#instead of a separate world AS IT SHOULD BE

[thewistlingbadger]

Analyzing Viktor's eyes:

We've talked about how Jayce is never repulsed or afraid of the major changes to Viktor's body and accepts him instantly whenever he sees something that should not be the way it is when it comes to Viktor's body. What we have YET to talk about is just how Jayce doesn't turn away from Viktor's purple and metal body, he does not turn away from Viktor's steel and muted eyes and I think this is VERY IMPORTANT.

Because in season two Viktor's eyes are somewhat symbolic of his humanity. Viktor's eyes are naturally yellow and are one of the most distinctive elements to his design but after his transfusion with the hexcore they become this empty gray that sometimes changes color. It looks very weird and inhuman and nothing like Viktor. The only time we see Viktor's natural eyes in season two is in the astral plane, where he also maintains his season one hairstyle and features and build. However once Viktor goes full machine herald his eyes are completely gone. His face is split in half and the eyes of his mask contain no pupil or iris. It is only two glowing slits of yellow, both in the astral plane and in the actual world (although in the actual world Viktor's "eyes" actually take on a spherical shape but still it is literally just two glowing spheres of yellow). ADDITIONALLY even though is face is split we can still see it under the mask and we see his eyes are CLOSED. As if he is closed off from his humanity after fully becoming the machine herald or just refuses to look at it or the consequences of his actions.

It is JAYCE who's responsible for the return of Viktor's natural eye color once Viktor has become the machine herald. Viktor's machine herald mask in the astral plane BREAKS because Ekko throws the z drive directly at Viktor's face. We're able to see half of Viktor's real face and half of his mask when Jayce reveals that Viktor was the mage all along. The mask does not fully come off until AFTER Jayce hugs Viktor in the astral plane and Viktor pulls away from the hug. Jayce's hug is why we're now able to see both of Viktor's eyes.

This whole journey with Viktor's eyes and the relationship between him and Jayce is very fascinating to me for several reasons:

Jayce took away Viktor's humanity by fusing the hexcore to him. But Jayce is also the same person that made Viktor realize that humanity was beautiful because of its flaws. He is the one that made Viktor human again, literally. Jayce is the reason why Viktor's eyes change color in the first place AND he is also the one that is responsible for them returning to their original color.

Jayce and Viktor spend a lot of time looking at each other throughout the show but ESPECIALLY in season two. The first thing Jayce does when he's actually reunited with Viktor after their initial separation and Jayce's trip to the bad au is STARE AT VIKTOR. Viktor looks so different and is floating in the air and all Jayce could do was stare at him. The next time they meet after this, Viktor tries to hold Jayce's eye contact in the astral plane but Jayce isn't in the astral plane with him. So instead of seeing Viktor's eyes Jayce just sees the cold face of someone Viktor turned into a machine. Jayce looks Viktor in the eye almost the entirety of their finale in the astral plane. The last thing Jayce and Viktor ever do in the show is look at each other AND they spend their final moments in the show facing each other but WITH THEIR EYES CLOSED!

Eye contact is very important to humans. Eyes in general are just really important to humans. Not only for the practical reason, to see things, but also on an emotional and spiritual level. "The eyes are the window to the soul." You can tell a lot about someone by the way their eyes look and how they look when they look at things. The pupils of our eyes grow and shrink based off what we're looking at and sometimes that dilation is in accordance to how much we like something. You can see in the finale that Jayce and Viktor's pupils are practically blown out they're so big. You can communicate a lot just by using your eyes, without ever saying a single word.

Jayce is never really aghast by Viktor's body no matter how horrific it looks because Jayce cares about Viktor. When he sees him on the brink of death in the council room and sees how his leg is glowing purple, his first thought isn't "what the fuck is wrong with Viktor's leg." His first thought is "I have to save Viktor from dying." When Jayce actually got Viktor to the lab and saw the entity of Viktor's body he wasn't thinking about how inhumane and wrong it looked. He was only thinking about how the hexcore better be able to fix Viktor. When Viktor is stable but unresponsive for several days after the transfusion, Jayce isn't thinking about Viktor's notes on his self experimentation or how Viktor's body had several runes carved into it. He was thinking about whether or not Viktor was okay. Whether or not Viktor was going to ever wake up. When Viktor DOES wake up and is entirely purple and shiny and able to walk without a mobility aid and stand up straight without a brace, his first thought is "what the fuck happened to me and to my body? What have I become am I still human what am I?" And Jayce's first thought to seeing a Viktor of purple, metallic flesh is "holy shit, it worked. It worked, Viktor is alive and awake and back." Towards the end of the show when Jayce sees the machine herald for the first time, he isn't terrified by the fact that Viktor is extremely tall and other worldly looking. He isn't disgusted by Viktor's third arm or distorted voice or lack of a face or his unnaturally slim waist. He doesn't even look phased or bothered at all. Instead, one of the first things he says upon seeing the machine herald is "there must be some part of you that's still in there." After this interaction, after Viktor and him fight and it seems like Viktor is going to take his life away from Jayce, Jayce STILL is adamant on the idea that Viktor, his friend, his partner of several years, is still alive. Jayce fully believes that Viktor is still within the machine herald and he has so much faith that he risks his own life and the lives of everyone else on his belief. As Viktor actually begins to turn Jayce into a machine, Jayce spends his last words telling Viktor about how his humanity is beautiful and how he still believes in Viktor. Jayce's wholehearted care for Viktor is what ends up saving everyone! Jayce sees Viktor's body go through horrific transformations throughout the season and it doesn't impact the way he views Viktor in the slightest. He saw the way Viktor's body looked and never asked a single question about it and never asked questions about Viktor's notes on self experimentation. So of course he's not phased by Viktor's eyes being a different color. Jayce is able to see Viktor's humanity even when Viktor doesn't look or act like a human.

But arguably the reason why I find this so fascinating, why I'm so intrigued that Jayce has no concern for the fact that Viktor's eyes are no longer yellow is because Viktor's eyes are arguably Viktor's most important feature TO JAYCE. Viktor's eyes and their color and their intensity is something that Jayce canonically has taken notice of and has found importance in. In the finale montage, we see a shot of Viktor from Jayce's perspective on the night they met. The shot is the exact shot used in the beginning of the show. When you compare the two shots, the one from act 1 s1 and the one from act 3 S2, they are IDENTICAL WITH ONLY ONE MAJOR EXCEPTION. VIKTOR'S EYES. Viktor's eyes in the shot used in the finale are MORE yellow, MORE intense, and more distinct than they were in the original shot at the start of the show. This shot is from Jayce's perspective, so it's showing us how Jayce perceived and remembered Viktor to be. This detail is the reason I even wanted to write this post. Viktor's eyes are clearly an aspect that Jayce pays attention to and yet he didn't utter a single word when he saw that they were completely different.

[theroseofmaine]

None of this has any connection to what i usually post but i want to get this out so bad:

Also please forgive me for any grammar mistakes its like 2am and im tired but if i dont get this out i wont sleep

Both Damian Wayne and Terry McGinnis have very similar problems and should have very different endings.

DC saw how successful Batman Bruce Wayne is and can’t grow beyond him. Everything is Batman centric and its a bit too much. Not saying in any way shape or form that they should just throw him in the trash but they need to let the man rest at this point.

Damian is biologically the heir to both the LOA and Batman’s legacy, and he was always only had that perspective, he never really had the chance to choose for himself what he wants.

I love how he is Bruce’s bio kid and thats why he shouldn’t be Batman. He needs to choose for himself, be his own person. I really really hope they continue with the approach of him helping people by helping out in hospitals and possibly becoming a doctor instead of being a Bat, because that way hes being authentic to himself yet still following Batmans legacy (of helping Gotham and its people) but being what Bruce couldn’t: a doctor, a healer, someone that saw the path of violence and chose to leave.

The only real reason for him to become Batman? Being Bruces bio kid. That man’s whole life he was taken kids that apparently have no place in the world and even tho through the most fucked up way possible, given them a place, a reason to be good, and thats why Damian shouldnt be Batman. Because that way hes not being throw into a position he only wants because they told him thats what he should want, but finding his own place through Bruce.

Terry had not only a really interesting backstory, making parallels with the OG Batman (the loss of family, the need for justice, the love for Gotham) but also a great story: he was “just a guy” who wanted to do good but also prove to himself that he has changed and that he is good. He became Batman by himself, stealing the suit from the Batcave and choosing that thats what he wanted. And it should have stayed like that, because honestly, Batman is supposed to be just a guy that decided to take matters into his own hands bc someone should (it didn’t happen bc of his money dont even start!! absolute batman is a thing).

I feel like that by making Terry a somewhat Bruce clone in my opinion takes that away from him. Is he Batman because he has Bruce’s DNA or because he actually deserves it and made it his place? If he didn’t had Bruces DNA and still had gone through all of that, would be still be Batman? More then once Bruce told Terry to leave, and he stayed because thats what he needs, thats what Gotham needs. He should have no connection to Bruce, and because of that he should be Batman.

I love the possibility of Cassandra becoming Batman, but i really feel that Batman should start by being Batman. Before all the trauma being just a regular dude living a regular life, having deep connections with Gotham because thats where they grew up and everyone they love is in, and then after the trauma developing a strong moral compass and sense of justice.

In conclusion: make Damian a doctor or give him his own separate path in the vigilante world and make Terry just a guy again PLEASEEE really sorry this is really long and probably a bit redundant/confusing but it was a ramble i needed

[saccharinerose]

Rhysand: I’m the Most Powerful High Lord Ever... but having the Night Court be night 24/7 is too hard 🥺

Tamlin, Tarquin, Kallias and Beron, able to eternally keep their respective courts in their season’s temperature (which is determined by the angle of the sun’s rays hitting the earth) and the plant-life in the same growth stage with their magic:

[vaguely-concerned]

fun detail I only put into context after seeing the post-fade jail romance scenes with all the companions: lucanis is the only one where rook is surprised when they realize he's there as he starts talking, because they didn't hear him come in haha. (Bellara and Neve knock before entering, like relatively normal people fhsda. Harding's scene starts in medias res but from the staging my vibe is that she and Rook entered the room together. Taash walks into the room ahead of Rook. Davrin comes in through a door left open for him -- Rook is standing with their back turned but they clearly expected him, they just smile a bit and don't seem surprised. Emmrich of course takes you to the Grand Necropolis for the top goth hookup since Mary Shelly fucked on her parents' graves, the man quite simply never misses.)

lucanis has also closed the door behind him without rook noticing. old assassin habits die hard I suppose lol. he totally still accidentally jumpscares the others without meaning to all the time because he moves around quietly when he doesn't think about it, I know this in my heart. I wonder if he was just... looking at them for a while before he spoke up.

[mulders-too-large-shirt]

s5 episode 20 thoughts

last episode of the season!!!

things have seemed… tense lately between my best friends mulder and scully. i hope they can work it out. 

anyway, it says here that there is a boy with psychic powers… another child case. they deal with these so often!!!

but maybe he can unlock the secrets of the x files?? how?? i guess i will have to tune in!

post-episode thoughts: scully, i want to hug you. CSM, count your days. destroying information is a crime in my realm, and it will be punished with banishment. mulder, you need to learn how to talk about your feelings. i am no longer suggesting this politely. it must be done. now. skinner, you are the star on top of my metaphorical christmas tree. spender, my feelings towards you are pretty neutral.

we begin in vancouver, where a chess tournament is going on between a grown man and a child. there is a very large crowd and a guy who seems to be up to no good in the ceiling. 

the kid hears voices in his head as this sniper loads up a bullet… can he figure out what is about to happen?? but the voices just sound like weird noises!!!

noooo, don’t kill this little boy!!! he wins just in time, stands up, and the bullet hits the other guy!!! 

so he knew it was going to happen and won just in time to stand up…

leave this little boy alone!! don’t piss me off!!!

OHHH shortened intro AND new words on the screen today… “THE END” <- now there is a movie coming up shortly so i KNOW this is a lie!!!

i am preparing myself for some sort of cliffhanger….

ohohoho kryek is here today, according to the “guest starting” list…. getting ready for some rat-like activities

CSM is buttoning up his shirt as some people arrive upon his frosty property. they have guns… and his alarms are going off… 

BLAM! he shoots one man dead right then and there!! you really cannot underestimate this guy!!! unless we’re talking about his abilities to write fiction!!!

so he’s running barefoot into the snow??? yowch! bloody feet!

the guy in the mask catches him! OH SHIT! IT’S KRYCEK!! “go on! take your shot, alex” <- HOT DAMN! not the first name usage!

he says he was sent to being CSM back…….. by whomst?

there is a sticky note on mulder’s poster. i can’t tell what it says!

OH mulder has a picture of him and scully pinned to his board🥹that's fine that's super fine and i'm not gonna cry!

it’s skinner poking around their office!!! what is he doing down here??

HE WANTS TO KNOW MULDER’S LONG TERM PLANS?! and mulder says they’re right in his hands, referring to the x files

skinner loves his most special and difficult agents. it's true!

“what do you hope to find? i mean, in the end” (mulder looks at skinner suspiciously) “whatever i hope to find is in here. and maybe i’ll know when i find it”

now what is going on…..? something is afoot. somehow i doubt skinner just got randomly curious and started reading through the x files for the funsies.

skinner has a case for him: the assassination of a russian chess player. and agent spender was put in charge of the case by someone from OUTSIDE the bureau!! oh, that must be what has skinner so freaked out. who tf is just putting people in charge of cases?

(i mean, we, the audience, know the answer to this. but if i were skinner, i would be deeply uncomfy at the thought)

“he was very specific that you be excluded” (mulder smiles) lmaoooo

skinner's messy for that!!! and i giggled!!!

BAHAHA scully is in the room listening to spender debrief, and when mulder walks in, spender looks SO mad!! “please continue”, mulder says, after spender gets so caught off guard by seeing him that he literally cannot finish his sentence

you can try to separate mulder and scully, but the universe will find a way to reunite them. like a bonded pair of kitties. 

mulder asks him to rewind the tape and spender says basically no LMAOOO

“let me get through this, if you have any questions, we can talk later” “i-i don’t have any questions, no, i just think you’re wrong” <- LMAOOOOOO i’m at once giggling and cringing in second hand embarrassment 

mulder hates this dude, i'm crying!!!!

scully asks wtf mulder is doing, and he explains he thinks the killer was aiming for the boy!! spender reluctantly does rewind the tape, and mulder points out that the kid pushes back right before the bullet is fired. 

who is this random lady agreeing with mulder that the kid could sense the bullet coming…? he looks utterly shocked to hear her say this!!

and skinner says rewind it again so we can all see for ourselves LMAO everyone hates this spender mfer

(listen. sorry to this man, but i think it would also piss me off if some random guy got put in charge of an investigation because outside forces decreed it to be so)

sure enough, when spender rewinds the tape, the kid looks right at the camera!!! mulder turns to this random woman again in amazement 

meanwhile, krycek is bringing CSM back to the syndicate on a random side street. OH SHIT!! CSM calls them out right then and there for trying to kill him LMAOOO

that had to be awkward as hell! i'm giggling

CSM moves on from that pretty fast. he seems like the type to hold grudges, so perhaps this is part of his secret plot for revenge.

the well-groomed man (and i know that isn’t his name, but i can’t remember what it actually is, and when i tried to google it last time i got spoilers so: to me, he is WGM) says: the boy is a problem to us!! and i say: leave him alone!! let him play chess!!

CSM offers to kill the kid and well-groomed man says “dear god”... umm, well y’all were just trying to do that, so why now are we getting squeamish...!!!

this other dude is called “first elder” by the subtitles! good to know

CSM says he’ll do it… and walks off.

so this lady that was sticking up for mulder is named agent fowley, and scully is making polite small talk as mulder drives them... somewhere. she requested reassignment. hmm…

“1991, that’s about when you started work on the x files”, scully points out. “more or less, yeah”, mulder says. and does not elaborate.

(long lingering eye contact between mulder and fowley)

now… is this woman who i think she is……?

the boy (named gibson) is watching the simpsons. OH SHIT!!! “my name is fox… this is dana and diana”

SHE IS WHO I THOUGHT SHE WAS!!!!!!!!!!!!!!!!

oh man. oh man. okay, so i know a tiny bit about this. going bonkers rn.

what i DO know is enough to realize that diana is a controversial topic among the fandom, but i vow to speak my truth. as i always do. and i hope you will treat me with the grace you typically have afforded me.

gibson says he lives in the philippines, that mulder has a dirty mind, and he does NOT want to play any chess. yes, he truly is a psychic.

scully is like wtf is he going on about…. and mulder accuses the boy of being able to read minds

“i know what’s on your mind. i know you’re thinking about one of the girls you brought” (mildly amused scully look) “one of them’s thinking about you”

diana laughs and asks which one… gibson says mulder doesn’t want him to say.

(shakes head) hey! what’s going on?

mulder declares that gibson needs around the clock protection

oh, a canon-typical fight in the hallway between our agents on if this is possible or not… diana is listening in…. “you know what to do, diana”, mulder says before leaving <- hey. i don’t like that. the tone with which he speaks nor the implication of there being some pre-scully lilith-like figure.

“so you two know each other”, scully points out. “it was along time ago” (long lingering scully glance)

OHHHH spender is NOT letting mulder talk to the assassin… “you’re insulting me when you should be taking notes”, he says <- DAMN!!! the ego on this man! he isn't entirely wrong, but there is no humility about him!

he pushes past spender and gets into the cell, where the shooter claims spender hasn’t given him food or water. mulder orders him off to go get some. 

ohhh he’s playing hardball… he tells the dude that he’ll tell spender he fessed up to the kid being psychic… and if he cooperates with him, maybe he can get him into the witness protection program… does mulder hold this kind of influence?

mulder steals the food that was being brought for him. mulder! you're being a dick! on many fronts!

AWWW, scully and gibson are holding hands as she walks him down the hall :( he didn’t like the tests! poor kid! and he says scully’s wondering about “that other girl” and “she’s wondering about you, too” 

hey…. i get the sense we are pitting two bad bitches against each other via this little boy's mind reading. not a narrative choice i am fond of.

now a group of people are testing gibson for psychic abilities by holding up cards only they can see.

diana says she’s seen clairvoyants, but never of this skill level. she says she spent time with mulder is psychiatric hospitals?? scully.exe is not working 

she has to leave because she is weirded tf out…

(i don't blame her, though. i would also be very weirded out if my partner of 5 years had another partner he very evidently has a history with and never bothered to mention until she suddenly materialized. if i were scully, i'd be like hey mulder... remember all those times i tended to your wounds and held your sobbing body and broke the law for you? yeah, that was super cool. i love how we trust each other. anyway, wtf else are you hiding from me?)

((and i'm not saying that is necessarily the RIGHT or RATIONAL thing to feel, but c'mon. you can't look at me and tell me you wouldn't also be equal parts stung and curious))

shooter guy is being handed a note. it’s on a cigarette pack!!! and it says "you’re a dead man"!!! oh brother... not the CSM on the loose! how is he getting into these buildings still?!?!

LMAOOO???? WHAT IS SCULLY DOING WITH FROHIKE?!?!

look at her looking up into his camera system... she is just so PRETTY!!

bro is in his pajamas and has an absurd number of locks on his door. and i'm giggling!

she’s bringing the whole crew scans of gibson’s brain!! “and you want us to what?” “analyze the data. with an eye to the parapsychological” <- OHHH they’re gagged by that... and i am too! scully opening herself up to extreme possibilities?! or simply trying to anticipate and counter mulder's argument in favor of the kid's clairvoyance?

OHHHH.... SHE WANTS TO KNOW WHO TF DIANA IS LMAOOOOO 

i can’t tell if she’s jealous, or nosy, or both. but i can tell you that i love when scully is nosy. 

frohike says she was mulder’s “chickadee” (LMAO, crazy phrasing) out of the academy. she was with him when he discovered the x files. and she has some sort of background in parascience. whatever that means.

NOOOOO scully looks so sad 💔💔💔 MULDER, DON’T HIDE THINGS FROM HER!!! SHE’LL CRY

stop. stop!!!

gibson is watching cartoons while diana watches him. and here comes mulder. OH, she called him fox. don’t like that. i thought he was adamantly anti-being referred to as fox! is that a development from the past 5 years, or does she not care about what he thinks?

“i sense you could have used an ally, though- someone who thinks like you, with some background” HEY. WATCH HOW YOU TALK ABOUT SCULLY!!!

“oh, you mean scully?” now is that defensiveness i see in his eyes? he doesn’t sound like he’s laughing.

“she’s not what i’d call an open mind on the subject” <- well, diana, you don’t even know her!!! and just because you're right doesn't mean you should go around judging her!

he laughs, but it doesn’t feel like he really means it….

(i was trying to psychoanalyze everything in this godforsaken scene and i had NO idea what the vibe actually was LMAOOOO)

“she’s a, uh… she’s a scientist. she just makes me work for everything” <- HEY!!! what happened to her being “rigid, but in a wonderful way”??? defend her honor in her absence!

“yes, but i’m… i’m sure there were times when two like minds on a case would have been advantageous” <- well girl, from what i've heard, it sounds like you left and went to germany!

“i’ve done okay without you” okay. are we setting boundaries now? is this progress?

NO. it does not appear that this is the case. she is grabbing his hand. “hey. i’m on your side” side eye. from me. sounds like she is implying scully is NOT on his side, which i loathe. and please don’t kiss... i don’t want to see all that. 

where is scully going….? OH NO!!! she walked by and saw them holding hands!!

oh my god, she is leaving….. and i don’t blame her!!

the sad music!!!! stop!!!!! look at her sadly getting in her car!!!!! sadly staring at the wheel!!! sadly buckling up!!!! 

she sounds like she’s going to cry as she calls mulder and says she wants to show him something. and she doesn't want to show it to him there.

now why is agent spender rolling up as she heads out?! we have enough problems to deal with at this time that aren’t him!!!

OH SHIT!!! CSM IS TALKING TO HIM!!!! saying he gave him the case!!!!

he’s trying to give him some fatherly advice despite the fact this dude has no idea they are related. “you’re a bright boy” okay… well that is certainly an avuncular thing to say. perhaps uncomfortably so when coming from a guy you literally just met. “know which men to sacrifice and when” <- now that's some standard CSM advice.

OH SHIT!!!!!!! MULDER SEES HIM!! CSM retreats into the shadows. “i was told he was dead”, mulder pants. “well obviously whoever it is, he’s not” spender has literally no idea who tf this guy is………..

(laughing even harder at his response as i edit my notes. spender must think this mulder fellow is the weirdest dude alive)

i’m kinda laughing, because spender has no idea wtf is going on, while mulder’s world just got rocked upside down and inside out. that’s the devil that killed his dad and took his scully and killed scully’s sister!!! he thought the evil was defeated and it is back!!! poor spender is just here to chat with a stranger. he truly doesn't know anything about the situation! it's comical!

scully and mulder and all of spender’s team are in skinner’s office!!! she has the brain test results from gibson… and she is finding the results hard to believe…

something something about him having intense brain activity in the god something or other. maybe he is the next einstein??? well, that would be cool! yeah, get the little boy into nuclear physics!

but mulder thinks that maybe this intense brain activity will allow him to also explain all sorts of unexplained phenomena. 

i guess i can see the correlation between intense brain activity and psychic abilities, but how will it let him explore the jersey devil?

mulder proposes giving the killer immunity to explain wtf is going on, which spender immediately shoots down: “you want to give a murderer a free ride for the secrets to the pyramids?” <- well that is an oversimplification!

ANGRY SCULLY!!! “you mischaracterize what i’ve said” <- GET HIM AGAIN FOR ME!! “this would be quantifiable scientific proof of everything that agent mulder and i have investigated over the past five years”

i don’t really see the correlation from a plot perspective but okay ❤️ yay ❤️

oh diana, i am suspicious of you…. “how do you quantify the spiritual? it can’t be done. you ask for immunity for a killer on that basis, the attorney general’s gonna go off. you’re allowed to investigate the x files as an indulgence. but draw the wrong kind of attention and they’ll close you down”

okay………… rude. but not necessarily wrong. in fact, she seems quite right, at least about the attorney general shutting down the case part. clearly, some levels of spirituality can be quantified if the results show up on brain scans; scully will use science to find a way. scully glances at mulder, who is staring at diana

“put an end to all your work. something i happen to have an interest in myself” WELL NO ONE ASKED???? girl! it isn't your project!!

perhaps i am the one who will need immunity from the attorney general as i bravely ask the question i am thinking: am i bad feminist, or is diana supposed to piss me off?

scully’s watching mulder stare at diana……. skinner says, everyone go take a break. but you may absolutely NOT leave my office, mulder. 

he says that diana is right. if they poke around too much they’ll get shut down- but mulder is willing to risk it!!!!!

“if what agent scully’s found is true- and i have every reason to believe that it is- then the answers i might have spent a lifetime searching for may fall together like a million puzzle pieces” <- OHH!! FAITH IN SCULLY!! FAITH IN SCULLY GIVING HIM THE TRUTH!

“you’d risk the x files?”, asks skinner.

“how soon can you call the attorney general?” 

so, there is your answer.

mulder is always having some sort of power struggle with skinner. hey. can mulder, buddy. can we use a "please" and "thank you" every now and then? your old pal skinner has put up with a LOT of your nonsense!

bro is in his cranky era.

ohhhh, so he goes and tell the shooter that he gave his request for immunity, but the attorney general needs more information before she can make a decision… “i need answers from you” UH OH!! will he have them before CSM breaks in? because we know he is stalking his prey!

he says the kid is a missing link; he’s genetic proof. spender wants to know of what, and this is very convenient, because so do i. so he thinks the kid is part alien….. spender is heckling him for this. but CSM is on the prowl… we don't have time for interpersonal conflict!

(so, maybe he's part alien but distantly? or maybe they made one of the alien hybrids like emily, but this one didn't die? why did emily die, again? because we know there are plenty others of the alien hybrids because they had that whole bit about saving "their mothers" back in... i think it was s3? maybe a bunch of them, like emily, die, but some of them do survive, and gibson is a son of the half alien? so he is a quarter alien? or maybe he is from a different alien race?

everything is a bit foggy when it comes to mytharc, i suppose. i guess it all comes down to the writers wanting to torture my best friend agent scully)

well-groomed man and krycek pull up to heckle CSM, which is an important part of their job description. they’re saying he failed them, but CSM says it’s all part of the plan. take their pieces one by one. 

hey, you’re gonna kill the kid, aren’t you?

at least JFK was a grown man!!!

do you think he bulk ordered the cigarettes from like, the cigarette equivalent of sam’s club, and had them sent to his snowy canadian hideaway? i mean, the number he goes through, it should have raised some red flags for the people trying to find him!

scully is watching the boy watch cartoons. she is pondering. 

“how do you do it?” “i just hear you thinking… like on a radio. and sometimes there are lots of radios, and i want to shut them off and watch some TV” <- you know what, that is entirely understandably.

gibson says that scully doesn’t care what other people think… “except for her. the other one”

is she trying to impress diana…..? has she moved beyond vying for people's approval after the horrors of cancer and emily, or is it manifesting in a new way as she hopes this mysterious figure from mulder's past will approve of her? does she think that if diana likes her, mulder will let her in about his past? does she feel a solidarity despite their differences in belief because of the fact they are both women in a male-dominated field?

the implications... i must explore them.

ah. and in diana comes. 

scully says they’ll talk about that stuff later. queen of knowing the time and place to have a debrief. and he says “they want to kill me” OHHH poor little gibson :( just let him watch cartoons!

scully promises no one will hurt him :( and he says “i know you do" :(

is diana going to kill the kid…..?

(author's note: LMAO!! listen... i thought they were going with the double agent angle for about 2 minutes. in my defense, i'm still shocked from the whole krycek and marita thing, so i'm trying to expect the unexpected. this is not the most wildly incorrect plot point i have guessed!)

the shooter gets another note…  this time it’s an empty cigarette carton, and BAM!!! CSM SHOOTS HIM!!!

well. there goes any possibility of an explanation.

diana fell asleep watching gibson and he’s looking out the window!!! he says there’s a man with a gun!!! and he says he’s aiming at her!!!! and BAM!! she gets shot too!!

hey guys! once again i ask what’s going on.

mulder and scully are pulling in while diana gets taken into an ambulance. and mulder’s grasping her hand while scully just wants to know where tf the kid is!!!!

the shooter was killed!!! skinner shows mulder the cigarette carton!!!!! 

NOOOO!! CSM has the boy and is bringing him to the well-groomed man. gibson called him a liar when he said he won't get hurt.

“you’ve never had the stomach for our business”

“just not for your practices”

“i’m a necessity. the complement to your cowardice” <- omggg……..

the dichotomy between CSM and well-groomed man... were the girls writing old man yaoi back when this aired? because i bet they would if this show dropped now.

(i was about to joke that if we all work really hard now, we can make that ship trend, but how tf can you write romantic fanfiction between two nameless characters? yeesh. that has to be a pain. "the well-groomed man moved in closer towards the cigarette smoking man, inhaling his burnt, acidic scent; he knew he was as bad for him as the cancer coursing through the other man's bloodstream" <- yeah, i didn't enjoy typing that, and it isn't fun to read either)

“your work is done now” SO WHAT ARE THEY GONNA DO TO THE BOY???

“my work is just beginning” nope. do not like that. 

well-groomed man leads gibson into the car driven by krycek, who says he has a nice straight shot at CSM!!! but well-groomed man says not to shoot. you may need him in the future.

krycek is the last man i would trust with a child.

WOAHHHHH mulder is ATTACKING SPENDER saying he will get him PROSECUTED FOR MURDER!!! “you’re wrong, agent mulder, it’s your days that are numbered” <- NOW WHAT DOES *THAT* MEAN??

is he collaborating with daddy to kill mulder or lead him down an incredibly intricate path leading to his peril?!?

NOOOOO, skinner is on the phone with scully in mulder’s apartment 💔 spender is going after mulder and there are talks of reassignment!

his first question when she gets off of the phone is about diana….

NOOO, the justice department wants to close down the x files 💔💔

mulder says this is all part of plan he couldn’t see and walked into

“this time they may have won” NOOOOO💔💔💔💔you have to find some faith!

CSM is in mulder’s office………. looking at the files….. PICKING OUT THE ONE ON SAMANTHA………… WHERE IS HE TAKING IT???

TO SPENDER?!! “who are you?” “i’m your father” <- YOOO, I DIDN’T THINK HE WOULD JUST OUT AND SAY IT??

DID HE LIGHT ALL THE OTHER FILES ON FIRE???

HOLY HELL, HE DID???

mulder is here in his t shirt and scully is here in a lab coat and they find their whole office burnt to a crisp!!!!

she grabs his arms and leans in, putting her head on his chest as he looks around in fury

woah…. woaugh……….

the end.

CSM ruined the work of their whole lives!!!

this is why archivists are so important. because they always keep files saved on at least 3 sources. inshallah the good FBI archivists had them on a bunch of floppy disks. please please please.

(i started to type “on a bunch of flash drives”, but then i realized idk if those were popular, effective, or invented at the time. and a floppy disk really couldn’t hold much. maybe there is a huge cardboard box in one of the back rooms with all of them backed up! i like the ones that were colorful!)

well, now there’s a damn movie i need to watch!!! but first i have to get all of my s5 content sorted out!!!!

i have many questions. i have a terrible feeling that poor boy is gonna end up another sacrificial lamb. and i know that CSM saved the file on samantha to keep the fire burning beneath mulder, just enough so he meets his dastardly plans. damn. this guy really is an evil genius. which does not translate to literary talent.

what is spender going to do? is he going to believe that CSM is his father? will he follow him in dastardly deeds, or will he reject them? i mean, he sure isn't a believer in aliens like mulder is, so learning his father is basically a diplomat to the alien people isn't going to go over well. or is he going to stand up to daddy and save the day, probably nobly sacrificing himself in the process?

what about scully? i just KNOW she blames herself for gibson getting kidnapped because she promised him he would be safe, and she's all torn up about mulder hiding things from her!!! poor scully!

and mulder, what is he going to do about the reappearance of diana and then her sudden death or near-death? will he stop being so cranky anytime soon? it doesn't seem likely, but a girl can hope.

and i wanna know what is going through skinner's mind, too. because he really is like an uncle to me. i remember my earlier posts about not trusting him, and i think that narrative was intentionally cultivated by the writers, but now i'm thinking, man. that's my ride or die. skinner, i should have never doubted you. not only that, i love your little house buddha and desk globes and i wish i could slap mulder across the face for the way he acts towards you!

well, i have a lot of work to do with the s5 wrapups before i can dive into this film, and so work i must. and perhaps i will save the film for next weekend when i can focus appropriate attention.

i also expect that the movie writeup will be VERY LONG. and my writeups are already SO LONG. i tossed around the idea of splitting it up into parts, but i think it will be better to just do it all in one go. unless there is a very clear midpoint spot where i can divide the post in two, which i doubt???

will diana grow on me? will the movie be enjoyable? will scully get a damn break? will CSM and WGM kiss? will krycek continue to be a problematic bisexual?

hmm. well, stay tuned, and share all of your thoughts!

[sergle]

i had someone tell me chiro wasnt real and wasn't doing anything for me in the same breath they told me to try cbd oil 🫢

SCREAAMMMMM I wouldn't be surprised if someone told me to just go align my chakras instead. also god I love being told by other people that it isn't Doing Anything to me. like DAMN THAT'S CRAZY... Ig when I've fucked my neck so badly that I can't turn my head to the right, and I'm able to finally get range of motion back again only after getting a chiro adjustment, that must be like a sugar pill thing or something. Or when I have a tension migraine that won't go away for days and days but dissipates after an adjustment. Or when being bedridden with back pain was a common occurrence before I started going to a chiro regularly and now I can go on walks and hikes without my lower back seizing up. Or how my carpal tunnel improved when she started loosening up my wrists. But I guess it doesn't "do anything". I must be fully imagining it. It must just be some woo-woo mind shit. I should probably just smoke some weed and that will physically heal my entire body. I should probably just drive to oklahoma city and pay some extra for a PT to tell me to do some of the exact same stretches my chiro advises me to do, and advise some of the exact same habit changes my chiro has mentioned, and to perform some of the exact same adjustments, but call them "manual therapy" instead. Oh, PTs don't do "adjustments", they simply put their hands on you and manipulate your muscles/joints to alleviate pain, loosen you up, and feel for small misalignments. Which is fucking exactly what a chiropractor does.

[soracities]

Hi! So I tried not to say anything about some anti makeup posts I saw on your blog but I need to say this. I think you're very wise and I agree it's very important for us to love ourselves as we are. But some people like myself doesn't care about 'empowering' of makeup or whatever but we just have fun with it and we just love it. I say we because I know there is a lot of people like me. Yeah, we are feeding capitalism or whatever, but world is beautiful and it's also terrible so people trying make themselves feel good, have fun, ect. I see a lot of people who don't wear makeup and i'm happy for them! I didn't wear makeup until i turned 20 i think and felt good.

One thing I wanted to add is in response of post about feminine girls. I think everything needs balance and sometimes people tend to overreact in their opinion and divide everything in black and white. Personally I never cared how women around me looked and what they were wearing. But I would like to have same treatment, and not to feel silly for wearing pink or feminine clothes.

Sorry, I don't know English very well so maybe I can't translate my idea entirely. What I'm trying to say i think everyone should do what they like and leave each other in peace.

Sorry for this essay, just wanted to share my point of view.

Hi, anon! I'm sorry for the delay in getting to this, but I appreciate you writing this (and your English was fine, don't worry)

I think the main argument of those posts (and my own feelings about this) is not about makeup on its own, or even judgement about who does and doesn't choose to wear it--what they are criticizing is a particular part of the society we live in which puts a huge emphasis on women's beauty and appearance in order to fulfill an idea of what a woman "should" be, and the role that makeup plays in that as a result. Because whether we like it or not, whether we believe in them or not, whether we feel pressured by them or not, these expectations do exist. How we personally respond to them does not change that.

I personally don't have an issue with makeup or the concept of it (in almost every culture on earth, humans have been using makeup of some kind for literally thousands of years)--but what I do have a problem with is when we treat makeup, or other traditionally "feminine" forms of expression as neutral things when they are not. A comb or a hair tie is neutral--it's just a thing. Lipstick and eyeliner are also just things, but only when they exist by themselves--and in reality they don't exist by themselves: they exist in a world where we value women on their physical appearance before we value them for anything else--lipstick and eyeliner exist to emphasise parts of your appearance, to make you look a certain way--and in a society where we put so much importance on women looking a certain way, they aren't just ordinary things you toy around with for fun. You can have fun with them, but it doesn't change their role. They can't be treated as exceptions from the world they are used in.

I think sometimes people assume that being anti-makeup is the same as being anti-women-who-wear-makeup, which misses the point (and also suggests a very dangerous idea which I think, sometimes, is why people respond so angrily to these criticisms: because if we believe that being anti-makeup = being anti-women, then therefore makeup = womanhood, and this is simply not true). Whether you wear these things just for fun and to enjoy yourself isn't what is being talked about because these criticisms are not about you on a personal level: they are about looking at a society that is as image-obsessed as ours, and asking why makeup has the role that it has when 1) it is almost exclusively aimed at women--women who, as a group, have been historically marginalised, and whose value, historically, has almost always been measured in terms of their beauty before anything else and 2) the makeup that is emphasized, the trends and styles that come and go, are often not so much about self-expression (if they were, people would be freely wearing all sorts of wild colours and styles: when we talk about "makeup culture" it's not the same kind of makeup used in the goth, punk, or alt scenes for example where makeup plays a very different role) but almost always about achieving or aspiring towards a type of beauty that is valued or expected: to make you look younger, to make your eyes brighter or larger, to make your lips bigger or sexier, your cheekbones more prominent etc--again, on their own, these things may not be a big deal, but they exist in a world where having these looks means you are valued in a certain way as a woman. And when this exists in our kind of world, where the power dynamics we have automatically mean women's perceived power is through beauty, and where we insist so much on women being a particular kind of beautiful (and this starts in childhood) we have to ask and investigate WHY that is--why this type of beauty and not another? why (almost only) women? who benefits from this? who suffers as a result?

The argument of "not all women" wear makeup for empowerment misses the point of these criticism, because it is focusing on a person's individual choices in a way that suggests our choices can define the world we live in, and they can't. We are deeply social animals. Therefore, how we appear to each other and to ourselves is a socially influenced phenomenon. This applies for race, for sexuality, and for gender. How women are perceived at large, in different social structures, is a social phenomenon influenced by the societies we exist in and the values of those societies. These criticisms are about the society we make those choices in and how that can affect us. For you, makeup may be something fun and enjoyable and that's fine. I'm not saying that's untrue or that people don't feel this way or that you are wrong for feeling this way. It's also not saying that you are brain-washed or oppressing yourself for it. But it doesn't change the world we live in. Someone feeling perfectly happy to go out with makeup or without makeup, and feeling no pressure to do either, is great--but it doesn't mean there aren't a lot of women who do feel pressured into wearing it, and that pressure is a social one. It doesn't change the inequality that exists between how women's physical appearances are judged compared to men's. It doesn't change the fact that almost every childhood story most kids hear (that aren't about animals) have a "beautiful princess" (and very little else is said about her except that she is beautiful) and a "brave" knight/prince/king/whichever: the princess (or maiden or whatever young woman) is defined by how she looks; the male in the story by how he acts.

It also doesn't change the fact that so many young girls grow up hearing the women around them criticize various parts of their bodies and that they carry this into their lives. It doesn't change the fact that we expect (in Western countries at least) for women to have criticisms about their appearance and they are "stuck-up" or "full of themselves" if they don't. It doesn't change the fact that magazines photos, red carpet photos, films, tv shows etc., feature actresses who are beautiful in a way that is absolutely above and beyond exceptional (and who either have had work done cosmetically, or are wealthy enough to be able to afford to look the way they do through top-class makeup artists, personal trainers etc) but who we think are within the "normal" range of beauty because faces like theirs are all that we see--how many famous actors / entertainers can you name who look like they could be someone's random uncle, or "just some guy" (writing this, I can think of 5). Now how many actresses, equally famous, can you think of that are the same? Very, very, very few.

The point of those posts, and why I feel so strongly about this, is that we have a deeply skewed view of beauty when it comes to women, because, as a society, we place so much on how they look in such a way that it is not, and was never meant to be, achievable: therefore anything that contributes to how women look, that markets itself in the way that the makeup industry does in this day and age, needs to be questioned and looked at in relation to that. No one is saying don't wear eyeliner or blush--what they are trying to say is that we need to be aware of the kind of world eyeliner and blush exists in, what their particular functions as eyeliner and blush do in the world that they exist in, that we exist in, and how this does impact the view we have on makeup as a result. Your personal enjoyment may be true to you and others, but this doesn't change the role of female beauty in the world because, again, our personal choices don't define the world in this way. Often, it's the other way around. And we cannot deny this fact because, while it may not affect you negatively, it does affect others.

I absolutely agree with you because I don't care how other women around me choose to dress or express themselves, either--that's their freedom to wear what they want and enjoy themselves and I want them to have that freedom. But my view is not the world's view, and it's certainly not the view of a lot of other people, either. I don't care if another woman loves pink and wearing skirts and dresses--but, like makeup, pink, skirts, and dresses, are not neutral things either. They're tied to a particular image of 'femininity' which means they are tied to a particular way of "being a woman" in this world. I'm not saying, at all, that it's wrong to wear these things. But I'm saying we can't treat them as though these are choices as simple as choosing what kind of socks to wear, because they aren't. They are choices that have baggage. If a woman is seen as being silly, childish, or treated unequally because she enjoys cute tops and ribbons and sundresses, that's not because we are demonizing her choices, or because being anti-makeup is being anti-woman (again, it is absolutely not): it's because we as a society demonize women for any choice. That isn't because of anti-makeup stances--that's because of sexism.

You mentioned that you want to be treated the same as anyone else for wearing feminine clothes--but the fear that you wouldn't be isn't because of the discussions critiquing makeup and other traditionally "feminine" things--it's because we live in a society where women are constantly defined by how they appear on the outside, and no amount of our personal choices will make this untrue. Whether you are a girly-girl or a tomboy, you'll always be judged. And, in reality, when women follow certain beauty standards they do get treated better--but this doesn't mean much in a society where the standards are so high you can never reach them, and where the basic regard for women is so low to begin with (not to mention the hypocrisy that exists within those standards). This is what all those criticisms towards makeup and "empowerment" are about: it's about interrogating a society that is built on this kind of logic and asking why we should insist on leaving it as it is when it does so much damage. It's saying that that if we want everyone to truly feel free in how they choose to present themselves we have to go deeper than just defining freedom by these choices on their own, and look at the environment those choices are made in. And that involves some deeply uncomfortable but necessary conversations.

Also, and I think this important to remember, views on makeup and the social place of makeup will also depend on culture and where you are, and the beauty expectations you grew up with. And when it comes to the internet, and given American dominance online, a lot of these posts criticizing makeup and the way makeup is being used to sell an idea that wearing it is "empowering" to the woman (which is basically saying: you are MORE of a woman when you wear it; you are stronger and more powerful because, in our society, beauty is portrayed as a form of power: it tells you, you can battle the inequality women face by embracing the role beauty plays in our lives but it doesn't tell you this emphasis on beauty is part of that inequality), are based on the way makeup is portrayed in mostly English-speaking Western countries. My views are shaped by what I grew up seeing, and while a full face of makeup (concealer, primer, foundation, mascara, highlighter, contour, blush, brow tint, brow gel etc) may not be daily practice or even embraced in a place like France or maybe other places in mainland Europe (but that doesn't mean they don't have their own expectations of feminine beauty), they are daily practice in places like the US and Britain, and this is what most of those posts and criticisms are responding to.

We can argue as much as we want about makeup, but when you grow up in a society where women feel the need to put on makeup before going to the gym there is something seriously wrong. Embracing makeup and enjoying makeup is one thing, but it cannot be a neutral thing when so much of it is about looking like you're not wearing makeup at all, or when we assume a woman is better qualified for a job or more professional when she wears it. It cannot be a neutral thing when a singer like Alicia Keys goes makeup-free for a red carpet event and it causes a stir online because people think she looks sick (what she looks like is normal--I would argue above normal--but wearing makeup to cover up "flaws" is so normal now that we genuinely don't know what normal skin is supposed to look like because the beauty of these celebrities is part of their appeal: they are something to aspire to). It is absolutely very normal for me, where I am, to see young girls with fake lashes and filled in brows: it's not every girl I pass, but it is enough. I'm not saying they are miserable, or brain-washed, or should be judged. I can believe that for them it's something enjoyable--but how am I supposed to see something like that and not be aware of the kind of celebrities and makeup tutorials that are everywhere on TikTok and YouTube, and that they are seeing everyday? How am I not supposed to have doubts when people tell me "it's their choice!" when the choices being offered are so limited and focused on one thing?

I never wore makeup as a teenager and I still don't, but a lot of that is because I grew up surrounded by people who just didn't. Makeup was never portrayed as anything bad or forbidden (and I don't see it like that either)--it was just this thing that, for me growing up, was never made to be a necessity not even for special occasions. I saw airbrushed photos and magazines all around me, for sure, and I definitely felt the beauty pressure and the body pressure (for example, I definitely felt my confidence would be better if I wore concealer to deal with my uneven skintone, and I felt this for years). But I also know that, growing up, I saw both sides. No makeup was the default I saw at home, while makeup was the default I saw outside. And that does play a part, not just in the choices you make, but in the choices that you feel you are allowed to make. No makeup was an option for me because it was what I saw everyday, even with my own insecurities; but if you do not see that as an option around you (and I know for most girls my age, where I grew up, it probably wasn't) then how can we fully argue that the decision you make is a real choice?

If I wanted to wear a cute skirt outside, for example, and decided to shave my legs--that isn't a real choice. And it cannot ever be a real choice, no matter how much I say "this is for me" or "I prefer it like this" because going out in public with hairy legs and going out in public with shaved legs will cause two completely different reactions. How can I separate what I think is "my choice" from a choice I make because I want to avoid the negative looks and comments? And how can I argue that choosing to shave is a freely made choice when the alternative has such negativity? If you feel pressured into choosing one thing over another, that's not a choice. Does this make sense?

This is how I feel about makeup most of the time, and what I want more than anything else is for us to be able to have a conversation about why we make the choices we do beyond saying "it makes me feel good" and ending the conversation there. Again, I'm not saying people need to stop wearing makeup or stop finding enjoyment in wearing it, but I think we tend to get so focused on our own feelings about this and forget that there is a bigger picture and this picture is a deeply unequal one. That is what this conversation is about. I hope this explains some things, anon, and if I misinterpreted anything please feel free to message me again. x

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[hageltinmeinkrankesgehirn]

I've seen a lot of bad takes on here (this site is basically the bad takes hall of fame tbh) but something that's particularly interesting to me is people that preach critical consumption of media until the creator of said media is actually a bad person, then you're in extreme danger of ingraining their bad sentiments and becoming Bad by virtue

[assassinhomecreedstuck]

i cant believe ive played world of warcraft for 20 years

[theokusgallery]

#if you had any hope nick could ever be redeemable here's your sign that that's just not gonna happen

Bold of you to assume we don't want to make him worse

LMAO that's the spirit

[johnmalevolent]

im thinking about trigun and suikoden 2 and damn... there are parallels in there

[storm-driver]

hi im storm and i write essays in my tags

[21st-century-minutiae]

In the early twenty first century, 'cranking' and 'jerking' are euphemistically used to describe the act of sexually pleasuring oneself, in reference to the physical motion. The euphemisms have taken over the actual word, becoming almost as vulgar as the word they are substituting for.

Generally speaking, when using a specific noun or a different idiomatic expression (e.g. "Crank it to the max" or "Jerk your chain"), then it would be understood to mean something other than the euphemism, but in common parlance the verbs don't come up enough to counterbalance the euphemism.

masturbation is evil not for any puritan anti-fun reason but because it has permanently claimed so many verbs

[orbitganymede]

baby daddy simon who dated you for a year before you got pregnant, you’d gone through most of the pregnancy alone, him being deployed 3 weeks after you found out and gone until the very last month of it. the both of you had tried at keeping the relationship together, but the distance and loneliness got to you, you’d been fine when it was just you but now with baby, you can’t let the father go in and out of their life. he wasn’t very happy with the decision to end your relationship, in his mind you were together forever now, tied together by this beautiful thing you two created, he didn’t even want children before you told him you were expecting but his whole world view changed when he realized that he not only had you to protect but a baby as well.

but you’d moved out against his wishes, finding a small flat you like and making it home for you and baby. he would come over sometimes, when he could, and spend some time with baby but honestly he felt more like some glorified uncle, would be convinced he was nothing to this child until he saw those brown eyes staring back at him, the ones that are so completely his, and he comes to the conclusion that this isn’t gonna work.

he starts small, coming over once a week instead of every other weekend, takes the two of you out for dinner instead of letting you cook or ordering in. stays late enough that you offer him the spare bed in the guest room, even with the distance you’ve put between yourselves, you can’t help but care for him, knowing nobody else will.

then he puts more pressure on you, making sure you see just how valuable he is, taking night shift feedings and waking up early with baby when they’re fussy. he offers to take baby for the night so you can go out with your friends, do things you haven’t been able to since baby’s arrival, even pays for a spa day for you to really relax. he stocks your fridge, full of the snacks you love and a bottle of wine for the hard nights. he buys and sets up new decor in the house, finally gets you the pretty white vanity and a new washing machine that doesn’t squeak. he really just does what he considers ‘husband duties’, things that he should have been doing this whole time.

and when you don’t budge on the separation, he goes nuclear, “no, love, i haven’t seen your birth control pills”, “look how cute this baby is, remember when ours was that small, sweetheart”, “you’re so stressed darling, let me help you” which basically means you end up getting rawdogged within an inch of your life, condom long forgotten, one of simons hands held over your mouth to muffle the sounds you’re making. he just hopes he’d tracked your cycle right, that you’re actually ovulating, because you can’t possible refuse his ring after having two of his babies right? you wouldn’t do that to him, would you pet?

[eupheme]

— tooth and nail

alpha!logan x mutant!f!reader

rated e - 4k

tags: dub-con (logan goes into a rut), a/b/o-lite elements (logan-only - ruts/knots/mates), breeding kink, mutual pining, two jealous dummies, size kink, fighting as foreplay, return of The Claws (claw-play?), outercourse, biting, marking, come play, rough PiV sex 

a/n: pure pwp. reader has druidic-based mutant powers (wild shape, strong connection to nature/animals, influence over vines/foliage) and is from Earth-10005.

Logan knows this feeling. He thought he’d left this part of himself behind. Left on his Earth, carved out and buried with the rest. 

Should have told you no. Should have locked himself away like he always did. Instead, he’s stuck, unable to keep his mind from wandering while his sparring partner - sweat-dewed and squirming - is pinned beneath him. 

(Or - Logan’s rut begins at a most inopportune time)

Something wasn’t right.

It’s been settling under his skin for days now.  Tiny hooked claws, digging into flesh. A syrupy urge low in his guts, his mind not quite his own.

He thought he’d left this part of himself behind. Left on his Earth, carved out and buried with the rest. 

The world he lives in now is different. There’s humans, mutants, aliens. But none like him, answering to something innate that defined him in a way that didn’t matter anymore.

It’s been a while. Almost forgot how it felt, after years of tamping down this part of him. Should have recognized sooner what it was. This rippling, simmering irritation just beneath his skin, so much stronger than usual. 

Should have locked himself away, when he realized his rut was returning.

In his years in his own Earth, the urge had lessened. Dulled by alcohol and grief. Managed by himself, in the few months this part of his nature did visit him.

But he hadn’t been able to tell you no. Hadn’t been able to resist, not when you smiled so prettily at him, practically begging him. 

And the thought of you leaving him behind at the X-Mansion, while you went off without him - to spar with Hank, instead - made him want to rip McCoy’s arms off. 

Desire swirls around him now, as he trades blows with you. Your arms snaking around his shoulders as you shoulder a well-placed hit, bringing you both down the floor.

Logan feels like a pup again, watching your breathless laugh. The clench of your thighs around his waist. The heady throb low in his guts, the pressure of his cock as it strains against his suit. 

His hips lift, separating him from you. Trying to form an excuse, while his brain is rocketing into overdrive.

Fighting back the urge to close that gap again. To peel down those tight leggings that drive him mad, bury his mouth against your pussy and make you scream. Fuck you full of him, until he’s dripping out of you for days. 

The though makes him growl, as he tries to concentrate.

Tough to fake an illness, or injury. You’d see right through him.

Or even worse, worry.

So all he had to do was finish out this session. 

Shouldn’t be too hard. 

If you can just avoid touching him… he might just make it through. 

You know you shouldn’t let yourself get distracted like this while sparring with Logan, but you can’t seem to help it.

Not when you’ve been nursing this thing inside you for months now. Something planted from another earth, settling low in your chest. Infesting like the vines that sprout from you, taking over until you’re fully ensnared.

You’ve tried to ignore it. Didn’t want to ruin a good thing between you. 

Out of everyone in the X-Mansion, you got along with Logan the best. Used to a solitary lifestyle after being raised among the druids, before you knew the truth to what you were, the mutant lineage that flowed through you.

It had paired well with his temperament. His anger and grouchy quips slipped from you like raindrops on a leaf. Something about spending time with you softening him at the edges - just a little bit.

He was still the hard man he used to be. Grizzled, with that scowl of his and the flecks of grey at his temples.

And despite your efforts - forgetting and moving on hadn’t been successful. Not at all. 

Because it’s impossible to ignore when he’s close, like this. Pressing your back to the mat, your wrist slammed against the padded floor. A knife skittering away, because even after all this time - even with his insisting - you were still reluctant to use it.

It sends your pulse racing. He’s so fucking strong - and you think that maybe, even if you had been an equal pair, that you’d still throw these matches. 

Let him win, if it gets him like this. Sweaty and pressed up against you as you struggle beneath him. A thigh jammed between yours to prevent you from slamming your heel into his calf.

You’ll think about this later. 

You always do after your sparring sessions. You hand slipping between your thighs in the shower after. Bitten-back moans as you play out more in your mind - the plunge of your fingers inside your aching cunt until you’re shuddering with the pulsing pleasure, slumping back against the cold tile. 

The fantasies always comes back to him. 

You think that maybe Logan wants it too. Have felt his gaze on you when he thinks no one is looking, but your senses have always been keen. Animal attraction, perhaps. Pheromones. Something about his smell, his touch, beckons you - though you don’t understand what it means. 

And it’s only now that you realize he’s gone still above you. Eyes blown wide, a sharp breath of air inhaled through clenched teeth. A low growl, caught in his throat. 

Holding himself back. You can see it - the way his muscles string tight. How his eyes dip, flicking over your face. Down to the part of your lips. The sweat that dews your chest. 

Close enough that you can inhale him - the smell of leather and cigar smoke blending with more - something inside you giving them a name. 

Want. Need. 

It gives you courage. 

You bridge the gap, for a just a moment. A shallow lift of your hips. Encouraging, the movement pushing your tits against his heaving chest. 

“Bad fucking idea, sweetheart.” He growls.

It’s rough, low. Ground-out as if to himself, a wounded sound slipping from his throat. 

His response has a mark forming between your eyebrows. A soft murmuring of his name.

Logan’s face dips, eyes closing as he inhales. Then, without warning, his knuckles cradle against your throat. 

Wrist flexing as two of his claws spear forward on either side of your neck. Punching through the training mats and sinking deep into the concrete beneath.

Pinning you completely under him, your hips dropping as your free hand wraps around his forearm. A tug of fear ripples through you, but he doesn’t budge.

“Logan,” You repeat, gasping, “What are you doing? What’s wrong?

This isn’t like the times you’ve sparred before. He’s never drawn his claws. You don’t heal like he does - you both know it. Never using more than a loose fist, an open palm in your sessions. 

He’s breathing heavy. Holding himself over you, his other hand still wrapped firmly around your wrist. 

“I’m gonna let you go.” It comes out ragged, through clenched teeth.

“And then I need you to leave, and lock me in after.” Only now does he look at you - his dark eyes burning, “You understand?”

His voice is so rough that it makes your skin prickle. Heat licking down your spine, stoking the embers that have settled low in your belly. 

“I don’t.” It comes out hushed.

How can you? It’s like a flip has been switched, in those few moments. Did you truly misread everything? 

His eyes haven’t left your face. There a peek of his tongue against his lips, the words coming slowly, “Don’t wanna do something you’re gonna regret.”

And for a moment, time stands still. An ache in your chest that’s so different than the one between your thighs. Finger unfurling, reaching.

Slipping up his arm, touching his cheek. He flinches, eyes fluttering shut as he holds his breath. 

“What could I regret with you?”

If it were anyone else, the question would be stupid. You should be running from the man that has you pinned to the ground, claws drawn. Another twitch and you could be dead - the middle unsheathing to pierce clean through your soft throat.

“Whatever it is, let me help you.” Your voice is gentle - coaxing -  and for a second, he leans into the touch. Palm pressing against heated skin, and you gasp, “You’re burning up, Logan.”

“You can’t help me with this.” He rasps with his eyes closed, voice strained. 

Your head shakes, “Let me try.”

A long pause lingers. The room filled with the uneven intake of breath. Logan’s words coming slowly, as his eyes open - dropping down to your throat. And then away, like he can’t bear to even look at you, “Does the word rut mean anything to you?”

It feels like something stirs again inside you. The flutter of wings, not unlike the feeling when you tap into your power. Like threads slipping your fingertips, connecting you down to the earth below. 

“Animals have ruts. Deer, elk, creatures like that.” A beat, as you begin to understand. Heat flaring in your cheeks at the implication, “But, not… not humans.”

He grunts, shifting.

It takes everything not to let your chin tip down, to look. 

“They do where I come from.” 

Pieces start to fall in place. His increased irritability around you lately. Territorial. Aggressive. 

Blending in to what you know, in your connection to nature. Those animalistic instincts that linger in your blood long after you’ve shed your beast form. 

Desire. Mating. An urge to breed. 

Oh, fuck. 

You squirm and he makes a warning sound without thinking - a rough rumble from his chest. His weight shifting on top of you, still hovering.

“How do you handle it?” 

His eyes flicker up to yours, then away again. Jaw working, a breath before he answers, “Take care of it myself. Or, I’d find someone to work through it with me.”

Even as you’re scrambling to make sense of it, you understand his insinuation. It stuns you into silence. You cannot allow that. The thought sends your heart crashing into your guts. 

Your chin tips up, defiantly.

“Let me help you.” 

Those dark eyes narrow as they snap to your face. Your words softening, as your thumb sweeps across his skin, the scruff of his cheek.

“I want to help you.”

Logan laughs, the sound ragged. Showing the points of his canines with the shake of his head. 

“You don’t know what you’re asking.” His voice is smoky-low. Rough as it scrapes across your skin, leaving goosebumps, “You couldn’t take me.”

Your heart feels like it’s pounding in your throat. Heat licking down your spine, and surely he can feel it - the flutter beneath the press of his knuckles. 

“I can.” It comes out breathy. Insisting. 

His tongue brushes over his lips as they part. A tilt of his head as he lowers himself. His knee pressing against the meat of your thigh, nudging. Opening your legs up further. Spreading them wider. 

“I will ruin you.” 

It’s growled in your ear. Each word coming slowly, as he lets the hard curve of his cock grind against your core. His meaning unmistakable, his voice pitching down with a ragged groan. 

“I want you to ruin you. You understand?”

And, you do. It floods through you, sending your nerve endings alight. Imagining how he would handle you, take you. The space between your thighs throbs. 

His admission - the rasp of his words and the heavy nudge of him against you makes you do something very selfish. 

And very stupid. 

You’re just able to reach your thigh holster now, with this new angle. The quick fumble of your fingers to loosen the small dagger.

The metal side of his claw pressing into your skin as your head turns. Before he can move, a flick of your wrist sends it through the air.

Your aim is slightly off, but it does the job. Seating itself in the control box by the door, a sizzle as the wires are cut.

A metallic snick as the doors lock. The lights click off, plunging the room into darkness. The ground bathed only with the stripes of sun that stretch across the floor from the row of window along the wall.

Logan lets go of your wrist, but leaves you pinned. His fist curling in the strap of your tank, knuckles pressing against your throat as he yanks you forward.

“Why the fuck would you do that?” Logan snarls, “You want me to use you?”

His words make you whimper. A soft little whine that has his hips dropping further. An unconscious rut against your core, leg muscles flexing as you clench around nothing. 

You meet his second thrust, your body curving against his. Head tipping back as the seam of your leggings nudge against your clit.

“Fuck.” It almost sounds awed now, his words soft and slow, “You do, don’t you?”

Letting his full weight drop, as your hands grip onto his shoulders for purchase. You had thought you were pinned before, but he had still been using his knees, his elbows. Hovering, in an attempt to keep control.

Now, you can feel all of him, as his body maps against yours. Pulling a rough groan as his hips flex, grinding himself slowly against your core. 

“Logan, please.”

He growls. Fingers unfurling from your shirt. Ghosting down your side to fit against the curve of your hip. Biting into flesh with a bruising force, as his face buried in the crook of your neck. A hot exhale against your skin, as he pants - finding a rocking rhythm, as his body curls around yours. 

You can feel the way his muscles tense with each needy snap of his hips. The way each breath pitches into a near-silent whine, as he seeks friction. 

It’s not enough, as much as he wishes it was.

“I need-” Logan rasps, “Tell me to stop and I will.”

The hand on your hip snakes between you. Roughly tugging on the belt of his suit, until the clasp opens. All while murmuring assurances, half to himself.

“I’ll let you go. Work through it myself-”

That need he speaks of rolls off him in waves. Facial hair scraping against your cheek. The brush of his lips against your throat, just above the cool press of his claws.

“Don’t stop.” It’s easy to answer. Easy to lean into what he offers you, all those sweet promises wrapped in steel. 

The groan he makes is filthy, “Give me your hand.”

Your fingers unlatch from the vice-like hold on his suit. A broad hand wrapping around your wrist, as he tugs you where he needs you. The tips brushing heated skin, making you gasp. 

“Make a fist,” He rasps, “Fuck, that’s it.”

Lining himself up, pushing his bared cock into the circled grip of your fingers. Using you like a cheap imitation of what he craves, as his desire leaks from him. Slicking up your fingers, with each roll of his hips. 

He’s heavy in your hand. You can feel how your fingers stretch - flexing, opening, with each forward thrust. Barely able to circle around, fingers splitting when you reach his base. 

You can’t help but move with him. Hips rocking up, to match his messy rhythm. The knuckle of your thumb pressing against your seam, nudging at where you ache for him.

“I can smell you, sweetheart,” Logan moans, his nose dragging along the curve of your jaw. Lips parting so he can test his teeth against a spot under your ear, the pressure making you shiver, “Your pussy’s leaking, thinking about me.”

Your eyes flutter shut, as you whine. Squeezing his cock a little more tightly, wishing it was filling you instead just your fingers. 

“I’m right, aren’t I?” He husks, “You think you can take it?”

You want anything he’ll give you. And anything is better than the way he’s teasing you. Palm slick with his desire, your own soaking through the soft fabric of your leggings.

“I want it. Want your cock,” You breathe, “Want to fuck me, please-”

There’s a final jerk of his hips against you, his voice gruff as his thighs shift.

“Stay still then, sweetheart.”

There’s the sharp rasp of adamantium against stone as they withdraw from the floor. His knuckles easing carefully from your throat as he leans back. Eyes dropping down, considering.

Barely a heartbeat before there’s the kiss of metal against skin, as the edge of a claw hooks under your shirt. Your breath held as it slips up, between your breasts. 

A tug, and the fabric is shredding. Fibers splitting until the drag of the sharp tips, from belly to throat. Baring you, the air in the open room chilling your heated skin as you gasp.

Nipples already pebbled as his mouth descends. A needy moan loosening when he kisses at the curve of your tits, his tongue flattening across a tight peak. 

Your arms wrap around him, their duty forgotten. Distracting you as his claws shift down. Your breath catches, but then there’s the sound of them sheathing - slipping back under his skin. 

His hands finding the slice he made in the waistband, making short work of the rest himself. Ripping your leggings open - dragging your thighs over his as he leans back on his knees. 

And looking down, it’s only now that you can fully see him. The familiar, worn yellow suit that shows off how broad he is. Zipper yanked down at the crotch, his cock pulled through with his impatience.

Eyes widening, when you realize there’s more to him than you though. Hanging heavy between his thighs, pretty and flushed. A thickened bulge sitting where your fingers had split - what you had mistaken for his base. 

“Need to be inside you, sweetheart,” Logan’s hand already wrapping around his shaft, dragging the tip across your cunt, “Don’t make me waste a drop, alright?”

Fingers tugging the gusset of your panties to the side. Letting the tip slap against your clit. It glides against you, slipping against your combined arousal. Seeing how you flutter as you clench, your own need spiking.

“Logan,” You beg, “Stop teasing, please-”

He makes a rough sound. Almost a laugh, if it didn’t sound so pained. 

“Just listen to you. Begging like you’re in heat,” He grunts, “Don’t worry, I’ll give you what you need.”

The tip dips down, nudging at your entrance. Lining himself up, before his hips drive him forward. The sudden pressure chokes you - a bitten-back cry as your muscles string tight, thighs clamping down around his waist.

“Fuck, I’ve dreamed about this.” He growls. Spearing into you an inch at time with a long, fluid motion. Fingers biting into your thigh, holding you open as your own scrabble against the mat - searching for something to hold onto.

“Tugging down those leggings. Fucking you into the floor.”

You can barely contain the whine. Brow furrowed, as he splits you open. Your pussy making room for him until the swollen ring at his base cradles your entrance. 

Only able to inhale a short breath before he’s moving. Hands catching your legs, slipping to the joints of your knees where they press into his ribs.

Pushing your thighs back towards your chest, opening you up further, as his cock drags along your walls. He feels deeper, bigger - groaning at the way you clench so tightly around him.

Better than any of those daydreams, as he leans into you. Chasing that animalistic urge inside to bury himself fully in you, ensuring that you’ll take every drop.

Your fingers bite into his wrists. The breath pushed from you with each thrust, feeling like he’s deep in your belly, as that swell stretches at your opening.

“Thought about it too,” You admit with a gasp, as that heat inside you burns, “Wanted you, like this.”

“Yeah? I bet you did.” He grunts, as his thighs snap against your ass. Leaning over you now, eyes fixed on yours. Close enough that you can see the glaze to them, lost in his need for release. 

Before his eyes drag down. Seeing where you’re stretched around him. Another shallow nudge, urging himself deeper. His thumb pressing at your entrance, before slipping back to hook around the swell.

“Good girl like you’d take my knot too, wouldn’t you?”

His knot. Your head shakes. He barely fits at is. You can feel every ridge as he ruts into you, every thick vein, “I don’t think- Logan, that won’t fit-”

The thumb shifts up. Pleasure burning through as he rolls the pad across you clit. His brow pulled in concentration, but there’s a flesh of white teeth.

“Sure it will, baby.” It’s slick, how he touches you. His cock grinding again and again against a spot that steals your breath, “You were made to take it. We’ll make it fit.”

It makes you moan. Your fingers sliding into his hair tugging at him. He comes willingly, a soft sound as his mouth dips to press against yours. Turning hungry as your lips part. Rubbing at you as his tongue strokes against yours, deepening the kiss. 

The pleasure licks in your veins, a molten feeling building in your core. 

A rough murmur against your lips, “Tell me you want it. I’ll make you feel good, sweetheart.”

You parrot it back to him without thinking, hips chasing the press of his thumb. 

“I want it,” You keen, “Your k-knot.”

Willing to do just about anything he asks if he keeps touching you like this. If he keeps rutting against the spot that makes your arousal leak around his cock, each drive of his hips loud and messy in the quiet room. 

He groans, the hand at your thigh pinching, sure to leave bruises tomorrow. The fingers at your clit slipping up to splay across your abdomen, his palm hot again your skin. 

“Yeah?” Logan husks - pressing down, almost as if he can feel himself buried inside you, “Fuck, you’d look so good filled with my pups.”

His rhythm going sloppy, as a hand slips up to palm at your breasts, “These pretty tits nice and round. Wouldn’t be able to keep my hands off you, baby.”

Some of his words are new to you, but your body still reacts to his tone. The need, the longing. An intrinsic understanding of what he wants, even if it’s impossible with your implant. It still doesn’t stop your hand from slipping down to replace his.

Of pretending, with him. 

The circles practiced, leaving him to concentrate on his own end. Soft panting cries pulling from you as the pounding of his hips drags you closer. 

He’s close, as well. Those sharp thrusts growing shallow, messy. Letting go of your thighs, letting them wrap around his waist as he drives you into the padded mats. Burying his face in the crook of your neck, lips pressing against your jaw. Tongue dipping out to drag against a spot on your neck that makes you go slack in his arms. 

“Should mate you,” He rasps. Teeth pinching down, where his tongue just was, “Bite you right here. Make you mine.”

The words tip you over the edge. A ragged gasp as your pussy clamps down around him, blood thundering in your ears. Nails catching on the panels of his suit as you cling to him, moans ripped from your throat as you pulse around him in time with your thudding heartbeat.

There’s no sharp bite of teeth. Just a muffled groan against your skin as he grasps at your hips. The sharp feeling of pressure increasing, as something thick works its way inside you. You keen as it stretches you, swelling so he can’t withdraw. 

Twin ragged moans, as you’re joined together. 

He comes with you squirming on his knot, his lips pressed against your throat. Sweet nothings murmured - “squeezing me so fucking tight, baby”, “gonna need you to take every drop, atta girl” - his cock throbbing as he spills inside you, pumping you full.

Still grinding into you. It draws your own orgasm out, with the way he’s rubbing against your walls, nothing left untouched. Overstimulation flickering at the corner of your mind, but you’re locked in place as he breeds you. 

Understanding what he meant by using you - you feel it now. Fucked out and boneless and it sends another gush of sticky need between your thighs. 

The sharp, panting breath starts to ebb. The ghost of his teeth becomes the nuzzle of his face, that strung-tight pull of his muscles turning liquid as he relaxes into your embrace. 

“Why were you so worried?”

It comes out hushed, in the now-silent room. You’re sore - will be, tomorrow. Pleasure-drunk certainly, but not quite as ruined as he promised. 

Almost to your disappointment. 

“That wasn’t too much.”

Logan laughs, the sound dripping with condescension. A flex of his hips, still knotted inside you. Cum leaking from your swollen pussy, smearing against your inner thighs.

“Oh, sweetheart.” He coos, “Ruts can last for days.”

His fingers drop, dragging through his spend. Finding your clit again, rubbing slick circles against the tight little bud. 

Intent on doing this one himself. 

“We’re only just getting started.”

[moodboard] // I had two ideas for his claws after the movie - this was the second one! This is my first time writing something like this, so keeping it a little light with the dynamics 💖 thanks for reading!

and speaking of - I have to link this amazing alpha!logan thot by the incredible @avocado-writing! please check it out! 💕