#insert insult of choice

[rebecca-lotto]

highschool music taste [part 12]

^i wanna try & sing this at like a talent show

[kingtomura]

Arcade

Summary: There's nothing worse than getting ditched by your so-called friends on a Friday night. Well, maybe the asshole complaining about your skills at the arcade has that beat. Tomura Shigaraki knows how to make one hell of a first impression. word count: 8.5k Part three to Good Girl and Bloodline Content: Tomura Shigaraki x female reader, quirkless AU, fluff, angst, virginity loss, virginity kink, corruption kink, mutual masturbation, vaginal fingering, oral (f! receiving), praise, strict parents, toxic parents, smut with plot, protected sex, piv, overstim, tomura talks you through it, if you know what i mean, reader is kinda bad at games sry, mdni crossposted to ao3 | Part 4 is here!

You meet him on a Friday.

The mall is crowded and filled to the brim with groups of friends, chattering, laughing – wondering what to get into for the night. You’re just trying to find your group. They said that they would meet you here almost an hour ago, but no one has shown up. 

Bitterly you kick the small rock in front of you, officially accepting the fact that you had been ditched and decide it’s too early to go home. It’s a Friday night for pete’s sake. You walk aimlessly through the mall, only pausing when the noises of video game lasers and hyper dance music flood your ears. 

The arcade. Of course you could kill some time there, people go there alone all the time. No one would think you were out of place and effectively ditched. 

You make your choice, beelining for the upgraded rendition of Pac Man and slipping in a coin to start it. 

The excitement was short lived as you remembered that the game isn’t as easy as you remembered. Whatever, you take your leave and try for a game you hadn’t played before. Something simple with muted colors. It’s fun, but a little difficult. You find yourself getting lost in it, the sounds drowning out the bustling of the arcade.

You huff as you lose another round and reach down, ready to drop a coin and start up again when you hear an annoyed groan coming from behind.

“Can I help you?” You ask, giving the guy a once over. He wore all black with ashen hair and ruby red eyes that shone with annoyance.

“Yeah, you could find another game to suck at.” He scoffs, as if it's the most obvious thing in the world.

Irritating. 

You take the challenge. “Oh yeah? Well let's see you try it then, since it’s so easy.”

He shrugs, brushing by you and inserting his own coin into the machine, the beeps of the game starting up and filling tension between you. 

This guy… was good at the game — as much as you hated to admit it. He blew through the enemies with little to no trouble and easily passed your place in the game. Ending it all with one final blow to the boss and snagging the new high score right before your eyes. 

To say you were embarrassed was a little less than an understatement, but you wouldn’t let him know that. So, you double down, brows furrowed and standing proud. 

The mystery man turns back to you, carmine eyes gleaming in triumph over his easy win. “See? You suck.”

You bristle at his blunt insult and bite back. “Yeah, well I only tried this game today! You think you're so good, why don’t you try to beat me at a game I'm good at.”

He looks you over, eyes dragging from your head to the converse on your feet, before turning back around towards the game and dropping another coin into it. 

“No thanks.” 

This asshole… you don’t know why you're fighting this battle, you don't even know this man! But it would be a lie if you didn’t think it was entertaining —- in an annoying way, of course. 

But you take your loss and give up, moving on to the next game. It is something silly and bright, but also difficult. It's easy to get lost in and you find yourself aggressively tapping the buttons, inevitably losing the game and huffing off to find the next one. 

You choose a first person shooter this time. Originally a two player game, but you play on your own — taking down zombie after zombie as you try (and fail) to progress to the next stage. 

You groan as the game over screen mocks you for what feels like the thousandth time that night and fight to keep from banging your head against the screen in frustration. 

“You’re doing it wrong,” a low voice speaks from behind you and you can already feel your anger flaring. “It’s all in the aim.”

“Yeah, well, what do you know?” You ask bitterly, watching as the same asshole from before puts a coin in and starts the game up again. 

He makes it look so easy, getting headshot after headshot as he easily advances to the next rounds. There was a moment you swore he would lose as a mob of zombies crowded him, but he hit a flammable container in the background, causing an explosion and killing all of the zombies. 

The winning screen lit up his pale cheeks in a red hue, giving him a faux flush of color making the butterflies in your stomach go wild. 

You can’t bite back your sigh of defeat this time, the losing streak getting to you. “Did you come over here just to show off? I can do without that, thank you.”

He only shakes his head, putting in another coin and starting the game up again. You stare blankly as he hits the two player button and hands you a gun. 

“No, let me show you why you’re not winning.” It's spoken like you asked him for advice and you know damn well you didn’t, but you take the gun anyway because you had no reason not to.

Muttering a taut fine and gearing yourself up for more humiliation, you stand tall and hold the plastic gun up to the screen, ready to shoot incoming enemies.

You jolt when you feel the guy come up behind you, placing his hands over yours and moving them so that you have a better grip on the weapon. 

It was so quick and so natural your cheeks began heating for a reason completely different from your earlier embarrassment. 

He was so warm, his hands were warm and calloused and you could feel the heat of his body radiating onto your back as he invaded your personal space to show you how to hold the plastic gun. 

Your heart hammered against your chest but you forced yourself to keep your eyes forward and face neutral. 

It was much easier said than done, you realize as he leans in, his soft hair tickling your ear as he spoke, guiding you through the mini tutorial of how to shoot the zombies. 

Everything he said went in one ear and out the other as you could only focus on the low vibrato of his voice, explaining as his fingers ghosted over yours, casually helping you shoot. 

The smell of fresh linen and what you could assume was citrus shampoo flooding your nose, making you dizzy as you struggled to listen. You wanted nothing more than to lean back into this stranger, fully feel the warmth of his chest against your back and run your fingers through his soft locks. But you didn’t. 

You will yourself to focus on the sounds of the game and his technique, knowing that you will probably be playing the game soon and didn’t want to look silly if your skill remained the same.

Unfortunately, he pulled away sooner rather than later, taking all of his extra warmth and citrus scent with him. 

“Do you get it now?” He asks, rasp in his voice having genuine curiosity and you nod, ready to try your luck at the game now.

It seems like his tutoring wasn’t in vain and you both pull out a win, scoring high enough to place your names on the screen. 

You can’t hide your excitement from your first win of the night, turning to your new companion as he looked over the other high scores on the board.

“So, what’s your name?” You ask, riding the high of the win and letting the confidence of it guide you. “Because I don't think it would be DustKing like your high score says.”

He gives a small laugh, something tiny and barely there – a mere blow of air through his nose — and looks at you. Those carmine eyes send heat rushing to your cheeks again and spreading to the tips of your ears. 

“Tomura.” Is all he gives and you nod, giving him your name and turning back to the arcade game again. 

“Wanna give it another try?” You offer, and he gives you a small smile back, dropping a coin into the machine and starting up another round. 

“Sure.”

And suddenly, being ditched on a Friday night by your so-called friends isn’t so bad.

—---------------------

The next time you meet Tomura, it is on a saturday afternoon.

The arcade is already bustling with people and the noise almost makes you turn on your heels and walk away. But you don't, instead white hair and dark clothes catch your eye and your feet move before your mind can catch up with the actions. 

“Hey!” You greet, a little too chipper and a little too close. 

Tomura looks down at you, eyes dropping to your shirt and then back up again. You weren't sure if he had been checking you out or trying to size you up. It makes you falter a bit as he goes back to his game, effectively ignoring you.

The behavior is odd, but you try not to let it bother you. The last time you met the both of you played the silly zombie game until the arcade closed — there was no way he didn’t remember who you were.

You feel a little out of place and the tiniest bit hurt as you take a step back, ready to find any other distraction in the arcade to erase this from your brain. 

“Um, okay, bye then—” You start, but you’re cut off by Tomura’s groan. He lost the game and it's difficult to hold back the laughter.

“God, you’re such a distraction. You made me lose!” He barks, riling you up.

Your brows furrow in frustration, you’ve barely said two words to the guy. “How did I make you lose? I just got here!”

“Yeah, and you're being all distracting, with your little shirt and your jeans. What do you want?” 

What the hell was that supposed to mean? The statement is lost on you as your anger takes the forefront. “Don’t blame me because you’re off your game today.”

“I will blame you, because it’s your fault.”

“Whatever, Tomura. Since you’re done losing at this game, why don't you try one you;ll need real skill to play?” you challenge and hope he takes the bait, the irritated narrowing of his eyes shows that he will and you bury your giddiness inside.

“Fine, I'll try it.”

Tomura loses. Bad. And you can't stop the tears from crowding your eyes as you laugh at his misfortune. 

“No, why did you rush out so fast?” You hear Tomura’s low growl of annoyance and continue, “This is not that kind of game! Slow and steady wins the race, you know.” 

Wiping the tear from your eye, you try again, dropping a coin and gearing up for the next round while Tomura sits beside you, seething. The game starts up again and it's bright and inviting. You strategically tap at the buttons, ensuring that your duck character can make it across the street safely. 

It's only when you hear the splash of the fallen duck next to yours that you break out into laughter once more, accidently tapping the button and sending your duck into the open road, ending the game for you both. 

“This game is rigged!” Tomura protests, frustration palpable and scowl deep on his face. 

You only shrug, knowing it's not an easy game, “Well, I'm sure you’d say that about any game you aren't good at.” 

“That's a lie.” He states. Blunt and firm. This guy… He’s so rude, but so cute. You want to bite him.

“It's not,” You keep your voice light as you tease, not wanting to push him too far. “You don’t have patience so of course you would lose.” 

“I could beat you at other games.”

This piques your interest, brows flying up. “Oh, yeah? Like what?” 

He shrugs, irritation all but dissipated. “Mario Kart. 200cc. It takes patience and it’s not rigged.” 

You take the bait, fingers twitching in anticipation, “Sure, but look where we are. There is no Mario Kart here.” 

The look tomura gives you makes you wonder if you’d asked if the sky were blue. “I have Mario Kart at my house. Stop by and I'll kick your ass at it.”

You are stubborn, and decide fine. If he wants to be cocky, then you could bring him down a notch. “Alright, let's go and we'll see.” 

He nods and you both take off, leaving the noise and excitement of the arcade behind.

Tomura was not lying when he said Mario Kart required patience. 

You were currently in his room, on his bed as you try and fail to correct your character's position on the race track. You were stuck against a wall and slowly turning the opposite way, meanwhile, the other karts whip past your character — mocking while you firmly sat in dead last. 

The small laugh Tomura gives is enough to send you into a rage. Standing up, you grip the controller with force, twisting and turning with it as if it would give you more control over your character. It did not. 

“Oh, come on!” You shout.

“You have to use your brakes at this speed.” Tomura supplies, his character crossing the finish line and cheering at its win. 

Your frustration is blinding because once again, those large, warm hands were covering yours, Tomura’s low voice filled with amusement as he guided your character to the finish line. 

Embarrassment wasn’t enough for what you were feeling. Not only did you talk shit and lose, but you needed help from him again. 

He pulls away and you fleetingly think it’s too soon, watching as Tomura grabs his own controller and flips through the options. “We could try a slower cc. 200cc is brutal to newer players.”

“You knew that and you still let me play it?” He clearly set you up, you bitterly realize as you sit next to him on the bed, watching the screen.

“Yeah, for all I know you could have been a prodigy. You weren't though, so it’s nothing I have to worry about.” 

“Hey!” You scold, smacking his arm and grabbing the controller. “Fine. Let's do 50cc and see how good you are.”

Tomura shrugs, plucking the item from your hand and getting more comfortable. “Sure, but don’t think slower races will mean you’re better.” 

The next race goes about the same as the first one, but at least this time your character sticks to the road and you’ve even placed higher this time. Eighth place! Take that. 

“Impressive,” Tomura drags, voice stripped of malice and insults. It was a small feat, but still better than twelfth place. 

It's hard to keep your excitement down, a stark contrast to Tomura’s reserved demeanor. You’ve only met him recently but he's already perfected the way to get your feathers ruffled and rile you up. 

“Yeah, well I'm going to buy the game and practice on my own. Just wait, you’ll be in last place soon.” You had the gaming console, but never this game. It wouldn’t be too steep of an investment. 

Tomura hums, pondering a moment before responding, “You could always just come over and practice. No need to waste the money when I have it.”

His words make you pause, slowly realizing where you are and who you're with. Some guy you met at the arcade — in his home, in his room, playing video games. How did that happen so fast? Your parents would kill you.

“I guess.” You look around, suddenly wanting to find anything else to focus on that isn’t the man beside you. Now that you think about it, you’ve never really been alone with another guy before. Especially not in his room. Sure, you had all kinds of male friends, but never any this close. It made you… nervous. And warm. 

Very warm. Something that spread from the pits of your abdomen and crawled its way back up into your cheeks. 

You hoped Tomura wouldn't notice your blush and searched your brain for any way to get out of this situation. 

But then he was speaking again and god, was his voice always this low?

“Do you want to go another round?”

“Huh?” You stammer, looking over and it was a mistake because you were forced to notice how close you two were sitting, on his bed of all places. You shake the thoughts from your head, “y-yeah, we should play another round.”

You reach for the controller and Tomura stops you, grabbing your chin, forcing you to look him in the eyes. 

“Hey, what's your problem?” Blunt. Rude. Fucking cute. 

It's settled. You hate this man. 

His brows furrowed as he moved closer, examining your face as if he could peer into your mind with his eyes alone. It made you want to shrink away, but that would only make his observation worse.

“Are you... getting nervous?” Your eyes widen at the words and you pull away completely, shaking your head, 

“No! Of course not.” You cross your arms in a huff and absently wonder if you could take your leave now. 

“You are,” he decides, a slow grin creeping across his face, “Why?” 

You're sure the ground will open up and swallow you whole if you just wish hard enough for it. Maybe then Tomura would back up out of your personal space and shut up.

“I'm not nervous.” You bluff, praying he won’t see through you. 

“I know why.” 

You brace yourself for mortification. 

“It’s because you know you’re going to lose.” 

He has that smug smile on his face and it hits you. 

He has no idea. Tomura doesn’t get it — he thinks you’re upset about the game and not the fact that you can smell the citrus of his shampoo and see the flecks of black in his red eyes. 

God, maybe he’s an idiot. 

You want to kiss him. 

“Don’t be nervous,” he assures, giving you a little smile and grabbing the controller again, “I’ll walk you through it.”

There was something about Tomura’s choice of words that made you think maybe, just maybe, he had a little more of an idea about your mood than he let on. You press your thighs together, praying it was subtle, and mentally push away the arousal you began to feel at his low tone of voice. 

“Sure.”

The next round you both play goes the same as the others. Tomura winning and you barely breaking the top ten. Your frustration was becoming palpable as it no longer was fun to see your character cry at the end of the match. 

“We don't have to play anymore.” You look over at Tomura’s words and he’s stretching, eyes closing at the movement. You can't help but notice the sliver of his exposed abdomen as he reaches up. 

You get a glimpse of his lithe figure and feel your mind begin to wonder what the rest looks like, but cut your thoughts short as he adjusts and meets your eyes again.  

You should get out of here before you embarrass yourself.

“Where are you going?” Tomura questioned, the minute you stood to leave.

“Um, home? It’s getting late.”

“Not that late. C’mon, it’s a Saturday. You have somewhere to be or something?” He’s getting up and you can only assume it's to get another game. You are correct because he turns to show you the case and it’s of a white goose. “This game is more fun.”

You look at the time on your phone and shrug. He's right, it's not that late — there should be no harm in staying a little longer.

So you do.

And it’s worth it as you both watch two geese in the game with excellent teamwork terrorize a farmer.

“Okay, you distract him and I’ll take his hat.” You were on a mission and Tomura indulged you, making his goose honk while yours swooped in, effectively stealing the hat and allowing you both to progress to the next level.

“Hah! I knew that would work.” You feel elated as you watch the geese move on, waddling across the screen and into the next area, “And you’re not so bad yourself, for a goose.” 

Tomura huffs a laugh, shallow and light before turning to you, “I carried you that round, but okay.”

You haven't known each other long, but he already knows his way around getting you riled up. 

The comment makes you turn so that you are better positioned on his bed, one leg still hanging off the end of it while trying not to puff your cheeks. You would be fighting a losing battle if he saw how riled up you were.

“Hey, I’m the one who told you where the picnic blanket was!”

“Okay? And who brought everything to the blanket?” he leaned forward, invading your space and challenging.

You didn’t back down, both of you so close, almost nose to nose. “You. but only after I found everything.”

The distance between the two of you was slim, and the air was heated, his crimson eyes looked down at you with that smug smirk on his lips and you wanted to bite him.

Or kiss him.

Whichever came first. 

Tomura followed your line of sight and it only made his smug expression worse, if that were even possible — yet neither of you backed away. His lips parted like he was on the edge of saying something, but was cut off by the peppy chime of your phone’s ringtone. 

That seemed to dissipate some of the tension between you two as it caused you to back away and scramble to find your phone on his bed. 

Once you’ve gotten it and answered, there’s the familiar voice of your mother on the other end, worrying about where you are and questioning when you would be home, standard practice for her. After many reassuring yeses and “i’ll be there soon”’s you are finally free of the call, now knowing that you have to wrap this up and head out. 

“Who was that?” Tomura questioned and his voice seems loud in the quiet of the room. 

You turn back to him and his eyes are waiting, expecting. He’s not doing anything but looking at you and it still feels like he can see all of you, as if you’re naked and bare, exposed completely. 

“My mom.” You can’t help the small shrug of your shoulders, feeling a little embarrassed at how uncool it could look to have your parents keep tabs on you all the time.

“Aww,” Tomura coos, and it's said more like an afterthought, something to fill the air as he leaned forward — finally, finally closing the distance between you both and kissing your lips. 

It shocks you as you feel the soft cotton his duvet hit your back, Tomura’s lips still pressed to yours as he pushed you down. They were rough but so warm, just like the rest of him, and your hand seeks his hair, finally indulging in the urge you’ve had to touch it since you’ve met him. 

He groans when you give it a tug and you whimper when he bites your lip a little too hard. It drives you crazy and Tomura wastes no time in deepening the kiss, his tongue swiping over yours as his hands slide up your shirt. You let out a gasp  when he cups your breast, taking a sensitive nub between his forefinger and thumb. The feeling has you mewling into his mouth and arousal soaking your panties. 

It doesn’t take much to get you riled up, especially since the furthest you’ve ever gone with a guy is a kiss here and there. 

Tomura crowds your senses as he hovers over you, caging you below him as he sits between your spread legs. Your heart races as you keep your eyes squeezed shut, you don’t know how far you’re going to go, but you definitely did not think you would be losing your virginity today. 

He pulls away, lifting his shirt up and over his head, tossing it somewhere on the floor of the room. You waste no time taking in the new sight of his exposed chest, desperate to reach your hands out to touch. 

But Tomura was back down again before you had a chance to, his mouth making its way down your jaw and neck leaving kisses and licks in its wake. It’s sensitive, especially when Tomura sucks right on a particular spot on your neck, making you cry out. 

“D-don’t leave a mark.” You stutter, words nearly lost to the pleasure. 

“Why not?” The warmth of his tongue licking the area he’d just sucked on was making you shiver. 

Your hands were gripping his shoulder, desperate for any kind of grounding. “Because my parents. They would k-kill me.”

Tomura hums, seeming to take your concern into consideration before pulling away. You’re worried you’ve blown it and ruined the mood, but he just tugs at your shirt. 

“Get this off.” 

You can feel the heat on your face, from the kissing, but now you feel it burn more as you gaze at the man above you. The words make you stall, process what's going on — what you should do. 

No one’s seen you without a shirt, especially not in this situation, but honestly? Who cares. You’re an adult, you can and will make your own choices. 

There’s no one else in this room but you and Tomura, so when you sit up to remove your shirt and bra, catching Tomura’s eyes scan your newly exposed body, you can’t help but smile at the chill of excitement that dances down your spine. 

It makes your heart flutter so you pull him back into a kiss and back down onto the bed, fisting your hands in his ashen locks again and savoring the groans he made. 

Tomura makes his way down again, taking your right breast into his mouth and tweaking the nipple of your other with his free hand. The sensations are overwhelming and you moan, arching your back and trying with all you had to pull Tomura closer. 

He obliged by lowering his hips and grinding down against you, the press of his erection against your clothed cunt drives you wild. Tomura comes back up, claiming your mouth again and he is demanding as he deepens the kiss, giving you everything you wanted and more. 

You wanted to take it further, needed to take it further, but you weren’t sure how to progress from making out. Telling Tomura you were a virgin would probably make things awkward and you were going to lose it if everything ended here.

Tomura pulls away to look at you, flushed and red while you ponder what to do with your hand placement. You decide to wrap them around Tomura’s neck, pulling him close enough that he rests his forehead on yours. 

Your breaths intertwine as you both stare at each other in a daze. 

“What?” He asks first, breathless and curious. 

You cut your eyes to the side, hoping your scoff came off as unconcerned instead of wildly nervous, “Nothing! Nothing..”

Your tone is not lost on Tomura as he narrows his eyes, gears turning in his head and piercing gaze seemingly looking through you and into your deepest thoughts. “Why are you being shy like a virgin?”

The way you purse your lips gives you away and you do everything to avoid his gaze, which is hard when you’re both so close to each other. 

“Oh my god, you are.” There’s a whimsy excitement in his voice and suddenly, embarrassment is creeping its way back into your mind, “why didn’t you say so?” 

You look up as Tomura pulls back, his smile open wide on his face, ill hidden elation buzzing in his words. 

There’s your innate need to defend yourself and your honor rising up again and you can’t stop yourself. So what if you’re a blushing virgin. “Yeah, so? Aren’t you?” 

His shoulders give a small shrug, “Maybe.” 

Then he’s down again, lips next to your ear as his hands trailed down your waist, leaning goosebumps in their wake. 

“Have you ever made yourself cum before?” He asks and you can feel his smile against your ear.

Embarrassment has officially taken the forefront of your mind as you weakly shake your head no, “I’ve tried, but when I get close the feeling goes away.” Might as well be honest since it can’t get more vulnerable than this.

Tomura hums, one hand reaching to take your hand in his, “I could show you how, if you want.”

You feel his hand drag yours lower, down your body and to the hem of your pants and stop, waiting for a response. It feels like your nerves are in overdrive and you writhe below him in anticipation, nodding your head, “P-please.”

Tomura pulls away, taking his warmth with him as he reaches down to unbutton your pants, removing them and leaving your panties. 

“You’re soaked.” He muses, causing you to whine in anticipation. “Show me how you do it.”

And you do, slipping your hand under your panties and biting back a moan as your middle finger rubbed circles on your clit. You were dripping wet so your fingers glide easily and the feeling makes your eyes close. 

It's a song and dance you are familiar with in the heated nights of your bedroom. Trying and failing to make yourself cum because you’ve read about it, it’s supposed to feel good, but you just can't get there. 

Tomura watches on, absently palming his erection and watching you touch yourself. As much as he wanted to reach down and help you out, there was something about seeing you whine and writhe in his bed that made his brain wild. 

You were getting close and you knew because there was that familiar sensation of heat pooling in your lower belly, it was a pressure that got more and more intense as you chased after it, but every time, your hands would get tired and you would lose it. And with the momentum gone, you lose the orgasm. 

Your furrowed brows went from aroused to frustrated within the span of a second as, once again you’ve unintentionally denied yourself release. 

“Fuck,” Tomura breaths, hand now fully in his sweat pants as his breathing picks up, “you were close.”

“I know!” You whine, unsure what to do now, but Tomura has a few things in mind. He pulls his hand from his pants, not wanting to ruin his own orgasm and hooks his fingers on both sides of your panties, pulling them down and tossing them to the side. 

You were fully exposed and the only thing keeping you from pressing your thighs together and holding your dignity close was Tomura between them. 

You wish he wouldn’t look so much, but he does, drinking up the sight of your exposed cunt and licking his lips. You’re about to call him out of it before he dips back down, capturing your lips in his and it distracts you. 

It distracts you so well that the press of his thumb over your slick nub makes you cry out, the pleasure sudden and better than you imagined. Tomura devours your moans, rubbing slow circles onto your clit and easily picking up where you left off. Your hands find purchase on his back and your toes curl at the sensation. 

He had just started, but it was just right and you couldn’t stop yourself from arching your back, desperate for more and overwhelmed by the stimulation. 

“T-tomu..” You moan as you feel the horizon of warmth again and bury your face into his neck.

“Yeah,” his lips are by your ear again and you close your eyes, fully focusing on the feeling of his thumb working your clit and his low voice in your ear, “Just let go for me.”

And it all hits you, pussy pulsing in pleasure as you come undone, your cries muffled by your face in his shoulder. It feels like the end of a long marathon as the bliss spreads through your body like a warm blanket. 

You could only lie there as Tomura pulled away, kissing your sternum and all the way down until he was at eye level with your cunt. The action confuses you because he had just made you cum so why was he..? 

“What are you doing?” You ask, confusion muting the buzz in your head. 

His eyes meet yours, mischievous glint in them sending the butterflies in your stomach wild. “We’re not done yet.” 

And before you could question the man further he dips down, warm and wet tongue meeting your slit and diving into your slick entrance. The action makes you jolt, keening at the sensation and thighs reflexively closing against Tomura’s head. This action only spurred him on further as he lapped and dipped his deceptively long tongue in and out of your wet entrance, sticky slick walls clamping down on him as he sloppily ate you out. 

He was relentless as he drove your pleasure up the wall — blowing your previous orgasm out of the water with this new sensation. 

“Fuck, tomu — fuck its..!” You can’t form a coherent sentence because the pleasure was only building and building, giving your brain no time to catch up with your words. Your hands immediately found purchase in his hair, the soft ashen locks grounding you as he continued his actions, unbothered by your tight grip. 

Tomura decided to move up, licking his way from your hole to your clit, the overstimulated bud was next on tomura’s list as he lapped and kissed your bundle of nerves. 

The actions make you cry out, mind muddled as your body tries to figure out if you want to be closer or further away from the sensations. You don't have much time to reach a conclusion either as Tomura sucks your clit and your second orgasm of the night quickly builds up and spills over, making your back arch from the bed and your legs shake in pleasure. 

It feels like your mind is completely blank as tomura gives your cunt a final lap and your clit one last kiss before returning to meet your eyes again. 

You were face to face now and watching him grin down at you, and you couldn’t shake the feeling that you had made a deal with the devil himself as your mind swam in the pleasure radiating throughout your body. It all felt surreal, and your eyes naturally closed, enjoying the feeling of your second climax. 

“Aw, don’t tap out on me now, I haven’t even given you the final boss yet,” you hear Tomura coo, finally moving to remove his sweatpants and boxers and oh— 

You watch his cock bob between his legs and panic internally as you wonder how the hell that would fit inside of you. 

It’s like Tomura could read your mind, because his laugh brings you back to the present, “don't worry about it, promise it’ll fit.” 

You don't know if you should trust him on that, but you do — mentally preparing yourself as Tomura leans over you and into the drawer of his bedside nightstand. He pulls out a square foiled packet and it’s in that moment you realize – no, he was not a virgin and only humoring you. 

You don't have much time to dwell on it though because in no time he has the condom on and is lining himself up with your entrance. 

The nerves are making themselves known as the reality of your situation starts to set in. The thoughts don’t flood your mind for long because Tomura takes your chin in his hand, demanding your undivided attention as he slowly pressed into your cunt. 

The pressure of the stretch makes you whimper and your eyes reflexively close, but he was only getting started. It was the somewhat soothing feeling of Tomura’s thumb stroking your cheek that kept you grounded and able to withstand more of the stretch. 

Little by little, Tomura pushed on, guiding you with his words and reassuring you that it wouldn’t hurt for long. He was right up against your ear, the familiar smell of his shampoo bringing you comfort as your bodies intertwined. 

“That it,” he guided, voice low and hips still as he bottomed out. You felt so full. It was a sensation you’ve never imagined and could only whine as tomura started to pull back. “I’m gonna move now.” 

Even though the pain was there in the initial thrusts, there was also the feeling of dull pleasure, slowly growing and growing until the previous pain had all but gone away and now you were floating in ecstasy as Tomura’s thrusts began to speed up.

You gripped at his forearms as he gained momentum, hips rocking into yours and making you moan.

“You like that?” he husked, lips brushing your throat as his hips snapped forward and hit a particularly sensitive spot inside. 

“F-fuck, again, do that again,” you cry and Tomura focuses his attention right where you want him to. The feeling is euphoric as you feel a different kind of coil tightening in your lower abdomen. A feeling that makes your toes curl and your thighs tense and it's hit again and again. 

Tomura lets out a low groan, his own pace becoming unsteady as time went on. “You’re so tight..” he murmured, reveling in the feeling of your slick walls clamping down on him, “‘s like you’re sucking me in.” 

You’re nearing the end again, you can feel it, but you don't want to be. This all felt so good. “Tomu, I-I’m—”

Tomura cuts you off, pulling away to look you in the eyes, his ruby red gaze was hypnotizing. “Just let go, I’ve got you.” 

And you do, that’s all it takes for you to tip over — mind rushing in bliss as your heart fluttered at his words. 

You felt this orgasm deep in your bones, the overwhelming feeling of clarity and contentment settling within you as you were now along for the ride, enjoying Tomura’s increasing erratic pace while he chased his own orgasm. 

“Oh, fuck—” he pants, following behind you with his own climax. His eyes were squeezed shut as he rode it out, slowing to a stop and dropping his head onto your shoulder. 

The heavy breaths between you were the only sounds in the room as you stare at his ceiling — noticing the faded out green stars above. So faint you were sure they had been placed there years and years ago. It brings a warmth to your chest, something new among your many new feelings you’ve felt today. 

“Next weekend,” Tomura starts, still sounding a bit winded as he pulls out — and you wince at the soreness, the pain not really something you were prepared for — and lays next to you, “Next weekend we’ll rematch in Mario kart. I’ll help you get better.”

You smile, the buzzing excitement making you flush, “Okay, let’s do it.”

The next morning is one that leaves you with a forming pit in your belly. It is a Sunday morning, and Sundays are the day’s your family loves to enjoy a homemade breakfast and sit together at the table like a loving family. 

And they were loving! Loving and observant.

You felt as if your parents knew. Like they knew where you had been yesterday — somehow seeing through your foolproof lie of hanging out with an old school friend, but things were quiet. 

Everything on this Sunday morning had been proceeding as normal. Your parents were sitting across from you, none the wiser and laughing about a show they watched last night while you were out. 

It did not feel real. It felt like there was something you were missing, as if they were omnipotent and knew your every move. Knew that you were no longer their shining star child, that you had been up to things that were everything but innocent. 

You feel the same, physically. Maybe a little sore from how rough Tomura had gotten, but other than that, normal.

“Sweetheart,” your father’s voice calls you, cutting through your paranoia, “could you pass me the syrup, please.”

And you do, maybe with too much haste, but he does not comment on it. Instead he just pours the sugary liquid onto his pancakes and continues. “So your mother and I were thinking,”

Oh, god. They knew.

“We know you’re taking a semester off, but if you aren't happy with that college, we could look into other’s for you.”

Your shoulders relax. It’s just college talk, again. That was talk you could handle. 

“Um, yeah. That’s okay with me. I could always use more options.”

Your father smiles, “That’s our girl. Always so flexible with her options. We know it takes a lot of strength to take a break, but you did. We’re so proud of you.” 

The smile that graces your face is pitiful and filled with guilt that you prayed was not obvious. They really saw the best in you, no matter how suffocating they were. so it’s only right you follow the path that they lay out for you. 

“Our girl could never do any wrong,” your mother chimes in, chipper and full of admiration, “you’re just so smart.”

You only nod, now trying to tune them out as they go back and forth, discussing possible college they believed would be best for you. 

It really makes you wonder just how far that love and pride stretched when their angel of a daughter strays against what they expect of you.

—-------------------------

And not even six months later that same love and adoration is tested, put on the line and shown bare as your enraged parents look down at you. 

The same parents who doted on you about how much you made them smile. You who had made them so proud and apparently brought them so much joy. 

It’s suffocating as you sit right back on the very same couch where it all started, listening to a lecture from your mother about the woes and pains of having such a disobedient unruly child. 

Even though you’re an adult. 

Even though you can make your own decisions about your life. 

It’s maddening having to listen to your once so meek and complacent mother go on and on about how she would have never snuck around with some boy she’s only known for a few months. How she would never lie to her parents about her whereabouts and how it’s just unheard of that you would turn your location off. 

You shake your head, they wouldn’t understand. Your father wouldn’t even look at you. “Mom, please..” you start, wanting to offer anything to break up the nonstop lecture. 

“I just don’t understand!” Her voice is so high it’s nearly a yell, and your mother makes it a point to never yell. “He’s just a man! Why would you put yourself and your future at risk for some guy?”

“He’s not just some guy.” You mumble and curse yourself for trying, they would never see it your way. 

There is a buzz from the phone in your pocket and you habitually grab for it, pulling it from its place and you are not given a chance to check the notification before your mother snatches the device from your hand. 

“And no phone! This damn phone is the root of all your problems in the first place.”

Disbelief mars your features as the constant drilling catches up with you. “You can’t do that!”

She only folds her arms across her chest, head tilted in challenge, “I can’t? Watch me. You’re lucky we haven’t put you on the street yet with how irresponsible you’ve been.” 

It’s hard to understand what’s so irresponsible about taking birth control and practicing being safe. But you knew it was deeper than that. It was deeper than the boy and it was more than sex. 

They hated the lack of control they had over you and how it waned with every passing day.

“So, what, was this guy supposed to be the love of your life? Someone you would just run away with and expect to support you?”

Your mother’s voice grates on your ears and you just wish for this conversation to be over, you want this entire thing to be over and done with. “I don’t know. Maybe.” The defeat is evident in your voice and you shrug. “Can I go now?” 

They are beating a dead horse at this point and you’re over it. 

To your surprise, no one stops you as you rise, allowing you to take your leave before the tears clouding your vision could fall. 

The defeat you feel is deep and you can’t even muster the energy to slam your door shut, opting for a quieter close. The fragile click of your door was so soft and it felt as if you were made of glass. To slam the door would only make you shatter into a million pieces onto your bedroom floor. 

How foolish of you to think there could ever be a world where you had autonomy in a house filled with hawks. 

Your bed greets you with its cozy warmth and you allow yourself to fall apart there, letting out all of your despair and frustration into your pillow and leaving the pieces of your soul to be picked up in the morning. 

It’s been a week. 

A long, boring, drawn-out week. 

You are without your phone, without wifi and without your parents car — so you couldn’t go anywhere if you tried. 

It’s been a long week of nothing, not even from Tomura. You assume he can put two and two together and figure out something has gone wrong. The thought brings you a little peace, but not for long. 

You barely leave your room and barely say two words to your parents. The isolation is… lonely. 

Even if you went out to the living room to watch television, you run the risk of running into one of your parents — and you can really do without another lecture. The only thing on your mind this past week has been Tomura. What was he doing? Did he pick up on your silence? Last time he showed up at your house, but that’s not happening this time around. 

You sit up from your bed, realizing that sitting around rotting away would drive you mad, and look to your window. The sun was setting and dusting the rest of the world in pretty orange and pink hues. It would be nightfall soon, and you don't think you could spend another night in this room, alone. 

So, against all better judgment, you open your window, look back to listen for any suspicious footsteps — the lack thereof giving you the greenlight — and climb out of your window, stumbling on to the ground as you try to regain your footing from the drop.

You weren't sure where your feet were taking you, but you didn't care, the feeling of fresh air against your cheeks was all you really needed for a clear head.

Your feet lead you to the mall, the start of all your problems and the beginning of your independence. 

It felt strange, seeing all kinds of happy faces throughout the mall. Blissfully unaware of their freedoms and enjoying their night. The jarring feeling pushes your feet to the familiar route, flashing colors and blaring music of the arcade greeting you. 

It’s comforting, in a way. But you didn’t bring any money. You didn't bring anything but what you were wearing so you could only look around, watching friends and couples alike laugh together. 

There's an area near the back of the arcade with tall barstools and empty tables. You decide to take a seat there and sulk on your own. At least you were no longer trapped in your room, forced to watch your four walls while the days passed you by.

You were in a daze, tracing the brown lines on the wooden table with your eyes, until someone interrupted you by sitting right next to you. You turn to face the culprit, less than friendly words on your tongue and ready to let whoever have a piece of your mind. 

But you stop in your tracks as ruby red eyes look down at you. 

Tomura. 

He was here, next to you and your heart fluttered at the realization. 

“What’s your problem?” He joked, rasp in his voice comforting to your ears. 

You don’t stop yourself from pulling him into a hug, his black hoodie soft and familiar. “How did you know I was here?” You mumble into the fabric and miraculously Tomura understands you.

“I didn’t.” The admission causes you to pull back, looking up at him through your long lashes. “None of my calls or texts went through, and I tried to stop by but your dad was suspiciously outside.” He brings a hand to your head, brushing your hair back and giving you a small smile. “I still like coming here, so I did. Something to pass the time. Ironically, I saw you walk by. 

You hum, fighting the pout that wanted to make its way onto your face. “They took my phone. They took everything, even the birth control pills. I can’t keep living like this, Tomura.”

“I know.” He responds, soothing your nerves even with his presence. “I can get you another phone.”

The suggestion only makes you shake your head, it doesn’t tackle the real underlying issue. 

“It doesn’t matter. It’s only a matter of time before they find that too. We’ve seen that they aren’t above going through my things. It’s hell. I can’t do it anymore.”

This seems to make Tomura ponder, taking your words in and running them through his mind for a solution. His expression is fixed when he looks back at you. 

“Then don’t.”

“What?” 

“Don’t go back home.” He elaborates, “Come stay with me. My place is big enough, it shouldn’t matter.”

You are shaking your head before you realize, pulling away from him with a stern look. “No, no I can't do that. I can’t impose on you like that.”

Tomura gives you a halfhearted glare. “It’s not imposing if I'm offering. They’re assholes, and I'm usually home alone anyway. Well, besides Kurogiri.” He leans in, pressing his forehead to yours, “C’mon, just go home tonight, pack a bag and then meet me here tomorrow. Can you do that?” 

There was no other option you would want more so you nod, giving a short okay as Tomura presses his lips to yours. 

It's set — by this time tomorrow you will be free.

[writingsoftarnishedsilver]

I think of mc being very protective of her friends being a orphan and all. someone says the gaunts are all dark wizards? they are in the hospital wing for two weeks under strange circumstances. someone starts a nasty rumor about why Anne really left hogwarts? The worst tripping hex gets everyone who repeats the rumor. someone insults sebastian, you better pray that mc didn't hear about it she's coming for you

The Things We Do for Family | Sebastian Sallow x Reader

oh I loooooved this concept!!!! THANK YOU FOR THE ASK, ANON. I really hope you enjoy reading as much as I enjoyed writing it!! :')

Words: ~5,200

Tags: Reader Insert, Female MC, No Y/N, No Hogwarts House, Humor, Protective MC

There are things that Hogwarts students simply know—unchallenged truths, whispered warnings passed down from year to year.

The Forbidden Forest is dangerous. Peeves is a menace. The best snacks at Honeydukes sell out by Saturday afternoon. Don’t trust the staircases to take you where you actually want to go. Never accept Garreth Weasley’s offer to ‘test something out’.

And, under no circumstances, should anyone fuck with your friends.

It isn’t official, of course. There’s no school decree, no printed rule in the Hogwarts handbook, it's not carved into the walls. It’s just… understood.

It’s not like you’re some fearsome monster or anything.

You’re a model student, by all accounts. Brilliant. Sharp. Precise. A skilled duelist, a quick thinker, someone who turns in their assignments on time, answers when called on, and doesn’t cause disruptions in class.

You don’t start fights. You don’t pick pointless arguments. You don’t openly break the rules—not in ways that can be proven.

You play the part well.

Because that’s what you had to do.

You grew up alone. No parents. No siblings. No one to step in when things got hard, no one to defend you when the world was cruel. When you were small, scared, and helpless.

So you learned.

You learned that no one was coming to save you. You learned that fairness was a lie, that justice only existed when you carved it out with your own hands. You learned that people could be awful for no reason other than that they could get away with it.

But now? Now, you have a family. Not by blood, but by choice.

And when someone speaks against them? Bad things happen.

The Ominis Incident

It started, as most things did, with a careless remark.

A fifth-year Ravenclaw—smart but not particularly bright—thought it would be amusing to make a joke at Ominis Gaunt’s expense. A cruel one. Something about how the Gaunts were all inbred lunatics, how it was only a matter of time before Ominis ended up just like the rest of his family.

The words reached your ears in the library, drifting from a table not far from where you sat.

"You know I hear they torture Muggles for fun—it’s practically a family tradition. Gaunts don’t have hobbies, just a long history of inbreeding and Crucio."

Laughter followed, a few snickers from their table, hushed but not nearly enough. Not nearly enough to keep you from hearing.

Your quill stilled mid-word, ink pooling in place. Across from you, Ominis sat straight-backed, his expression unreadable, but you saw the way his fingers tightened around the book he was holding, knuckles whitening from the force of it.

He wouldn’t say anything.

Ominis had spent years perfecting the art of indifference. Of carefully controlled expressions, of blank politeness that masked far too much. He never reacted to comments like these.

But just because he wouldn’t didn’t mean you wouldn’t.

You exhaled slowly, carefully. Then, without a sound, you closed your book and stood.

Not a word. Not a glare in their direction. Just a smooth, effortless departure, as if you had suddenly decided the library was boring and somewhere else required your attention.

The Ravenclaws barely noticed.

But they would. They absolutely would. Because Potions class was a very dangerous place. Especially for people who talked too much.

The next day, you walked to Potions without a care in the world.

Sebastian and Ominis flanked you, deep in conversation about some essay Sharp had assigned, with Sebastian whining dramatically about how unfairly long it was, while Ominis countered that perhaps he should have started it earlier than the night before it was due.

You weren’t really listening, because you already knew what was coming.

And sure enough—just as you reached the dungeon corridor—

BOOM.

The floor trembled slightly beneath your feet. A deep, echoing explosion, the unmistakable sound of a cauldron detonating mid-brew, followed almost immediately by the frantic shouting of students.

Gasps. Choking coughs. Someone let out a screech of absolute horror.

Sebastian and Ominis startled.

Sebastian’s head snapped up, eyes wide as he looked toward the dungeon doors. “What the hell—”

Ominis twitched beside you, tilting his head, as if straining to listen.

You? Didn’t even blink. You just kept walking, calmly, like nothing was amiss, like you hadn’t been expecting it for the last twenty-four hours.

Sebastian noticed. His gaze sharpened, flicking to you with a knowing squint. “That was—”

He hesitated. Then narrowed his eyes further.

“Okay,” he said slowly, “I know that face.”

You raised a brow. “What face?”

“That’s your I-did-something-but-you’ll-never-prove-it face.”

You tilted your head, feigning confusion. “I have no idea what you’re talking about.”

Sebastian scoffed and Ominis rolled his eyes, deadpan. “Uh-huh.”

Then the dungeon doors burst open.

A thick cloud of green smoke billowed out, sending students stumbling and coughing into the corridor. And in the center of it all, a group of very, very green Ravenclaws.

They clawed at their own skin, staring down at their hands in absolute horror. Their faces were the exact shade of an overripe toadstool, splotchy and uneven, and every time they opened their mouths, their tongues flopped out two inches too long.

Hysteria ensued.

Students gasped, some shrieked, others tried not to laugh. Professor Sharp stormed out after them, looking beyond exhausted, already massaging his temples.

“I told you,” he said, pinching the bridge of his nose, “not to add the peppermint extract.”

“WE DIDN’T!” One Ravenclaw wailed, voice garbled from their too-long tongue. “I—I don’t know what happened! We did everything right!”

Sharp did not look convinced.

Sebastian looked at you, long and slow, a glint of admiration dawning in his eyes.

“Did you—”

“I did nothing.” You walked past him, as if the entire debacle were none of your concern. “I was with you all day, wasn’t I?”

Sebastian’s lips twitched. “Yeah, but—”

“No proof, no crime.” You gave him a cheerful smile before stepping into the classroom.

Sebastian grinned. “Oh, I love you.”

It was offhanded, thoughtless, a casual jest, but it sent a sharp, pleasant warmth down your spine.

You didn’t react, though. Just smirked, settling into your seat. Because the message had been sent.

And Ominis Gaunt would never hear a word against his name again.

The Anne Incident

Rumors at Hogwarts were a force of nature.

They swirled through the halls, slipping between whispered conversations and behind cupped hands, growing more twisted with each retelling.

Some were harmless—who was dating who, which professor had it out for which student, the occasional Did you hear Peeves stole all the ink from the Ravenclaws again? But some? Some were cruel.

And this one... this one was about Anne Sallow.

It started at breakfast, when you overheard a group of Slytherin sixth-years in the Great Hall. You weren’t eavesdropping—not intentionally—but you had a habit of noticing things, of hearing too much when you weren’t meant to.

"Did you hear about Sallow’s sister?"

"Yeah, I heard she went mad."

"Lost it completely. The curse must’ve rotted her brain."

"That’s why she left, isn’t it?"

"Yeah, I heard she tried to hex someone in her sleep—"

Your fork warped in your grasp. A slow, controlled bend beneath your fingers, the metal bending in your grip.

Across from you, Sebastian had gone still.

He didn’t turn. Didn’t react. Didn’t give them the satisfaction.

But you saw the way his jaw clenched. The way his hand curled into a fist against the table. The way his entire body had gone taut, locked in place by sheer force of will.

He wouldn’t do anything.

Not because he didn’t want to. Not because he wasn’t capable of it—because he was.

Sebastian Sallow could be ruthless. You knew that better than anyone. You’d seen it firsthand, the sharp edges of his temper, the way his rage burned hot and all-consuming, leaving nothing but wreckage in its wake. You’d seen what happened when he felt cornered, when he thought he was out of options.

But he wasn’t that boy anymore. Because you and Ominis had dragged him back from the brink. Because you had looked him in the eye, years ago, when the dust had settled and the worst of it was over, and told him:

"You still have a future. Don’t throw it away."

Against all odds, he had listened. And now, this was his last year at Hogwarts and he was going to be an Auror. He was going to start over. Prove that he wasn’t just some reckless, violent delinquent one step away from Azkaban.

So no—he wouldn’t react. He wouldn’t take the bait. Wouldn't defend Anne, no matter how badly he wanted to. Wouldn’t let himself be dragged down into the same pit he’d barely crawled out of.

Sebastian was playing the long game.

But you? You weren’t.

Your revenge on Anne's behalf started small. Almost imperceptible.

The first Slytherin—the one who had started the conversation in the first place—was walking to class when it happened.

A single misstep.

His foot caught on something—thin air, perhaps—and he staggered forward, arms flailing in a desperate attempt to right himself. It didn’t work. His books went flying, parchment scattered across the stone corridor, and a bottle of ink tumbled from his bag, shattering upon impact and staining his robes in an ugly, irreversible mess of black.

A small accident. An unfortunate case of bad luck.

No one thought anything of it—until the second one fell.

In the exact same spot.

And then the third. And the fourth.

By the time lunch rolled around, all four of them had tripped at least half a dozen times each.

It wasn’t just limited to the corridor, either. They stumbled on staircases, barely catching themselves before they could go tumbling down. They walked straight into walls as if the castle itself had turned against them. One even managed to trip over absolutely nothing in the middle of the Great Hall and landed face-first into his own soup.

The snickers started soon after. The sideways glances. The poorly hidden laughter from classmates who found their sudden clumsiness far too entertaining.

It wasn’t enough to be suspicious.

Not yet.

Not until the moving staircase.

The ringleader of the group had spent too much time lingering in the courtyard after lunch, chatting up a group of girls who barely tolerated his presence. He realized too late that he was running behind and bolted toward Charms, racing up the moving staircases with zero grace and even less caution.

And then his foot caught.

There was nothing there. No loose stone or shift in the staircase, nothing at all to explain why he suddenly lost his footing.

But he did.

He stumbled backward, arms flailing wildly, fingers grasping at empty air as the momentum carried him too far—

And he plummeted.

Three flights.

A blur of robes and limbs, a crash of bone against stone, and then a sickening thud as he landed in a groaning, crumpled heap at the bottom.

A hush fell over the corridor.

Then—

Shrieking.

His friends rushed down to him, voices panicked, eyes wide with horrified realization as they took in his bruised, trembling form.

A girl ran to fetch Madam Blainey.

By the time she arrived, he was whimpering, clutching his arm like it might’ve snapped.

Hospital Wing. Immediate bed rest.

No one could explain what happened. No professor could find a cause. Some students claimed the stairs had shifted unexpectedly. Others swore that they saw nothing—no trick step, no loose stones, just an unseen force pulling him down.

It didn’t matter.

The moment he was carried off, you finally allowed yourself to smile.

Not a smirk. Not a grin. Just the smallest, most satisfied twitch of your lips.

Sebastian caught it. Because of course he did. He had been standing beside you the whole time. Silent. Still. Watching from the moment that asshole Slytherin stumbled earlier that morning to the moment he was carted off for medical attention.

And now? Now, he just exhaled, long and slow, shaking his head as his mouth curved into something unreadable.

“You’re dangerous,” he murmured, voice low.

You hummed, tilting your head in faux curiosity. “Am I?”

Sebastian turned fully then, facing you. His gaze searched your face, for guilt perhaps. For remorse. For something that might suggest you hadn’t meant for it to happen.

But there was nothing.

No trace of hesitation. No flicker of shame.

You were calm, collected, an completely unapologetic. Because nobody talked about Anne Sallow like that without consequence.

Sebastian blinked. Then, to your absolute delight, he grinned. Wide. Slow. A sharp, wicked thing.

“Yeah. You're very dangerous” he said, almost in awe.

Your stomach twisted. You ignored it. Instead, you just shrugged, voice as casual as ever.

“I don’t know what you’re talking about.”

Sebastian’s grin deepened.

The Poppy Incident

Poppy Sweeting was one of the best people you knew.

Kind-hearted, patient, and too good for the world, really. She spent more time in the company of magical creatures than she did with most people, and honestly? You couldn't blame her.

Because people could be cruel.

You first heard it one afternoon in the courtyard. A group of girls whispering amongst themselves, giggling behind their hands. You hadn’t been paying much attention—until you heard her name.

"Honestly, she’s weird."

"I know, right? It’s like she’d rather date a bloody Hippogriff than an actual person."

"Wouldn’t be surprised if she actually has."

Laughter, sharp and mocking. Like Poppy Sweeting was a joke. Like she was less than because she chose kindness over cruelty, creatures over people who didn’t deserve her time in the first place.

You turned your head and watched as one girl—a Hufflepuff, ironically—rolled her eyes, shaking her head in exaggerated exasperation.

"Beast-lover," she muttered, nose wrinkled like the word itself was distasteful. "It's unnatural, really. No wonder she doesn't have any friends outside of her precious Mooncalves."

Something cold and sharp settled in your chest.

You had no doubt Poppy had heard it. She was standing just a few paces away near the fountain, hands clenched tight at her sides.

She didn’t react. Didn’t turn. Didn’t say anything. She just exhaled, slow and quiet, like she was forcing herself to let it go.

You wouldn’t.

The next morning, that very same Hufflepuff woke up covered in fur.

Not all over, just her face.

A thick, fluffy coat of golden-brown fuzz, soft as a Puffskein, sprouting in wild patches across her forehead, cheeks, and chin.

According to Poppy, the screams started immediately, and the entire girls dormitory had woken up to it.

The girl, who turned out to be a fifth-year, had flown into a hysterical panic, shrieking as she bolted for a mirror, hands frantically scrubbing at her face like she could rub the fur away.

She couldn’t.

It was a very specific hex. One that lasted exactly one week.

Professor Ronen was baffled.

Madam Blainey was thoroughly fascinated.

And Professor Howin, bless her, had cooed over her like she was the most adorable thing she’d ever seen. You had a front row seat to the entire thing during Beasts class.

“This is truly fascinating,” she’d said, holding the girl’s chin and turning her face slightly toward the light. “I don’t believe I’ve ever seen transfiguration manifest quite like this! And so soft—feels just like a Kneazle’s coat, doesn’t it?”

The best part? It wasn’t harmful. It wasn’t painful. Just… humiliating.

You considered it a job well done.

When Howin had dismissed you for lunch, Poppy pulled you aside. She didn't say anything at first. Just stared.

You blinked at her, tilting your head. “Everything alright?”

Poppy squinted. Narrowed her eyes slightly. Huffed.

"You did that, didn’t you?"

You blinked again.

Because Poppy—sweet, gentle, pacifist Poppy—did not accuse people of things. Which meant she was completely certain.

You just smiled, giving her your most innocent expression. “I have no idea what you mean.”

Poppy just sighed, shaking her head. But then—just for a moment—she smiled.

Small. Subtle. Grateful.

Like she knew exactly what you’d done. Like she knew there was no use arguing, no point in telling you not to go to such lengths for her.

And then, without a word, she reached out and squeezed your hand.

The Natsai Incident

You had never liked Callum Thorne.

Seventh-year. Gryffindor. Arrogant. Loud-mouthed. The kind of person who had never been told no in his life and walked through Hogwarts like the world owed him something.

You’d tolerated him for years, mostly because you hadn’t needed to interact with him much. But this? This was different.

You were starting the day with Defense Against the Dark Arts. Professor Hecat had yet to arrive, leaving the class unsupervised and giving Thorne the perfect opportunity to make a scene.

Natty was speaking with Poppy near the front of the room, voice calm as she explained something about the Ministry’s policies on magical creatures in Africa compared to Britain. She wasn’t being loud, wasn’t even arguing, just explaining.

That’s when Thorne scoffed.

“Merlin’s sake, Onai, give it a rest,” he sneered from the back of the room, tossing his quill onto his desk with an exaggerated huff. “Do you ever get tired of standing on that bloody soapbox of yours?”

The room went still.

Natty turned, slow and deliberate, her expression unreadable, regarding him with that same poised, unshaken calm that made her such a force to be reckoned with.

“I was simply having a discussion,” she said smoothly. “No one is forcing you to listen, Thorne.”

“Right,” he drawled. “Except you never shut up about it. Always talking about ‘justice’ and ‘change’ like you think you’re going to fix the whole bloody world.” He smirked. “News flash, Onai—no one cares.”

A few of his friends chuckled.

Your fingernails dug into your palm.

Natty didn’t react—not outwardly, anyway. She just exhaled, slow and measured, and turned back to Poppy like his words had been nothing more than an inconvenience.

You? You were already plotting his downfall, and luckily, Callum Thorne was a creature of habit.

He always stayed out after curfew to flirt with whatever unfortunate girl he had chosen that week, and he always went up to the Astronomy Tower afterwards with his friends to play cards and drink whatever contraband alcohol they’d smuggled into the castle.

Which made him the perfect target.

That night, as the seventh-year tidied up the cards, stretching and yawning, likely already thinking about his warm bed waiting for him—

His legs froze in place. Not a Full Body-Bind. No, this was different.

A soft, subtle hex. A slow, creeping sensation, his feet adhering to the stone beneath him, then his calves, then his thighs.

By the time he realized something was wrong, it was too late.

He tried to step forward—failed. Tried to yank himself free—failed.

And then—with agonizing slowness—his entire body began to lift off the ground. No warning. No control.

He drifted upward, weightless, helpless, arms flailing as the stone ceiling came closer and closer—

And then, with a soft thump, he was stuck. Face-down, body pressed flat against the Astronomy Tower ceiling.

His screaming started immediately.

Loud. Panicked. A complete meltdown.

His friends, who had started their walk down the tower came bolting back up the stairs at the sound of his shouting.

“What the—?” one of them started, eyes wide as they gawked at the ceiling.

“Thorne?” another asked, dumbfounded.

You bit the inside of your cheek, holding back laughter as you hid beneath your disillusionment charm.

“GET ME DOWN!” Thorne bellowed, arms and legs flailing uselessly against the stone. “WHAT THE BLOODY HELL IS THIS?”

His friends stared, uselessly waving their wands, muttering counterspells that only resulted in Thorne spinning in slow circles, howling in distress.

When they realized they were utterly helpless, panic completely set in.

“What do we do?” one of them asked, looking between the others with wild eyes. “Should we get a professor?”

Thorne snarled. “NO! DO NOT—”

But it was too late. Because at that very moment, the Astronomy Tower door swung open once again, and a very tired, very unimpressed Professor Shah stepped inside.

There was a long, painful beat of silence.

Shah took in the scene.

The stack of contraband firewhiskey bottles on the table. The panicked seventh-years, wands still drawn, looking entirely too guilty. And Callum Thorne, still face-down, circling against the ceiling, hissing every curse word known to wizardkind.

She sighed, long and slow, as if she had simply had enough of this entire generation of students. Then, with an effortless flick of her wand, she cast a single spell.

And gravity returned. All at once. Thorne plummeted like a sack of bricks.

The landing was spectacular. A glorious, sprawling heap, limbs tangled, robes askew, one shoe missing entirely. His friends didn’t even try to catch him.

For a moment, there was only silence. Then—

“Hospital Wing,” Shah said simply, rubbing her temples. “Now.”

Thorne was half-carried, half-dragged down the tower steps, groaning the entire way.

And you?

You slept soundly that night.

By morning, half the school had heard the story.

"Did you hear about Thorne? Got stuck to the Astronomy Tower ceiling last night."

"He was crying by the time they got him down."

"Serves him right—bloke’s a complete asshole."

And you? You sat perfectly composed at breakfast, casually stirring your tea, listening as his friends panicked about who could have done it.

Sebastian, of course, knew.

He sat beside you, arms folded, lips pressed together, shaking with the effort not to laugh.

Finally, he exhaled, tilting his head toward you.

“You are actually unhinged,” he murmured, utterly delighted.

You simply sipped your tea. “I have no idea what you mean.”

Across the hall, Natty smiled.

Soft. Knowing.

The Sebastian Incident

You had been careful.

For years, you had woven your revenge into the shadows, never once leaving a trace of your involvement in the strange misfortunes that befell those who dared to insult your friends. You were precise, patient, undetectable.

But everyone has a breaking point. And yours? Yours was Sebastian Sallow.

It happened in the Great Hall when Scorpius Malfoy decided to idiotically open his big fucking mouth.

You hadn’t been paying attention to him at first. Why would you? People like Malfoy had never mattered to you. He was just another spoiled pureblood, another self-important waste of a surname who thought his words carried weight simply because he could afford to say them.

But then his voice cut through the din, and he said Sebastian’s name.

"No family name worth a damn, no money, no influence. Honestly, I don’t even know why the professors still put up with Sallow. And he’s an orphan, isn’t he?"

One of his friends nodded, grinning like this was some kind of joke. Like Sebastian Sallow’s entire life was nothing more than a punchline.

Malfoy snorted. "So he's got dead parents, a dead uncle, and a crippled sister who’ll probably never set foot in the wizarding world again. Wouldn’t be surprised if he ends up rotting in the same gutter he came from."

The words landed like a curse.

Sebastian had been mid-conversation with you, fork in hand, a faint smirk tugging at the corner of his mouth as he teased you about something inconsequential—some throwaway joke that would have normally earned him an eye roll and a shove.

But now? Now, he wasn’t moving. Not speaking. Not breathing. Just silent.

Rigid.

Like the weight of those words had turned him into stone.

And something inside you snapped.

It was almost funny, in retrospect, how much effort you had spent perfecting the art of subtlety.

Every step you had taken over the years had been measured, every spell carefully woven into the fabric of coincidence, every act of vengeance so meticulously placed that no one had ever been able to definitively trace it back to you. You had built a flawless reputation, balancing on the razor’s edge between brilliance and menace, justice and mystery.

But now? Now, as you rose from your seat, you weren’t careful at all.

You didn’t move like a shadow, didn’t cloak yourself in misdirection or the comfort of silence. No. This time, you wanted them to see you.

And the moment you stood, the Great Hall stilled.

Students stopped eating, stopped talking, stopped moving altogether. The clatter of plates and goblets faded into a thick, suffocating silence, as if even the walls of Hogwarts itself were holding their breath.

Your voice came out low. Cold.

"Say that one more time, Malfoy."

Scorpius turned lazily, like he hadn’t a care in the world. Like he hadn’t just spat on Sebastian’s entire existence for no other reason than because he could.

And he smirked. Merlin, he smirked. Like you were some insignificant thing, an insect buzzing too close to his ear.

“Oh?” he drawled, tilting his head. “Touched a nerve, have I? Which part got to you, I wonder? The fact that Sallow’s got no family? Or the part where I pointed out that he’s got no future either?”

You took a step forward. You could hear Ominis hissing at you to stop, to think about what you were doing before you got yourself deep into shit, gut you couldn't. Not when it came to your friends.

Not when it came to Sebastian.

Especially when he still hadn't moved. Hadn’t reacted. Hadn’t so much as breathed.

Your hand tightened around your wand, the weight of it comforting, grounding, an extension of the fury curling in your chest.

"You should tread carefully, Scorpius," you murmured, your voice smooth, edged with something lethal. "I know you think you're clever—that you can say whatever you like without consequence, just because you were born into the right family."

Your head tilted slightly, gaze sharp, cutting straight through him.

"But you should know something about me by now."

Malfoy’s smirk faltered just slightly. And then, before he could open his mouth again—

You flicked your wand.

Hard. Fast.

Malfoy's goblet exploded.

A concussive blast of magic sent shards flying, the remnants of his beverage splattering across his pristine uniform like spilled blood. A jagged edge of glass sliced across his hand, thin but deep, and he flinched, eyes snapping down to it with genuine shock.

"If you're going to run your mouth about my friends," you said coolly, watching him clutch his bleeding hand, "then you should be prepared to suffer for it."

Your next spell came before he could react. Before anyone could stop you.

A sharp twist of your wrist, and his mouth was gone.

Not silenced. Not muffled. Just… gone. Smooth, unbroken skin where lips should be, like his voice had simply been erased from existence.

The realization hit him immediately.

His hands shot to his face, clawing at his skin, a muffled scream—horrified, panicked—rising in his throat. He lurched backward, knocking into one of his friends, fingers digging at face like he could carve his lips back into place.

But you weren’t done. Not yet.

You needed something that would etch itself into the bones of this castle, into the minds of every single person watching in stunned silence. Something that told the whole goddamn school that if they so much as breathed wrong about Sebastian again, you would ruin them.

A simple hex would be too merciful. A standard jinx—something temporary, something easily countered—wouldn’t send the right message.

No, you needed something else. Something only you could undo.

Your wand rose, fingers tightening around the handle.

A familiar thrumming sensation curled through your bones, crackling at your fingertips, humming beneath your skin like a storm about to break. Ancient magic—the power that had followed you since the day you first stepped foot in Hogwarts, the magic that had made you different. You had never used it publicly. Never allowed yourself to tap into it in a room full of hundreds of witnesses.

Until now.

Malfoy’s body lurched.

Not by his own will, but by yours, by the ancient, crackling force curling through your veins.

The entire room gasped as he was wrenched upward, his robes twisting violently around him as though an invisible hand had grabbed him by the throat and hauled him into the sky.

He thrashed, or tried to, but the moment he moved, the spell struck.

A jolt of electricity tore through his body.

Not enough to kill. Not enough to cause permanent harm, but enough to make him scream. Or at least, he would have screamed—if he still had a mouth.

Instead, a choked, garbled sound tore from his throat, half agony, half suffocated panic, his limbs seizing as the current snapped down his spine, through his arms and legs.

And you let them watch, let the entire Great Hall bear witness as he hung there, suspended like some grotesque marionette.

And the moment he tried to move again, tried to scratch at where his mouth should be or flail his limbs, another arc of lightning danced across his body, snapping against his skin like a promise that any attempt to fight this would only make it worse.

And he knew. They all knew. He wasn’t getting down until you allowed it. But your arm didn’t waver, you held your wand high, like an executioner delivering final judgment.

Because this? This was a declaration. A statement. A message carved into the very bones of Hogwarts itself.

You do not speak against Sebastian Sallow.

You wondered if he realized that you would have done this a thousand times over. That you would have burned the entire goddamn world for him if he asked.

But before you could do anything more—before you could decide how far you were willing to take this—

A thunderous voice shattered the moment.

"THAT IS ENOUGH!"

The spell snapped. Malfoy dropped. His body crashed onto the table below, sending plates and goblets scattering, silverware clattering to the stone floor. He lay there, twitching, gasping, pathetically small as the last of the magic flickered out of his limbs.

And then—

"You."

Phineas Nigellus Black’s voice was pure ice.

You turned to face him—not a shred of regret, not a flicker of guilt in your expression.

But the Headmaster was raging. His hands were clenched at his sides, his teeth bared in fury.

The entire room was still. Waiting. Holding its breath.

"My office." His voice was low, lethal, like the words themselves were a curse. "Now."

A sharp inhale from someone at the Ravenclaw table. A hushed whisper from a terrified first-year.

No detention. No points docked. Just a direct order from the highest authority in the school.

But it was worth it, because now they knew. Every single person in this room knew.

And as you turned on your heel, heart still pounding with the remnants of power buzzing in your veins—

You caught Sebastian’s eyes one last time.

Still watching, still frozen in place, yet looking at you like you were the most devastating, impossible, extraordinary thing he had ever seen.

And then? The slightest smirk. The most faint, devastatingly admiring grin.

Like he had never, ever wanted anyone more.

[freyjas-musings]

AZRIEL IS NOT IN LOVE WITH ELAIN - So, if they don't end up together its not cheating or moving on too quickly. There was never enough to "move on" from. It's like some people in the fandom have not had any adult connections at all.

It's clear from Azriel's bonus chapter that he barely even knows Elain. He is attracted to her yes and I am sure he truly believes she might be his chance at happiness just like his brothers found theirs with the other 2 sisters. Is it right ? Nope ....

So, this whole loss of choice is a myth and a result of self inserts projecting .... also choosing to be with your mate is a choice too.

That's the story , how he realises what love truly is ... how he realises his misplaced feelings ... how he processes it , pays for his mistakes, grows and heals . He will get his own mate( Gwyn) but I am sure SJM will make him earn his happily ever after. SJM never gives an easy way out for her MCs.... males and females alike.

We don't have Elain's POV so I am not going to definitively predict one way or the other but based on the limited interaction these two have had ( again ACOSF proves they barely had any interaction) it's an educated guess the feelings aren't too deep on Elain's side either.

Does this mean they are going to be disrespectful to each other or One of them will be a villain or they will hate each other ? No.

That is simply not SJMs style of writing, she will make sure there is a mutual respect and understanding for 2 characters even if they aren't endgame.

Even Tamlin at the end of it wanted Feyre to be happy and vice versa ( No thank you to any Anti IC stans waiting to jump in , not interested in discussing ) .

As far as Elain and Azriel's situation goes they are both equally at fault in what happened on solstice night. Yes , Elain being younger doesn't disregard her share of the fault just like Azriel being 500 years doesn't mean his trauma is invalid only because he is a male character or because he is older. Trauma doesn't work that way naive brats. They are each flawed but they both deserve healing too.

They will both have their journeys individually .... they will both have their happily ever after.

Stop Self Inserting and taking it as a personal insult if the characters don't make the same choices as you !!!! SJM is the only one who has a say , what she writes remains Canon and the singular truth for these characters.

I wish people would spare fandom spaces from their aggressive anti bitterness , the world is depressing and spaces like these should be safe and fun ....

[charmandabear]

Office Hours - Chapter One

Summary:

Your colleague Dr. Ancunin is a smug condescending bastard and you can't stand him. But you also can't get him out of your head.

Pairing: Astarion/F!Reader Rating: E Word Count: 5.2k Tags/Warnings: unprotected p in v sex, creampie, no breeding kink, masturbation, vaginal fingering, vampire bites, modern au, college/university au, urban fantasy, enemies to lovers, like the briefest mention of suicide while talking about Hamlet

This would not exist without @zipzoomzaria's gorgeous glasses screenshots because PROFESSOR, PLS. Go follow her bc her edits are out of this world. The masturbation scene is also heavily inspired by @astarionfreak's "Are You Satisfied, Darling?" If you haven't read it what are you doing???

Read on AO3 ~ Masterlist

There’s something about him that rubs you the wrong way. It could be his arrogance, or the condescending way he peers over his glasses at you and your other colleagues. It might be the overpriced cashmere turtlenecks that hug his figure perfectly or the stupid silver earrings adorning his stupid elf ears. But every time he opens his pretty little mouth you feel a snarl growing deep in your throat.

This is the first university you’ve worked at where the theatre and English departments shared an office. Theatre and music, sure, even theatre and dance. But theatre and English? It feels insulting, honestly. English PhDs are some of the snobbiest people you’ve ever met, and they always speak to you like a child. Is it because they’re unimpressed by your MFA, like it made you less deserving of your position? Who knows. But Astarion Ancunin is no different.

“Grace, would you mind making twelve copies of pages 219-254 when you get a chance?” You hand the administrative assistant the heavy book. “You can leave them in my mailbox, I’ll pick them up later.” Grace opens the book to the instructed page.

“Oh, Much Ado About Nothing! I love that one!” she squeals with delight. “That Beatrice and Benedick,” she sighs, stroking the Complete Works lovingly. You smile at her cordially.

“They’re great, they’re basically the non-problematic version of Kate and Petruchio,” you respond in agreement.

“How tragic that Taming’s writing is better.”

You whirl around to see Ancunin walking in looking at something on his phone. He doesn’t even look up as he inserts himself into your conversation. You glare at his interruption. He looks up at Grace, bypassing you completely.

“Good morning, Grace darling, how are you today?” He sweeps over to her and takes her hand in his, planting a kiss on her knuckles. Gods he’s fucking insufferable. Not to mention unprofessional. Grace, however, blushes and giggles like a schoolgirl.

“I’m doing well, Dr. Ancunin, and yourself?” The tiefling’s voice jumps up about three pitches and her tail starts swishing excitedly.

“Leagues better now that I’ve been blessed with your presence,” he coos at her, voice positively saccharine. It takes every ounce of your patience to keep from rolling your eyes. He casts his gaze to you, and even you need to turn away from those piercing red eyes.

“Good morning, professor. Starting Much Ado with your students, I take it?” he asks with a light smile that makes you bristle.

“Yes, it’s a great way for them to practice switching between verse and prose,” you respond coolly, more than a little defensive.

“Of course, one of his best.” He glances down at the volume still in Grace’s hands and his eyebrows raise, peering over the top of his round glasses. “Going with the Bevington, hmm? Interesting. I’m more of a Norton man, myself.” He runs a slender finger along the binding as you grit your teeth. Is he really patronizing you over your choice of edition of Shakespeare’s Complete Works? Of course, he’s an English scholar.

“The Norton is a great tool dramaturgically, but the Bevington is a much better resource for actors, so, yes.” Your voice is steady but there’s an undeniable venom in it. Can he tell how much he’s bothering you? Probably, he’s almost certainly getting enjoyment out of riling you up. His little smirk would seem to suggest it, at least.

“Well certainly, and who knows acting resources better than our resident classical acting expert?” he intones, voice still dripping with honey. You narrow your eyes at him, unsure if he’s taking another jab at your degree.

“Well, as much as I enjoy standing around and debating the merit of various editions of the Complete Works, I’m about to be late for a meeting. Grace, thank you so much, I’ll be back later to pick up those copies. Dr. Ancunin,” you turn to his smug face and he looks back at you innocently. “A pleasure, as always.” You grab your papers and leave the office, feeling the heat of his gaze boring into the back of your head as you leave.

***

“Yes, Thaniel, come on in, have a seat,” you call out to the freshman loitering in the hallway outside your office. He comes in and drops his overfull backpack next to the teal club chair across from your desk. You close your laptop and smile at him warmly.

“So, Hamlet, that’s ambitious! I think it’s a good choice for you, but it’ll be a lot of work,” you say, glancing at your own copy of the monologue.

“Yeah, that’s why I’m here,” Thaniel says nervously. “I’m fine with the scansion and stuff, that I get, but I still don’t get the actual words. And I know you said how important that is.”

“For sure, I can guarantee all of the bad Shakespeare you’ve seen has been because the actors had no idea what they were saying. Have you used the Lexicon?” Thaniel looks off to the side, embarrassed.

“No, I don’t really get how that works either,” he says, an air of chagrin creeping into his voice.

“No worries, it takes practice. Here, we’ll do a few lines together. So first off, to be or not to be, that’s fairly obvious, right?”

“Yeah, he’s talking about suicide, right?”

“Sure, but what is he actually saying about it? To take arms against a sea of troubles/And by opposing, end them. What’s ‘them’ referring to?”

“The sea of troubles?”

“Right, the aforementioned slings and arrows. So even though you might know what those words mean individually, look them up in the Lexicon to see if they have a different context here. But you’re right, he’s trying to figure out if it’s better to suffer through the shittiness of existence or to take your fate into your own hands and, well, end them.” You highlight the line and lean over your desk to show Thaniel. A voice pipes up from the doorway.

“That’s not exactly what he’s saying, you know.”

The paper crumples in your hand slightly as your fist instinctively tightens. You plaster a strained smile on your face and look up at him.

“Dr. Ancunin, thank you for gracing us with your presence. Care to elaborate?”

He’s leaning in the doorway, arms crossed, face in shadows. Your office is unusually dark because of the storm outside, and so the bright fluorescents in the hallway give him an almost ethereal halo effect

“It’s a common misconception that Hamlet is contemplating suicide here. Life and death, sure, but ‘to take arms’ isn’t metaphorical, it’s literal. He’s contemplating dying as a result of killing Claudius, not taking his own life,” he says, almost sounding bored. You stand abruptly, your office chair skidding backwards.

“How can that possibly be true? He says ‘to take arms against a sea of troubles.’ He’s using the active voice, deciding whether or not to continue his life or end it. To be or not to be. It’s the first line in the monologue. He’s not talking about the consequences of killing Claudius.” You try to keep your voice from shaking. You know that you don't sound nearly as eloquent as him, and it’s pissing you off. He shrugs nonchalantly.

“You’re oversimplifying it, it’s exceedingly more complicated than that. The whole soliloquy is filled with war imagery. He’s at war with himself, the part of him that wants to kill Claudius and the part of him that is afraid to die.” He pushes himself off the door frame and steps back into the hallway. “But apologies, please don’t let me interrupt your instruction.” And like that he was off, leaving you to stew in silence. Thaniel looks up at you and looks back at the doorway where he stood.

“Should I…” he starts, but you cut him off with a wave of your hand.

“Dr. Ancunin comes at this from a very different angle as an English academic. He’s more interested in the words on the page, rather than how they translate to the stage. But,” you sigh, loathe to give him any credit, “it’s a valid interpretation. We can go down that route, if you want, or we can look at it through this lens.” Thaniel chews his lip while he considers his options.

“I think what you said makes more sense, the suicide bit,” he finally decides. You nod and pull out your copies of the Shakespeare Lexicon.

“Great, let’s go over how to use the Lexicon again,” you say as you flip through the book, looking for the entry for ‘slings.’

***

You drop off your bag and toss your keys into a bowl on the counter. Fucking exhausting day. You unzip your boots and kick them vaguely in the direction of the shoe rack, stretching and curling your toes for relief. You hang up your wet coat and shake rain from your hair. Your eyes dart between the refrigerator, wherein resides a bottle of white wine, and the bathroom door, contemplating how good a hot bath would feel. Both? Both is good.

You pour yourself a generous glass of Riesling and strip your clothes on your way to the bathroom. One of the perks of living alone. Sitting naked on the edge of the tub, you sip your wine as the bath fills.

Fucking Ancunin.

You’re a little shocked at how much he got under your skin today. Normally you don’t think twice about him, excepting the few times you have the misfortune of passing him in the hallway. But today the fates decided to throw you together and your schedules aligned. Well, in your defense, you didn’t seek him out that second time, he was the one who decided to crash your office hours.

You don’t even like Hamlet that much. You certainly don’t care about alternative interpretations of “To be or not to be.” But you’re mostly annoyed because he had a fair point. His read makes Hamlet a more interesting character rather than a cowardly incel romanticizing suicide.

You slide into the bath, hissing slightly as the hot water flows over your chilled skin. Without prompting, Ancunin worms his way back into your thoughts. Hmmph. You take a gulp of wine to try to wash away the taste of the unpleasant image.

Well… not entirely unpleasant. He’s a good looking man, you’d be a fool to deny it. But gods he’s so smug. And interrupting your meeting with Thaniel was wildly inappropriate. Leaning your head against the edge of the tub, you try to focus your thoughts elsewhere. You’re not about to let him interrupt you again, and when he’s not even present, no less.

But there he is, in your mind, crimson eyes looking over the top of those metal frame glasses that you’re, like, 99% sure he doesn’t actually need to see. You take another swig of wine to drown his stupid face. With his stupid cheekbones. And his dumb fucking earrings that you want to bite.

Nine hells, what is happening? You’ve been drinking your wine quickly and aren’t thinking straight. You grab your phone and open Spotify, letting your daily mix play through the bluetooth speaker on the counter.

Now Playing: Hatefuck by The Bravery.

If I put my hands around your wrists, would you fight them?

If I put my fingers in your mouth, would you bite them?

By Mystra’s fucking grace, seriously? You growl at the growing heat between your legs. Between putting off dinner and chugging your wine, your head is swimming. You might be better off getting it out of your system.

The wine glass hits the tub edge with a clank as you angrily put it down and sink into the water up to your chin. You are satiating a purely physical need, nothing else.

You still shiver as you slip your hand between your legs, lightly running your finger up your slit. You can see his face, looking down on you through those glasses - those infuriating glasses - and your lips flutter. What does he look like under those sweaters? He’s so thin, but his clothes fit incredibly well. It’s not hard to imagine a sculpted body beneath. You spread your legs further and let the warm water tickle your folds.

His silvery curls would look so good between your legs, slender fingers wrapped around your thighs while he laps you up. At least then he’d shut up. A gentle moan escapes your lips as you run your finger along your inner lips, pretending it’s him. You could grab hold of those perfect locks, yanking on them to control where he can go, fucking his face.

You move your other hand up to your breast and start teasing your nipple, feeling his lips around it. You give it a little tug and groan, just like if he nipped at it.

You imagine sitting on his pretty face, pointed ears flushed and hair a mess. Your hips buck into your hand as they might on top of him and your toes curl. You make gentle circles around your clit, thinking of all the other uses for his silver tongue. You whine and squirm at the sensations of heat radiating through your body. You slip a finger inside and hiss as you can see his pale digits entering you in your mind’s eye. You curl it upwards and gasp, his imaginary eyes looking up at you through those long lashes and a smirk playing across his imaginary lips.

“Are you ready for more of me, darling?” You can hear him murmur into your ear.

“Yes, gods yes,” you reply breathlessly into the cold bathroom air. You slide another finger in and feel that delicious stretch. The ghost of him moans, coming undone at the sight of you. You could leave him speechless, for once.

You reach over the edge of the tub and grab the box of waterproof toys. You frantically sift through your collection of dildos, trying to find the right one. Here. It’s long and svelte like the rest of him, but bright shimmery purple. You suction it to the bottom of the tub and hover above it on your knees. It sways lightly in the water, tip of it teasing your pussy just like you’d love to do to him.

Gods, to see him beg for your cunt. To see him reduced to a babbling mess, pleading to let him inside you. Your breath quickens at the mental image of him pulling on his own hair waiting for you to satisfy him. You sink down onto the dildo and your groan of pleasure mirrors what you’d like to hear from him.

You start sliding yourself on the purple dick, feeling its ridges glide against the walls of your cunt as you continue to finger your clit. You imagine your hand splayed across his chest, your black nails standing in contrast against his pale skin. You claw at the bottom of the tub as you increase your pace, desperate to see the pink raised skin that your nails leave behind. The fingers on your clit speed up as well, and you can feel yourself getting close.

“Oh gods, Astarion, don’t stop,” the words tumble from your mouth unbidden. You will absolutely hate yourself for that later, but right now all that matters is your ecstasy. You bounce atop the dildo, disregarding the water that splashes over the side of the tub as you chase your finish. Your moans increase in pitch and fervor as the various images of him in all sorts of positions flash through your mind. Between your thighs, sitting on his face, riding his dick, even fucking pegging him from behind because why the hell not?

“Astarion!” You cry out his name as you crash over the edge, legs shaking and pussy pulsing. Your orgasm reverberates throughout your whole body as you ride it out. Eventually, your movement slows and the water gently sways around you. You look down at your hand, milky juices swirling in the now tepid tub water.

Shit.

***

The next day at work, you avoid him like the plague. You keep your office door closed, usually an unthinkable act but entirely necessary right now. You double check the hallway before leaving to go teach, and then after class you immediately duck back into your office and close the door again. You even avoid the main office for fear of running into him there.

You can’t look at his face right now. You can’t possibly look him in the eye.

When 5:00 rolls around, you glance out into the hallway. Most of the other professors are leaving. To play it safe, you decide to work until 6 so that you can be sure that he’s gone when you leave. You absentmindedly grade performance responses. After you’ve read one paragraph about Miss Julie maybe a half dozen times, you realize that it’s probably time to go.

You slowly open the door and glance out into the hallway. You can’t tell from this angle if his door is open or not. You grab your bag and coat, take a deep breath, and make a beeline for the stairs. As you approach his office you realize it’s open.

Fuck.

It’s fine. You’ll just walk past it and get to the parking lot and then you won’t need to worry about it. He might not even be in there. Or if he is, he probably has his head down and won’t notice you walk by. It’s fine. You’ve got this.

“Oh, professor, a word?” His voice floats into the hallway right as you’re passing his door. Are you fucking kidding? You turn to see him sitting at his desk, head down, writing something. He doesn’t even look up at you. Prick.

“Yes?” you ask, not budging from your spot in the hall. He glances up at you over his glasses. Those fucking glasses. You want to rip them off his face and throw them out the window.

“Do you have a moment? I think we need to talk.” His voice is low and cool. Does he fucking know? There’s no way he can know.

Right?

You tentatively take a step into his office. It’s surprisingly cluttered for a man who always looks so put together, but it’s still warm and inviting. You can barely see the walls for being covered corner to corner in bookshelves full to bursting. He’s got a big mahogany desk in the middle of the room - significantly nicer than the university-issued one. It’s covered in stacks of papers, books, weird little knick knacks; it’s amazing how he’s able to get anything done on it. There are two chairs facing his desk, much like yours, but a rich plush velvet instead of a scratchy cotton weave. He’s got a scent diffuser somewhere, giving the room an aroma like an earthy spiced tea.

“Have a seat,” he says, gesturing to the cushy red chairs across from him. You stand there, clutching your bag, staring at him like a deer in the headlights. When he realizes you’re not going to sit, he gets up and crosses over to the door.

“Do you mind if I close this? It’s… a bit embarrassing,” he asks with a crooked smile. You can feel the heat in your cheeks rising. Your mouth goes dry and you try to swallow the lump forming in your throat.

There’s no way he knows.

Right?

But something compels you to nod, so he closes the door and walks back to his desk, but rather than sitting behind it, he leans back casually on the front of it. He’s taken off the blazer he usually wears and is down to just the turtleneck, sleeves pushed up just below his elbows. He crosses his arms in front of his chest as you stare, waiting.

“I wanted to… apologize. For yesterday.”

You blink at him, the conversation not going in the direction you expected. You had been so focused on yourself, that it took you a moment to realize what he was referring to.

“It was inappropriate to barge in on your meeting with your student. You were mid-instruction, and I needn’t have inserted myself into your conversation.” He leaned back on his hands, stretching out his lean figure to impossible proportions. The grip on your bag slackened and you couldn’t help but drag your gaze over the length of his body. He looks at you quizzically.

“I get the sense that you don’t very much like me,” he muses.

Now it’s his turn to give you the once-over, and you feel practically naked before him the way he looks at you. “Then again,” he adds, and pushes himself off his desk. He slowly advances toward you, though whether like someone approaching a vicious beast or a predator stalking its prey, it’s unclear. You retreat while holding his gaze until your back is flush against the door.

No escape now.

He gets precariously close to you and takes an unsettling whiff. When he speaks again, his voice is a husky growl.

“I think it’s entirely possible you like me… quite a bit.” He’s got at least a half foot on you, and he looks down on you with heavy-lidded eyes. The heat in your face has fully reached the tips of your ears now, and your breath comes out ragged.

“I’m sure I-” you start, but it comes out thick and raspy. You clear your throat and try again. “I’m sure I don't know what you mean,” you finally manage with all of the composure you can muster. He cocks an eyebrow at you, then slowly takes off those infuriating glasses.

“No? Then perhaps I’m mistaken, and your heart rate hasn’t increased by approximately 20 beats per second in the past few minutes.” His eyes continue boring into you. “And maybe that smell between your legs is completely unrelated.”

An undignified splutter comes out of you as you press your thighs closer together. He takes a half step back to let you respond.

“If I am indeed mistaken, then I’ve said my peace and you’re free to go.” The seductive honey is gone from his voice, and in its place is a politely professional tone. You fully feel that he’s giving you an out, that you can both laugh on this as an embarrassing moment and neither will bring it up ever again.

But on the other hand…

“You’re not mistaken,” you choke out in a whisper. The lazy smile is back and he lifts your chin with his index finger.

“What was that? Speak up.” His command weakens your knees and you wither under his gaze.

“You’re not wrong,” you say more boldly, trying to meet his energy. His smile broadens, and for the first time you notice two pointy fangs slip out beneath his upper lip.

Fucking

vampire??

That explains how he could track your heartbeat, and even more his ridiculously keen sense of smell. Doesn’t make it any less humiliating.

“No, I don’t suppose I am,” he snarls and suddenly he’s kissing you roughly, hands twisting in your hair and one knee sliding up between your legs. He pushes you against the door and lifts you off your feet slightly. You’re desperate just to keep up as he devours you, hands weakly grasping at his hips, shoulders, neck. But he’s fully in control of the kiss, and after a moment you let him take you.

He breaks the kiss but doesn’t pull away, and you’re both breathing heavily, air cycling between your lungs. Your head feels full of a thick fog and you can’t fully see straight. His hands are still in your hair, tight but not pulling - yet. You get the sense that might not last long.

He drops to his knees and you nearly double over from the sudden lack of support. He runs his nose and lips across the hem of your black denim skirt, inhaling again. Your fingers lace into his hair, but not even remotely in the dominant way from your fantasy. At this point you’re just trying not to collapse.

He looks up at you, flashing another fang-bearing grin. His hand slips up your skirt and his thumb runs across your pussy, barricaded by your sheer tights and panties.

“Darling, you’re positively soaked,” he hums contentedly. “You’d have a hard time hiding this from anyone.” You bite your lower lip, trying to keep the needy whines at bay. But when he fiercely rips the crotch of your tights and presses the flat of his tongue against the drenched gusset, you can’t stop the cry from escaping your throat. He sucks lasciviously, the debauched slurping noise ringing in your ears. Your knees buckle and he grabs hold of your hips, hiking your skirt up to your waist to get better access to your dripping cunt.

He stands and kisses you again, the taste of you lingering on

his lips. He grabs your ass and digs his fingers into your flesh, spreading them until you gasp into his kiss. In one fluid motion he sweeps up your legs and wraps them around his waist, carrying you over to that incredible mahogany desk.

He plops you down on the hardwood and you hear books and papers tumbling onto the floor behind you. He presses his bulge into your mound, this time the sound of both of your moans mingling pleasingly. He tears at your chiffon button down, trailing hungry kisses down your chest as you throw your head back in pleasure. He makes quick work of fully removing your top, though you’re certain he sacrificed some buttons in the process. You hardly care as you paw wantonly at the back of his neck, desperate for him to get his lips onto every single inch of you. He pulls the lace cup of your bra down with his teeth and starts sucking on your nipple, pressing his hand into the small of your back. You arch into him, his hands working you like a soft clay.

So much for the pleading mess that you pictured last night. Instead, you’re the one who's been reduced to shambles, begging for satisfaction.

“Puh-please,” you stutter, and those devilish eyes lock onto yours again. He snakes his way back up your chest and bites your lower lip.

“Puh-please what?” he mocks your stammering, but makes up for it when he rolls his hips forward, dragging that delicious hardness against you. You squirm, trying to pull him closer but he’s got your arms locked in his grip. His lips leave yours and ghost over the flesh of your neck. He very gently scrapes his fangs across your jugular, eliciting a ghoulish moan from you in return. By all the gods, you hadn’t even considered that as a part of it. His movement made it clear that he won’t bite unless you want him to.

But holy hells do you want him to.

“Gods Astarion,” you gasp, and you swear you can feel his cock twitch at the sound of his own name. “Fuck me then bite me, or the other way around I don’t care, but please get in me!” The string of words almost sounds foreign to your own ears, but you’re well beyond the point of trying to sound clever. In an instant, he’s undone his belt buckle and his erection springs forth, bouncing and already dripping precum. He roughly shoves your panties to the side and sinks his cock and teeth into you simultaneously, drawing out your cry of both pain and pleasure. You wrap your legs and arms around him, trying to pull him in deeper. You can feel his mouth filling up with your hot blood just as your cunt fills up with his dick.

You’re panting as you grow more lightheaded, clinging to his neck. Unthinkingly, your fingers stroke his ears, playing with those tiny silver hoops. He lurches and pulls away from your neck, looking absolutely feral with your blood dripping down his chin, which only sets you off more. You angle your hips toward him, trying to get him to start thrusting into you. He pushes your back down onto the desk and hooks his elbows beneath your knee high boots. Then he starts pounding into you properly, and you feel like you’re close to losing it. You grab onto the edge of the desk as he revs up his pace, his cock stretching you out as he keeps your legs close to your ears. You can feel the heat mounting in your core and you know it won’t be long before you come. But at this point you’re just trying to hold on for dear life.

“Fuck, gods, Astarion, I’m-” You finish before your sentence does. He doesn’t relent as the orgasm wracks your body, if anything, he fucks you harder. Just as you’ve barely come down off your climax, he pulls out and yanks you off the desk, spins you around and pushes your face down into the smooth mahogany, warmed from where you had just been. He enters you again, this time from behind, and already you’re working your way up to a second one. Your bare tits squish against the polished surface and he grabs your hair, pulling your head up and arching your back into him.

For the first time you notice the mirror on the opposite wall across from his desk. But rather than both of you, you only see yourself, disheveled and well-fucked, lips swollen from his abuse. Your hair is pulled up by an invisible force behind you. Another unexpected aspect of vampire fucking.

You desperately wish you could see his face because you can feel his thrusts getting more uneven and erratic. You try to turn to get a glimpse of him, but his grip on your hair remains tight. But even if you can’t see him, you can hear him, his grunts and the low string of incoherent swears pouring out of his mouth. The sound of him getting lost in you is enough, and your own moans start building and mixing with his, an utter symphony of epicurism.

His hips give a few more broken thrusts and you can feel his climax, setting off yours. The throbs of his cock match those wracking your cunt, and you hold onto the edge of the desk as the waves wash over you. Once they’ve come to an end he pulls out, and you can feel his semen dripping out of the sudden emptiness and running down your leg. You quietly say a thankful prayer for your IUD.

You’re both panting as he collapses onto your back, planting a half-hearted kiss on your spine. You weakly push yourself up off the desk and see the devastation of papers, smears and fluids. You turn yourself around and relish in his appearance. Your blood is splattered on his fine cream sweater, his usually perfectly coiffed curls damp and sticking to his forehead. You reach up and wipe the remainder of your blood off his chin. He smirks and kisses you, significantly more gently this time.

“That was good,” you murmur through steadying breaths, “but next time, keep the fucking glasses on.”

[mister-snape]

Severus Snape’s Speech Characteristics Across the Harry Potter Series (Part 2)

Snape’s lexicon also reflects his disdain and superiority through subtle word choices. He often uses words like “clearly” and “obviously” to imply that others have failed to grasp something evident. In Book 1, after Harry cannot answer a question, Snape smirks and says, “Tut, tut — fame clearly isn’t everything.”. The mocking interjection “Tut, tut” and the phrase “fame isn’t everything” suggest that Harry’s celebrity status is useless in Snape’s eyes. Snape’s choice of “clearly” here drips with sarcasm – he implies it should be obvious that fame doesn’t equal competence.

Another hallmark of Snape’s vocabulary is his use of formal titles and names as a form of distancing and disdain. He almost never addresses Harry by first name – it’s always “Potter” or “Mr. Potter” in a cold, formal tone. For instance, when scolding Harry, Snape might say “Ten points from Gryffindor, Mr. Potter.” The use of the honorific “Mr.” is technically polite, but in context it’s delivered with a sneer, underscoring Snape’s dominance over the student. Similarly, he calls Hermione “Miss Granger” and Neville “Longbottom,” maintaining formality even as he insults or criticizes them. This rigid use of surnames highlights Snape’s authority and lack of warmth. In contrast, when Snape speaks of people he despises on a personal level (like his childhood enemy James Potter or ex-friend Sirius Black), he also uses surnames (“Potter”, “Black”) as bare identifiers, indicating little respect.

Syntactic Characteristics (Sentence Structure and Phrasing)

Snape’s sentence structures tend to be controlled and deliberate. He often speaks in complete, well-structured sentences, and he’s capable of both terse commands and elaborate, flowing sentences depending on the situation. In the classroom or confrontations, Snape frequently uses short, punchy imperatives to assert authority. For example, he doesn’t waste words when ordering his class or an individual – “Silence!” or “Turn to page 394.” are classic Snape commands. These sentences are extremely brief (just one word or a simple phrase), reflecting Snape’s expectation of instant obedience and his no-nonsense demeanor. The sharp syntax – often a single-word sentence like “Silence!” – shows how he cuts straight to the point.

On the other hand, when making a point or delivering a scathing monologue, Snape can employ long, complex sentences with multiple clauses. His speech in the potions classroom often reads almost like a prepared lecture. Consider the structure in “I can teach you how to bottle fame, brew glory, even stopper death — if you aren’t as big a bunch of dunderheads as I usually have to teach.” This single sentence uses several infinitive phrases (“to bottle fame, brew glory, even stopper death”) followed by a sharp conditional clause (“if you aren’t…dunderheads”). The syntax here is multi-layered: he lists grand concepts, then inserts a dash and a subordinate clause to insult the students. The effect is a dramatic build-up (which feels almost inspiring) abruptly cut down by an insult, all within one sentence. This kind of sentence shows Snape’s ability to weave sarcasm into a formal, structured statement. It feels measured and rehearsed, underscoring his role as a teacher who lectures and belittles in one breath.

to be continued...

[celuere]

Hello! Celuere, you don't know how long I've wanted to see some OC x Arle fanfiction (since the first ship chart, >:), so now that you have given us permission to ignore your closed request status regarding them, I feel obligated to share how desperately I want this scenario between them.

I'd like to request a fluffy but suggestive oneshot where it's the morning and Arlecchino pretends to be asleep with her head on Juno-Celia's (is just Juno fine, or no?) breasts because she loves hearing her heartbeat and being close to her (physical touch love language, yeah I actually read and remember that ship chart). I think Juno-Celia would immediately, figure it out, and half-heartedly "try to go to work" but on the inside she's going absolutely feral about how clingy Arlecchino is. From just vibes off the chart and art, I feel like she'd try to embarass Arle for trying such childish tricks on her by teasing her or something, and Arle would be 100% unaffected because T I T T I E S and she's a simp for her wife.

Btw, please correct me if i read the vibes way wrong. I'd love to know more about your OC, but you also have like 5 posts on her total, so not a ton to know her (this is my plea for more Juno-Celia content please, if you don't mind ;)

no you actually read the vibes 100% right kekenwoekownw arle is a PROUD wife simper actually😭 and just juno is totally fine i rarely call her celia etc. BUT OKAY LESS TALKING MORE WRITING, I‘M MORE THAN HAPPY TO INDULGE IN YOUR REQUEST

pairing: arlecchino x fem!oc

cw: none other than arle being a pathetic lesbian and some oc lore

you‘re welcome to self insert here btw! also if you‘re not interested in this content, you‘re free to mute my arlexoc stuff under the arlejuno tag!

implied nsft at the end!

the sun in snezhnaya had risen long ago, yet not a lot of its shine broke through the coat of the everlasting winter, therefore drowning the bedroom in a cold light.

her eyes darted away from her research report to the clock that’s been softly ticking away on the wall.

8 am.

„you know, just because it‘s your free day doesn’t mean you can occupy me for the whole morning…“, raising the sheets of papers to have a proper look at the white-black mix of hair resting on her chest, juno adjusted the position of the glasses resting on her nose.

no answer.

the fingers fidgeting with her purple locks gave it away.

„peru, i know you're awake.", it only earned her a rather annoyed hum.

„ten more minutes", arlecchino's voice came out muffled against her skin, face only sinking deeper into her cleavage. it was pointless.

„honey, i have to get to my lab... sandrone still needs me to calculate through a whole pile of data regarding her research and there is a whole shelf of potions waiting to be tested.“, juno nodded her head to the empty side of the bed. specifically arlecchino's side, „and you've been clinging to me for the whole night."

but she loved the view of her wife clinging to her like a second skin. always did. if she had the choice she'd just stay here in bed with her all day, watching her back fall and rise with each breath, the usual stern look replaced by a face of pure calmness and relaxation… juno would always choose to stay with her.

„i‘m failing to see the point you are trying to make.“

„i need to go to work, peruere.“

„you don’t…“, she pressed another tender kiss to the skin that she exposed earlier by shoving the fabric of juno‘s silken robe aside, clearly not caring about her wife‘s urgency. why does she have to work anyways on her free day? it almost feels like an insult to the harbinger. but knowing her since the ripe age of six years old… juno has always been caught up in researches and other experiments. back to their days under mother‘s care, she would occasionally slip a selfmade contraceptive into crucabena‘s drink when they wanted to have a free afternoon. and now she is the one teaching the children to make their own poisons. how times change, huh?

„what would the subordinates think of the knave if they were to find out about how she clings to her wife every morning… that would make a truly embarrassing headline in the newspaper…“, unable to bite that remark down, a nail poked arlecchino right into her cheek.

but at least she finally lifted her head up to properly look at her wife and the smug look plastered on her face, „let them find out… what else are they supposed to discover? i have no reason to hide the obvious feelings i shelter for my wife.“, when did she start getting so close?! hands coming back up again to shove the sheets of paper between their faces again, juno became incredibly flustered at the sudden confession, but arlecchino only removed the reports completely from her grip, placing them on the nightstand.

„you‘re flustered.“

„i-i‘m not…“

„you‘re avoiding my eyes, there is a visible blush tainting your cheeks and…“, black fingers shoved a bunch of purple strands back, „your ears are sinking downwards with each word leaving my lips. i‘d say you are pretty flustered.“, the slightest hint of a smile grazed her lips at the obvious victory as a pair of blue eyes found her own.

„j-just let me get ready for work, peru…“

„i‘m certain you don‘t actually want to spend the next seven hours calculating out equation over equation…“, arlecchino suppressed the urge to stroke over her wife‘s sensitive ears. the lecture she earned herself the last time still rung in her head. she might not fear a lot of things but juno when she is angry… she‘d rather not provoke it.

and she‘d rather not get exiled to the sofa again.

„…fine, ten more minutes.“

„make it fifteen.“

„ten.“

„thirteen.“

„…ten with your head between my legs. take it or leave it.“

her only answer being the rustling of the sheets as arlecchino disappeared underneath the covers, skilled fingers already working down her slip.

works everytime.

[guidaozongshi]

Just read your post "why sns and not ss" and you are 100% right. I would also say that for nh they also had to push Sasuke away and downplay Naruto emotional intelligence to make it work. The problem with those ships is that they dont seem natural. And I am not saying that because I am a sns shipper. I am part of other fandoms and there are some ships that I don't like but can admit they have chemistry and their romance feels natural.

I think a lot of people give NH a pass because its counterpart, SS, is not only worse in terms of romantic development but also has what might be the most toxic fandom imaginable. The issue with NH, however, is that it has almost negligible content in the manga, compounded by one of the most baffling writing decisions: Naruto not even acknowledging Hinata’s confession after she risked her life to make it. If Kishimoto had already decided that Naruto would end up with Hinata, why didn’t he integrate her into Naruto’s thoughts or development moving forward? The few moments we do get after her confession are sparse and underwhelming: Kiba teasing Naruto for apparently showing off his powers in front of Hinata after saving her, Naruto sensing Hinata’s self-doubt on the battlefield and cheering her up, Naruto and Hinata holding hands over Neji’s dead body... which is a choice, Hinata snapping Naruto out of a daze, and Naruto being drawn toward the Tsukuyomi-affected Hinata after she mentally calls out to him. These moments, while not inherently bad and even serving as a decent foundation for further development, are few and far between—you can count them on one hand. Under an author genuinely interested in exploring their relationship, these could have been the building blocks for a natural progression. Instead, we get The Last, which skips over any meaningful development and instead guilt-trips Naruto into reciprocating Hinata’s feelings. Kishimoto himself admitted he wasn’t emotionally invested in their relationship, and Studio Pierrot’s handling of the story pushed the most out-of-character version of Naruto to make it work. Naruto’s emotional intelligence, which is central to his character, are replaced with an oblivious, emotionally stunted version of himself who can’t perceive romantic love. It’s clear that much of this characterization was a projection or self-insertion by the SP writers, resulting in a Naruto who feels drained of his usual energy and charisma—barely recognizable as the character.

More under the cut-

On the other hand, SS fans often boast about Sasuke and Sakura having the "most moments" simply because they spent time together as teammates. To some extent, this is true—Sasuke did grow to care about Sakura, seeing her as part of Team 7 and someone worth protecting. However, many of the scenes hailed as "SasuSaku moments" are just standard teamwork interactions. The hug in the Forest of Death, which causes Sasuke to snap out of the curse mark’s influence, is frequently celebrated as the peak of their relationship development. Yet, this moment is never referenced again in the series, and it doesn’t hold exclusivity, as Sasuke later demonstrates the ability to control the curse mark simply by thinking of his concerned teammates. While the scene was undeniably significant in establishing that Sakura had become familiar and important to Sasuke, but for Sasuke, Sakura is never individuated from Team 7—unlike Naruto, who stands out as a distinct and irreplaceable bond. Then Part 2 happens, and their relationship takes a drastic nosedive. Sasuke severs his bonds with Sakura and Kakashi, and his interactions with Sakura become overwhelmingly negative. When he isn't outright ignoring her in favor of Naruto and attempting to kill her as if she’s a mere obstacle in his path, he repeatedly insults her, delivers a brutal rejection, and, most damningly, shows no hesitation when her life is at risk during the war, treating her as expendable collateral. Despite the positive strides in their relationship during Part 1, Part 2 completely dismantles any sense of connection or mutual feelings, leaving their dynamic in shambles.

However, if I were to evaluate their relationships from an intra-narrative perspective, NH epitomizes writing that exists solely for fan wish-fulfillment, and in some ways, it’s worse than SS. Unlike Sakura, Hinata is barely a character in her own right—she functions more as a prop for Naruto. Her entire existence revolves around him; her thoughts begin and end with Naruto, and what little characterization she has outside of him, such as her involvement in clan politics, is sidelined. Her ideology is entirely shaped by Naruto, she’s beaten up so Naruto can champion her, and she’s nearly killed to serve as a breaking point that triggers Naruto’s rage. All of this feeds into the fantasy of the protagonist ending up with a demure, devoted, and busty girl who not only has no conflicts with him but also unconditionally validates him. It doesn’t matter that Naruto barely thinks about her or keeps forgetting her —what matters is that the audience projecting themselves onto Naruto get their wish fulfilled.

A lot of people accuse Kishimoto of being incapable of writing romance, but a look at the manga easily disproves this claim. Pairings like Dan/Tsunade, Konan/Nagato, Minato/Kushina, and even Shikamaru/Temari are examples of believable and naturally developed romantic relationships. The criticism surrounding SS and NH isn’t exclusive to SNS shippers—even non-shippers and casual readers often point out how poorly these relationships are written. The issues with SS and NH aren’t just a matter of personal preference; they’re objectively flawed in terms of development and consistency. While Kishimoto has proven he can write romance, SS and NH stand out as exceptions, feeling forced and driven more by fan service than by the story’s natural progression.

A few months ago, I came across a Reddit thread discussing why Minato and Kushina’s relationship in the one-shot is written so well, especially compared to the main pairings. The thread was filled with a lot of coping, with some responses suggesting that Kishimoto had "improved" at writing romance over the years or that Naruto isn’t a romance manga. These arguments conveniently ignore the fact that Minato and Kushina’s romance, along with others were already present in the original manga.

But there was one comment who truly hit the nail on the head.

[nullbojack]

The drama is everything wrong with the Eternitydev community

This post will be long as I'm listing every wrong doing this community has done. For almost 2 years I've been watching this drama and I am just annoyed and disappointed how childish this community is. Even MrDrNose doesn't behave like a mature adult like he should.

I won't name any of the cuprite behind the harassment and death threats because this will just incite more drama. 1. Malicious harassment and slander of the Doc writer who is 16 years old! The person who wrote the document known as the "MrDrNose and the Eternitydev Community Exposed" is "Proto-Kaiden". Who is a minor who wrote the document to call out the wrong doing of the community after they were bullied and harassed out of there.

Of course it wasn't about the harassment. As it shared some other topics such as the concerning choices the developer has made toward the game (Inserting more easter eggs and a repeated 'fetish inserts' of a character instead of focusing more on building the game more), or the time the moderators refused to ban an exposed pedophile from their server after numerous minors were sexually harassed. Now these are concerns that needed to be brought up, and some people have agreed that this is something that need to be resolved. However there are a terribly amount of fans who responded with harassments and threats. These people were upset to see a document on their developer and decided to stalk and harass this minor and continually send threats, insults and tried to spread lies about them to try and get more people to harass them. They even made a subreddit which had around 40 - 50 members all dedicated to try and "Remove Kaiden". Thankfully it was banned, but the fact people went this far over a document is disgusting and not okay. We are supposed to be a "Mature Community" yet can't behave like decent human beings and went to target a 16 year old because they wanted to silence him. They even try excuse their actions by bringing up what he done (That being that he "starts fight in the server" however when I look into this, this is not true and that its the mods who started fights about him for doing almost anything,) or just making up baseless claims.

They even went as far to slander him of being a PEDO with no proof.

Of course it wasn't just Kaiden that they targeted, they targeted people who would take his side, even people who wanted to stay away from the drama were harassed because they agree with the document. This isn't okay and that needs to stop. What make this bad is that MrDrNose enables this behavior and pretends this isn't happening despite many people bringing this up. Not only that he even punish those who goes against the harassment.

On the Eternitydev Wiki three people (one of which is a mod) got banned because they argued with an individual who has been trying to harass Kaiden. Unfortunately I do not have the screenshot of the entire thread as it was removed, but I remember the people that got banned from that thread who called out the harasser for their behavior.

2. MrDrNose had the chance to resolve this drama with Kaiden but choose to throw it away and ghosted the drama.

The biggest disappointment is that MrDrNose have enable this drama to continue. Early this year he was confronted by his own fans on Itch.io (it was a crappy drama that happen over a ingame file titled 'Ariral sex treehouse',) that he could discuss this with Kaiden and resolve this issue so that everybody can be satisfied. He said he will give it a try. However he didn't do anything to even talk to him and actually ghosted the situation and try to keep people from talking about it. As shown by Kaiden himself, Nose did not dm him on twitter or discord.

This actually annoyed me but this drama is still happening because MrDrNose did not want to confront about it and settle it. When it was asked if he did contact Kaiden, Nose would make claims that he did but that he would claim that Kaiden was demanding. He did not provide any screenshots to prove that he did contacted Kaiden and was accused of lying to try and keep the drama going. MrDrNose would respond by banning a few accounts from the comment format and he would change the Itch.Io comment format and have his moderators delete any comments that asked about the drama. It is completely shitty for MrDrNose to let the drama continue for a long time without ACTUALLY trying anything to resolve it peacefully and instead hides from it enable weird people to harass people who goes on the Document's side. What MrDrNose did wrong is enable a conflict that could of been ended so much earlier if he actually care to end it. Instead he ghosted it and let people be harassed over it. I don't even get why he would let this continue. Does he like the drama? Does he like negative attention? Either way, This just hurts the entire community and it's reputation and that will affect the game's popularity because people will be turned off from wanting to share content about VotV because of this hostile and toxic community full of overzealous man-babies who will fight to the end of the earth until Kaiden is gone from the internet.

I don't think I need to explain what he should of done to make a better outcome. It's obvious what he should of done instead of what he just did. 3. MrDrNose is immature and it becomes a problem. MrDrNose's is undeniably immature, and this lack of maturity has caused some issues which make people turn on him. Instead of acting like an adult, he acts like a complete child and antagonize people. For a while now he's been confronted by old fans who has issues regarding if he will ever truly remake the game "Advanced Education with Viktor Strobovski" like he said he would. These fans have lost their trust with MrDrNose after he suddenly deleted 'AEwVS specific channels' and made the server entirely VotV focused. Because of this, fans go out to call him out. And MrDrNose would respond the worse way possible by threatening to delete AEwVS off the face of the earth.

And surprise! This causes more conflict in the community.

My next example of how immature is that he degrade people who call him out, referring to them to be "Mentally ill".

This just make everyone see him as an ableist assholes. Which he is an asshole. Just calling people mentally ill as a way to cope with being called out for his flaws is unprofessional at best and will make people turn on him more for acting this way. One last example of his immaturity is when he told about why he is getting hated.

I don't really need to point out why this is immature. If he sees issues about himself such as "sexualizing characters in public channels" (Inside of a discord server that have members below the age of 17) and "Backstabbing his older fans" as something that "only children will care about," it just make everyone look at him as someone who is not to be trusted if he does not recognize what is right or wrong. It actually pisses me off how a grown ass man cannot acknowledge to why people turn on him and act confused and mad about it and resort to calling them "children" and "mentally ill" for it.

MrDrNose actually need to rethink how he's been behaving and need to learn that lashing out like this will make things worse for himself. The best salutation is to listen to people and respond like a reasonable adult instead of a child. Instead of threatening to delete a game to keep old fans hush hush about it. He should instead reassure that eventually he will remake the game, and I think the best way to convince the old fans to trust him is to share hints of ideas of what he may add in the Remake of AEwVS. Instead of treating issues about his server as nothing but "something that children only care about," he should instead admit that these things are wrong and that he should do better and make sure to not make these mistakes again.

If he continue to behave like this, the game might as well be doom to fail if he can't get his crap together and behave like an adult. People can and will get sick and tired of this and will move onto another game that will explode in popularity. I already know that tons of people have move on from the game. The game ain't exactly being developed properly. Sure it does get updated that add a few major changes, but along in the update are just a dozen "Easter eggs and secrets" that doesn't even need to be added. The game has enough secret easter eggs yet MrDrNose still add 23 more easter eggs in the game despite it not even being necessary. I find it to be kinda lazy if the developer works on these "Major updates" and half of it is just a dozen easter eggs.

It gets very annoying and get people tired of having all this crap be shoved into the game instead of real content such as new Entities, Signals and events. MrDrNose honestly should actually work on the game where he adds more entities and signals instead of making 25 easters eggs. There is ENOUGH easter eggs in the game. 4. Why am I making this post? I'm just completely tired of people being completely ignorant and going around hurting others. People need to grow up and just accept that these are real issues that can't be shrugged off, and not going around throwing baseless pedo accusation to harm a minor for writing a document. The only way the community can become better if the people in it become better human beings that behave civilized and understanding, while the bad ones get exiled from the fanbase. And I wanted to point out to MrDrNose that he should grow up and learn to stop behaving like this child that get cranky that they get called out for not being perfect. If you are reading this, MrDrNose. There is no question that your game is great. However, just because your game is great doesn't mean you can't make mistakes. You remain accountable for your deeds, the conduct of the community, and the consequences that result. Give up trying to prove that you did nothing wrong and simply acknowledge that you made poor decisions and that you need to improve. Is that really difficult? The popularity of your game will suffer as a result of the many bad actors in your community has done. Plenty of people have already left the community because of a lack of hope or interest. You can still make an effort to show people that you're going to do much better and make changes that will hopefully make a much better future for the people in the community. The best way to start is by settling this drama.

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[moodymisty]

Perhaps a 40k character of your choice and someone not very comfortable in their body? Shamelessly self inserting I guess. Thanks so much! ☺️

[ 𝕸𝖔𝖔𝖉𝖞𝕸𝖎𝖘𝖙𝖞'𝖘 𝕸𝖆𝖘𝖙𝖊𝖗𝖑𝖎𝖘𝖙 | 𝕬𝖔3 ]

Author’s note: Decided to do Guilliman. You didn’t specify anything (which is fine!) so I kept it vague for you. Enjoy!

Relationship: Guilliman/Fem!Reader(no pronouns are used, but reader compares themself to Fulgrim's wives and also mentions wanting a dress so femcoded one could say)

Warnings: None really

You wonder how Macaggian history can be so, boring. These history tomes Guilliman had given you while interesting, have largely been unbearably dull; Filled with little more than debate and the trials of leadership.

You had far preferred what Russ had once told you about the history of Fenris when you asked, though you’d never dare speak that to your beloved Primarch aloud.

Said primarch returns to your shared room not moments after you think of him, raking a hand through his own short blonde hair.

It’s quite late, the moon is high in the sky and has been for awhile now, and you assume he hasn’t had any rest in multiple days given you’ve seen little of him these past few. He’s been even busier than usual, since visiting Terra. Even if he has his Commanders take over a good portion of his duties while away from Ultramar, his duties on Terra tend to overtake his time and then some.

With nary a hello, Guilliman climbs onto the bed you’ve been reading in and swiftly lays down on it. The bed groans under his weight despite having been made for someone of his size.

He much larger hands reach to grip you by the waist and pull your closer, laying his face on your stomach overtop of the fabric of your nightgown. Your legs go over his left shoulder, as his left arm curls around your bottom, hip, and up your side to hold you close.

“Guilliman?”

He sighs into your belly.

“Give me a moment, if you will. I’m at my limit with these men today.” You assume he means his fellow primarchs. “Let me enjoy you for a bit now that I’m free of them for the time being.”

You want him to be happy, but you can’t help but shift a bit under him, nervous as he speaks so overtly, and touches you with so little hesitation.

“Are you sure you’re comfortable?” You whisper, nervously twirling a piece of his blonde and ever so slightly grey hair around your fingertip.

“Yes. You are perfect,” He says, your eyes widening at the declaration. You're so offset by it your mind wanders and can’t help but mumble:

“I find that hard to believe…”

You feel him suddenly tense, and he lifts his head to look at you.

“You do not believe me?”

He almost seems insulted by it; Like you think he’s a liar. You shake your head as you look away from his furrowed brow. You hadn’t expected him to spear you to the wall so harshly for your self-deprecating comment.

“No I just…” You grunt in frustration at not finding the right words. The Macragge tome he'd given you lays at your side, and you push it away a bit more. “I sometimes just think there are people out there far more, physically suited to stand beside you than me.” He loses some of his insulted demeanor, but his brow stays furrowed as you pick up pace and begin rambling.

“I mean, look at some of Fulgrim’s wives they-“ He cuts you off with his stoic, firm voice.

“You know how Fulgrim is. You know why and how they look the way they do.” He sighs, the wrinkles around his nose and eyes exaggerating for a moment. “Forget all of that.” He points a finger at you.

“And don’t bring him up again, I’ve had quite enough of him and his comments for quite some time.”

You smile a bit, and he softens. He’s glad you find his aggravation amusing somehow. You do wonder what Fulgrim commented about however; Though you know he has a habit of sometimes treading a bit too far into Roboute’s personal life. Into everyone's personal life honestly, though Roboute having you has made him the prime target of Fulgrim's gossip and colloquies.

His hand squeezes you reassuringly, arm continuing to awkwardly cradle you. He raises his other hand to brush his thumb across your cheek for a moment.

“You are perfect to me. You don’t need all of those lavish things.” He adds on. “Unless you want them, of course. I won’t deny you anything I can give.” Your smile gets wider, and he feels your body relax against him.

“I don’t need any of it,” You pause. “But if a dress showed up one day I wouldn’t complain, per se.”

Thankfully Guilliman can tell you’re clearly joking, and rolls his eyes. You speak up again a bit more subtly.

“Or maybe something a bit more, delicate? You could pick it.”

Guilliman takes a moment to catch your meaning before he awkwardly coughs, looks at you gentle but expectant smile.

“I’ll, see what I can do.”

Guilliman swiftly ends the topic by returning his head to lay on your stomach, and rest his eyes for a moment to the feeling of you raking your fingers through his hair.

[marshedmallowes]

earbuds — megumi x reader

song choice: cologne by beabadoobee

a/n: i wrote this in an airplane and i have NOT proofread it at ALL; i just have been needing to put something out lol this is highkey half-assed so please bare with me.

you lean into megumi, eyelids only getting heavier and heavier from the sleep taking you over. as you perch your head on his shoulder, gritty, grungy music emanated from his earphones, peaking your interest. 

“you know, i don’t really know what kind of music you’re into, but now that i’m hearing it, it makes complete sense…” 

at your remark, he seems to take a little offense, judging by the way the shoulder you were currently leaning on stiffened and his eyebrows furrowed. “is that an insult?” 

“no, not really,” you grin endearingly.

...you don’t know if it was the drowsiness that caused your random surge of courage, but you reach into his (increasingly reddening) ear, taking an earbud away to place into yours. megumi’s cheeks flare up, but you can tell he’s trying to keep it cool from the way he awkwardly poker faces and avoids eye contact. funny guy, huh. you think as you can’t help but feel your muscles tugging into a smile. 

you insert the earbud in your ear, sleep taking over once again as you— wait, isn’t this…

“isn’t this beabadoobee?”

“…no.”

“but it’s literally her vo–“

“shut up. don’t you dare say a word.”

and so you do, snuggling up to his shoulder once again as you pretend not to notice his very pink face. 

a/n 2: ik megumi listens to weezer and stuff but i feel like he secretly enjoys beabadoobee and never says anything abt it bc HIM? THEE MEGUMI? A BEABADOOBEE LISTENER? esp since some of bea’s music is quite gritty, such as the song choice right here🤗

[romanceclub-confessionss]

Confession:

"I did not read the new story yet but from all the reviews and the trailer I can say with certainity WITHOUT reading it.

Not only did RC make an AOT rip off that already kind of suck (Hi AI art my beloathed) but from what i am reading the choices reminds me of Choose your story level of bad. Like the first option that is a diamond option is *insert something that sounds reasonable* and the second option who is not pay to win aka the free option is *insert the worse thing i have had to read with my own two eyes* .

Saying a bunch of watpad kids did this story is not even insult as I KNOW the watpad kids write better then this on a daily basis. I am not even sure the story is DR worthy due to even the hardest RC's backriders are not saying a positive thing at all."

[physalian]

The Dos and Don’ts of Giving and Receiving Constructive Criticism

Some of these should be painfully obvious and yet. They come from experience.

Receiving feedback:

Do

Understand that a criticism of a character’s thoughts, actions, morality, and choices are likely not a criticism of you as an author, unless the character is an author insert

Understand that they are being paid to critique how successfully you told an entertaining story, not pander to your trauma dumping

Understand that critiquing a book’s success as an entertaining story means that how much you yourself connect with or love a character or scene or plotline is irrelevant if it doesn’t make a compelling narrative

You might have written your book for yourself. Your editor is a different person with their own human biases and perspectives. If you just want to pay someone to stoke your ego, make that 100% clear up front.

Stand up for yourself and clarify where necessary if some details were overlooked or if explaining outside the narrative can better contextualize anything confusing or lacking detail.

Stand up for yourself in what feedback you are expecting, and what degree of criticism you’re willing to endure. An editor can let more or less of their own views show depending on what you ask for.

Stand up for yourself if your editor delivers inadequate or useless feedback. You’re paying them for a job, and you deserve to have it done properly.

Try to separate dislike of a book from dislike of yourself. It’s not easy, but the goal is to fix your book that you’ve already spent a lot of time writing, and they’re only trying to help.

Remember that your author insert is subjected to the same level of criticism as any other character, and that you asked for this.

Keep an open mind and be prepared for feedback that you don’t like, because you can’t please everyone. Your editor should be able to tell you whether or not a scene or character, or plotline works separate from their own personal tastes.

Don’t

Argue with your editor over their religiosity or lack thereof and insist that adhering to genre expectations means they “worship the god of [genre]”. (really, argue with your editor over anything like this, e.g. their own sexuality, religiosity, gender, socioeconomic status).

Argue with your editor while still expecting more work from them as if your aggression will in any way positively impact their perception of your book.

Insult your editor’s intelligence for not understanding your jargon and attempts to sound smarter than you are.

Get mad when your editor sees right through your BS and calls it like they see it, specifically your self-insert Mary Sue protagonist.

Insist that the solution to better understanding your book is for that editor to do extensive homework on your niche topic. If it’s a niche book for niche audiences, hire an editor who’s already knowledgeable about that niche topic.

Equate a bad review and opinion of the book with unprofessionalism. These can overlap, but they are not interchangeable.

Forget that your book is probably meant for leisure and entertainment, and your audience is under no obligation to read “until it gets good,” when they can go do literally anything else. Your first job is to entertain, if you write fiction.

Giving Feedback:

Do

Pay attention to your client’s wants and needs and expectations. If they’re more sensitive to bad feedback, do your best and stay as objective as possible. You can’t please everyone, either.

Helpful feedback includes an explanation of why an element needs work and how it can be improved. Saying “I hate this” with nothing else helps no one and just makes the author feel bad with no direction of how to make it better.

Communicate beforehand how much of your own personality your author wants from you. Do they like personal opinions and your personal reactions to the text, or do they want it as impersonal as possible and solely focused on the structure of the narrative? This might avoid a mess.

Remember to leave notes of where things worked well to balance the criticism. Even a simple “this is good” highlighting a line or a paragraph or two helps keep authors motivated to keep writing. I firmly believe that no book is completely unsalvageable.

Make it painfully clear with no room for debate that criticism of a character is not criticism of the author, unless it's an author insert, in which case the author absolutely asked for it.

Make it clear that you are just one person and these are all suggestions, not laws.

Don’t

Let your own personal opinions cloud your judgment of whether or not someone with different tastes could enjoy the book.

Unless given permission, get too personal with the narrative and reach beyond what’s written on the page.

Do more than what you’re paid for. You’re an editor, not a therapist for the writer’s trauma dumping.

Forget to wrap up all your thoughts in a condensed format that the author can reference, as opposed to endlessly scrolling through the manuscript trying to summarize your points for you.

Walk away with absolutely nothing positive to say about the manuscript. Even if it’s awful on every front, the writer still tried and that deserves merit.

This is from my personal experience beta and sensitivity reading, and dealing with other beta and sensitivity readers. We are all human and these jobs are not one-size-fits-all and there aren’t really hardline rules as every author, editor, and manuscript is different with different needs.

Just some things to keep in mind.

But also, for the authors who do write self-insert Mary Sues: You are in for a very rude awakening if you expect anyone other than yourself to adore your book with zero criticism. If you really just want someone to proofread and look for typos, tell them.

[preciouslittle-bhaalbabe]

There is nothing wrong with how someone plays an RPG. But the fandom of BG3 is one of the best examples of those who play as a self insert vs those who roleplay with OC's they've made. It shows whenever people judge each other for their choices. They hurl insults at each other as if THEY are a horrible person for making those choices in game without even considering that people have fun doing roleplay as an evil character or a character with a different personality. It does not make the PLAYER an evil person.

[hankacadew]

The Cowardly Adventures of Bold Sir Hans Capon (KCD1)

Aka a set of rambles about the cowardice of Lord Capon in the first game.

Couple notes - first, Hans is possibly my favorite character in Kingdom Come: Deliverance. If he isn’t, then I can’t think of who is. Secondly, bravery and cowardice - I’m defining bravery as not letting fear control you and cowardice as letting fear control you. Saying that bravery is lack of fear is foolishness.

There’s a subtle argument to be made that some forms of bravery are still a form of cowardice when the motivation is fear of appearing afraid or fear of loss but I’m going to mostly ignore that line of thinking for this post.

There are many types of fears - fear of physical danger, phobias, fear of loss, fear of social exclusion, fear of consequences, fear of failure. The main area I see Hans accused of being a coward in is the physical side so I’m going to focus on that.

Shoutout to Mamalazzer for their YouTube video of all Hans/Henry cutscenes in the first game - it was super useful for my ‘research’ here.

The archery and sword competition - the dialogue between Bernard and Hans makes it clear that Hans enjoys fighting which undercuts any idea that Hans avoids physical confrontation. Hans’ eagerness to cross swords with Henry (insert your own joke here) also speaks to that - risk of physical harm in a ‘friendly’ fight is not a factor that controls Hans. He also doesn’t hold grudges against Bernard’s men who have beaten him in fights.

When his standing as a nobleman is insulted, he jumps straight to physical confrontation. Hanush also refers to Hans’ repeated brawling.

Next up - The Prey.

So Hans gets captured, injured and is tied up by Cumans with only a blacksmith’s boy as his chance of rescue. When Henry finds him, he’s insulting the Cumans and actively trying to provoke them - cowardly, right? There’s only the chance they decide to cut his throat for being too annoying.

His demeanor after Henry rescues him is pretty calm given the circumstances. He’s grateful for the rescue and is still cracking jokes with Henry.

Side note: listen to how Hanush laughs and look at how he looks at Radzig when Radzig takes Henry into his personal service. Warhorse are cunning bastards.

Not much to say about the bath quest, Hans is nearly drowned and his response is to want more wine.

Going up against Wolflin - Hans is the one fired up for battle and leading the charge if Henry doesn’t go another route.

Talmberg, Night Raid - Hans volunteers to be part of a sneak attack - an attack that means they can’t wear armor so if they get caught, there’s a good chance of getting killed. He gets given the chance to back out of doing this but he persists in his choice (it’s sweet that part of his answer is that he wants to keep Henry out of trouble, aww, and Henry’s answering smile!).

I think he’s right in arguing with Henry about going further - it is a massive risk and it’s not cowardice to take what they’d achieved so far.

The conversation after, Henry asks Hans if he wished he’d stayed home instead of the nighttime adventure and his response is pretty clear:

“You must be joking! I haven’t had so much fun since… actually ever.”

Watching the KCD cutscenes with Hans is pretty fun, especially with all the Hansry friendly dialogue.

The final mission with the confrontation with Toth also has Hans directly in the fight, no cowardice to be seen.

The first game pretty clearly establishes that while Hans has his share of faults, cowardice is not one of them. Arrogant, reckless, self absorbed, provocative…sure, those are all fair descriptions of the Lord Capon but not cowardly. He doesn’t shirk battle, doesn’t run away - it’s other people that try to pull him away from danger.