park by a fountain. Yor asks how his patient was and he replies that it wasn't a big deal considering they called him out of nowhere. Anya asks Loid why there's no fish in the water and he flatly replies because it's a fountain. She then calls to Yor, taking her hand and leading her to the fountain. As Loid watches them happily talk about something, and Bond following along and enjoying himself, Loid lets out a sigh, but his expression is surprisingly soft. He thinks that even though he's able to continue Operation Strix, he can't let his guard down and needs to keep focusing on acquiring stellas. Anya reads his mind and is overjoyed that the Forger family isn't finished. Loid says that they should go home now since Anya has to "train" to make the melemele for the cooking competition tomorrow. Even though they weren't able to eat a real melemele, they at least have the ingredients for one. Anya asks to hold Loid and Yor's hand as she happily chants that she's going to make a yummy pastry. When Yor says that she'll help too, Loid and Anya politely turn her down. They then head home together.

At the Eden classroom, the students are preparing their cooking ingredients. Becky says that she's going to make an orange layer cake that she learned from training with her pastry chef. She asks Anya what she's going to make. When Anya replies "melemele," Damian overhears and comments that it's an old pastry. Anya tells him that if she makes something good, she wants him to have it too. Damian's face reddens as he shouts that he'd never eat anything she makes. With a shocked face, she asks if he really hates it that much. This makes Damian's face redden even more as he shouts that he'd vomit if he ate her food. He runs off with Ewen and Emile following. Becky comments that he's the worst while Anya thinks that the friendship scheme is a failure. Just then, Anya and Becky turn towards the direction of an explosion sound.

Later that day, Anya shows Loid and Yor a note from school saying that the school kitchen broke down so the competition was postponed and the judge was changed to the vice principal due to scheduling conflicts. Anya laments that since it's not the principal, the melemele won't work. Loid thinks for a moment and says that he remembers reading in the school newspaper that the vice principal is crazy about the berry pudding from the southern region. He asks if they should go, and both Yor and Anya agree. Loid opens a map and points out the southern region. He says it's warm there so they shouldn't need a lot of luggage. Anya is excited about going to the ocean and wonders what playing cards she should bring while Loid thinks it would be a good opportunity for her to learn how to swim. Upon hearing all the talking, Bond comes over from where he was sleeping and gives a happy "Borf!"

Meanwhile at Frejis station, Franky trembles in the cold and shouts "Hey Loid, I bought the cherry liquor!!!"

-----

Afterword: Congratulations if you've read this far! When I first started this project, I honestly didn't think I would write this much for a "summary" 😅 I thought it would just be a few paragraphs tops. But as I translated, I was like "oh, this is interesting, I should write it down!" And I just kept going with that and didn't want to stop! Some may wonder why I would want to spoil myself to this degree, but for me, reading about the movie (in a language I'm not fluent in) is still no replacement for actually seeing it for myself - the novelization doesn't convey every line of dialogue, character action/expression, voices, etc. But now that I know what to expect, I can get myself hyped for the scenes I'm looking forward to seeing while also not getting my hopes up for something I won't see. I don't care to do this for most things, but I'm the opposite when it comes to my hyperfixations like SxF! I'm also not going to give my thoughts on the movie until I see it for myself. But I will say that based on the novelization, even though I thought a few things could be better, overall I think it will be a ton of fun and can't wait to see everything in full animated glory!

Again, please remember to be cautious about where you share spoilers and to properly tag posts on social media. And if you end up sharing large portions of this summary elsewhere, a shoutout to my blog would be nice...I spent many hours working on this!

[saturnville]

all yours, jude bellingham

pairing: jude bellingham x black fem oc (adeba malina). warnings: sexual insinuations. song: all yours by normani an: I don’t remember the last time I wrote a one-shot this long. and I came out of football retirement for this, so let me know how you like it! 🫶🏾 also, can anyone guess what position I played? 👀

“I don’t have an interest in pursuing a relationship with Jude. He’s a great guy but…”

Jude Bellingham, the world’s wonder boy, had become a staple in her life over the last few months following his multi-million dollar transfer to Real Madrid, but not for the reasons that people thought. They met during a dinner celebrating his transfer and hit it off immediately.

“Congratulations,” she said cooly and sat next to the young footballer. When her voice registered in his ears and her face came into view, his eyes grew wide and he looked like a child in a candy store. “I’m Adeba Malina.”

She needed no introduction. He knew exactly who she was. Former Madridista turned business-woman. She was known as one of the greatest center midfielders of her time; her speed, agility, and vision for a pathway to the goalbox were praised by the highest of heavens. Ronaldo’s protege and a Madrid icon. Adeba Malina was a football legend.

“Jude.” His hand engulfed hers as he shook it firmly yet delicately. “It’s wonderful to meet you.”

Adeba pushed a strand of hair away from her face and nodded once, taking in the footballer with a quick sweep of her eyes. He wore a crisp black suit with a complimentary black tie against the freshly pressed white shirt. He was handsome, but she didn’t let her mind go past that. Rather she said, “I trust you’ll do big things with Los Blancos. I’m excited to see what you do on the pitch.”

He was bashful, she noticed, his brown skin suddenly growing red and a small smile on his lips, “Thank you. That means a lot coming from you.”

“No problem at all. You enjoy your dinner, but a piece of advice, if I may.” Jude sat up intently. Adeba leaned over, her lips close to his ear as she tried to speak over the rowdy individuals around her. “You have nothing to prove to anyone. You’re young, gifted, and Black. They’ll do and say anything to make you look bad and to get in your head. Perfect your craft, do your best, and keep moving. There’s nothing to prove.”

Jude met her eyes for the first time that night. The prettiest shade of brown with specks of caramel. They held care and intentionality, just like the words she spoke, and he digested them like his favorite food. It was at that moment that Jude knew she’d be a good person in his life.

“But what?”

Adeba cursed to herself as she sorted through her jerseys for one to wear. Zizou. Ramos. Varane. Ronaldo. Beckham. Rodríguez. Malina. Bellingham. She snatched it off the hangar and onto her bed behind her. It would make do, and it would be cute with her newest navy blue heels and straight-leg jeans. “But,” she started after some time. “He’s younger than me and we’re just friends.”

The woman behind her scoffed audibly. “He’s barely 3 years younger than you, not 12. And you just went through 6 jerseys, knowing you have kits dating back to the 90s, including your own, to wear his, as you do for almost every home match. Don’t play with me.” And there it was. The bluntness and honesty of Colombia’s very own Dawn Nalinja, data analyst turned interior designer.

The two crossed paths at an event in Barcelona four years prior and had been inseparable ever since. So much so that their homes were in the same building, four floors apart. They were quite literally, two peas in a pod.

Adeba sighed and began getting dressed for the match against Dortmund. “Look, I just don’t think every friendship needs to transition to a relationship. Jude is good people and you don’t have to have to romanticize everything with good people.”

Dawn blinked, one, two, three times before sighing. “While that may be true, it’s best to romanticize aspects of your life with a good person, especially before they get swiped by someone else. You won’t know until you give it a try and that goes for anyone, not just Jude. But, we’ll leave that there. Are you ready?”

Adeba slid her feet into her shoes, fluffed her braids, and swiped her purse off the bed. She ignored the feeling within her chest and smiled softly as she tried not to think too hard on what Dawn had mentioned. “Ready!”

-

And as predicted, Los Blancos took the victory. Adeba always adored the energy of the stadium during victories, no matter who won. There was joy in seeing fans jump for joy, holler the chants of their favorite players, and take pictures with the players who’d walked by.

By the end of the match, Dawn had scurried off with her significant other, leaving Adeba to wait in the tunnel for Jude as she typically would.

She tapped her fingers against the wall as she waited for his exit, and when he came into view, the smile she didn’t realize she had on her face widened. “Hey, champ.”

Jude welcomed the greeting and returned it with a hug and a kiss against her cheek. Adeba felt warm as his arm circled around her waist and his fingers brushed against the loops of her jeans. Dangerous territories. “Thank you, Dee. What’re you doing after?”

Adeba shrugged as she stepped back to put distance between them, but it still hadn’t forced his hand to drop from her waist. If anything, it made his grip tighter. She ignored the pulsing between her thighs and said, “I planned to go home.” Her bed was always a wonderful place to be.

Jude nodded once. “Want to come to dinner with me? Not in the mood to party, but I could eat.”

Her head turned to the side and her braids swayed with it. “Just us?” The corner of Jude’s lips rose in amusement at her question. He couldn’t recall a time when them being alone mattered so much before, but with the way her breath quickened, he knew it was deeper than what she let on.

Adeba grew nervous underneath his gaze. His brown eyes were focused on her. How had she not realized how pretty they were? A rich shade of mahogany, a portal to a place unknown.

She exhaled shakily. He answered her question: “Just us.”

-

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adebamalina. hala madrid y nada más. congratulación a los blancos para la victoria 🤍 ft the wonder boy himself

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username stunning

username 😍

— adebamalina thank you honey

username the braids!!!

judebellingham 🤍🤍🤍 always grateful for your support

— adebamalina so proud of you.

username. just get tg alr

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username. I know yall saw Jude like her comment!

username. the prettiest wag out!

-- username. girl, she’s not a wag. just a rm legend

-- username. she’s always with jude, so she might as well be. two for one special atp

-- judebellingham liked your comment!

username. real madrid legends fr

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georginagio we still need to have our shopping date!!

— adebamalina I’ll book a flight in a few weeks! and tell Cris and the kids I said hello!

username. okay but fr when are they getting tg?

— saturnville girl idk I haven’t thought that far yet

-

“Stay with me tonight.”

If Adeba lived in an animated world, she would have heard her feet squeal like brakes when she stopped suddenly. She turned slowly to see Jude standing with one hand in his pocket while the other held her blue heels, a straight look on his face. “As in…?” Adeba pushed for further explanation. Sure, they’d hung out before at each other’s places and in other public spaces, but his words hinted at something more.

“Movies, snacks, and I’ll whoop your ass in Uno. Just something chill. I just…didn’t want the night to end this early.”

Adeba sighed heavily. She wanted to deny him. To tell him that wasn’t a line that needed to be crossed. That she was nothing more than a friend, a mentor in a way, to push him to be his best self in his professional and personal life, but how could she? With the way he looked down on her and not in a condemning way. But with a look of adoration. His eyebrows were relaxed and his eyes were soft. His body language spoke of comfortability in her presence with how his shoulders were low and slightly rounded above her body. Like a guard.

She wanted to tell him she’d go home, that she didn’t want to blur any lines. She wanted to admit that she had no feelings for him at all, but then she’d be lying, and one thing Adeba Malina hated was a liar.

Adeba pondered on it longer. Her teeth captured her bottom lip as her mind worked to weigh the pros and the cons. They were friends, just friends. Friends who were potentially spending the night together…alone. With any other guy friend, the idea would have repulsed her. But when it came to Jude, something within her sparked with curiosity at the idea of staying the night with him.

Maybe Dawn was right. If everything aligned, would it be worth a try?

Adeba finally met his eyes again and nodded. “Okay.”

-

“You started playing at 17 for Real. Is that how you met Cristiano?” Jude asked inquisitively and passed the bag of candy to Adeba, who sat on her knees in front of him. She nodded and popped a few Nerds in her mouth.

“Correct. The men’s team came to visit the women’s practice and of course, we’re football fanatics just like you, so having these legends visit us and give us advice was amazing. Cris always gave me good advice, especially being that we both came from nothing. So, I try to pour into you what he and many others pour into me.”

Jude couldn’t help but smile. From what she’d shared, she was Ghana-born and raised in Spain once her parents moved at the age of five. She couldn’t take much with her when traveling to Europe, but what she did take was a soccer ball her father had gotten her, which she kept in a glass case in her jersey closet. Growing up she didn’t have much, but she had her ball, and that was enough for her.

What she didn’t know was that the ball would grant her and her siblings an education, her parents a home, and her family stability that would continue even when she left the Earth. Football saved her in more ways than one. She understood what it was like to fall in love with it and she also understood the challenges that came with it. And that was what she enjoyed sharing with others. The journey of loving the game.

“I appreciate that,” he replied. There was a silence between them, a comfortable one. “I still can’t believe you kicked my ass four times.” His tone was teasing, she knew, but she could hear a hint of seriousness. She shrugged and smiled.

“A torn ACL took me out the game, but you can never take the game out of me, baby. I do this.” It was his turn to get flustered. Baby. It was a casual pet name and he knew she meant nothing by it but he wanted to hear it over and over.

“Yeah, yeah,” he replied with a wave of his hand. “I’ll get you back eventually.”

Adeba’s eyebrow raised, “Is this a challenge, Mr. Bellingham?” His eyes met hers. There was a glint of mischief behind her which displayed her fun and teasing nature. But, behind the mischief, her eyes grew darker and the smirk on her lips grew wider, especially as he began to visibly crumble under her gaze.

“Maybe,” was all he could get out.”Guess you’ll have to find out.”

And there it was. The ambiguous statement that left the two of them wondering what the other meant. But she knew. He knew. It was his comment that seemed to shorten the invisible string between them that seemed to wrap around the world. Suddenly, it was just inches long andt the only thing that kept their bodies from pressing against one another’s in a heated exchange of passion.

“Is that so?” Adeba’s tongue circled around her cheek, a subtle action that left Jude’s stomach clenching. He nodded.

The space between them continued to dwindle. They were once separated by the middle cushion of the couch, but now, they could feel the warmth from each other’s breath fanning against their faces. Jude, making the first move, brought his hand to her bare face, fingers caressing her skin. She was so beautiful. Rich complexion with beauty marks and faded acne scars that added to her uniqueness. Her lips were so full. His thumb drummed against them. “Pretty girl…”

Her eyes fluttered closed. “Please…”

Before she could say anything else, his mouth was on hers. Adeba felt her inhibitions slip away as their lips moved together. She’d be lying if she said she hadn’t thought of kissing him and what it’d be like. She expected something sweet. Nah, this was a grown kiss. Passionate and intense, borderline sloppy and nasty. Exactly how she liked it.

Adeba couldn’t remember how she ended up on her back with her bare legs around his waist as he kissed and sucked along the skin of her neck, but she chose not to think of it too much. She refused to be the reason why the moment was ruined.

Jude enjoyed every moment. From feeling her legs tense around his waist and shuddering as her manicured nails snuck under his shirt to trail along his abdomen to hearing her whisper his name so delicately. Jude. She drove him insane.

But, as much as he wanted to keep going, he knew she deserved more than a heated makeout on his couch at two in the morning with no clear expression of his feelings. So, he broke away from her, which was met with a very cute yet very confused expression on her face. “What’s wrong?”

Jude smiled and shook his head. He used his thumb to wipe the corners of her mouth which were damp from their heated exchange. “Nothing, I just…I like you a lot. In a more than friends way and I think you should know that before anything else happens. It’s only right.” Adeba’s eyes sparkled at his comment. “And…I’d like to take you out. On a real date. Just us. Then maybe, if you’re up to it, we can see how far this goes.”

Adeba smiled. “I’d like that.”

Damn it, Dawn.

-

6 months later…

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adebamalina my man, my man, my man

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dawnnalinjaaaa finally!!!! y’all were pissing me off

-- adebamalina yeah yeah yeah

cristiano ❤️

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normani so so so happy for you honey

georginagio double date!!!

username okay hard launch

judefanpage I’m glad he cuffed her before I did

-- username you’re so real for this

-

“Baby, we’ve got somewhere to beeee.” Adeba’s words were dragged out as she grew distracted by his lips against her neck and his front pressed against her back. “Jude…”

He hummed softly, massaging her hips as she struggled to finish the finishing touches on her makeup. They had a date to celebrate their six month anniversary but it seemed as though Jude wasn’t in a hurry to make it to their reservation on time. “You look pretty, love. Pretty and all mine.”

All yours, she replied. Jude’s eyes swept across her body. Adeba looked stunning. She wore a red dress that flowed every step she took. Her hair was curly, her makeup was bright and beautiful, and of course, her full lips were just begging to be kissed.

“Thank you,” she said, dropping her makeup products down. She turned in his arms and smiled. Her hands were against his chest and she soothed his suit jacket with her palms. “You look very handsome as always. Let’s go.”

Adeba took a step back to go find her heels and purse, but was stopped by his lips on hers. Jude swallowed every moan she released and allowed it to fuel the fire that burned within him. She circled her arm around his neck as their kiss intensified. She’d never get enough of this.

“I love you,” he mumbled against her lips.

Adeba smiled. “I love you too.”

[commodorez]

What was the purpose of the panels of blinking lights on those big mid-century computers? Were they showing calculations in progress?

Excellent question, this is one of my favorite subjects! Blinkenlights serve a number of functions. Hollywood tended to use just the lights to make it look like a computer was busy doing something, but real computers had more than just lights on their front panel. Let's walk through a few examples of use cases with photos of computers I've seen over the years at museums and vintage computer festivals:

Some front panels were built to be used for diagnostics. Computers like these were primitive enough that they required constant care and debugging to do their jobs, especially the early vacuum tube machines (everything pictured here is transistorized). You could tell what peripherals were being used, but also check the status of registers, carry flags, status flags, data, various buses, etc. It was also a way to see if a program had "gone off into the weeds" and started doing things that were irregular, possibly due to a software bug, or a problem with the hardware.

On many of these machines, you can enter programs directly into the main memory using the front panel, but it's an incredibly tedious process -- something to be avoided if possible. Consider it a last fallback.

Other times, it's a starting point, which we call "bootstrapping" (this eventually evolved into the term "booting"). You aren't likely to program everything on such a limited interface, but you are more likely to enter in a small program that can tell the computer how to run a more complex peripheral, like a paper tape or punch card reader, or maybe some type of magnetic storage device. Once you can get a program loading off of a larger permanent storage device, you can load up software to interface with a terminal of some kind which is much easier.

Eventually, the microprocessor made home computers a possibility, but many were only equipped with a front panel out of the box. You would have to add in a serial card, more RAM, possibly some ROMs, and either a teletype or glass terminal in order to get a more sophisticated and intuitive interface from the computer, capable of programming in a higher level language. Some were considered more like trainers, or hobbyist devices, and simply lacked that ability, meaning all you got was a front panel with switches and lights.

I made my own front panel to see what the experience was all about:

Then everything changed in 1977, with the introduction of these three machines: the TRS-80 Model I, the Commodore PET 2001, and the Apple II. They were what you might call "appliance computers" and they had no need for a front panel.

Hopefully that answered your question!

[lost-in-fandoms]

I have a fic idea I need someone to write but basically it’s Max as current Max and his “community service punishment” is to talk to class in the next city they’re in….which is Austin….where teacher/single father/former retired (years before) driver/whatever Daniel lives and obv max clocks him right away and is 😍😍 and Daniel is 😍😍 but is also a shit stirer and keeps cursing around him trying to get him in trouble again

Not exactly what you asked for, but i hope it's still okay. Sorry it took me a little bit to get to it!

The school looks nice. Max never goes to pick up his nephews, he knows by what Victoria tells him that it's already chaotic so he doesn't want to accidentally make it even worse by showing up in front of an excitable group of children, but he has vague memories of his own elementary school and this looks much nicer.

The paintings on the walls look professional and beautiful and the classrooms are big and bright. Even the people he passes by look fancier, but max doesn't know if they always look like that or if they have dressed up for the day

All in all, he's not mad about having to do this. His community service could have been much worse, or much more boring, than just talking to a bunch of kids about street safety and being respectful of others. He's already done his little speech to two groups, even sticking pretty close to the script someone had handed him the day before. His favorite bit had been the last 10 minutes with each group, when the kids had been allowed to ask him any questions they wanted. A kid had asked if his car was able to go to the moon, and when max had said no the kid had said "oh. that's not cool then". Max had laughed and agreed with him.

He still has one group to go, and then he'll be able to go back to the hotel and look over some data before maybe streaming with the boys.

"How old are they?" he asks the PR person who's been trailing him all day. He doesn't remember his name, it's someone sent from the FIA not from the team, but Max hasn't managed to displease him yet, which in his opinion should already count for something.

"Six," the guy answers after checking his notes, letting Max cross the threshold first behind the school principal.

The class looks colorful. There are drawings and posters on the walls, bright pillows in one corner, near a very well stocked bookcase, and the kids are sitting in a semicircle on some mats on the floor.

Max tunes out the principal as he introduces him for the third time today, looking instead at the teacher, who's sitting on a mat like the kids, smiling the most beautiful smile Max has ever seen.

When their eyes meet, the teacher winks, his smile widening as Max, embarrassingly, feels himself blush.

The PR guy (Max really should have asked for his name) coughs a little, and Max realises the principal has finished his introduction, and everyone is looking at him waiting for him to say something.

The teacher hides his smile behind a hand, and Max feels torn between leaving the room and trying his hardest to impress him. Which is hard, considering his speech is about looking both ways and remember to buckle your seatbelt and a joke is a joke only if everyone involved finds it funny, but Max has never backed down from a challenge.

So he smiles his best smile, and lowers himself to the floor, crossing his legs to mirror the kids.

"Hello, I'm Max," he starts. A cheery chorus of hello Mr. Max chimes back at him, which is already a good start, maybe, and then he throws himself into it.

He knows he's overdoing it a little, being way too enthusiastic about traffic lights, but the teacher seems to appreciate it, and the kids don't look too bored yet, even answering the easy questions he throws in from time to time, so he doesn't feel like toning it down.

He feels like he's doing a very good job, launching into his being a good friend means making sure everyone is comfortable spiel, when the teacher raises his hand.

Max blinks, sentence dying on his lips. The kids look expectantly at their teacher.

"Uh...yes?" Max doesn't know what the correct way to act in a classroom is anymore. He should be a good example for the kids, but how can he when he's being thrown off course?

"Hi Max, yes, thank you. I wanted to ask, would you say being respectful includes the language we use with our friends too?"

The kids look back at Max with attentive little faces. The teacher (again, Max needs to pay more attention to names) has a shit eating grin on his face, showing he knows exactly what he's doing. Max considers getting up and leaving, but then remembers he doesn't back out of a challenge.

"Yes, it's important to be respectful with that too," he answers, his own sickly sweet smile on. The teacher's grin widens, but he doesn't say anything else, so Max awkwardly tries to go back to his speech, barely remembering where he had left off.

He's almost at the end when the teacher raises his hand again.

Max considers ignoring him, but the kids have already noticed, and it would probably be bad class manners to. Not that Max cares, but he doesn't want the kids to think badly of him.

"Yes?" he says, maybe a little more harshly than necessary. The guy seems extremely pleased by it.

"Do you think it's correct to punish someone if their joke hurts someone's feelings?"

Max narrows his eyes, grimacing a little. He's pretty sure he's not being punished because he hurt someone's feelings, but only to use him as an example.

"I think the most important thing is to apologize," he tries to contain his annoyance now that the kids are looking at him again, but he's not sure he's successful, "and to make sure not to do it again."

"What if someone hit someone else?" a little girl with a long braid asks, throwing a glance at another kid sitting further down the circle.

Max is not getting into class politics, thank you very much, not even if they're six years old.

"You never should hit anyone, that's not nice, but apologizing is always the most important thing."

Max can feel the PR guy growing a little bit nervous behind him when another kid raises his hand. Max hasn't even finished his speech.

"What if someone says a really bad word?"

Oh, god.

The teacher's smile is impossibly wide as he blinks innocently at Max. Did he brief these kids????

"Sometimes it's..." Max starts, but then he sees the teacher subtly shake his head, frowning slightly. Fine, no hard truths for the kids. "You should never use bad words, especially not to hurt somebody's feelings."

What bad words do six years olds even know?? The teacher is smiling at him though, so Max tries to relax again, rushing through the last part of his speech and then letting the kids ask questions.

"Are you a teacher?" a kid says, even as his hand shoots in the air.

"You need to wait for your turn!" long braid girl rebukes him, her hand firmly above her head.

"You talked too!" another kid exclaims, turning towards the teacher while point at her. "They both talked without permission!"

Maybe this is a challenge Max can back out of.

The kids all start to bicker, as the teacher tries to quieten them down, and for the first time today Max feels a bit overwhelmed.

Those are kids. Tiny people. Who will probably remember this day as the day racing driver (and possibly teacher?) Max Verstappen was in their class to talk about not swearing and staying on the sidewalk. He's not used to this.

Sure, he knows how to talk to kids he knows, and he is alright with kids interviewing him, but this is different. He doesn't know how to be a role model for these kids.

He doesn't know what his face is doing, or if his time just runs out, but suddenly the teacher is clapping sharply and standing up, heavily leaning against a chair to do so.

"Okay, say thank you to Mr. Max, and then go grab your books for quiet time!"

Arguments forgotten, the kids chorus together a thank you Mr. Max, and then scamper away, digging into bags and backpacks for books.

Max watches them for a second, the only one left sitting on the mats, before a hand appears in his line of vision. When he looks up, the teacher is looking at him with a smaller smile, softer and gentler than before, one that makes him look, if possible, even more handsome.

Max accepts the hand up, standing and brushing his jeans off.

"Sorry about that," the teacher says, sounding completely unapologetic.

Max smiles at him, shaking his head.

"It's fine, I've had worse," he jokes, shrugging slightly. The man laughs, big and bright and beautiful, and something in Max's chest shifts, trying to make space for it, to hold it for as long as possible.

He wants to hear that laugh more. He wants to be the cause of it again.

Which is a really silly thought to have, when he's about to leave the classroom and never see the man again.

"Claire, stop that right now or I'll take back your sharpening privileges!" the teacher suddenly says, looking at whatever is happening behind Max. There's a squeal, one girl complaining loudly while a few others giggle.

The teacher turns back towards Max, smiling with something that could almost look like regret.

"I have to go before they start killing each other. Thank you for joining us," he says, offering his hand to Max once again, who takes it gladly. He doesn't know what the PR guy is doing, but he hopes he's not writing this down to tell the FIA.

"It was a pleasure," Max says, still holding his hand. Neither of them is pulling back. How long does a handshake need to be before it turns into holding hands?

The volume of the conversation behind Max raises sharply, and the teacher looks away, narrowing his eyes a little.

Max knows his time has run out, but suddenly he can't bear the thought of never seeing him again. It's stupid, probably, but if there is the smallest chance....

"Listen, this is probably really inappropriate," the teacher's eyes snap back to him, widening in surprise. They're warm and beautiful and Max is still holding his hand. "but could I maybe get your number?"

For a second, the man just looks at him, as if processing what Max has actually said. And then, to Max's absolute shock, he smiles, eyes twinkling.

"Well, you're not a parent, and you're not a colleague, so I guess there's nothing too wrong about it," he says, finally pulling his hand away and walking towards the desk to grab a piece of paper and a pen.

Max walks out of the classroom a minute later, already listening to the sound of the teacher's voice raising above the arguing of the kids. In his pocket, a number and a name: Daniel.

[fireflysummers]

Heroes, Gods, and the Invisible Narrator

Slay the Princess as a Framework for the Cyclical Reproduction of Colonialist Narratives in Data Science & Technology

An Essay by FireflySummers

All images are captioned.

Content Warnings: Body Horror, Discussion of Racism and Colonialism

Spoilers for Slay the Princess (2023) by @abby-howard and Black Tabby Games.

If you enjoy this article, consider reading my guide to arguing against the use of AI image generators or the academic article it's based on.

Introduction: The Hero and the Princess

You're on a path in the woods, and at the end of that path is a cabin. And in the basement of that cabin is a Princess. You're here to slay her. If you don't, it will be the end of the world.

Slay the Princess is a 2023 indie horror game by Abby Howard and published through Black Tabby Games, with voice talent by Jonathan Sims (yes, that one) and Nichole Goodnight.

The game starts with you dropped without context in the middle of the woods. But that’s alright. The Narrator is here to guide you. You are the hero, you have your weapon, and you have a monster to slay.

From there, it's the player's choice exactly how to proceed--whether that be listening to the voice of the narrator, or attempting to subvert him. You can kill her as instructed, or sit and chat, or even free her from her chains.

It doesn't matter.

Regardless of whether you are successful in your goal, you will inevitably (and often quite violently) die.

And then...

You are once again on a path in the woods.

The cycle repeats itself, the narrator seemingly none the wiser. But the woods are different, and so is the cabin. You're different, and worse... so is she.

Based on your actions in the previous loop, the princess has... changed. Distorted.

Had you attempted a daring rescue, she is now a damsel--sweet and submissive and already fallen in love with you.

Had you previously betrayed her, she has warped into something malicious and sinister, ready to repay your kindness in full.

But once again, it doesn't matter.

Because the no matter what you choose, no matter how the world around you contorts under the weight of repeated loops, it will always be you and the princess.

Why? Because that’s how the story goes.

So says the narrator.

So now that we've got that out of the way, let's talk about data.

Chapter I: Echoes and Shattered Mirrors

The problem with "data" is that we don't really think too much about it anymore. Or, at least, we think about it in the same abstract way we think about "a billion people." It's gotten so big, so seemingly impersonal that it's easy to forget that contemporary concept of "data" in the west is a phenomenon only a couple centuries old [1].

This modern conception of the word describes the ways that we translate the world into words and numbers that can then be categorized and analyzed. As such, data has a lot of practical uses, whether that be putting a rover on mars or tracking the outbreak of a viral contagion. However, this functionality makes it all too easy to overlook the fact that data itself is not neutral. It is gathered by people, sorted into categories designed by people, and interpreted by people. At every step, there are people involved, such that contemporary technology is embedded with systemic injustices, and not always by accident.

The reproduction of systems of oppression are most obvious from the margins. In his 2019 article As If, Ramon Amaro describes the Aspire Mirror (2016): a speculative design project by by Joy Buolamwini that contended with the fact that the standard facial recognition algorithm library had been trained almost exclusively on white faces. The simplest solution was to artificially lighten darker skin-tones for the algorithm to recognize, which Amaro uses to illustrate the way that technology is developed with an assumption of whiteness [2].

This observation applies across other intersections as well, such as trans identity [3], which has been colloquially dubbed "The Misgendering Machine" [4] for its insistence on classifying people into a strict gender binary based only on physical appearance.

This has also popped up in my own research, brought to my attention by the artist @b4kuch1n who has spoken at length with me about the connection between their Vietnamese heritage and the clothing they design in their illustrative work [5]. They call out AI image generators for reinforcing colonialism by stripping art with significant personal and cultural meaning of their context and history, using them to produce a poor facsimile to sell to the highest bidder.

All this describes an iterative cycle which defines normalcy through a white, western lens, with a limited range of acceptable diversity. Within this cycle, AI feeds on data gathered under colonialist ideology, then producing an artifact that reinforces existing systemic bias. When this data is, in turn, once again fed to the machine, that bias becomes all the more severe, and the range of acceptability narrower [2, 6].

Luciana Parisi and Denise Ferreira da Silva touch on a similar point in their article Black Feminist Tools, Critique, and Techno-poethics but on a much broader scale. They call up the Greek myth of Prometheus, who was punished by the gods for his hubris for stealing fire to give to humanity. Parisi and Ferreira da Silva point to how this, and other parts of the “Western Cosmology” map to humanity’s relationship with technology [7].

However, while this story seems to celebrate the technological advancement of humanity, there are darker colonialist undertones. It frames the world in terms of the gods and man, the oppressor and the oppressed; but it provides no other way of being. So instead the story repeats itself, with so-called progress an inextricable part of these two classes of being. This doesn’t bode well for visions of the future, then–because surely, eventually, the oppressed will one day be the machines [7, 8].

It’s… depressing. But it’s only really true, if you assume that that’s the only way the story could go.

“Stories don't care who takes part in them. All that matters is that the story gets told, that the story repeats. Or, if you prefer to think of it like this: stories are a parasitical life form, warping lives in the service only of the story itself.” ― Terry Pratchett, Witches Abroad

Chapter II: The Invisible Narrator

So why does the narrator get to call the shots on how a story might go? Who even are they? What do they want? How much power do they actually have?

With the exception of first person writing, a lot of the time the narrator is invisible. This is different from an unreliable narrator. With an unreliable narrator, at some point the audience becomes aware of their presence in order for the story to function as intended. An invisible narrator is never meant to be seen.

In Slay the Princess, the narrator would very much like to be invisible. Instead, he has been dragged out into the light, because you (and the inner voices you pick up along the way), are starting to argue with him. And he doesn’t like it.

Despite his claims that the princess will lie and cheat in order to escape, as the game progresses it’s clear that the narrator is every bit as manipulative–if not moreso, because he actually knows what’s going on. And, if the player tries to diverge from the path that he’s set before them, the correct path, then it rapidly becomes clear that he, at least to start, has the power to force that correct path.

While this is very much a narrative device, the act of calling attention to the narrator is important beyond that context. 

The Hero’s Journey is the true monomyth, something to which all stories can be reduced. It doesn’t matter that the author, Joseph Campbell, was a raging misogynist whose framework flattened cultures and stories to fit a western lens [9, 10]. It was used in Star Wars, so clearly it’s a universal framework.

The metaverse will soon replace the real world and crypto is the future of currency! Never mind that the organizations pushing it are suspiciously pyramid shaped. Get on board or be left behind.

Generative AI is pushed as the next big thing. The harms it inflicts on creatives and the harmful stereotypes it perpetuates are just bugs in the system. Never mind that the evangelists for this technology speak over the concerns of marginalized people [5]. That’s a skill issue, you gotta keep up.

Computers will eventually, likely soon, advance so far as to replace humans altogether. The robot uprising is on the horizon [8]. 

Who perpetuates these stories? What do they have to gain?

Why is the only story for the future replications of unjust systems of power? Why must the hero always slay the monster?

Because so says the narrator. And so long as they are invisible, it is simple to assume that this is simply the way things are.

Chapter III: The End...?

This is the part where Slay the Princess starts feeling like a stretch, but I’ve already killed the horse so I might as well beat it until the end too.

Because what is the end result here?

According to the game… collapse. A recursive story whose biases narrow the scope of each iteration ultimately collapses in on itself. The princess becomes so sharp that she is nothing but blades to eviscerate you. The princess becomes so perfect a damsel that she is a caricature of the trope. The story whittles itself away to nothing. And then the cycle begins anew.

There’s no climactic final battle with the narrator. He created this box, set things in motion, but he is beyond the player’s reach to confront directly. The only way out is to become aware of the box itself, and the agenda of the narrator. It requires acknowledgement of the artificiality of the roles thrust upon you and the Princess, the false dichotomy of hero or villain.

Slay the Princess doesn’t actually provide an answer to what lies outside of the box, merely acknowledges it as a limit that can be overcome. 

With regards to the less fanciful narratives that comprise our day-to-day lives, it’s difficult to see the boxes and dichotomies we’ve been forced into, let alone what might be beyond them. But if the limit placed is that there are no stories that can exist outside of capitalism, outside of colonialism, outside of rigid hierarchies and oppressive structures, then that limit can be broken [12].

Denouement: Doomed by the Narrative

Video games are an interesting artistic medium, due to their inherent interactivity. The commonly accepted mechanics of the medium, such as flavor text that provides in-game information and commentary, are an excellent example of an invisible narrator. Branching dialogue trees and multiple endings can help obscure this further, giving the player a sense of genuine agency… which provides an interesting opportunity to drag an invisible narrator into the light.

There are a number of games that have explored the power differential between the narrator and the player (The Stanley Parable, Little Misfortune, Undertale, Buddy.io, OneShot, etc…)

However, Slay the Princess works well here because it not only emphasizes the artificial limitations that the narrator sets on a story, but the way that these stories recursively loop in on themselves, reinforcing the fears and biases of previous iterations. 

Critical data theory probably had nothing to do with the game’s development (Abby Howard if you're reading this, lmk). However, it works as a surprisingly cohesive framework for illustrating the ways that we can become ensnared by a narrative, and the importance of knowing who, exactly, is narrating the story. Although it is difficult or impossible to conceptualize what might exist beyond the artificial limits placed by even a well-intentioned narrator, calling attention to them and the box they’ve constructed is the first step in breaking out of this cycle.

“You can't go around building a better world for people. Only people can build a better world for people. Otherwise it's just a cage.” ― Terry Pratchett, Witches Abroad

Epilogue

If you've read this far, thank you for your time! This was an adaptation of my final presentation for a Critical Data Studies course. Truthfully, this course posed quite a challenge--I found the readings of philosophers such as Kant, Adorno, Foucault, etc... difficult to parse. More contemporary scholars were significantly more accessible. My only hope is that I haven't gravely misinterpreted the scholars and researchers whose work inspired this piece.

I honestly feel like this might have worked best as a video essay, but I don't know how to do those, and don't have the time to learn or the money to outsource.

Slay the Princess is available for purchase now on Steam.

Screencaps from ManBadassHero Let's Plays: [Part 1] [Part 2] [Part 3] [Part 4] [Part 5] [Part 6]

Post Dividers by @cafekitsune

Citations:

Rosenberg, D. (2018). Data as word. Historical Studies in the Natural Sciences, 48(5), 557-567.

Amaro, Ramon. (2019). As If. e-flux Architecture. Becoming Digital. https://www.e-flux.com/architecture/becoming-digital/248073/as-if/

What Ethical AI Really Means by PhilosophyTube

Keyes, O. (2018). The misgendering machines: Trans/HCI implications of automatic gender recognition. Proceedings of the ACM on human-computer interaction, 2(CSCW), 1-22.

Allred, A.M., Aragon, C. (2023). Art in the Machine: Value Misalignment and AI “Art”. In: Luo, Y. (eds) Cooperative Design, Visualization, and Engineering. CDVE 2023. Lecture Notes in Computer Science, vol 14166. Springer, Cham. https://doi.org/10.1007/978-3-031-43815-8_4

Amaro, R. (2019). Artificial Intelligence: warped, colorful forms and their unclear geometries.

Parisisi, L., Ferreira da Silva, D. Black Feminist Tools, Critique, and Techno-poethics. e-flux. Issue #123. https://www.e-flux.com/journal/123/436929/black-feminist-tools-critique-and-techno-poethics/

AI - Our Shiny New Robot King | Sophie from Mars by Sophie From Mars

Joseph Campbell and the Myth of the Monomyth | Part 1 by Maggie Mae Fish

Joseph Campbell and the N@zis | Part 2 by Maggie Mae Fish

How Barbie Cis-ified the Matrix by Jessie Gender

[trlvsn]

phoenix wright making apollo justice present forged evidence is, as rightfully rage-inducing as it is, also perfectly understandable and even justifiable to an extent. in this essay i will not cut my introduction off with an old-fashioned tumblr punchline and will actually elaborate on why i think so and what i think about phoenix wright in general.

the first few paragraphs will be rather surface-level, but bear with me: i'm writing this in one breath. it has already been established that the change in phoenix's character was so big and shocking that the fandom is still actively discussing it and making theories. i have seen people compare his sprites with mia and diego, kristoph and miles, yanni yogi and many others, and every single on of them is, in in my opinion, correct: there are actual similarities between them, intentional or not. i believe it can all be explained with two simple statements. one: phoenix is a sponge of a man. even before aa4, we frequently see him adopt mannerisms and figures of speech from the people he encounters. he learns, he absorbs, he changes, but only for a short while, as he stays true to his motivations, passions and drive. two: the seven years of being watched by kristoph and collecting data made him turn to that mimicking quality of his and use it as a weapon. phoenix wright could not afford to reveal his true motivations, therefore, he could not reveal what he was in general. it's a simple metaphor, really.

did he get lost in the deceptions somewhere along the way? absolutely. "what tangled webs we weave when we practice to deceive", a line said by him about kristoph, can easily be applied to phoenix. this is where the bloody ace comes in. incidentally, he is given the idea by zak: he is the one who says one can't win unless there's a ace up their sleeve, and, no matter how much of an influence that particular phrase had on wright, he follows the principle. here is phoenix's first motive for forging the ace: insurance. without concrete, dooming evidence, a trial could not end in his favor at the time. phoenix wright, post-disbarment, is no longer a man who relies on bluffs and "just believing in the client", he is strongly dissapointed in the system, outraged, offended, hurt, wounded, and he does not trust it at all, hence the dirty tricks. you can't just play fair against something unfair and win.

what i find far more interesting however, are his other motives. if the only thing that drive him to forgery was distrust and carefulness, he would have shared the plan with apollo or, perhaps, done something similar to the turnabout succession trial, where the letter is shown to the culprit, but never submitted as evidence and quickly admitted as a fake. really, i believe he is smart enough to find other ways. however, he doesn't. he gives the ace to apollo in a very specific way: through trucy wright, not a word of proper explanation. why is that? he is teaching apollo a lesson.

clearly, something about apollo reminds phoenix of himself. a young, bright, nervous mind, fighting for the truth and justice, full of belief, a little naive. phoenix knows what that naivety cost him, and he destroys it right away, because then it will hurt less, he thinks. the forged ace is a vaccine of sorts: you will experience some minor symptoms, but no actual serious consequences, and it will hurt for a moment, but for the rest of your life, you will never catch that sickness again. phoenix is already planning the jurist system reform and has already planned how this trial will go: the environment is controlled and safe for apollo, he will not get disbarred. if the truth is revealed later, under the new system, surely apollo won't be receiving the same harsh punishment wright did. so here you go, kid, learn your lesson, punch a lawyer or two in the face, and never ever, ever trust anyone like that ever again.

but wait, if the truth does get revealed, who will be receiving the punishment for it? of course, the man who forged the evidence, phoenix wright. here comes the third reason: punishment.

remember the class trial? young phoenix wright, blamed for a crime he didn't commit, overwhelmed and crying. what does the abandoned child do when the whole class accuses him of stealing? he stands up slowly and comes up to the kid with the grey hair to apologize for the money he stole but did not steal. he admits it. it doesn't matter what the truth is anymore, because if everyone thinks you did it, you might as well have.

you might as well do it again, for real this time, and maybe a weight will fall off your shoulders, because what you see in yourself will finally match the image the whole world has of you.

phoenix wright is working on the jurist system. phoenix wright is a father and phoenix wright is someone who will do his best to put kristoph gavin to jail. that doesn't mean phoenix wright sees any other use or future for himself. it simply does not matter. well, by the end of the first case, anyway.

he gathers more evidence. he thinks, a lot. he gives apollo advice on the cases, inevitability reminiscing. the new system is a success. in a new, better world, maybe he will take some piano lessons: he has grown tired of pretending he can play. he has grown tired of pretending in general. hell, maybe he will even take the bar exam again.

[writers-potion]

hi!! im working on a story that takes place at a 2012 public high school - the issue with that is that i was not in high school in 2012 lmao. do you have any tips on how to keep it feeling realistic?

Well, neither was I!! But here are some tips:

Define Your General Setting

Sure, high school has a different feel compared to an average town/city setting. However, it is still a part of the bigger community, and will be impacted by external factors.

What part of the world are your writing about? What's the general economy like? What's the most common occupation of the kid's parents? What's the prevailing fashion/art/music style?

Your teens will be impacted by the popular culture and trends of the time, so start by outlining the general setting!

Fashion

I think this is where schools have changed the most. There are going to be some overlaps between early 2010s and late 2000s, so if you think in the direction of Y2K fashion, it should fit.

On a general note, I think 2010s fashion was vibrant, with lots of colors and flashy items...

Side fringes and backcombed/straightened hair were still very popular

most girls had huge messy sock buns on top of their heads

boys had the Justin Bieber cut.

Jack Wills and Hollister were pretty popular, and a lot of girls had a Paul's Boutique jacket and a Jane Norman bag for their PE kit (or one of the Hollister bags with a topless guy on).

Converse were universally cool, and there were lots of imitation brands.

Open flannel shirt over a t-shirt was a pretty popular outfit.

Skinny jeans and band t-shirts

bright chunky rubber band bracelets.

Vans were cool among the alternative kids.

Getting different colours on your braces was cool.

Most of the boys had at least one of those t-shirts with the buttons and the mismatched cuffs.

School-uniform-wise, short ties with big fat knots were cool, and hard kids would pluck a stripe or two out of their tie.

Tucking in shirts was initially not cool, then it became cool to tuck at the front but not the back.

Lots of boys wore black trainers, and lots of girls wore those ballet pumps.

Girls doing their lips with their foundation, with a thick ring of black eyeliner and spidery clumpy mascara - and having a visible orange line where your foundation met your neck was common.

Multiple ear piercings were popular with the alternative crowd

Belly button piercings were big for girls

Just search up some pictures on Google, you should get plenty of "Early 2010s teen fashion starter pack"

Social Media

Smartphones were already popular, and with the introduction of Snapchat(2011) and Instagram(2010), the social media hype was just starting to boom

Facebook and Twitter were popular - basically everyone was on it

TikTok(2016) and Discord(2015) didn't exist yet

Pictochat

Phones were allowed in the classroom, but phones/laptops weren't an important part of school work like it is now.

Digital Devices

Phones-wise, most people had pretty basic dumbphones (although they were just called mobiles back then), and not everyone carried them all the time

Blackberry (BBM), Nokia, LG Cholate, iPhone if you're rich enough

Most kids were on PAYG phones, so you'd run out of credit sometimes (i.e. no more calls or texts) and have to go to a physical shop to top up. Nobody really had data, and there was always a moment of panic if you accidentally opened the web browser on your phone because it was so expensive. Wifi became a thing around 2012.

Nintendo DSes: Mario Kart, Animal Crossing, Nintendogs

iPods or another MP3 Player

Slag

Slang-wise, Urban Dictionary is a good resource.

Fleek, peng and YOLO were popular with some crowds. Leetspeak was a thing online, especially in nerdy communities. Emoji were starting to take off 

rawr" (or "rawr means I love you in dinosaur") and "xD" as a laughing face 

Music

One Direction, Jedward, Katy Perry, Carly Rae Jepson, Justin Bieber, JLS, Little Mix, Beyonce, Paramour, My Chemical Romance, Bring Me The Horizon, Black Veil Brides, Ke$ha, Eminem, The Killers, OMI, Gotye, Bruno Mars, Macklemore, Skrillex, deadmau5, blink-182, Green Day, Taylor Swift, Lady Gaga, Nicki Minaj, Rihanna, Lana Del Rey.

Fandom Stuff

Twilight was huge, then Hunger Games.

Harry Potter was everywhere all the time, people would go to midnight releases for the books and movies.

High School Musical was popular, then that crowd migrated to Glee and Mean Girls.

The Olympics were in London in 2012

Other Stuff

Reese's peanut butter cups, Marshmallow Fluff, Nerds, etc. 

Veganism wasn't well-known, but still there were a few

Lots of casual homophbia, kids jsut genuinely not knowing rather than truly hateful towards it

Here are some movie suggestions, that shows school like in early-mid 2010s quite well:

Easy A

The Duff

LOL

For YA Novels - Be Timeless

Before you start doing any of the things above, remember this if you're writing a YA novel: The key of this genre is to feel somewhat timless, taking readers back to their high school years no matter when and where they've gone through it.

High school is the phase where many people feel awkward, unsure of themselves, feeling special in their own head but knowing that they're not really.

And it's not like the problems just disappear when we hit adult life. A major reason why YA novels are so popular is that they address themes that are repeatedly felt by the general human being, often in a such a direct, straightforward way that provides vicarious satisfaction.

[nurse-floyd]

F1 and Biometrics

Biometric gloves came into play in F1 in 2018 to give medical teams immediate access to important information regarding driver conditions after an incident. It allows for vitals to be measured before, at the time of an incident and after the crash until they are rescued and more advanced monitoring is able to be applied. It is also a big help if a driver is involved in a crash that means they are not accessible straight away or cannot be visualized for monitoring so this allows teams to get immediate access to this information.

According to the FIA website, this was a difficulty by medical teams when Carlos Sainz crashed in the 2015 Russian GP where he hit the barrier head-on at 153km/h (roughly 95mph). The first row of the barrier was resting on top of him, so medical teams had to wait for this to be removed before they had access to him. Thankfully he wasn’t hurt during this crash, but medical teams didn’t know this initially as this technology wasn’t available and being used.

The sensors were basically made custom to F1 drivers. Regular sensors had not been fire tested and were not comfortable enough for the drivers to wear for long races. They use Bluetooth technology and can send data within a 500m and are powered by a small battery that drivers charge before races.

Drivers gloves have a 3mm sensor that is stitched into the palm of the fabric and monitors their vital signs during races. They measure pulse oximetry which measures the amount of oxygen being carried in the blood as well as drivers pulse rates. Obviously if a driver has an injury that is affecting their breathing, this will show in the saturations that would decline rapidly. Having this technology allows physiological readings and biometrics to be continuously monitored throughout the race from start to finish. Data from the sensor transmits to an iPhone app and gives medical crews remote and advance information on the driver’s condition. The small biometric readers are flexible and fire resistant up to 1,800 degrees Celsius (3,272 degrees Fahrenheit) for 22 seconds.

In the future there are even plans to implement sensors for respiratory rate and temperature to further monitor drivers which will not only enhance safety features but allow teams and drivers to monitor performance better.

OMP, an equipment supplier, has been developing wearable biometric monitoring systems since the introduction of the biometric sensors in 2019. An undershirt equipped with sensors and a measurement unit would transmit and record biometric data allowing for real-time monitoring of health through ECG and thoracic expansion. This would allow monitoring of drivers heart rhythms and breathing rate which would not only benefit medical teams in the case of an incident but also help identify stress, fatigue and any alteration in conditions. This would be useful considering the amount of stress drivers have been put through in the past in hot countries for example Saudi Arabia GP 2023 when many drivers retired, had to be taken to medical, threw up in their helmets or passed out after the race.

TV crews can also display biometric data during broadcasts to show the physical condition of a driver as they battle on track. However, there have been questions about the ethics and use of biometrics and why can’t we as an audience see drivers heart rates etc on screen if this data is being constantly collected. The FIA has strict guidelines about the use of raw biometric data. Section 2.4 of the FIA Guidelines for the Collection and Usage of Biometric Data in Motorsport, states that the use of biometric data can be used for more than just medical and performance monitoring and can be used for entertainment and marketing purposes but only if it is changed from raw data into a variable to protect the private health information of the driver. The FIA won’t allow the use of biometric data to be publicly available in the original form/ measurement unless the driver provides informed consent.

Essentially, driver onboard vitals are likely not to be available live due to strict laws on data protection and sharing health related information about drivers as it is protected health information. In the case of an accident or emergency, data is not allowed to be used even if the information is changed to protect the driver unless it is for medical and rescue use and post-accident information.

Sources: (x) (x) (x) (x) (x)

This also led me down a rabbit hole and found another study (it was anonymous but if you’re a sleuth you can probably take a guess at what F1 driver it was) where they monitored his heart rate during qualifying to see what his average was throughout the race to test the cardiovascular strain F1 drivers are put under!

[hana-no-seiiki]

I’ve been seeing a lot of andweaso’s Agent Red in my YouTube Shorts and I really have to start writing for my other projects

So I present to you:

YANDERE SPY AGENCY! OCS x READER : SHORT INTRODUCTION

from my set of ocs planned for a webtoon called Honey Fatalis (which you can read more about in the tag #HONEY FATALIS 🔪)

YOU ARE THE HIVEMIND. Quite literally the ruler of information and data across the planet. You had dirt on anyone and everyone. You had the power to start and end wars in an instant.

You, are also an actor. Why take such a high profile job when you had such a volatile career behind the scenes? Well that was simple, no one will ever find out. No one ever could anyways. Besides, as an actor, learning multiple skills such as the use of guns, martial arts, and well acting would seem much less suspicious.

You were known for your cold, distant personality. Often inciting scandals due to other celebrities vying for your attention and promptly throwing a temper tantrum when you refused to do so. You have garnered so much hate and danger that your manager went ahead and hired a couple of bodyguards to prevent any mishaps.

That being said, your bodyguards happen to be the world’s two most dangerous spies.

Spy Agencies loved to pluck their workers from orphanages. It was easier to deal with a person that had no attachments after all. But they could not predict that their geniuses Agent White and Agent Black , would be such big fans of you.

Indeed. Both of them had watched every single media you have been (released to the public or not), and monitored you 24/7. They were quite a nuisance when it came to hiding your identity, but nonetheless useful tools.

You agreed to their hiring precisely due to the things listed above. If they were distracted by you in real life, they’d have less time to stalk you like the obsessive bastards they were.

You didn’t have to do much. Both spies were charismatic people. They often approached you. Eyes filled with admiration and lust as they shielded your body with theirs from paparazzi and the likes. You could hear their labored breaths as they struggled — daresay agonized — to hold you properly instead of this awkward dance they had to do for the sake of formalities.

Of course all things must come to end, and your identity had been forced into the surface by a hitman paid to take your life.

“Oh, Hivemind. If you’d only known how much I have wished to ravish you—“

But perhaps they were more interested in taking you in other ways instead.

[cyberstudious]

An Introduction to Cybersecurity

I created this post for the Studyblr Masterpost Jam, check out the tag for more cool masterposts from folks in the studyblr community!

What is cybersecurity?

Cybersecurity is all about securing technology and processes - making sure that the software, hardware, and networks that run the world do exactly what they need to do and can't be abused by bad actors.

The CIA triad is a concept used to explain the three goals of cybersecurity. The pieces are:

Confidentiality: ensuring that information is kept secret, so it can only be viewed by the people who are allowed to do so. This involves encrypting data, requiring authentication before viewing data, and more.

Integrity: ensuring that information is trustworthy and cannot be tampered with. For example, this involves making sure that no one changes the contents of the file you're trying to download or intercepts your text messages.

Availability: ensuring that the services you need are there when you need them. Blocking every single person from accessing a piece of valuable information would be secure, but completely unusable, so we have to think about availability. This can also mean blocking DDoS attacks or fixing flaws in software that cause crashes or service issues.

What are some specializations within cybersecurity? What do cybersecurity professionals do?

incident response

digital forensics (often combined with incident response in the acronym DFIR)

reverse engineering

cryptography

governance/compliance/risk management

penetration testing/ethical hacking

vulnerability research/bug bounty

threat intelligence

cloud security

industrial/IoT security, often called Operational Technology (OT)

security engineering/writing code for cybersecurity tools (this is what I do!)

and more!

Where do cybersecurity professionals work?

I view the industry in three big chunks: vendors, everyday companies (for lack of a better term), and government. It's more complicated than that, but it helps.

Vendors make and sell security tools or services to other companies. Some examples are Crowdstrike, Cisco, Microsoft, Palo Alto, EY, etc. Vendors can be giant multinational corporations or small startups. Security tools can include software and hardware, while services can include consulting, technical support, or incident response or digital forensics services. Some companies are Managed Security Service Providers (MSSPs), which means that they serve as the security team for many other (often small) businesses.

Everyday companies include everyone from giant companies like Coca-Cola to the mom and pop shop down the street. Every company is a tech company now, and someone has to be in charge of securing things. Some businesses will have their own internal security teams that respond to incidents. Many companies buy tools provided by vendors like the ones above, and someone has to manage them. Small companies with small tech departments might dump all cybersecurity responsibilities on the IT team (or outsource things to a MSSP), or larger ones may have a dedicated security staff.

Government cybersecurity work can involve a lot of things, from securing the local water supply to working for the big three letter agencies. In the U.S. at least, there are also a lot of government contractors, who are their own individual companies but the vast majority of what they do is for the government. MITRE is one example, and the federal research labs and some university-affiliated labs are an extension of this. Government work and military contractor work are where geopolitics and ethics come into play most clearly, so just… be mindful.

What do academics in cybersecurity research?

A wide variety of things! You can get a good idea by browsing the papers from the ACM's Computer and Communications Security Conference. Some of the big research areas that I'm aware of are:

cryptography & post-quantum cryptography

machine learning model security & alignment

formal proofs of a program & programming language security

security & privacy

security of network protocols

vulnerability research & developing new attack vectors

Cybersecurity seems niche at first, but it actually covers a huge range of topics all across technology and policy. It's vital to running the world today, and I'm obviously biased but I think it's a fascinating topic to learn about. I'll be posting a new cybersecurity masterpost each day this week as a part of the #StudyblrMasterpostJam, so keep an eye out for tomorrow's post! In the meantime, check out the tag and see what other folks are posting about :D

[drdemonprince]

This is prompted by your most recent substack about fame, because my point is extremely tangential, I'm putting it here.

It's interesting to have seen the internet go through many stages. From the newsgroups/BBS era, to internet forums, to blogs, to social media, and how the respective environments shaped things.

In the early days, it's very much a group thing, some people became Big Name posters, pseudonymous, but still a group thing. The blog era was more personal, but still something made by someone who's just a person, even if not literally pseudonymous. Also, still text based, a lot of it even often. Social media changed that, with it's focus on follower counts on one hand and to snippets of text (twitter) or images (insta), and even though it's social media-ness is debatable, video (insta, youtube). The semi-anonymous nature however, was completely lost by now.

The doing it because you enjoyed it, or whatever, also recedes into the background because this is where monetization really takes off. The deleterious effects of the interaction between monetization and follower counts (notability) need no introduction, but painting with broad strokes, make something appeal as broad as possible deepens the flattening effect a medium like video already has, the visual aspects often being more important than the messages. It also has a much higher barrier to entry. Spinning up your own blog is cheap, text takes only a tiny amount data. Video is not. It's expensive to make (especially if you want slick videos), expensive to serve, so it's predisposed to big, single platforms that can leverage economies of scale.

The natural result is that you have a few people with big audiences, instead of many people with small audiences. If audiences is even the right word for that. If I'm talking about say, some TV show on my blog, and someone responds, it's a fairly equal conversation. More between peers, of sorts, just two people talking about something they share. As opposed to a Youtuber who makes a video about it with 100,000s of viewers. Because there are so many fewer voices, you lose the breadth of conversation too, narrowing to a small range of popular topics, and the distinction between You, and You as Your Brand gets eroded.

It's kinda notable in the autism sphere. Blogs where people talk about their experiences, how they dealt or didn't deal with things, have fallen off. Twitter came and went, and now there's Youtube and insta, where everything gets simplified down to a few slides or a 10 minute video about only the most basic aspects. Which is just... sad. I wouldn't have known that autistic burnout is a Thing many people struggle with if not for a blog post a friend came across and shared one day.

There was a comment from someone, a while ago, about how they used to have ASMR videos on, until they were able to get out into nature, and their desire for those videos completely disappeared. We're all very deprived. Of social contact, foremost. The pandemic poured gasoline on an already smoldering fire I feel. Latching onto someone 'famous' in a surrogate of social contact & context, like that person with their ASMR videos, feels like an understandable (though not good) outcome of that, which brings with it very regrettable excesses.

I think this is all pretty much a correct analysis, thank you! Though I would qualify that we have shifted away from the period of the Youtube mega content creator a social media ecosystem of intimate-seeming connections with smaller influencers, these days. Think of your Twitch streamers with a dedicated base of like 50-200 viewers per stream (and a Discord and a Patreon that supports them), the fitness Instagrams that sell meal plans online, the tarot witches and activist influencers offering one on one sessions, etc. Those communities can be more niche, but they still offer the illusion of a connection -- and if anything, that illusion is more strong because the creator is a "micro" famous person, and can take time to interact closely with fans here and there. We might already be heading out of that period of social media, though, especially with the disintegration of Twitter and the slow death of Meta's apps, too. I don't know what comes next but I hope we are due for a reappraisal of all of this, and the norms surrounding it.