#interesting route they're taking here

[genshin-impact-updates]

Natlan Preview Teaser - Saurian Wanderings | Genshin Impact

Natlan is a nation where humans and Saurians live together.

You may have heard of this already, but seeing is believing.

[my-thoughts-and-junk]

thinking about dream daddy again and god brian makes me so mad

[honeyvenommusic]

.

[loves4ge]

celebrity!au cw: swearing, gojo is disgustingly in love

gojo satoru is thoroughly and utterly fucked. there are only ten minutes left until he has to go live for an interview—promotional material for his new movie. the only problem is you, his sweet costar; you had him wrapped around your finger.

despite being each other's on-screen love interests, your schedules hadn't matched until now to do an interview together. and gojo fucking satoru, one of the biggest celebrities to ever set foot in the hall of fame, is nervous. because he knows when gets out there, you'll be waiting for him. you've always been early to places (not really, he's just late).

it's not just the thought of you that has his stomach twisting in knots, it's his obsessive—and frankly, scary—fangirls who hang onto his every look, every glance, every word. even if no one finds out about his itsy bitsy crush, they will. and they will ruin you.

and he can't do that to you! this is your big break after slaving away in minor roles with a no-name cast. you're in the spotlight too much after only have seen the light being shone on other people, there's already too much pressure on you. the sudden onslaught of fans can be overwhelming, but the critics? they're so much harsher than what you expected.

"gojo, get out." it's his manager. deep breaths, he advises himself as he lifts out of the chair and to the set. where you are. god.

"so, i hear the set can get pretty crazy?" the interviewer smiles as he says it. he has that mall santa vibe; a little bit jolly and just slightly discomfort inducing.

your laugh slips out and gojo swears he almost died there. but he makes a conscious effort to not look at your lips. he sneaks a glance anyway.

"that's right! you should see the mess this man makes," you say, nodding your head towards the white-blond man. he should've worn his sunglasses, at least that way he could've stared at you in peace.

"hey! i'm not at fault here," gojo defends himself, guffawed. he crosses his arms as if he was trying to protect his chastity. or defend his honor, i suppose.

"mm, that's what they all say." your playful tone has him weak in the knees and he's thanking the gods that he's sitting down otherwise he would've folded right then and there.

"so geto suguru was here earlier and he mentioned that there was some steam in the movie, eh?"

stay professional, stay professional, stay professional.

"oh yeah. there are a couple of scenes for sure. it wouldn't have turned out as well as they did if it wasn't for satoru. i've never done an intimate scene before and he was just so comforting and really, a strong source of support for me."

fuck.

gojo breaks into a grin, his hand platonically (he hopes) pats your shoulder.

"it actually wouldn't have gone so well if it wasn't for our earth shattering chemistry. and our intimacy coordinator. yep, you heard it here first guys. bridgerton isn't the only show that gets one!" he's not entirely sure if the comedic route was the one to take after your heartfelt confession but he can't seem to respond as sincerely as he wants on television.

your giggle makes up for it though. and the light slap against his thigh. god. he has to resist the urge to ask you to do it again.

---

10 MINUTE COMPILATION OF GOJO BEING DOWN BAD FOR HIS COSTAR (ft. geto)

[onmyyan]

So I'm imagining a bit of a silly concept, but imagine delivery driver!reader with yanderes Dick and Jason. Like they'll keep ordering from the place reader works in hopes that reader will show up (and she will - your boss got fed up with all the 1 star reviews when anyone other than you shows up) but they act like creeps trying to get you to join in on their movie night or whatever. They totally don't realize they're being creeps, though - this is their darling! They would never scare her! But like reader gets fed up with them "propositioning" her so she has her boss put them on the do not deliver list. The boys are surprised (they knew her boss was sending all those other drivers on purpose! 🙄), but it's nothing a call to Barbara can't fix (she wants to be an Auntie ASAP - platonic yan Barbara, perhaps?)

It starts with a simple delivery to Wayne Manor, one insignificant package set their sights on you, but could you blame them? That smile when you handed Dick the package, the pretty laugh you let out when Jason said something witty, it wasn't their fault you enamored them with a single meeting, and it didn't help when you delivered their second package, about a week after the first, and remember their names, the audacity to do such a thing and not expect them to fall in love.

Anytime someone other than you shows up they're met with the coldest glares, Dick is short with them, no banter no charm, Jason straight up doesn't speak to anyone that isn't you.

They don't start to get creepy until about week three, that's how long their resolve lasts before Dick is inviting you in for a drink, you must be hot in that uniform of yours, why don't you come inside? It's cool in the manor and he's sure your boss wouldn't miss you for a few minutes.

Jason, to his credit, really does try to be casual about his interest, of course it's anything but casual, he pretends to be working on his bike when you come to get his signature, purposely showing off as he takes his time signing, intense blue eyes staring at you with an intensity that made you sweat. He says a pretty girl like you shouldn't have to work so hard, that you should have someone to take care of you, you grit your teeth biting out a smile as you snatch the tablet back as soon as he finishes signing.

It isn't until your latest delivery do you put them on the do not deliver list, as usual they were together when you rang the doorbell, Dick smiles so brightly at you, you'd think you were delivering the stars in a neatly wrapped box. "Hey (y/n)!" He greets you like a long time friend instead of someone you'd only spoken to a handful of times, "You mind bringing that inside?" He asks the question and despite its oddity, you comply bringing the package inside.

Jason closes the door behind you, causing you to jump, when the hell did he get here?

"Good to see you bunny." He was always calling you pet names, far too intimate for your liking, he smirks before taking the box from your hands, his fingers purposely brushing against yours. "You're like a little messenger fairy."

You choose to ignore him, turning to Dick, you hold out the tablet for him to sign. "We'll get to that in a minute- why don't you sit down for a sec?" He sits on the couch patting the spot beside him. "I gotta get back to my route-"

"it's midnight, you guys stop delivering after midnight right?" Jason speaks up causing you to look at him, he looks way too satisfied with himself, catching you in a lie. Feeling trapped you sit on the couch reluctantly. "What's up?" You ask looking between the two, Jason remains standing his beefy arms crossed across his chest. God he made you uneasy.

"we've noticed how hard you've been working lately and since we're friends-" you don't hide the confusion on your face at the proclamation, "-We figured you could use a break." Dick spoke almost as if he was nervous. "Come on bunny, take a load off." Jason finally sat down sandwiching you between the two.

"or- and hear me out on this one, you sign for your package and I leave?" They share a look before Dick is almost sadly signing the tablet. "Well if you ever wanna just chill or something-"

You don't hesitate you leap off the couch and run out the door, heart slamming so hard in your chest you felt the rumble in your throat.

You thought you'd be done with them after putting their names on your company's do not deliver list, and for about a week you are, until they realize what's going on and collectively lose their minds.

Barbara couldn't stand seeing two of her closest friends so down, so unlike themselves, once they explain the situation to her she's quick to act, understanding their... particular intensity when it came to love, and clearly you'd stolen their hearts, she couldn't stand to see them so upset so she quickly devizes a plan to get you back where you belong.

All it takes is hacking into your company's files to find your route and schedule, it's like child's play to her to set up the meeting, she ordered a shit ton of stuff all for you unbeknownst to you of course, all items you'd need for your upcoming vacation, Bruce had a few private islands for situations just like this one, and it be the perfect place for Dick and Jason to break you in. By the time you left the little slice of paradise, you'd be a perfect little darling.

With a smile too pretty for her deeds, she presses confirm on the order and sends a text to the guys.

"Your Darling is approaching with your order."

[powdermelonkeg]

You're big on Zelda, so I'm curious. How would you rewrite TOTK, if given the writer's room?

Fun question! *cracks knuckles* Let's answer it.

I've answered about the disconnect between BotW and TotK before, so I'm going to take some of those ideas and run with them here.

I'm taking the intended route, for the sake of keeping coherence rather than just making up an entirely new Hyrule from scratch. Link and Zelda are the same as they are in BotW.

To start off, I like the Zonai.

I like that they're an entirely new race of people in Hyrule. I love how weird-looking they are. I love that they're not human race #87.

I also love their bastard not-Zonai lovechild thing. If we saw more examples of Zonai, I would love for this funky lil dude to be part of them, kind of like how the Zora have a ton of variation between them.

So why don't we do that? Why don't we give them a kingdom?

And why don't we put some meat on the bones of what was already built?

There are Zonai-esque ruins all over the Depths, mostly in mines for Zonaite.

Their color palette matches. Rauru's braids and Sonia's earrings match brightblooms.

And the three dragons, who have Zonai features (segmented, color-edged hair, long ears, blunt muzzles, scale beard mouths), could have been a catalyst.

A catalyst for what, though?

It starts with the Depths themselves, and the dragons breaking free.

See, in TotK, the three elemental dragons all dive in and out of the Depths chasms. There's no explanation as to why, and the only explanation we have for the chasms forming is that it was like...geysers of Gloom.

However, the dragons in BotW are confirmed to have carved these canyons:

So let's go back in time a little.

The Zonai live in the Depths. They're underground, away from all the chaos that Hyrule has ever had to endure. They worship the bargainer statues as gods, they collect the souls of those above that drip down into the world below.

They have a rich mining industry, and coliseums for their greatest warriors to test their mettle against captured monsters.

They have their Secret Stones, and the one who's allowed to hang onto those is their leader.

That'd be young Prince Rauru.

The elemental dragons, Dinraal, Naydra, and Farosh, are testaments to why no one can be allowed to have the Secret Stones. They were consumed by their power, literally.

One day, they break free, as if summoned by an unknown force. They tunnel through the ground and into the sky, connecting the world below to the one above.

The Hylians cautiously venture below, or the Zonai above. Prince Rauru, keeper of the Secret Stones, and Sonia, High Priestess of Hylia, meet.

They fall in love.

They marry.

Their marriage marks a unity between the Surface and the Depths.

(Maybe throw in a lil Skyward Sword continuity, mention that while Hylia sent the humans to the sky, the Zonai fled underground to avoid Demise, to keep the Secret Stones out of his grasp. You don't even have to name drop him, just say they went down to avoid destruction.)

Suddenly, Hyrule (the center part of the map, based around the Great Plateau, not the whole sub-kingdom conglomerate it exists as in BotW) undergoes a technological boom. Ganondorf, neighboring leader of the Gerudo, is interested. He talks trade with now-king Rauru, but there's the sub-plot of trying to get his secrets, which he steadily grows obsessed with.

Meanwhile, the Gerudo make their own expedition into the Depths.

There. The stage is set.

Now Zelda falls into the past.

She's found by Rauru and Sonia. Adopted as their daughter, more or less.

Also, the two of them have a small child. Nintendo, you CAN'T set them up as "they're her ancestors" and then kill them childless, descendants don't work like that. Zelda's immediately endeared to the kid, who reminds her of Link. Lil half-Zonai girl with a wooden sword who swings it at anything that moves. There are memories, it's cute.

In the past, Zelda witnesses, real time, Ganondorf going mad with power. They get along well at first, he's cordial, polite, a model diplomat. But she finds his troops in places they shouldn't be, confronts him about it and gets brushed off.

She tells Rauru, he's unwilling to throw suspicion onto Ganondorf. They're semi-friends and diplomacy is important! He's got to run this kingdom right. He can't fail, this is the biggest thing he's ever done!

(Sprinkle in a parallel to BotW Zel's fear of failure)

Some of the memories fill in gaps about Rauru's power, also. He's got what Link can do, minus Recall. Ultrahand and Fuse mainly, but Rauru's been experimenting with Ascend, excited because it'll make passage between the Depths and the Surface so much easier, and we see where Zel gets her scientific excitement from. Regardless of how different they look, they ARE family.

Ganondorf and Rauru get into a fight one day. A BAD fight. Maybe because Zelda tipped Rauru off, and despite telling her no, Rauru looked into it anyways. Regardless, they march out in opposite directions, and Zelda overheard it in the hallway. As Ganondorf leaves, he gives her the most SCATHING glare.

He then declares war on Hyrule.

Rauru makes a bid for allies, trying to get enough manpower to fight Ganondorf's impressive military. It's a struggle at first, but Zelda steps in, being the leader she's skilled at being and telling the others how crucial it is that they help. Ganondorf, meanwhile, turns to forbidden arts in his rage against Rauru, gets infected by Gloom/Malice, becomes scarily powerful. First Blood Moon. The Gerudo are kind of unnerved by him.

We see Zelda and Sonia helping with the war. Sonia's got light powers, Zelda's are stronger, together they can destroy entire ARMIES of monsters, saving their warriors on the battlefield. A few instances of Little Princess trying to be involved like the grown-ups are, getting huffy when she's told no.

In the aftermath of each fight, Rauru runs around, sealing away the monsters' latent energy with green spirals. That's where the Shrines come from, though in the past, they're Luminous Stones—it's all faded by present day, the light bled out of them.

Sonia is on the battlefield against Ganondorf one fateful night, Little Princess wanders onto the field, both the girls panic about it, and Sonia tries to run away with her while Zelda affords them cover. THAT'S when Ganondorf strikes her—he's fast like a ninja, rushes past Zelda, strikes Sonia.

She falls. Little Princess tumbles.

Zelda races to Little Princess's side, picks her up to run away with her as Ganondorf gets Sonia's stone, and he transforms into the Demon King. He raises his army. Little Princess screams, and we see an uncontrolled blast of Hylia's power, like an erratic attempt at what Zelda did at the end of BotW.

It fritzes, Zelda hugs her tight and ducks down to shield her, and the power cascades across the battlefield, affecting monsters AND people alike. The war is in shambles. Ganondorf stares at the child and her guardian, and retreats in a hurry.

Cue Rauru running to their side.

He grieves his wife. Little Princess is kept safe by Zelda. The Gerudo shun Ganondorf and join Rauru's side, and everyone involved in the war dedicates everything to one final assault against Ganondorf, one trap to finally END him, to force him into the Depths and fight him on the Zonai's own turf. The Secret Stones are distributed. Rauru knows what he has to do, and at the climax of the final battle, he uses his Secret Stone to amplify his sealing magic, knowing it'll kill him in the process and locking Ganondorf away in the Depths.

Except, it's not that simple.

Gloom bursts out of the newly trapped Ganondorf's chest, flooding the Depths, eliminating everyone in its path. That includes the Sages, the assaulting army, and the VAST majority of the Zonai. Its sole purpose is to gather enough strength over time for Ganondorf to break his shackles, because the Gloom wants OUT.

(Subtly implied that the Gloom is the first iteration of Demise's curse of hatred, maybe.)

And Zelda is alone. Trapped in the past, stuck with Little Princess, her Secret Stone, and the last of Mineru's notes.

Gloom continues to fume out of the Depths, so they're sealed off. The Blood Moon keeps spawning new monsters, so Little Princess and the remainders of the construct caretakers are sent up to the sky, for her protection. Zelda's the one that orchestrates it. Her people once hailed from the sky, and it's always been known as a place of safety for them.

Is this self-referential to the history she's building, or a Skyward Sword reference? Who knows.

They go skyward.

Then the Master Sword appears, and Zelda knows what she has to do. It's compounded, of course, by crushing guilt over the fact that Sonia's death happened on her watch. She tells Little Princess to look out for the world ahead, tells her to be strong, and brave, and everything she wishes her dad had told her. Then ends it with a final message.

"I'm leaving you something very important. Take good care of it."

Then she goes off alone to become a dragon.

Present day.

Link's not guided by Rauru, he's guided by a strange, beautiful woman who looks kind of like Zelda (albeit with Zonai hair, eyes, and long claws), who has a deep regret for the world below and who knows the lonely world above like the back of her hand. She teaches him the basics of his powers as he visits the shrines.

The Great Sky Island is otherwise normal.

You go to Hyrule. The Light Dragon's the one that breaks the cloud barrier, and as she does so, she sheds a single tear. By the time you get to the tear's location, it's spread a mural of the memory it contains around it.

Whenever you Recall a tear, the Light Dragon sheds a new one somewhere else, and it's up to you to follow.

You're chasing Zelda, twice over.

Besides that, Hyrule's Surface is...largely unchanged. I'm still upset that the pirates assaulting Lurelin weren't ACTUAL pirates, so guess what, they are now. Splinter faction of Yiga. Also, River Zora take over Lake Hylia, there's a spat between them and the Sea Zora, and Yona is the princess of the Rivers.

Then you've got the Depths.

That's where you find the ruins of the Zonai civilization, and you start piecing together the world it contains on your own. You aren't told, you're SHOWN.

Rauru's ghost finds and guides you here. He has a moment of "hey, isn't that MY arm?", upgrades your abilities or shows you how to use them more efficiently (ups your build limit, shows you how to un-Fuse, teaches you DEscend, gives you Autobuild, things like that), then DIES-dies. You escort his poe soul to a Bargainer statue.

The biggest change to the Depths, though, is that under the Gerudo Desert, you find PEOPLE.

So remember how the Gerudo launched their own expedition into the Depths in the past? How the Gloom killed almost everyone and the world below was sealed off?

There were a sparse few survivors of the Zonai, and some unfortunate Gerudo researchers that also got trapped. The people down there now are descendants of both. They're not Zonai anymore, though.

They're Lomei. They evolved like how the Rito evolved from the Zora in Wind Waker. Their tribe name comes from the Zonai word for "loneliness."

Regardless, they're initially inhospitable to Surfacers, because Surfacers are how they ended up how they did. If you sneak into their city, you're captured, like a few unfortunate Zonai Survey Team members that have wandered in, only YOU can escape via Ascend. OoT Gerudo parallel.

You can earn the Lomei's trust by doing things for them (maybe beating all three labyrinths as a rite of passage?), and then they let you into their cities. They've got their own brand of tech based off of old Zonai designs. One of the Lomei scientists is working on a mechsuit—that'll be the sage that Mineru passes her stone down to. And it fits doubly, both because the Lomei ARE the descendants of the Zonai and because the Lomei technician and Mineru are both scientists.

The Lomei people give you more pieces to the complicated Zonai-Hylian puzzle, and they're the ones that first tell you the legend of the dragons-from-Secret-Stones. So you can either learn it from them OR get it revealed in Zel's later memories.

Besides that, the present plot is pretty much as normal. Still the same bosses. Still the same sages-help-with-everything, though each sage you rescue gives you another piece of what really happened at the final fight (rather than the same cutscene over and over), telling you about how Rauru sacrificed himself and the effect it had on the rest of the Depths.

I will change where the Ganondorf's Army fight takes place, though. It's ACTUALLY very hidden, like the game was trying to imply it to be when you chase around Kohga. You do still have to do that, but he accidentally directs you to a place that's hidden in the tiniest crevice near Hyrule Castle, one that's very easy to miss and sitting in a veritable sea of Gloom. Once you finish the Kohga quest, a poe hovers outside of the crevice, which leads into an even deeper chasm that leads to the Underdepths.

The poe's your help to get through the maze there, and wherever it goes, Sundelions bloom at the corners. If you go early, before getting everything done, you have to navigate that place yourself, and it's a nightmare.

But you do it. You get to where everything started, and you beat the army, then Ganondorf, then he shoves his fist down his throat and goes dragon.

As he breaks through the ground and curls around Hyrule Castle, he SHATTERS it. The building crumbles to smithereens, crashing into the Depths below.

You beat Demon Dragon, Zelda catches you on her nose, it's over. You're in the spirit realm over sleeping Zelda.

The poe appears over your shoulder, drifts away from you, then materializes into Sonia. She says nothing, just activates Recall, turns Zelda back to normal, then cradles her in her arms. She gives her a kiss on the forehead, looks at you, then says the same line Zelda said to Little Princess ages ago, with the single change of one word.

"I'm leaving you something very important. Take good care of her."

She fades, as does the Spirit World.

You're falling.

Zelda's falling.

You catch her.

She wakes up, sees you, then hugs you and sobs into your shoulder.

The Legend of Zelda: Tears of the Kingdom.

Roll credits.

Bonus for the memory completionists, the True Ending has Zelda meeting the grown Little Princess up at the Great Sky Island, reconciling with her, both of them saying how proud they are of each other. Then Little Princess turns into a poe, and Zelda promises to take her to the Depths so she can be with her parents again. As they walk away, Sonia's poe tails after them.

And THAT is a way longer post than I expected to write. Whew.

[fuckyeahisawthat]

Dune: Prophecy episode 1 thoughts, tried to keep it vague to avoid major spoilers:

Wow there is a lot of exposition. Like a LOT of exposition, especially in the first 10-15 minutes when we're not invested in any of the characters yet. I hope this is a first episode problem.

Ah they went the coward's route and used "Great Machine War" instead of "Butlerian Jihad."

There's an interesting "history is written by the victors" thread there right from the beginning that I hope they pull on some more.

I love how they did the Voice, which appears early in the episode, because both the actor's performance and the sound design of it are slightly different from the films. It really feels/sounds like the character using it is straining to access a new and unfamiliar power, in contrast to the effortless, overwhelming assertion of control it comes across as in the films.

Salusa Secundus looks so green and lush in comparison to how it looks at the time of the films.

I realize this is probably an unfair complaint for something made on a TV budget (even an HBO TV budget), but imo the production design doesn't quite measure up to the films. I think the best work is on the props. The key to the genetic index room, the little slides that Valya and Tula are looking at with students' info on them, the Emperor's projection table--those all look great and have that feeling of "future filtered through the past" that I think is key to the Dune aesthetic. Many of the location exteriors are gorgeous, too. Some of the interior sets are quite striking and others are underwhelming. The costumes are...mid imo; there are some beautiful elements and others that look too identifiably modern. Including Princess Ynez's red gown unfortunately which looks like a department store prom dress. I realize it's a high bar--the films were really really good at making everything look both futuristic and ancient, layered and textured--but you do notice the difference.

So! Many! Women! Pretty racially diverse casting too. But also omg so many characters and I already forget half their names. I'm gonna need Dune: Facebook for the next episode.

Emily Watson and Olivia Williams are already very compelling, even if you don't quite know their characters' full agendas yet. Heckin ready for some Machiavellian women scheming.

Love some of the more fucked up shit that just slides by and the information it gives you about the world. Adult (? idk maybe she's supposed to be in her late teens) woman getting engaged to a 9-year-old. Practicing Truthsaying on prisoners, some of whom have fresh bruises on their faces.

Arrakis is...the same. This one is honestly fucking me up. I know time scales in Dune are absurd and really kind of incomprehensible in comparison to real Earth history but can you imagine your home being passed around various imperialist powers for resource extraction for ten thousand years?? FOUR HUNDRED GENERATIONS. 80 years of Harkonnen rule seems like nothing. We're talking about whole eras of colonial control and resistance here. Like damn. No wonder so many Fremen have come to believe that only a messiah can save them. Imagine being someone like Chani and feeling the legacy of not decades or even centuries but millennia of struggle on your shoulders. It is gonna take me a while to fully absorb this one. Holy fuck.

Travis Fimmel's character has an...ability that we haven't seen in the Dune universe before and I'm super curious to see where they're gonna go with that.

Overall it feels like this episode was mostly setup but there's a lot of potential? Like there are a lot of potential threads that could develop into something cool and twisty and interesting. I'm not sure where any of it is going yet but I'm ready to find out.

[salemoleander]

Chaos vs. Patronage: How Life Series winners grapple with skill disparity

As the Life Series has gone on and matured into more noticeable patterns, some winners have pivoted to a mentorship/support role to their chosen 'champion'/ a favored player.

Scott spent Limited Life as a duo with Martyn, and then joined a high-skill group in Secret Life that ultimately saw him sacrifice himself trying to get Gem the win. Pearl spent Secret Life with her stated goal being one of her teammates winning, pivoting to support Scar at the end when they'd died. Now in Wild Life, she has outright stated her intent to support Impulse to get the win. (Scar supporting Jimmy in Wild Life may also fit this pattern; we'll get to that.)

In contrast, winners Grian and Martyn² are not sticking to that single-minded attempt to get a player to win, whatever it takes. They will express support for teammates winning, but generally do not take actions that would worsen their own chances of winning/surviving to help a teammate. They aren't playing "meta", which here means putting all their resources into one person.

These two categories of behavior ultimately reflect the Winners' approaches to answering the question of how to balance disparate skill levels in the series cast. (Second half of writing + footnotes under cut.)

Grian has spent game after game altering mechanics & playing with randomization to try to level the playing field without directly intervening against specific players.³ Martyn is invested enough in the narrative/story that making less-than-optimal decisions isn't hard for him or atypical (this is the player who beelines for the Nether every single season).

It seems like Scott and Pearl realized they're very strong players and are interested in nerfing themselves more actively... but they still don't want to throw the match. The compromise there is to put their effort & skill towards helping another player achieve victory.

A case could be argued that Scar is moreso the former group by nature (he's similar to Martyn in his penchant for making entertainingly bad decisions that render nerfing unecessary). However, after witnessing multiple seasons of Scott & Pearl acting as mentors, seeing them compete head-to-head in the game he ultimately won, mentorship now seems like a normalized route to take once you're a winner.⁴

¹ Unsure if BigB in LimL counts? They were a duo, but Scott fomenting Martyn's win seems to be what kicked off Pearl's dedication to support another player.

² Cleo is a winner but they do not fit this analysis for a variety of reasons I don't want to get into. So I won't, bc this is a tumblr post & not an academic paper. Ignore that there are footnotes and an academic-ass title

³ Grian seeing Scott win: "Oh no I've created an unbalanced game. Ok lets randomly assign players together to try to balance things... why has RNG betrayed me?!" RNG does not stop betraying him btw. I have another post in draft about this but it's kind of nuts how dedicated Grian is to Not Rigging The Game Even A Little.

⁴ Incidentally imo this is what will force Grian in the next few games to either end the series, create dual winners/some other atypical win structure, or bust his ass trying to get a second win & break that taboo. Based on his game design so far, he can put up with a bit of interference, but ultimately will not abide "we all do schoolyard tradesies on who gets to win until everyone gets one".

[questionablecuttlefish]

Where is Jinx going?

Bilgewater is a strong contender, but don't discount Demacia.

Jinx/Lux is part of it. That's actually the oldest fan ship for Jinx and was the most popular for both of them in fanfic and fan art until Season Two dropped; the common claim that it's a fringe ship or 'only' in Star Guardian is inaccurate. It's been a part of League fandom for a long ass time. It started in 2014 in 'main Runeterra canon' only months after Jinx's launch and before either the Burning Bright video or Ekko existed. It was later boosted in popularity by the Wild Rift trailer, various promotional arts featuring the two together, and later by the Valoran Town animated series released in China. Why? Initially, just pairing the two poster girls of League together, probably, or the classic hero/lancer dynamic of the optimistic 'light' character with the edgy 'dark' character.

But since Lux's comic, the Mageseeker game and then Arcane there are more lore parallels between the two than ever; both are young women struggling with a society that hates them for something they didn't choose to be, both trusted an older mentor with revolutionary ideals who encouraged them to embrace their destructive powers and then betrayed them (Silco/Sylas), both accidentally unleashed their power and got people killed, both triggered a violent revolution, both have a complicated relationship with an older sibling (Vi/Garen). If they are romantic interests or just friends, Lux gets someone who will encourage her to embrace her magic and Jinx gets someone who won't judge her on her past and the potential for conflict and companionship and a very interesting, opposites-but-actually-mirrors dynamic is all there.

It's commonly dismissed by people ignorant of League's history and of the lore of both characters, but it DOES work. If you know, you know. 🦄

Outside of that, though, why Demacia? Doesn't seem like a place our crazy girl Jinx would want to go for any reason, ever, but the end of Arcane makes it more likely than even Bilgewater because at this stage Jinx is trying to cut her ties and move on from her old life. She wants to be:

FAR away from Noxus and Noxian influences (Demacia and Noxus are bitter enemies)

FAR from her "Jinx" identity and all the violence and chaos that stands for (if she wants to disappear and try to put it behind her and heal from her trauma, Demacia big, spacious, and quiet)

FAR away from her family and friends, so she can't be tempted to get involved in their lives and hurt them (as she sees it) again. (Demacia is waaaay over there, a lot farther than Bilgewater)

FAR AWAY from the Arcane that has, from the moment she picked up that first Hexcrystal, ruined her life and taken people she loves (Mylo, Claggor, Vander, Isha, and in a roundabout way, Vi) from her. (Demacia is a kingdom that despises magic and is full of magic-sucking stone made from magic sucking forests)

So I think it will entirely depend on the direction they want to take with Jinx from here. If they want her to continue to be a violent, chaotic crazy girl we know and love, they'll make her a mercenary pirate in Bilgewater, maybe tangle her up with Sarah Fortune's crew.

If they want her to try to turn her back on her "Jinx" identity and heal from her grief in peace and quiet, they'll take her to Demacia and she'll pop up unexpectedly, maybe as a tinkerer, or artisan, trying to reconnect with her Powder side.

This is where she could meet Lux (if they're going the Lightcannon route, which would make more people than you'd think very very happy) or otherwise get drawn out of her peaceful life and into the turmoils gripping Demacia, particularly as the Mage rebellion starts to break out. Particularly if Jinx ends up siding with the rebel mages, or siding with Lux either for or against Sylas's faction and/or the Mageseekers.

She has a bit of experience with being a rebel, she might end up using her experience with Hextech and the Arcane to give those rebels the edge, and "Jinx the reluctant pacifist being drawn back into her old chaotic ways to fight for a cause because deep down, she still longs for the thrills and the chaos and the noise" might be a really cool arc to take her on.

What do you think?

[seirindono]

What are Sloth Sans/Demon Sans Powers; relationships; what is he like in the other runs???

Ok, let's talk about Demon! Sans!

The embodiment of idleness, he's the predator of many emotions and states linked to this sin, such as apathy, depression and resignation.

We've already talked about his use of illusions (music/ hypnosis) to charm and disarm his victims, dreams being his preferred hunting ground, and one his unique ability (your personnal sleep paralysis demon), but he's just as much as a threat in real life!

His preferred strategy is to lower the enemy's stats (DEF, ATK, HP, etc) so he can finish them off with a single strike or, better yet, let their body slowly die while he lulls their soul into an endless dream.

He gradually deprives them of the desire to attack or defend themselves, amplifying the fatigue (physical and psychological) and sense of powerlessness, of helplessness hidden deep in their souls.

If he's in a playful mood or if his victim has upset him, he takes great pleasure in awakening their traumas by peering into their unconscious and projecting nightmarish hallucinations. Making them super aware of their situation is also effective: they can't defeat him, and even if they could or if he decided to spare them, only death and more pain awaits them at the end of their journey, by the hand of another Lord or bc they're litteraly in hell. However, his habit of granting a “peaceful death” is viewed as merciful compared to the other Lords (or cruel and messed up by others)

A word of advice, however, to intruders venturing into his Snowdin territory: if you stumble upon his collection of ice statues or a suspicious pile of snow, keep walking and don't touch anything.

----

I'll focus on the relationships showed here

Gluttony - His brother. He practically raised him and supports him to this day, going so far as to share the territory where they grew up (Snowdin). Demons tend to avoid such close ties, as it can become a weakness, but the Skeleton brothers are a rare exception, having proven time and again their ruthlessness.

Lust - They don't usually interact but Lust suspects he's hiding something from the other Lords. + there was the time he teleported in his sleep onto the set of Lust (live broadcast), putting everyone in the audience to sleep. He doesn't remember but Mettaton might hold a ti~ny grudge.

Pride - A combination of distrust and disapproval of some of the King's past decisions. He remains loyal to him, but doesn't mind the distance between their respective territories.

Wrath (former) - Lord from the past generation. He was close to them and received a lot of help from both him and their skeleton friend. Both disappeared overnight, their names erased from the archives as Undyne took on the now vacant role. He can't openly look for them bc of the King's order, but he assumes they must have found a way to hide somewhere…

Frisk - The kid that somehow managed to become friend with his brother and is now cosplaying as an imp. He has no interest in directly harming them, only playing tricks on them and witness how far they can make it with that puny soul.

---

Other runs:

This part is still a WIP since I've mostly worked on a "neutral route" so far lol Also, Demons are, well, "bad", so the genocide run requires more reflection

Neutral:

Mischievous and willfully neglectful, he tolerates Frisk and the player on his territory, but doesn't go out of his way to help them since his brother is already helping.

Pacifist:

Still playful and unbothered, but Papyrus has told him all about Frisk's adventures and how they became friends with other Demons. He is curious and may appear at randoms moments in the run to help the player (tell them about a secret passage in Waterfall or come and play an instrument for Lust's show and put the whole audience to sleep).

.Gives Frisk a bone instrument (a very tiny violon) to celebrate their friendship and shares some secrets with them, like the origin of the bells on his and his brother's horns and how hell used to be before the Queen left.

Genocide:

Same as neutral until he kills Frisk for the first time. He'll trigger a blizzard on the next playthrough to block the door leading to HOME, trapping the player in the empty ruins to observe their reaction. If the player manages to find another way out (or force their way out), Sloth will appear to them only as illusions, asking what they are and mocking them for thinking they can defeat what is already dead, nonetheless sans is willing to watch them try.

.Observes and creates illusions along the way to hinder Frisk. He reveals that sinners can't escape hell until they're freed from their sins, and that the player will undoubtedly end up in the hands of Pride, the King and Demon who rules over those with egos as big as the player's (=that's why he and the other Lords are just toying with the player, they don't see them as a real threat and nobody wants to double-cross the King anyway).

.He's not that bothered by the actions of the player, they're demons and it's hell after all. He might even enjoy watching this more than the pacifist run at first....

edit:

Hm.... Actually, maybe I should rename these. Something like : Redemption or Sinner route idk the expectations are different from canon UT, Demons are USED to killing and stuff. Even if one of them die, a new demon reappear. No, the real surprise would be if someone tried to do good for once, wouldn't it?

As I said, it's a WIP

PHEW, there you go. That was a lot, enjoy!

[lover-of-mine]

Hello and welcome to Anna thinks they just kickstarted Eddie's queer arc and *coldplay starts to play* it was all yellow (and blue). (metas on the blue and yellow here and here if you feel like reading)

I feel like at this point I have made the point that I think Eddie's queer arc is gonna be yellow where Buck's was blue very clear (post on that here, more on the theory applied to buddie here), so I'm watching for any amount of blue or yellow around Eddie. The whole thing comes back to the way 704 is very blue and yellow and the climax of Buck's bi arc, the coming out scene since it's the one scene Buck chooses to come out, is also blue and yellow, but Buck himself is blue.

This actually starts in the locker room in 701 tho, but we have established that Buck is blue, so they are in the wrong colors. They're also in the wrong colors during the will reveal, which is interesting if they follow through it this particular symbolism the way I'm expecting them to.

The will reveal is interesting because they don't match their backgrounds the way Buck does in the coming out scene, but the backgrounds have the right colors, but I digress.

The thing is, the thing that I keep waiting to happen, happened. The sandy yellow shirt. Something about Buck's journey to blue, is that he is in darker shades of blue while Eddie is in neutral tones, mostly black, until he reaches a shade of blue that's basically the color of Oliver's eyes, so it's a brighter color.

So my working theory is that Eddie is gonna mirror that, and we will have Buck in neutral tones while Eddie finds his golden yellow, that right now I'm 90% positive will be the shade behind him in the coming out scene, but Eddie's arc will be lighter shades working up to the darker ones. And this is a promising start.

But I wanna talk about Eddie's arc on the episode. Because his arc is blue and yellow, but he's drowning in blue. Which is the wrong color. And not just because the uniforms are blue.

Something in particular that's intriguing me is the fact that they changed the waiting room of the hospital, so it is yellowish now, where it used to be a more neutral blue color.

Something else is the fact that this is the school from 504, an episode called home and away, that has "you're the guy who likes to fix things" conversation, where we actually discuss the way blood family knows you differently than a significant other. So we have a few s5 callbacks going on, and I feel like this will be a pattern, even though I don't think Eddie is in route for another full breakdown, I think deconstructing parts of who he is will have a lot of callbacks to his s5 arc.

The dialogue of the ambulance scene is very interesting too, because Eddie is talking about fixing someone's heart in less-than-ideal circumstances, and he actually manages to pull it off after some struggle. I'm probably reading too much into it, but the fifty/fifty on 2 attempts is making me 👀 because if we take this to the more metaphorical possible Eddie and his own heart, unless we are talking Buck, he failed all times, but it interesting to think Shannon vs Buck since Ana and Marisol where superficial relationships. Considering what we know, how young he was and the way his relationship with Shannon got to serious to fast vs the way Buck squeezed his way into his life and Eddie did take some leaps of faith in less than ideal conditions, I can see a symbolism hidden there.

The talk with Bobby is also interesting because of the whole yellowish setting and the implication that the issue can be traced to the mustache, and since we know the mustache is gonna be important for Eddie's character in the following episodes.

But the thing that had me screaming was actually the shop scene. I wrote a meta on this (you can read it here) but 911 uses blue and red for parenting issues. And the shop, the car the dad is working on, and the equipment are blue and red. And that makes sense, they are talking about parenting. Eddie is there as a father, at least at first.

And all of this is happening while Eddie is in white.

After they go outside, while Eddie is talking about being a father in a more detached manner, he is surrounded by the blue and red, even though the chair is yellow.

But while the dad is talking about his struggle understanding his kid, he is blue and yellow. This is interesting even though I don't want to sit here and say that Weston is queer just based on the fact that he's a cheerleader, because yes, the blue and yellow is used for Buck, but is also used for henren, and if we expand on the 911verse, it is also used for tarlos, so the metaphor there.

And attached to all the struggles Eddie has expectations that were placed on him, and specifically 517 where Eddie talks about his father not wanting to seem weak, and how that obviously affected the way Eddie grew up and how he moves on to defending Weston by saying he survived something he knows soldiers who wouldn't, we have something here. Because we don't have the focus on the red anymore once Eddie starts talking.

The green elements of the scene are interesting in the same way I said the orange is interesting about the birthday party (read that one here). Eddie is a green character, I feel like a lot of us associate him with army green, but if I'm right about the color theory we have going, Eddie can't live his life as a secondary color. That's where getting to his yellow comes in.

Eddie needs to move on from that. We talked a lot about the green army armor, with that jacket he wears when Shannon dies and when he leaves the 118 (first 2 pictures up here) so he needs to stop hiding behind the green. And the green is there, but it is out of focus, it's not supposed to be the main thing even tho it does take a lot of space in Eddie's frame. Mostly because you can see the yellow very clearly behind the dad, but not the green car behind Eddie, the edges are blending, which is good. He is moving in the right direction.

He also ends the episode drowning in blue again, which, yk, wrong color.

He's also in the same color he was in 506 after the whole kidnapping and yet another moment Eddie risks everything because there's a kid involved. But this time he can't go home to his kid. Someone give him Chris back right now (set on this parallel here).

So, since Buck's queer arc was blue and yellow, and Eddie just started an arc with those, I am choosing to believe they just kickstarted Eddie's queer arc.

That's all for today, if you read this I love you 💜

taglist (interact with this post if you wanna be tagged, or send me a message, just let me know):

@sparkedblaze @hermioneindisguise @eddiedisasterdiaz @mosaicstardust @stagefoureddiediaz @kejfeblintz @glasscities @angelcamael @sparkedblaze @caw-salem @dreamofsomepiphany @100ceruleaneyes @linus-lucy @chaosqueery @gina-spike @chimchiminie98 @elvensorceress @dangerpronebuddie @ijustdontlikepeople @182daysof @steadfastsaturnsrings @sparklespiff @inell @joshwritesfics @lunarsolar1 @dingdongfries @wolfdeans @jesuisici33 @miles--to--go @hopefuldreamers-world

[pebbleisgay]

OKAY SO THE PRISTINE CUT.

happily ever after, right?

i... think i *have* to @blacktabbygames because i've been going insane taking notes on one of the new routes and i hope this is entertaining to quite the incredible dev team.

now I have been going insane for the better part of an hour theorizing and taking notes going through Epilogue: Happily Ever After. so if you haven't done that route and don't want spoilers, please evacuate the post. go on and scroll right down.

Epilogue: Happily Ever After

We open the route by throwing off the narrator by being in a room with only one door, only one exit. Note that it has windows, this will come in handy later.

It is followed by walking *up* the stairs.. which is contrary to any other route. Not even the Tower- named literally after a tower! Follows that. It's always "If she really lived here, slaying her would be doing her a favor." but we can't say that. because we're emerging into a better, fancier place.

We head up the stairs and enter.. a dining room. Sitting at it is the princess, with the dagger around her neck and the narrator suggesting that it would be so easy to kill her, just like that. But for the sake of this, let's say you followed what I did and decided talking to this.. interesting Princess was a better option. Notable pieces of the room are the tapestries and the torches, which too, will come in later.

But the most notable part of this room is that we can see a shadow looming over her. A few seconds before, the voices had commented on how odd it is that they're missing Smitten- and yet, here he is. But we can't hear him.

Which brings me to the point I want to make here,

Epilogue: Happily Ever After is a role-swapped route.

From here on, The Princess refers to whoever is imprisoned. The Savior refers to whoever is leading them to escape. The Narrator refers to whoever is speaking only to the Savior. Long Quiet, Shifting Mound, and The Echo will be called by their names.

We enter the route in a room with only one door, and a window (or like, 8.) These are the traits of the basement that the princess is locked in. Even in routes such as the Razor where the basement isn't really even truly that, the basement has a view of the outside- just a little bit of its light peeking into the cell. Only one room in the story has one door, and it's the basement. Even the Path in the Woods has a second option, if you're chasing the Stranger princess.

Leaving this room leads us *up* the stairs, as if we were leaving the basement. The Echo can't make his classic "doing her a favor" joke because this time around, the Long Quiet is the one escaping the basement. To further this point, the Shifting Mound is the one who calls out to us from the top of the stairs.

Now the dining room is FULL of points that guide us towards this conclusion, but the first one I noticed is that the room has the traits of the cabin's main room. It has a door in, a way out (obscured by the mirror / narrator / some form of the Long Quiet,) it has the Pristine Blade on a Table, and it has accessories on the walls that fit the theme of the route. As the Shifting Mound this time around is a queen, she has banners and torches and large stone walls.

And not only is the Shifting Mound wielding the pristine blade, but she has a figure looming over her, "controlling" her without being able to control her emotions or how she feels about this place, and describing the place itself. We know this figure is Smitten, but we can't hear him. The Shifting Mound this time has even taken up the Savior's mentality, a timeloop mentality, saying "It'll be perfect if we just do it again," and understanding the narrative's drive and what she's "... supposed to have ever wanted."

So if we're the Princess, and the Shifting Mound is the Savior.. And the Narrator is with *us*.. then one of us has to be with the Savior.

Voice of the Smitten, in the Epilogue: Happily Ever After takes the place of the Narrator.

As you continue your way through a conversation with the Shifting Mound during this route, it's Smitten's perception and dictating of what the environment in the room is like that controls what happens. I mean, the Shifting Mound even goes to directly say, "The Voice that whispers sweet nothings in my ear. I think he made this place for us." Which is the Narrator's entire purpose. External to the chapters themselves is the roles they play in the story, and right now, Smitten is playing the Narrator. Which unfortunately makes him a controlling asshole.

As we whittle through options of dialogue and in fact, options of what to do, from the Shifting Mound's perspective, they can't be repeated. Just the same as the way the Long Quiet experiences when traversing the different routes, options that have already been taken are greyed out. This is why the food "decays", as there's no new result from eating the exact same food. Similarly, the game that the Shifting Mound suggests to stall- questions and options that intend to stall, a very Savior strategy to understand her situation better- decays through its options until she downright says that she has no more ideas.

Funnily enough, through this same sequence we as the Long Quiet experience a very.. Princess experience. Based on the way the Shifting Mound perceives what is said in Chapter 2, we wind up with a different Voice, a different Quality. In my playthrough we wound up buddied with the Opportunist and he took up the deceiving and dangerous qualities, similar to the ways that in Chapters 1 and 2 the perception of the Princess changes her personality and qualities. Trying to get up to leave the table results in us being held down by the shadow, although it's not the same hands that loom over the Shifting Mound. Infact, we're held in place, shackled even, by the wrist. We can't get up and leave until the Savior offers it to us. "That's just how it works here," informs the Shifting Mound. After all, with the Narrator not being on our end, it just seems to be that way.

When she finally offers for us to leave, after we've drained every dialogue option and extinguished every torch, the Shifting Mound is the one who insists we leave. Who puts the possibility of freedom into this world. In a truly Savior moment, she remarks, "We can't sit here forever. That part of us is over." She drives the need for us to leave. And in the process, the Echo realizes that we need to leave, too.

We climb the stairs with our queen. She leads us up them (Savior actionssss) and if you didn't know any better, you could even think that this is an image of heading up stairs. With the light at the end of the stairs and the shadows in our direction, it's not a far call. We see her back as she opens the door.

Importantly, when we reach the top of the staircase, it's her choice of whether we leave or not. Again, Savior things. And if we were the princess in the Damsel route, the narrator would've been quiet for the Savior thing right about now. Should you head outside together, caring for each other and arriving at the end of the route, we still follow what she'd like to do.

So we dance under the stars. Typically the Shifting Mound would have enveloped the vessel by now- like in the Eye of the Needle or the Damsel (original) where the happy ending is cut juuuust short.

Once again, as the Princess of the route we've seen the route in the progression that one usually does. Basement -> Stairs -> Cabin -> Outside. But as the Princess, the Long Quiet no longer decides where the route ends. If you've taken the options to be her companion at this point, you get to dance under the stars with the Shifting Mound, just as she wanted. Only when she considers the route done, when the dance is complete, does the Shifting Mound take away its vessel. Shifty waits for us to get our dance in. :)

Now if you've read all the way through this- holy shit, really???? Wow. I'm honored. But if you have then surely you've gotta be asking this question, too.

What triggered the role-swap?

My running theory is that when we make the choice and perceive the princess and world in a way where the solution is to wait forever, the roles shift then. The minute we take a dialogue option indicating that we could want to stay in the cabin forever, Smitten becomes controlling of the narrative and the Shifting Mound becomes self-determining and the Long Quiet becomes reactionary.

I think the role swap happens in Chapter 2.

...buuut I don't really have much about that! It would break my heart to hurt the Damsel like that again just to pull two or three direct quotes, so if you've got input or something to suggest pleaaaaaase let me know! Or really, just anything! I've been going insane about this for several hours.

thank you!

ps, here's a bonus doodle for making it this far. savior shifting mound and long quiet princess <3

[chenya-my-love]

Fictional Yuu

I see a lot of people basing Yuu off of characters on TV and in games. They'll have characters (usually Idia) make refrence to this fact but usually in just a throw away line. But nobody really leans into the idea of Yuu actually coming from some fictional media in Twisted Wonderland.

Like imagine some character like Cater, or maybe Vil while advertising the VDC, posting a photo with Yuu in it. Only for some random account to comment "That's an amazing cosplay, it looks so much like the character". And of course they're confused, they keep looking for who in the photo is cosplaying but nobody is there. Eventually just asking the commentor who was being cosplayed. The comment is simple.

"Right next to you. That's Yuu from (insert anime/game name here)". They don't believe it until they look up the listed media and sees the character they think Yuu is cosplaying and are shocked. They look identical to Yuu (except animated). Their name, looks, and personality are all identical to Yuu. It is Yuu.

I see two (techincally three) routes this could go. A RomCom route and an angst route.

The romcom route revolves around Yuu having a canon love interest making the boys jealous (regardless on whether they entered a relationship yet or the plot was still building it up) and trying to imulate them.

Like all the wikis say that Yuu's feelings blossomed after the love interest nursed them back to health when they were sick, so the moment Yuu gets sick the boy is just rushing to Ramshackle to take care of them. Or if Yuu caught feelings first and it was some romantic moment, the boys try to emulate that scene so Yuu will fall for them too.

But than we have the angst routes.

A scenerio where all the boys decide to watch the anime/play the game that Yuu is from. Only for Yuu to catch them, quickly learning that they're fictional.

Yuu realizing that all their memories were made up, and if their a playable character all their actions were being controlled. That all their suffering was pointless, that it was done simply to make them more interesting or to entertain a bunch of other worldly beings that Yuu didn't know existed.

Yuu having an breakdown over everything. Their life isn't even their own.

Or

While learning about Yuu's world and story, they learn Yuu dies. And not just a shock value death that could be removed from the plot without care, their death is important. Their death leads to the ending whether that be Yuu sacrificing themself for the greater good or Yuu's death motivating the protag to take down the villain.

All that matters is that Yuu dies and Yuu needs to die. The story can't progress without Yuu there.

The boys realizing that if they send Yuu back to their world, their pretty much signing Yuu's Death Certificate. And Yuu doesn't know. The boys now know that Yuu is doomed by the narrative and is destined to die in the end, but Yuu doesn't. They can't even tell Yuu cause Seven only knows how Yuu will take the news that not only are they fictional but they're also destined to die.

[leviathanxprincess]

Introducing the Gehenna Devils to Your Plushies - Pt. 1

The Gehenna Devils deciding to show up to your room for sex end up getting met with you deciding to sit down and show them all your plushies!!

I've decided to split Gehenna into two parts for my mental sake.

Notes: mildly sexual content, nothing to crazy. Gender neutral reader! This part includes: Sitri, Amy, Paimon, & Leraye!

Satan and the other Kings found here !

Sitri

Honestly, he'll hold back on sex for as long as you wanna talk for.

He listens intently, hanging on to your every word. He's taking notes in his head, jotting down names, any lore you have if you do.

Your the most important person to him after, so every word you have to say is equally important!

He adores being one of the only ones allowed to see this side of you as well.

He has such a soft, endeared smile on his face as he listens to you talk.

Even if you spend hours talking he doesn't mind! He'll let it happen.

Of course, the fact he was here for sex doesn't change, that's always in the back of his head.

And by the time you're done talking he's practically smothering you in affection anyway because of how adorable you are! So of course that leads exactly how you think it will.

And if you just happen to get flustered by said affection, well then that's even better for him! Your heart rate does increase then, after all.

Amy

He's gonna be kinda blunt about it I think. You start talking about your plushies and he's just like "Okay but I'm here to fuck."

You can give it to him right away, or you could make him wait and keep talking! It's more fun if you go that route.

Tell him he's being too impatient and he can wait a bit!! And then just go on and on and on until he can't take it anymore.

He's annoyed, but most importantly, it's kinda turning him on more.

On the other hand, he also can't deny you're cute like this.

I feel like he's the type to get cuteness aggression.

He's gonna try and start grabbing your cheeks and biting you, once again you could give in. But you could also swat him off and force him to wait longer.

If you really wanna make it worse on him through a little comment his away about how he's acting, a little degrading if you want.

Honestly with the amount of teasing you do to him and how long you make him wait, he's not retaining a single damn piece of information about those plushies.

Be careful your next steps, if you don't stay in control of the situation once you actually allow him to fuck you (which won't be hard if you're trying to dom him), he will take it back. And he's not gonna be the nicest given how frustrated he is lol.

Paimon

Oh my goodness, you're the cutest thing to him right now!!!

He's practically covering you in kisses, all giggly watching you talk!

He's bound to have a few plushies himself, he'll be sure to show them to you later.

Right now though, he's letting you do your thing. You won't succeed on telling him about every single one in one setting, but he'll listen to however many he can.

Unfortunately you won't be able to talk the more he gets worked up.

He's just thinks you're so adorable!! Eventually he's gonna snap and just start squishing and pinching your cheeks!!!

He can't control himself! He's throwing so many compliments at you and not letting go of your face and giving you kisses!!! Your head is gonna start spinning at the rate he's going.

Of course this leads back to the original reason he was here.

I wouldn't be surprised he gets cuteness aggression too lol.

So prepare for that!!! If your covered in bites after don't even be surprised.

Leraye

Hey, he has a lot of plushies too!!!

Well, they're all headless. But it's fine!!!! He cherishes them a lot still!!! Mostly because Satan was involved in the being headless part but still !!!

I think he'd be so interested in listening he'd completely forget the original reason he was here for.

I don't know how much he remembers, but he at least knows their names!!!

Honestly I think he just likes hearing you talk. Doesn't matter about what! If you're happy than he's content!!!

By the time you're done, he's just wrapping you in his arms and giving you kisses!

Like I said, he kinda forgot about sex.

It'll come back to him at some point during him kissing and cuddling you. Probably.

Definitely will if it someone starts thundering at least?

Worst comes to worst just ask him what he was here for then you're back on track! And well, maybe turn your plushies around so they won't have to witness what follows.

[korkorali]

The Misogyny of It All

So a lot of Della Duck Discourse is rehashed all the time, points are made again and again, but one thing that I almost never see people defend -and conversely, see people attack all the time- is The Line.

You know what I'm talking about. The Line from Glomtales.

"Your plans, your schemes, they only lead to bad things for your family. If you want to be a part of this family, you've gotta stop."

That one.

Now, what exactly Della was trying to get across with that line is a whole other can of worms that deserves its own post (basically she -and also the writers- horribly failed her Speech check).

What we're going over here is how that mimics a certain line from the last season, said by a parental figure to a child, that gets so much less flack. That, in fact, often gets paraded around as 'an interesting twist on a character.'

"You are not family!"

I have never seen people attack this line with the same amount of vitriol as they attack Della's, which is funny when they're the exact same line.

Actually, not even that- Scrooge's is worse.

It's more direct, it's literally yelled at Webby, it doesn't even attempt to address the issue Scrooge had (Webby blaming him for what happened to Della) and instead just straight-up attacks her as a person.

Now, to be fully honest- I like this line! I do genuinely think it's an interesting route for Scrooge to take, and is quite realistic to the grumpy old bastard. It's just funny that nobody ever comes to Webby's defense the same way they do for Louie.

Because the thing is- between Webby and Louie, one of these two has genuine, canonical issues with feeling like they're not a part of the family, like they're an outsider amongst those they love the most, like they don't belong.

And it's not Louie.

It is a consistent part of Webby's characterization that she feels like she doesn't belong. This gets touched on in all three seasons (and honestly, it could be argued that it gets worse after this moment).

Conversely, that just is not a part of Louie's canonical characterization. Even in the first episode of season 2, the one where Louie gets the closest to an 'I don't belong in this family' moment, it's less 'I don't belong here' and more 'fuck me I am terrible at adventuring'. And! It gets resolved in that episode!

(Of course, there is absolutely something to be said for how it's resolved- specifically by Scrooge encouraging him to be a scheming little bastard, which then thusly becomes the thing that threatens his family the most. Which would, logically, be a pretty big blow to his self-esteem. This isn't what I'm here to discuss right now but it is genuinely interesting.)

Louie never really shows an issue with feeling like he doesn't belong in his family. He shows a disconnect with his family at times, but in canon that never really evolves into a full-blown feeling of displacement. It does get close in Glomtales, but never quite reaches it.

So it's 'interesting' (read: not interesting) that Scrooge's fuckup here gets brushed away pretty easily. A lot of the time the line just straight-up isn't addressed, and when it is, often times it's about how "Oh he apologized to Webby offscreen, obviously."

Which.

Not he did not.

I mean, let me be clear: I don't mind it when that's the answer. It works for me to just brush it away if it's not meant to be the focus...

But Scrooge almost certainly didn't apologize for it.

As 'New Gods on the Block!' Showed us, Scrooge is downright awful at realizing when his actions have hurt people.

More likely than not, Scrooge would just assume that everything is fine and would avoid bringing it up at all costs because he'd feel awkward about it. Because he is, very importantly, not good at talking about things he doesn't want to talk about.

So why is it that Louie is always the one feeling like he doesn't belong? Why is it Della who is always a terrible parent for what she's said? Why are Webby's feelings of disconnect never really given the same gravity as Louie's? Why is Scrooge's blunder let off the hook super easily?

It just feels silly to me.

And, well.

Kinda like the fact that, since Scrooge is a guy and Webby's a girl, and Della is a woman and Louie's a boy, has something to do with it.

I'll happily give the benefit of the doubt and assume it's not deliberate, but quite frankly it is a double standard.

I think that people would be less upset with the Della Duck Discourse if Scrooge was held in a similarly critical position over what he's said and done. If it was acknowledged that Della isn't uniquely awful in what she says and does, and that a lot of the others have fucked up in extremely similar ways.

(I mean for fuck's sake, everybody goes on and on about how Della left her kids for ten years -which, for the record, wasn't what she wanted to do- but nobody ever criticizes Donald for taking the kids away from their family and never talking to them about Della- which is something he actively and deliberately chose to do)

TL;DR: The fact that Della gets intensely criticized for what she's said and done, but Donald and Scrooge are conversely celebrated as 'interesting' and 'complex' for what they've said and done, even when it brings harm to the kids, is a blatant double-standard. And if you don't think that this double-standard is bad or wrong for existing (or even that it Doesn't Actually Exist), instead of immediately claiming that it's a non-issue, maybe try to look inward and figure out why you really think that is.

[astral-herald]

arcane's depiction vs. endorsement and why it flopped

~ i think i'm finally ready to complain ~

My general opinion of season 2 is potential squandered. My recent post about Viktor's storyline as an intentional tragedy lets ya'll know that I did, for the most part, enjoy his arc (hot take, I know, and I know lots of people disagree with me, and I fully understand). If he'd gotten the screen time necessary to pull it off, it would have been legendary in my book. But the lack of screen time, even in the case of the season's eventual BBEG, speaks to my greatest issue with Arcane: no commitment.

(Critical) Discussion of Jinx, Ekko, Sevika, Vi, and Viktor below!

Arcane, as a tragedy (I've said this word too many times to count smh), asks the plot, "what is the worst thing that could possibly happen to this character?" and answers in kind. This is why we get Viktor's lost agency until the very end (and like I've said in the past, I completely understand and hold space for those who dislike this route).

If we ask this same question of the following characters, the scope of loss and despair innate to Arcane's final narrative is made very clear:

Sevika: a revolutionary forever devoted to the cause, not the individual, is nominated as an individual to represent the masses in a governmental body that has no interest in her class-conscious ideal.

Ekko: the people's hero in every sense of the word who never sees the fruits of his labor/sacrifice and who goes without the acknowledgement he deserves (more than any other Arcane character).

Vi: the ultimate victim of Piltover police brutality coerced, through grief, trauma, and loss, into working for the system that oppressed her. Even Caitlyn, for all her good intentions, seems incapable of ever understanding this.

Viktor: a genius hellbent on ending the same suffering he endured at the hands of Piltover's oppression has his agency revoked, driving him to inflict the same choicelessness he endured on Zaunite innocents.

On paper, these arcs are devastatingly sensical. And we don't always need happy endings in our stories (I'd sure like them, more often than not, of course). We can and should witness the harsh realities of class oppression if we don't experience them ourselves. The writing team painstakingly crafted and foreshadowed these worst-case scenarios throughout season 1. For example, in 1x07, Ekko being immediately shot at by Marcus at the bridge confirms our suspicions that Piltover Enforcers are a lost cause, not just full of bad apples but internally broken beyond repair. It felt that, despite all the hope, this struggle was doomed, and we were careening toward something dark - "In the pursuit of great, we failed to do good."

Had these arcs been successful, audiences would be confronted with the systemic issues we see today that implicate the physical and mental health of downtrodden individuals on account of lazy, prejudiced leadership. This actively happens. It is actively happening, sans the fantasy of it all. This is where Arcane should have shined: they depict the tragedy of these characters, but DO NOT endorse it.

But Arcane chickens out and the entire thing fails. Here are the Flop Era Spark Notes:

Maddie is the egregious bad apple stereotype that absolves all other agents of the regime. She clearly is not a stand-in for Enforcers at large because, all of a sudden, they're capable of coordinated artillery strikes that are necessary to the defense of Piltover, which the viewer must suddenly and abundantly care about. So glad she died. Also, Arcane, you cannot introduce abject warfare in the last 30 minutes of your show successfully.

Jinx's "revolutionary" plot was a red herring, and Sevika humbly vying for the spot was never delivered upon. They pay lip service to the Undercity organizing, but the scene is interrupted for larger (messier) plot concerns almost immediately. No commitment. No depiction to even refrain from endorsing.

Ekko and the Firelight Tree. Clearly this was set up as a means of showing how Piltover's mistakes were physically seeping into the only sanctuary left in Zaun. Yet this is just...never resolved? If someone has some insights into this, please let me know. No depiction. No discussion about endorsement.

What could Vi specifically gain by aligning with the Enforcers/Piltover? Human connection with Cait, sure, but why return to them in 2x06? Vi's character begged all season for development, but she kept returning to her nonsensical error of her ways (looking backwards) until the very end, and this is basically what "kills" Jinx. This is a nod to her lonesomeness post 1x03, sure, but to what end? Again, why the Enforcers?!? Oh, because now that Cait has been redeemed and Sevika is in Piltover to save the day, there are no systemic issues left to fix? Sure, Riot.

WHY DEVELOP VIKTOR'S ENTIRE HEXCORE ARC OFF SCREEN?I'M ADMITTEDLY BIASED ABOUT THIS, BUT THE AMOUNT OF DISCUSSIONS I'VE HAD WITH VIKTOR NATION ABOUT THE DEGREE TO WHICH HE WAS INFLUENCED/MANIPULATED BY THE HEXCORE (now that we know Sky was a manifestation of his humanity, not her Actual Self) IS DESPICABLE. HIS COMPROMISED AGENCY NEEDS TO BE FRONT AND CENTER AND OBVIOUS, OR ELSE IT SURE SEEMS LIKE RIOT IS ENDORSING THE LACK OF AGENCY IN VIKTOR'S STORY. I shouldn't have to make 1k word posts to explain this. I'll do it because I love him with my whole heart, but still.

I begged and pleaded for months for BBEG Viktor (I'm really proud of my predictions from October), but by introducing a villain/conflict beyond the Piltover/Zaun dichotomy, Riot severed all threads of class conflict that were so rife and exciting in season 1. The proletariat and the bourgeoise will never coalesce like they did by the end of 2x09 without systemic revolution. Sevika is just one individual. Ekko's people need him. Jinx and Viktor are gone. Vi is downtrodden, and we have SO LITTLE to show for it.

In summary, we just didn't get enough explicit explanation of any character development to make Arcane-As-Tragedy successful. They did not stick the landing. The finale leaves us all with various bad tastes in our mouth. Instead of lamenting the harsh reality of oppression, I'm confused about what Riot prioritizes and agrees with, what they aim to criticize, and what they condemn.

I'll die on the hill that revoking Viktor's agency has the potential to be one of the greatest tragic hero storylines I've ever seen, but it's a lonely hill because I'm fighting against the writing team's consistent flops. At least Balayage Viktor was so gorgeous.

shameless self plug for my earlier discussion about the innate political clashes in season 1 that were abandoned for flashy fantasy fights in season 2: