#interacting w each other

[fellhellion]

miguel calling is a WIN for miguel is running admin truthers and miguel and hobie don't get along because idealogical differences truthers

rip to the far more amicable miguel miles introduction tho. i do enjoy the more subtle tension compared to like. bin launch.

[welcometoteyvat]

rarepairs :3

[kkbardd]

Reverse Nerd!AU in which Asuka is a fictional character and Rei is a diehard weeb who makes her their entire personality

[myriad-lights]

Shoutout to Gale, Wyll, and Karlach for being enthusiastic sweeties right from the start. I love all the companions, but it's so heartwarming to have them immediately be happy about meeting and working with you <3 They're so wonderful, they're everything to me :)

[stravacious]

gary’s twin sister, nadine!!

i’m a sucker for the bonnie & neddy episode :’)

[rottingraisins]

Diversity win! These emotionally distant fathers are bi and ace respectively!

diversity win! worlds 2 worst guys are in love w/ each other

[carnivalcarriondiscarded]

(loosely) that scene from potc... its so Them i think...

[candycryptids]

Do me a huuuge favor and reblog/like/whatever this post if you’re cool with random character questions to your inbox

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[starryaike]

I think they'd be friends

[linoyes]

[day 1 of having a crush on lee know...]

[yuri-alexseygaybitch]

I watched Mystery Men (the 1999 superhero comedy movie starring Ben Stiller) tonight because of the All Star MV and Steve Harwell's passing and it's embarrassing how much this forgotten low budget 90s Schumacher Batman parody where Pee Wee Herman plays a guy with weaponized farts blows every capeshit movie made in the last ten years out of the water in terms of production design, costuming, practical effects, color grading, cinematography, characterization, humor, and generally not sucking ass

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[hermitcraftx]

The problem with a lot of traffic life interpretations in my opinion is they don't understand character foils or don't employ them in their writing. Grian-Martyn and Scar-Ren are genuinely pretty good character foils for a series that is not really scripted or planned out like a book is. I could go on and on about how they parallel each other and the similarities between them. Even the smaller details between the four usually match up

leaving the rant in the tags so I don't have a huge block of text again ueueue

[squirrelno2]

All right so I haven't been active in the Julie and the Phantoms fandom in a long time, and although I know there are definitely still people creating and reblogging in the fandom it tends to be a much smaller handful of people than it used to, which for me felt disheartening and was part of why I've backed off from it. I'd love to see new stuff more regularly and start recirculating older things just to remind myself and anyone else who needs it how much I love this silly little show.

All this to say, I am putting out feelers to see if anyone is interested in a blog that runs consistent, casual event-type things for the fandom to try and revitalize interest in jatp fanworks, like featured weeks for individual characters here, fic rec events, etc. I'm toying with ideas to inspire people to pick up their wips, spark new stories, and highlight older content that didn’t get much attention or would just be nice to see again. I’d like to create a community space to liven the fandom back up for people who miss the show or got into the fandom after the hype died down. Does that seem interesting to anyone?

[mayabishopgold]

Can you just stand next to me? This helps. I think this is what I need right now. Maya & Vic | Station 19 - 1x07