#in so many situations and shades

[thatoneao3author]

gallavich au ideas

hello i am going through my brainstorming document and looking at some ideas for gallavich aus/fics so here I am sharing some of the concepts. these aren’t planned out in detail and are rather just ideas/vibes, but I’m hoping to write them at some point after I finish bright as the stars and I thought I’d share them:

1. soulmate/arranged relationship au - “arranged to be (fate in our hands)” 

- this universe is me mashing together two tropes that are kinda similar anyways, but! there is a system, created by scientist couple! kev and v (someone needs to be the scientists and i chose them bc of course) that basically plays matchmaker to people who use it. there is a science fiction element, here, where there is some sort of scientifically and always-correct way of tracking who is meant to be together. i

- this thing starts as an app in the south side when ian is a kid but by the time he’s in his 20s, it is very popular. there’s a little bit of a dystopian vibe bc the government realizes how convenient it is to pair people off early. divorce rates go down, marriage rates go up, blah blah blah it makes things smoother. bc of this, the government has a program in place where if you take part in this program, you and your assigned soulmate get a nice apartment for cheap and additional government financial aid. it’s a scheme to get the soulmate system put in place worldwide but y’know! it works 

- ian is looking for love and mickey is looking for money + an escape from his family and obviously, they get paired together. suddenly they’re living together and ian wants his soulmate to meet his family and there’s the detail of ian and mickey knowing each other vaguely due to their families/childhood run-ins 

- it’s like ‘reluctant soulmates’ to ‘oh my god i’m actually in love’ 

- this is more background info than anything, but unlike other soulmate aus where the marks/words/strings/whatever have always existed and are just part of nature/how the world works, this system was discovered and invented in the last few decades so a lot of people think it’s absolute bullshit. this is the ballpark mickey’s in, while ian wants to be hopeful that the system is working in his favor 

- this would be a short multichaptered thing, showing their life over the course of a few months

2. bakers au - “there ain’t no need for recipes” 

- ian and mickey own a bakery on the west side, post-canon

- they are in love and married and they wear cute aprons and ian bakes cakes with strawberries in them and mickey uses chocolate in a lot of their recipes. 

- yeah that’s pretty much it. this would be a cute little oneshot, i think

3. podcaster!mickey x streamer/youtuber!ian - “listen up, I’ll fuck u-up”

- mickey has a podcast where he talks about internet trends, including popular games. he’s known for being very critical towards anything and everything, it’s his persona and people love him for it. not every episode includes a guest, but a lot of them include people relevant to the topic, and his whole bit involves bickering with them

- ian gallagher is relevant to the topic of the upcoming episode, a fictional first-person shooter type thing i’ll come up with later. ian’s online personality is very like chill and generally kind so when he agrees to guest star on the podcast, those personalities clash. so they both dial back a bit and give off a different vibe then they do in the rest of their content 

- so ppl want more of them together. 

- mickey agrees to play the game live with ian on twitch, and that does very well. then the vod is edited down for youtube. and that gets million of views 

- for the sake of mutual profit, they agree to keep doing stuff together and uh oh oh no they’re falling in love. this would could be a realllly long oneshot or a short multichaptered fic with lots of social media interludes (like fake tweets and such). 

- inspiration credit to Cooperative Gameplay for this idea obviously 

4. college kids!gallavich, annoyance to lovers au - “how to build a loving home”

- this one is actually kinda similar to the first one except they’re younger and the setting is a college campus 

- in an effort to teach young adults how to run a house and maybe convince them to go after the typical “american dream”, some colleges start requiring a home economics class for freshman. and at the end of that course, there’s a big project known as the “Domestic Experience Project”. 

- basically, two students are paired together to live in an apartment during the end of their freshman year. the project involves basically just trying to run a small-and-controlled ‘household’ without the help of any older adults. there’s assignments, too, that kinda force them to do household things together. so like, finances and cleaning and cooking all while still managing school 

- this whole thing is brand new to the college ian and mickey attends, so any non-freshman who didn’t have to take the class are offered cheaper room and board if they take the course anyways, which is how they end up in the class together

- they interact a few times over the course of the year but generally speaking, they kinda annoy each other 

- oh no oh fuck they’re paired together for the project. and now they’re living together. for two months. 

- don’t have any specifics on how their relationship would progress but by the end of the two months, they would be pretty much together so. definitely not slowburn hjjsiaksja. this would be another multichaptered fic, i think

there’s a couple more but I think that’s all I’ll share for now but yeah! ideas! if you like any of these concepts and wanna see them as fics, please reblog/reply/like this post so that I know. if you have any thoughts to share or questions to ask, feel free to share those, too! 

these are all just concepts without plans, so if will be a while before any of these become anything if they even do, but I thought I would share them in case anyone was interested! I think I’m most interested in seeing while idea people are most intrigued by. 

[seance]

GOOD OMENS (2019-) / ALL THINGS END (Hozier, 2023)

[frostybearpaws]

ALSO

Cooper and Barb!!!!!!

hhhhhhhhhhhhhhh I love a tragic doomed romance, we know from the beginning that she divorced him because the dad at the party mentioned alimony for why he’s performing at kid’s birthday parties

and then we ACTUALLY meet her their interactions are so sweet but also there’s a sense of foreboding because she of the look she makes when presenting the idea of him being the face of vault-tec and

gaaaaaaaaaah

I believe that she wanted to do what was best for her family, so much so that she was willing to end the world if it meant getting into a good vault

I don’t think Barb is an evil person. I think she was a scared person. It seemed like the end of the world was right at their doorstep, she already experienced first hand the worry of someone she loves going off to fight in the sino-american war.

then she got into a company that was offering a solution and it seemed like a wonderful thing she could invest in. So she rose through the ranks to secure a future for her family in a time when the future was so ambiguous and terrifying.

by the time Vault-Tec was in full swing she was in a high position, she drank the cool aid and her main focus was on protecting her family, no matter what.

I think in a desperate effort to protect her family from annihilation, she became the very driving force that destroyed the world.

there’s so much beauty in that, burning the world for the people you love.

anyway that’s me ranting about Barb because we love a gaslight girlboss <3

[nell0-0]

Wanna draw so much stuff but so little time lately, augh

[itspileofgoodthings]

I think the writing is gentle, often funny, and sustained (overall) but it’s the acting and the chemistry that takes it to the next level.

[rainybraindays]

Okay, apparently shutting the fuck up was never an option but the way no one likes to look at the marina situation and go "wow what the fuck is wrong with portia"? Crazy.

Like she immediately didn't like her, not because of anything she'd done, but because she took attention from her daughters no matter how bright she dressed them.

It didn’t matter that the main reason is that, honestly all 3 of her daughters are painfully awkward, and in ones case literally 17. It didn’t matter that Marina was only there at her fathers instance, or that theoretically through having someone thats clearly popular in her home she could have used it as a jump off mark to match her daughters, she was seen as her big hurdle to marrying them off. Marinas immediately othered, to the point that when shes being dressed the maids helping put on her shoes is enough to piss Portia off. She immediately puts Marina in the same ring as her daughters, fight for my attention and maybe maybe it'll be positive. But Marina doesn't do that because she doesn't want to even be there.

And then they find out she's pregnant and shes othered even more. She immediately tries to send her back, and when she's not allowed to do that shes locked away and the other girls aren't even allowed to talk to her. She literally tries to freeze her out, like Marina has any say in being there in the first place, before lying to her about her being abandoned by George.

She makes no attempt to find out if George has family, she doesn't care enough to try even though that would have been a way to get rid of her "problem". She tries to push Marina onto a man old enough to be her grandfather and slaps her across the fucking face when she tries to stand up for herself.

Theres no concern for her safety, for the babys safety, just getting her out of her house as fast as fucking possible, and I'm meant to be surprised that when Colin saves Marina from her elderly suitor she turns her attention to him?

Like the nicest guy, who everyone likes, who's attractive, who isn't multiple decades older than her and most importantly not going to literally assault her? Yeah not a big shocker. Should she have lied to him? No, but she wouldn't have had to or felt the need to if she wasn't in the most hostile fucking house. Even Penelope, who she likes, why does everyone forget that she fucking likes Penelope and viewed her as a friend, becomes aggressive towards her. Shes cornered, shes scared, and all of this could have been avoided if Portia was a slightly better person and said "hey soilder boys not written back, you're gonna have this kid, does he have any family?" instead of setting this entire mess in motion.

[twpsyn-who]

Today on "Another JeanMarco Soulmate AU absolutely no one asked for" I present to you -

Soulmate AU in which you stop seeing colors when your soulmate dies, the only exception being your soulmate. Now cue to Jean who just found Marco's, his best friend's, body. And you know, there's the shock of finding out Marco's dead. The pain and confusion and guilt. But there's also the revelation, because despite everything he can still see Marco like nothing took place at all- yes, half of his face is missing and his body is straight up lifeless, but Jean can still make out the color of his eye ; see that light shade of brown perfectly, remember all the times he has found himself looking at them while listening to Marco talk. He can still make out the colors of his uniform, see the same shade of black his hair has always had, practically see. Despite being dead, Marco was the only piece of color left in his life.

And there's denial for a moment because there's no way Marco was his soulmate. But that goes away fast, getting replaced by guilt. By the fact that he hasn't been there to save him, that Marco has to die all alone without anyone being there for him.

And that was worse than the simple fact that he could no longer see colors ; because Marco was there when Jean needed him, but he failed to do the same. And not only he lost his best friend that day, but his other half too.

[hauntedtotem]

I think the biggest red flag for me regarding the hopelesspeaches and lio convoy stuff, their entire group (especially lio) has near identical speech patterns and dynamics as my mom's online friend group. Which is less of a red flag and more of a raging wildfire tbh

[buttercuparry]

Genocide flattens every discussion. There are no new conversations to be had about the destruction, death and cruelty. After more than a year, there is nothing left to be said about various media houses, corporations and international bodies of law aiding and abetting all that has been happening in Gaza, either. It is the banality of evil, it is colonialism. However even in this atrociously banal circumstance, I do think what still is a continued point of hope for Gazans and what still pushes so many of them to reach out to the world, is the support people around the globe have shown and still continue to show. Which is why I am here on behalf of the Shehab family ( @fahedshehab-new ) and requesting  you to help them survive through this winter. This won't take much of your time so please read: 

Fahed is currently supporting 13 family members in total- his own family and that of his sister’s.

He has to look after 8 children now, with the youngest being his son Yayha who is barely having anything to eat because the price of baby milk  is exorbitantly high in Gaza. 

The genocide has taken a toll on Fahed’s daughters. Sahar and Dana spent a whole year under the threat of bombs and right now instead of getting to be teenagers, they ask their father if they will survive. They have even said they don't want to live if they lose someone. 

The family right now immediately needs clothes to keep them warm throughout winter. Fahed’s family is from the north and has been displaced several times before they came south. Displacement is dangerous and a silent killer because often essential items are lost and cannot be replaced in time. 

Please consider that the weather has already turned colder around the world and that which is only mildly uncomfortable to us, presents a dire situation for Gazans. The families don't have a shelter and there is no way for tents to adequately protect from cold winds and rain. So right now the immediate need is for warm clothes and it can cost upto $400 per person. With THIRTEEN PEOPLE to take care of Fahed immediately needs to raise at least 5k to buy the required apparels. So please boost and donate. 

Currently at $66,248. He needs to reach $71,248. Please help however you can. 

Vetting link

Please remember that every donation, even if it is 5 dollars, is a ray of hope for the families who have lost everything.

Tagging for reach 🙏🏽

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[beliscary]

[nick sayre voice] that's why you should come with me to corvere. put off that fear of the future

[nataliedecorsair]

I wanted to give you some of Pticenoga's Borderlands AU backstory, how she was raised by Shade and before starting her shenanigans with Vaughn.

Plus a bonus comic about how she decided to set up a meeting for Vaughn and Shade, but didn't tell Vaughn who is supposed to be there x) Mostly because Vaughn has met Shade before in his macabre World of Curiosities museum and thought that Shade is too weird for him. Well, that's the kind of person that would raise a feral harpy siren, gotta deal with it!

When she was very young, nothing bothered her much as she was just a wild baby exploring the world x) And Shade was a good father figure to her. However, as she grew older, she realized that she doesn't really "fit in": yeah, Pandora is a crazy planet, but not every person there is crazy. There are plenty of "regular folk" like Shade or other people from their town - and many others. And she was frequently called a monster, a mutant and many other things by the regular kids and even adults. She was wild though, could bite them or fight with them in a pretty feral manner, and, even though she protected herself, it didn't help the situation much. She wasn't crazy enough (and too small) to fit in with the psychos or bandits, was "too human" for actual monsters living on Pandora, and for a long time she had no idea she was a Siren, as even for Sirens she looked too different. Only when she hit her teens, she was able to confirm that she is one, started using her powers, and in her human form she could see the full extension of the glowing pattern she had on her skin. She still, however, didn't know why she wasn't born "normal", and there were no older Sirens around.

At some point, she decided to become independent and live on her own. Her "wild" upbringing was helping that a lot, and she felt fine being away from people. She'd still visit Shade frequently, of course, and at some point she'd even met Zer0 and could hang out with him for some time. As Zer0 is a mystery himself, they had some common ground between them (though constantly listening to his haiku were exhausting xD). Sadly, Vault Hunters attract attention, not always positive, and that was the reason why she got spotted by a big bandit gang (could be the beginning of Vallory's gang, but before she took over). And local scientists like Tannis already declared that there may be some connection between Sirens and the Vaults. And they noticed that she's a Siren, but also pretty young (and dumb). After the first Vault on Pandora was opened, there was plenty of weird and valuable stuff around, but it wasn't so easy to get it when you're just regular bandits. And when Eridians, the aliens that are guarding the Vault, are everywhere. The Sirens like Lilith were too strong for them, and hiring a Vault Hunter is expensive, so they decided to wriggle into her favor and use her to gain access to the area. She didn't know she was dealing with bandits first, she naively thought it's a rare case of nice fellows just wanting to be friends and such, plus the Vault could have answers about her origin, and the new "friends" confirmed it.

At some point, she realized she was being used, and got into a fight with the bandits - and lost, as there were too many of them, and she had too little experience, and they knew about Shade. She got kidnapped and told that she'd do everything they told her to do, or they'd kill Shade, so she had to obey. She helped them to fight the way to the Vault and get some of the riches, and during the process she felt that she really does have a connection with Eridians - they boosted her powers and helped her to get free, and kill every presenting member of the gang. She was worried about Shade though, so she left immediately to find him before the remaining members found out what happened and could harm him. But she was too late - the water source in their town of Oasis was poisoned, and every single person there died. Except Shade though - he lasted longer, but dehydration made him insane, and he turned corpses into the stuffed dummies he could talk to (though she didn't have much of a problem with this part). As she was gone for at least several months, he didn't believe she's real, and she had to adapt to the new reality.

She never got back to the Vault after that as she felt it was a source of more trouble than anything good (in her view, the price was too much for a bunch of physical stuff).

That lasted for years, and became a bit easier as her powers, enhanced by the Eridians, wasn't only serving the destruction,  but could eventually "heal" some part of Shade's mind, so the moments of clarity became more frequent (she didn't know it's the reason, though). And you still need money, whether you like it or not, so, when Shade decided to use his World of Curiosities as a spot of illegal deals and smuggling, she didn't resist, but would watch over him in the shadows in case something goes wrong.

Eventually, she calmed down and just embraced herself. And, after some time, she met Vaughn, whose personal struggles she could sense right away, as she had to experience "being different" herself.

[peachylynnie]

wine

word count: 1.3k

synopsis: in which sylus is obsessed with your lips.

contains: sylus x mc!reader (not dating because i like tormenting him like that), alcohol consumption, horny sylus (not smut tho), suggestive themes, mentions of violence and blood, and LOTS of cussing.

a/n: i told myself i wouldn't write anything until i finish finals but sylus won. i'm also avoiding his myth spoilers since i didn't pull his pair yet. enjoy reading! do NOT copy or translate my work. sylus does NOT endorse plagiarism.

sylus wants to kiss you right now. he wants to kiss you so fucking badly, it hurts. 

you can't blame the man. you looked absolutely delectable right now. hair up, ears jeweled, eyes hooded, and back bared, oh, you looked so good in the dress he handpicked for you; he could just devour you whole and leave nothing to spare. 

and he would have no remorse for doing so either. the auction you two were at was filled with fucking nobodies. how dare they look at you, let alone breathe the same air as you? he's lost count of how many times he felt the urge to just demolish this shithole of a place. 

sylus sighs, rubbing a hand over his face. he knows he's being irrational. after all, he was the one who suggested you two attend this auction. you showed interest in an old manuscript that just so happened to be available only at this auction, and he would be damned if he didn't get you everything you could ever want. hell, you could even ask him for his heart, and he would tear it out of his cold chest, deliver it to your divine feet, get on his fucking knees, and beg for you to demand more of him. 

so, actually, you can blame him for the situation he is in. he was the one who picked the set you're wearing right now oh so ravishingly. he was the one who brought you to this stupid auction that's taking so long to get on with it already—where the fuck is the manuscript? but most importantly, he was the one who made your lips look so damn kissable right now. 

he knew what he was doing when he picked your lipstick for you. deep scarlet that would match his eyes and look good on you. but he never thought it would look this good on you. sylus curses under his breath, feeling his pants tighten around his crotch after remembering you bent over the sink to gaze at the mirror and paint your lips. he recalls how it took him everything not to stride over to you, spin you around, and slam his lips onto yours, hoping to get a smear of that majestic shade. 

oh, but it wasn't just the shade of your lips that drove him crazy. it was the texture, too. you must've been feeling heated because you go to take another sip of the wine in your hand. the matted, creamy lip print you leave on the glass has the silver-haired man inhaling sharply and tightening his grip on the table. what he would give to have such a work of art printed on him instead. he wants it all over him. his face, his neck, his fingertips, his cock—everywhere until no single part of him was unmarked by your luscious lips. until there was no room to even question who he belonged to. 

that's how badly sylus wants to kiss you right now. but he stops himself using the single thread of patience he has left. yes, the two of you were technically alone, standing at the table in the far back. thank god he reserved a table just for the two of you so only he could marvel at your lip-stained glass. no one would interrupt if the two of you were to just have a full-blown make-out session right now.

but sylus knew better. he knew that you were still wary of him. this, you can blame him. after all, he's not a saint. his entire being is smothered in blood, down to the very tip of his designer shoes. he built his lavish empire of protocores and guns from the taking of lives. hell, he even threatened you the first time you met. though, he only did that to push you to your full potential. he could never truly harm you. but sylus knows you. you, in your most beautiful human form, who dwells not only on the past but also on the lives of others. you, whose empathy is so strong, sylus can't help but admire, even though he sometimes wishes you would just let loose and bring hell upon all those who dare to cross you. thus, your continued, empathy-driven wariness of him. but, sylus knows how to compromise. he's okay with being the one with bloodied hands and fucked-up morals so long as it means seeing you, even if it means from afar. besides, you haven't reported him to your little hunter friends yet. he supposes that's a start, and he could settle with that. he could also settle with this: 

"is the wine to your liking, sweetie?" he asks smoothly. 

you flinch, taken aback by sylus' sudden question. you were wondering when he would stop staring at you and actually start paying attention to the auction. not that you mind having sylus' eyes on you. it's just that the borderline depraved look in his crimson eyes was making you feel all hot inside and you really wanted to stop feeling all hot inside whenever you were near him, let alone thinking about him. 

"uh yeah," you nervously chuckle, setting the glass down. "it's better than i thought." you turn your gaze to a waiter nearby, hoping to get a glass for sylus since he seemed so interested in yours for some reason. "here, let me get one for you too." 

you try to catch the waiter's attention by raising your right hand, but sylus stops you. he grasps your hand with his left and rests it on the table. you furrow your eyebrows at him, wondering why he stopped you. sylus, the man who appreciates (that's the nicest way you can describe it) alcohol passing a chance at a complimentary drink? you're utterly confused. 

"no need," sylus gives a gentle squeeze, trying to ease your confusion. though, you're not prepared for what happens next. 

sylus picks up your glass with his free hand, plants his lips on your lip print, and takes a slow sip. your eyes widen, feeling the heat that was coiling in your stomach spread all around your tense body. holy shit, did he just—? 

the aggravating godsend of a man next to you finishes your drink with a satisfied sigh, wiping the garnet droplets from the corner of his lips but not the paint left by yours. "hm," sylus drags his tongue along his lips, a smirk threatening to show. "it is better than i thought."

you flush, seeing your lipstick smudged on sylus' succulent lips. you don’t know what to say. he totally did that on purpose. there's no way he didn't. does this mean the two of you technically kissed-

you don't allow yourself to finish that last thought. you blink rapidly, trying to get your now parched mouth to say something. anything. but you can't. you're completely flustered to the point where all you can do is just gape at sylus with a blush the shade of his eyes tinting your cheeks. 

sylus grins, the tip of his canine peeking out from his now-tainted lips. this is better than he thought. perhaps, he should settle more often if it means getting to see you so cutely aroused and embarrassed like this. though, he knows he won't be able to settle for long. he knows one day, he won't be able to hold himself back anymore. one day, he'll conquer your lips for himself and relentlessly indulge in the real thing. but for now, sylus is content. for now. 

"cat got your tongue, sweetie?" sylus teases, tilting his head to meet your shaky gaze. 

you jerk your head away, trying to get the image of his lips out of your mind. "eyes on the prize, sylus." 

sylus chuckles, but not without placing his elbow on the table and propping his face on his hand to get a better look at you. "oh, my eyes are on the prize, sweetie. my eyes are on the prize." 

[ma7moudgaza2]

How can I help my family in Gaza?

I am Mahmoud, a resident of northern Gaza. Since the war started, everything that touches a decent life has disappeared, and everything has become a mess.

I woke up in the morning and found that I had to stand in line for drinking water so that my family and I could have some.

I woke up in the morning and realized that I had to wake up before dawn to get in line for bread.

War, destruction, and killing,

The next morning, I had to make a fateful decision; should we stay in the house we were in or leave it? My whole family had to evacuate because the occupation issued evacuation orders for our residential area, and I didn’t know what was right or wrong…

Eventually, we left our homes, our belongings, and all our sweet memories, and we went wherever the army ordered us. After a while, the situation calmed down in our area.

I woke up to the sound of a phone call, "We reached your house after the army withdrew," but we didn’t find the house, nor did we find your family’s house.

I didn’t sleep that day; I sat with myself, wishing I could find time to mourn my life. My phone rang, "Come on, Mahmoud, let’s eat together." But Mahmoud had no money left! We spent everything; how could I go without food?

I woke up after 200 days of war, talked to my mom: "Mom, I want to look for internet and electricity to go back to work and support you, or I’ll stay with you to fill water and manage food." My mom said, "No, go, my son, the important thing is that you return to work."

I woke up after that; my mom went out to fill water, and my heart was breaking, but I had to get up and find a place to go back to work for her.

I managed to get a laptop from your support and found a place with electricity and internet at such a time because it was almost impossible. I also got a new tent, and things went well, thank God. However, at this time, everything turned back to how it was before; prices rose again, and famine returned amid the closure of crossings. Everything became worse than before; you can’t even provide for your daily expenses to the point that two or three days can pass without eating bread. Sometimes you manage with rice, bulgur, or lentils, but for how long?

How many mornings do we have left in this life? We don’t know.

The question is: dear reader, will you wake up to the disaster we are in? Will you realize that we truly need financial and moral support to be able to continue?

You can donate here

https://gofund.me/8044910a

My campaign is now $21,439 of the short goal of $25,000 We are still a long way off but I trust you guys to help us before we collapse

Or via paypal

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[ifacotarwasgood]

CHAPTER 3 - page 6/?

original word count: 3840

revised word count: 2195

click for ch 3's full comparison document.

original:

another town. We’d have to take the long way out of the village to avoid them. When we were far enough away, I glanced over a shoulder at my sisters. Elain’s face remained set in a wince, but Nesta’s eyes were stormy, her lips thin. I wondered if she’d stomp back to the girl and pick a fight. Not my problem—not right now. “I’ll meet you here in an hour,” I said, and didn’t give them time to cling to me before slipping into the crowded square. It took me ten minutes to contemplate my three options. There were my usual buyers: the weathered cobbler and the sharp-eyed clothier who came to our market from a nearby town. And then the unknown: a mountain of a woman sitting on the lip of our broken square fountain, without any cart or stall, but looking like she was holding court nonetheless. The scars and weapons on her marked her easily enough. A mercenary. I could feel the eyes of the cobbler and clothier on me, sense their feigned disinterest as they took in the satchel I bore. Fine—it would be that sort of day, then. I approached the mercenary, whose thick, dark hair was shorn to her chin. Her tan face seemed hewn of granite, and her black eyes narrowed slightly at the sight of me. Such interesting eyes—not just one shade of black, but…many, with hints of brown that glimmered amongst

revised:

[nothing to see here - the comparison software spaced it this way because my revision has significantly fewer words!]

[stormsthatrage]

It bugs me that so many people's default example of published fanfic is 50 Shades of Grey.

What about West Side Story, a famous modern AU of Shakespeare's Romeo and Juliet?

What about Dante's Inferno, a self-insert RPF if I've ever seen one?

What about Wicked, a pre-canon AU of The Wizard of Oz?

Hell, what about Percy Jackson? There's definitely an argument to be made that that's a modern AU of various Greek myths.

Humans have been writing fanfic as long as they have been telling stories. In about the year 20 BC, our dear Roman poet Ovid wrote the Heroides, a series of aggrieved "letters" from the female characters of famous myths to their respective male heroes. Are you telling me that Ovid, writing a letter from the perspective of Queen Dido to Aeneas -- Aeneas, whose fantastical adventures were put into poem by Virgil -- wasn't writing an outsider-POV fic? A fic that is, in fact, translated in Latin classes world-wide today!

There is so much famous fanfic out there, but people tend to forget that it is fanfic once it becomes mainstream enough. And as a consequence of that, people who aren't into fandom don't see how beautiful fanfic is, and some members of fandom feel shame associated with writing and reading fic. But fanfic is beautiful, and it is something humans have always done, and it is nothing to be ashamed about.

So if you ever find yourself in a situation to give an example of published fic, think outside the box. Remember that published fanfics hide in plain sight; once they're famous enough, we no longer think of them as fanfic. And never forget that fanfic is a very, very old human tradition, and your ancestors who partook in it would not have wanted you to feel ashamed of it.

[physalian]

How to make your writing sound less stiff part 2

Part 1

Again, just suggestions that shouldn’t have to compromise your author voice, as I sit here doing my own edits for a WIP.

1. Crutch words

Specifically when you have your narrator taking an action instead of just… writing that action. Examples:

Character wonders/imagines/thinks/realizes

Character sees/smells/feels

Now not all of these need to be cut. There’s a difference between:

Elias stops. He realizes they’re going in the wrong direction.

And

Elias takes far too long to realize that it’s not horribly dark wherever they are

Crutch words are words that don’t add anything to the sentence and the sentence can carry on with the exact same meaning even if you delete it. Thus:

Elias stops. They’re going in the wrong direction.

I need a word in the second example, whether it’s realizes, understands, or notices, unless I rework the entire sentence. The “realization” is implied by the hard cut to the next sentence in the first example.

2. Creating your own “author voice”

Unless the tone of the scene demands otherwise, my writing style is very conversational. I have a lot of sentence fragments to reflect my characters’ scatterbrained thoughts. I let them be sarcastic and sassy within the narration. I leave in instances of “just” (another crutch word) when I think it helps the sentence. Example:

…but it’s just another cave to Elias.

Deleting the “just” wouldn’t hit as hard or read as dismissive and resigned.

I may be writing in 3rd person limited, but I still let the personalities of my characters flavor everything from the syntax to metaphor choices. It’s up to you how you want to write your “voice”.

I’ll let dialogue cut off narration, like:

Not that he wouldn’t. However, “You can’t expect me to believe that.”

Sure it’s ~grammatically incorrect~ but you get more leeway in fiction. This isn’t an essay written in MLA or APA format. It’s okay to break a few rules, they’re more like guidelines anyway.

3. Metaphor, allegory, and simile

There is a time and a place to abandon this and shoot straight because oftentimes you might not realize you’re using these at all. It’s the difference between:

Blinding sunlight reflects off the window sill

And

Sunlight bounces like high-beams off the window sill

It’s up to you and what best fits the scene.

Sometimes there’s more power in not being poetic, just bluntly explicit. Situations like describing a character’s battle wounds (whatever kind of battle they might be from, whether it be war or abuse) don’t need flowery prose and if your manuscript is metaphor-heavy, suddenly dropping them in a serious situation will help with the mood and tonal shift, even if your readers can’t quite pick up on why immediately.

Whatever the case is, pick a metaphor that fits the narrator. If my narrator is comparing a shade of red to something, pick a comparison that makes sense.

Red like the clouds at sunset might make sense for a character that would appreciate sunsets. It’s romantic but not sensual, it’s warm and comforting.

Red like lipstick stains on a wine glass hints at a very different image and tone.

Metaphor can also either water down the impact of something, or make it so much worse so pay attention to what you want your reader to feel when they read it. Are you trying to shield them from the horror or dig it in deep?

4. Paragraph formatting

Nothing sticks out on a page quite like a line of narrative all by itself. Abusing this tactic will lessen its effect so save single sentence paragraphs for lines you want to hammer your audiences with. Lines like romantic revelations, or shocking twists, or characters giving up, giving in. Or just a badass line that deserves a whole paragraph to itself.

I do it all the time just like this.

Your writing style might not feature a bunch of chunky paragraphs to emphasize smaller lines of text (or if you’re writing a fic on A03, the size of the screen makes many paragraphs one line), but if yours does, slapping a zinger between two beefy paragraphs helps with immersion.

5. Polysyndeton and Asyndeton

Not gibberish! These, like single-sentence paragraphs, mix up the usual flow of the narrative that are lists of concepts with or without conjunctions.

Asyndeton: We came. We saw. We conquered. It was cold, grey, lifeless.

Polysyndeton: And the birds are out and the sun is shining and it might rain later but right now I am going to enjoy the blue sky and the puffy white clouds like cotton balls. They stand and they clap and they sing.

Both are for emphasis. Asyndeton tends to be "colder" and more blunt, because the sentence is blunt. Polysyntedon tends to be more exciting, overwhelming.

We came and we saw and we conquered.

The original is rather grim. This version is almost uplifting, like it's celebrating as opposed to taunting, depending on how you look at it.

—

All of these are highly situational, but if you’re stuck, maybe try some out and see what happens.

*italicized quotes are from ENNS, the rest I made up on the spot save for the Veni Vidi Vici.