#intent data providers
Explore tagged Tumblr posts
Text
#Intent based marketing#intent based targeting#b2b intent data#b2c intent data#intent data providers#Buyer intent data#Purchase Intent Data#Demand generation data#Behavioral data#Market intelligence data#Third party intent data#contextual and third party intent data#contextual intent data
0 notes
Text
Unleashing the Power of Intent Data Providers: A Comprehensive Guide
In today's hyper-competitive business landscape, understanding customer intent is key to driving successful marketing and sales strategies. Intent data providers play a pivotal role in deciphering the digital footprints of consumers, helping businesses identify and target prospects with high purchase intent. In this article, we delve into the world of intent data providers, their importance, and how they can revolutionize your marketing efforts.
Understanding Intent Data Providers:
Intent data providers are companies that collect and analyze vast amounts of online user data to determine the intent and interests of potential customers. They utilize advanced technologies such as artificial intelligence and machine learning to process data from multiple sources, including search engines, social media platforms, and website behavior. By monitoring online activities, intent data providers offer valuable insights into customer preferences, buying signals, and the likelihood of conversion. Armed with this information, businesses can tailor their marketing strategies, create personalized campaigns, and optimize their sales funnel to target individuals who are most likely to engage and convert.
The Benefits of Intent Data Providers:
Employing intent data providers can yield several significant benefits for businesses. Firstly, these providers enable precise audience segmentation by identifying prospects actively searching for relevant products or services. By narrowing down the target audience, marketing teams can craft highly targeted and personalized campaigns, leading to increased engagement and conversions. Secondly, intent data providers help businesses prioritize their sales efforts by focusing on leads with the highest intent to purchase. This optimization reduces time and resources wasted on unqualified leads, improving overall efficiency and revenue generation.
Leveraging Intent Data for Marketing:
Intent data providers offer valuable insights that can transform marketing strategies. By understanding the intent of potential customers, businesses can create compelling and relevant content that resonates with their target audience. This helps increase brand visibility, engagement, and trust. Intent data can also be utilized to identify content gaps and develop content strategies that address customer needs at each stage of the buying journey. Moreover, businesses can leverage intent data to optimize their ad targeting, retargeting, and email marketing efforts, ensuring that the right message reaches the right people at the right time.
Choosing the Right Intent Data Provider:
When selecting an intent data provider, it is crucial to consider a few key factors. Look for providers with a wide range of data sources to ensure comprehensive coverage. Evaluate their data collection methodologies, ensuring compliance with privacy regulations and ethical data practices. Consider the provider's data quality, accuracy, and ability to deliver real-time insights. Additionally, assess the provider's integration capabilities with your existing marketing and sales systems. Lastly, seek out providers that offer robust analytics and reporting tools, enabling you to measure the effectiveness of your campaigns and make data-driven decisions.
Intent data providers have emerged as indispensable allies in today's data-driven marketing landscape. By leveraging their insights, businesses can gain a competitive edge, enhance customer targeting, and maximize conversion rates. When selecting an intent data provider, carefully evaluate their capabilities, data quality, and integration options to make an informed decision that aligns with your business objectives. Unlock the power of intent data providers and watch your marketing efforts reach new heights.
0 notes
Text
buy mailing list
Making use of intent data providers and B2B contact databases may be something you're thinking about if you want to strengthen your B2B marketing strategy. These tools can assist you in more effectively focusing your marketing efforts by revealing information on the preferences and actions of potential clients. Providers of intent data monitor online activities including search searches, website visits, and content consumption to find businesses that could be interested in your goods or services. You may use this information to better align your outreach and messaging with the wants and needs of these potential clients. On the other hand, B2B contact databases give you access to the contact details of possible clients in your target market. Email addresses, phone numbers, and other pertinent information can be included in this. By using these, you can get in touch with these people and begin to develop relationships. Intent data providers and B2B contact databases can both be useful resources for your B2B marketing initiatives. However, it's crucial to pick dependable sources that can give you with accurate and current information. In summary, by offering insights into potential customers' interests and behaviours as well as contact information for pertinent contacts, intent data providers and B2B contact databases can help you better your B2B marketing efforts. However, it's crucial to pick dependable suppliers and make use of these instruments in accordance with all relevant rules and regulations.
intent data providers
0 notes
Text
Are you eager to enhance your personality and tap into your untapped potential? Look no further! At Evolve Global Corp, we're dedicated to supporting your journey of self-improvement and personal growth. In this blog post, we'll share valuable insights, tips, and effective strategies for personality development, enabling you to unlock the best version of yourself. Let's dive in and discover the path to personal growth and fulfillment.
#b2b intent data solution in USA#best ABM and BPO solution in USA#technographic data providers#technology lead generation companies#b2b lead generation companies
0 notes
Text
I'm seeing some frustration over fandom creatives expressing anger or distress over people feeding their work into ChatGPT. I'm not responding to OP directly because I don't want to derail their post (their intent was to provide perspective on how these models actually work, and reduce undue panic, which is all coming from a good place!), but reassurances that the addition of our work will have a negligible impact on the model (which is true at this point) does kind of miss the point? Speaking for myself, my distress is less about the practical ramifications of feeding my fic into ChatGPT, and more about the principle of someone taking my work and deliberately adding it to the dataset.
Like, I fully realize that my work is a drop in the bucket of ChatGPT's several-billion-token training set! It will not make a demonstrable practical difference in the output of the model! That doesn't change the fact that I do not want my work to be part of the set of data that the ChatGPT devs use for training.
According to their FAQ, ChatGPT can and will use user input to train itself. The terms and conditions explicitly state that they save your chats to help train and improve their models. (You can opt-out, but sharing is the default.) So if you're feeding a fic into ChatGPT, unless you've explicitly opted out, you are handing it to the ChatGPT team and giving them permission to use it for training, whether or not that was your intent.
Now, will one fic make a demonstrable difference in the output of the model? No! But as the person who spent a year and a handful of months laboring over my fic, it makes a difference to me whether my fic, specifically, is being used in the dataset. If authors are allowed to have a problem with the ChatGPT devs for scraping millions of fics without permission, they're also allowed to have a problem with folks handing their individual fics over via the chat interface.
I do want to add that if you've done this to a fic, please don't take this as me being upset with you personally! Folks are still learning new information and puzzling out what "good" vs. "bad" use is, from an ethical standpoint. (Heck, my own perspective on this is deeply based on my own subjective feelings!) And we certainly shouldn't act like one person feeding a fic into ChatGPT has the same practical negative impact, on a broad societal scale, as a team using a web crawler to scrape five billion pieces of artwork for Stable Diffusion.
The point is that fundamentally, an ethical dataset should be obtained with the consent of those providing the data. Just because it's normalized for our data to be scraped without consent doesn't make it ethical, and this is why ChatGPT gives users the option to not share data— there is actually a standardized way (robots.txt) for website servers to set policies for how bots/crawlers can interact with them, for exactly this reason— and I think fandom artists and authors are well within their rights to express a desire for opting out to be the socially-respected default within the fandom community.
#maybe this is an ice cold take but i've been meaning to go off about datasets for a while so here we are i guess#i can respect what op's frustrations were and what they were trying to get at! but also i do not want my fic in chatgpt's dataset#regardless of whether it will make a practical difference#and again i don't think the people doing this are necessarily bad actors or having a huge negative social impact#chatgpt#chat gpt#ai#fandom#negative#(possibly! i'm trying not to be!! especially because this is very feelings-based and there are many things i am not considering)#the model may not demonstrably change because of your fic. but it does have your fic now and that does matter maybe idk
2K notes
·
View notes
Text
A growing body of research shows that authoritarian regimes can be responsive to ordinary citizens, but why is this the case?
Why do those in power expend any effort in dealing with citizens’ everyday complaints and demands when they face no pressure from electoral [editor's note: ruling party] competition?[...]
We tested whether responsiveness among local officials comes from bottom-up citizen engagement, from top-down oversight of government superiors, or from preferential treatment toward loyal supporters.
In our experiment, we made four types of requests asking for assistance in obtaining social welfare benefits on local government web forums and examined how differences in these requests affected government responses.
1: The baseline – a request to simply describe economic hardship.
2: Collective action request – an intention to take some undefined action with other people who face similar hardship if the government cannot help.
3: Tattling to superiors request – an intention to complain to upper levels of government if the government cannot help.
4: Party loyalist request – identification as a loyal, long-standing Party member.[...]
we find that the collective action requests and tattling to superiors requests generate higher levels of responsiveness from Chinese local governments than the simple description of economic hardship; however, the identification as a Party loyalist, does not increase responsiveness substantially. With the baseline request, we received responses from approximately one third of counties. To put this number in context, one third is higher than responsiveness of U.S. state legislators to constituents (~20%) but lower than the responsiveness among members the U.S. congress (~40%) on certain [sic] issues. Adding the intention of collective action and tattling to superiors both increase response rates by 8-10 percentage points.
The second finding is that the collective action requests, compared with other types of requests, made the local government respond in a more public manner.[...]
Third, we also find that local officials are more likely to provide pertinent and concrete information to citizens when receiving the collective action requests.[...]
these results show that top-down mechanisms of oversight as well as some forms of bottom-up pressure exerted by citizens can increase government responsiveness in this particular authoritarian context. Regardless of whether responsiveness derives from top-down mechanisms or bottom up pressures, citizen engagement seems to be consequential.
seems like an awful lot of words to explain this when "the Chinese Government is democratic" is just 5
476 notes
·
View notes
Text
A behind-the-scenes look...
Music credit:
Lord of the Land by Kevin MacLeod (incompetech.com) Licensed under Creative Commons Attribution 4.0 license: https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1400022
Video description and audio transcript continue under the cut:
[Description: A get ready with me video narrated by a library employee, comprised of several short scenes.
Narration: Get ready with me to open a local library. My day typically starts at 8:30 and first I turn on the lights. Simple, but essential in banishing the dark spirits from the stacks.
The narrator walks into the library and turns on the lights. Several shadowy figures disappear behind the shelves as the lights come up.
Narration: Next I head down to book up the computers. Libraries require a lot of data, so we always hack into a few government databases to provide top-tier reference work.
He logs into his computer and begins typing furiously, then turns to the camera with his hand on his chin and an intent look on his face.
Narration: After that, I tend to our Guardian Tree that protects the library from evil spirits like censorship and sentence fragments.
A shot of a tree in a large planter in the middle of the library.
Narration: It's been really into cozy mysteries lately, so we do our best to provide. Thank you, Tree Spirit!
The librarian lays out three cozy mysteries on the planter's rim, then bows to the tree with his hands pressed together.
Narration: Today's a bit special, since it's the monthly taming of the library bookworm. So I grab my Library of Congress blessed sword and my favorite cardigan - plus two to my AC - and head down to the dungeon.
The librarian reaches down to grab a sword and cardigan from under his desk. He shrugs on the cardigan then takes the sword into an elevator and walks through a basement hall lined with book boxes.
Narration: Down in the dungeon we've got lots of damaged items and overstocked James Patterson books to keep the worm sated. But sometimes extra care is needed. A well scourged dragon is the key to any good collection development policy. Thanks for hanging out. Tell us how your bookstore or library gets ready. Bye!
He pulls out the sword and prepares to leap into battle in a darkened room with a flowery, cheerful sign on the door reading Sorting Room. The video ends mid leap. /description]
#get ready with me#grwm#library life#public libraries#librarians#libraries#captioned video#described video#video#tumblarians#tumblrarians#fantasy#LCPL recs
233 notes
·
View notes
Text
How to write good dialogue
Almost every story needs dialogue - obvious right? Well, this post is about the not-so-obvious sides of conversations. I've struggled a LOT with snappy and realistic speech, so I've made it my mission to collect some handy directives. Here is what I found:
Contents
Information Dumps
Setup And Payoff
Characterization Through Dialogue
Three Simple Questions
Four-Sides Model
Depth
About Answers
Sources And Credits
⮮ Let's go! (^▽^) ⮯
Information Dumps
Everybody knows them, everybody hates reading them. But how do we avoid them? Something really clicked for me when I understood context. If your character talks about something that happened in the past, they don't need to explain what happened. They were there. Here's an example:
"It would be nice if we at least got a B for that paper. Since I will go to college next year, I feel that this is important to me."
The speaker and the listener should be aware of the exposition (regarding their last year at high school). During dialogue, these conditions go without saying.
Setup And Payoff
Instead of dumping everything at once, let the reader guess what's happening. This is done by mentioning something that is not answered right away. Also dropping hints can increase tension.
Scene 1 "Why do you always carry that with you?" she asked and pointed at the box cutter. Her friend eyed her with suspicion. "For cutting." "Yeah, but why?" "Might come in handy sometime." Scene 2 An ice cold shiver ran down her spine as her fingers felt around the bag, searching for the familiar shape. There was nothing. The other tossed the thing onto the floor between them. "Care to elaborate?" She couldn't have known. "How could you!"
Someone definitely has a secret here that they don't want uncovered. It makes the reader speculate: Does she carry the knife to defend herself or does she plan on hurting someone with it?
Characterization Through Dialogue
The general rule of thumb is: Show not tell. If a character is shy, self-absorbed or chaotic, make them act like it. Also, readers take part in the characterization of your protagonists. Make them guess why a character acts a certain way.
"C- can I have your pen?" She twirled her thumbs and looked at the ground. "What the hell, no!" Disgusted, he brushed off his hands on the front of his jeans. "I'mma better disinfect that."
Notice how the girl is stuttering and the boy has a loose tongue. Mannerisms help identifying traits in a character. Everyone has a distinct way to speak (e.g. relaxed, polite, malignly) which makes it easier to tell them apart. Sometimes there is a difference between speech and behavior. This can be quite useful to highlight conflict inside a character.
Three Simple Questions
Who wants what from who?
Why now?
What happens if they don't get it?
These questions ensure plot consistency. For question 3 the only other outcome is conflict. Conversations thrive off of conflict and it is of benefit to have a supplicant and potential provider for a solution. It's basically intention versus obstacle.
1. She wants to be his wife. He doesn't want a marriage. 2. She is pregnant. 3. She needs to provide for a baby all on her own.
Tadaa, a conflict ensues.
Four-Sides Model
The four-sides model is a theory on communication. It assumes that a message has four distinct ways of being conveyed:
Facts -> data, facts, truth and relevance
Self-Disclosure -> explicit and implicit information about the own mindset; likes, dislikes, opinions
Relationship -> information about whether the person is liked or detested; approval and disapproval; "I assume you have [this] opinion of me"; body language
Want -> a direct attempt to influence the behavior of another person; advice, desire or instruction
Since this is highly technical stuff, I'll provide you with an example:
Customer: "I always drink my coffee black." 1. Fact: The coffee I drink is black. 2. Self-Disclosure: I like black coffee. 3. Relationship (POV of the waiter): Did I do something wrong? OR It's their fault! They ordered the wrong thing! 4. Want: Bring me black coffee.
Controlling the message through sender and receiver gives a new level of influence to an author. The relationship-level is the bottleneck in a conversation that holds the most potential for misunderstandings. I'm trying to be aware of it when I write subtext (see below).
Depth
On the nose dialogue is what we want to avoid at all costs. For this reason subtext is created in stories. Read this:
Scene 1 A: "I like you." B: "Nah, I don't like you back. You're so annoying." A: "Ouch, that hurts. I'm not sure if I heard that right." B: "We were never friends. Go away."
This is not how conversations work. Thankfully, dialogue like this is not entirely useless. It conveys what the characters really want to say. The challenge is to think of a way to not say the thing but keep a similar meaning.
The true meaning behind the dialogue is called subtext (scene 1). If I don't know how to continue after a certain line, I write down the subtext first before I decide on how to paraphrase it.
Finally, I add a fitting description of expression and body language if needed. I try to keep it short and simple.
Check this out:
Scene 2 She tucked her hair behind her ear. "I need a ride home later. Are you free?" -> I like you. "Sorry, all seats' re taken," he said without looking at her. -> Nah, I don't like you back. You're so annoying. "Uhm, okay. But I'm small. You could fit me in the footwell, honestly." -> Ouch, that hurts. I'm not sure if I heard that right. He leaned forward as if he had the urge to stand. "Ha, funny. But no, I'm not planning on doing something illegal tonight." -> We were never friends. Go away.
A character's action depends on their own intention and the other's response. I feel it is easier to keep track of what's happening behind the curtains when it's written alongside the dialogue.
Simultaneously, you can keep habits and traits in check. Does the the character apply all criticism to themselves? Are they disregarding or constantly marginalizing others? Do they worry only for themselves or solely for others? Subtext truly is the most powerful tool in conversation-writing.
About Answers
Did you know that you don't have to answer every single question? In fact, there are two other ways to show an emotion without telling it.
The first one is called sidestepping. The character ignores the posed question and carries on with an entirely different topic.
A: "Do you still love me?" B: "We should get going."
It's very obvious, right? By sidestepping the question, we can assume that the character is uncomfortable or angry with the other person.
The other way to answer is actually a bit paradoxical. Through silence, a great variety of emotions can be displayed. It is recommended to refrain from actually describing silence with words like "he remained silent", "he refused to say anything", "he never responded".
- The laptop hummed. - The birds chirped in the trees. - She felt her legs going numb from sitting in an uncomfortable position. - His eyes wandered around, searching the parking lot for a familiar face.
It feels more natural to explain the things that grab our attention when we sit in silence.
This is it, folks. That's all I could find on the topic - for now. If there's anything missing, I'd love to hear it.
‧͙⁺˚*・༓☾ Anyway, thanks for reading, I hope this helped ☽༓・*˚⁺‧͙
My sources are this and this video as well as this article.
Also a big thank you to @zoropookie for helping me with the colors ⸜(。˃ ᵕ ˂ )⸝♡
206 notes
·
View notes
Text
Maui Fires & How to Support Relief Efforts
(Posted on 8/10/23) Hi, I'm Jae and my family is from Lāhainā. I watched my hometown burn down this week. The fires caused immeasurable loss in my community so I'd like to spread awareness of the situation as well as provide links to support local organizations directly assisting survivors. I'm pretty sure most of my following is Not local so I'm writing with intent to inform people outside the situation, but if you're reading this and happen to have family in the affected area that isn't accounted for, message me and I can send you the links to the missing persons tracking docs + more localized info!! If you'd like to skip down to how to help and follow community organizations, scroll to the bottom of the post after the image.
Earlier this week, Hurricane Dora passed south of the Hawaiian Islands, bringing strong wind gusts that caused property damage across the islands. On Tuesday August 8, high winds caused sparks to fly in the middle of Lāhainā town, knocking out power lines and immediately igniting drought-ridden grasses. The fire spread quickly and destroyed the entire center of town, the harbor, and multiple neighborhoods including Hawaiian Homes (housing specifically for Native Hawaiians), parts of Lahainaluna, basically all of Front Street, and low-income housing units. There is only one public road in and out of town, and after a very hectic evacuation period that road has been mostly closed off except to emergency responders, thus it is extremely difficult for anyone to leave town to get help. The nearest hospital is 20 miles away in Wailuku, and most grocery stores in town have burnt down.
As of Thursday, August 10, over 1,000 acres have been burned and 271 structures (including homes, schools, and other community gathering places) have been destroyed. Cell service is still extremely spotty, many of the surrounding neighborhoods deemed safe for evacuees are still without utilities. There are currently confirmed 53 deaths but that number is expected to increase as search-and-rescue efforts continue. Countless families have been displaced and many have lost the homes they lived in for generations. Places of deep historical significance have been reduced to ash, including the gravesites of Hawaiian royalty, the old Lāhainā courthouse where items of cultural significance were stored, and Na ‘Aikane o Maui Cultural Center. To add further context: Lāhainā has a population of about 13,000 residents. EVERYONE I know has been impacted in some way--at best forced to evacuate, at worst their house was burnt to the foundation, they cannot find a loved one, etc. I'm still trying to track down family members and it's been over two days. My neighbors down the street had homes last week and now many don't have ANYTHING. The hotels are taking in residents (tourists are also being STRONGLY urged to leave so that locals can recover). Without open access to the rest of the island, Lāhainā residents are now dependent on whatever people had in their homes already as well as disaster relief efforts coming in, but it's been difficult to organize and mobilize due to the location + conditions. People who have made it out are in shelters where no blankets or medicine were provided. Friends and acquaintances from neighbor islands are preparing aid to send over. Community response has been incredible, but the toll on the town has been immeasurable. My parents were desperately walking through town yesterday, my mom sounded absolutely hollow talking about it on the phone with me. It's horrifying. Below is a satellite map with data from the NASA Fire Information for Resource Management System showing the impacted areas from the past week; all of the red blotches were on fire at some point in the last three days.
Here are ways you can help:
If you have the means to donate:
Here are three donation sites verified by Maui Rapid Response, which also lists FAQs for people who are wondering about next steps.
Hawaiʻi Community Foundation - Maui Strong Fund accepts international credit cards. Maui United Way
Maui Mutual Aid Non-monetary ways to support:
If you know anyone who is planning to travel to ANY Hawaiian island, not just Maui, tell them to cancel their trip. Resources are extremely limited as is. Advocate for climate change mitigation efforts locally, wherever that is for you. The fire was exacerbated by drought conditions that have worsened due to climate change.
Lastly, remember that these are people's HOMES that burned, and Native Hawaiian cultural artifacts that have been lost. Stop thinking of Hawaiʻi (or any "tourist destination" location, really) as an "escape" or a "paradise." If that's the only way you recognized my home... I'm glad I got your attention somehow, but I would ask that you challenge that perspective and prioritize local and native voices. For transparency, I don't currently live in Lāhainā, I've been following efforts from Honolulu. My parents and brother have been updating me and I've been following friends and family who are doing immediate response work. I'm doing my best to find reliable and current sources, but if I need to update something, please let me know. If you're going to try to convince me that tourism is necessary for our recovery, news flash ***IT'S NOT***!
Thanks for reading.
#please feel free to reblog! i don't know how tagging works here anymore!#maui fires#officially reported death count increased WHILE I WAS WRITING THE POST btw. this is bonkers.#if you want to start tourism discourse in my inbox you have to donate the cost of a plane ticket and send a screenshot to me#i have sources at the ready btw. i'd say don't try me but i mean my hometown could use a couple hundred bucks!!
982 notes
·
View notes
Text
Nerd-to-nerd communication
Something super pointless and self-indulgent I've had on the backburner for a while. I love trying to make the pieces they gave us fit together!
Al-AN and Robin would absolutely bond over learning about each other's biology. I could talk about this forever but I'll get into all of the headcanons I have for these two in another post eventually
Below the cut is another version with some extra bits and pieces and the transcription
Transcript :
Architect Anatomy A. Architect "Brain" - Doesn't "store" information so much as allow for easy communication with the network B. Brainstem - connects the information received to the central nervous/circulatory system C. "Heart" - Circulatory system pumps the bioluminescent fluid to other organ systems and surface veins. Each node connects to a vast vasculature network D. "Kidneys" - Organs that filter the bioluminescent "blood" and other bodily fluids, absorbing and distributing collected material E. Nerve Center - Receives raw sensory data and filters it. Filtering can be unconscious or intentional
F. "Respiratory" Tract - Intakes gases or liquids and filters out material for use. Disposes of waste on exhale. Provides cooling to internal systems
The respiratory tract functions less like a set of lungs and more akin to a computer's cooling system, with the ability to absorb material from the environment to use in other parts of the body. It also would likely help the architect's body analyze the environment it is currently exposed to on a molecular level. It is also truly unidirectional, with the intake vents near the "collarbone" and the exhaust vents on both sides of the abdomen
The architect organ cache in-game felt like it was definitely not a complete model of the internal organs, so I wanted to come up with something to fill some more space. I also just really liked the idea of Al-An being capable of something similar to breathing, without having a respiratory system in the traditional sense. Feel free to use any of this in your own headcanons if you would like :)
BONUS - a gif of all the layers!
#EDIT - UPDATE IN THE REBLOGS#The skeletal structure of the architects cause me so much anguish#Ily al-an but your HIPS don't have JOINTS#This was so fun#I mention this in the keep reading but feel free to use this anatomy speculation stuff in your own work!#I want to get into more of my headcanons for how his body works but I might do that through writing. Ill link my ao3 if I do lol#subnautica below zero#subnautica#sbz#al an subnautica#al an#robin ayou#subnautica below 0#al-an#spec bio#<< technically I guess#Do you think he sounds like an overheating pc when he's embarrassed#SMALL EDIT : HELLO?? I didnt realise Aci had made a video analyzing al-an's body and AUGH I WISH I HAD SEEN IT!!#He brings up some really good points and ideas abt his physiologyyyyy
641 notes
·
View notes
Text
Sheer Irony
(Part 2)(Part 3)(Part 4)
—
Time written- 5:58 p.m
Titans!Jason Todd/fem!reader angst/fluff (TW: Suicide Mention/Attempt)
—
A faint breeze blows along your cheeks as you open the door, eyes glazing over a broad horizon full of dreary skies and rooftops. You find who you’re looking for standing ontop of a metallic platform framing along the edge of the building, his downturned head peering down at the dense, vacant streets below.
A long, harsh, catastrophic drop with just the wrong step.
Confusion rattled your mind when you wondered exactly what the hell was going on, never seeing such a trifling event happen in the common area. Millions of questions followed once you heard the screaming.
A million more followed suit when you walked in on the hostile environment, the air thick with static tension.
“You people are insane!” He had cried out by the second you entered the room, surprised to find a short crowd of people against him. Friends, colleagues, all glaring at him with accusations you didn’t fully hear.
“I’d rather be with Deathstroke than you assholes,” Jason states with an emotional quiver in his tone, growing more detectable towards the end of his words. “You think everything’s my fault.”
“Jason?” You call out to him, seeing his head lightly peek over his shoulder. Whether he heard you or not, he knew you arrived once the door was slammed shut behind you due to the wind.
“What do you want?” He asks with understandable bitterness wrapped up in a solemn tone, as if you were a stranger he could’ve cared less about.
Technically, you and Jason were colleagues for a long time, but never really reached the category of friends.
He was an obnoxious, painfully reckless Robin, but he was good. You were good, training yourself to set your differences aside to put the tasks at hand. You provided data, not violence.
The task now was to set those barriers of yours down with intentions to knock on his.
“To talk.” You reply, not wanting to approach further than you had to, but a huge part of you wanted to go further.
“Look. I don’t wanna hear any more bullshit—“
“Not about that,” you insist. “Just to talk, that’s all.”
To talk, to buy time. Anything.
Waves of guilt coursed through your veins for him, for his safety. The strong winds could easily sweep him off his feet if he allowed it, the tension in his braced legs preventing him from slipping off the ledge he stood on for now.
“You shouldn’t be here,” Jason states, his lungs burning with reach trembling breath he took. “The others think you’re crazy following me out here.”
“I don’t care what they think,” was your response, rooftop gravel crunching underneath your shoe as you took a slow step forward. “I don’t want you to be alone out here. That’s what matters.”
“Why?” He questions, refusing to turn around and face you with full disbelief on his face. “You hate me. You can’t stand me every time I’m around. No one can.”
“That’s not true,” you shake your head, slowly getting yourself to take another step forward. About four feet of distance remained between you and Jason, your mind cluttered with ideas on how to get him
“Jason, I don’t hate you.”
“You don’t need to lie to me,” Jason mutters, not believing you for a good second. You understood that he wouldn’t trust anyone after what you witnessed. You didn’t want to be on that side.
The steel frames were tall enough for you to hop up yourself, but the height was unnerving.
He remained quiet, pondering his rancid emotions running nonstop in his head. He felt himself nothing but poison; black pitch that stuck to everyone who so much as touched him, costing their skin like a cancer until it killed them.
That’s what was happening now, wasn’t it? Everyone was hating him, blaming him for things he didn’t understand. Now, here you were, coming up to add onto the pile. He assumed that on the spot. Why else were you here?
Bracing your hands along the beam, you push yourself up on it, fighting back your fear of heights to put yourself into this vulnerable position. Thinking slowly, you ponder over what else you could do, thinking over in your mind.
“Wanna sit?” You say, hoping he’d take the hand that offered such an innocent suggestion. “Talking is easier to do when sitting.”
To show this, you move into a sitting position beside him, feeling a little less tense on your concerns for falling. Jason doesn’t take the bait at first, only wondering as to why you were still even trying with him.
“You don’t need to be here,” he reverberates, but you weren’t going to have it.
“Neither do you,” you glanced up at him, seeing his attention fully focused on you, sitting beside him as of the ledge was just an every day public park bench.
Reluctantly, he shifts his position, leaving you to thank the Gods. With Jason sitting, you had much better control and opportunity to catch him, with the roof behind you to break both your fall.
“Do you want the truth?” You hesitantly ask, wondering if that’s what he needed. Someone who didn’t follow the others, who didn’t view him as a scapegoat to their problems, just because the unintentional category he fell into without realizing.
Just a glance of his bruised face in your direction after staring ahead for so long gave you the sign, smoothing your sweaty palms over thighs.
“You can be… obnoxious sometimes,” you proceed, slowly making the decision to proceed. “But not dark, or annoying, or… Look. I don’t get why they accused you on the spot. I really don’t.”
Silence continued to rattle his physique. His shifting head slowly peering downwards after hearing your words. His heartbeat began drumming in his head, his lungs burning with an irritated sting, his throat going dry.
“I might not like how you are, Jason,” you blatantly confess, “But I tolerate you enough to understand that you didn’t deserve this.”
There it was. Catching him off guard by cold facts, only to soothe the blow with truth. Your truth, the truth that should matter.
Not everyone was against him.
A part of him appreciates it, but at the same time, he grew irritated at your persistence to tell him what he already knew. It only made his feelings for you that much harder to understand.
He was supposed to not like you.
You were smart, yes. You popped one liners when you helped relay information to the Titans, read books and kept journals by yourself during your free time, and listened to music when you were in desperate need of relief after plenty of audible overstimulation.
The way you had your hair styled on different days, your persistence of spraying perfume on yourself before going to bed.
You weren’t loud, you weren’t overtly quiet. You respected business and boundaries, despite your job to hack and defy the purpose of them behind a computer screen.
He hated how unique yet simple you were. No one would suspect you of your talents, balancing your double life with little to mo effort.
“You don’t deserve this, Jason,” you say in order to remind him, watching his calloused fingers slowly flexing in his lap, signifying his various difficult emotions. You’d say it as many times as you needed to, to ram it into his every day thoughts.
“I don’t hate you,” you shake your head, peering at his battered, slowly healing face. “And… maybe I don’t entirely hate just how annoying you are. Sometimes, it makes things fun on a boring night.”
The corner of his busted lip rose in a faint, subtle smile. That made an interesting amount of sense. Maybe he was the type to irritate you on purpose, especially during his much earlier days.
His much earlier, flirtier Robin days.
“How annoying?”
Maybe, just maybe, being his friend didn’t sound like such a bad idea.
“Horribly,” you instantly reply as it became your turn to smile. “I mean it. Every day I wake up and dread what stupid thing you’d say next. What could you possibly say today for me to cringe at.”
If the both of you weren’t sitting on the edge of a building, Jason would have half a heart to nudge you with his shoulder. But, he knew your fear of heights.
“You think of me?”
“It’s hard not to, Jay.”
—
“Did I miss a party?” You announce as you enter the dark, gloomy hallway, coming to an abrupt halt at the sight of two tall men talking to one another. A pile of unconscious bodies explaining their rigorous treatments just moments before you arrived.
“You missed the fun,” Jason chides, an amused smirk quickly growing on his face. The first full bodied smile Tim had seen on Jason since they met.
“A little earlier, you coulda joined in on your kickass computer skills.”
“Oh, ha ha,” you say, catching sight of Jason’s said laptop abandoned on the ground, bits of broken glass hinting at an unsalvageable screen. “Looks like someone beat me to it already.”
“It’s you.” Tim’s voice makes your head raise, giving the man a smile as you take in his Robin uniform.
“It’s me,” you reply, feeling a nostalgic flutter in your chest upon seeing that uniform worn by someone new. “I see Dick passed on the torch. How’s it feel?”
“He’s learning fast,” Jason gestures with a raised finger before pointing towards the bodies. “Very fast.”
“I see that.”
Ever since you had made the choice to step back from your position with the Titans a while back, life had gotten more chaotic in very unexpected ways.
You changed; in heart, in mind, in maturity.
You’ve grieved your best friend’s death, silently took pleasure in violent justice in the deaths of those who’ve betrayed and harmed your colleagues. You grieved once more when masks were unveiled, and even aided the wrong crowds for a while.
At your age, you’ve seen it all, you’ve learned from other peoples mistakes, as well as your own. You hated it, but accepted the lessons learned. As off as that sounds, that’s the best way you could describe it.
You kept in touch with Dick when he needed the help from the ‘attractive computer geek,’ so you were at least aware of what was going on. Hearing it all from Tim’s perspective brought back the times when you used to work alongside a particular ex-Robin, who remained standing close to your side during all topics of discussion.
“I got to meet the great Red Hood,” you watched with a smile a few steps up on the staircase as Tim prods Jason’s chest in a friendly manner, causing a flare in his ego as he chuckles in response.
“Don’t forget her,” Jason gestures his head up towards you, Tim’s eyes catching the faint flush in your cheeks.
“Poor girl’s kept us from running around with our heads cut off for years.”
“Always gotta respect the tech workers,” Tim agrees with a nod, making you scoff in amusement. “At least you didn’t call me ‘customer support’. That’s Grayson’s favorite.”
You said you were leaving when Tim was considerate to offer you a ride, but you brush off that you had your own, intending to head out for a date in two hours.
But, you weren’t.
The Titans, old or new, didn’t need to know all your secrets, regardless if cracking them was your specialty.
“You gave him your bike?” You ask once he gets off the phone with said old bird, approaching him as he gazed up at a clear board with various equations scrawled on the surface.
“Just sits there getting dust in the corner. I trust him to take care of it.” Jason sips at his dark drink once more before trailing off to the side, setting the bottle down.
“Still on for tomorrow night?” Jason asks, watching smile form on your face. The date. It was kinda true.
“Of course. Just came by to get my lipgloss.” You smirk, raising up your cherry flavored lip product you had to fetch from under his bed where it had rolled. “Forgot it here last night, remember?”
“How could I ever.” Jason replies with a lowered rumble, recalling all the memories of the night prior, involving getting sticky, glittery cherry gloss along his lips, leaving remnants of it smeared on his neck after a very short, sexually tense conversation.
“Kinda thought you’d wear a scarf when you showed up,” he teases as he approached, amused at your eye roll.
“I don’t do scarves, Todd,” you state, feeling it harder to fight off a smile. Your hands ease off your hips to settle across Jason’s broad shoulders.
“Whatever you say, shortcake.”
By now, you should take up a job at being a makeup counter girl, especially considering how well you managed to cover up your hickies over the span of many, many months.
Your nose lightly brushes with his, his lips merely missing yours on purpose, planting a single kiss on the corner of your mouth before holding you closer, your hips smugly fitting into his hands.
You were a breath of fresh, rainstorm air after a dark storm, your perfume clinging to his clothes for days.
“Was thinkin’,” he murmurs. “We’d try to reenact last night for our date night.”
“Hmm, with a different flavor?”
“You taste a lot better without it.”
You giggle, settling your hands along his back to keep secure in this comforting embrace.
“You think of me like that?” The words softly leave your lips.
He smiles down at you, his eyes full of warmth and comfort in your presence, cradling your right cheek after fixing a bit of your hair. He can’t help but shift attention to your pretty lips; perfect petal soft skin that displayed the prettiest of smiles to his god awful humor.
“It’s hard not to, babe.”
#dc jason todd#Jason Todd x reader#jason todd x female!reader#jason todd x fem!reader#dc titans#titans dc#jason todd dc#idk#jason todd x y/n#jason todd x you#jason todd x plus size reader#idk where I was going with this#pt.2?
499 notes
·
View notes
Text
While maintaining that “for some, the best outcome will be transition,” it nevertheless effectively recommended that the N.H.S. abandon the guidelines embraced by major mainstream medical associations and restrict the use of medications that have been offered for decades to adolescents across the globe with vanishingly few negative side effects or regrets. The reason, the report says, is that these treatments are insufficiently supported by reliable, long-term evidence. Then, remarkably, the report recommends treatments — psychological treatment and medications for depression and anxiety �� that have even less proof behind them in helping children (or adults) with gender dysphoria, though they may help with other mental health issues, and many children with dysphoria already get these treatments. And for all its insistence of evidence, the report is peppered with mere speculation about the potential causes of gender dysphoria: pornography and the phenomenon of social contagion are invoked, with zero credible evidence to support them. It is a strange document. Social conservatives welcomed the report. But it has also been heralded in some liberal quarters in Britain, where even the Labour Party has supported its conclusions, and around the world as a model of open-minded rationalism, of well-intentioned — progressive, even — unbiased scientific inquiry attempting to provide information in young people’s best interests. This, they declare, is what following the science and the evidence looks like. But is it? In an effort to evaluate the Cass report’s findings and recommendations, I spent the months since it was released poring over the document, researching the history of transgender medicine and interviewing experts in gender-affirming care as well as epidemiologists and research scientists about the role of scientific evidence in determining care standards. What I have come to realize is that this report, for all its claims of impartiality, is fundamentally a subjective, political document.
[...]
A great deal of the media coverage of gender-affirming care in the West has painted a picture of huge numbers of children, some of them suffering from profound mental illness, rushed into medical transition, practically force-fed puberty blockers and hormones, then fast-tracked to surgery once they turned 18, based on unproven treatment and perhaps bogus science. But the report itself not only fails to show any evidence of significant regret among patients or other forms of harm; its own data also contradicts the notion of rushed transition. Of the more than 3,300 medical records examined as part of the review, about a quarter of children and adolescents were referred to an endocrinologist, which suggests a significant screening process. Indeed, on average, patients had more than a half dozen consultations before being referred. If anything, the evidence suggests a lack of care bordering on neglect, which is not surprising considering that millions of people are on waiting lists for treatment of all kinds by Britain’s crumbling health system. One of the most common pieces of feedback was that young people lingered on waiting lists, sometimes for years. A number of participants in focus groups convened for the purpose of the report said they felt that they had to “prove” to clinicians that they were transgender.
[...]
At one point the report posits that because a child has never had the experience of growing up in their assigned sex, they would have no way to know whether they might regret transition. “They may have had a different outcome without medical intervention and would not have needed to take lifelong hormones,” the report says, referring to children assigned female at birth. It is hard to know what to make of a statement like that. A person gets only one life; waiting to see how it works out isn’t really an option. To a queer woman like me, this is an ominous echo of something many of us have heard many times in our lives: Maybe you just haven’t met the right man yet. The wish — whether expressed by a parent, a teacher, a therapist or a suitor — is a wish for a child not to be queer. It is hard to find a satisfying explanation for these kinds of conjectures and conclusions in the report other than this one: Many people find transgender people at best unsettling and possibly deluded or mentally ill, or at worst immoral and unnatural. They appear to believe it would be better not to be trans. As much as Cass’s report insists that all lives — trans lives, cis lives, nonbinary lives — have equal value, taken in full it seems to have a clear, paramount goal: making living life in the sex you are assigned at birth as attractive and likely as possible. Whether Cass wants to acknowledge it or not, that is a value judgment: It is better to learn to live with your assigned sex than try to change it. If this is what Cass personally believes is right, fair enough. It can charitably be called a cultural, political or religious belief. But it is not a medical or scientific judgment.
13 Aug 2024 | Link
111 notes
·
View notes
Text
I feel like maybe I should state this outright, forgive me for sort of repeating myself in a way.
It is not my plan to leave my new art off tumblr forever.
I just want the folks who run the site to address the many going concerns users have with the fact that they're apparently selling our blogs' contents for scraping now. I want them to provide a concrete assurance that their "partners" will not access and use the content of those who don't want them to. I want them to make the option to provide our data opt-in as opposed to the opt out model theyre currently pushing (which some people STILL after like 10 days havent been able to do), so that inactive blogs who can't flip the toggle, or people who just don't know about the deal don't get their stuff sold.
I don't feel comfortable having my art here when this website seems intent on undermining the wishes of its users and going against their values while generating money off them at the same time.
This website has been my internet home since like 2012, I'm fond of it's userbase, and I don't WANT to be forced out of it.
I want to post my stuff here, because I like you guys. But at the moment I just can't trust this place nor can I approve of the way its trying to treat its artists.
(also if you're like me and you don't like the decisions this site has been making, ANY decisions, please leave feedback. And BE NICE. The people who read them arent the people who make the decisions. You just want your feelings to be known, not to bully the person on the other side of the computer)
279 notes
·
View notes
Text
Social Security is class war, not intergenerational conflict
Today, Tor.com published my latest short story, "The Canadian Miracle," set in the world of my forthcoming (Nov 14) novel, The Lost Cause. I am serializing this one on my podcast! Here's part one.
The very instant the Social Security Act was passed in 1935, American conservatives (in both parties) began lobbying to destroy it. After all, a reserve army of forelock-tugging plebs and family retainers won't voluntarily assemble themselves – they need to be goaded into it by the threat of slowly starving to death in their dotage.
They're at it again (again). The oligarch-thinktank industrial complex has unleashed a torrent of scare stories about Social Security's imminent insolvency, rehearsing the same shopworn doom predictions that they've been repeating since the Nixonite billionaire cabinet member Peter G Peterson created a "foundation" to peddle his disinformation in 2008:
https://en.wikipedia.org/wiki/I.O.U.S.A.
Peterson's go-to tactic is convincing young people that all the Social Security money they're paying into the system will be gobbled up by already-wealthy old people, leaving nothing behind for them. Conservatives have been peddling this ditty since the 1930s, and they're still at it – in the pages of the New York Times, no less:
https://www.nytimes.com/2023/10/26/opinion/social-security-medicare-aging.html
The Times has become a veritable mouthpiece for this nonsense, publishing misleading and nonsensical charts and data to support the idea that millennials are losing a generational war to boomers, who will leave the cupboard bare:
https://www.nytimes.com/2023/10/27/opinion/aging-medicare-social-security.html
As Robert Kuttner writes for The American Prospect, this latest rhetorical assault on Social Security is timed to coincide with the ascension of the GOP House's new Speaker, Mike Johnson, who makes no secret of his intention to destroy Social Security:
https://prospect.org/economy/2023-10-31-debunking-latest-attack-social-security/
The GOP says it wants to destroy Social Security for two reasons: first, to promote "choice" by letting us provide for our own retirement by flushing even more of our savings into the rigged casino that is the stock market; and second, because America doesn't have enough dollars to feed and house the elderly.
But for the New York Times' audience, they've figured out how to launder this far-right nonsense through the language of social justice. Rather than condemning the impecunious olds for their moral failing to lay the correct bets in the stock market, Social Security's opponents paint the elderly as a gerontocratic elite, flush with cash that rightfully belongs to the young.
To support this conclusion, they throw around statistics about how house-rich the Boomers are, and how much consumption they can afford. But as Kuttner points out, the Boomers' real-estate wealth comes not from aggressive house-flipping, but from merely owning a place to live. America's housing bubble means that younger people can't afford this basic human necessity, but the answer to that isn't making old people homeless – it's providing a lot more housing, and banning housing speculation:
https://pluralistic.net/2021/06/06/the-rents-too-damned-high/
It's true that older people are doing a lot of consumption spending – but the bulk of that spending isn't on cruises to Alaska to see the melting glaciers, it's on health care. Old people aren't luxuriating in their joint replacements and coronary bypasses. Calling this "consumption" is deliberately misleading.
But as Kuttner points out, there's another, more important point to be made about inequality in America – the most significant wealth gap in America is between workers and owners, not young people and old people. The "average" Boomer's net worth factors in the wealth of Warren Buffett and Donald Trump. Older renters are more rent-burdened and precarious than younger renters, and most older Americans have little to no retirement savings:
https://www.forbes.com/sites/teresaghilarducci/2023/10/28/the-new-york-times-greedy-geezer-myth/
Less than one percent of Social Security benefits go to millionaires – that's because the one percent constitute one percent of the population. It's right there in the name. The one percent are politically and economically important, but that's because they are low in numbers. Giving Social Security benefits to everyone over 65 will not result in a significant outlay to the ultra-wealthy, because there aren't many ultra-wealthy people in America. The problem of inequality isn't the expanding pool of rich people, it's the explosion of wealth for a contracting pool of rich people.
If conservatives were serious about limiting the grip of these "undeserving" Social Security recipients on our economy and its politics, they'd advocate for interitance taxes (which effectively don't exist in America), not the abolition of Social Security. The problem of wealth in America is that it is establishing permanent dynasties which are incompatible with social mobility. In other words, we have created a new hereditary aristocracy – and its corollary, a new hereditary peasantry:
https://pluralistic.net/2021/06/19/dynastic-wealth/#caste
Hereditary aristocracies are poisonous for lots of reasons, but one of the most pressing problems they present is political destabilization. American belief in democracy, the rule of law, and a national identity is q function of Americans' perception of fairness. If you think that your kids can't ever have a better life than you, if you think that the cops will lock you up for a crime for which a rich person would escape justice, then why obey the law? Why vote? Why not cheat and steal? Why not burn it all down?
The wealthy put a lot of energy into distracting us from this question. Just lately, they've cooked up a gigantic panic over a nonexistent wave of retail theft:
https://www.techdirt.com/2023/10/31/the-retail-theft-surge-that-isnt-report-says-crime-is-being-exaggerated-to-cover-up-other-retail-issues/
Meanwhile, the very real, non-imaginary, accelerating, multi-billion-dollar plague of wage theft is conspicuously missing from the public discourse, despite a total that dwarfs all retail theft in America by an order of magnitude:
https://fair.org/home/wage-theft-is-built-into-the-business-models-of-many-industries/
America does have a property crime crisis, but it's a crisis of wage-theft, not shoplifting. Likewise, America does have a retirement crisis: it's a crisis of inequality, not intergenerational conflict.
Social Security has been under sustained assault since its inception, and that's in large part due to a massive blunder on the part of FDR. Roosevelt believed that people would be more protective of Social Security if they thought it was funded by their taxes: "we bought it, it's ours." But – as FDR well knew – that's not how government spending works.
The US government can't run out of US dollars. The US government doesn't get its dollars for spending from your taxes. The US government spends money into existence and taxes it out of existence:
https://pluralistic.net/2020/12/14/situation-normal/#mmt
A moment's thought will reveal that it has to be this way. The US government (and its fiscal agents, chartered banks) are the only source of dollars. How can the US tax dollars away from earners unless it has first spent those dollars into the economy?
The point of taxation isn't to fund programs, it's to reduce the private sector's spending power so that there are things for sale to the public sector. If we only spent money into the economy but didn't take any out of the economy, the private sector would have so many dollars to spend that any time the government tried to buy something, there'd be a bidding war that would result in massive price spikes.
When a government runs a "balanced budget," that means that it has taxed as much out of the economy as it put into the economy at the start of the year. When a government runs a "surplus," that means it's left less money in the economy at the end of the year than there was at the beginning of the year. This is fine if the economy has contracted overall, but if the economy stayed constant or grew, that means there are fewer dollars chasing more goods and services, which leads to deflation and all kinds of toxic outcomes, like borrowing more bank-created money, which makes the finance sector richer and the real economy poorer.
Of course, most governments run "deficits" – which is another way of saying that they leave more dollars in the economy at the end of the year than there was at the start of the year, or, put another way, a deficit probably means that your economy got bigger, so it needed more dollars.
None of this means that governments can spend without limit. But it does mean that governments can buy anything that's for sale in their own currency. There are a lot of goods for sale in US dollars, both goods that are produced domestically and goods from abroad (this is why it's such a big deal that most of the world's oil is priced in dollars).
Governments do have to worry about getting into bidding wars with the private sector. To do that, governments come up with ways of reducing the private sector's spending power. One way to do that is taxes – just taking money away from us at the end of the year and annihilating it. Another way is to ration goods – think of WWII, or the direct economic interventions during the covid lockdowns. A third way is to sell bonds, which is just a roundabout way of getting us to promise not to spend some of our dollars for a while, in return for a smaller number of dollars in interest payments:
https://pluralistic.net/2021/04/08/howard-dino/#payfors
FDR knew all of this, but he still told the American people that their taxes were funding Social Security, thinking that this would protect the program. This backfired terribly. Today, Democrats have embraced the myth that taxes fund spending and join with their Republican counterparts in insisting that all spending must be accompanied by either taxes or cuts (AKA "payfors").
These Democrats voluntarily put their own policymaking powers in chains, refusing to take any action on behalf of the American people unless they can sell a tax increase or a budget cut. They insist that we can't have nice things until we make billionaires poor – which is the same as saying that we can't have nice things, period.
There are damned good reasons to make billionaires poor. The legitimacy of the American system is incompatible with the perception that wealth and power are fixed by birth, and that the rich and powerful don't have to play by the rules.
The capture of America's institutions – legislatures, courts, regulators – by the rich and powerful is a ghastly situation, and to reverse it, we'll need all the help we can get. Every hour that Americans spend worrying about their how they'll pay their rent, their medical bills, or their student loans is an hour lost to the fight against oligarchy and corruption.
In other words, it's not true that we can't have nice things until we get rid of billionaires – rather, we can't get rid of billionaires until we have nice things.
This is the premise of my next novel, The Lost Cause, which comes out on November 14; it's set in a world where care and solidarity have unleashed millions of people on the project of maintaining the habitability of our planet amidst the polycrisis:
https://us.macmillan.com/books/9781250865939/the-lost-cause
It's a fundamentally hopeful book, and it's already won praise from Naomi Klein, Rebecca Solnit, Bill McKibben and Kim Stanley Robinson. I wrote it while thinking through and researching these issues. Conservatives want us to think that we can't do better than this, that – to quote Margaret Thatcher – "there is no alternative." Replacing that narrative is critical to the kinds of mass mobilizations that our very survival depends on.
If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/11/intergenerational-warfare/#five-pound-blocks-of-cheese
This Saturday (Nov 4), I'm keynoting the Hackaday Supercon in Pasadena, CA.
#pluralistic#class war#inheritance tax#death tax#mmt#modern monetary theory#intergenerational war#intergenerational wealth transfers#social security#ss
352 notes
·
View notes
Text
Lily Orchard doesn't understand File Explorer
(or she does, but she's hoping that you don't)
Content warning for discussions of abuse and incest. Also, this post is long as balls.
Okay, I wasn't going to make a post about this. I agree with Crim right now: there's no point interacting with Lily or her posts. She's shown herself to be completely full of garbage, and isn't convincing anyone outside of her inner circle with her recent posts.
Still, there seems to be a lot of misunderstanding as to why her recent explanations don't hold up to scrutiny, so I'm making this post to help people understand exactly why her evidence is bunk. If you're reading this, please don't bother Lily about it further. At this point, any further antagonism towards Lily only serves to convince her remaining fanbase that she's a helpless victim, and not the dangerous manipulator she truly is. With that out of the way, here's the sitch:
BACKGROUND: On September 5th, 2024, Lily Orchard briefly showed the contents of her Downloads folder during an editing stream. Keen observers noted a handful of peculiar filenames, including a .rar file with the exact name of a RWBY incest-themed fancomic, and a .zip folder with the name "aslutphone-0.22-pc.zip", which corresponds to a mobile phone-themed visual novel that is also incest-themed.
The presence of fantasy adult material on Lily's computer is in of itself no concern - private kinks are private kinks, after all. However, some commentators noted similarities between the scenarios highlighted in "A Slut Phone" and statements made by Courtney Peet, Lily's sister, in regards to alleged abuse she experienced as a child at the hands of Lily.
Almost immediately, anonymous asks were sent to Lily Orchard querying her about the contents of her folder. Rather than provide a relevant answer, she pretended those asks were related to a different game:
It's reasonable to say that Lily didn't have an explanation handy at the time, at least, not one that would fit with her current public image. Still, the anon asks were piling up behind the scenes, and people on Lily's patreon discord were beginning to ask questions as well. On September 8th, three days after the initial discovery, Lily posted her explanation for one of the two files highlighted:
According to Lily, "Sisters - Ruby&Yang.rar" is a full archive of the RWBY series, and she intended to mention Ruby and Yang in her "Sibling relationships" video, back in June. The fact that it shared its filename uniquely with an incest porn comic was totally a coincidence, and anyone who accused her of owning said porn comic was just a pervert themselves.
(what Lily, who frequently complains about disk space issues, was still doing with an alleged rip of RWBY that she had no intention of watching, I have no idea. But I digress) And finally on September 12th, after a week of anticipation, Lily had finally come up with her explanation for "A Slut Phone":
It was all a trick to make her critics look stupid! She had downloaded a different game for an upcoming video, and had renamed the filename to, in her words, the "worst possible game I could find", just to catch out the trolls!
This is, to put it mildly, a little difficult to believe. Still, it's the explanation Lily provided, and the following day Lily provided evidence that proves the contents of that folder pertains to sexadvicesuccubus.exe, and that said contents had not been recently edited:
This is where some of Lily's critics start to falter, accusing Lily of fabricating the contents of the above folder or changing around the other files. Personally, I'm willing to accept that the folder displayed *does in fact* contain the game data for "Sex Advice Succubus." However, there's still some glaring issues. For one, Lily is showing us a Windows File Folder here (with compressed data inside)
Meanwhile, the file spotted on September 5th was a .zip
Another (minor) issue is that the filename for "A Slut Phone" looks different on its itch.io download page, compared to the name of the actual file (as demonstrated above). If Lily had simply copied the filename based on the itch.io page, her "decoy" folder would have been named differently As for the issues with the file's modification date... more on that after the break. And now, a brief intermission. The Lily Pit presents:
HOW TO GET AWAY WITH YOUR WEIRD PORN GAMES GETTING SPOTTED IN YOUR DOWNLOADS FOLDER
So, you're a reasonably successful youtube creator and occasional streamer, and one day someone spots a suspiciously named .zip file in your cluttered downloads folder:
Worry not! Just follow these simple steps to exonerate yourself of any signs of pervertedness!
First, you're going to download a scapegoat game - don't worry about this game's raunchy title, it's far more tame than whatever wild stuff you're surely into:
Now, go to your computer's date and time settings, and set it back far enough to avoid culpability:
(In this case, we've adjusted it to the exact time of the original .zip's modification, but if nobody saw that part then you don't even have to worry!) While your PC's time is adjusted, extract the contents of the new game's .zip, and compress it while you're there:
Rename the folder to match the filename of the .zip, and there you go!
And if you're thinking "That's an awful lot of effort to go to to hide the fact that you've got weird porn on your computer",
You would be absolutely right.
We now return you to your regularly scheduled Lily Crit
... Shoot, where was I? Oh yeah, falsifying the "date modified" part of a file or folder is trivial. The evidence Lily provided proves nothing, and arguably, it makes her look even more suspicious than she was before.
Still, I do have to acknowledge that there is no definitive proof of those files' contents being what we suspected. Lily's explanations, however outlandish they are, could well be the honest truth...
... but let's be real, they're not.
Stop lying, Lily.
117 notes
·
View notes
Text
Generally, I feel like a lot of AI discussion gets down into weeds that obfuscate the foundation of the issue—data storage, environmental impact, copyright law. I couldn’t hypothesize why other than to (perhaps snobbishly) imagine that very few people on either “side” of the issue have a formal art education, because quite frankly two questions matter the most to me, as a trained artist:
1) Is the thing the computer spat out actually, ontologically a piece of art?
2) If yes, who is the actual artist that can claim provenance of that work?
Something you learn toward the end of your BFA, after your fundamental design courses and studio classes, when you’re sitting around with your fellow students in discussion with your professor, is that a creative work’s value as an artistic piece relies on the artist’s intent. A piece of art is a piece of art because the artist who made it intended for it to be a piece of art.
Of course there is PLENTY of philosophical debate to be had regarding a piece’s artistic value, given that once it is determined to be a piece of art it is then subject to critique, but that debate has been ongoing since Marcel Duchamp plopped a urinal onto a plinth and called it art all the way back in 1917.
That debate will not stop until the heat death of the sun.
(Side note: a key talking point for the alt/far-right, when it comes to art, is to claim that the Modernism and its corollary movements are not true art in comparison to the breadth of art history that ended roughly with late Victorian academic practice. Do not give their arguments credence by repeating them.)
Intent is what matters. That’s generally been the foundation of artistic critique for approaching a century. Not necessarily a stable foundation, but whatever.
An analogy:
A professor spends a semester instructing his students how to draw or paint in some classical “style”—let’s say, just for giggles, the Pre-Raphaelite.
He demonstrates specific techniques with specific media and provides specific reference material to his students so they can practice what he has taught them. Throughout the semester he corrects his students’ mistakes and helps them to develop strategies they can use to reproduce the hallmark traits of the Pre-Raphaelite movement.
At the end of the semester, all of his students can reliably create work that looks if not identical to work by artists such as Millais, Rossetti, or Waterhouse, then certainly remarkably similar to them.
Who is the artist of this similar work?
The obvious answer, the CORRECT answer, is his students. Just because the professor trained them to paint in this style does not mean their work becomes his, or, for that matter, any of the artists I mentioned.
His students put brush to canvas and moved pigment around to make a picture. The work is their provenance. They intended to create art that looked Pre-Raphaelite, and then they made it.
I think the application of this analogy to the issue of AI art is obvious, but for clear argument’s sake:
AI is not sentient. AI is not sapient. AI is an extremely well-programmed randomizer not unlike the fantasy name generators nerds use to name their DnD characters (all my love to those nerds).
It associates pixel and hue arrangements with words and phrases and generates images based on those associations. AI has no independent thought. It’s a computer program. It does what you tell it to and has no feelings or opinions of its own.
It cannot have intent.
The only thing that can be successfully argued about an image created by an AI program is that that program did, in fact, create it. Its programming functioned as designed. (No, by the way, this does not mean its programmers are artists either.)
Meanwhile, the tech bro typing “big tittied anime girl” into the prompt line has PLENTY of what you might call intent. He wants to see big tittied anime girls, and he wants to see them in any variety of style he can think of. All he has to do is add “Eiichiro Oda” to his prompt and boom, he has as many big-tittied anime girls with the combined proportions of a Hooter’s waitress and a Jabiru stork as his heart desires.
But he didn’t make the image. The AI did. He may have had an idea of what he wanted the image to look like, but he could as easily have navigated to Google images and typed in the same prompt to pull up the same result.
Here we come to the thrust of my argument: telling a program to generate an image makes you no more the artist of that image than it makes the professor the artist of his students’ work. Being involved in the creation of an image simply by asking for it to be made does not make you its creator.
Telling something, or someone, to create a piece of art does not assign that art’s provenance to you.
So, to answer the questions I posed at the beginning:
2) The AI is the provenance of the image, but
1) No, it is not art, because the AI had no personal intention to create it.
Whether or not AI can be used to create art at all is a different argument, which boils down to: eh, maybe. In my view, AI can create material which an artist can use to go on to make a piece of art. But that requires further intent to be added within that use.
Which tech bros just aren’t adding.
#ai essay#long post#(sorry)#yes I wrote this instead of working on the one shot#it’s Saturday sue me#watch this flop
54 notes
·
View notes