#in theory i could actually sell it for it a lot

[gamebunny-advance]

Hm.

It's a weird feeling getting the secret/rare from a blind box when it's the only one out of all the possibilities that you didn't want.

[exopelagic]

I am baking cake at midnight and it is going to kill me <3

[inthegardensofourminds]

Just put away some winter clothes and got out some summer ones and I feel so demoralized.

[jessicalprice]

culture isn’t modular

I did a thread (actually several) on Twitter a few years ago about Christianity’s attempts to paint itself as modular, and I’ve been seeing them referenced here in the cultural christianity Discourse, and a few people have DMed me asking me to post it here, so here’s a rehash of several of those threads:

A big part of why Christian atheists have trouble seeing how culturally Christian they still are is that Christianity advertises itself as being modular, which is not how belief systems have worked for most of human history. 

A selling point of Christianity has always been the idea that it's plug-and-play: you don't have to stop being Irish or Korean or Nigerian to be Christian, you don't have to learn a new language, you keep your culture. 

And you’re just also Christian.

(You can see, then, why so many Christian atheists struggle with the idea that they’re still Christian--to them, Christianity is this modular belief in God and Jesus and a few other tenets, and everything else is... everything else. Which is, not to get ahead of myself, very compatible with some tacit white supremacy: the “everything else” is goes unexamined for its cultural specificity. It’s just Normal. Default. Neutral.)

Evangelicals in particular love to contrast this to Islam, to the idea that you have to learn Arabic and adopt elements of Arab culture to be Muslim, which helps fuel the image of Islam as a Foreign Ideology that's taking over the West.

The rest of us don’t have that particular jack

Meanwhile, Christians position Christianity as a modular component of your life. Keep your culture, your traditions, your language and just swap out your Other Religion Module for a Christianity Module.

The end game is, in theory, a rainbow of diverse people and cultures that are all one big happy family in Christ. We're going to come back to how Christianity isn't actually modular, but for the moment, let's talk about it as if it had succeeded in that design goal. 

Even if Christianity were successfully modular, if it were something that you could just plug in to the Belief System Receptor in a culture and leave the rest of it undisturbed, the problem is most cultures don't have a modular Belief System Receptor. Spirituality has, for the entirety of human history, not been something that's modular. It's deeply interwoven with the rest of culture and society. You can't just pull it out and plug something else in and have the culture remain stable.

(And to be clear, even using the term “spirituality” here is a sop to Christianity. What cultures have are worldviews that deal with humanity’s place in the universe/reality; people’s relationships to other people; the idea of individual, societal, or human purpose; how the culture defines membership; etc. These may or may not deal with the supernatural or “spiritual.”)

And so OF COURSE attempting to pull out a culture's indigenous belief system and replace it with Christianity has almost always had destructive effects on that culture.

Not only is Christianity not representative of "religion" full stop, it's actually arguably *anomalous* in its attempt to be modular (and thus universal to all cultures) rather than inextricable from culture.

Now, of course, it hasn't actually succeeded in that--the US is a thoroughly Christian culture--but it does lead to the idea that one can somehow parse out which pieces of culture are "religious" versus which are "secular". That framing is antithetical to most cultures. E.g. you can't separate the development of a lot of cultural practices around what people eat and how they get it from elements of their worldview that Christians would probably label "religious." But that entire *framing* of religious vs. secular is a Christian one.

Is Passover a religious holiday or a secular one? The answer isn't one or the other, or neither, or both. It's that the framing of this question is wrong.

And Christianity isn’t a plugin, however much it wants to be

Moreover, Christianity isn't actually culture-neutral or modular. 

It's easy for this to get obscured by seeing Christianity as a tool of particular cultures' colonialism (e.g. the British using Christianity to spread British culture) or of whiteness in general, and not seeing how Christianity itself is colonial. This helps protect the idea that “true” Christianity is good and innocent, and if priests or missionaries are converting people at swordpoint or claiming land for European powers or destroying indigenous cultures, that must be a misuse of Christianity, a “fake” or “corrupted” Christianity.

Never mind that for every other culture, that culture is what its members do. Christianity, uniquely, must be judged on what it says its ideals are, not what it actually is. 

Mistaking the engine for the exhaust

But it’s not just an otherwise innocent tool of colonialism: it’s a driver of it. 

At the end of the day, it’s really hard to construct a version of the Great Commission that isn’t inherently colonial. The end-goal of a world in which everyone is Christian is a world without non-Christian cultures. (As is the end goal of a world in which everyone is atheist by Christian definitions.)

Yet we focus on the way Christianity came with British or Spanish culture when they colonized a place--the churches are here because the Spaniards who conquered this area were Catholic--and miss how Christianity actually has its own cultural tropes that it brings with it. It's more subtle, of course, when Christianity didn't come in explicitly as the result of military conquest.

Or put another way, those cultures didn't just shape the Christianity they brought to places they colonized--they were shaped by it. How much of the commonality between European cultures is because of Christianity?

It’s not all a competition

A lot of Christians (cultural and practicing), if you push them, will eventually paint you a picture of a very Hobbesian world in which all religions, red in tooth and claw, are trying to take over the world. It's the "natural order" to attempt to eliminate all cultures but your own. 

If you point out to them that belief and worldview are deeply personal, and proselytizing is objectifying, because you're basically telling the person you're proselytizing to that who they are is wrong, you often get some version of "that's how everyone is, though."

Like we all go through life seeing other humans as incomplete and fundamentally flawed and the only way to "fix" them is to get them to believe what we believe. And, like, that is not how everyone relates to others?

But it's definitely how both practicing Christians and Christian antitheists relate to others. If, for Christians, your lack of Jesus is a fundamental flaw in you that needs to be fixed, for New Atheists, your “religion” (that is, your non-Christian culture) is a fundamental flaw in you that needs to be fixed. Neither Christians nor New Atheists are able to relate to anyone else as fine as they are. It's all a Hobbesian zero-sum game. It's all a game of conversion with only win and loss conditions. You are, essentially, only an NPC worth points.

The idea of being any other way is not only wrong, but impossible to them. If you claim to exist in any other way, you are either deluded or lying.

So, we get Christian atheists claiming that if you identify as Jewish, you can’t really be an atheist. Or sometimes they’ll make an exception for someone who’s “only ethnically Jewish.” If the only way you relate to your Jewishness is as ancestry, then you can be an atheist. Otherwise, you’re lying. 

Or, if you’re not lying, you’re deluded. You just don’t understand that there’s no need for you to keep any dietary practices or continue to engage in any form of ritual or celebrate any of those “religious” Jewish holidays, and by golly, this here “ex”-Christian atheist is here to separate out for you which parts of your culture are “religious” and which ones are “secular.”

Religious/secular is a Christian distinction

A lot of atheists from Christian backgrounds (whether or not they were raised explicitly Christian) have trouble seeing how Christian they are because they've accepted the Christian idea that “religion” is modular. (If we define “religion” the way Christians (whether practicing or cultural) define it, Christianity might be the only religion that actually exists. Maybe Islam?)

When people from non-Christian cultures talk about the hegemonically Christian and white supremacist nature of a lot of atheism, it reflects how outside of Christianity, spirituality/worldview isn't something you can just pull out of a culture.

Christian atheists tend to see the cultural practices of non-Christians as "religious" and think that they should give them up (talk to Jewish atheists who keep kosher about Christian atheist reactions to that). But because Christianity positions itself as modular, people from Christian backgrounds tend not to see how Christian the culture they imagine as "neutral" or "normal" actually is. In their minds, you just pull out the Christianity module and are left with a neutral, secular society.

So, if people from non-Christian backgrounds would just give up their superstitions, they'd look the same as Christian atheists. 

Your secularism is specifically post-Christian

Of course, that culture with the Christianity module pulled out ISN'T neutral. So the idea that that's what "secular society" should look like ends up following the same pattern as Christian colonialism throughout history: the promise that you can keep your culture and just plug in a different belief system (or, purportedly, a lack of a belief system), which has always, always been a lie. The secular, "enlightened" life that most Christian atheists envision is one that's still built on white, western Christianity, and the idea that people should conform to it is still attempting to homogenize society to a white Christian ideal. 

For people from cultures that don't see spirituality as modular, this is pretty obvious. It's obvious to a lot of people from non-white Christian cultures that have syncretized Christianity in a way that doesn't truck with the modularity illusion. 

I also think, even though they're not conceptualizing it in these terms, that it's actually obvious to a lot of evangelicals. (The difference being that white evangelical Christianity enthusiastically embraces white supremacy, so they see the destruction of non-Christian culture as good.) But I think it's invisible to a lot of mainline non-evangelical Christians, and it's definitely invisible to a lot of people who leave Christianity.

And that inability to see culture outside a Christian framing means that American secularism is still shaped like Christianity. It's basically the same text with a few sentences deleted and some terms replaced.

Which, again, is by design. The idea that you can deconvert to (Christian) atheism and not have to change much besides your opinions about God is the mirror of how easy it’s supposed to be to convert to Christianity.

Human societies don’t follow evolutionary biology

The Victorian Christian framing underlying current Western ideas of enlightened secularism, that religious practice (and human culture in general) is subject to the same sort of unilateral, simple evolution toward a superior state to which they, at the time, largely reduced biological evolution, is deeply white supremacist.

It posits religious evolution as a constantly self-refining process from "primitive" animism and polytheism to monotheism to white European/American Christianity. For Christians, that's the height of human culture. For ex-Christians, the next step is Christian-derived secularism.

Maybe you’ve seen this comic?

The thing is, animism isn’t more “primitive” than polytheism, and polytheism isn’t more “primitive” than monotheism. Older doesn’t mean less advanced/sophisticated/complex. Hinduism isn’t more “primitive” than Judaism just because it’s polytheistic and Judaism is monotheistic. 

Human cultures continue to change and adapt. (Arguably, older religions are more sophisticated than newer ones because they’ve had a lot more time to refine their practices and ideologies instead of having to define them.) Also, not all cultures are part of the same family tree. Christianity and Islam may be derived from Judaism, but Judaism and Hinduism have no real relationship to one another. 

But in this worldview, Christianity is "normal" religion, which is still more primitive than enlightened secularism, but more advanced than all those other primitive, superstitious, irrational beliefs.

Just like Christians, when Christian atheists do try to make room for cultures that aren't white and European-derived, the tacit demand is "okay, but you have to separate out the parts of your culture that the Christian sacred-secular divide would deem 'religious.'"

Either way, people from non-Christian cultures, if they’re to be equals, are supposed to get with the program and assimilate.

You’re not qualified to be a universal arbiter of what culture is good

Christian atheists usually want everyone to unplug that Religion module!

So, for example, you have ex-Christian atheists who are down with pluralism trying to get ex-Christian atheists who aren't to leave Jews alone by pointing out that you can be atheist and Jewish.

But some of us aren’t atheist. (I’m agnostic by Christian standards.) And the idea that Jews shouldn’t be targets for harassment because they can be atheists and therefore possibly have some common sense is still demanding that people from other cultures conform to one culture’s standard of what being “rational” is.  

Which, like, is kind of galling when y’all don’t even understand what “belief in G-d” means to Jews, and people from a culture that took until the 1800s to figure out that washing their hands was good are setting themselves up as the Universal Arbiters of Rationality.

(BTW, most of this also holds true for non-white Christianity, too. I guarantee you most white Christian atheists don’t have a good sense of what role church plays in the lives of Black communities, so maybe shut up about it.)

In any case, reducing Christianity--a massive, ambient phenomenon inextricable from Western culture--to the specific manifestation of Christian practice that you grew up with is, frankly, absurd. 

And you can’t be any help in deconstructing hegemony when you refuse to perceive it and understand that it isn’t something you can take off like a garment, and you probably won’t ever recognize and uproot all the ways in which it affects you, especially when you are continuing to live within it. 

What hegemony doesn’t want you to know

One of the ways hegemony sustains and perpetuates itself is by reinforcing the idea not so much that other ways of being and knowing are evil (although that’s usually a stage in an ideology becoming hegemonic), but that they’re impossible. That they don’t actually exist. 

See, again, the idea that anyone claiming to live differently is either lying or deluded.

There are few clearer examples of how pervasive Christian hegemony is than Christian atheists being certain every religion works like Christianity. Hegemonic Christianity wants you to think that all cultures work like Christianity because it wants their belief systems to be modular so you can just ...swap them. And it wants to pretend that culture/worldview is a free market where it can just outcompete other cultures.

But that’s... not how anything works. 

And the truth of the matter is that white nationalist Christians shoot at synagogues and Sikh temples and mosques because those other ways of being can’t be allowed to exist. 

They don’t shoot at atheist conventions because there’s room in hegemonic Christianity for Christian atheists precisely because Christian atheists are still culturally Christian. Their atheism is Christian-shaped.

They may not like you. They’re definitely going to try to convert you. They may not want you to be able to hold public office or teach their kids.

But the only challenge you’re providing is that of The Existence of Disbelief. And that’s fine. That makes you a really safe Other to have around. You can See The Light and not have to change much.

What you’re not doing is providing an example of a whole other way of being and knowing that (often) predates Christianity and is completely separate from it and has managed to survive it and continue to live and thrive (there’s a reason Christians like to speak of Jews and Judaism in the past tense, and it’s similar to the reason white people like to speak of indigenous peoples of the Americas in the past tense). 

That’s not a criticism--it’s fine to just... be post-Christian. There’s not actually anything wrong with being culturally Christian. The problems come in when you start denying that it’s a thing, or insisting that you, unique among humankind, are above Having A Culture.

But it does mean that you don’t pose the same sort of threat to Christianity that other cultures do, and hence, less violence. 

[elodieunderglass]

I'm not as familiar with LOTR as you are, so I wondered if you could tell me if my wild theory is completely off-base.

No one knows where the Hobbits came from, except that at some point they diverged from the line of men. No one knows much about the Entwives' appearance, but we do know that they fucked off a long time ago.

Could the Entwives have been dryad-ish and hooked up with the hobbits' ancestors and so be the foremothers of the hobbits?

Ah I think I saw that post! The concept has a lot of charm, and when the Tolkien estate loses its corpse-grip on the property in 2050 or so, I think you should write it and sell it 😤 I’ve definitely read some good takes on entwives in fanfiction that both leaned into canon and moved away, and I think that sounds like good fun to explore. A common theme in the fandom is playing with Yavanna, the Green Lady, being the mother or patron of hobbits. This isn’t canonical, but she’s a “green goddess” archetype and is married to Mahal/Aulë, the father of dwarves, which shippers often leverage to their advantage. You could do something quite charming there with Yavanna if you wanted to. We also know that Entwives loved gardens and orchards rather than forests.

Some things I would explore with this include:

what is going on with all these consistent ideas of people, races, women disappearing. We know that a lot of it is how Tolkien processed an almost OCD-like Catholic framing of “the fallen world is getting worse and can never be repaired”, war experiences, romanticism and other stuff stewing in his old man head. What are some ways you could show what’s stewing in your head? What does “people disappearing” mean to you? and why is it especially healing that they disappeared in order to make new families?

I think “they disappeared from their old kin and made new kin” is an interesting and weird thing worth wondering about!

- this would possibly make hobbits a more recent race than is implied. What does that mean to you?

- why are hobbits teeny tiny?

A very good starting point, that Terry Pratchett used a lot, is taking some grand statement in fantasy fiction, and making it reflect a different political reality. “Most dwarves are girls actually.” “Wizards parody academia, but, like, FOR REAL.”

I personally have a different take because of my own political feelings and framings! I have a lot of complex feelings about Tolkien chickening out of hobbits. For various political reasons I personally have to take the stance that they are fully human, fully indigenous, and have their own native language. and that their disappearance is less “teehee we lost them” or “O, the Catholic guilt of the Fallen World, how far we have fallen from the light of the two trees God’s sinless light” and a lot more “oh yeah I’ve seen THAT pattern before.”

If you have a political sort of lens on, someone telling you “yeah… hobbits came from nowhere 🤭 and then disappeared 🤷‍♀️ sad!” is a story that can also invite the response of “OHhhhh you wanted their LAND real bad, huh.” Like, we know what that means, right.

It’s a political stance for me. Hobbits have to be close enough to us to touch, and we have to be able to face that, and the fact that 5,000 media properties will chew on tolkienelves and sell them to you before even admitting to the 🤭 just makes it even more of a 🤨. To me.

…But I have literally just been elbow deep in my own demented fanfic thing that involves inventing a language just to swear in, to enable my standing on a box shouting HOBBITS OUGHT TO RESIST GOING EXTINCT ACTUALLY, based entirely on, I think, spite. Why do multiple authors publish orc football games (Terry Pratchett) and orc coffeeshops (Legends and Lattes guy) and do every damned thing with every bit of Tolkien’s corpse but refuse to look directly at hobbits. I am feral over this and wrote 59k words so far to damage and harm my friends

In conclusion I see a great story shape there about kindred and I think you should explore it and it should be about evolutionary biology and women and divorce and nobody being wrong.

And if anyone argues you with some podcast boy “well actually”, just bite them and do more character work and sit on their heads

[hyperfixatedbastard]

do you write hypnosis stuff?? it's not specifically against the rules but idk it's kind of an iffy era for a lot of writers-

if it's okay with you, could you write some Vox x Singer!Reader who he uses his mind control on to sell their soul to him so they remain under the VoxTek label? (im sure remaining with him is an ulterior motive of his as well lol)

thanks :]

I can absolutely do that! I’m a little iffy about NSFW hypnosis, but I can do a SFW oneshot :)

siren songs

Obsessed!Vox x Singer!GN!Reader

Word Count: 1.4k

WARNINGS: Yandere-ish behavior, hypnosis, manipulation, toxic behavior, all that good stuff

A/N: I told y'all I'd be back with some toxic Vox!! I wasn't entirely sure how to end this one, but I've spent enough time rewriting it to stop caring. This one is only romantic in theory - nothing actually romantic happens between Vox and Reader, it's more mutual pining than anything else This is also my first time writing obsessive behavior, so I hope I did it well!

Dividers

You’ve been working with the Vees for years now. You were originally recruited by Velvette, who’s like a bloodhound for new talent. She saw some popular videos of your singing online, and she made you famous.

But you don’t work with her that much, oddly enough. Over time, you gradually started to see her less and less. Vox was the one to take her place. By the time you noticed, there wasn’t much you could do about it—you’re certainly not an equal to the Vees, so there wasn’t much you could do. Sure, you could’ve quit then and there, as you’d never signed a soul-binding contract, but you really liked your job. You were getting to do what you loved for a living! Who wouldn’t want that?

Well, you. You don’t want that anymore. You’re getting burnt out. You feel like you’re out of creativity for writing songs, and singing no longer has the same appeal it used to. It feels like a chore. Getting on stage doesn’t get you excited—it just fills you with dread.

Then you saw the videos of the annual clown pageant down in the Greed Ring. How Fizzarolli, Mammon’s favorite little jester, just…quit. Just like that. 

Can you do that?

You don’t have backup like Fizzarolli did. There’s no Prince of Hell to protect you if the Vees lash out in response to your resignation. But the Vees aren’t Mammon. They’re powerful Overlords, sure, but they wouldn’t kill off an easy cash grab like you. And they don’t have any leverage to use against you—you’re a fucking superstar, you learned to stop keeping secrets a long time ago.

Yeah, you can totally do this!

You spend the next week making a plan. You currently live in V Tower, so finding another living arrangement is a priority. Luckily, your standards are just as low as before you got famous, so snatching up an apartment doesn’t take long. You’ve been building up savings for some time now, just little bits here and there that wouldn’t look suspicious among your bank withdrawls, so you have enough money to last you a while. You’ve made a go-bag, but you’re not too worried about bringing anything with you, as you have enough cash to just buy new shit. By the time the end of the week comes around, you’ve got your escape plan ready to go. All that’s left is to actually quit.

You decide that directly speaking to Vox is your best option. Velvette and you don’t have the same rapport that you used to, and Valentino is just… no. During your time working with Vox, you like to think there’s some sort of friendship there. The two of you chat amicably, and he always makes sure you’re okay when it comes to creepy fans and the like. You feel like there could be something more than just friendship, but you don’t plan on staying long enough to find out. As much as you like Vox, you’re not willing to spend the rest of your afterlife hating every second of your job just for him.

You stand outside Vox’s lair, mentally preparing yourself for this conversation. You take a deep breath, and right before you can knock on the door, it opens.

Okay, here goes.

⋆⋅☆⋅⋆

You aren’t as sneaky as you seem to think you are.

A normal boss wouldn’t have noticed the small transactions in your bank account, or the little trips you’ve been taking to go look at apartments. But Vox isn’t a ‘normal boss’ by any means. And he noticed.

From the moment Vox set eyes on you, he knew he wanted you. You’re beautiful, and fuck, your voice—he just can’t get you out of his damn head, no matter how hard he tries. And he really fucking tried. But he couldn’t avoid you, thanks to VoxTek being such an integral part of your performances. And you’re like a damn siren with that voice of yours, even though he’s supposed to be the hypnotizing one here. Eventually, he just gave in and accepted that he was more than a little obsessed with you. That’s why he started drawing you closer to him, pushing away Velvette and taking control of your brand. He doesn’t like sharing.

Obsession isn’t a particularly new feeling for Vox. He certainly has… tendencies. But this isn’t like whatever the fuck he’s got going on with that deer-headed, old-timey bastard Alastor. It’s not a lust thing, either. You’re certainly attractive, and Vox most definitely would sleep with you, but that’s not the main factor at play here. This is a deeper obsession than any of that bullshit.

Vox knows that he doesn’t own your soul. He’s well aware that he can’t truly stop you from quitting. Even if he managed to trap you inside V Tower, he can’t force you to keep up the performances. If he had you under a proper soul-binding contract, though…

He would own you.

Now, he’s not Valentino. He doesn’t plan to take that kind of advantage over you. He doesn’t want to change a damn thing. He just wants you to stay.

And he will make you stay.

He knows when you approach his office, and he opens the doors with the touch of a button on his desk. He plasters that casually perfect smile on his screen and turns to face you as you enter. The doors shut behind you.

“I wasn’t expecting to see you today, my dear,” he lies easily, the charismatic mask fitting into place like it was never absent in the first place. “How can I help you?”

You hesitate, your anxiety starting to get to you. But you’re determined to do this. You clear your throat and step forward. “I’m resigning.”

Vox’s smile doesn’t falter, nor does his screen glitch. His demeanor is…unnerving, to say the least. You’ve known him to be temperamental, emotional. You expected some kind of reaction. But he���s just smirking at you like he always does.

“I don’t suppose there’s anything I can do to change your mind,” he replies smoothly, tilting his head to the side just slightly.

“No,” you confirm, trying to sound confident in your answer. You’re not sure if you succeed. “I’ve already made my decision.”

Vox sighs, though he doesn’t sound very defeated. His smirk hasn’t gone away, either. “Well, then. It’s been a pleasure working with you, darling.”

He holds his hand out for you to shake. The gesture immediately worries you, as it’s the well-known sign of a deal. But you reassure yourself that there’s no deal being made here. Hell may be chaotic, but there’s rules when it comes to these kinds of things. Neither of you have offered anything, therefore there’s no harm in shaking his hand. It’s just a respectful gesture of a boss wishing their employee farewell. It all feels too easy, but you’re too relieved to think too hard about it.

You go to take his hand, but as you lift your head up to meet his gaze, everything goes fuzzy.

Vox grabs you by your wrist before you can shake his hand. He’s not rough with you. He’s careful of his claws, ensuring they don’t put too much pressure on your skin. Not that you’d notice, either way—your mind is far gone at this point, thanks to those spirals in his eye.

“In exchange for your soul, you’ll remain under the VoxTek label and continue working for me. Your work will remain the same as before. You’ll forget about leaving. You will want to stay here. You will want to stay here with me.”

A golden scroll appears out of thin air, and it floats in front of you as it unfurls. “Sign it.”

Your body moves on its own. You sign your name on the line at the bottom of the page.

Vox releases your wrist, and takes your hand in his own as his eye reverts back to its normal state. When you come to just moments later, he’s shaking your hand with calm professionality.

“I’m glad we got that sorted out,” Vox remarks smoothly, his smirk looking almost proud now. “I look forward to your next performance, my dear.”

You blink a few times as you become more lucid and aware. “Uh, yeah. Can’t wait!”

You smile, and Vox releases your hand, seemingly satisfied with your answer. You don’t remember what exactly you came in here for, but you’re happy with the outcome.  “Perfect.”

[ghosted-draws]

Really liked that Alastor lost the fight in the finale, actually! A lot of people have been saying that they wished he went full power on Adam, but a theory i really enjoy is that he WAS, but he didn’t OUTPUT what he was expecting.

Alastor canonically rose to becoming an overlord INCREDIBLY quickly. a power no being in hell had ever seen before- I don’t think it’s an accident Lilith picked him, and i’m super curious what would have prompted him to EVER sell his soul as a DEAL DEMON. (And even if he didn’t sell his soul directly, making a deal that would restrict him so badly) Like he knows what that does he must have been DESPERATE. He says specifically both that his wings have been clipped, and also that once he figures his way OUT of his deal he will be pulling all the strings. I think his deal was something to do with his power, or whatever let him rise so quickly to overlord status. He’s not exactly used to being properly challenged.

So when his staff broke, it wasn’t even something he thought COULD happen. It’s not “Oh shit”, its “What just happened?” he holds it out in front of him like he expected it to withstand that attack. But he DOESN’T. It freaks him out so badly he drops everything but the smile for a second. You could say he miscalculated Adam’s power, which, sure, but Alastor is good at picking out weakness, i think he just assumed he could take him, or at least distract him for much longer- he doesn’t seem to have an angelic weapon with him so his job could have just been keeping him busy

when we see him in his studio he is downright hysterical. Because he DID almost die, FOR THIS DEAL. Whatever is tying him to the hotel, he let it almost KILL HIM. And the realization he is not as in control as he thought he was shakes him to his core- he goes back to the shattered radio tower just to feel like himself again, battered and bleeding.

TLDR: Alastor isn’t as in control as he thought he was, and i am very interested to know how he killed so many overlords so fast

[hcfiles]

Of course, you can't believe everything you hear, and should not. If I write a lot of nonsense about HC on forums, who would believe that? It's simple: people lie, especially when they want to eliminate someone, they'll invent rumours to that aim. If you believe it without checking, you can easily believe in antivax and all the other conspiracy theories too! I see that there are a lot of rumours about him, but there's no proof. And of course it's always in the forums! The incident on the set of Tudor made him uncomfortable playing sex scenes because there were people around him. It must have been a gradual process. In the interviews with Amy Adams, she and the journalist made sexual references, and he was clearly uncomfortable. He realised why he was called in the films: for his looks. That couldn't help him excel. Finally, these accounts that reveal blinds do it mostly for the views.

You said something interesting: that he realized why he was called for the movies and that it was for his looks. Did he really have the illusion it was for his acting skills? Let's admit it: As an actor, he may have potential, but still has A LOT to learn and evolve. And, if surprised about the reason he was chosen, I wonder why. Wasn't he the first to sell himself as a sex symbol and to say he was on the job, for the money was good? What did he expect? As an actor, he's usually stiff (probably for being very shy and insecure). To the industry, he's great for action, hero movies. But, he needs to evolve his skills for drama and even comedy. He couldn't even let loose and relax on Boy George's video. He was clearly uncomfortable and showed that, depending on the role, he might only perform it if there's no choice and he sees himself trapped and obligated. Or he will arrange an excuse to leave or to be fired from production. But, this discussion he brought about sex scenes, as he touched on the subject in an interview for Josh, could be for feeling uncomfortable with them or TO GIVE THE IDEA HE IS UNCOMFORTABLE AND GENERATE THE DISCUSSION. People are being manipulated. And, what is curious about this is to see him bringing the discussion when it has been said his promiscuous PR is actually, a cheap porn actress. Don't get me wrong. I do believe he feels uncomfortable with sex scenes and I agree sometimes they seem unnecessary, despite appealing. But, this discussion called my attention and made me question: Why bring it? It is as if he had faced some trouble in a production because of it. So, was that the reason he left (was fired) from TW? For denying taking his clothes off and performing sex scenes? But, isn't he a jerk with women? A jerk with women wouldn't care and even would like to perform them. So, what's the truth?

[intergalacticfop]

Minoan Heanos

The distinctive open-front dresses worn by Minoan women are probably even more iconic than the multi-layered kilts. Over time, there's dispute whether the garment is one piece or a separate bodice and skirt, but currently the one-piece theory is in ascendance.

The word heanos is derived from the Linear B logogram *146, wehanos. The wes- prefix, which is the squiggle in the middle, indicates a garment. Bernice Jones believes that this logogram represents the garment worn by Minoan men and women.

Marie-Louise B. Nosch, The Textile Logograms in the Linear B Tablets, pp 133-138

More research and construction below the cut:

The theory that the garment is a full-length tunic is further supported from imagery from the time, like these figures from the c. 1400 BCE Hagia Triada Sarcophagus. This detail from the sarcophagus shows three figures in some kind of procession, 2 women and 1 man. The woman at left wears a tunic with some kind of pelt as a skirt, and the other 2 figures wear tunics without anything over them, showing that they are one continuous, ankle-length garment.

Some of the most important resources for interpreting how the heanos was constructed comes from the two women depicted in the House of the Ladies in Akrotiri, wherein the side seams of the tunic are clearly visible running along the side of the body and under the arm.

details of figures from the House of the Ladies, Akrotiri, via Wikimedia Commons

advadbsvasb

Diagrams from Bernice Jones' book Ariadne's Threads, p. 82, via Gorgeous Tangents

The heanos itself is made of 3 pieces of fabric: 1 back and 2 fronts. These diagrams show a concave hem like on the labrys-shaped kilt but I went with a straight hem, which is an equally valid option. The end of the sleeves are level with the edge of the hem at the widest point. This would probably be the width selvage-to-selvage on the fabric, being narrower than fabric widths commonly are today. There are 4 seams: the shoulder seam, the two side seams, and a front seam (optional, but recommended if you would prefer not being arrested.) It may be tempting to fold the fabric across the shoulder, so the only sewing is side seams and a neck hole, but this makes a weaker garment overall. I used this as a shortcut in my fitting muslin and it caused tears and weak points at the three points of the front opening.

my fabric was a lightweight, moderately loose-woven cotton with a supplementary weave pattern in squares and diamonds. Linen or wool would have been more accurate but also? much harder to find from online quilting stores selling fabric for affordable prices. The main fabric is dark orange and the pattern is made out of pink/lilac threads. This weaving technique resulted in a LOT of long floats (unsecured expenses of thread) on the back--you can see how the wrong side of the fabric is much pinker than the right side. These floats could snag easily if I wasn't careful, so while it made a very effective visual for this tunic, I do not think that this fabric type would be viable for everyday wear. I'll leave it to people who actually know about weaving to ponder what more accurate weaving techniques would be.

Construction

The overall pattern is basically a T-shaped tunic, and the most important measurements are shoulder circumference, shoulder width, bust circumference, and the shoulder-waist length. In addition, you need measurements for the bicep, waist, shoulder-navel length, and hip circumference. After working out the fit with a muslin, I ended up with this pattern, 1 of 4 identical quarters.

Your first impulse may be to make the tunic very close-fitting, since the depictions in frescoes are skin-tight, but since the pattern has no added gusset this is a recipe for Cannot Move Arm. So I gave a very generous curve under the arm, which also made the dress look better when my arms were down, avoiding armpit wrinkles. I continued that ease into about an extra 2 inches added on to my waist measurement and plenty of extra space around my hips so that I could do exciting things like Sit Down.

I sewed the shoulder and side seams using the machine, and felled the raw edges on each side of the seam by hand with a whipstitch. I foided back the front edges of the v-neck instead of cutting them, which was a tip I got from the Gorgeous Tangents blog. This strengthens the neckline and keeps it from stretching, and also means that everything can be readjusted if you have size fluctuations or just want to modify the tunic into something more or less modest.

I whipstitched the front edges together by hand--the contrasting selvage didn't matter because it would be covered up by trim. I ended up cutting the tunic a liiiittle shorter than I wanted, so I finished it with some leftover bias binding instead of hemming it to conserve as much length as possible.

Trim

I custom-ordered the woven tape trim from Long Creek Mercantile. Both are made of wool--the "header band" and the hem trim are 1 1/4" wide and the center-front and cuff trim are 3/8" wide. I observed that most images of the Minoan heanos show trim with two colors at most, in a simple geometric or linear pattern, so I consciously restrained myself from ordering anything more elaborate. The clothing on Minoan frescoes is characterized by strongly contrasting colors, so blue trim was the most obvious, and best-looking option. Orange tunics with blue trim appear multiple time in art like the "Dancing Lady" fresco from Knossos:

Dr. Jones suggests that the band across the shoulder would historically have been a header band--a band of threads woven at the beginning of a project in order to properly space the warp bands (see her diagram at the beginning). That may be a reason why the shoulder trim often depicted under the front or sleeve trim, as shown above. Regardless, the trim almost always coordinates.

I sewed on the shoulder trim by hand, the sleeve and hem trim by machine, and the center-front trim with a combination of both.

Tassels

Many frescoes from Akrotiri and Hagia Triada show the ends of the supposed header band turned into tassels. This embellishment is not universal among heanoi, as you can see from the "Dancing Lady" above, but it does add a fun little something!

(yes, my Lounging Pants are very fashionable)

I turned the excess ends of the shoulder "header band" trim into fringes, knotting the yellow ones into a lattice and turning the blue yarns into tassels. The lattice-tassel appears on a fresco from Hagia Triada:

Reproduction of fragmentary fresco from Room 14 at Hagia Triada, Crete

The saffron gatherers from Akrotiri shown below have clearly displayed fringes at the ends of their sleeves. The one on the left has red fringes that appear knotted or ravelled/unravelled in an undulating pattern, and the one on the right has fringes that may be either beaded with papyrus-shaped leaves or cut into short tassels.

Another option is leaving the fringes loose, as seen in the Akrotiri frescoes from Xeste, room 3:

The final garment was super comfy, actually! It's much simpler to create than I thought it would be based on the frescoes, which made it all feel pretty magical when everything came together. I did think it was a little unusual how tailored this garment is, and the potential waste of fabric that comes from a shaped garment, especially compared to how later ancient greek clothing was mainly rectangles. I don't know enough about bronze-age and earlier clothing to have any idea how typical this was, since I'm extremely Not an expert on this subject, but am always open to learning more!

[weirdmarioenemies]

SURPRISE! Did you think the day would come when we would cover Love Live on this blog? I didn't!

Yohane the Parhelion: Blaze in the Deepblue is the Metroidvania-style game based on the fantasy spin-off of Love Live Sunshine, but you probably don't care about that! Statistically speaking, our target audience is Bogleech readers who are deeply revolted by anime girls!

So why bring up? Why bring it up? The answer is 🐠 FUNNY FISH! It's Funny Fish Friday!

Since this game is set in an underwater temple, the enemies this game are all based on sea creatures, and that's cool! Again, statistically speaking, you probably think sea creatures are cool. I really liked seeing the variety of enemies when playing through this game, so I thought it'd be fun if I could share them with an audience of people who otherwise wouldn't care! None of the enemies really have names, as far as I'm aware of. But I'll do my Rubesty...?

Our first guy we encounter in the game is the sort of guy who emerges from the ground like the Zombies from Castlevania, and wow! A good first impression I think. It is sort of a squid mantle, if the mantle was also a cloak for a spooky sort of wizard! The way it doesn't really have a 'face' in the hood and the eye is below really makes it seem like a weird mimic creature. Cool!

They also get a tough lategame variant which looks like a mix between a flapjack and a vampire squid. You don't often see flapjacks be designed as scary!

---

Next is Barnacles! A whole clump of them, like a cake. They shoot Energy Balls at you. Is this what Barnacles can do if they combine their powers...? The top actually opens up, and it looks a lot like a sea urchin's mouth! So maybe it is some sort of naked urchin creature covered in barnacles? Game Theory!

There are also barnacles with Ice Powers. Like real life!

---

Let's give it up for Garden Eel!!!!

What a fine Garden Eel it is! Complete with the sort of grumpy face, and with the addition of two little arms that make it look like it's praying or maybe a bit shy. But it is mean! It also spits energy balls at you, then hides in the hole so you can't hit it. How very sneaky!

SO sneaky, in fact, that these eels have mastered the art of ninjutsu! The ninja eel shows up for a split second in one single room, before smoke bombing away. You'd have to use a time freeze power to get him, but I never got around to doing that. I don't have any beef with a ninja eel! I respect him and his training!

Did someone say CTENOPHORE? I hope you did, or my hearing has really gotten worse. This thing is a grade A ctenophore, only with a ring of Scary Teeth! A little scary to think of a ctenophore who could Bite you, but nonetheless this deserves a :ctenopog:!

---

Let's not forget Fish Vortex! Fish Vortex was the first guy to make me go 'wow, this game's enemies really are awesome!' So of course I had to put him at the top of the post! He is my selling point! I am selling all these enemies to you. For 4.99 a pop!

Anyway. This design is just so funny and cool at the same time. A swirling school of fish that leads into an endless dark abyss, and in the middle, a big eyeball. Also covered in fish. It shoots fish at you! Yay!

There is also a pink variant - it shoots fish that give you the Solitude status effect, which basically just makes Yohane too depressed to summon her friends. Meaning? They are Depression Fish! Maybe she just becomes so jealous of the unity and teamwork of these sardines. She's me like just for real! ^_^

---

isopot :)

---

This slug is an umbrella. That is ridiculous! Ridiculously EPIC! It does the opposite of shield you from rain, which is create rain, that kills you. But I would still want one as an umbrella.

---

When I first saw this thing, I thought it was some strange round Echimoderm I had never heard of. But upon further inspection (I actually asked Mod Chikako shh), it is obviously like a Brittle Star, with each arm folded round to form a wheel! How creative and fun! It even has a bunch of eyes like a starfish!

---

Last but not least- sushi! There are sushi guys and they are cute. They don't really do much and are typically found in their own rooms, so I'm not sure what the point of them is. But finding a funny walking sushi should be a reward in of itself, I guess! Look at their funny rice feet! Or the one with the roe eyes!

I happened to use fire magic on one of them and this happened. Oopsies...

Now I am sure you are saying, thank you for showing me all these funny enemies. But are there any cool bosses? Of course there are, me! What's a Metroidvania without cool bosses? So I shall show you my favorites without delay!

First is this freak (affectionate)! It is a sort of amalgamation of lots of different animals and I think it just looks plain cool! Two squid mantles combined into one, a bit of a sea angel shape, bug legs and of course a great big eyeball!

If it is not freaky enough for you, let it be known that the bug legs turn into big green skeleton hands, and it also keeps getting pinker, and it grows new eyes and then extra horns grow out of those eyes. If THAT is not freaky enough for you then I am sorry but I cannot do anything about that.

---

Now, how about a sampling of this Freaken Thang? It honestly doesn't seem that sea-creature themed, but it uses seashells so I guess it counts!

What is really neat is that this boss has two different forms, upside down and rightside up! When it is upside down it looks a bit like a Magolor type creature. And of course, I really like the flame thing in the middle as well, that really feels like a Kirby enemy or something! Like a wisp made of plasma!

---

Fans of Anomalocaris won't be disappointed by this one! It's a big Anomalocaris tank and boy is it cool! There's something for everyone here, whether you're an Anomalocaris purist or you've always wanted to see it turn into a sort of futuristic beast with a screen mouth that shoots lasers! It really is the future, zura...

---

After covering all these wacky creatures, I'm going to have to end it off with the final boss! What could the big bad, the ultimate boss of all these sea monsters even be, I wonder? Well, it's...

...a coelecanth. Just a big coelacanth! It is big and blue! And really, does it need to be anything else? It is such an honor to make the biggest ultimate boss a coelacanth. It is even pretty cute!! Think he's smiling! 😊

Uh oh! Is it still cute? I guess so. My first thought seeing this was of course the world-renowned tongue eating isopod, so I really hope it was an intentional reference! It probably just wants to shake hands. Still, a pretty simplistic design for our final boss, right?

Buu buu! Its true form actually looks like this! Actually, it's kind of doing too much. Like let's tone it down a little?

So!! We beat the mega ultra coelacanth, and now we can find out what his motivation is! And it is... that he is the memories of the people of the past or something. And they all didn't want to be forgotten, so they turned into fish monsters! But we forgive them!

It doesn't really matter. All the girlies gather around and sing him a song. Look how happy he is! I forgot I was talking about a Love Live game until now, actually. All's well that ends well, the end, et cetera! Hit it, Yohane! [imagine this is like the end of a kids movie where all the Love Live girls are having a dance party and there is a shot of the big coelacanth in jail and he's tapping his mouth fingers along to the beat]

[veronika-tserber]

3rd House Ruler Through the Houses

The 3rd House in the Birth Chart Tells Us About:

How important communication is to us

How we express ourselves through spoken/written word

Our learning style and high-school education

Our relationship with siblings & the immediate environment

Our driving skills, as well as why we take short trips

We analyze the sign, the ruling planet of the sign, the degree, and any planets in the house (and their aspects). For this post, I am only asking you to look at the sign on the cusp and where its ruling planet is placed. This area of life is where your communicative abilities can shine the most.

E.g., if you have an Aries 3rd house, look at the house where Mars (also check out the modern ruler, Pluto) is placed, and read the explanation below.)

Some signs have TWO rulers, so read about both:

♈ Aries: Mars & Pluto

♏ Scorpio: Pluto & Mars

♐ Sagittarius: Jupiter & Neptune

♒ Aquarius: Uranus & Saturn

♓ Pisces: Neptune & Jupiter

3H Ruler in the 1H Your communication is closely tied to your self-image and self-expression. Others notice your manner of speech right away, and this could mean different things depending on the ruling planet. You express yourself best when you are able to freely speak up, and share your humor and opinions. You might learn best when you are physically involved in your learning. You can have a great sense of orientation and driving skills. Close relationships with siblings. Great communication is vital to you and your self-confidence. You could be a great writer/journalist/comedian or be involved in business and marketing. Short trips by yourself or for personal reasons.

3H Ruler in the 2H You probably like to think and talk about practical topics such as money, work, health, etc. You could also be skilled at crafting things and working with your hands. Similarly to the 1H people, you can have a "hands-on" approach to learning, and probably like to put any theory to the test. "Does it ACTUALLY work?" You might like to invest money into technology, education, cars/vehicles, and books. You could be interested in financial education, economics, real estate, or the arts. The financial state of your family affected your education and early environment. Your siblings ask you for financial support. Short trips for practical reasons.

3H Ruler in the 3H Communication and mental health are extremely important to you in this lifetime. Your immediate environment, education, and relationship with siblings play an important role in your life. You can be great at expressing yourself in verbal or written form and have the ability to sell goods, advertise, and be driven to learn things. You could be highly involved in your day-to-day life and love to find new and better ways to deal with everyday reality. You can be naturally skilled at solving everyday problems and fixing things. You could be quite fond of social media or the news - you like to stay in touch with everything that's going on in the world right now. Short trips with your siblings or acquaintances/schoolmates.

3H Ruler in the 4H You communicate best when you feel emotionally safe. You might be shy around strangers or people you don't "vibe" with. You could be interested in psychology and the themes of deconditioning, trauma, inner child healing, and family. You could've been homeschooled or you like the idea of homeschooling your children one day. A sibling of yours might've played the role of a mother/nurturer to you or vice-versa. You think deeply and love to see people open up to you and reveal their emotions and vulnerabilities. You could be interested in real estate, creative writing, and working from home. Your upbringing affects your communication and thinking patterns. You learn best in a safe environment that feels cozy and protective. You also might be a visual learner with strong emotional memory. You might be prone to thinking about the past a lot. You can be a skilled cook or good at fixing things around the house when they break. Short trips with the whole family.

3H Ruler in the 5H Your style of communication might be emotionally expressive, theatrical, and lively. You might love to draw people's attention by voicing your opinions or using your communicative abilities to entertain. You could be naturally skilled in the arts or want to go through formal art education. You might also have siblings that are artists. You love to talk about fun stuff, discuss art, movies, and flirt. You learn best when you are having fun! Communication with your own children is important to you, as well. You could have a "gambler" mindset or might like to take risks. You might like to buy or sell beauty/luxury items. Short trips for the purpose of having fun and enjoyment.

3H Ruler in the 6H This is double Mercury energy, so the importance of communication and service is amplified in your life. You can use your intellect and communicative abilities in your work or as a way to serve others in a practical way. In your education, you are punctual, responsible, and efficient. You love to learn! Especially about things that improve your day-to-day reality such as how to fix things around the house, how to improve your health, be better at your job, etc. You are probably a cautious driver, as well, and you can take short trips for work or for the sake of fulfilling other responsibilities. You could be interested in medical education/naturopathy but it really depends on the planet.

3H Ruler in the 7H Communication is crucial for you in your close personal relationships. If the planetary ruler isn't afflicted, you likely express yourself freely in front of others, and can easily forge new connections and partnerships. You can be a huge flirt! If the ruler is afflicted, you can struggle with self-expression. Nonetheless, people pay a lot of attention to how you think and communicate. You could potentially meet your future marriage partner during a short trip or thanks to your siblings/neighbors. You could also meet them while you are out riding your bicycle around the neighborhood, or buying coffee from your local coffee shop. Potential "high school sweethearts" placement, as well. You could have an education or a strong interest in relationship dynamics, and depending on the planet, that could be the placement of a counselor or a lawyer. Short trips with your partners, people close to your heart, or for business.

3H Ruler in the 8H In your communication, you like to go DEEP. You aren't satisfied with superficial information and you likely avoid social media, gossip, and small talk. You can keep a secret. You could potentially be challenged in your communication, and appear asocial or closed-off. It all depends on the ruling planet and its aspects. Nonetheless, you have an interest in the occult, psychology, sex, death, and other "taboo" topics. You could also come off as critical and sharp with your words. You could study and be interested in financial topics, and investments, or run advertising for a funeral agency. (I'm only halfway joking lol, and this is my placement, too 🤣) If the ruling planet is afflicted, you can be prone to accidents with vehicles or in your close environment. There could be issues in early education or perhaps strong bonds with some of the people you went to high school with. Possibly love-hate relationships with siblings, too. You like to take short trips with your intimate partners or by yourself.

3H Ruler in the 9H Your long-term goals and philosophy in life can be formed through your early education and experience of the early close environment. In your communication, you could be quite philosophical and might love to think about existential questions and the "big perspective" in life. You communicate and express yourself best in an academic environment of like-minded people/colleagues or with your professors. Alternatively, you could have issues there, depending on the ruling planet. You could be interested in foreign cultures, be multi-lingual, or skilled in literature or history. You could be the local tour guide for foreigners. You could pursue higher education in journalism, science, and writing, or decide to become a teacher, yourself. A lot of it depends on the ruling planet. Short trips for educational purposes and for the sake of adventure.

3H Ruler in the 10H Your communication abilities play a role in your career. Your education is the foundation of your profession and social status. Learning more languages, improving your practical skillset, communication, staying informed, and using social media constructively can help you advance career-wise. You could work in the field of trading, marketing, writing, teaching, and other Mercurial fields. It largely depends on the ruling planet. You could benefit (or suffer) from your ability to relate to authority figures and those "above you" on the social ladder. You probably like to feel in charge of your learning and education, but also love structure and measuring your achievements. You could have been ambitious and competitive at school. Taking short business trips.

3H Ruler in the 11H You communicate with pleasure among friends and like-minded individuals. This includes internet friends and communities. You love sharing your thoughts, visions, and interests with others, and engaging in inspiring conversations. You probably enjoy discussing social issues and topics and talking about your dreams and aspirations. You could also be prone to changing your interests a lot, and you could join many groups and communities over the years - especially in high school. You love to learn more about progressive ideas, technology, astrology, astronomy, science, etc. You might have a friendly relationship with your siblings. Regarding your learning style, you could be more fond of learning through the internet or working in a collaborative environment than sitting at a desk and having to "memorize" stuff. You could take short trips with friends.

3H Ruler in the 12H You could be really private with your thoughts. You could speak in a compassionate and gentle way that draws people in. Alternatively, you could be closed off and avoid communication or have some sort of a speech impediment/disability. You could be interested in learning more about spirituality, healing, art, mental health, etc. You could find that you tend to daydream a lot and your imagination is really vivid. It could be the placement for a painter, dancer, or creative writer, but it depends on other factors. Your education can involve the things above, plus psychology, energy healing, or the more traditional medical field. You could struggle in a traditional school environment. Your learning style is highly intuitive and may involve storytelling, metaphors, and visualization. You could definitely study better in solitude. Strong emotional memory. Great listener. You can take short trips to be by yourself and jam along to your favorite music.

The Ask Box is open for specific questions, folks! 😊

- Foxbörn

ᴍᴀꜱᴛᴇʀʟɪꜱᴛ 1

ᴄʜᴀʀᴛ ʀᴇᴀᴅɪɴɢꜱ

ᴡᴀɴᴛ ᴛᴏ ʙᴜʏ ᴍᴇ ᴀ ᴄᴏꜰꜰᴇᴇ?

[hheckk]

Deep Dive into Alastor's Situation

So we all remember this bit in Finale, where Alastor has a breakdown about his situation and deal correct? He wants to find a loophole so he can be back in control.

I've seen a lot of theories regarding how Alastor is feeling in this moment and what his deal could involve, but thus far they've all sort of missed something crucial. Alastor's power.

Alastor is highly disturbed by the fact that he almost died, let alone dying to protect people. He is freaked out that the deal has made him do this, whether as part of the deal itself or as a means to get back some semblance of control he had before the deal was struck.

Either way, based on what he says in this moment about wanting to find a loophole in order to unclip his wings

: "The constraints of my deal surely have a back door. Once I figure out how to unclip my wings, guess who will be pulling all the strings"

We can hazard a guess and say that this deal, despite us initially believing gave him power, has probably actually taken it away. Having one's wings clipped usually entails that someone is on a leash and cannot fully extend themselves.

This means that Alastor, as well as being forced into helping the hotel, has had his power taken away.

Now I do not say this lightly, I also think that this is the case because of Alastor's fight with Adam.

We all know Alastor likes to be in control, and in order to be in control, one must not overestimate another without the possibility of the loss of that control. Now, you could say that is exactly what happened in his fight with Adam, but that wouldn't necessarily warrant the reaction toward his deal the way he does in the song. If that were the case, Alastor would likely be more angry at himself than be panicked about his deal.

Therefore, we can guess that Alastor did not overestimate Adam, but rather himself. This means that at some point, he quite possibly did have the power to take out an angel but does not anymore. The fact that he is so surprised that Adam broke his mic that we can hear his true voice means that he expected to be able to block that attack.

This all comes back to the idea that Alastor has lost power through whatever deal he made. Which in turn makes us ask the question:

What did Alastor get in return?

If he lost enough power to the point he thought he could beat Adam and couldn't, what did he want so badly that he felt the need to sell his soul and power away?

I have no idea

BUT, I have thoughts.

I have seen theories saying that perhaps Alastor made this deal while he was alive, and he sold his soul to gain power while living. This, while possible, doesn't necessarily match up with what we know about his character.

Alastor is conniving. He's brilliant. He's a serial killer. He knows and understands nuance like the back of his hand. With how much time he spent in hell (he died in the 30s and according to the wiki, Katie Killjoy died in 1992 ((Helluva Boss also takes place in the 21st century but we don't know yet if Helluva Boss is canon to Amazon's Hazbin Hotel)) Alastor would have had ample time to figure out loopholes in his deal.

No, his deal definitely happened at some point during his seven-year absence, likely near the end for the same reason as the previous. Which, again, all connects back to Lillith, which means our likely culprit for this deal is Lillith OR the person responsible for Lillith's disappearance if not Lillith herself.

This all brings us back to two questions:

What deal did Alastor make?

What did he gain from it?

[bonefall]

How many times does Thriftear come up in Ivypool's Heart? I'm honestly suprised she wasn't part of the traveling party. It was my personal conspiracy theory that they picked Ivy's background daughter to be Moonpaw's mom so that they could sell more super edition copies by locking her potential character development behind a paywall. This would have been the best place to do it too so who knows what they were thinking here.

She comes up exactly 9 times, and only one of those times is any actual information. It's Ivypool thinking about how Thriftear only tidies up her den when it gets messy. Flipclaw is in Ivypool's thoughts a lot more, especially when the Sisters come up and she starts seething about how they would treat her boy-kit.

So, sorry anon. I think your personal conspiracy theory's sadly incorrect; they just kinda don't care enough about Thriftear to actually give her a distinct personality. The only tidbit we got about her is essentially that she's the most normal of her siblings.

(absolutely unlike BB, I've gotta blabber, because BB!Thriftear is a LOT like BB!Bristlefrost. They were two ambitious, up-and-rising cats in ThunderClan, but Thriftear was actually the more intense between the two of them.)

We also don't get any word on how Thriftear got her name; Ivypool actually confirms that she knows very little about the ocean, and thrift is a flower found on maritime cliffs. This is a tiny detail but one I find very strange.

[glitteringcrab]

Evil Morty and the other Mortys (part 2)

A continuation of this blog.

Theory 7: Internalized victim blaming

Evil Morty is not the only Morty acting extremely harsh to other Mortys. We've already seen random Mortys in the Citadel being jerks to other Mortys.

1) Mortys in Morty Town seem to be particularly aggressive towards Cop Morty. It's unclear if it's because he's a cop (and therefore they're equally aggressive to Cop Rick), or if it's because a Morty accompanied by a Rick. Or if they are aggressive to Cop Rick because he dared enter Morty Town. It could be all of the above.

Cop Morty, in turn, returns the favor.

Here we have a Morty who dares to utter the phrase "Mortys are human!" (I mean... is it a matter of debate?! YIKES)

And he gets (a) called a "Rickless animal" (b) electrocuted for his trouble.

Soon after, we see Cop Morty:

(c) calling Mortys another derogative term ("yellowshirts")

(d) electrocuting another Morty for absolutely no reason:

Note that the derogative insults obviously apply to Cop Morty as well. He, too, is a Rickless Morty, as he keeps making clear that Cop Rick is simply his partner, not his Rick. And he might wear a uniform right now, but at some point in the past he definitely wore a yellow shirt.

2) AT THE SAME TIME, having a Rick is also an insult:

(and things escalate fast)

3) Initially, Cop Morty was capable of overplaying his "Mortyness" to other Mortys...

...who also did the exact same thing to him, before making fun of him:

Mortys are also overplaying their Mortyness to Ricks...

...which apparently is a thing that happens often, judging from Cop Morty's immediate explanation:

Cop Morty tries the exact same technique against his partner... (and it's clear at this point that Cop Morty actually liked Cop Rick... but doing as Cop Rick was asking him to do would have serious consequences for him, so Cop Morty put his own well-being first)

However, Cop Rick is wise to this trick by now, and so he is ready. He shoots first.

4) Mortys are quick to throw other innocent Mortys under the bus, so that they can escape:

Here is a description of the Mortys responsible for the perpetration of the store robbery:

No noteworthy features. Just four normal Mortys.

And here is a picture of the Morty Town Locos:

They have facial tatoos... THEY DIDN'T ROB THAT STORE.

5) Cop Morty is ready to go to extreme measures to erase every trace of the Morty Town Locos:

Do any of the above sound familiar?

Derogative terms to other Mortys...

...including self...! (pretty justifiably though, in this case)

2. Getting angry at the suggestion that he is accompanying a Rick:

3. Overplaying his Mortyness

4. Throwing innocent Mortys under the bus:

5. Going to extreme measures for your own well-being...

They're all textbook variations of the things Evil Morty has been doing.

Which makes sense. After all, if he is one of the many excess clones in the Citadel, then his experiences must be similar to the experiences of the other unwanted Mortys, and they should have similar reactions. The only difference between them is that his actions have been careful, calculated and ultimately successful (and, uh, excessive), whilst theirs have been uncoordinated and heated.

If we take into account all of the above, it seems to me that there might be a lot of internalized victim-blaming among the excess Mortys of the Citadel.

If they partner with a Rick, they're sell-out yellowshirt Mortys who throw away their self-respect in favor of Ricks' interests, who choose to turn a blind eye to all the atrocities Ricks have been committing, who worship an undeserving being all for the sake of a mocking semblance of family, encouraging other Mortys to engage in the same self-destructive act. They want to be a human shield. (They might as well be a human shield, then...)

If they don't partner with a Rick they have very few tools in their disposal to survive. They have to become as ruthless and unforgiving as their surroundings. They have to become their own Rick, so that they can catch up to their Rick-full environment. And the Mortys who choose to not do that? It's their fault for being weak and emotional and not doing what needs to be done. I mean, think of it. Evil Morty overpowered his Rick simply by making him drunk. Literally every Morty could do that, if they wanted. They just choose not to. Morty Prime can disassemble neutrino bombs. My bet is he could assemble one too, if he wanted. He could easily kill a black-out drunk Rick C-137, if he decided to. Or he could try to find a way to keep Rick in stasis, so that he doesn't return via Operation Phoenix. But he doesn't. He chooses to let the abuse keep happening to him, so he's deserving of his fate.

(I mean, not really, of course, but I can totally see Ricks mocking their Mortys for not having the guts to stand up for themselves and claiming that Mortys want the abusive relationship to continue... otherwise, why even enlist in a Morty Agency, if not because you want more of the same?)

(At the same time, Ricks manipulate Mortys into believing they're selfish for trying to set boundaries... Into believing they're evil for not putting Ricks' wellbeing first.) (might as well actually be evil then, huh)

...I'm glad the Citadel's gone.

[thorias]

SEASON 2 WISH LIST:

-Madelyne is resurrected as a Horseman along with Gambit: I think there's a better story to tell with Madelyne being brought back (at least temporarily) than staying dead. The X-men having to fight her too would give Cyclops and Cable a more personal stake in this Apocalypse storyline, not that they really needed one, but still...

I said in another post that I wouldn't want to dilute the "Saving Gambit" story by making a bunch of other X-men Horsemen as well, but if it's just Madelyne, then I think it's okay. And I wouldn't expect Madelyne to survive this story anyway, since, aside from tying up a couple loose threads with the Summers family, her arc is basically finished now.

Plus, I just kind of like the idea of giving Deathbit a buddy in the spurned lover department; that could be fun.

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-Sabretooth returns. Logan (sans adamantium) has to fight him... and loses: I've always liked the idea that Sabretooth would probably beat Wolverine in a fair fight, (dude is like 3x Logan's size after all) but it's never been a fair fight since the adamantium basically made Logan unstoppable. But take the adamantium away and suddenly Wolverine is the underdog for a change, which makes the match-up a lot more interesting. And what's even the point of doing the bone claws story if it's not to see how Logan deals with being in a weakened state like this?

Granted, I want to see this for selfish reasons since Sabretooth is one of my favorite villains, but come on! Victor is long overdue for a W against Wolverine, and if he can't get it now, then I'm calling BS lol.

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-Mystique returns, working for Apocalypse: I think Demayo shot down the Val-Cooper-is-Mystique-in-disguise theory, (correct me if I'm wrong about that) but it would be pretty ridiculous if we didn't see her in season 2 since she worked with Apocalypse in XTAS on multiple occasions.

Plus, there's a ready-made story there with her and Rogue. In the 90s cartoon, Mystique wanted to get Rogue back as her daughter so badly that she was even willing to turn Rogue into a Horseman to do it. So just imagine if Mystique had a hand in convincing Apocalypse to resurrect Remy as Deathbit, or at least helped him pull it off, because she saw this as a way to get back into Rogue's good graces. That would add some really interesting pathos to a story that's already super emotionally charged.

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-Costume changes: I get that Marvel has toys to sell, but the different suits the team got in season 1 ain't it. Sorry, they're just not. The only one who pulled it off was Storm. Everyone else got a serious glow down. I actually felt low key embarrassed for Scott and Jean trying to make those retro costumes from the 60s/80s eras work; there's a reason those designs stayed in the past, you guys.

And I even like Rogue's green & white suit in the comics, but in the show it just looked awkward with the gloves being a different shade of green than the rest of it. I'd take just about any of her other costumes over this one.

Either change the suits again or go back to the old versions because I'm not feeling these current ones at all.

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-Magneto has a reunion with his kids... and it doesn't go the way he wants: We saw in the season 1 finale that Mags' separation from his children is something that's at least been bothering him, (though not enough for him to lift a finger to save them from being killed along with everyone else on Earth if he succeeded in destroying the planet's electromagnetic field, but I guess we're blaming that on bad writing) so I want him to meet his kids in season 2... only for it to go as horribly as it possibly could.

It would be both ironic and hilarious if Magneto is hoping to patch things up with his kids, only for Pietro and Lorna to try to fight and arrest him the instant they see him (X-Factor doesn't seem to be a thing anymore, but let's say they're still government employees and have the authority to arrest criminals/terrorists) because he did after all murder millions of innocent people with that EMP AND try to murder every other living thing on the planet, including them.

I mean, let's not kid ourselves, there's no way this family reunion is going to be a happy one after what he did. SOMEBODY has to hold Magneto accountable for that, and his own children doing it is about the most fitting thing that I can think of.

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-A big story arc for Gambit: Romy fans got gipped in season 1, and even if you're just a Gambit fan, you still had to settle for scraps with him only playing a major role in one episode, which coincidentally was the one where he got killed off. Yes, the stage is set for Deathbit to have a really compelling story in season 2, but that's going to depend on how it's done and frankly, after I got burned so many times in the first season, I'm skeptical that the writers will give this the care and attention it deserves.

Demayo said it was "key" that Remy died thinking he didn't deserve to be a hero and that Rogue had chosen Magneto instead of him. These things have gone unaddressed in the show since then, so I'm going to assume they're being saved for the Deathbit story and THE PAYOFF FOR THIS BETTER BE DAMN GOOD.

I want to see all of Remy's low self-esteem, self-loathing and resentment over the Rogneto debacle get twisted into a dark rage that Deathbit throws back in everyone's faces. AJ himself said that Remy didn't feel valued by the X-men or Rogue when he died, so use that! Make it part of the story! Make them own up to it. Force Rogue to confront her own feelings about how she handled that situation, (so far, she's been avoiding doing this) so it can factor into how they bring him back.

I know a lot of us assume that freeing Remy from Apocalypse's influence is going to come down to Rogue finally telling him that she loves him. And, yeah, that should be a big part of it, but it shouldn't be the only part. That's fine as far as Rogue is concerned, but Remy needs an arc too, and I just want it to be worth the wait after they put us through all this.

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-Deathbit vs Magneto: This needs to happen. Aside from the fact that Romy fans will have been clamoring for it for a long time, frankly, both characters are going to want it too. Mags will no doubt view Deathbit as the reason why he can't get Rogue back, and Deathbit... well, we all know what his reasons are; he'll likely want to take Magneto apart just for the pure satisfaction of it.

Now since Magneto's so OP, Gambit wouldn't stand much of a chance in a straight fight under normal conditions, but we know Apocalypse evolves/enhances mutants' powers when they become Horsemen, so imagine if he unlocked Gambit's Omega potential, so Remy has his New Son powers now, or at least a heightened version of what he had before. So Magneto goes in brimming with confidence that he's going to wipe the floor with his rival for Rogue's affections, but then in a shocking twist, Deathbit breaks out his newly enhanced power set and turns the tables on him.

Do I really want to see Mags get taken down a peg and humbled by Gambit? Sure. But narratively, this makes a ton of sense to do. Since Demayo loves Magneto so much, I highly doubt it will happen, (certainly not with this outcome at least) but I think it would be super satisfying for fans.

[lemonmatronics]

THE POPPY PLAYTIME CHAPTER 3 TRAILER IS SOOO!,?!.?.!.

What a great treat to wake up to—Excuse me while I go insane and spill some thoughts, reactions, theories, and predictions below please

ahem

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

SO LIKE FIRST OFF this chapter is gonna fuck, like this looks SO good holy shit

The setting and environment looks amazing but also the new hands mechanic along with the mask ohhhh this is gonna be FUN

Okay rambling about screenshots I took time

First off the environments look great, holy wow

The house itself looks kinda small so idk if that is the orphanage itself or some kind of set. Cause you can see fake sky walls around it, but like this is Playtime Co they would definitely do that to the orphanage also to give an illusion of outside. Either way it looks GREAT and I’m really excited to explore this setting

Just a nice shot of all the critters

I’m really curious if all the critters are gonna be utilized somehow. We know about Catnap and Dogday already, especially after the trailer itself. Though there was also the footage of Bobby running down the hall, looking like a normal plushie, and possibly seeing Hoppy in the trailer too. (I’ll touch on that later)

New Poster

Definitely looks like some company propaganda to try and keep kids from being afraid of CatNap. Judging by the files we got before looks like the results were a mixed bag. Considering the gas is there in the poster it’s definitely a company only poster, not something they could sell outside. They manipulated this kids so bad man :(

A CLEANER LOOK OF THIS THING,,,

THATS A SKELETON COMING OUT OF PUGAPILLAR’S MOUTH…Like that’s just straight up human remains.

I don’t think we’ve ever seen that before in this game. Like blood yeah plenty but BONES? They’re definitely amping things up for this chapter and I’m 100% here for it.

Besides that there’s a ton of plushies and such stabbed onto this weird thing. Is it a shrine? It doesn’t look like it could really move tbh, and if it was meant to be alive those parts aren’t doing anything to help it.

This poor mf

I’ve seen a lot of people speculate this is DogDay, which is a valid guess, but tbh my first thought was Hoppy. You can tell they have long droopy ears, which lines up with both candidates to me. Though I think the ears look a bit slimmer than what Dog Day’d would be, plus the angle on the head looks more like they’re dropping from the top of the head rather than the sides. I feel like if this was DogDay the whole head silhouette would be different because of the ears, which makes me lean towards Hoppy more.

I know her toy gives her long pointed up ears, but going off art and animation her ears can definitely fold

So I don’t think it’s out of the question that as a Bigger Bodies being her ears could fold over like that, especially while stuck like this.

Now I could be the one wrong here but I really think this is Hoppy. Won’t know until the game itself though so, I won’t treat either as divinities yet. It could just as easily be the case everyone else is right and it is DogDay, there’s evidence for that as well (Again, I’ll touch on that later).

So much happened here where do I even start

Obvious out the bat I guess, Kissy Missy is back!! And looks like Poppy isn’t ditching us alone either! Man I cannot tell it Poppy is good or not at this point, gray area? Trailer dialogue definitely sounded like she was supporting us.

“We’re coming! Just hold on!”

It’s really nice seeing Kissy back, really excited to see how she’s gonna help and play into this. I’ve been on the stance that she’s good ever since she helped in chapter 2 so this is really cathartic for me lmao.

As for what Poppy says here I found it interesting, like really interesting. Like, hearing it the first time made me think she casually confirmed something massive interesting. Granted, actually thinking about it longer, it could mean something else entirely. But was that the whole point?

“What’s happening down here is bigger than all of us. I need you. So we can revenge on those monsters who’ve tortured you, who’ve tortured us.”

“Those monsters who’ve tortured you”

Now, once I thought about it this is most likely referring to the literal monsters in the factory. Huggy, Mommy, CatNap, so on and such. But that’s not what my initial assumption was.

When Poppy referred to “monsters”, by first thought was the people working at the factory. I thought she said people at the factory tortured us.

I thought she confirmed that we’re a toy.

Once I thought about it longer, it doesn’t actually confirm that. But what if that’s the entire point? A double meaning line?

Now the player being a toy theory is something that’s been around since chapter 1, a theory I’ve fully stood by since then and still do. I like to think that’s why our character is completely silent, we’re a toy that can’t speak. Mute toys is something we’ve seen plenty of in the factory, more so than toys that actually talk. (Unless you count stuff like the Smiling Critters cartoon or the cardboard cutouts, but I’m talking purely living beings here.)

So while this doesn’t confirm the theory, this line is definitely throwing wood into the fire for me.

DogDay

Wether or not the chained Bigger Body above us DogDay or Hoppy, we have it confirmed here that DogDay is featured heavily in this chapter as an enemy. Again, I really wonder if the other Smiling Critters will show up as threats as well. Maybe a mixed bag of good and bad critters. If the chained up Bigger Body is DogDay, I wonder why he chases us after we assumingely set him free.

One note I’ll give that is to evidence for the chained bigger body being DogDay is that in the thumbnail you can see a shackle on his wrist

His arms are also long and lanky, which is why I won’t completely rule out it possibly being him there. It’s just as possible that it is him, both feel very plausible to me.

Though looking at the game footage, I’m not sure if can can see anything on his wrists. Additionally his arms look much wider than the one in thumbnail.

Additionally, the DogDay in the thumbnail looks so much like a…mascot suit? You can see seams and stitches all over him. Even other Bigger Bodies don’t look like that. Which is something I wanna give its own post to to figure deeper on.

So is this even the same DogDay at all?

It’s not completely out of the question there could be multiple DogDays, though that begs the question, what about other Smiling Critters? What about other toys as a whole?

Here’s my prediction on it. One Bigger Bodies experiment, and then there’s smaller ones approximately the size of their normal toys.

I think the DogDay in the thumbnail is a result of the Bigger Bodies testing, and the one actually chasing us is just a smaller more “normal” DogDay.

But if that’s true then it begs the question, what about other critters? We’ve seen a smaller Bobby before, does she also have a Bigger Bodies version?

Do they all have a Bigger Bodies equivalent?

Is there still a normal CatNap?

Again, all speculation but this chapter especially is really tickling my brain.

And finally we’ve got the man of the hour

Man he is so much lankier than I thought he would be. That definitely explains why his face was so high up on that one cam footage though. Here I was thinking he’d be bulky!

There isn’t too much to say here other than CatNap is definitely gonna be an imposing threat, and I’m very excited to see him in game. So far we’ve mainly seen him through silhouettes, and light peeks at small portions of his design. Seeing him better is game is gonna be a thrill and I’m so ready for it!

Additionally, just for the sake of adding on, we’ve seen these posters apparently from overseas get spread around lately

Both of these definitely look like they’re meant to be company only posters, ones you’d find in the schooling and orphanage areas.

The left poster telling kids to go inside right away when recess is up, nothing super deep here. Just a peek at the schooling that had here, and that these kids had their lives completely contained within the factory.

The second poster is CatNap telling Huggy to go to sleep, another attempt at convincing children CatNap isn’t dangerous. If Huggy is fine they will be too, right?

Anyways that’s my initial thoughts and reactions right after watching the trailer. VERY excited about this game, it’s been awhile since I’ve been able to brainstorm on my own over a game like this so I’m really looking forward to what this chapter has to give.