#instead of 18 like it is in canon

[youngyoo-apologist]

Writing fanfic with like 90% of the plot already planned is so funny but also so painful because every time there’s a mystery I purposefully put into the story as something that will be foreshadowed to revealed and revealed later in just praying people don’t think its a plot hole.

Like for example, the timeline OG Cale and Choi Han living in being different from TBoaH with some similarities. (The major differences being that Lily Henituse is alive, and while the rest of the continent took a pretty hard hit with the war, the Roan Kingdom managed to rebuild some of itself later in the war) , this one is so important because like, things aren’t supposed to be that way! I didn’t change canon for no reason! That happened for a reason! Guys! I swear!

Same thing with like KRS and OG Cale being able to hear eachother since they were young through their dreams, like that also has a reasoning behind it I promiseeee guys I swear😭😭 it’s like my biggest irrational fear that people will think that I’m just doing these things with nothing to back them up even though I know I shouldn’t rlly think abt it too much and just write the story like I intended 😭😭

I feel like a part of writing fanfic, especially LCF fanfic that makes me so nervous is the fact that canon is already and established and really well written universe. If things change, I feel like I need to make it OBVIOUS that they changed on purpose and not cause I’m changing things for the sake of changing them.

Sometimes I re read older chapters and go “wow, the delivery of this line sucked! I should re-write that slightly” because I’ve gotten better at phrasing things but WHAT IF ITS TOO LATEEEEEEE 😭😭😭😭😭😭 when I don’t have a limited vocabulary anymore it’s going to be the day I write something real good

Like I’m reading the early chaoters of [In the Borderline] and it’s like, FUCK some of these things just look like a dues ex machina even though they have reasons behind them.

I think a huge part of it is because of the wording, and how sudden everything is, I should have emphasized the characters confusion to these things to as a way to show that yes, things are off, BUT I DIDNT BECAUSE WHEN I WAS WRITING I FORGOT TO PROOF READ 😭😭😭😭 AND NOW ITS TOO LATEEE

Idk I’m just saying stuff at this point, but I guess my point is for a story like lcf, I want my fanfic to be something good becauee I really love lcf. I want to be able to write a story that shows how much I love the characters and things I want to see happening, but without erasing importance of characters or anything from TCF because I firmly believe that KRS is important no matter what.

There are things I will never change, like KRS being the one to name Raon, KRS being the children averaging whatever years old’s father, KRS having the silver shield(cause I think that’s like THE ancient power that represents him, that and Vitality of the Heart)

In a regression fic like [In the Borderline], where the time line has diverged so much, and in general is a fic that plays the long game when it comes to plot points, I just want it to be clear that everything happens for a reason and that I’ll never change KRS’s importance to the story, cause in that fic, OG Cale and KRS are both so important.

Choi Han too but he’s like, supposed to be cool and mysterious rn I can’t reveal too much abt him and TBoaH and why the world Cale and Choi Han lived in has so many differences from TboaH novel

[edwinisms]

i like to think, as a hc or a theory (because it’s definitely possible), that charles has had a few kisses throughout his high school years, sure, but past that he’s undeniably a virgin– well, kind of undeniably, because I think he’d deny it if found out by trying to use technicalities (“I mean that one time there was friction involved–“), but to any reasonable person, and by occult standards (see: edwin being a virgin sacrifice), he’s a virgin.

and i think this because it seems like him to fib about his level of experience (like he did when agreeing he’d sleep with crystal, matching her level of casualness about it) when in the presence of people who do, actually, have experience, in the hopes he doesn’t come off as lame or childish. given what we know about his “friends” when he was alive, they seem like the type to have teased or bullied boys– especially in their own circle– who haven’t gotten laid, or at the very least would’ve thought less of someone for it. and given what we know about charles, i don’t think he’d be nearly as sleazy and inconsiderate as his group when it comes to landing girls with the primary intention of adding to his body count. and considering he’s only supposed to be 16? and has never mentioned any significant relationships pre-death? it just seems unlikely.

all that to say– I can see him maintaining that facade of experience and confidence literally right up until the moment it matters, and in the heat of the moment getting nervous and embarrassed because “uhhh. so I may have been exaggerating some things.” though he’s not totally clueless either, I think it’d take a bit of a soft heart to heart moment for him to be reassured enough that he won’t fuck up and hurt his partner to go any further.

anyway not sure what the relevance of this is, but it’s something.

[jupiterisaroace]

@brokenmilkcrates I feel like crying my little Morgie x Hook ass off😔

I just saw a video & Malia & Kylie are both shipping Hook x Bridget & Josh even said that his favorite ship is Hook x Bridget😔 THEY HAD NO CHEMISTRY IMO, WHYYYY😭

& YOU (Zach) SHIP FAB 5 SO THIS IS JUST TORTUREEEEEEEEEEE HSHCCGFJDJFJFHFJFJFJFFJJFFJ

PLEASE I DONT WANT RED TO APPARENTLY BE RELATED TO HOOKKKKKKK AUGHHHHHHH I DONT MEAN TO OFFEND THE HOOK X BRIDGET SHIPPERS AT ALL BUT I JUST DONT WANT THEM TO BE CANON BECAUSE I JUST DONT SEE IT

IF ANYTHING I JUST DINT WANT THEM MAKING HOOK RED’S CANON DAD BECAUSE SJDHDJFJDJJDDJDJFJFJ NOOOOOOOOO

[asterbats]

When your little sister shares her playlist with you and you both resonate with the songs in very different ways.

Version without the other stuff cause the center art is so much cuter than I intended it to be and I love it on it's own

[martyrbat]

im so considerate.... (<- guy not ranting about a thing it hates before its friend is done with the media)

[rotinthedark]

I spent years repping Sa.mbastian but, honestly, I've been slowly falling out of it as of late.

[rearranging-deck-chairs]

because im less breakable than you

[angelapleasant]

Come on, missy, we've got work to do.

[lime1991]

in my dsmp canon cdream is like close in age to cwilbur, just slightly younger, so just keep that in mind lol

[neekrobite]

Bro your OCs are around 30???? 21 is YOUNG to you? You’re OLD!

ite so canon ages for my characters

trix is 36, she can shift between being a zoroark and zorau at will, she seems pretty average age tbh

puzzles is 34, shes friends with trix

sap and necco are both 21, despite me being 18, and them both being fursonas and yea they are young i think personally

swift is 24, also pretty young tbh

cals is my second youngest character who is 20

honeydew is freaking 64, they are also, in fact, a parent

neekrobite is 18, he's just my age lmao i just up it everytime its my birthday, probably gonna do the same with the plus 3 years too for necco and sap tbh

and litchG is fucking 223 shes an old ass bitch

oh yea also blanks like 2 years old canonically because it is just a living drawing lmao

[sunshine-punkish]

hi guys this is the annual reminder

[magentagalaxies]

Jessamine is Passionate About Fictional AI Sentience But Not Real AI Sentience: An Essay

one thing about me is when it comes to talk of "sentient" AI irl i 100% don't buy it like technology is not that advanced and being able to act like a person doesn't make it a person, however whenever there's a question about if a fictional AI character is sentient i will go to bat for that character's humanity 100% of a time like fuck you they have just as much of a right to personhood as anyone else

i think it's bc in fiction like. all of these characters are fake, so distinguishing between which characters are fake-real and fake-fake is like. why limit yourself to what could happen in our world. like if we're already dealing with a universe where aliens/magic/etc. exists, why can't this android justifiably be as human as anyone else? plus irl almost all AI software is developed as part of this capitalistic hell structure we're in. no matter how "real" or "human" it feels, its function is to make you contribute to its creators' wealth, and its inability to go against this nature can't help but make it feel hollow and inhuman. however, all the best AI characters in fiction are able to go against their designated purpose, often being defined by it, and often being villainized for it

in our real world, the AI's "immoral" "behavior" is a product of it being a Things that serves capitalism. it's not making choices based on a sense of self beyond what it has been told to prioritize, and a lot of times this lack of human judgment can lead to terrible consequences (e.g. mental health AI chatbots that cannot accurately judge a situation and give appropriate advice, employed because it's cheaper than hiring human staff). but in fiction? AI's immoral behavior is frequently a product of it going against its designated purpose, seeing itself as a person and having to make difficult and morally questionable choices in order to strive for the feelings of personhood and autonomy. this is a far more interesting situation ethically (while an AI itself cannot be seen as morally responsible for its actions in our world, in fiction this AI wants to be a person so badly it's willing to commit moral wrongs to achieve its goal, despite the fact that true personhood would allow it to be seen as morally responsible for these crimes) which i think is also why AI characters, especially those that, y'know, kill people, are often very polarizing figures. this conversation can even be taken a step further into the "liking a fictional character does not mean condoning their actions" discourse, but i also often think about well, if you were in the position of this AI character, would you have done the same?

personally i've always found it very easy to empathize with "artificial" characters like clones, robots, etc. and fictional AI is no different. yes, if you're watching a piece of media and expecting the logic of our world, the AI is fake, and incapable of being a person. but if you're watching a piece of media with the goal of emotionally connecting to fictional characters (who are all inherently fake) and exploring universal themes through a heightened setting, AI characters are one of the most interesting tropes to explore this with. personally, I love AI characters because there's something so vivid about knowing you were designed for a specific purpose/life path and ultimately realizing that's not the life you, personally, want to live. your designers and the world around you doesn't even recognize you as a being that should be capable of wanting anything, much less something completely different, so achieving the life you want is an uphill battle of convincing others of your humanity and, when that often isn't possible, having to resort to the most extreme tactics to claw your way out of the life you were supposed to lead. you know no matter how close you get to this ideal life, there's always going to be some part of you that keeps others from perceiving you as "human", but you learn to embrace that and see every mundane experience as a major achievement

this narrative is especially relatable to me as a neurodivergent/nonbinary person, but i think it can be relatable for many different marginalized identities in different ways, or anyone whose "humanity" has been something often denied to them. but because people are often expecting fictional AI to follow the same logic as actual AI, when i defend robot characters who want to kill their human creators, people give me weird looks like i'm advocating for that in real life. listen, if our current AI situation feasibly produced an AI who was invented for one specific purpose but somehow fucking hated her job and was able to pursue a new life and was also queer (all without any of this being by design) then hell yeah i support her, but that's not what's happening. and in our current capitalistic chatbot hellscape where every company wants to convince you that you're chatting with a super intelligent AI friend to get you to pay for a premium membership, sometimes you have to hold fiction and reality to different standards and enjoy this story about a quest for humanity while also accepting that the people this journey applies to in our real world are often the ones being taken advantage of in our increasingly AI-dominated real world.

idk this was originally supposed to be a short post about how it's funny that i'm so goddamn passionate about AI characters in media while also not being into AI in the real world, but then i got thinking about why this is specifically and came to an interesting conclusion imo. tbh it's very surprising that i don't currently have any of my own projects featuring AI characters fighting for their own humanity bc it's a theme i love so much that i've rarely seen done right and i have so many opinions on it. maybe i will write something about this at some point, but for now if you have any pieces of media you enjoy with AI who are absolutely worthy of personhood pls send them my way!

[blueiight]

Sgr is a girl’s girl fr….. [creds]

[theconfusedartist]

Hm

Somehow, despite my meticulous research and information retaining skills, I've been writing Desmond’s DOB as 1984 instead of 1987

I've been using this date and Alex's DoB to figure out when things happen in the timeline. I already got screwed over once when I found out Alex was born in 1979 and Dana was 9 years younger, and had to change a bunch of things around to make them fit the original canon, but this?? this might be (strained squeaky voice) a small problem

[socialbunny]

thinking of skip and don being best friends in high school like super close spend almost every day together type shit until he gets brandi pregnant and proposes to her all around the same time. don gets jealous but he doesnt know why, he rationalizes it as being upset bc his friend is whipped now and isnt trying to bullshit around all the time or that skip gets to have a family hes on the fence about while don doesnt really have anybody. he shoves down these feelings bc 🙄 why would he be jealous about/over another man 🙄🙄 but then its after skips bachelor party and he starts venting about everything happening so fast. theyre both a little more than drunk and don ends up comforting him the best way he knows how :) afterwards they never mention it again but its on dons mind all the time. idk if it would mess up their friendship tho i dont think skip even remembers and i dont feel like don would bring it up

[valeriehalla]

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and

the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

Okay. Point 1. The frog-boiling.

Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.

In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!

And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”

That did not happen. There is no ceiling. The frog is soup.

Point 2. The complete and utter mundanity of all of this.

It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.

The vibe with “Saki” is different.

It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.

There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.

So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.

The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.

Do you get??? why I’m so fascinated??? Are you not a little enraptured???

Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????