#insane behaviour etho!!! thank you!
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Etho to Tango: "I'll sacrifice one of [my shards] if it'll get you running."
Bruh. Etho just spent 8 crowns to get another shard. He has five left. And he voluntarily wanted to give one to Tango so Tango can run. (Tango who has stacks of these in his inventory.)
#bro what are you doing!! you are stupid silly!#even if it's also wanting to laugh at tango dying and not just because he wanted tango to have fun#but the way he brings it up like 'Actually‚ Tango!' like he's thought about doing this#sir these are gold dust. hermits are frothing at the mouth to get more. and etho says#'I feel like everyone's trying to get shards from you. How about we give you shards. Get you playing.'#like. the level of selflessness and compassion just because he wants tango to get to play the game too#he even literally threw one on the ground for tango; these weren't empty words#(ofc tango's like no no no no no no no)#insane behaviour etho!!! thank you!#decked out 2#hermitcraft#tangotek#tango tek#ethoslab#tangtho#hermitshipping
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Thank you for tagging me!! This is brilliant. I hope you don’t mind me adding my own rambles. My headcanons around “does Farah is holistic powers” change every other day and are the sort of thing I have about three different not-necessarily-conflicting headcanons for, and alllll the above is very much a yes. I struggle to put it all into words and this clarified things for me a bit more.
I don’t think Farah has the same relationship with causality that Dirk, Bart, Todd, or even Ken have, but often because of that she plays a vital role in the events that shape the story. Farah is a more diegetic character than the four above are, but that doesn’t necessarily mean having no abilities or not being significant. I would say Amanda is also a more diegetic character because even though she can see visions of the future, she does so in a way that is fairly typical to the genre, rather than interacting with the story in an almost meta capacity in the way the causality characters do.
As you outline very excellently above, the thing Farah brings to the table is an ability to balance the often life-endangering insanity of Dirk and Todd. She uses diegetic skills to protect them, and actually helps them survive the genre they’re in partially because she is not genre savvy and does not expect help to fall from the heavens at the last minute. Farah IS that help, quite often. As a character this makes her an amazing foil for Dirk-and-Todd, and I think in-universe it’s something that she’s conscious of in a diegetic way. Where Todd says “I’m not your Watson, asshole”, Farah begs Todd to stop engaging in risk-taking behaviour because she’s terrified and exhausted by being the only person grounded in reality. From a writing perspective there’s a lot of room there for some really interesting angst tbh.
So when we ask “does Farah is holistic”, you absolutely could still argue that Farah is holistic. Holistically-non-holistic, because as you said, someone has to worry about the details, so she was assigned detail-freak at birth.
You could also argue that if the Universe has specific people created to make things happen, then there must be people who are the people things happen to/around/with, and while I don’t think the passive-active dichotomy of that is 100% sympatico with the ethos of the show, there is scope within that argument to flesh it out into basically “there has to be some kind of balance between holistic and non-holistic for the Universe to function”.
Or, you could go even deeper down the iceberg and reason that, although for obvious shorthand reasons in fandom we often call any character who has powers/abilities ‘holistic’, holisticness is a paradigm that Dirk constructed to conceptualise how his specific abilities work - and his abilities are causality-related. We see a perfect mirror of that paradigm in Bart, who also says to Ken something like “everything is constantly turning inward, always mirroring itself”. Mona also uses the holistic paradigm to describe herself, but Mona is one of the few Blackwing subjects we know was allowed to socialise with Dirk, and I wouldn’t be surprised if she got it from him (I think this would tie into the way she mimics things but doesn’t seem to invent new things; she’s an actress, not a writer (also we don’t know the scope of Mona’s powers and it’s possible that she also has some level of causality power)).
So you think, okay, defining “holistic” as “causality related and non/semi/pan-diegetic”, then are the Rowdies holistic? Is Amanda, though she obviously has supernatural powers? Characters who don’t have observable powers but have moments of meta clarity, like Freidkin asking if he’s one of the bad guys, are they technically holistic?
And that’s where the line really starts to blur and you start to think that maybe the Universe isn’t divided into ‘holistics’ and ‘non-holistics’. If everything and everyone is connected, then there cannot be any such thing as a piece or a person that has zero significance to the pan-dimensional Cat’s Cradle that is reality. There is no neat black and white, there’s just a bell curve, and yes, for sanity’s sake you need to make a decision about what you specifically are going to rate as high enough on that bell curve to be significant, but it will still be a bell curve.
And the bell curve itself isn’t static; it wanes and waxes and shifts and it can exist in multiple different expressions of itself at the same time, and if you are one of the tiny little dots clinging to that bell curve there will be times when, to put it most simply, you will experience an acceleration of strangeness in your life. Outside the Universe, in the one where you’re a fictional character on a TV show, that acceleration of strangeness tugging you up the bell curve is the moment when you become a relevant to the narrative.
Which leads to a point I like to think of as both the deepest and surface level of the iceberg (the iceberg is also pan-dimensional), which is obviously where we started except now it tastes slightly different and can be squinted at side on in either a Watsonian or Doyleist way.
Watsonian: Farah is selected by the Universe to be strictly non-holistic, and that in itself inextricably links her with causality, which means that she is holistic. Doyleist: Farah is a character who diegetically grounds the others and stops them from flinging themselves bodily through the fourth wall, but that function in itself can only be observed from a meta-meta-textual perspective, and that’s why she’s just as meta-textually sexy as Dirk and Todd.
For Dirk and Todd, “take your control of your life” means taking control of your narrative by acknowledging that you are in a narrative, can engage with said narrative, and even possibly rewrite said narrative. For Farah, it means taking control of her life from within the narrative, in much the same way that any protagonist would - in the same way a real person would. The weird thing that makes Dirk a freak is that he regularly swing dances with causality; the thing that makes Todd a freak is that he decides to join Dirk in said swing dancing. Farah is a freak because she somehow escaped containment from an introspective procedural drama and wandered into the DGHDA universe and then had the gall to stand there and go “I’m the normal one!”
Thinking about how Farah is kind of removed from the weird universe shit in a way. Not all the weird shit, mind you, just the truly, incomprehensibly bizarre stuff. She doesn't time travel in s1, she doesn't get to go to Wendimoor in s2, etc. She's back in reality shooting cultists and mages.
I mean she literally saves the world in s2. The other two saved the Wendimoor dimension, yeah, but Farah saved the ACTUAL WORLD.
A lot of ppl have been theorizing lately about how Todd has holistic 'powers'/a universal purpose that's a cosmic compliment to Dirk's powers-- inadvertently boiling down all the crazy into the right questions, subconsciously picking up on the blind spots that Dirk misses, etc. As an extension of that, I think Farah's function is to be the grounding element of the trio and that she has 'powers' that reflect that-- they're just powers that she's dedicated her whole life to cultivating the hard way. Her universe-assigned role is to handle all of the elements of cases that get overlooked in order to make way for the weird shit.
The universe saw the other two chasing rabbits and falling into pocket dimensions and said "hm, someone needs to balance the scales."
I'm a big fan of @teacupsandcyanide's "My commiserations, Todd Brotzman, but the Universe assigned you Watson at birth" quote (hi, sorry, I hope you don't mind me tagging you, but credit where credit is due: it's a great quote). I think that the corresponding thing for Farah is that the Universe assigned her Anxiety/General Neurodivergence at birth because SOMEONE has to worry about the not-so-little details that everyone else forgets about when shit gets weird.
Anyways, Farah is essential and the other two simply would not be able to function without her <3 much love
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