#incidental 60

[laserwalnut]

I'M NEW HERE! Have my fish

[hide-your-bugs-away]

Made this connection the other day, but why did it take me four entire years to realize that Eric was wearing The Green Shirt during Price to Play: August 12th, 1968 (with guest star Eric Burdon)??

The lack of a collar, the short row of buttons, the slightly darker complex of the shirt... This whole time, I was always bemoaning the fact that we never got to see Alan in photograph next to Eric in some of his more iconic "EB & The Animals" outfits... and it's been staring at me all this time. They are aesthetic complements always (and undeniable complements in many other ways as well)... now's a good time for a Dr Pepper.

[mexicangrizzlyappreciation]

The thing is even back then you could reasonably expect to live to 50 or 60+ if you made it to adulthood. Average life expectancy at birth was so low because nearly half of children wouldn't survive their childhood.

"30 years old isn't old man" what privilege do you live in where your life expectancy is far past 30 years

This post blindsided me so bad I spent a full minute staring at it in shock

[xn--ko8h]

is this a "don't do drugs kids" movie? no, it's a "don't inject hippie cultists with rabies" movie

[vintagegeekculture]

I remember a friend of mine had some LPs that were Star Wars themed disco albums, and it brought back a very weird memory from back in the 70s (yes, I'm old!) of listening to a Star Wars disco mashup on the radio. What was all that about? I also remember something like that for Close Encounters, too.

You remember correctly, and this went on for a long while. In 1983, disk jockeys around the country played a record that involved an Ewok rapping the plot of Return of the Jedi in Ewokese. This made it to #60 in the Billboard Top 100.

This is hard to explain to people who weren’t there….but in the wake of Star Wars in the late 70s and early 80s, scifi was so beloved and mainstream that the orchestral music for nerdy scifi and fantasy movies about outer space were remixed and sampled into Giorgio Moroder-esque Italo-Disco dance numbers. And the most astonishing thing is, instead of being consigned to convention acts the way “horse famous” Brony dubstep acts are, this received national airplay on the radio, reached the pop music charts, and were played in discotheques. And incredibly, this continued for years and expanded from Star Wars into Star Trek, Wizard of Oz, Black Hole, Close Encounters….

All of this was the work of one specific person: Meco (or Dominico Monardo). The term “ahead of their time” is thrown around a lot, but Meco really was: a combination producer-songwriter and Italo-Disco pioneer in the style of Giorgio Moroder, he did several things that are now absolutely standard: he used remixes and sampling before hiphop made that standard for musicians, he wrote “fandom music” on a Moog synthesizer decades before Bronies turned their conventions into cringey dubstep concerts with songs like “Everypony Dance Now.”

It's stunning to me that Meco has not been rediscovered, considering every single trend in the culture essentially went his way.

The most startling thing about Meco’s Star Wars disco album, the one that got the ball rolling on this trend, is this: I always assumed it was some kind of cash in created by a record label mandate, a label executive’s completely cynical choice to hop on a hot new trend. That isn’t a crazy thing to think at all, since Star Wars is and always has been the most merchandized and sold out scifi property ever. But it wasn’t! You see, it was all the product of a single man’s specific vision: Meco had to convince his record label to make the record because they were skeptical.

When Meco went to see Star Wars in 1977 on Opening Day (what an experience that must have been) with his friend and fellow Italian chest hair/gold medallion enthusiast Tony Bongiovi, he was already an experienced producer-songwriter who had worked with Gloria Gaynor, Diana Ross, and formed DCA, the Disco Corporation of America. If you've ever listened to Diana Ross's "I'm Coming Out," Meco actually played the trombone solo in that song. Seeing the Star Wars movie for the first time, though Meco thought the movie was nothing short of a religious experience. Originally, he wanted to do Star Wars music as a b-side on a Gloria Gaynor album, but expanded the idea into an entire album.

In Meco’s own words:

"When I think about what I did, nobody came to me, nobody said 'Meco, why don't you do this.' Nobody says 'Here's some money go make a record of this movie.' It was just my own... It was magical, it was just out of this world when all that happened."

Not only did this album hit platinum, not only did it actually outsell the Star Wars soundtrack, his remix of the Star Wars theme also went to #1 in the charts. It’s actually the best selling instrumental single of all time. A record, that, incidentally, it holds to this day.

Dick Clark, host of American Bandstand, had this to say about Meco:

"In 1977, Meco Monardo accomplished something no one else has ever done to the best of my knowledge. He was the first one in history to out-sell the soundtrack of a motion picture with his own distinctive version of a film's music. The music was totally danceable, and broke new ground. It's no wonder the STAR WARS THEME went to # 1. I loved his treatment of music from THE WIZARD OF OZ. Again, Meco created something innovative. The fun and the excitement gave a whole new feel to that totally familiar and well-loved music."

Like a lot of studio producers, Meco had an insane work ethic and hit when the iron was hot: he did an album about Close Encounters that exact same year, but also did a Star Wars Christmas Album, one of the strangest pieces of Star Wars kitsch around.

One of the most interesting things about the Star Wars Christmas album is that one of the songs, “R2D2’s Wish You a Merry Christmas” is the first professional vocals by John Bon Jovi, who was Meco’s friend Tony Bongiovi’s seventeen year old younger cousin (he was initially known as John Bongiovi). It's incredible to hear a squeaky voiced teen Bon Jovi on a kitsch album about a robot Christmas.

1978-1979 was really his best year. Meco made an Italo-Disco remix album entirely devoted to Superman, and at this point, Meco had the pull to get access to John Williams's sheet music for the score before the music even came out. In my personal opinion it's the best of them because he has to recreate it entirely with his own instruments, leading to a very unique sound.

He also did an album based on the Wizard of Oz:

And a combination album of Star Trek/Black Hole. It's probably the earliest remixing date of Goldsmith pieces of music: the Motion Picture Theme (which is now associated with the Next Generation - hearing it done in Italodisco is uncanny) and the Klingon Theme:

Incidentally, I think the design here of the Meco Enterprise, which had to be modified for legal reasons, would make a wonderful canon starship if anyone wants to be inspired by it. It reminds me of the same concept that would be used in the very next film for the Reliant-class of ships.

Meco eventually retired from music in 1985, but unfortunately he is no longer with us, as he passed into the next dimension in 2023. I think he showed us that creativity is often about transformation, and was inspired to make his art by a legitimate awe of space, the cosmos, and human imagination that the scifi movies of the 1970s and 80s provoke.

[agneswarda]

golden girls is so amazing i even made a powerpoint

(I copy-pasted the main text under the cut. unfortunately, I can't find the time for a proper alt text. life is stressful rn)

-Picture it: Miami, late 80s/early 90s. four 60+ women

-living together.

-Sure, they talk a lot about (straight) sex

-but what we see on screen is their dynamic. Their deep friendship. Their love also they often act quite gay with eachother. amazing

-Did i mention they are old. They are old and deal with getting sick and aging. A lot.

-But their life isn‘t over. They might not be related. But they are family, and they are here for each other

-These four women are the Golden Girls.

-You are in for a treat. A 7 seasons 25 episodes long treat

Introducing the girls: Dorothy Zbornak

-not to be a lesbian but omg

-Tall soft butch

-quick-witted

-sarcastic

-her voice *swoons*

-would make numbers on tumblr

-> her idea of a good time is being Alone wiht a book in her room

-> Huge dorky nerd

- Being vulnerable is not her strength but when she is It‘s amazing. Soft. makes me cry

Introducing the girls: Blanche Devereaux

-slutty

-sexy

-selfish

-sensitive

-Sensual

-Did i mention slutty

-And proud of it

-All these things are her strenghts as well as her weaknesses

 -She is actually quite complex

Introducing the girls: Rose Nylund

-Sweet

-Loving

-Kind

-caring

-Everyone says she‘s Dumb

-I think she might just Be neurodivergent?!??!!!! With her special interest

-Being St. Olaf

-The place she comes from

-Has amazing st olaf stories for everything

-Can also be a judgy bitch sometimes

Introducing the girls: Sophia Petrillo

-SHE WOULD MAKE NUMBERS ON TUMBLR

-„You're a funny little gnome, and we feed you too much.”

-This quote describes her perfectly

-It’s Dorothy who says it to her

-Who is incidentally her daughter

-Trickster energy

-Don‘t know if she is gay. But she commits crimes

-It‘s her way of dealing with old age

-And all the limitations it brings

-The show would just be half as funny without her

But op. Is it really this good. It‘s so old

I will admit: not everything aged well. Be also prepared for:

-it‘s v white. If they have characters of color, they sometimes work well. And sometimes it‘s embarassing to watch bc harmful stereotypes (not often but yeah. It happens.)

-Bodyshaming: the girls tease each other about their height, weight etc. and sometimes it can really become a lot/too much.

-Rose is so often the butt of the joke for not understanding situations. I think a lot of neurodivergent folks can relate. And it can hurt to hear the same old mean comments again and again

BUT

-This is a series which was never afraid of complicated topics

-First and foremost: the queer advocacy and topics were and still are amazing. The found family of it all alone.

-Also: death,being sick, being disabled. Getting old. Not performing the gender The way one would like to (anymore) (so. yes. Dysphoria. In a way). The financial aspect of it all. These are important topics which are treated with humor (of course) but also with respect

-it‘s a kind show which has its heart in the right place

-And i mean

-4 old women who are „just“ friends living together, supporting eachother?

-That shit is still revolutionary in the year of our lord 2024

So give it a chance!!!!11!!!!!111

[theodysseyofhomer]

Do you have any article related to the odyssey you'd reccommend as complementary to the source?

sorry i've been sitting on your ask for so long! i am not and never have been a classics student; i came across most of these articles incidentally or here on tumblr:

"the odysseys within the odyssey" by italo calvino

"a note on memory and reciprocity in homer's odyssey" by anita nikkanen

"penelope and the poetics of remembering" by melissa mueller

"a glossary of haunting" by eve tuck and c. ree (this is mostly about horror fiction and settler-colonialism but it has a gloss on the cyclops that i think everyone, certainly everyone american, should read)

silence in the land of logos by silvia montiglio chapter 8: "silence, ruse, and endurance: odysseus and beyond"

"the name of odysseus" by g.e. dimock, jr.

also ok it's very much not "good" but there's an article by w.b. stanford called "personal relationships" that just lists all his hot takes about the relationships in the odyssey for 25 pages. it reads just like scrolling the blog of a mutual twice removed. they let men publish ANYTHING in the 60s. i love this essay. i would read this essay out loud over discord right now if someone asked me.

[beautiful-basque-country]

What do you think? https://youtu.be/WW4D-1Sa-r8?si=8peyR-RkNAeYOynL

Kaixo anon!

Somehow I thought somebody would ask me about that video? I watched it yesterday.

I'm suscribed to Linguriosa's channel and have learnt very much from her videos, that are generally well researched and explained.

This one isn't different. She tries to be somehow aseptic and focus on the laws that attacked Galego, Català, and Euskara during the dictatorship without too much assessment or analysis beyond that.

For instance, she says that the first ikastola (school 100% in Basque) was opened in Donosti in 1954 but fails to mention it was actually a clandestine school. She also fails to add context when she says thatin the 60s - the so-called "liberal phase" of the dictatorship" - magazines and records could be edited in Basque.

By that time, 23 years - a whole generation - of repression and punishment and making people ashamed had passed; that thousands of Basque-speakers had left their homes (27,000 to Cuba and +7,000 to France, just in 1937, and we're talking about the registered immigrants; it's calculated that half the people that escaped Spain did it illegaly);

Literally millions of people from the rural communities of Spain moved to the industrial capitals - especially Barcelona and Bilbo -, which made the few Basque speakers remaining not to interact in Basque since maaaaaaaany citizens were now from outside EH and Spanish, even though not over imposed by law as before, was very much imposed by the situation;

This is to say that by the 60s when Franco allegedly changed his mind and was so gracious as to let Basque people have content in our language, Basque was a TINY language on the verge of death. Unimportant. Incidental. Completely safe.

Then I see comments below Linguriosa's video saying something like "I am Basque and I was always taught that Basque was super banned under Franco and now I see that I was fed propaganda" and my heart breaks. Because this is exactly what happens when you fail to give as much context as possible to actually let people understand the whole picture and story.

Because, really, if you know nothing about this and watch the video, you actually get the idea that Franco became more tolerant regarding the minoritized languages in Spain as he got older and what he was actually doing was just laughing at our people: see? you have freedom to use your language now, too bad nobody can speak it anymore!

I'd love to know the takes of my friends @useless-catalanfacts and @jar-jar-ate on this, if they oblige! ^_^

[underthehedge]

I stg if anyone trots out the grandmother hypothesis you will end up in anthropology rant hell

Ok but, if you'd like to rant about it (or have a good rant you've already posted) I'd be interested in hearing it. Like, I was under the impression that the grandmother hypothesis was relatively well accepted, which, I guess it isn't?

Shout out to the ten primate species, four bat species, elephant shrews, and the Cairo spiny mouse. Nobody else gets it

[thecreaturecodex]

Sabreclaw

Image © TSR Inc.

[The sabreclaw first appeared in Sabre River, a Basic D&D module, and then was reprinted in the Creature Catalogue. And then in the Mystara Monstrous Compendium for AD&D, which is where this art appears. The sabreclaw is clearly an attempt to fill the design need of making minions challenging to high level characters, which is where their cumulative defenses came in. Since AC is much more scalable in 3.x and Pathfinder than it is in earlier or later editions, I gave it cumulative offenses as well. I did tone down its nastiest ability; originally, all members of a wing fully share hit points, so none of them die unless all of them die. Combine that with an immunity to 1st-3rd level spells in the original, and every fight with these is gonna be a bit of a slog. The transfer health ability is intended to capture some of that flavor without being nearly so hostile to the players]

Sabreclaw CR 3 LE Aberration This humanoid creature has greasy black fur over its body and leathery wings growing from its back. Its face is distorted, rugose and vaguely simian. Its left hand is prehensile, but its right is taken up with a single oversized claw.

Sabreclaws are unnatural creatures, created through fleshwarping to be soldiers without goals or desires of their own. Sabreclaws are found in squads, called wings, almost exclusively; a lone sabreclaw is likely to be the survivor of a destroyed wing, and is usually desperate, insane or both. Sabreclaws do not have a functional individual identity—they think of themselves as agents of their creator, and view other members of their wing the same way typical creatures think of their arms and legs as parts of themselves.

Sabreclaw wings fight en masse, dive-bombing a target and tearing them to pieces with their namesake claws. Their tactics are usually uncreative, but effective: gang up on a single target until it stops moving, move onto the next one. The more sabrewings are clustered together, the more effective combatants they become, and a sabrewing can even relay hit points to a wounded comrade to keep them in the fight longer. Whether a sabreclaw wing retreats to choose its battles, or goes out in a blaze of glory, depends more on the desires of their master than it does any tactical sense or personal choice for the sabrewings.

Unlike many fleshwarped monster, sabreclaws are created from non-sapient creatures, namely baboons. They are always made in batches—if a single sabreclaw awakens without a wing to call its own, it lashes out violently and uncontrollably. Fledgling fleshwarpers may view using animals to create fleshwarps as a lesser evil than transforming humanoids, but few creators are resolute enough to remain at that level of mad science. Indeed, sabreclaws are often used to gather “raw materials” by their masters. Sabreclaws are carnivorous, but require much less food and water than natural creatures of their size.

Sabreclaw CR 3 XP 800 LE Medium aberration Init +5 (+9 with hive mind); Senses darkvision 60 ft., Perception +8 (+12 with hive mind), true seeing

Defense AC 15, touch 12, flat-footed 13 (+1 Dex, +1 dodge, +3 natural) hp 27 (5d8+5) Fort +2, Ref +2, Will +6 Immune poison; SR 14 Defensive Abilities cumulative defenses, evasion

Offense Speed 30 ft., fly 90 ft. (poor) Melee claw +6 (1d12+4) Special Attacks cumulative offenses, powerful charge (claw, 2d12+4)

Statistics Str 17, Dex 13, Con 13, Int 6, Wis 14, Cha 2 Base Atk +3; CMB +6; CMD 18 Feats Dodge, Improved Initiative, Mobility, Outflank (B), Precise Strike (B) Skills Fly +4, Perception +8 (+12 with hive mind), Stealth +7 Languages Common (cannot speak), telepathy 120 ft. (other sabreclaws only) SQ hive mind, transfer health

Ecology Environment any land Organization solitary, wing (2-20) or army (21-200) Treasure incidental

Special Abilities Cumulative Defenses (Su) A sabreclaw gains a +1 insight bonus to Armor Class and saving throws for every 2 sabreclaws in range of its telepathy, to a maximum of +5 for 10 sabreclaws. Cumulative Offenses (Su) A sabreclaw gains a +1 morale bonus to attack and damage rolls for every 2 sabreclaws in range of its telepathy, to a maximum of +5 for 10 sabreclaws. Hive Mind (Ex) As long as a sabreclaw is within telepathic range of one allied sabreclaw, it gains a +4 racial bonus on Initiative checks and Perception checks. If at least one sabreclaw is aware of combatants, all other allied sabrewings within the range of its telepathy are also aware of them. Transfer Health (Su) As an immediate action, a sabreclaw can lose 5 hit points in order to heal another sabreclaw within range of its telepathy 5 hit points. True Seeing (Su) A sabreclaw can see as if under the effects of a true seeing spell as a supernatural ability.

[asukaindetroit]

Some random headcanons for Nines, who, let's face it, is entirely a product of headcanons because he canonically exists for one bonus scene where he does nothing but blink vapidly: I adore deviant Nines as an absolute supercomputer badass, and am also willing to accept no-thoughts-head-empty Nines for the lulz value, but I also propose this: A Nines who is existentially frustrated by everyone comparing him to Connor all the time. Like, Connor's a Big Deal. That newsreel of Connor leading an android army is super iconic. Everybody knows Connor. Connor's on fucking talk shows telling the 60 Minutes hosts of the 2030s all about the struggle for Android Rights. Connor is TIME magazine's runner-up Person of the Year, only because Markus was the Person of the Year winner. Nines, poor dude, gets activated post-revolution, only for the humans to be like, "Hey, aren't you Connor?" And he has to explain that no, he's not Connor, he's Nines/Niles/Richard/Conrad/Whatever Other Name You Pick. (Personally, I like Niles with Nines as a nickname, but YMMV.) (More below because this gets wordy)

Eventually some paparazzo gets pics of the two of them side-by-side. The internet immediately generates all the same exact memes we have about the two: software/hardware, PS4/PS5, etc. The "totally looks like" meme gets revived just for them. This does not stop the confusion. Instead, someone produces the "twink/twunk" meme and the Whole Fucking Internet dubs him "Twunk Connor" and runs with it as the internet does. Nines gets spotted eating a thirium cookie? #FeedTwunkConnor trends. Nines chases a perp in the streets? #TwunkConnorTakedown all over the socials. Nines shopping? #TwunkConnorSighting. Poor dude lives in the perpetual shadow of a much more famous, near-identical brother. Society expects him to be Connor 2.0 when he's been alive for like five whole minutes and still hasn't figured himself out yet. It's giving him a massive complex. This, incidentally, is grounds for bonding with Gavin, who I am 100% willing to accept is related to Kamski somehow. He, too, knows what it's like to live in the shadow of a much more famous relative. Gavin offers the following: “All you gotta do is make your whole vibe the polar opposite of him, change your last name, and add a few distracting scars. Like nobody even notices we have almost the exact same voice.” To which Nines replies, “I am not copying your look; they would just call me Trash Connor then.”

[fataldrum]

So I was looking into the Magnus Protocol Episode Hard Reset, and I am losing my shit for so many reasons.

1. The statement giver is Robert Hooke, one of the first people to publish research on microscopy. He was the person who coined the word "cell" in biology, because he thought they looked like the cells where monks lived.

2. The statement takes place in 1694. Hook references using the Protocol on London to stop a plague. Between 1665 and 1666, the Great Plague killed about 20% of the British population. In 1666, the Great Fire of London destroyed 60% of the city.

3. You know who made a ton of money from the fire? Robert Hooke. He made his fortune as a surveyor and architect in the aftermath of the fire, performing over half the property surveys. How fortunate for him.

4. Incidentally, there are no confirmed surviving portraits of Robert Hooke, only ones that may be him. This is rumored to be Isaac Newton's fault, because after Newton took over the Royal Society, they moved to a new location, and Hooke's portrait was "lost." No other portraits went missing.

5. The statement is addressed to Robert Boyle, who you may recognize for Boyle's Law in chemistry. There's a sculpture in Dublin of a young boy who is thought to be Boyle, and it's horrific.

6. This time period is significant for Isaac Newton, because between 1692 and 1693, he suffered "a breakdown of nervous functioning," with insomnia, poor digestion, and "signs of irrationality" in his letters. Incidentally, hair samples from Newton's body later contained high levels of mercury, lead, arsenic, and antimony. Probably because he was literally tasting mercury samples as part of his research.

7. During the statement, I was picturing a scrappy little terrier. It occurred to me that we probably know what kind of dog Isaac Newton had. His favorite dog was a pomeranian. A fucking. Pomeranian. Just picture this little guy developing sentience and sprouting branches.

8. The dog's name was Diamond, and he has his own Wikipedia page. Why? Because (likely apocryphal) stories claim Diamond knocked over a candle and burned over a year's worth of Newton's notes. The fire appears to be real, but blaming Diamond is unfair. Here's an engraving of the alleged incident.

9. After the fire, Newton was said to have exclaimed, "O Diamond, Diamond, thou little knowest the mischief thou hast done." But Diamond would know if he ate from the Tree of Knowledge.

10. Remember Flamsteed from the Maxwell Raynor statement? He and Newton were bitter enemies.

[edupunkn00b]

@seeyoube's tags! XD

[thatsonemorbidcorvid]

“In countries where most schools require students to wear uniforms, fewer young people reach the World Health Organization’s minimum recommendation of 60 minutes of physical activity a day across a whole week, according to a study by University of Cambridge.

There was a greater difference between girls and boys of primary-school age in countries where uniforms were common. The finding was not replicated among children of secondary-school age.

This may be because of the incidental exercise that younger children get throughout the school day, for example, through running, climbing and active play at break and lunchtimes.

The findings confirm earlier evidence that girls feel less comfortable participating in active play if they are wearing certain types of clothing such as skirts or dresses.”

[bob-artist]

I'm gonna nerd out about comic process for a second!

That screenshot was from about a month ago, when I was coloring the first two episodes of Into the Smoke chapter 2. My coloring process is a little unhinged. First, I set up palettes, do base shading, and color basic backgrounds kind of simultaneously across an entire scene. So I'm actively working on 4-6 600dpi files with 60-200 final layers at a time. I also usually have a few references open from previous episodes.

(My iMac has beefy specs, and I never have any lag or performance issues, but I'm probably still driving it into the ground, lol.)

I do this stage on a non-screen tablet because I like being able to see everything at a straight angle on a very nice screen. (Mac screens are nicer than Wacom screens.)

After that, I fire up the Cintiq and do the actual serious work of shading.

I do most character shading in ITS with Kyle's lasso fill in PS. Almost all my shading on all my pages is done with two grayscale swatches (incidentally, #c2c2c2 an #e0e0e0) with different layer effects, and I just hit x to toggle between the swatches. I'll sometimes use white or a pale color for highlights, but my shading work is much more extensive than my highlights, and the shading colors are handled with gradient maps.

Backgrounds, highlights/lighting, and most of my other projects outside ITS are painted with brushes instead of lasso-filled. In addition to organizing my brushes by category, I have brush folders for specific projects, and I organize them so I can use keyboard shortcuts to sequence through the ones I use the most.

The first two episodes of ITS chapter 2 were really difficult to color because I hadn't colored an episode in like 8 months, so I had to re-learn how to do it. My natural style is more painted, so I kept accidentally over-rendering. It really took me until episode 3 to get the hang of it again.

I'm also much more comfortable with warm color palettes and warm lighting, so the sorta grungy cool palette for the interrogation room was a challenge. I need to do more cool palette and cool lighting studies. Episode 3 is back to warm, though! :D

Anyway, here you can see the in-progress color vs the final color!

And a few warmer palette panels with more typical shading for good measure. :)

[aloneandforsakenbyfateandbyman]

Hallmarks of the “New Hollywood” film movement of the 60s/70s as summed up by author Todd Berliner:

Seventies films show a perverse tendency to integrate, in narrative incidental ways, story information and stylistic devices counterproductive to the films' overt and essential narrative purposes.

Hollywood filmmakers of the 1970s often situate their film-making practices in between those of classical Hollywood and those of European and Asian art cinema.

Seventies films prompt spectator responses more uncertain and discomforting than those of more typical Hollywood cinema.

Seventies narratives place an uncommon emphasis on irresolution, particularly at the moment of climax or in epilogues, when more conventional Hollywood movies busy themselves tying up loose ends.

Seventies cinema hinders narrative linearity and momentum and scuttles its potential to generate suspense and excitement.