#inspired by the medici

[basims]

[detournementsmineurs]

"Emeraude de Catherine de Médicis (BnF)" par François Dujardin (1571) présentée par Pascal Bertrand - Université Bordeaux Montaigne - lors des journées consacrées à “L'Ornement Précieux II” par L'Ecole des Arts Joailliers au Collège de France, janvier 2024.

[atenderofsycamoretrees]

Christian Dior Spring 2023 Ready-to-Wear

Photos by Filippo Fior / Gorunway.com

[medici-memes]

Savonarola: It pleases Him greatly that you have seen your failings.

Lorenzo: Oh, there is much…much that I regret.

Lorenzo: …But much more that I cannot.

Lorenzo: The beauty that flowered here…

Savonarola: You’ve learned nothing. What flowered here was corruption, that spread out like the plague, tainting everything it touched. This is your punishment.

Lorenzo: Maybe.

[…]

Savonarola: The lord has commanded me to destroy it all. Nobody will remember your gardens, the names of Leonardo da Vinci, Botticelli, and the rest, and all they have made will be dust. Blown away by the winds.

Lorenzo: *hushed* I don’t think so. Your brethren once said separating art from God is a lie. Because the heart of man craves beauty as he craves God.

Lorenzo: Because what happened here in Florence…I don’t think it can ever be erased.

I still think about this final episode of Medici, it just hits home for me. I’m not religious, but I’ve worried about not being able to live a ‘good’ life. I’ve worried that my life won’t matter because I won’t be successful or normal conventionally. But this scene is like saying, just because you lived your life with mistakes and regrets doesn’t mean it wasn’t beautiful. There’s beauty in the tale of misadventures and disappointments and small rays of hope. I can understand if other people don’t like this ending because it feels like the writers are whacking us over the head with a theme that wraps up the whole show, but for me it’s like a succinct expression of my way of viewing life. It’s all beautiful, the good and the bad, because it happened, it’s real. No one else is going to live my life and have a story like mine. That’s worth living for.

(Whoever did the subtitles can fight me about not using an Oxford comma, but also I’ll take him out for coffee because transcribing even this took a while, I can’t imagine doing a full episode)

(Also just found out from Savonarola’s wiki that Lorenzo’s son was known as “Piero the Unfortunate”)

[goliadkine]

oranges in the battle of san romano's first two panels - uccello - 1438-1456

[abrahamvanhelsings]

acii lorenzo de' medici.... would tbh

[lollobarcollomanonmollo]

women artists that you should know about!!

-Judith Leyster (Dutch, 1609-1660)

During her life her works were highly recognized, but she got forgotten after her death and rediscovered in the 19th century. In her paintings could be identified the acronym "JL", asually followed by a star, she was the first woman to be inserted in the Guild of St. Luke, the guild Haarlem's artists.

-Artemisia Gentileschi (Italian, 1593-1656)

"... Si è talmente appraticata che posso osar de dire che hoggi non ci sia pare a lei, havendo fatto opere che forse i principali maestri di questa professione non arrivano al suo sapere". This is how the father Orazio talked about his nineteen year old daughter to the Medici's court in Florence.

In 1611, Artemisia got raped, and she had to Undergo a humiliating trial, just to marry so that she could "Restore one's reputation" , according to the morality of the time. Only after a few years Artemisia managed to regain her value, in Florence, in Rome, in Naples and even in England, her oldest surviving work is "Susanna and the elders".

-Elisabeth Louise Vigèe Le Brun (French, 1755-1842)

She was a potrait artists who created herself a name during the Ancien Règime, serving as the potrait painting of the Queen of France Marie Antoinette, she painted 600 portraits and 200 landscapes in the course of her life.

-Augusta Savage (Afro-American, 1892-1962)

Augusta started making figures when she was a child, which most of them were small animals made out of red clay of her hometown, she kept model claying, and during 1919, at the Palm Beach County Fair, she won $25 prize and ribbon for most original exhibit. After completing her studies, Savage worked in Manhattan steam laundries to support her family along with herself. After a violent stalking made by Joe Gould that lasted for two decades, the stalker died in 1957 after getting lobotomized. In 2004, a public high school, Augusta Fells Savage Institute of Visual Arts, in Baltimore, opened.

-Marie Ellenrieder (German,1791-1863)

She was known for her portraits and religious paintings. During a two years long stay in Rome, she met some Nazarenes (group of early 19th century German romantic painters who wanted to revive spirituality in art),after becoming a student of Friedrich Overbeck and after being heavily influenced by a friend, she began painting religious image, getting heavily inspired by the Italian renaissance, more specifically by the artist Raphael. In 1829, she became a court painter to Grand Duchess Sophie of Baden.

-Berthe Marie Pauline Morisot (French,1841-1893)

Morisot studied at the Louvre, where she met Edouard Manet, which became her friend and professor. During 1874 she participated at her first Impressionist exhibition, and in 1892 sets up her own solo exhibition.

-Edmonia Lewis or also called "wildfire" (mixed African-American and Native American 1844-1907)

Edmonia was born in Upstate New York but she worked for most of her career in Rome, Italy. She was the first ever African American and Native American sculptor to achieve national and international fame, she began to gain prominence in the USA during the Civil Ware. She was the first black woman artist who has participated and has been recognized to any extent by the American artistic mainstream. She Also in on Molefi Kete Asante's list of 100 Greatest African Americans.

-Marie Gulliemine Benoist (French, 1768-1826)

Daughter of a civil servant, Marie was A pupil of Jaques-Louis David, whose she shared the revolutionary ideas with, painting innovative works that have caused whose revolutionary ideals he shared, painting innovative works that caused discussion. She opened a school for young girl artists, but the marriage with the banker Benoist and the political career Of the husband had slowly had effect on her artistic career, forcing her to stop painting. Her most famous work is Potrait of Madeline, which six years before slavery was abolished, so that painting became a simbol for women's emancipation and black people's rights.

-Lavinia Fontana (Italian, 1552-1614)

She is remembered for being the first woman artist to paint an altarpiece and for painting the first female nude by a woman (Minerva in the act of dressing), commissioned by Scipione Borghese.

-Elisabetta Sirani. (Italian, 1698-1665)

Her admirable artistic skills, that would vary from painting, drawing and engraving, permitted her, in 1660, to enter in the National Academy of S. Luca, making her work as s professor. After two years she replaced her father in his work of his Artistic workshop, turning it into an art schools for girls, becoming the first woman in Europe to have a girls' school of painting, like Artemisia Gentileschi, she represent female characters as strong and proud, mainly drawn from Greek and Roman stories. (ex. Timoclea Kills The Captain of Alexander the Great, 1659).

[amnenome]

Tudor portrait Satine Kryze!

Full rant under the cut

You know I love a good meta historical fanart. And since Satine’s character is partly inspired by Cate Blanchett’s portrayal of Elizabeth I, I felt this was fitting! This is based off of a portrait of Elizabeth as a young girl mostly because I liked the posing. The colors I changed to cool tones rather than the Tudor style warm because it fits the Kryze color palette more. I also used a portrait of Marie de’ Medici for the fabric pattern, since fleur de lis = lily. I did those freehand though so they’re a little funky

[jstor]

Happy World Art Day! 🌍 🎨 At JSTOR, we're celebrating the vibrant tapestry of creativity that colors our world. From the studios of renowned masters to the cozy corners where emerging talents find their voice, let's honor the spaces that ignite imagination and the artists who bring them to life. Join us in celebrating the power of art to inspire, provoke, and unite us all. Images:

Mihály Munkácsy. The Music Room. 1878. The Metropolitan Museum of Art.

Edgar Degas. Dancers in the Rehearsal Room with a Double Bass. ca. 1882-85. The Metropolitan Museum of Art.

Léon Cogniet. The Artist in His Room at the Villa Medici, Rome. 1817. Cleveland Museum of Art.

Jean-Alphonse Duplessy. Cobbler’s Quarters. 1860s. The Cleveland Museum of Art.

[notoriousaesthetics]

•✦ [ 13. 𝐁𝐋𝐎𝐎𝐃𝐑𝐎𝐒𝐄 ] ✦• a header / character template.

───  𝒅𝒆𝒔𝒄𝒓𝒊𝒑𝒕𝒊𝒐𝒏.

celebrating spooky season, this is a psd inspired by vampires and bloody roses. this is a very easy to use template and looks best with THIS psd coloring. as per usual, if you have any questions, feel free to ask! enjoy!

───  𝒆𝒙𝒕𝒓𝒂 𝒅𝒆𝒕𝒂𝒊𝒍𝒔.

fonts: medici text, marion

PSD coloring is NOT INCLUDED [ click here for psd ]

images do not belong to me and are credited to their rightful owners.

do not copy, do not steal, or monetize. [ read my rules ]

tip me at my coffee jar ♥

please credit me if you use the content.

please [ like/reblog ] this if you intend to use.

•✦── 𝐚𝐜𝐜𝐞𝐬𝐬 𝐠𝐫𝐚𝐧𝐭𝐞𝐝 𝐢𝐧 [ 𝐝𝐢𝐬𝐜𝐨𝐫𝐝 ] 𝐬𝐨𝐮𝐫𝐜𝐞 𝐥𝐢𝐧𝐤. ──✦•

[detournementsmineurs]

"Pendant with Cameo of Marie de Medici" by Georges Bissinger and Carlo Giuliano (circa 1865), "Pedant/Brooch" by François-Désiré Froment-Meurice (1855), "Bracelet Diana" by Alphonse Fouquet (1883) and "Brooch with Portrait of Empress Elisabeth of Austria" by Alphonse Fouquet (1878) presented in “A History of Jewellery: Bedazzled (part 5: 19th Century)” by Beatriz Chadour-Sampson - International Jewellery Historian and Author - for the V&A Academy online, march 2024.

[osiiiris]

Primo Emeritus: Florence.

This is the first of my posts where I locate each Papa in Italian cities based on the occult influences/history of each city. I hope you find it interesting and useful!

Primo | Secondo | Terzo

Primo Emeritus, The Old One, the embodiment of all that is sacred. A personality like his deserves to be located in an ancient city full of art, poetry, and history, shaped by the esoteric and alchemical obsessions of the Medici family, amidst the enduring shadow of centuries-old Satanic cults.

Let’s see why I have chosen Florence for Primo.

In this chapel of ritual…

From the early 70s to the late 80s, a series of murders occurred in various regions of middle-north Italy, with the most infamous taking place in Tuscany, known as the case of the 'Monster of Florence' (Mostro di Firenze), which resulted in the deaths of 14 people - officially, but it is believed there were way more.

The theory is that these murders were part of a large network of Satanic rituals involving influential figures from Rome, Perugia, and Florence. This network is supposedly still active. The original cult allegedly responsible for initiating these rituals seems to be the 'Rosa rossa' (Red Rose) cult. 

A fertile ground for writing Ritual...

2. The creator of Hell.

Florence is the birthplace of Dante Alighieri, the renowned author of the Divine Comedy and the creator of the now canonical structure of Hell.

Primo could have had many more things in common with Dante than we expect: indeed, it is said that Alighieri was part of an esoteric cult named ‘Fedeli d’Amore’ (Loyals to Love), probably affiliated with the Templars. From there, Dante is said to have drawn inspiration for his symbolic and esoteric tales, as well as his passion for numbers.

Keep an eye on Dante, as he will eventually come back in the next chapters.

3. The ghost behind the open window.

It’s not a Ghost story without an actual ghost.

In Piazza Santissima Annunziata, there is a building, Palazzo Grifoni, that holds a mysterious detail: a window that remains open at all times, whether day or night, summer or winter. Legend has it that a woman of the Grifone family bid farewell from that window to her lover, likely Ferdinando I, who departed for war. She waited for him by that same open window throughout her life, but he never returned, dying in battle. When she passed away, the window was finally closed. However, soon after, numerous mysterious events happened in the building, to the point the residents concluded that the building was haunted by the ghost of the woman, and they have kept the window open ever since not to upset her.

But that's not all: the Ferdinando I statue placed in the square, has his face turned to look right to that window… At the very end, he finally came back to her.

4. The Boboli alchemical garden.

Boboli represents a very particular case of an alchemical garden conceived to be ‘accessible’ only to those who have a strong alchemical and esoteric knowledge. It is built as a symbolic route where you can contemplate the principles of magical and alchemical doctrine along the way. You’ll be welcomed by two fountains, placed one on top of the other: the Mose’s (it is an indoor fountain) and the Carciofo’s (artichoke). They are believed to represent the esoteric concept of “as above so below”, but the references to esoteric concepts are present along the whole garden.

Primo would have surely loved this place.

[cassandraclare]

Sword Catcher: Worldbuilding

Who rules Castellane?

Castellane is a city-state — it has its own government and royal family. Part of my inspiration for Sword Catcher was Venice during the Silk Road era, and families like the famous Borgias and Medicis. Castellane’s government consists of a royal family and a Council of Twelve — twelve families, each of whom holds a charter that gives them ownership over a certain kind of good that is traded through the continent of Dannemore. These are the Charter Families; they are the richest in Castellane, and Charters are passed down through families, like an inheritance — though the ruling family, the Aurelians, has the power to grant charters and also to take them away.

The Charter Families

The Uzecs have quite a bit of sway as the holders of the Wine Charter.

A popular man is Mathieu Gremont, who holds the Coffee and Tea Charter.

Fabulous Lupin Montfaucon always has the latest fashions, as appropriate for the Charter holder for fabrics.

Joss Falconet is an old friend of Prince Conor’s, and owns the Spice Charter. More on him later!

House Gasquet controls all the oil and perfume coming in and out of the city.

Lady Alleyne, the mother of Antonetta, is in charge of the valuable Silk Charter and makes sure she and her daughter are always in the finest silk dresses.

The Cazalet Family has owned the Banking Charter for so long, coins are often called “cazalets”.

House Roverge owns the Dye Charter. House Sardou has the Glass Charter,

House Raspail Timber, and Alonse Esteve owns the Horse Charter.

They have their meetings in the Dial Chamber, whose seats are arranged to look like the numbers on a clock.

Sitting at midnight is House Aurelian, the Royal Family, whose charter is kingship. At these meetings the fates of cities and countries are decided with the stroke of a pen. It used to be the pen of King Markus, but as he has grown weaker with a mysterious illness, that pen has found itself in the hand of his son, Conor Aurelian…possibly the least responsible person in Castellane.

(Conor art by Sasha Coleman.)

[gardenofafterthoughts]

16/11/24

Marble statue of Aphrodite

Roman, Imperial period, 1st or 2nd century A.D. Copy or adaptation of a Greek statue of the 3rd or 2nd century B.C.

The goddess of love is shown as though surprised at her bath. Originally, her arms reached forward to shield her breasts and pubis in a gesture that both concealed and accentuated her sexuality.

Statues of Aphrodite in the nude proliferated during the Hellenistic period. All were inspired to some degree by the Aphrodite of Knidos, created in the fourth century B.C. by the famous Greek sculptor Praxiteles. That statue, the first major Greek work to show the goddess nude, was celebrated throughout antiquity. This work has the same gesture of modesty and is similar to another Roman copy, the so-called Medici Venus, which has stood in the Tribuna of the Uffizi Gallery in Florence since 1688.

[moonyasnow]

Brief Guide to Briar Valley Fashion

[ for the purposes of this post I'll be ignoring the 'they can just magic the clothes from thin air' argument because that's boring and doesn't let me infodump about historical clothing materials ]

Hey you!

🫵

Do you want to dress (or draw your OCs dressing) like you're from Briar Valley, but also don't wanna just 100% copy one of the in-game outfits? Well you're in luck, because I made a chart thing about it to show you how to copy the style!

[ TL;DR: be a billionaire ]

SO yeah, here are all the common design elements I've been able to spot in the fashion, from what we can see of the few designs we've gotten

First off I'm gonna share what a potential Briar Valley design COULD end up looking like— a more high-end dress, at least

I don't share W.I.Ps on my blog like…EVER, but this once, as a special treat, I'm gonna share this wedding dress I've been working on for my OC Irina

I am NOT done with the colors yet— this is just my 'first draft' of what I'd want the colors to look like

This was my biggest inspiration:

A dress here illustrated to apparently have been worn by Catherine De Medici

Catherine de Medici is in the right time period, though this illustration does also look to be Victorian, so take it with a grain of salt if you're just judging historical accuracy— but it certainly gets the vibe across. For more references I recommend going to the Wikipedia list of 'Henry the 2nd of France' going to the 'Children' section, and pasting one of their names + 'portrait' into google

And keep in mind that this is just what nobility would wear. So if you wanna design something more commoner-y, I recommend looking at what French peasants wore around the 1500s, since fashion for common people didn't tend to change as quickly back then as it does now.

And for color, I recommend the sort of moss green you see Lilia and Baul wear.

I wouldn't recommend black though if you're going for accuracy, since pure black was also quite expensive to color something back in the day— it was less expensive with a dark shade of another color, like quite dark blue, or dark red, or green, or even brown.

Another two for Veronica— though theses ones are more in the 'inspired by' section, and more ENGLISH late 1500s than French

Now onto the 'Moony yaps about some random obscure knowledge they have on a niche topic' part of the post

If you seriously wanted to dress like you're from Briar Valley I hope you have a MASSIVE bank account because this is going to COST YOU.

Now, contrary to what I myself expected, velvet isn't actually all THAT expensive— at least compared to the other materials I outlined in the image.

But don't be fooled, this is NOT because velvet is just not that expensive.

The other materials are just somehow way more expensive.

Now. The biggest reason for that would be the color purple.

Purple has always been the most expensive shade you can get ANYTHING in, because purple dye used to be stupid hard to actually acquire, due to how difficult it is to procure.

The color could only be procured from snails from the Mediterranean sea. First, they had to be harvested. And you'd need to harvest THOUSANDS for just one ounce of purple dye.

Then you'd need to remove the glands from the snails, and place them in a lead pot filled with brine, after which they were very slowly heated over a course of around ten days.

And this SMELLED. Smelled so bad, in fact, that the places which made the dyes had to be located downwind of cities.

And needle lace....

Is EXPENSIVE.

It requires someone to have strong, steady hands, but also small enough fingers to be the right size for the small needles used for this kind of lace.

So then…

PURPLE NEEDLE-LACE??

And pure blavk fabric!!! Back in the day, pure black was also quite hard to dye; it would be more common with a dark shade of some other color, like dark green, or dark blue, etc.

Maleanor is REALLY showing off her 'Queen' status here because if she were an actual renaissance ruler that would be worth an absolute fortune!

Purple anything and needle-lace are already difficult to make on their own. But put the two together and you'd need to make sure only the best of the best of craftsmen would be working with it, adding yet another layer of 'expensive'.

But yeah anyway.

Hope you found this useful/interesting!

Tagging @chillygourami since you seemed interested 👍

And @babyghoul138 bc VERONICA MENTION

[whencyclopedia]

Leo Africanus

Leo Africanus (al-Hasan ibn Muhammad ibn Ahmad al-Wazzan al-Fasi al-Granati, 1485-1554) was a diplomat, merchant traveller and scholar who famously voyaged from Timbuktu to the Niger River and wrote 'The History and Description of Africa' (La Descrittione dell'Africa, 1526). Captured by Mediterranean pirates, he so impressed them with his learning and linguistic ability, that they gifted him as a slave to Pope Leo X (1498 -1526).

Leo Africanus was born into a family of clerics and accountants to the court of the Nasrid Dynasty (1238-1492) of Granada during the last days of their rule over the Emirate of Granada. Hasan was baptised Johannes Leo Africanus, and known in Italian as Giovanni Leone. He trained as an Islamic scholar and became a diplomat, travelling across West Africa, from Cairo and Aswan across to the Hejaz and Syria. It was during his return journey from Egypt that he was kidnapped by Mediterranean Christian pirates and ended up becoming a slave to the Vatican Pope Leo X (born Giovanni de’ Medici). Pope Leo X offered Hasan his freedom on condition that he converted to Christianity.

Leo Africanus' scholarship and translations from Arabic inspired early modern ideas of Africa and the Islamic world. His work Descrittione dell'Africa became a blueprint for European explorers seeking to monopolise trade and resources from the African subcontinent. Some historians believe that William Shakespeare’s (1564-1616) Othello is based on Leo Africanus. Descrittione dell'Africa was widely read in Europe. It became an important resource and guidebook on Africa, until the European colonisation during the 19th century.

Hasan al-Wazzan

Hasan al-Wazzan’s father, Ahmad al-Wazzan was a cleric in the court of Abu Abdallah Muhammad XII (c. 1460–1533), known in Europe as Boabdil. Hasan’s forbearers worked as aids to the court muhtasib of Granada – a magistrate who oversaw merchant trade and accounts, while also upholding morality and decorum in the public sphere. Hasan grew up alongside his father and grandfather under the influence of the Nasrid court. As a child, he spoke Arabic at home and Spanish in the streets.

Leo Africanus as Shakespeare's Othello

Théodore Chassériau (Public Domain)

In 1492, after a decade long war, Boabdil surrendered Granada to the Spanish Catholic monarchs Isabella I of Castile (1451-1504) and Ferdinand II, King of Aragon (1452 –1516), marking the end of 700 years of Muslim rule. Hasan’s family may have left Granada before 1492, or they could have stayed until the Reconquista. Hasan was a young child when his family, like many Andalusian migrants, fled persecution under the new Christian monarchs, crossing the Mediterranean to settle in Fez. Luckily Hasan’s family was well connected thanks to his uncle, already settled in Fez, who was a diplomat to the Wattasid rulers, serving Sultan Muhammad al-Shaykh (1490-1557). Consequently, they secured a home in a prominent quarter of Fez. His father purchased land north of the Rif Mountains and rented a castle above Fez. Other emigrant families from Granada however struggled greatly in Fez and complained publicly.

Continue reading...