#inspired by other posts

[goldensunset]

advice i think we should tell children is that when adults say stuff like ‘now that i’m an adult i get really excited about stuff like coffee tables and bathrooms and rugs etc’ they don’t mean ‘and now i don’t care about blorbo and squimbus from my childhood tv shows anymore’ bc your average adult still loves all the same pop culture stuff they always did; they just have a greater appreciation for the mundane as well. growing up just means you can enjoy life twice as much now. you can get really excited about a new stuffed animal AND about a new kitchen sponge. peace and love

[frownyalfred]

Thomas Wayne, wringing his hands: “You know, I’m from Gotham — born and raised, Alfred. But Martha — she’s from Gotham. Do you know what I mean?”

Alfred Pennyworth, freshly hired with 0% of an idea what that actually means: “Certainly, sir.”

[cavalierclavier]

When I broke the cycle, I made sure that the tear was rough. You carry a part of what should be her, and she carries a part of what should be you.

[learnelle]

I went to my favourite Portuguese cafe to plan out the next uni semester. Every academic year I yearn for the summer, and every summer I sit in excitement to start studying again lol ☕️

[yeoldenews]

A selection of strange and cryptic personal ads from The New York Herald, 1860s to 1890s. 14/?

[fuckinart]

can you imagine

[acrobattack]

“Yeah I figure I could whack all three of these out in a day if I just focus really hard.” -me like a week ago

[hairmetal666]

It's Wayne that goes with him when he buys the truck. He offers to go with him. Uses one of his few days off to do it.

On the way there, it strikes Steve that his own father would never do this with him. The man hadn't even bought the Beemer himself, just sent an assistant to take care of it. And here Wayne is, driving them to a used car dealership, humming along to some old country-western song on the radio.

It takes three dealerships for them to find it, but Wayne is patient, stoic, takes careful note of the cars that catch Steve's interest. He asks the salesman if he can pop the hood, peers at the engine, kicks the tires. He asks questions Steve would never think of, about adjustments to the odometer, history of repairs, if it was in any accidents.

Steve never considered wanting a truck, doesn't think it's his style. But he's walking the lot at the third dealership, and he sees it. It's a Chevy, blue and white, a few years old. It's in good condition, but was obviously used for work.

He walks towards it.

"You like this one?" Wayne asks. If he's surprised, he doesn't show it.

"Yeah, it's--yeah," Steve nods.

Wayne does his checks, asks his questions, gives a nod of approval.

It's the first car he takes on a test drive.

He barely has it on the road before he knows it's the one. It surprises him. He always thought he was his true self in the BMW, but now--the engine has a throaty grumble to it, can feel it rumbling through his foot on the pedal, and it's--it's--perfect.

"This it?" Wayne asks as they pull back into the lot.

"Yeah, yes. It's. Yeah."

"Well, let's get to hagglin."

Wayne is, of course, an expert haggler. By the end of it, he's got a couple thousand dollars knocked off the asking price, Steve more than within budget.

They drive back to Wayne's little house on the outskirts of Hawkins, the one the government gave him, the sun just disappearing behind the horizon.

Eddie stands on the small porch, wide smile on his face.

"Wow, Wayne," he says. He wraps an arm around his uncle's shoulders. "You really did a number on him."

"It's a solid vehicle, Ed."

"Never took you for a truck man, Harrington," Eddie teases.

"Can't you see how gorgeous she is?"

Eddie raises an eyebrow, his smile not faltering. "Wow, it's true love then."

"Looks like it. Wanna come for a ride?"

There's only a second where Eddie hesitates, but then he's running inside to grab shoes, tripping on his way to the truck.

---

It happened like this:

Eddie Munson died in the Upside Down in 1986.

He's reanimated by Vecna for the final battle, a puppet to do his master's bidding.

When they win, when Vecna is dead in a pile of dessicated vines, they can't find Eddie. Scour the Upside Down for him and come up empty. They have to assume he's dead, like everything else there, kept alive only by Vecna's power. None of them want to leave without him, but the world is destabilized, they can't stay, El has to close the gates.

That night, Steve pulls the battle vest from under his bed, sobs into the blood-soaked denim, the grief from the loss just as fresh as March of '86.

He and the kids, they go visit Wayne. It becomes a regular thing.

Two weeks after the end of Vecna, Wayne calls him. He's panicked, near hysterical, nothing like the man Steve's come to know.

He goes, fast as he can, to Wayne's house. All the lights are off, the front door ajar, and he runs, clattering into the living room.

Wayne is in the recliner, face pale and strained, and on the couch--on the couch--

Eddie Munson.

His hair's lank, his skin sallow, the light in his eyes dim, but it's him. Unquestionably.

Steve does the only thing he can think of, calls Hopper. He shows up a little while later with El and Will.

"I called Owens," Hopper says.

"Why would you do that?" Steve is angry.

"Look, kid, I get it. But none of us are equipped to deal with this."

He's right, so they wait.

It doesn't take the doctor, El, and Will long to figure that Eddie is Eddie, even though his heart beats a little slow and his skin's always cold and his blood is slightly the wrong color. He's still at least 75% human, and that's enough.

Only those six people know. It's dangerous to tell anyone else when the world still thinks Eddie Munson is a serial murderer. Owens asks for time to clear his name, and they have no choice but to agree.

After two days, Steve thinks he should give Eddie and Wayne space, but as he rises to go, Eddie's hand grips his wrist. "Stay?" He asks. Steve doesn't leave.

It's hard, keeping the secret from the rest of the kids, Robin. He wants to tell her, more than anything. About how they share a bed most nights, how he's memorizing the shape of Eddie's body in a way he shouldn't, how the gentle desire turns to profound longing--but Eddie's safety is the most important thing, so Steve keeps it to himself.

---

They go out in Steve's truck almost every night, always on backroads. It's the only way Eddie can leave the house.

It's Steve's favorite thing, the only time Eddie seems truly happy. They roll the windows down, turn the music up, and whip around deserted farm roads. Sometimes, Eddie will stick his head out the window, shout out into the night.

Steve is in love with him.

He has no idea if Eddie feels the same, figures it doesn't matter. He'll harbor this flame for the rest of his life without complaint because Eddie is alive.

He thinks he's done a good job at hiding his feelings, thinks he's able to avert his gaze, hide his blush, when Eddie comes out of his room in only his boxers, thinks Eddie hasn't noticed how Steve's eyes linger when they share joints lying in the bed of the truck.

Except tonight--tonight--they're driving back home, and Eddie, he's been quiet, distant, fidgety, and now he reaches out to turn down the radio, which has Steve's stomach in a knot.

"You--Steve, you've been so great. To me and Wayne, and--you're family, you know? To us, you're--but--"

And Steve thinks this is it, that Eddie noticed, that he's being let down easy, and he wants to throw up, cry, but Eddie's still talking.

"You have a life to live, right? You're--you're 23 and you're not stuck here like me, and I know Robin is ready to go and the kids are--they're going to college soon, and you shouldn't stay here for me, I'm--"

"What?" Steve says.

"What?" Eddie echoes.

"I don't want to leave," Steve says.

"But--"

"Where you are is where I want to be."

"I'm in love with you," Eddie says. Cover his face with his hands.

Steve pulls the truck to the shoulder. His hands are shaking.

"You love me?"

"I'm sorry." His apology is muffled. "I didn't mean--I know this fucks up--"

"Eddie." He says, soft. "Look at me?"

One deep brown eye peers up at him. "Eddie, I--I'm hopelessly in love with you."

Both eyes now, mouth a bright curve. "You mean it, Harrington?"

"Fuck, can't get enough of you, Munson."

"You know, if I thought for a second anything like was possible, I would've--fuck, I would've made a move ages ago. I would've--"

"Shut-up," he whispers against Eddie's mouth. "Kiss me."

---

And later, Robin will ask if he has someone, and he'll say yes, and she'll ask, soft, "is it him?" and he'll nod, and they'll both cry.

Later, a news report, Eddie Munson's body was recovered from the bottom of Sattler Quarry, bearing the same wounds as Vecna's other victims.

Later, Chief Powell will hold a press conference, say they're looking for a man named Henry Creel, wanted on suspicion of killing his mother and sister and the aggravated assault of his father with an MO that matches the 1986 killing spree.

Later, Steve will shave Eddie's head, Eddie crying softly as the hair tumbles to the bathroom floor. Steve will kiss the tears away, one by one, say, "I know it's hard to let go. But we'll move away, to a place where people say 'you look like that guy, that Eddie Munson,' and you'll say, 'I get that a lot,' and your hair will grow back, if you want it to."

Later, they'll invite everyone to Wayne's , everyone except Dustin, busy in Boston with an internship, and Eddie will be there to welcome them.

Later, he and Eddie will take the truck, drive up to Boston. And Eddie, he'll spy Dustin first, walks up to him and says, "Pretty metal tattoos, little dude," and they'll all cry until Dustin stops to yell at them for keeping the secret.

Later, Steve and Eddie will leave MIT--Dustin screeching that they have to call him every night promptly at 8pm still ringing in their ears-- in search of their future.

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[agentravensong]

thinking about how the extra area added on to a pacifist run of undertale, the true lab, is about alphys's past mistakes. how it ends with the story reaffirming that, despite the pain she's caused, the thing that matters is that she has now made the choice to do the right thing. she's still worthy of her friends' love.

thinking about how undertale doesn't expect the player to get a pacifist ending for the first time. how it's more likely than not that the player will kill toriel the first time they battle her, how lots of players don't initially figure out how to end undyne's fight without killing her, etc. what it expects — not even expects, really, but hopes — is that the player, if they care enough, will use their canonically acknowledged power over time to make up for those mistakes.

no matter how many neutral runs a player has done before committing to the pacifist run, the thing that matters to the characters, to the story, is that you've chosen, now, to do the right thing.

compared to alphys, the player honestly gets off lightly, in that you're the only one (other than flowey) who really remembers any harm you might have caused. and any direct guilting the game could have done about it is long past at this point. instead, as undertale often does, it makes its point via parallels: alphys caused harm, and she knows it. she has committed to being better. in doing so, she has unlocked for herself a better ending to her story. and she deserves it. she's forgiven.

those structural narrative parallels are all over undertale, if you know where to look. and that's one of the things that makes it so fuckin' good.

[cy-lindric]

Hi! So, while scroling through Pinterest, i came across this art:

which was credited to you. i cannot find the complet artwork in your profile, so i wanted to ask if youre the artist responsible for this piece.

(btw, your renditions of medieval clothing are beautiful!)

Hello ! I did make this a long time ago and the reason you didn't find it is probably because it's almost a decade old (and also very badly tagged). You can find the original post here. I think back then I had no idea what actual medieval clothing might look like, lol. How far we've come.

[shhwsper]

small wavy-haired poppifer doodle

drew this on my phone so i apologize if it looks a little off!

[jsheios]

So Hilda season 3. (This post has nothing to do with hilda season 3)

[frostgnawdraws]

Silly comic of hatchling's helmet handle being used as god intended. This took me way too long