#in which there's one detail that a translation must do for me to recommend it (it used to be the one but now in English several do it)
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So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙
Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!
About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.
The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.
Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.
But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.
For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.
Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.
Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.
You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.
Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.
#I have a lot of opinions about translations in general tbh but this is not a semi clear case like in Crime and Punishment#in which there's one detail that a translation must do for me to recommend it (it used to be the one but now in English several do it)#I wouldn't recommend Burgess as a first approach to the play‚ but having already read the play and knowing the text and characters#and how Burgess may modify it‚ then I wouldn't not recommend it because it is the best in form in many aspects#And while he fails in direct concept‚so to speak‚ form is particularly important in this play and in conveying concept and characterisatio#So idk personal taste is it I guess? Again I am not an English or French native#I vehemently recommend reading the play in French if you can and haven't done so already#Even best if you want a translation to read the translation alongside the French text#to see how the translation bends the play in form and subject#Anyway... Sorry for the long delay and the too long reply. I always end up talking too much#Oh by the way I think I saw you talk about the blood/tears motif in the act IV in some tags? It's not just act IV#The tears/soul motif is repeated through the entire text linked to Cyrano and is opposed to the body of Christian#That's why the culmination in the last act and the tears in the fourth hit so much#Like the constant of Cyrano being linked to the moon and the darkness while Roxane is the sun and the light#And also I would argue the 'pearled perfection of her smile' is not an unidentifiable trait or intangible#It's poetic and metaphoric but it's a description of her teeth. Small‚ straight‚ white. Perfect teeth. That wasn't so common back then#It's quite common in classic literature to find poetic references of good teeth spoken of in these terms#Anyway...#I hope you'll find some use in this that would make the insufferable wall of text worth some of the time at least#After all time spent is a little death. I would have hated to kill a fragment of you for nothing haha#Cyrano de Bergerac#Did I tag asks? I usually delete them after a while so I think I didn't? I never recall#I talk too much#That will suffice#Hmmm it's useless in any case. I think I've talked for over twenty tags before tagging that#A wall of text and somehow I ramble in the tags nonetheless ugh#I will reread this in a bit to see if it's coherent enough. The little screen of the phone always makes me lose track of things when I writ
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happy holidays! as my own little nod to the twelve days of christmas, i've made a list of twelve zosan fanfiction recommendations! i hope you enjoy them as much as i do!
this list was originally posted to my bluesky—complete with screenshots of the AO3 listings, which i didn't include here because the post was already really long. there's no particular order to the lists other than what was on my mind each day i posted over there!
the joy of cocking by unity1814
why i recommend it: this is a story about sanji's sexual awakening, and it's brimming with charm, silliness, and heart. the really love how this author portrays the way sanji understands the world & himself through cooking.
under these unpromising auspices by mithrilwren
why i recommend it: a delightful subversion of the "only one bed" trope, the intimacy captured in this pre-relationship fic is so special, and the author's razor-sharp characterizations really shine.
where the real road lies by theroyalsavage
why i recommend it: everything about this hades au is perfect. this author's writing style is stunning and immersive, and the zosan dynamic here is that fun, engaging blend of combative and devoted that i LOVE.
informal swordfighting, and the sorts by naturecalls111
why i recommend it: this story is bursting with wit and irreverent charm, and the zosan dynamic here is probably the funniest i've ever read. a must read for fans of romantic comedies and modern AUs!
icarus, down and out by trixree
why i recommend it: this au PERFECTLY translates the straw hats from canon into a modern world, and the way this author writes sanji learning about & falling for zoro is so good that /i/ felt half in love with him by the end!
swordbearer by glassedplanets
why i recommend it: a masterclass in outsider pov, this author perfectly captures several dynamics of zosan's relationship (and the whole straw hat crew!) and delivers it through a deeply sympathetic—and stunning—portrayal of hiyori.
in the cracks of light (i dreamed of you) by abandonedstrawberry
why i recommend it: this was the first zosan fic i ever bookmarked (and i FREQUENTLY reread it!) 🥹 i adore the zoro perspective in this as well as the perfect blend of zosan's bickering with their more vulnerable moments.
strip by aishahiwatari
why i recommend it: this is the definitive OPLA!zosan fic for me. this author captures sanji through zoro's eyes in the most arresting way, with immersive, lush descriptions of him in all his infuriating attractiveness.
the things you don't see by fruityumbrella
why i recommend it: this author has a gift for writing relationships that feel real & lived in. the conflict & resolution in this story are believable & handled SO WELL. plus: a world-class zoro and nami scene!
search and rescue by megatonnetalon
why i recommend it: i can't recommend this series highly enough. it's a modern au bursting with SO MANY charming, genius details & it had my cheeks hurting from smiling by the end. i could NOT put it down once i started.
hold me down by mellish
why i recommend it: a canonverse story with a fun & inventive plot device that does a great job of using sanji's WCI backstory to craft a compelling post-enies lobby sanji POV. if you love zoro taking care of sanji, this is for you!
pied de biche by batman
why i recommend it: i've shared a few fics so far of zoro taking care of sanji, but in this post-enies lobby story, sanji takes care of zoro. and then some. the prose here is so lush and painterly, it's GORGEOUS.
#zosan#zosan fic rec#zosan fanfic#zosan fanfiction#zosan rec#one piece#fanfiction#not by me#fic rec advent
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(in here, a magic that connects hearts) Faust SSR Card Story Translation

Translator note: This, and all the fifth anniversary card stories, reference each character’s affection story (which can be read here) and I recommend reading them beforehand.
also thanks for Sra and nor from twitter for providing me with the raws
Don't go easy, but let your heart be at ease - Episode 1
Akira: (Faust wasn't in his room. Is he out somewhere?)
It's been a while since I started living at the magic manor.
I was going around asking everyone for interviews again, hoping to add to the contents of the sage's manual.
Faust: Sage. We're back.
Figaro: Hello, Master Sage.
Akira: Welcome back. So both of you were out?
Figaro: Yeah, we went to a store I'm familiar with.
Akira: There are all kinds of flowers in this basket. They're beautiful.
Faust: They're all rare varieties. I'm planning to use them in the next class.
Faust: For example, this blue bud is for Shino. It's a flower that is sensitive to people's gazes, and if you stare at it for five minutes, the bud will open.
Figaro: But if you look away for even a second, it won't bloom, even if you wait five minutes. It's perfect for training your patience.
Figaro: The blue flower next to it was for Heathcliff, right? It scatters pollen irregularly and makes you sleepy.
Faust: The more sensitive you are, the more sleepy you will be. I hope this will help him practice using magic to defend himself instantly.
Akira: Wow, they were chosen to suit each individual's personality. Interesting.
Akira: Then, is this bushy grass that looks like a cat toy for Nero?
Faust: Yes. We talked about this plant in detail in the last lesson. This is to make sure he actually reviewed it.
Figaro: It's like a surprise test. I'm looking forward to seeing Nero's reaction.
Faust: I wonder. He's not the type to review things frequently, but he has a good memory.
Faust: Well, if he can't do it, Heath will probably help him.
Akira: ……Huh? Now that I look closely, there's another purple flower. Who did you prepare this for?
Faust, Figaro: ………
Faust: .....It's for me.
Figaro: The student is our Faust, and the special lecturer is me, Doctor Figaro.
Akira: What! Figaro and Faust are teaching together?
Faust: You don't need to be so surprised.
Figaro: Teachers need to work hard together too. Or we might get overtaken by the younger kids in no time.
Blinking rapidly, I looked at the two people before me.
Akira: (...I cant believe a day like this would come. I never imagined it when I came to the magic manor.)
Days living under the same roof. Days working on the same missions.
All those experiences must have changed something in them, little by little. Now I can feel that with my very eyes, and my cheeks relax.
Faust: What is it, Sage? It seems like you have something to say.
Akira: No, it's nothing! …Wait, I completely forgot that I had something to ask of you Faust.
Faust: Me?
Akira: Yes. Actually, I'd like to write about you all again in the Sage's manual.
Figaro: Master Sage's re-interviewing each of us. I had a talk with them the other day.
Akira: So, would you mind giving me some of your time soon, Faust?
Faust: If that's the case, I'm free after this. If you'd like, we can talk in my room.
Don't go easy, but let your heart be at ease - Episode 2
We immediately headed to Faust's room, and found Lennox standing at the door.
Lennox: Lord Faust, Master Sage. Hello.
Faust: What's the matter, Lennox? Do you need something?
Lennox: Lord Faust, I wanted to give this to you.
Faust: A candle...
Faust: I was just about to buy another candle for my amulet, since I was running low on it.
Akira: Really? What a coincidence.
Faust: Lennox, why did you give this to me?
Lennox: I thought it was about time you would need one.
Lennox: I accompanied you when you went to buy the same thing before, didn't I? It's been some time since then so…
Lennox: Besides, you've been busy lately, Lord Faust, so I thought you might not have time to go and buy it yourself...
Akira: Is that so...? As expected of Lennox, you really pay attention to the people around you.
Lennox: No, it's not that serious.
Faust: ……..
Faust stared at Lennox for a while with his violet eyes.
Then he takes a faint breath, lowers his eyebrows and smiles.
Faust: Really… I just can't hide anything from you.
The voice he speaks is endlessly soft, and gives the impression of a definite passage of time.
His gaze, shifted to the candle, is still gentle. Surely memories of the past are shining deep in those violet eyes.
Faust: There's no need for you to go that far.
Lennox: I'm sorry for doing something unnecessary.
Faust: I don't mean it like that…..
Faust: Hmm? Haven't we had this conversation before?
Lennox: I think we did...?
Faust: ...Haha. Anyway, you helped me out. Thank you, Leno.
Lennox: No. If I was of help to you, nothing makes me happier.
Their mutual consideration, their trust and respect for each other were all indicative of their attitude. It naturally warmed my heart.
Akira: (Faust and Lennox have helped each other out so many times like this.)
Akira: (I'm sure it will continue to be the same from now on…)
Don't go easy, but let your heart be at ease - Episode 3
When I entered the room, Faust put the paper bag he was carrying on the desk and waved his finger.
A chair floated through the air and was presented in front of me.
Faust: Sit down. I'll make some tea now.
Akira: Thank you! Hm? Is this the same tea from our last interview?
Faust: Yes, it is. You have a good memory. Now then…
Faust handed me the cup and sat down opposite me.
Faust: You can start right away. Where should I start?
His fingers were clasped together just like that time.
It showed his seriousness, and I thought it was a beautiful, elegant sight.
Akira: May I ask you about all sorts of things that have happened since we met?
Akira: If there is anything hard to say you don't have to—-
Faust: ……..
Faust's eyebrows twitch, and I involuntarily gasp.
Then I straighten my back and reword what I had said earlier.
Akira: ...I might be asking some questions that are hard to answer. I'd be happy if you could answer as much as you can.
Faust: Heh.
Faust: You've gotten a lot tougher. That's right, there's no need to go easy on me.
Akira: (Hahaha. ...Even though his words are harsh, it feels like he's praising me by saying "well done.")
I don't know how nervous I had been, but I noticed that my shoulders had suddenly relaxed.
After that, I asked him the questions I'd prepared, one by one.
Faust answered sincerely and carefully, carefully choosing his words. The pages were filled with information about him.
Akira: Thank you for answering so many questions, Faust. This is my last question...
Akira: ...This may be difficult for you to answer. But, please let me know.
Faust: ………What is it?
Akira: Faust…….
Akira: You like cats, don't you?
Faust: Huh?
Akira: During the first interview, you stubbornly denied it, but this time I'd really like to ask you about it!
Faust: ……Pff, Hahaha.
Faust: You really are, above my imagination.
Akira: R-Really...?
Faust: Well, never mind. To answer your previous question… Well, I don't hate cats.
Akira: You wouldn't say you like them, would you?
Faust: I'm a curse worker, after all. That kind of thing doesn't look good on me.
Faust shook his head with a smile on his face, and I remembered when we first met.
Akira: (Come to think of it, last time he said "There's nothing in particular" that he likes...)
If only one day he could tell me something that he would say he likes without hesitation.
what a joyous thing that would be.
But that's why I want us to get to know each other little by little, without rushing.
Feeling that he has a much softer air about him than when we first met... I gently put my pen down.
I can only say because it’s now - Card Episode
Akira: Faust, thank you for taking the time for the interview!
Akira: Also, this is something I've been asking everyone...
Akira: Is there anything you can talk about because it is now?
Faust: Because it is now...? That's a difficult question.
Faust: ……
Akira: (He's really thinking about it seriously. Ah, he looked at me...)
Faust: I wear that hat sometimes.
Akira: ......That hat?
Akira: Wait, what? You mean that wool one?
Faust: Yes. The one you bought me as a souvenir when you went to the central city.
Faust: ......you gave it to me yourself why are you so surprised.
Akira: Haha, sorry. I've never seen you wearing it before, so I was surprised.
Akira: I'm so happy that you actually use it. Thank you for letting me know!
Faust: Don't mention it. I would feel uncomfortable if I didn't say anything about it.
Akira: (You're so serious, Faust...) (But I really love that about you)
Homescreen Voiceline
Hearts change with time. Even if we exchange a promise, can our hearts stay the same forever? I won't believe it. What about you, Sage?
#mhyktl#mahoutsukai no yakusoku#mahoyaku#mhyk#card episode and homescreen line is also included#figaro garcia#lennox ram#faust lavinia
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Se Zaldrīzoti' Prūmia - Chapter 3: When The Lance Fells The Falcon (Daemon Targaryen x Tyrell!Reader)
Chapter 3: When The Lance Fells The Falcon
The day of the Heir Tournament has finally arrived, and what is a joust without some bloodshed?
Se Zaldrīzoti' Prūmia Masterlist | Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 | Chapter 5 | Chapter 6 | Chapter 7 | Chapter 8 | Chapter 9 |
HOTD Masterlist | Main Masterlist |
Warnings: TW! Depictions of violence, mentions of blood, Daemon being an asshole, angst, the continuation of my blood feud against HOTD’s costuming department
Word Count: 4.3k words
Disclaimer: I do not own any of the House of The Dragon/Fire and Blood characters, save for Y/N Tyrell, although I did expand on their characterisation, which might deviate from canon. All credit for the characters goes to George RR Martin and the showrunners of HOTD. The GIF above is also not mine, original credit to the creator is stated above. Go check them out!
A/N: With all the explicit detailing I included about the character’s dresses, would you guys maybe be interested for me to post some of my fashion designs here, so you guys can get a clearer vision of what I envisioned the characters wearing? Because I find it extremely difficult to translate my designs into words lol, blame my lack of fashion background. And from this chapter on, things are going to start getting serious.
Also recommended that you listen to ‘There Are Worse Games To Play’ on the Hunger Games soundtrack while you read this chapter, particularly towards the end 💗
lovely dividers credited to @firefly-graphics as always!
The fire crackled merrily in Lady Y/N’s chambers, although the room was filled with a ruminative silence. Night had once again descended on the Red Keep, and after tending to Aemma all day, who was in more discomfort than usual, Y/N was exhausted.
She was still simmering with displeasure at Daemon’s words from that afternoon. One could argue that Daemon was merely being careless with his words, but Y/N knew better. Just like many other people, he disregarded her based on her gender. She thought maybe Daemon would be different since he cared not for the restraints society has put on him, but it appears she was nothing but a fool to ever think positively of him.
I sighed, my fingers continuing to weave the bonnet for Aemma’s babe, even though I found no pleasure in the task. Daemon’s words this afternoon had sent me tumbling into an unpleasant spiral of emotions, and I directed my dark gaze towards the roaring fire, where the charred remains of my father’s letter still sat.
Lord Matthos and Lady Primrose, Lord and Lady of Highgarden, and my parents. With my lady mother dead now, and me being their unfortunate sole surviving child, my father had directed his focus on getting me married off as soon as possible. “You must wed and produce heirs that could inherit Highgarden,” my father had insisted, pleaded, even. “I know with your...reputation, it might be difficult to find a match, but you are no longer young anymore, and you must marry as soon as possible. It is the duty you owe to House Tyrell.”
“My duty,” I snorted, nearly pricking myself with the needle in the process. It was simply unfair, why must I be expected to marry and pump out babes for my husband while men like Daemon could prance about freely without a care in the world? I wanted to enjoy my youth, as was my right. Why should i care for duty? Even if my father required heirs, House Tyrell was not lacking in any cousins that could inherit if he should pass.
Indignation coursed through my blood as I began increasing the speed in which I was weaving the bonnet. Even Aemma had reminded me on more than one occasion of the importance of duty, and I was sick of it. There was just some part of me that couldn’t grasp why everyone was so fixated on it. The Seven had granted us one chance at life: one should revel in it by pursuing their own desires. And besides, after witnessing Aemma’s grief and pain over her many miscarriages and stillbirths, I shuddered to think what duty might have in store for me. I was determined that I would not succumb to the notion of the dutiful, heir producing daughter that my father so wished me to be, no matter how much my father pleaded with me. After all, if Daemon could evade it as long as he did, surely I could do the same.
I frowned as I eyed the finished bonnet. Not as pretty as I envisioned, but children grow fast anyway. I went over to the window, gazing at the Dragonpit, dark and imposing against the night sky. It only made me think of a certain princeling, and I huffed, drawing my curtains shut. Rubbing my temples and exhaling heavily. I decided not to waste any more of my thoughts on the Rogue Prince. Clambering into bed, I fell into a deep, dreamless sleep.
I had not expected to be in attendance at the tournament today. Aemma had been experiencing increasing bouts of pain for the past few days, and I wanted to keep her company should the babe be close to making its arrival in this world. Unexpectedly, I had been nearly dragged out of Aemma’s apartments by Rhaenyra and Alicent early in the morrow, with Aemma insisting I go spectate the tourney instead of staying with her like a watchful owl. I had argued, but Aemma specifically called upon Rhaenyra and Alicent as reinforcement, with some explicit threats that I would be quartered, hung and my head placed on a spike should I refuse to attend.
Thus here I was, in the royal box, my face etched with concern as my mind kept wandering over to Aemma. I prayed fervently to the Seven that she would not go into labour in my absence, and to the Mother that if she did, that her labour would be smooth and painless.
“What say you, Y/N?” I was pulled out of my reverie, eyes wide as I muttered an unintelligible “Huh?” Rhaenyra rolled her eyes good-naturedly while Alicent struggled to hide her giggles. “I was just discussing with Alicent why you seem to be favouring gowns of Tyrell green as of late. Usually, we noticed you would be in lighter shades.” My gaze shifted downward, surprised at her observation.
I was dressed in my best, another gown of Tyrell green silk, with fitted sleeves that trailed to a more sheer, but still dark green material that flared out below my elbows. Several gold roses adorned my shoulders, interspersed with tiny rubies. The neckline dipped slightly in the valley of my breasts, but anything that could cause scandal was covered by a layer of Myrish lace. The dress’ skirts clung to my figure, parting at the centre to reveal an underskirt of olive green and gold brocade. It had cost a fortune, and had once belonged to my mother. My signature gold earrings adorned my earlobes, and my hair was pinned into an elegant braided updo. I might dislike the idea of duty to my house, but regardless, I had to represent House Tyrell in the best light possible, especially at such an important event.
Rhaenyra and Alicent were decked out in their finest for the occasion as well. Rhaenyra was clad in Targaryen colours, and I admired the black corset that looked reminiscent of armour fitted across her upper half of her body. Dragon scales were painstakingly patterned on the corset, and they were held together by laces made of fine golden thread. Underneath the corset, she wore a dark red gown with an intricately pleated skirt. The sleeves were off the shoulder, going down to her wrists. Gold shoulder plates set in a dragonscale pattern with gold fringes protected her bare shoulders from the autumn chill. She wore a heavyset necklace cut with square shaped rubies, hammered into gold, and her hair was let loose in a wild cascade of curls. She looked every inch a Targaryen warrior princess. Alicent was dressed simpler, but still looked beautiful nonetheless. A light blue dress of brocade and silk with a square neckline hugged her soft curves, exposing a little bit of her collarbone, where two strands of pearls were draped across her neck. Her sleeves were puffed at the shoulders, stopping short just before her elbow, while the rest of her sleeves were fitted tightly to her wrists. Small delicate flowers were sewn at the hem of her sleeves. Her skirts parted at the centre to reveal an underlying layer of cream white brocade, and her bodice had crisscrossing geometric diamond patterns sewn on it, dipping at her waist with a point. Her hair was fashioned in a half up, half down hairdo, curls tumbling to the small of her back. Both of them had inquisitive looks in their eyes, though Rhaenyra’s harboured a glimpse of impatience.
I smiled a little awkwardly at the question. Truth be told, I had no idea why. My thoughts had been taking on a darker turn since my encounter with Daemon in the throne room and the raven sent by my lord father, and I supposed my choice of apparel reflected my mood. “Well, at such a celebration, it is only fitting of me to dress in the colours of my house.” I reasoned, tilting my head slightly. “Do the darker gowns not suit me?”
“All colours suit you well, my lady.” Alicent said gently. I smiled gratefully at her, as Rhaenyra turned to Alicent and asked teasingly if she suited any colour as well. My smile widened as I watched the two bicker playfully.
We were interrupted however, by the arrival of the King. We all stood up to greet him, bowing politely. He was beaming from ear to ear, as he began addressing the crowd, much to the raucous cheers of the crowd.
“The day has been made more auspicious, by the news I am happy to share: Queen Aemma has begun her labours!” My eyes widened upon hearing those words, and as soon as the King finished his address, I stood up, ready to excuse myself to go tend to Aemma, when I felt a hand on my shoulder, effectively halting my attempts of a hasty exit. “Viserys-”
“I know you want to be there for Aemma,” the corner of Viserys’ eyes crinkled as he spoke gently, trying to push me back down to my seat, “But she asked me to relay a message: trust that she will be alright, and enjoy the tourney instead. It will be your only time to relax before you are swept up in your duties to take care of the babe.”
I bit my lip, a sense of unease washing over me. “But-” “You must stay and enjoy the tourney. Your King commands it. As does your Queen.” I glanced at him, eyes filled with worry, but he only nodded encouragingly.
“If my king commands…I shall obey,” I said with some reluctance, although it dissipated somewhat when Viserys beamed at me, clapping my shoulder affectionately before sitting back down. I sat back down too, my eyes wandering over to Rhaenyra, who gave me a smile, which I returned. I said a silent prayer to the Seven as the first few contenders were being announced, that both Aemma and her babe would be safe and healthy.
The first of the tilts began, to the boisterous cheers of the crowd. I watched as a jouster carrying a shield with a sigil unknown to me quickly unhorsed a squire of House Tarly. My brows furrowed., I turned to Rhaenyra, “Do you recognise the sigil that the mystery knight was carrying?” She shook her head. Alicent leaned over, eyes fixed on the knight as he steered his horse before the royal box and bowed, “I think he’s from House Cole. Of the Stormlands, I believe.”
Rhaenyra wrinkled her nose, “I’ve never heard of House Cole. This should prove most interesting.” I pursed my lips as Lord Boremund Baratheon asked for Princess Rhaenys’ favour, addressing her as “The Queen Who Never Was”, causing the crowd to stir a little in dissent. “You could have Baratheon’s tongue for that.” “Tongues will not change the succession,” came Viserys’ assured response. ��Let them wag.”
“Lord Stokeworth’s daughter is promised to that young Tarly squire.” “Lord Massey’s son?” Alicent inquired, a little surprised. Rhaenyra nodded, “They’re to be married as soon as he wins his knighthood.” I snorted, remembering some of the unsavoury rumours I had heard swirling around the court as of late. “Best get on with it,” my voice dropped to a conspiratorial whisper, “I’ve heard that Lady Elinor is hiding a swollen belly beneath her dress.” Rhaenyra's eyes widened in disbelief, and Alicent clapped a hand over her mouth as if reeling from the sheer impropriety of it, while I merely shrugged, a smirk tugging at my lips and turned my gaze back to the proceedings.
I leaned forward in my seat, intrigued when the mystery knight of House Cole unhorsed Lord Boremund in a single tilt, much to the crowd’s delight and mocking laughs. Rhaenyra let out a small “oof” sound, while Alicent looked dumbstruck. Mayhaps the tourney would be of some excitement after all.
“Prince Daemon, of House Targaryen, Prince of the City, will now choose his first opponent!” The smile that was forming at my lips dropped in an instant, and I pursed my lips as Daemon, clad in his black armour, raced past the audience astride his black steed, much to the enthusiastic cheers of the crowd. I rolled my eyes: show off.
I was unsurprised and somewhat amused when Daemon chose Ser Gwayne Hightower as his first jousting opponent. Of course, Daemon chose today to be even more of a little shit than usual. Oftentimes, I wondered if he gained his life essence from pissing Otto Hightower off. I craned my neck backwards to catch a glimpse of the Hand’s expression, my lips curving upwards in a smirk when I took note of his irked expression.
Suddenly, I felt a heavy stare upon me, and I turned back to the spectacle to see Daemon’s violet eyes fixed on me. When he met my gaze, that little shit had the audacity to smirk and tilt his lance at me. I huffed and turned away, fixing my eyes on Ser Gwayne instead.
I had to bite my lip to stifle a laugh as Daemon’s lance was nearly knocked out of his hand by a well angled tilt by Ser Gwayne. Mayhaps that smug bastard will get some comeuppance today, I thought with glee.
That glee was short lived as Ser Gwayne was thrown from his horse in an unsightly scene, when Daemon aimed for his horse’s legs, causing the animal to neigh with agony as it slid forward and bucked Ser Gwayne off into the dirt. I heard Alicent gasp with fright next to me, and I reached out to pat her hand reassuringly. That cheating bastard really had no scruples when it came to dealing with Otto Hightower, even to his kin.
I frowned as I watched Daemon parade around on his horse, looking all too pleased with himself. I was caught off guard however, when Daemon came to a stop in front of the royal box, prompting Rhaenyra to get out of her seat, tugging me and Alicent with her. I was screaming internally for Rhaenyra not to drag me into this, but I begrudgingly followed Rhaenyra as she leaned over the railing, grinning at Daemon. “Nicely done, uncle,” Rhaenyra complimented him, causing Daemon to tilt his chin upwards arrogantly. “Thank you, Princess.”
He smirked as he zeroed in on me, lingering behind Alicent. “Lady Y/N,” he called, a certain mischief in his voice. Oh no.
“You look rather radiant today, dressed in your house colours.” I narrowed my eyes, aware of his attempts to bait me, by first paying me a compliment, so that if I rejected him, I would seem ill-mannered. But with so many eyes on us, I could only respond through gritted teeth, “Thank you, my prince.”
“With such a beautiful lady as the one before me, I’d be remiss if I didn’t ask for her favour.” Murmurs echoed throughout the crowd, as I attempted to minimise the lethality of my death glare. This brazen little punk. To ask for my favour after what he had said yesterday-
I leaned forward, whispering harshly, “What in the seven hells do you think you’re doing?” Daemon merely raised an eyebrow. “You know I am certain I can win these little games. Having your favour would all but assure it. You won’t rebuff me with so many eyes watching us, won’t you, byka zaldrizes?”
Grinding my teeth, I did my best to keep my expression neutral. He was right, the crowd was getting restless. I could hear some murmuring from the lords behind me, and even Rhaenyra was nudging me subtly. The gods have chosen to curse me on this very day. I sighed, before moving to retrieve my favour, a small wreath of orange and purple flowers. Sliding it down the lance Daemon offered up, I forced a smile on my face. “I wish you good luck in the jousts, my prince.”
Daemon smirked, having gotten under her skin like he wanted. “With your favour, I’m sure I don’t need it.” Daemon rode away as I rolled my eyes and took my seat once more, Rhaenyra and Alicent following suit. “It appears the Prince Daemon is attempting to play nice today, Lady Y/N,” Alicent smiled at me. Rhaenyra nodded earnestly, “Mayhaps he is starting to be civil to you, Y/N.” I had to refrain from snorting and saying something very derogatory about the Prince, instead letting my surly expression do all the talking.
As Lady Y/N was distracted by the frenzy of the tourney, a maester sidled up to the Hand of the King to relay a message. The Hand’s eyes turned grim, and he turned towards Viserys, whose expression was still filled with mirth after witnessing his brother ask Y/N for her favour. Upon hearing the news, the King’s face visibly blanched, and he got out of his seat swiftly, followed closely by the Hand.
Y/N, Alicent and Rhaenyra were engaged in fervent conversation, completely absorbed in the proceedings. But soon enough, the tourney had given way to violence and bloodshed. Y/N winced and averted her gaze as one after the other, the jousters who chose to continue their battle in arms caved in each other’s heads, fighting each other like feral beasts. A wave of nausea rolled over her, and she did her best to block out the sound of agonised grunts and screams from the bludgeoned competitors. Looking over, she saw Alicent picking at her own fingernails till it was bloody. Frowning, she quickly nudged Alicent, who immediately stopped with a sheepish expression. Covering Alicent’s hand with hers to provide some reassurance, Y/N turned her head backward to take in Viserys’ expression, startled when she realised both the King and the Hand were missing. Cursing herself for her lack of awareness, she quickly moved to get up, but Alicent pulled her down to her seat. “Y/N, you must not leave now!” Alicent insisted, “Prince Daemon is about to tilt against Ser Criston!”
I tried to shake off Alicent’s hand, but her grip was surprisingly strong. “I couldn’t give two damns about Daemon, the Queen needs me-” “It would be rude to leave before you’ve seen the jouster whom you’ve bestowed your favour to compete,” Rhaenyra chimed in, her purple eyes alight with excitement. “Father is there with Mother, she will be alright. They commanded you to enjoy the tourney with us, and as your princess, I order you to stay.” My face fell as I chewed my lip while glancing at the exit of the royal box. Alicent tugged on my hand, and I found myself relenting at the determined looks both of them were levelling at me. After all, there was no harm in staying for just a while. And I might even see Daemon get bested for the first time in his life.
Reluctantly, I relayed my attention back to the tourney, just as both the competitors began charging at each other. Putting a hand over my mouth, I watched as Ser Criston and Daemon both failed to knock each other off their horses in the first tilt. With my heart in my mouth, my eyes nearly boggled out of my head when I watched Daemon being knocked off his saddle and into the dirt.
Daemon had lost.
Mouth agape, I stayed rooted in my seat, even as the crowd all stood to rain thunderous applause and cheers on Ser Criston. I felt a smug smile slowly spreading across my lips. Daemon had lost! At long last, someone had humbled that egotistical bastard, and I had been here to witness it. I sighed happily, savouring the prospect of being able to mock him for this for the rest of his life. “Prince Daemon Targaryen wishes to continue in a contest of arms!”
I raised my eyebrows as Daemon approached Ser Criston, wielding Dark Sister with a dangerous expression on his face. He is nothing better than a petulant toddler throwing a tantrum, I thought to myself, snickering. My eyebrows shot to my forehead when I noticed Ser Criston carrying a morningstar. A most unusual weapon.
The crowd followed the ensuing sparring match with enthralled eyes, myself included. Rhaenyra was nearly falling out of her seat from the way she was leaning forward, and Alicent had a hand over her mouth. When Ser Criston splintered Daemon’s shield, it was like something feral had awoken in Daemon. He began doling out more impulsive blows as anger overtook him, slashing at Ser Criston like a madman and deftly manoeuvring out of the range of his blows.
I clasped Alicent’s hand tightly in mine as Daemon kicked Ser Criston to the ground, pouncing on him with brutal force. When Daemon blocked Ser Criston’s attack by lodging Dark Sister with the morningstar’s chains, Rhaenyra reached over to take Alicent’s hand, squeezing it tightly. Finally, Daemon delivered the final blow, hurling the remains of his shield at Ser Criston, striking him squarely in the face and causing him to flounder on the ground.
I shook my head in disbelief as Daemon raised both his arms up, hollering and revelling in his triumph. But that victory was soon short lived as Daemon felt a slash on his behind, knocking him to the dirt, face first. I felt Alicent reel back in surprise next to me. Daemon tried to lurch for his sword, but was forced to submission by a few well aimed kicks from Ser Criston, breathing heavily as he dangled the morningstar threateningly in Daemon’s face.
“Yield.” Daemon could scarce believe what was happening right now. He had lost. To some unknown commonborn knight. Him, the Rogue Prince. The finest fighter in the Seven Kingdoms. Tasting bile in his mouth, he gritted his teeth. “Yield.” Ser Criston’s voice made it clear that he would not ask again. Daemon chuckled humorlessly, refusing to say a word, but begrudgingly surrendered. He knocked away the arm that the knight offered, rising to his feet before stalking off. While leaving the jousting field, he took note of Y/N running off from the royal box. His ire now increased by tenfold, he swiftly made his way to the exit of the royal box, where he spotted his lady emerging from the shadows. Snarling, he grabbed her wrist, spinning her around to face him. “Daemon, let me go right now. I do not have time for your tantrums-”
“It was you,” he hissed, twisting her arm, causing her to grimace. His rage was blinding him, the heavy pounding of his heart in his ears making his blood boil. “Your favour cursed me. If it hadn’t been for you, I would have won. And instead, I was humiliated-” Y/N scoffed, trying to break away, but Daemon only tightened her grip. “You lost because you were a cocky, arrogant bastard. Do not attempt to blame your failings on me. Now let go!”
Daemon’s vision was nearly red by now, and he pulled her closer to him as he spat out, “You’re not going anywhere, byka zaldrizes.” “Let. Go.” her voice was laced with contempt. “I will not ask a second time. Go reflect and accept your loss, maybe this will teach you some humility.”
Daemon opened his mouth to reply, but they were interrupted by the arrival of that cunt, Otto Hightower. He wanted to spit at him to fuck right off, but the look on his face made him think twice. Y/N’s hand went slack, causing Daemon to release her, worried that he had hurt her. He looked between the both of them, confused, but quickly caught on when he saw the Hand bow his head grimly.
Daemon had experienced a lot of things he would never forget that day, but nothing could compare to the pure look of devastation on Y/N’s face at that moment. The Hand inclined his head, lips pressed together, before he moved past them to the entrance to the royal box, no doubt to inform the other lords.
His anger dissipating, an unsure look appeared on his face as he scrutinised Y/N’s face. She nearly stumbled over, eyes mad with grief, and Daemon unconsciously caught her arm with his left hand, steadying her. She didn’t seem to register his touch however, mumbling in a daze, “Aemma…I need to find Viserys. Viserys…” Daemon followed her movements with his eyes silently, as she mounted a horse reserved for the nobility nearby, spurring it towards the Red Keep. He watched her disappear into the distance, mouth pressed into a thin line, and his purple eyes swimming with a dozen complicated emotions. He needed to get out of his armour, it suddenly felt all too stifling to be in it.
Y/N raced into the Red Keep, taking the steps two at a time as she rushed past startled servants. Barging into Aemma’s apartments, she stopped short when she reached Aemma’s bedchambers, her hand going to her mouth when she took in the gruesome sight before her, praying fervently that it was just some sick nightmare.
Queen Aemma, no, her friend, her dearly beloved friend, Aemma, was sprawled out on the bed, the coppery stench of blood permeating through the room. Trickles of blood still oozed out of the incisions the maesters had made around her abdomen, and Y/N felt bile creeping up her throat as she realised what had been done.
No.
No.
Y/N bypassed Viserys - still hunched over in grief, staring at Baelon’s small, wiggling frame with a broken expression - and went straight to Aemma. Her footsteps felt leaden and unsteady, as she crouched down to hold Aemma’s lifeless hand. She squeezed it desperately, willing her to wake up, to be alive. But it was in vain.
Y/N went still, before she gently reached over and slid Aemma’s wide blue eyes shut. Trembling as tears began to cloud her vision, Y/N noticed the sun’s rays glinting off a small object tucked between Aemma’s sweat covered neck. It was Rhaenyra’s present to Aemma, that necklace with the ruby falcon pendant, its red shining brilliantly in the sun as Y/N and Viserys mourned for their good Aemma.
rip aemma :( and also f*ck viserys, he deserves to be burnt alive, roasted and fed to balerion.
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#se zaldrizoti prumia#sezaldrizotiprumia_masterlist#aureliawrites#Daemon Targaryen#prince daemon#the rogue prince#prince daemon targaryen#daemon x y/n#daemon x reader#daemon x you#daemon x fem!reader#prince daemon x reader#daemon targaryen x reader#daemon targaryen x oc#daemon targeryan#daemon taragaryen#hotd#hotd fanfic#hotd fanfiction#hotd fic#house of the dragon#house of the dragon fanfic#hotd x oc#hotd x y/n#hotd x you#hotd x reader
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You can answer this when you're off hiatus or... Not since I feel this is a bit uncomfortable to ask for, but may I ask how to write characters who had undergone csa? And how to write how they recover from it. Again I'm sorry if this is uncomfortable you can just delete this if this brings up an uncomfortable feelings I didn't know who else to approach w this question but you as your nightflower fic is wonderfully written and I want to write a character who went through something similair
But I'm afraid of coming off as insensitive and cruel or possibly even worse someone who's writing this as simple shock value or something along those lines as I have (thankfully and luckily) never experienced something like that which makes me afraid that I might write or put something very harmful in my work
I'm sorry if this is too much to ask ^^;;;; I hope this isn't a burden....
Hi anon, thanks for the question! This is a topic that is quite important to me (as I'm sure you've noticed lol), so I'm happy to answer your question. Please forgive me for the length of my answer though because I accidentally wrote a fucking thesis 😰
So, in my opinion, the first and most important thing to remember when you're writing about people who have experienced sexual abuse (underage or otherwise) is that no two survivors are the same. Even if there are many commonalities between the stories of different survivors, ultimately the experiences and recovery process (or lack thereof) is going to be unique for everyone. As such, I can't really give you a "how-to" guide on ways to shape your story, and in fact if I tried to provide you with one then you'd probably accidentally write a caricature of an SA survivor.
However, I do highly recommend that you read stories/anecdotes from real-life survivors in order to get a realistic grasp on the experience and psychological impacts of SA. If you don't have firsthand experience with this type of trauma, I think this is the single most important thing you can do in order to create a story or character that feels authentic and nuanced, rather than coming up with a caricature of a victim/predator or accidentally writing a pointless shock value narrative. An equally helpful thing you can do is read fictional stories relating to SA that were written by actual survivors, or fictional stories that resonated with actual survivors. This will give you insight into how this type of trauma, or survivors carrying this type of trauma, can be depicted in interesting or thoughtful ways - which is not something that intuitively translates from having real life knowledge on the subject.
Now, the second point I'm going to make is somewhat controversial, and you don't need to agree with it by any means. It relates to your fear of writing something "insensitive" or "cruel". While it's amazing that you want to write your story carefully and with intention, you should also keep in mind that "insensitive" and "cruel" are very subjective terms, and different audiences will have different thresholds for them. For instance, there are some people who feel like any meaningful representation of sexual abuse (especially child sexual abuse) is inappropriate to depict. There are many others who feel that your story must exist within certain boundaries to be considered an "acceptable" narrative about sexual abuse. If these people are your intended target audience, then obviously I would try to minimize any kind of discussion of the abuse - and certainly do not write any onscreen depictions of it lol.
However, if your goal is to create a story that feels authentic and nuanced, and you want it to be enjoyed by audiences who are interested in authentic and nuanced narratives, then I can tell you that paying attention to the above group of people is literally the worst thing you can do for yourself. Sexual abuse of any kind is an inherently insensitive and cruel act, and thus detailed narratives about it will always feel insensitive and cruel in some capacity. So, when you consider the execution of your story (the events depicted, the dialogue, the level of detail, etc.), I would advise you not to think about it only with the mindset of "how can I avoid writing something insensitive/shocking/fetishizing" etc. Instead, think about it in terms of the events and thoughts you must depict in order to bring to life the feelings of your characters, and in order to make their struggles and recovery feel real. You may end up with something wildly controversial. You may also still end up with a story that shows nothing onscreen, and does not go into any detailed discussion, and is nevertheless very powerful. Wherever you land though, you'll have landed there because it's the way the story needs to be told - and not because it's how someone else dictated it should be told.
This is what I do, and unsurprisingly a lot of my stories are offensive to people lol. But ironically, many actual SA/DV survivors tell me that my characters are relatable for them, and the stories make them feel seen. While I don't write my fics for SA/DV survivors in general, I do write them for me, and I generally prefer to read SA narratives that feel authentic and nuanced, rather than ones that are gutless or sanitized. That's why I prefer this approach, and I think this is also why my approach tends to produce stories that resonate with other SA survivors. But if you think your target audience will have very different tastes from mine, then this advice may not apply. It really depends on your intent!
All that being said - whatever you may write, or however you approach it, it is already a lot that you are thinking seriously about ways to write your story thoughtfully. This is already more than what most people do when they write about characters who have gone through SA, especially CSA, and I'm sure it'll come through in your work. I know I gave you a shitton of advice just now, but honestly, don't be afraid to just give it a shot and see what comes out of it LOL. You may come up with something that is exactly what you were aiming for. And if it isn't, then you'll at least have a better sense of how to execute it in the future!
I hope this helps!!!! Sending you love 🫶
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Stray Kids, Episode 5: never say goodbye, because we are one
So, last episode was a bummer, right? Guess what? It’s gonna get worse! STAYs have hinted to me that Lee Know isn’t the only member to get sacked on this series. Our group is going to get smaller, and I’m guessing Bang Chan is going to spend an episode locked in his bunk bed closet, chugging Soju and sugar-free Coke while booking a plane ticket back to Australia to see if he can join Pseudo Echo. And yet somehow, all the members will come back together in the end. So let’s do this.

Episode Five, everyone! We pick up exactly where we left off, with our group reeling from the shock of losing their bandmate. JYP shakes Lee Know’s hand and tells him the problem was that his training period was too short, so he needs to work harder. No, JYP. The problem is that you tried to turn him into a rapper in ONE WEEK, when he NEVER ASKED TO BE A RAPPER IN THE FIRST PLACE.
Man, this is going to be a tough episode.
JYP leaves, our boys close ranks around Lee Know, and my heart is breaking again. He’s keeping a smile on his face. The others can’t. Felix and Seungmin are sobbing.

Bang Chan is more philosophical. He’s disappointed, but there’s a feeling of resigned acceptance. He’s had to know all along there was a chance this would happen. He’s comforting and supportive to his fellow bandmate. But as the two hug, he’s fighting back tears. I can tell because there’s a camera person less than two feet away, zooming in on his face. I can count Bang Chan’s eyelashes. Mnet, I know you have a show to film, but maybe back off right now.
We get a confessional with Lee Know, who says that maybe if he had slept an hour less, he could have used that time to practice. Oh, you poor kid. Just take a couple of days off. I know you have no way of knowing this right now, but you’re going to end up being insanely famous, so maybe do things now that you won’t be able to do later. Like going out in public without causing a screaming riot. Trust me. Go grocery shopping, see a movie, throw eggs at JYP’s car. Go nuts.

We get an In Memoriam-type segment, set to sad piano music, like he just died. We see him when he first joined Stray Kids and helped the other members with dance steps. We see him leading the dance team. He really is an incredible dancer. His body flows through the movements like water. I can’t wait for him to come back. We get some other sweet moments, like his birthday. This group truly bonded as a family.

Memorieeeees, like the corners of my miiiiind….
We get confessionals with all the other group members, sharing their memories of Lee Know. Again, it’s like he died. This happens a lot in these K-pop survival shows. Yes, it’s a crushing blow to see your friend get cut from the group like this, but they really drag out these mourning segments.
Just a quick digression. The reason sadly dramatic moments like these are so prevalent in K-pop shows and K-dramas may be related to something called “han,” which is a sense of grief said to be part of the Korean psyche. Author Euny Hong writes about it in The Birth of Korean Cool, a book I strongly recommend.

Okay, moving on. We cut to the JYP Building, which sadly has not been defaced with spray paint. JYP has called our eight boys in for a meeting. He has them all take a seat. He says he knows they’re in pain from the firing of their friend. However, they must power through it.

He wants to talk to them about their “heart talks.” At first I’m having trouble understanding the translation, but eventually I realize he’s giving them a heart-to-heart talk. He wants them to think about the kind of influence they will have over other kids when they become celebrities. He wants them to be a positive influence by focusing on honesty, sincerity, and modesty.

He goes into detail, and overall, it’s a really good pep talk on how to be a good person. It’s insightful and honest, and I come out of this with a bit more respect for him. I’m still pissed at what he did to Lee Know, but other than that doofus decision, he’s a smart guy.
(Seriously though, if you get a chance to watch this segment, I encourage you to do so. His words apply to everyone, not just K-pop stars. Here’s a link to the segment on YouTube.)
Now with the lesson over, it’s time for some fresh air. Our boys head outside with their selfie sticks. They are being given a vacation day! They hop into a van equipped with van cams, and off they go to Gangneung.

Gangneung, Wikipedia tells me, is a coastal city with a popular beach where people go to see the sunrise. The city has hosted the ice events for the 2018 Winter Olympics and the 2024 Winter Youth Olympics. No wonder these boys are excited. As soon as they arrive, they jump out of the van and run to the ocean.


The surf looks too rough for swimming, but it’s so beautiful. The whole city looks like a place I could explore for days. The boys proceed to eat their way across the Center Market, while the onscreen text tells us they’ll be having dinner later. Where are they putting all this food? I eat one french fry, and I can’t fit into my jeans the next day.


Their next stop is a skating rink. Han and Hyunjin are really good skaters. As for the others, let’s just say it’s a good thing they’re wearing pads and helmets.

After the rink, the next stop is product placement. Coca-Cola is really getting their money’s worth out of these guys, especially when they tell each other how delicious and refreshing it is, because that’s definitely normal conversation.

As night falls, the boys go to a campsite. On second look, they’re glamping instead of camping. These are the “tents.”

The boys prepare the food they bought at the market. Bang Chan and Hyunjin man the grills. The fire gets a little out of control. I get a kick out of Hyunjin yelling “calm down” (in English) at the fire. Then, everyone eats because they must be starving after having eaten an entire hour ago.


Seriously, do these guys ever drink water?
After the meal, they gather around the glampfire to talk about everything they’ve been through so far. Felix talks about how hard it’s been for him since he’s still learning the language and culture. I can only imagine.
After a few minutes of joking and reminiscing, one of them inevitably says that he misses Lee Know. Sadness falls over the group. Despite the fun they’ve been having today, they’ve been feeling the emptiness of only being eight instead of nine. Hyunjin says when he ordered food at the market, he ordered for nine people out of habit.
The production team tells them that instead of taking time off, Lee Know has thrown himself back into training. I’m glad to hear that. It’s what will eventually bring him back into the fold. The production team has more news. Lee Know has left his former bandmates a video message.

It’s hard for them to watch. Lee Know is kind and gracious in his message, which makes it more painful for the rest of the group. He thanks them for all the great experiences and apologizes for letting them down. Several group members turn their backs to the camera so we can’t see them crying.

And with that, the episode ends.
Well. That was a real kick in the nuts. Thanks a lot, Mnet and JYP. Can’t wait to see you sack the next group member and then send the rest of the group to Disneyland.
What weird storylines these shows have. See you next episode.
#kpop#recaps#survival reality shows#stray kids#jyp entertainment#mnet#Euny Hong#birth of korean cool#Gangneung#glamping
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do u have any recs for folks newer to the yuri genre? I've never really read any manga other than shounen and some magical girl stuff
Omg i can totally give yuri recs. (And which ones to stay away from. Sakura Kiss has cousin shit in it, Citrus has stepsister dubcon, Dragon Maid has lolicon, Happy Sugar Life is also lolicon but it’s edgy about it and tries to act like this makes it deep, we can do better)
Anyway here’s my actual recs! I'm going to give details but if you don't wanna read them I bolded all the titles.
YuriKuma Arashi (By Ikuhara of Revolutionary Girl Utena fame), is about lesbian bears. But it’s actually a metaphor for the simultaneous objectification and demonization of lesbians, the expectation both for purity and predation. There are some nitpicks I have with it like the sexualization being a bit too much to bring the point home, but overall I do like its themes and its message. And I think the ending pulls everything together really nicely. There is both a manga and an anime, and I believe the anime came first. I’ve only seen the anime so I’m not sure if/how the manga deviates!!!!
Bloom Into You is an absolute must. Like, for real, I think it’s one of the best romances out there, yuri or otherwise. It gets really deep into both characters' respective psyches and the ways that they’re both Very Screwed Up when it comes to love and romance, or really just life in general. Giving details would be doing them a disservice honestly. Both characters are very messy but also do try their best to genuinely communicate, and what comes of that is a lot of teenage lesbian drama, but the growth they both experience though it TOGETHER is just great, and you can tell they care about each other so much.
Okay this one I’m not really recommending for the good writing, it’s more-so just really cool. Liberta (EXPLICIT) is a series about a vampire who can turn her body into guns and a human woman who is sick of being seen as lesser in her ordinary life. And then they fall in love and are vampires together. The artstyle and character designs are awesome and it has some really cool fight scenes. However it also has full blown barely censored sex scenes. A few of them. One of the women uses her tail at some point. If that’s not what your cup of tea is, give it a pass.
Anyway for something more wholesome you should check out The Guy She Was Interested in Wasn't a Guy at All, which I’m actually not fully caught up on bc life, but has still been a super fun read so far. It’s about a girl who works at a music store, and her classmate who gets a crush on her while she’s at work. The classmate doesn’t realize that they’re the same person, due to her looking different at work, and thinks her worksona is a guy. Hijinks ensue.
Otherside Picnic is also highly recommended. Its manga adaptation is lagging behind the light novel, which I can’t find a translation of online (But if anyone can help me out w that 🙏). The story itself is about two college students who go on adventures to a parallel plane of reality, which contains cosmic horrors who can only communicate with humans through fear so intense it will make you go insane. They’re also looking for someone who went missing, and gain cool powers like Ghost Hand and Sans Eye. Yes this is still a yuri series and it’s also really really extremely fucking cool.
She Loves to Cook, and She Loves to Eat, is a slice of life story about… Well exactly what it says. A woman with a passion for cooking, making lots of food and sharing it with her neighbor, and they end up bonding through this. It’s also like, cool to see a big butch woman for a change! The story itself is very straightforward but I love watching the relationship progress as well as the mc question her sexuality. This story will absolutely make you super hungry though.
Show Me Your Bust (EXPLICIT) is also exactly what it says on the tin, though it’s technically a webtoon. Again this is a series with explicit sex scenes, but it actually does have a story and actual depth to its characters. Honestly there’s a lot to unpack with all of them and a lot of the relationships aren’t totally healthy but it’s a drama so that’s the point.
A Monster Wants To Eat Me is actually hard to describe without spoilers. It’s about a girl who lives by the sea, meeting a mysterious girl with eyes that remind her of the ocean itself. The girl says that she’s actually been looking for the mc for a long time, and it’s revealed that….
And lastly I wanna mention Hanamonogatari, a story about an old widow who begins to regain confidence in herself as she experiments with make-up with the help of another old lady who works at a local cosmetic store. Honestly it’s very very very sweet, it’s rare to get romances like this of old women when so much of the focus of romances (yuri or otherwise) is often on the characters being attractive. I also really appreciate how the make-up is being used specifically to accentuate their wrinkles. Not hide them. Because aging is beautiful too. Sadly IVE ONLY READ TWO CHAPTERS BECAUSE I DONT THINK THE REST ARE TRANSLATED IF ANYONE OUT THERE CAN HELP ME PLEASE DO 🙏
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Eugène writes to Bessières about being a prince
This letter I had already known about, as it was in large parts published by Frédéric Masson in one of his volumes on Napoleon's family.
For context: In early February Eugène had - apparently rather abruptly - been ordered to lead a contingent of troops (he speaks of chasseurs, mameluks and artillery) to Milan. Madame Rémusat links this to Napoleon's affair with Madame Duchatel, with whom, according to her, Eugène was first in love. Napoleon had, so to speak, snatched the girl away from his stepson. However, Murat and Caroline also seem to have been involved in this affair that led to violent fits of jealousy on Josephine's part.
I had always considered this a rather dubious anecdote but Eugène does admit in his very first letter to Bessières that he is worried about his mother's peace of mind, Hortense does mention Madame Duchatel in a letter to Eugène as well (though without any reference to Eugène being interested in her), and there's the strange allusion in Murat's letters to Eugène that "a beautiful lady never needs a recommendation" in Eugène's case. Which may or may not refer to this incident.
Whatever the case, at some point during the journey, Eugène received the news that he had been elevated to the rank of prince, in very flattering terms, and as soon as he reached Lyon and got out of the ugly winter weather, he wrote to Bessières about it.
Lyon, this 19 Pluviose [an XIII; 8 February 1805]
You know of my new dignity, my dear Bessières, you know above all the message to the Senate, you also know me well and you can easily judge all that I feel. It is impossible to describe.
I will admit to you that, knowing the Emperor's good intentions concerning me, I dared to expect something; but nothing so beautiful, nothing so flattering for me. I swear to you that I am confused.
Which is actually not a good translation as French "confus" apparently can take on several meanings at once: overwhelmed, stunned, even embarrassed.
I have written, as you can imagine, to the Emperor, the Empress, my sister, in fact to several people who have written me letters of congratulations. As for you, I hope you won't write me anything of this sort. That would be offending me, that would be thinking that I could question your friendship. You know that I count on it and that I attach the greatest importance to it.
Mine, my dear Bessières, is beyond all trial.
I embrace you with all my heart and, as I pay my respectful homage to Mme Bessières, I beg you to kindly ask her to always regard me as a friend of the house.
Le Pr. Eugène
I eagerly await your orders to cross Mont Cenis.
The postscript is a bit funny because in the letter before this one, Eugène had already described to Bessières in detail what he wanted these orders to look like.
Also, Eugène signing "Le Prince Eugène" - Napoleon had written him a letter explicitly telling him that from now on he had to do that. 😁
Bessières, as to him, must have written to Eugène about the newly acquired rank as well, because in his next letter from 29 Pluviose Eugène writes:
[...] I will not talk to you, my dear Bessières, about the letter you wrote to me. You must have received one from me in which I predicted all that your good friendship could inspire in you. Mine can be neither increased nor diminished. [...]
#napoleon's marshals#jean baptiste bessières#napoleon's family#eugene de beauharnais#france 1805#lyon 1805#italy 1805#@snowv88#eugene beauharnais
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All right! Fine! I’m in! Can you recommend me your favorite fic in the non-hobbit fandom that you post about a lot? I’m not familiar with it all so a fic that explains canon a little more than an a total AU would be best
No biggie if you don’t want to recommend any hahaha just send me on my way with a ‘no’
Yes! Join us! You must be referring to The Untamed, which is a Chinese drama based on a web novel translated into English under the name The Grandmaster of Demonic Cultivation. It has a lot to recommend it to Hobbit fans! Swords! Legendary monsters! Do you like that scene in the Fellowship of the Ring where the hobbits stumble across the ancient tomb and are almost laid to rest by a barrow-wight, but come out with the Numenorean blades? I have good news about both leveling up weaponry in graveyards and ancient tombs!
If your preferred way to enter a fandom is a fic rec, I have to say A Narrow Bridge by JoLaSalle and FrameofMind is my current favorite. It's a Fix-it-AU that tells most of the early canon through flash back scenes while diverging wildly. I'd say it goes into even more detail than canon about how some aspects of cultivation and demonic cultivation works. Moreover, it has a *lot* to appeal to Hobbit fans. "How do you feel about pastoral novels?" she asked knowingly. Please enjoy two devoted, justice-loving idiots growing radishes in a graveyard, zero feet apart because they are in love.
Okay, so A Narrow Bridge is 700 thousand words. A big part of the appeal of this fandom is how many incredibly writers go for sprawling, epic AUs. There is a library here waiting, if you find you like the blorbos. That said, if you're looking for something a little shorter:
Short and Sexy - if this is what you like in a fandom, my friend, this one has a tremendous amount of well written, niche smut.
River-to-the-Sea Sure by Deastar is ~7k words of heat. This fic is A/B/O, which is not usually my thing. So believe me when I say that it is both extremely sexy and genuinely virtuous. It captures the characters of our main leads and their usual dynamic very well. Interestingly, this is the first in a series of A/B/O Bingo by the author, which somehow manages to keep Lan Wangji and Wei Wuxian in perfect character no matter their "dynamic". But the dynamic illustrated in this story is the one you meet with most often.
But the rose was awake all night for your sake knowing your promise to me by x_los is ~8k of magical lovemaking. Very magical. Using tentacles of resentful energy...
Midlength Mysteries - my understanding of the genre is that the typical format involves two cultivators traveling together to investigate supernatural mysteries. Here are some of those.
And I will Call You Home by Spodume 42k of a post-canon investigation into some mysterious deaths. This is an interesting example of the ways the monsters in cultivation novels differ from traditional western Dragons In Need of Slaying, ala Smaug. At its core, this is two investigators working a problem, and one very smart protagonist coming up with an answer. Also, the investigators are in love. Love is the answer.
Vagabond by xantissa is 65k of something similar, equally good, with added undertones of gay culture in ancient china. I really adore this one, but maybe read one or two other stories first so the climax has its full impact.
Look Not With the Eyes by Spodume 28k Classic tropes, truly classic mythological creature, absolutely adorable. Is it kind of cheating to recommend two by the same author? Maybe. Do I low key think you should just start with this one? Yes. Two men travel to investigate a mystery. After a strange encounter, they find that everyone they meet falls instantly in love with one of them. The other is totally not extremely jealous, but works hard to solve the mystery and fix this serious problem.
And once you're in deep, hit me up again! I have a million AUs to recommend.
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Napoleonic era fiction
Having shared with you the history books about the Napoleonic era I've read recently, let me talk a little bit on the topic of historical fiction. (Not that I read this kind of book much, but there are some I'd like to express my opinion of.)

The first one in my list will be La Victoire de la Grande Armée, by the former French President Valéry Giscard d'Estaing. It's an alternative history book, where it is imagined what might have happened if in 1812 the Grand Armée had left Russia just after the battle of Moscow. (A spoiler - as one can guess from the title, everything should have went well for the Napoleonic France).
Alas, there are a lot of discrepancies in the book (like, for example, Poniatowski and Grouchy are marshals already in 1812); in additional, the protagonist (a general named François Beille) seems to be a kind of Marty Stu. Nevertheless, I liked this book, because... in that reality prince Józef didn't die in the battle of Leipzig (because the battle just didn't take place)! On the contrary, he's being made the king of the the restore Poland (though, I must admit, Poniatowski in fact didn't long for a crown - more on the topic here).

2. Having touched the topic of alternative history I can't help omitting another book (which, unfortunately, hasn't AFAIK been translated to any foreign language that's why I can now recommend it to my Polish speaking friends only). The book's title is Most we mgle (A Bridge In A Fog) and it is written by Marcin Ciszewski.
The plot is that in 1930ies Poland there appeared a time hole leading to 1813, using which a squad of the Polish soldiers was able to go back in time and change the result of the battle of Leipzig. So, in that universe prince Józef didn't die either )) (Though even there he had to become a king ;))
3. From alternative history of Poland let's switch to the real one, and here I have to digress a little to introduce you the next set of book. A friend of mine had once recommended me The Polish trilogy, a series of book by an American writer James Conroyd Martin, mentioning that in one of the books prince Józef's death in the battle of Leipzig is described. (A spoiler - there was such a scene in the second book, but it was not the most detailed description of the event I've stumbled upon, given all the books on the topic I've read, though it may be the only of those written in English.)
Having started to read the first book, I soon discovered that it wasn't an entire fiction, but was based on a real diary of a woman, Anna Maria Berezowska-Stelnicka, who lived in Poland in the end of the XVIIIth century. The diary was inherited by her descendants who live now in the US, and it was also translated to English and published and this is a book I do recommend to read:

4. And what about the book series? Alas, here I can't be so enthusiastic.
First, it contained a lot of typos (in Polish names etc.; it might have been fixed in the Polish edition, but I was able to find the English one so I read it) and even some historical (for instance, women working as civil-cervants' secretaries of Russian administration in Warsaw in 1830-ies) and geographical discrepancies (for example, according to the author to the East of Warsaw there are stepps which go all the way to Moscow).
In addition, I didn't like how Martin adjusted the real characters from the diary on which he based the first book of his. Also, it surprised me that John Stelnicki, Anna's descendant who is the current owner of her diary, chose a male writer to process the diary into a fiction story (in my opinion, in the book there were scenes where the female protagonist would act illogical and unfeminine and those were the scenes not present in the original diary).

And the second and the third books aren't at all based on the diary events - the action of both diary and the first book, Push not the River, ends in 1794. The second one, Against a Crimson Sky, is set in the span from 1794 to 1814, the last one, The Warsaw Conspiracy, is dedicated the Polish November Uprising which started in 1830 and lasted till October of the next year.
The second book I liked more (and it was there where prince Józef's death was described), but unfortunately, the discrepancies between the characters behavior and how real people of that time did think and act (if to compare with the real diaries and memoires of other real people) only enhanced. (Though it was kind of fun to recognize whose memoires the author was using to describe this or those event).
The last book... well, the November Uprising isn't really my cup of tea, so there were less things there that did catch my eye (but nevertheless, as I've mentioned above, they were). And I was really disappointed that in the epilogue of the book there was nothing about how Anna's family got to America. For because of the Uprising they had to leave Poland everything pointed out that they or there descendants wouldn't have return to the motherland until Poland gained independence in 1918... That's why, taking into account that Anna's descendant who is the owner of her diary does live in the US, it seemed to me it was worth to mention that the family moved to the New World (even if the real chain of events due to which the diary ended in the US couldn't be restored).
5. And the last image is to illustrate more of a question than a recommendation. For the sake of inspiration I decided to look for historical romances where the story is set in Napoleonic France. But, to my great disappointment, it turned out that there are not very much of them. The French Wikipedia in fact mentioned the only one series of books - Juliette Benzoni's Marianne, the set which I read, and even more than once. But those books, in my opinion, though may arouse interest in a person of fourteen, but can't IMHO inspire people in their forties (at least due to the fact that the main love interest of the heroine is a cynical abuser).
That's why I would like to ask you, my friends, for a recommendation of historical romance with the action set in Napoleonic France or its satellites (and where the protagonists are, of course, on the French side ;))
#Valéry Giscard d'Estaing#1812#napoleon#La Victoire de la Grande Armée#Józef Poniatowski#napoleonic era#napoleonic era fiction#Most we mgle#Marcin Ciszewski#alternative history#Anna Maria Berezowska-Stelnicka#James Conroyd Martin#The Polish trilogy#historical romance
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Hi ! I read your blog and really admire your observation skills. I want to bring your attention to some things I personally observed
1) During JK's live where he listened to letter. So he was playing songs from YT, right? And he searched up "지민"(Jimin) in the searchbar and scrolled down on recommended searches ("Jimin- jaman- jimin") till he found " 지민 pyeonji" or " 지민 편지" which weverse translated to dear.ARMY. Now if you search "지민 편지" on YT, the 3rd video that pops up is the FMV made by elisssa which is a beautiful Jikook compilation with thumbnail of Jimin piggybacking on Jungkook after a show. When he scrolled down, he saw the thumbnail and smiled at 0:10. (https://youtu.be/OM2EH_VKxW4?si=_mbBZqLzVxdztL7Z). I am absolutely sure this was the reason for his smile. Finally, the video he ended up playing was the lyric video that shows up 2nd for the search. He didn't play the Dear.army live clip as many claim. I know this because I pay attention to music and the one he listened to didn't have acoustic instrumentals like in the live clip. He reacted to the original song.
So my conclusions are:
Jungkook now knows that there are jikook FMV/compilations to letter with above 500k views. And his reaction was just a cute smile. Infact i have never seen jm and jk mind their ship or mentions of the ship.
He didn't play the live clip for whatever reason but maybe because it was too much for him to watch the live version? especially after crying about army's songs? He was in an emotional state after all.
Phew..
2) The JK bday post made by JM on Instagram. I'll just say it- Jimin's pants are sketched. Badly. With a phone editor. While JK's pants/trousers are clearly visible with cloth texture and everything, Jimin's are just plain dark , 2D, with a wobbly waistband. Lol. Even if you change image settings, nothing changes. As someone with decent amount of photo editing knowledge, i am 100% sure of this. Reminds me of the jkk selfie from that exhibition where Jimin's black shirt was clearly sketched. So what do we do with this info? Lol. Maybe jm was in underwear. Yes.
I will never say with 100% confidence that jikook are absolutely dating but their bond is definitely for the history books. Have a good day/night.
Hello dear. Thank you for passing by my blog leaving such an interesting ask and also the little compliment you made me, I appreciate it so much. I have been looking in detail at the things you’ve pointed out and my observations about them are the following:
1) The video search. I have to say that I’ve search “지민 편지” from different accounts and the video edit you said doesn’t appeared in the first ones. Maybe it’s because now there’re trendier ones but you have to scroll down to see that specific video. It’s possible that Jungkook saw it that day or maybe he saw something else that made him smile like that. Maybe he was just smiling at Jimin in the thumbnails of almost all of the videos or he was remembering a fond moment. Whatever it was I’m sure it was Jimin related and was a really sweet gesture. You can see the man melting looking at him in the screen.
About Jungkook having knowledge of this kind of content I think we can be sure that he knows about it pretty well. I mean he watched a video of bts teasing Jimin, is obvious that he has been watching compilations in YouTube and is almost impossible to not cross by to one of this type. The same goes in twitter, Instagram and tiktok. The boys must know everything we’re into as a fandom so I wouldn’t be surprise if they had searched for fanarts and other stuff before. Jimin and Jungkook don’t seem bothered by fans shipping them together in general, at least they haven’t expressed themselves like Tae has done with taekookers so probably they are okey with it. Although I have to say that I feel like Jimin is trying to keep it low this year and doesn’t want to talk about Jk that much and the things that they have going on for some reason. Maybe it’s because the military service is approaching, maybe is because of the breaking into his apartment and his private life… I can not tell the motives behind this decision but I think is pretty obvious that he has been protecting his private life with more tenacity than before, and that includes Jungkook, and that decision alone speaks volumes.
2) The birthday photo. I have to say that I didn’t notice this and is pretty interesting!! You have an amazing eye for the detail anon!!! I’m not sure if only the top part of the pants are drawn or the whole thing. Maybe he was trying to hide his underwear showing or he was plainly in something more compromising. Maybe we’ll see the behind the scenes of this photo in the program that Jikook has recorded, who knows. Whatever it is I’m sure Jimin is comfortable enough to be just in underwear in front of Jungkook, I mean, we know that he usually goes naked at home and this guys have been living together for half their lives. And if we want to be more delusional, we know that in their Tokio trip the bathroom of their room had a huge window. So, yeah, no privacy whatsoever for Jikook.
On the other hand, being more objective, what makes me think that maybe he was just on his swimming trunks and there’s no reason to panic is because obviously there was other people with them, somebody else took the photo for them so probably the staff was there too, I don’t think they would be in underwear or something “compromising” if other people were around.
Although my answer wasn’t maybe what you were waiting for Anon I hope you continue to send me this type of asks because I enjoy them so much. I love to look into the details and try to put everything coherently together. Jimin and Jungkook have an unique and wonderful bond in which we don’t need to exaggerate or create things in order to find something extraordinary between them.
See you next time!
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Every body is beautiful and deserves its moment in the sun—but still, it’s February, and maybe you’re not ready to strip down just yet at the water park or on your vacation. Bare Necessities swim buyer Megan Puma firmly believes that’s swimwear’s problem to solve, not yours. “Your bathing suits should be working on your behalf,” she says. “These days, you can always find something to meet your needs without changing anything about your body or your style. All you have to do is identify what you want to gloss over,” Megan says. “Think of it like ordering from a menu. What special benefits do you want?” So if showing a lot of skin isn’t your thing, or you need to minimize the potential for wardrobe malfunctions on an extended family vacation, be sure to check out Megan’s modest swimwear recommendations. TO COVER YOUR TOP, TRY: a modest one-piece or a modest tankini Freya Freestyle Underwire One-Piece: The quintessential tank suit gone sporty, this bra-sized one-piece is cut to both flatter and support. The red and light blue panels along the sides visually whittle the appearance of your upper body for a long, lean line. It’s also chlorine- and puncture-resistant, meaning it’s made to swim laps and make you look good. (One reviewer happily wore it scuba diving for the day.) Fantasie Santa Monica Underwire One-Piece: A classic print will take you confidently on a cruise, a Caribbean getaway or whatever else you have on tap for spring break ’20. Inside are mesh-lined underwire cups for support, and outside are wide fixed straps, so it’s like having a bra and a maillot at the same time. The V-neck isn’t deep but the shirred detail isn’t overly demure, either. “It’s so nice at my age to find a suit that has enough coverage and support but isn’t frumpy. The underwire makes me feel secure, and the cutouts make me feel (somewhat) sexy,” a customer writes. Panache Anya Spot Underwire Tankini Top: If you love the look of Fantasie Santa Monica but fancy a tankini, here’s our seasonless winner. The wide, open neckline flatters a full bust as the internal bra (up to a J-cup) shores it up. “I never felt self-conscious about my body while wearing it at the beach all week,” says a reviewer. “This is the first swimsuit I’ve felt comfortable in since I’ve been a 38DD. It’s just like wearing a real bra, with that much support. Pretty modest, too. Didn’t show much cleavage.” Sunsets Pansy Fields Avery Underwire Tankini Top: A tankini is so good because, like a bikini, you can pick different sizes for your upper and lower body and, unlike a bikini, conceals as much as any one-piece. On this new style, the floral print artfully camouflages anything going on underneath the top (which comes in a vast size range) while the adjustable ruched neckline can be changed up at will from a deep sweetheart to high and straight. Pair it with a skirted, high-, mid- or low-rise bikini bottoms in the same pretty pattern. TO COVER YOUR MIDDLE, TRY: a romper or swim dress Magicsuit Solid Bianca One-Piece Romper: Rompers are on-trend in real life, so this innovative idea translates easily onto the beach. The vibrant colors are a do on everyone, as is the halter cut of this suit. Flowy fabric conceals a firm-control one-piece within for a booty-concealing, boob-draping, tummy-flattening update on the swim dress that goes to a posh resort as stylishly as it does the kiddie pool. Magicsuit Solids Mila One-Piece Romper: Similar in terms of function but not design to Bianca, the Mila gives off more of a two-piece vibe. Reviewers love the comfy, concealing yet youthful style that manages to take your mind off taking a dip in public. “I just turned 50 and no longer wear a bikini. This suit fits great. The shorts are fun and flirty, and the top has nice coverage but still looks a little slinky and feels younger than most of the tummy-control suits. Definitely worth the money,” says a fan. Miraclesuit Must Have Pin Point Marais Swim Dress: You already know the power of the little black dress, so the swim version logically follows. Take a dip in this fit-and-flair swim dress with a décolletage-enhancing twist front: It’s inherently feminine and swishy, and it just so happens to smooth, shape and screen hips, tush and thighs at the same time. You could easily wear this one out to lunch or on the boardwalk and no one would be the wiser. Coco Reef Safari Tropical Cascade Swim Dress: Have you ever felt completely unselfconscious in a swimsuit? This is your chance. In a pretty print, the mesh straps and ties on this A-line cutaway swim dress convert for multiple looks and fits (or remove them entirely for a sweet strapless style). It hits just below the behind for a not-overwhelmingly-swathed-in-fabric silhouette. Trimshaper Solids Dakota Convertible Swim Dress: In this lower-priced shaping suit, you’ve got nothing but options. With the tie on the side, you get to decide how much coverage you get out of it: Wear it like a typical one-piece with the shirred waist pulled tight or untie the skirt to let it drape down. The plunge neckline, foam cups and adjustable straps all enhance your chest; in the middle, firm control tames a tummy. Throw in some gold hardware, and you’ve got yourself one smart suit. TO COVER YOUR BOTTOM, TRY: swim skirts or boy shorts Sunsets Olive Sporty Skirted Bikini Bottom: Resort-bound? Don’t forget to pack this little swim (or tennis, honestly) skirt, with built-in shorts and a zip pocket for stashing cash and a key card. The nine-inch length is as ideal and as becoming as a swim dress, but you can do whatever you want up top, be it a tankini or teeny bikini. Olive green is a neutral that goes with any number of things you probably already own, but a million other iterations can be found here. Anne Cole Signature Live in Color High-Waisted Skirted Bikini Bottom: Hello, hotness. For coverage and shaping, you’ve found the right skirt. Designed to go with any Anne Cole Signature top, this pencil skirt-inspired microfiber bottom has a stay-put brief underneath. The side ties are functional, so you can scrunch it up into a mini for swimming or sunning, then lengthen it for walking around. Magicsuit Jersey Swim Shorts: Who knew shorts for swimming were even a thing? These are practically perfect in every way—they go with literally everything, they’re comfy but cute, they’re slimming, they’re fully lined, and they prevent you from ever having to deal with a wedgie-inducing little brief again. Sunsets Black Seascape Swim Short: Like bike shorts, but for the ocean. These full-coverage, sporty black boy shorties can go from gym to swim in a flash, and they make your tush look good while they’re at it. TO COVER YOUR SWIMWEAR, TRY: a generously cut cover-up Dotti Summer Sarong Long Pareo Cover-Up: Wrap legs in a chic chiffon sarong (say that five times fast). It hits from mid-calf to ankle, depending on your height, and it goes with every single suit in your drawer. Magicsuit Draped Cover-Up: Such a pretty dress in its own right, made sand-and-surf-friendly. With higher coverage at neckline, this tulip-hemmed frock moves seamlessly from beach to brunch. Robin Piccone Michelle Swim Cover-Up: Providing good arm coverage, this timeless, tie-front airy linen version is sure to become a suitcase staple. Source link
0 notes
Photo

Every body is beautiful and deserves its moment in the sun—but still, it’s February, and maybe you’re not ready to strip down just yet at the water park or on your vacation. Bare Necessities swim buyer Megan Puma firmly believes that’s swimwear’s problem to solve, not yours. “Your bathing suits should be working on your behalf,” she says. “These days, you can always find something to meet your needs without changing anything about your body or your style. All you have to do is identify what you want to gloss over,” Megan says. “Think of it like ordering from a menu. What special benefits do you want?” So if showing a lot of skin isn’t your thing, or you need to minimize the potential for wardrobe malfunctions on an extended family vacation, be sure to check out Megan’s modest swimwear recommendations. TO COVER YOUR TOP, TRY: a modest one-piece or a modest tankini Freya Freestyle Underwire One-Piece: The quintessential tank suit gone sporty, this bra-sized one-piece is cut to both flatter and support. The red and light blue panels along the sides visually whittle the appearance of your upper body for a long, lean line. It’s also chlorine- and puncture-resistant, meaning it’s made to swim laps and make you look good. (One reviewer happily wore it scuba diving for the day.) Fantasie Santa Monica Underwire One-Piece: A classic print will take you confidently on a cruise, a Caribbean getaway or whatever else you have on tap for spring break ’20. Inside are mesh-lined underwire cups for support, and outside are wide fixed straps, so it’s like having a bra and a maillot at the same time. The V-neck isn’t deep but the shirred detail isn’t overly demure, either. “It’s so nice at my age to find a suit that has enough coverage and support but isn’t frumpy. The underwire makes me feel secure, and the cutouts make me feel (somewhat) sexy,” a customer writes. Panache Anya Spot Underwire Tankini Top: If you love the look of Fantasie Santa Monica but fancy a tankini, here’s our seasonless winner. The wide, open neckline flatters a full bust as the internal bra (up to a J-cup) shores it up. “I never felt self-conscious about my body while wearing it at the beach all week,” says a reviewer. “This is the first swimsuit I’ve felt comfortable in since I’ve been a 38DD. It’s just like wearing a real bra, with that much support. Pretty modest, too. Didn’t show much cleavage.” Sunsets Pansy Fields Avery Underwire Tankini Top: A tankini is so good because, like a bikini, you can pick different sizes for your upper and lower body and, unlike a bikini, conceals as much as any one-piece. On this new style, the floral print artfully camouflages anything going on underneath the top (which comes in a vast size range) while the adjustable ruched neckline can be changed up at will from a deep sweetheart to high and straight. Pair it with a skirted, high-, mid- or low-rise bikini bottoms in the same pretty pattern. TO COVER YOUR MIDDLE, TRY: a romper or swim dress Magicsuit Solid Bianca One-Piece Romper: Rompers are on-trend in real life, so this innovative idea translates easily onto the beach. The vibrant colors are a do on everyone, as is the halter cut of this suit. Flowy fabric conceals a firm-control one-piece within for a booty-concealing, boob-draping, tummy-flattening update on the swim dress that goes to a posh resort as stylishly as it does the kiddie pool. Magicsuit Solids Mila One-Piece Romper: Similar in terms of function but not design to Bianca, the Mila gives off more of a two-piece vibe. Reviewers love the comfy, concealing yet youthful style that manages to take your mind off taking a dip in public. “I just turned 50 and no longer wear a bikini. This suit fits great. The shorts are fun and flirty, and the top has nice coverage but still looks a little slinky and feels younger than most of the tummy-control suits. Definitely worth the money,” says a fan. Miraclesuit Must Have Pin Point Marais Swim Dress: You already know the power of the little black dress, so the swim version logically follows. Take a dip in this fit-and-flair swim dress with a décolletage-enhancing twist front: It’s inherently feminine and swishy, and it just so happens to smooth, shape and screen hips, tush and thighs at the same time. You could easily wear this one out to lunch or on the boardwalk and no one would be the wiser. Coco Reef Safari Tropical Cascade Swim Dress: Have you ever felt completely unselfconscious in a swimsuit? This is your chance. In a pretty print, the mesh straps and ties on this A-line cutaway swim dress convert for multiple looks and fits (or remove them entirely for a sweet strapless style). It hits just below the behind for a not-overwhelmingly-swathed-in-fabric silhouette. Trimshaper Solids Dakota Convertible Swim Dress: In this lower-priced shaping suit, you’ve got nothing but options. With the tie on the side, you get to decide how much coverage you get out of it: Wear it like a typical one-piece with the shirred waist pulled tight or untie the skirt to let it drape down. The plunge neckline, foam cups and adjustable straps all enhance your chest; in the middle, firm control tames a tummy. Throw in some gold hardware, and you’ve got yourself one smart suit. TO COVER YOUR BOTTOM, TRY: swim skirts or boy shorts Sunsets Olive Sporty Skirted Bikini Bottom: Resort-bound? Don’t forget to pack this little swim (or tennis, honestly) skirt, with built-in shorts and a zip pocket for stashing cash and a key card. The nine-inch length is as ideal and as becoming as a swim dress, but you can do whatever you want up top, be it a tankini or teeny bikini. Olive green is a neutral that goes with any number of things you probably already own, but a million other iterations can be found here. Anne Cole Signature Live in Color High-Waisted Skirted Bikini Bottom: Hello, hotness. For coverage and shaping, you’ve found the right skirt. Designed to go with any Anne Cole Signature top, this pencil skirt-inspired microfiber bottom has a stay-put brief underneath. The side ties are functional, so you can scrunch it up into a mini for swimming or sunning, then lengthen it for walking around. Magicsuit Jersey Swim Shorts: Who knew shorts for swimming were even a thing? These are practically perfect in every way—they go with literally everything, they’re comfy but cute, they’re slimming, they’re fully lined, and they prevent you from ever having to deal with a wedgie-inducing little brief again. Sunsets Black Seascape Swim Short: Like bike shorts, but for the ocean. These full-coverage, sporty black boy shorties can go from gym to swim in a flash, and they make your tush look good while they’re at it. TO COVER YOUR SWIMWEAR, TRY: a generously cut cover-up Dotti Summer Sarong Long Pareo Cover-Up: Wrap legs in a chic chiffon sarong (say that five times fast). It hits from mid-calf to ankle, depending on your height, and it goes with every single suit in your drawer. Magicsuit Draped Cover-Up: Such a pretty dress in its own right, made sand-and-surf-friendly. With higher coverage at neckline, this tulip-hemmed frock moves seamlessly from beach to brunch. Robin Piccone Michelle Swim Cover-Up: Providing good arm coverage, this timeless, tie-front airy linen version is sure to become a suitcase staple. Source link
0 notes
Photo

Every body is beautiful and deserves its moment in the sun—but still, it’s February, and maybe you’re not ready to strip down just yet at the water park or on your vacation. Bare Necessities swim buyer Megan Puma firmly believes that’s swimwear’s problem to solve, not yours. “Your bathing suits should be working on your behalf,” she says. “These days, you can always find something to meet your needs without changing anything about your body or your style. All you have to do is identify what you want to gloss over,” Megan says. “Think of it like ordering from a menu. What special benefits do you want?” So if showing a lot of skin isn’t your thing, or you need to minimize the potential for wardrobe malfunctions on an extended family vacation, be sure to check out Megan’s modest swimwear recommendations. TO COVER YOUR TOP, TRY: a modest one-piece or a modest tankini Freya Freestyle Underwire One-Piece: The quintessential tank suit gone sporty, this bra-sized one-piece is cut to both flatter and support. The red and light blue panels along the sides visually whittle the appearance of your upper body for a long, lean line. It’s also chlorine- and puncture-resistant, meaning it’s made to swim laps and make you look good. (One reviewer happily wore it scuba diving for the day.) Fantasie Santa Monica Underwire One-Piece: A classic print will take you confidently on a cruise, a Caribbean getaway or whatever else you have on tap for spring break ’20. Inside are mesh-lined underwire cups for support, and outside are wide fixed straps, so it’s like having a bra and a maillot at the same time. The V-neck isn’t deep but the shirred detail isn’t overly demure, either. “It’s so nice at my age to find a suit that has enough coverage and support but isn’t frumpy. The underwire makes me feel secure, and the cutouts make me feel (somewhat) sexy,” a customer writes. Panache Anya Spot Underwire Tankini Top: If you love the look of Fantasie Santa Monica but fancy a tankini, here’s our seasonless winner. The wide, open neckline flatters a full bust as the internal bra (up to a J-cup) shores it up. “I never felt self-conscious about my body while wearing it at the beach all week,” says a reviewer. “This is the first swimsuit I’ve felt comfortable in since I’ve been a 38DD. It’s just like wearing a real bra, with that much support. Pretty modest, too. Didn’t show much cleavage.” Sunsets Pansy Fields Avery Underwire Tankini Top: A tankini is so good because, like a bikini, you can pick different sizes for your upper and lower body and, unlike a bikini, conceals as much as any one-piece. On this new style, the floral print artfully camouflages anything going on underneath the top (which comes in a vast size range) while the adjustable ruched neckline can be changed up at will from a deep sweetheart to high and straight. Pair it with a skirted, high-, mid- or low-rise bikini bottoms in the same pretty pattern. TO COVER YOUR MIDDLE, TRY: a romper or swim dress Magicsuit Solid Bianca One-Piece Romper: Rompers are on-trend in real life, so this innovative idea translates easily onto the beach. The vibrant colors are a do on everyone, as is the halter cut of this suit. Flowy fabric conceals a firm-control one-piece within for a booty-concealing, boob-draping, tummy-flattening update on the swim dress that goes to a posh resort as stylishly as it does the kiddie pool. Magicsuit Solids Mila One-Piece Romper: Similar in terms of function but not design to Bianca, the Mila gives off more of a two-piece vibe. Reviewers love the comfy, concealing yet youthful style that manages to take your mind off taking a dip in public. “I just turned 50 and no longer wear a bikini. This suit fits great. The shorts are fun and flirty, and the top has nice coverage but still looks a little slinky and feels younger than most of the tummy-control suits. Definitely worth the money,” says a fan. Miraclesuit Must Have Pin Point Marais Swim Dress: You already know the power of the little black dress, so the swim version logically follows. Take a dip in this fit-and-flair swim dress with a décolletage-enhancing twist front: It’s inherently feminine and swishy, and it just so happens to smooth, shape and screen hips, tush and thighs at the same time. You could easily wear this one out to lunch or on the boardwalk and no one would be the wiser. Coco Reef Safari Tropical Cascade Swim Dress: Have you ever felt completely unselfconscious in a swimsuit? This is your chance. In a pretty print, the mesh straps and ties on this A-line cutaway swim dress convert for multiple looks and fits (or remove them entirely for a sweet strapless style). It hits just below the behind for a not-overwhelmingly-swathed-in-fabric silhouette. Trimshaper Solids Dakota Convertible Swim Dress: In this lower-priced shaping suit, you’ve got nothing but options. With the tie on the side, you get to decide how much coverage you get out of it: Wear it like a typical one-piece with the shirred waist pulled tight or untie the skirt to let it drape down. The plunge neckline, foam cups and adjustable straps all enhance your chest; in the middle, firm control tames a tummy. Throw in some gold hardware, and you’ve got yourself one smart suit. TO COVER YOUR BOTTOM, TRY: swim skirts or boy shorts Sunsets Olive Sporty Skirted Bikini Bottom: Resort-bound? Don’t forget to pack this little swim (or tennis, honestly) skirt, with built-in shorts and a zip pocket for stashing cash and a key card. The nine-inch length is as ideal and as becoming as a swim dress, but you can do whatever you want up top, be it a tankini or teeny bikini. Olive green is a neutral that goes with any number of things you probably already own, but a million other iterations can be found here. Anne Cole Signature Live in Color High-Waisted Skirted Bikini Bottom: Hello, hotness. For coverage and shaping, you’ve found the right skirt. Designed to go with any Anne Cole Signature top, this pencil skirt-inspired microfiber bottom has a stay-put brief underneath. The side ties are functional, so you can scrunch it up into a mini for swimming or sunning, then lengthen it for walking around. Magicsuit Jersey Swim Shorts: Who knew shorts for swimming were even a thing? These are practically perfect in every way—they go with literally everything, they’re comfy but cute, they’re slimming, they’re fully lined, and they prevent you from ever having to deal with a wedgie-inducing little brief again. Sunsets Black Seascape Swim Short: Like bike shorts, but for the ocean. These full-coverage, sporty black boy shorties can go from gym to swim in a flash, and they make your tush look good while they’re at it. TO COVER YOUR SWIMWEAR, TRY: a generously cut cover-up Dotti Summer Sarong Long Pareo Cover-Up: Wrap legs in a chic chiffon sarong (say that five times fast). It hits from mid-calf to ankle, depending on your height, and it goes with every single suit in your drawer. Magicsuit Draped Cover-Up: Such a pretty dress in its own right, made sand-and-surf-friendly. With higher coverage at neckline, this tulip-hemmed frock moves seamlessly from beach to brunch. Robin Piccone Michelle Swim Cover-Up: Providing good arm coverage, this timeless, tie-front airy linen version is sure to become a suitcase staple. Source link
0 notes
Text
My Thoughts & Spoilers On Jude's Route

This will contain detailed major route spoilers. If you do not want to be spoiled, please move on because I will not be filtering my review. Also, not all spoilers and details are being shared. This is intentional. Bear in mind this is written prior to my thoroughly translating his route, so the translation may have some adjustments to this information.
So, I really LOVED it!! It's a very good storyline. Am I biased? Yes. However, whether you're romantically interested in Jude or not, I feel like you'll like in route in general. I do highly recommend reading his and Ellis' Past Records before his route if you can. His route does bring up clips from PR, but it's very minimal and there's a lot of context and extra details in PR that you don't get in this MS. I did my best with this, but my thoughts are still every where, so if it doesn't make sense. My bad.
Tropes: Enemies to Lovers....of sorts?, Slow-burn. Key Side Villain Characters: Ellis, Nica, Victor New Side Characters For His Route: Theodore Walker, Gilbert Murphy, Oswald Simmons Love Language: Physical Touch (I'd just like to say that I called this.) Who Falls in Love First: Kate First Kiss: Kate Kisses Jude First Full Snu-Snu: Chapter 24 Both Premium ends Route CW: Violence, Smoking, CA, Neglect, Mentions of a child's death. Jude's Age: 28-30. Jude's Heritage: Irish-British Jude's Curse: 13th Fairy (An endless cycle of hatred) Jude's Fated End: To die with a hatred/resentment against the world.
Plot: In a nutshell, Kate is trying to find one good thing to like about Jude prior to her term of FTK (fairytale keeper) ending, as per their first promise made together. If she finds one, Jude must fulfill any one request she has. Amidst working for both Crown and Raven, Kate tries to come into her own in terms of standing as Jude's equal, seeing the world as he does, and essentially saving him from not only own his death wish, but from being framed for treason against their country.
My thoughts: Jude's route is very lively, it's got a healthy amount of funny moments, action packed moments, and it's quite wholesome overall. However, it still retains some darkness in the sense of his past, and the fact that he's literally on this tightrope of life and death.
Kate: She is not afraid of voicing her thoughts and feelings, or speaking sarcastically to Jude. I almost died when I read that she stuck her tongue out at him LOL. There's this scene where Ellis tells her she's thinking out loud when she doesn't realize it, so she apologizes. A few minutes later after she greets Theodore, she sees Jude behind him:
Kate: ....And thanks for your hard work too, Jude. Jude: Can ya please stop greet me so sourly? Makes me wanna vomit my mornin' tea. Kate: I wonder if I'm under a curse that'll kill me if I don't say something sarcastically...
So, she is very courageous and gutsy, but she also thinks things through. There are times where she wants to act because she loves Jude and wants to be there for him, but she also knows not to act rashly because her movements can hurt him and Crown, so she opts to bide her time instead.
Out of all of her versions, I think she is the one who gets the most frustrated, the most angry, and laughs the most at certain situations such as getting locked in the office with Jude. She is very optimistic and kind, but not saintly kind.
She is a fighter. She learns self-defense and how to use a gun, a lot this takes place off screen, but she does develop this over time. Which is nice because it's more realistic.
Jude & Kate Relationship: Starts off very rough, and I say it's an enemies to lovers trope, but no one actually hates the other person, they simply don't get a long and it has that vibe. Jude is trying to kick her out of Crown, and Kate is trying to find something she likes about him.
Overall, they bicker and banter a lot. It's cute because in MLE Kate says, "If I say one thing, he has 10 things to say", and in BLE Jude says, "If I say one thing, she's got 10 things to say." They're adorable together.
One scene I loved was when Jude is being attacked by a group of thugs in his office after closing hours, and Kate barges in with her gun. She yells at the men to stop what they're doing, and then she tells Jude to step away from them. And so, Jude and Kate are having this full blown conversation as they're surrounded by these thugs as to why she is at his office, who's fault it is, etc, etc. And when the head thug starts to complain, both Jude and Kate say, "Shut up!" at the same time. This seems like it actually becomes a thing for them, they say it in MLE as well.
Were they childhood friends? No. That was an AU thing only, and a clever misdirection from Cybird. I think key take aways from Dark IF and Prison IF are that they made promises to each other, and that Kate tries to return to little Jude in Prison IF. Additionally, it does hint that two children were involved in Jude's past, just the other wasn't Kate, it's his sister. While some may be disappointed by this, I loved that it turned out this way, it surprised me.
Love Language: Physical. Touch. Lemme say it again. Physical Touch. While their relationship is a slow burn, it's not without it's tension along the way, and the pay off is hella worth in my opinion. I just knew that Jude was going to tear into her, and he does.
But more importantly, Jude touches Kate a lot especially before missions. For example, in BLE just before Kate goes undercover at a criminal organization that is using Raven products, she and Jude are in his office reviewing the plans, and while he does this, he touches her bare skin, kiss or bite her, and then after the mission he'll make love to her. Why? Because Kate made another promise to Jude earlier in the route that she would never die before him, so he doesn't have to suffering loss ever again. So, prior to any missions, he'll touch her up to a certain point like a promise she won't die, and then finish once she returns safely. I can't...he's so damn precious.
They love each other very very much, but Jude doesn't like saying the words. "I love you." Not because he's a tsun, but because they're easily said. So, he'll convey his love to Kate with words like, "I'm taking you to hell with me." If you read his side stories, he'll tell you just how much he loves her, and he admits that there is no other woman in the world that he could ever love like her.
Important Side Characters: Theodore Walker: 21 y/o and he works in the sales department at Raven. Every one calls him Theo, even Kate. It seems that he's worked for Jude for a long time as well. He's very personable, and chatty, and he gets nervous about things like when the president forgets his custom fountain pen as he's on his way to business meetings. He even says to Kate and Jude that Kate is his type, and everyone is like.....um what? I'm really happy that Theodore isn't a traitor. I like him. I thought Cybird would use him the way that contract worker in Jude's first story event would be used. But no, he's just a loyal young man who cares about his job. I hope to see him again.
Oswald Simmons: He is the doctor who treated Jude and his sister after Jude memorized an entire medical textbook in a week. After Jude's sister was sold off, Jude ran to Oswald and asked that if he put Jude through school, let him lodge with him and provide him food, then Jude would pay him back with interest. Oswald agrees and in time, Jude does pay him back with interest. Oswald treats everyone equally, and he finds Jude's intelligence and ability to memorize things amusing. While he does not offer to take Jude in of his own initiative, Oswald does have a soft spot for Jude, as he tries to gift Jude a new pocket watch upon graduation and the success of his new company. He even tries to dissuade Jude from seeking revenge that will only force Jude into be lonely. In the route, he tells Kate to relay a message to Jude, that if he ever gets into a pinch to comeback and he'll give Jude a run for his money. To this day, Oswald still has the watch that Jude refused to take.
I honestly, hope that they reunite one day. Jude doesn't wish Oswald any ill-will (though he calls him a weirdo), and he wished Oswald a long life when he said goodbye.
Gilbert Murphy: He is a high-ranking officer of the British military who colludes with the Privy Council and a criminal organization to frame Jude treason and building military weapons. However, Gilbert truly does think that Jude is going to the moon for monetary purposes. While he is being an asshole for framing my beloved, his motives are to protect the people from potential weapons that can be created with Jude's research. Still, it's sullying Jude's innocent and pure motives. Still, he testifies in Jude's favor and takes the blame of the dead privy council member, as his own form of justice for trying to frame Jude due to his becoming blinded by his obsession to protect his country.
The other villains: Ellis: Ellis is Jude's right hand so he is heavily involved with the plot, especially in MLE. We know about Ellis.
Nica: Darius asks him to investigate Jude, so he does. Twice, he offers information to Jude that he's gathered after he lets him know he's aware of what he's building.. The first time, he tells him that a part from the criminal organization Jude has already been dealing with, the British military want his plans too. And wouldn't it be something if they teamed up to get Jude's research. He asks if he can snatch the robin away from Jude, but Jude says she doesn't belong to him, and no matter whom she dated she belongs to herself.
Nica leaves the bar after getting scolded by Jude, but prior to that, he tells Jude that the robin is in the most danger because she's around him. A few chapters later, Nica appears again and tells Jude that his assumptions based on the previous information given have come true, and because he didn't let go (of Kate), he's letting her know the facts. After he explains the situation to her, he tries to whisk her away on a date, but Kate declines. While Nica is a "playboy", it seems that he does care for Kate's well-being.....I am letting my current knowledge of his past events, and bond stories influence me by saying this.
At any rate, at the end of BLE, Darius asks Nica why he follows his orders so complicitly, and Nica says it's because he's on the winning side, and to him, Darius will be or is the winner. Darius is satisfied with this, and when he leaves Nica looks at his palm and says that he will be the happiest someday. It's already been established that becoming the happiest person is important to him, but this has now been reinforced.
Victor: Lore crumbs are very little, but what we do know is that when Kate asks him if he is angry, he tells her that he's forgotten loneliness a long time ago.
Further, when he approaches Jude and asks if Jude is hiding something from him and Crown, he tells Jude he has the means to help him. Jude asks if Victor isn't the one hiding something, and remarks that's why Harrison hates him so much because he knows he is lying. Victor simply smiles and stays silent. Upon leaving his study, Victor does tell Jude no matter what, he doesn't want their freedom disturbed and those are his true feelings.
Further, Victor later tells Kate in the BLE that when Jude says he abuses his power, Jude wasn't lying about that. Later in chapter 24, all of Crown are gathered together in front of her Majesty the Queen for a very important meeting. Victor speaks saying that they wish to grant Kate the position of fairytale keeper permanently, and when Jude finds out, he leaves angrily. In the middle of all this, the Queen never utters a word.
I don't think we learn anything new that we weren't aware of before with Victor to be honest, unless I missed something while reading. But, it's nice to know that we should see something big for his route. We better for how under wraps his lore is kept.
Jude's age: He can't be any older than 30 because in his Past Records he definitively says that he is five years old. In the MS, Oswald states the events he recounted to Roger and Kate took place over 20 years ago. Kate reason's that if it was 20 years ago then Jude had to be under the age of 10. I think he's 28-30.
Jude's Curse: Jude's curse was born when his heart was completely broken, and he vowed to get revenge on those who made him and his sister suffer. It's manifestation was described as a black flame of hatred in his heart. Essentially, Jude has entered a vicious cycle of hatred that never really ceases. Jude fuels this cycle by acting in a way where people want to get revenge on him, and a part of that is because he want's to die.
Jude's Fated End: Jude is fated to die bearing a grudge/resentment/hatred against the world. Jude himself says that his death will not be an honest one. Some have made comments that his fated end is a bit underwhelming, but I am pleased that Cybird left Disney alone, and stuck with Grimm's ending for the 13th fairy. I love it because no one knows what the fairy was thinking or what happened to it, it just simply disappears. This is something that is mentioned quite a bit in Jude's route.
In the MS there is a beautiful chapter with all of Crown gathered for a fireworks beach day, and while Jude is looking at the fireworks, Kate is looking at him. She thinks he is like a firework, beautiful, dangerous if you get too close, and then simply gone.
In BLE, Kate watches a Sleeping Beauty play hosted by local town children where she is staying and even though she knows that the outcome of the fairy is unknown, she is hoping for a different outcome. When the kids stick to the fairytale, it's then she realizes that Jude too - while still stuck in his cycle of hatred - will die. He will never know happiness, and disappear like the burnt body of cigarette smoke, like a firework in the sky.
In chapter 18ish, while Jude is being held captive and being tortured by the British military for information on Crown, he laughs self-mockingly and says that this is the perfect fit for him to die bearing resentment/grudge against the world.
Is Kate Trying to find a way to break the curse? No. Unlike Alfons and Roger's route, Kate is willing to accept Jude's fate, stay by him, make him happy and be his reason to live. That is her sole purpose, to make sure he doesn't die. Kate is obsessed with keeping him anchored to the world no matter the cost, and she even mentions to Victor that even though no fated ends have ever been avoided, that doesn't necessarily mean they are tragic.
Is Jude happy by the end of the route: Yes. Though he won't admit it out loud being the tsun tsun that he is, Jude's first glimpse of happiness occured when he told Kate about his dream and she didn't laugh at him. By the time he puts her to sleep and leaves her behind, he tells her that being genuinely liked wasn't so bad. And of course, Ellis asks if he can kill Jude in his BLE epilogue because it's obvious that he's happy......Jude tells him he can go die, and Ellis is like okay okay. FR though E, I need you to calm TF down.
The depth of his love for her is so great that he tells her that if she ever tries to run from him, she should just kill him. The reason is because she is his only happiness - she is the moon that he's been trying to reach for so long. He'd have no reason to live if she left him.....
Hmmm, here are some of my favorite parts in his route:
He tries so hard to protect Kate, from throwing her out of a window when a house is on fire and telling her she died in that fire so she wouldn't have to return to Crown, to lying to her and accusing her of making a 10 million pound mistake and firing her from Raven, and other things.
I love that he even assigned people to watch her secretly after he's left her behind in a seaside town, with the intention of doing so for a long time since she is known throughout London for said involvement with Jude. He says things like, if she can live a calm, normal life, then that's enough for me. So, he's resigned to love her from afar.
He does everything in his power to protect even Crown from getting involved with his research so they aren’t crushed and hated by the privy council or others, even undergoing brutal torture.
Jude promises to make Kate the happiest he can before they go to hell, and there are many, many more things he does to endear me even more to him. I nearly cried when he introduced Kate to his sister at her grave he had made for her, saying she (his unnamed sister), was the only family he had left.
Even though he knows his dream of going to the moon is going to be difficult, he is more determined than ever to achieve it, because he's got two promises to keep.
Ultimately, we have our teasing Jude and Kate kicking ass together, and loving each other until their ends come.
Ugh, I'm gonna make myself cry. Well, this is it in a nutshell. Sorry for rambling!
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Yasuhiro Ishimoto's “Lines and Bodies” is not called “Paths and People”, and there's a good reason for that.
Second week in this Multi-media editorial design DSAA (sounds cool translated) and it’s time to write the first blog post in English ! Unlike the previous one, the subject of this article was not imposed on us, so I had to find something to talk about. Fortunately, our art history teacher Ms. Joly introduced us to the concept of the weekly cultural agenda. I therefore decided to choose a place to visit from her recommendations. How about this exhibition by artist Yasuhiro Ishimoto, who has combined his time spent in Chicago and Japan in his work? “What a contrast! It must take concentration on tiny details to find things in common in these two territories,” I thought. But little did I know that I was about to meet an artist who saw in a path, not where it led, but the composition formed by its slabs, and in a crowd of people, not their relationships, but the vertical lines drawn by their legs.


ISHIMOTO, Yasuhiro. Chicago, Beach, 1948-52. ISHIMOTO, Yasuhiro. Katsura Imperial Villa, Formed Stone Pavement in front of the Waiting Bench, 1953-54.
When I arrived at the BAL, which hosted the exhibition, the small bookshop area next to a café made me think I was about to see the lyrical artworks that the occidental cliché so often attributes to Japanese artists. But as I walked through the exhibition's front door, none of that. Black. White. Plain. Geometric. How unexpected, might need an explanation. I'm going to have to do something I hardly ever do: read the exhibition texts. So I learn more about Yasuhiro Ishimoto, whose remarkable modernity is actually rooted in his integration into the New Bauhaus a few years after his expatriation to the United States. Armed with a new way of seeing the world and his camera, he returned to Japan, where he captured the architectural forms of traditional buildings, in which he perceives the geometric shapes that served as inspiration for the Bauhaus.

Inside the exhibition.
Therein lies the secret to making photos of children in the streets of Chicago and photos of the interiors of Kyoto pagodas into a coherent whole. Zoom in until differences disappear. But don't be afraid to leave poetry behind.



ISHIMOTO, Yasuhiro. Chicago, Snow and Door, 1951. ISHIMOTO, Yasuhiro. Katsura Imperial Villa, 1954.
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