#instead of a built in feature

[thecasualqueer]

If Lena had been Kara's best friend in season 1 instead of Winn she would've gotten to wear pants from the start.

[martyrbat]

habeas corpus – detective comics #1086

(ID in alt!)

[coquelicoq]

just saw my friend who speaks french and told her about my list of favorite french words to pronounce and as soon as she asked for examples i forgot all of them except ensemencement. so i was like, okay get this: ensemencement. expecting her to be like, never heard of it. but she was like, ensemencement! and i said, it's an insanely fantastic word but it probably doesn't come up in the wild in conversation like at all frequently :( because how often is it necessary to talk about the act of sowing seeds if you're not a farmer? and she was like well it was necessary to me. i used it for sure. and that's when i remembered that she was in france specifically to get a science degree which involved reading agriculture textbooks in french so yeah. without even meaning to i found the one american who already has a relationship with the french word ensemencement. serendipity.

[g0reoz]

❌: My face is angular, but is it too feminine? Are my eyelashes too long? Are my lips too pronounced?

✅: Ooo wee ooh i look just like Baki Hanma

[vivanightcity]

Look. I'm not saying he snuck back into the place where his best friend got mortally wounded, and he watched some old fuck get murdered, just to use a pool, but also, that would be a very in character thing to do.

[mechahero]

//GT Lambda my most sillious

[mako-island-moon-pool]

Personally of the belief that live action fans who go onto animanga posts uninvited like 'I DESPERATELY NEED YOU TO KNOW THAT I THINK THE ART STYLE IS UGLY EVEN THO THIS OPINION IS IRRELEVANT TO THE POST' should be hit with a big rock. We already moved past this ten years ago, get with it or get lost. Swallow the hunger inside of you that demands everything be palatable to you. Maybe you could stand to be a little uncomfortable for a while

[cozylittleartblog]

What would Val be like as a friend?

he looks out for people :) only so much of it is programming, he cares about people so much, more than anyone else in his unit did - even if he acts like he's only hanging around out of obligation or convenience. so you can imagine it's hard being friends with so many folks who do such dangerous work for a living, but he says those are the kinds of people who need someone to lean on most of all. he hates feeling unappreciated, and he'll give you a verbal beating if you need sense knocked into you, but no matter what happens his clinic doors are always open to you

also he's generally very quirky and sillygoofy, he is not a robot who tries to humanize himself. he is strange, and he thinks everyone Else is the strange one.

[pngjpeg]

op thanks to you i just had a minor epiphany about what mark fisher was trying to say in postcapitalist desire

[seagullcharmer]

okay. currently leaning towards wind blade fiora and darkness blade dunban. idk personal justice seems up his alley

[shortazn97]

This is a talk from Nikki Crenshaw about accessibility in video games. Go to 3:25 to skip her intro if you'd like. Accessibility affects EVERYONE, not only players with disabilities, but focusing on making games more accessible will help with abled and disabled players.

i will never understand the insane takes against having games be more accessible

[nomairuins]

no sims 5 . guys im gonna

[cherrypikkins]

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!

I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.

If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)

A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!

By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.

For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!

Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.

By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.

The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.

For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.

A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.

Lets see how these solid shapes can be used to compose the human body.

By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.

You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.

Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!

I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.

Cheers :3

[azuremist]

Google is going to start scraping all of their platforms to use for AI training. So, here are some alternatives for common Google tools!

Google Chrome -> Firefox

If you’re on tumblr, you’ve probably already been told this a thousand times. But FireFox is an open-source browser which is safe, fast and secure. Basically all other browsers are Chrome reskins. Try Firefox Profilemaker, Arkenfox and Librewolf! Alternatively, vanilla Firefox is alright, but get Ublock Origin, turn off pocket, and get Tabliss.

Google Search -> DuckDuckGo

DuckDuckGo very rarely tracks or stores your browsing data (though they have only been known to sell this info to Microsoft). Don’t use their browser; only their search engine. Domain visits in their browser get shared. Alternatively, you can also use Ecosia, which is a safe search engine that uses its income to plant trees! 🌲

Google Reverse Image Search -> Tineye

Tineye uses image identification tech rather than keywords, metadata or watermarks to find you the source of your image!

Gmail -> ProtonMail

All data stored on ProtonMail is encrypted, and it boasts self-destructing emails, text search, and a commitment to user privacy. Tutanota is also a good alternative!

Google Docs -> LibreOffice

LibreOffice is free and open-source software, which includes functions like writing, spreadsheets, presentations, graphics, formula editing and more.

Google Translate -> DeepL

DeepL is notable for its accuracy of translation, and is much better that Google Translate in this regard. It does cost money for unlimited usage, but it will let you translate 500,000 characters per month for free. If this is a dealbreaker, consider checking out the iTranslate app.

Google Forms -> ClickUp

ClickUp comes with a built-in form view, and also has a documents feature, which could make it a good option to take out two birds with one stone.

Google Drive -> Mega

Mega offers a better encryption method than Google Drive, which means it’s more secure.

YouTube -> PeerTube

YouTube is the most difficult to account for, because it has a functional monopoly on long-form video-sharing. That being said, PeerTube is open-source and decentralized. The Internet Archive also has a video section!

However, if you still want access to YouTube’s library, check out NewPipe and LibreTube! NewPipe scrapes YouTube’s API so you can watch YouTube videos without Google collecting your info. LibreTube does the same thing, but instead of using YouTube servers, it uses piped servers, so Google doesn’t even get your IP address. Both of these are free, don’t require sign-ins, and are open source!

Please feel free to drop your favorite alternatives to Google-owned products, too! And, if this topic interests you, consider checking out Glaze as well! It alters your artwork and photos so that it’s more difficult to use to train AI with! ⭐️

[txttletale]

What I don't get is that other your support of AI image generation, you're SO smart and well read and concerned with ethics. I genuinely looked up to you! So, what, ethics for everyone except for artists, or what? Is animation (my industry, so maybe I care more than the average person) too juvenile and simplistic a medium for you to care about its extinction at the hands of CEOs endorsing AI? This might sound juvenile too, but I'm kinda devastated, because I genuinely thought you were cool. You're either with artists or against us imho, on an issue as large as this, when already the layoffs in the industry are insurmountable for many, despite ongoing attempts to unionize. That user called someone a fascist for pointing this out, too. I guess both of you feel that way about those of us involved in class action lawsuits against AI image generation software.

i can't speak for anyone else or the things they've said or think of anyone. that said:

1. you should not look up to people on the computer. i'm just a girl running a silly little blog.

2. i am an artist across multiple mediums. the 'no true scotsman' bit where 'artists' are people who agree with you and you can discount anyone disagrees with you as 'not an artist' and therefore fundamentally unsympathetic to artists will make it very difficult to actually engage in substantive discussion.

3. i've stated my positions on this many times but i'll do it one more: i support unionization and industrial action. i support working class artists extracting safeguards from their employers against their immiseration by the introduction of AI technology into the work flow (i just made a post about this funnily enough). i think it is Bad for studio execs or publishers or whoever to replace artists with LLMs. However,

4. this is not a unique feature of AI or a unique evil built into the technology. this is just the nature of any technological advance under capitalism, that it will be used to increase productivity, which will push people out of work and use the increased competition for jobs to leverage that precarity into lower wages and worse conditions. the solution to this is not to oppose all advances in technology forever--the solution is to change the economic system under which technologies are leveraged for profit instead of general wellbeing.

5. this all said anyone involved in a class action lawsuit over AI is an enemy of art and everything i value in the world, because these lawsuits are all founded in ridiculous copyright claims that, if legitimated in court, would be cataclysmic for all transformative art--a victory for any of these spurious boondoggles would set a precedent that the bar for '''infringement''' is met by a process that is orders of magnitude less derivative than collage, sampling, found art, cut-ups, and even simple homage and reference. whatever windmills they think they are going to defeat, these people are crusading for the biggest expansion of copyright regime since mickey mouse and anyone who cares at all about art and creativity flourishing should hope they fail.

[uzurakis]

jjk men w gf who’s overly sensitive and they said something that hurt her feelings? ^___^

FALLING INTO ARGUMENTS?!

featuring: megumi fushiguro. gojo satoru. itadori yuuji. geto suguru.

n. nonnie, allow me to spice your req a bit by make them getting into arguments which hurts your feelings in the process. sorry it took a longer time to write this cause i really don’t want to mess their characterization on this one t—t you also didn’t say i need to end it with comfort so…

GOJO SATORU.

the atmosphere was heavy with tension, as if every breath you took stirred up a storm of unresolved emotions. the soft glow of the desk lamp cast long shadows across the room, accentuating the lines of frustration etched into gojo satoru’s face. his piercing gaze fixed into yours, a silent challenge hanging between both like a veil of uncertainty.

as you stood before him, the weight of his dismissive words bore down on you like a crushing weight. it was as if every syllable was a dagger aimed straight at your heart, each one leaving a deep, painful wound that threatened.

you cried out, "i can help, satoru," your voice quivering with a mix of hurt and desperation. "please, just let me help you."

however, his reply felt akin to a blow to the face. "i don’t need your help, alright?" he yelled, his voice snapping like a whip. "i've got this covered myself.”

the words hung in the air, heavy and suffocating, filling the space between you guys with a palpable sense of defeat.

you begged, your voice almost audible, "but satoru, we're supposed to be in this together. i thought you trusted me. isn't that what relationships are built out of?”. nevertheless, his expression remained impassive, a mask of indifference that hid the pain lurking beneath the surface. “trust has nothing to do with it," he replied, voice colder than you had ever heard it before. "i do better alone."

with those comments, the abyss between you and gojo deepened, threatening to swallow both whole. then as you turned to leave his room, the weight of his rejection settled like a stone in your gut, leaving only a hollow ache and the bitter taste of regret.

the silence of the room was deafening, broken only by the soft hum of the air conditioning and the steady rhythm of his own heartbeat. every fiber of his being screamed for him to go after you, to swallow his pride and beg for your forgiveness, but something held him back, he didn’t want to pull you into his mess any further.

with a heavy sigh, gojo sank into his chair, his shoulders slumping in defeat as he let out a long, ragged breath. the weight of his actions settled on him like a leaden blanket, suffocating him with its suffocating embrace.

tears threatened to spill from his eyes, but he blinked them back, refusing to let himself break down in the face of his own weakness. he had always prided himself on his strength, on his ability to handle any situation with ease and confidence, but now, in the aftermath of this argument, he felt more vulnerable than ever before.

MEGUMI FUSHIGURO

"are you okay, megumi?" you asked softly as you reached out to touch his shoulder.

his usually calm demeanor was replaced by a tense energy that crackled in the air, setting your nerves on edge as he flinched away from your touch, his expression hardening as he turned to face you.

he snapped, "i'm fine," in a tone that was unlike anything you had ever heard. "stop asking me that."

the words were like a slap to the face, leaving you feeling with hurt and confusion. all you had wanted was to help him, to ease the burden he carried on his shoulders, but instead, you found myself faced with a wall of anger and resentment.

you tried to protest whilst trembling with suppressed emotions. "you know you can always talk to me, right? you don't have to go through this alone." yet he shook his head, his eyes dark with pain as he pushed you away. "i said i'm fine!” insisted, tone slightly went higher. "just leave me alone."

the tears threatened to spill over, but you just held it down and bit your lips. with a heavy heart, you turned and left his room.

as the door closed behind you, megumi let out a frustrated growl, the sound muffled by the empty room. he cursed himself silently, his hands clenching into fists at his sides as the weight of his harsh words settled heavily on his shoulders.

"damn it," he muttered under his breath, very much thick with regret. "fuck you, fushiguro.”

the memory of your hurt expression haunted him, a reminder of the pain he had caused with his thoughtless words. he had never meant to hurt you, never intended to push you away, but in his fear and uncertainty, he had lashed out without thinking, building walls around himself to keep you out.

now, as he stood alone in the quiet solitude of his room, he realized the magnitude of his mistake. he had pushed away the one person who had always been there for him, the one person who had never given up on him, and now he was left to face the consequences of his actions.

with a heavy sigh, the man sank onto his bed, running a hand through his hair as he tried to make sense of the mess he had created. he knew that he needed to apologize, to make things right, but the thought of facing you again filled him with a sense of dread.

ITADORI YUUJI

under the soft glow of streetlights, yuuji and you found yourselves standing at the edge of a heated argument that threatened to consume the bond between you. the cool night air was heavy with tension, each word you and he exchanged hanging in the air like a cloud of unresolved emotions.

"i just wish you would trust me, yuuji." you said, sounding frustrated as you looked for any indication that he might understand.

however, he shook his head, his expression stubborn and closed off. "i do trust you, but this is different. i need to handle this on my own, babe.”

his remarks pierce deeply. it seemed that he was shutting you down even though all you wanted to do was to help him. you looked at yuuji and said, "i can't just watch you struggle."

"just, give me some time alone, okay?”

the hurt in his voice mirrored your own. as you watched him walk away, the sting of his words lingered like a bitter taste in your mouth. just as you turned to leave, you heard him call out your name, his voice filled with panic and regret. "wait! baby, i'm sorry. i didn't mean it like that."

you turned back to face him, the ache in your chest easing slightly at the sight of his vulnerability. in that moment, you understood that beneath his tough exterior, he was just as scared and uncertain as you were.

"it's okay, yuuji," you calmed him down, reaching out to take his hand in yours. "we'll figure this out together."

GETO SUGURU

you couldn't stand idly by as suguru pushed himself into further depression from time and time again, and tonight, you had finally reached your breaking point.

"suguru, you need to take better care of yourself," you begged, tinged with frustration and concern. "you can't keep treating yourself like this."

“is there really nothing i can do to help you?”

only he scoffed at your worries, waving off your concerns with a dismissive gesture, expression stubborn and unyielding. "i'm fine, babe.” with a deep sigh, geto suguru pointed out, "and what would you know about my problems, huh?" he reacted with resentment.

those words cut deep, leaving you mourning with hurt and disbelief.

"suguru..” you claimed, “do you really think i would just stand there as you destroy yourself? when you mean so much to me?”

his eyes softened at your words, a flicker of regret passing over his features before he shook his head, expression hardening as he turned away from you. "i don't need your help," he spat.

“i can take care of myself."

the finality of his words hung in the air like a heavy weight, crushing the last vestiges of hope that lingered in.

"fuck, i'm sorry," he murmured right before you decided to walk away. "i didn't mean to worry you."

“i, i just don’t know what to do with myself. shit, i’m so sorry.”

you turned back to face him, tears welling in your eyes as he crossed the room to pull you into a tight embrace. his familiar arms curled around you, providing comfort and warmth despite the tension. you could feel his heartbeat against yours, a rhythm that expressed both guilt and tenderness. at last, words were unnecessary as you allowed the quiet to envelope both, saying more than any apology could.

@uzurakis — requests are open! <3