#in relation to the model minority myth

[the-paris-of-people]

It's cruel that I have to work this week during the last nhie season

[rose-tinted-kalopsia]

── # to you who shines the brightest (i'll give you everything). masterlist. a kieran × mc!reader series.

summary: the fact that remained was this: some things were simply never meant to be. the universe's design was absolute; it was dangerous to go against it. but what if in this universe, things were different? what if in this universe, there's a glimmer of a chance? what if in this universe... fate no longer mattered? “to me, you’re already a sin i can’t refuse; sweeter than evil.” so to you who shines the brightest, i'll give you everything. [inspired by "volcano" by han jisung] general tags: canon-divergent, canon-typical violence, 2nd pov (primarily), female reader, slow burn, forbidden love, friends-with-benefits, friends-with-benefits to lovers, light/darkness dynamic, pining, yearning, unrequired-requited love, mentions of sacrifice, angst, fluff, hurt/comfort, misunderstandings, communication issues, eventual smut. smut tags indicated for every chapter with smut. "kieran: volcano" — for chapter updates, wips, thoughts, etc in relation to the series.

status: coming soon - waiting on sylus' myth for possible lore updates! series update schedule tba. please reply below to be added to the taglist!

this series contains sexual content, and is only for those 18+. if you are a minor, please do not interact. I BLOCK MINORS AND BLOGS WITHOUT ANY AGE INDICATOR.

prelude.

poetry, general intro, angst, mention of scars (general). ~200 wc.

chapter one.

-

— TBA

taglist: @.darlingdummycassandra @.milkandstarlight @.thoupenguinman @.valyvinny @.rafayelsheart @.jellyroom2 @.chemiru @.ywnzn @.pepprrmint @.angel-jupiter @.cordidy @.raiyuxa @.xai-mery @.radiantbrilliance @.oharasmommymilkers00 @.pikachuzhc @.venussakura @.love-and-deepstrays @.cloverlilies @.midiplier @.kreishin @.deusfoundry @.m2ichaelis @.keioxo

notes: welcome to absolute insanity, brought to you by yours truly!!!!!!!!!!!!!! if you know me, you also know that i am abso-fucking-lutely obsessed with the twins, and if you’ve read “Don’t Let Me Love You”, you also know that (a) i’m kieran-biased, and (b) i have wanted so badly for so long to dive into the intricacies of his character and motivations. SO just a few things about my beloved baby of a fic that i’ll yap about, and for you to keep in mind as we go along!:

(1) ; some very specific parts will be in 3rd-person omniscient (such as this prelude), but MOST chapters will be in 2nd pov, ideally alternating between yours and kieran's pov!

(2) ; this fic IS based on canon lore with the same canon setting, and as much as possible will be accurate in that sense—however, considering as we know very little canon sylus lore and even less about the twins, lore and such will be very loose so please take it with a grain of salt! (the tag “canon-divergence” is there for a reason, after all~)

(3) ; will absolutely include my take on the possible dynamics between kieran and mc, modeled after the theme of love and deepspace as a game and an overarching “myth”. therefore, you can see chapters such as this which hint towards a bigger picture!

im really excited to write this out, and equally excited to share with fellow luke and kieran truthers <3 i hope you’ll be along for the ride!

© rose-tinted-kalopsia. all rights reserved. do not: steal, copy, repost, reupload, modify, or claim any of my works as your own, regardless of credit given. absolutely do not use my works for AI training and other related purposes.

[tiredguyswag]

Does anti blackness in south Asia (especially India) has something to do with casteism?

yup. it has a lot of ties with casteism in india. i linked a few articles related to this in the original post but ill link them again + a couple more.

How South Asia’s caste system is fuelling anti-Black racism

South Asian Anti-Black Racism: 'We don't marry black people' [this one is a video and caste isn't the main point here but it is discussed.]

First person: My caste privilege in India blinded me to the reality of racism in the US

South Asians for Black Lives: Caste & Anti-Blackness [another video]

Race, Caste, and the Model Minority Myth

Anti-Blackness corrodes South Asian communities [not explicitly about caste but it is a good read]

as always more input is welcome

[fastlikealambo]

rant time

black tv shows cancelled left and right, few to no black characters on fantasy/supernatural tv that are NOT leads, and anything superhero related involving people of color is dumped and barely promoted only to be reviewed bombed and then the blame is placed on black directors or audiences if the movie doesn't do well.

"you should just make something original, no more racebending characters!"

when black creatives do that, it gets cancelled.

one of my favorite authors was talking about how her book wasn't up for an award because her book "didn't say something about the world." her book was about a black queer girl with plant powers and black queer parents.

or another author who got a comment on her own page from a reader saying that she couldn't connect with black main characters, our books need to be more education and that black authors should be more like asian authors ( I kid you not, I'm gonna link it because my jaw dropped.) giving a combo of racist sentiments and leaning into the model minority myth.

why even in fantasy books are we not free from the burden of education and handholding?

issa rae is right and I'm so fucking tired.

[invalleumbraemortis]

You know what’s so super fucking insidious to me? When some black immigrants hold their ability to travel and their experiences with travel over the heads of African Americans as an “I gotcha” as soon as a particularly ignorant African American person says something ignorant. I hate that shit. It feels so icky.

And on occasion, I see these takes from the same people that talk about how bad capitalism is. It’s even more insidious when you consider all of the “to prison” pipelines that there are systemically targeting AAs which not only financially limit us and in general limit opportunities, especially for black men, but also creates difficulties for securing visas to actually live and travel to some of these other places. Like I literally watched a man at the shelter I volunteer at break tf down because he won a trip and can’t even go because of a charge he had in 2004.

Like let’s bffr, in a country where race, ethnicity, and class are highly intersectional you’re gonna flex your access to a luxury? Cause… travel is a luxury… I mean cool I guess. But there are also ppl on the continent of Africa and across the diaspora in general, who literally cannot afford air travel and vacation and it is not at all attributed to or related to their intelligence.

I understand that American imperialism has done global harm and being American gives us some privilege outside of America, but truly the bulk of us will never get to experience it or don’t know that(this is another conversation on how American media, propaganda and education systems are systemically limited and under funded in the communities the majority of us reside in).

As AAs in this country we experience a specific type of systemic racism as well as ethnicism from the American government that consistently goes out of its way to harm and hinder us. Like yea black immigrants def experience racism here too, and more than other immigrants because of global anti blackness/stereotypes and discrimination against africans. But the structure of American racism was specifically built off of oppressing african americans which is why the success of immigrants and the accessing the American dream(not just black immigrants) is weaponized against(see examples model minority myth).

I get being frustrated with the ignorance and xenophobia that you experience from some AAs and I’m not tryna tell you how to feel…. And by all means call them out on their bullshit….but my god please pick a better way to address without being terribly tone deaf, elitist, and classist.

[strawberrytalia]

ermmmmm

poc tim hcs are…something. obviously with poc creators, it’s fully valid. but a lot of yt people don’t realize the significance of how certain characters’ races correlate to them. remember that era in which every batfam fan and their mother was spewing latino jason, asian tim, and black steph without thinking of any ramifications?? yeah i was guilty of that too in 2018. i was ignorant. racial headcanons don’t exist in a vacuum, it comes from pre-conceived notions and then a bunch of people follow that in an effort to look “woke”

and a lot of people don’t understand that tim is a self-insert for white people. he was created to cater to a classist white boy audience. and now, i’m sorry, but it’s still mostly white people who relate to him. fanon tim and the blank canon tim that’s appeared past pre-boot exists because that’s what he is.

making tim black or blasian or especially east asian, feels performative imo. like i don’t want to say harmful, but i feel like it’s more meaningful to keep certain characters white, rather than give them a random ethnic identity that you never plan on touching on and exploring. tim was raised wealthy and privileged. tim victimizes himself against a 10 year old brown arab child. these are just facts. you making him black but being unable to tie that into his identity doesn’t make sense. and i know poc who are whitewashed don’t connect to their culture exist, but it comes from a writer’s lack of knowledge or lack of effort most times. just saying that it makes more sense for tim to be white and be characterized accordingly, as opposed to making him a poc just for brownie points.

and don’t even get me started on the east asian tim headcanon bc he’s “smart and techy.” you fell for the model minority myth and that tells me enough 💀

[huyang]

Fresh Off The Boat

For my first post, I chose to do it on the show “Fresh Off The Boat”. This television show focuses on the life of the Huang family that comes from a Taiwanese background. The show revolves around Eddie Huang, who recently moved to Florida and now has to adapt to a new environment. As an 11-year-old boy, Eddie faces a variety of challenges regarding his race and tries to blend into society with his peers. The show also highlights the struggles of both of his parents, who are Taiwanese immigrants dealing with their own issues. This is related to the course readings because the show explores common themes such as cultural assimilation, identity, and the immigrant experience. In “El Norte: Up from Mexico”, Takaki mentions that Mexican families come to America in search of a better life. Mexican immigrants would take low-paying jobs and work hard to provide for their families. However, they are often treated unfairly and are marginalized due to their race. In addition, their children were sent to segregated schools in hopes of a better education. This is similar because Louis also had to work hard to keep the business running, while Jessica has high expectations for her children to perform well in school. These themes relate to the struggles that many immigrants and minorities encounter while combating racism.The show also brings up conversations such as race, ethnicity, and cultural diversity. In the show, Eddie is often mocked for bringing in Chinese food, and called rude names due to his race. In addition, Eddie goes against the “Model Minority” in which he loves listening to hip-hop and is sometimes rebellious. This contradicts the myth and addresses the stereotypes that Asian Americans face. In addition, the show addresses cultural diversity and brings in topics such as food and languages. For example, the show highlights a variety of Taiwanese cuisine, and includes both parents speaking Mandarin. Moreover, In the article “Unpacking the Invisible Knapsack”, Peggy McIntosh talks about the unearned advantage due to white privilege. McIntosh discusses how the term whiteness is often normalized and goes unnoticed. For instance, Louis struggles to keep his Steakhouse in business while trying to attract more customers. Louis is constantly facing skepticism, and has to constantly reassure his customers that his restaurant serves authentic American food due to his race and ethnicity. Furthermore, the Huang family comes from a middle-class status which is often intertwined with their race. Their race limits their social acceptance to fit in with their neighborhood as they are viewed as outsiders.

Citations:

McIntosh, Peggy. “White Privilege: Unpacking the Invisible Knapsack.” Peace and Freedom Magazine, 1989.

Takaki, Ronald. A Different Mirror: A History of Multicultural America. Little, Brown, 2008.

“Pilot.” Fresh Off The Boat, created by Nahnatchka Khan, season 1, episode 1, 20th Century Fox Television, 2015.

“Riding the Tiger.” Fresh Off The Boat, created by Nahnatchka Khan, season 4, episode 16, 20th Century Fox Television, 2018.

[rylannridley]

Top Myths Debunked: What You Shouldn't Believe About Auto Glass Repair

Auto glass repair is one of those services you might not think about until it's immediately necessary. Unfortunately, there are a myriad of myths that float around about windshield repair, replacement, and general automotive glass maintenance. These myths can prevent car owners from acting in the best interest of their vehicle’s longevity and safety. Let's clear the air on some common misconceptions related to auto glass repair that could be causing you more harm than good.

Myth 1: A small chip in your windshield can be ignored It may seem inconsequential, but even the smallest chip on your windshield requires attention. Left unattended, these minor blemishes can quickly evolve into larger cracks that compromise the structure of your windshield. Many automotive glass shops offer quick and convenient windshield chip repair services that can address this issue before it worsens, saving you time and money in the long run.

Myth 2: Windshield repairs are outrageously expensive Contrary to popular belief, windshield repair and even replacement don't have to break the bank. Prices vary depending on the model of your car and type of glass required, but many auto glass shops offer competitive rates that are often covered by insurance policies. Additionally, repairing a small crack or chip is considerably less expensive than a full windshield replacement.

Myth 3: Any DIY kit will work just as well for window repair While it may be tempting to tackle windshield chip repair yourself to save money, professional repair is key. Auto glass experts utilize professional-grade materials and adhere to specific techniques that ensure the structural integrity and durability of your windshield. DIY kits may not provide a permanent solution or could cause further damage if improperly used.

Myth 4: Windshield replacement takes a long time Many drivers delay necessary replacements due to concerns over being without their vehicle for extended periods. However, whether you visit an windshield replacement or use a mobile auto glass service, modern technology and skilled technicians can typically get your car back to roadworthy condition in less than an hour. Mobile windshield shops bring the solution right to your doorstep, offering convenience without compromise.

Myth 5: All auto glass services yield the same results This couldn't be farther from the truth. The quality of service varies dramatically depending on where you go. Certified professionals at specialized automotive glass shops are trained to handle various types of glass repairs and replacements with precision. These experts ensure that the repaired section blends seamlessly with the undamaged parts, maintaining both appearance and safety standards.

Myth 6: Temporary fixes are good enough for any situation While temporary solutions like adhesive tapes or coverings might seem adequate for small damages, they are not meant to substitute professional repairs. Temporary fixes merely protect against dirt and water but do not restore the structural integrity or safety of the auto glass.

The roads we travel are not always smooth, and neither is the journey through misinformation surrounding auto glass repair. Trusting professionals with repairing or replacing your car's windows ensures safety doesn’t take a back seat. So next time you need windscreen servicing, remember these debunked myths and choose your auto glass service wisely. Whether opting for conventional repairs at an established shop or choosing the convenience of a mobile service, embracing proper auto glass maintenance not only extends the life of your vehicle but also protects its passengers.

[crazyrichasianscontroversy22]

#8

“Asian American Audience Members’ Reactions to Crazy Rich Asians.” National Communication Association, 17 Mar. 2022, www.natcom.org/communication-currents/asian-american-audience-members-reactions-crazy-rich-asians#:~:text=Some%20viewers%20criticized%20the%20film,or%20felt%20represented%20by%20it. 

Lori Kido Lopez, a journalist In a recent article published in NCA’s Critical Studies in Media Communication, takes a look into the online discussion related to Crazy Rich Asians and its impact on Asian American viewers. He gave an insight on how the Asian Americans in the audience seeing the film may have also felt the weight of expectations of success for the high-profile film. Lopez feels as though the anxiety related to representation of Asians may include “the fear of humiliation or shame if audiences don’t like it or if it is a mocking or degrading portrayal, alongside the desperate hope that it ultimately performs well enough to open doors for future Asian American projects.” An Asian Australian journalist Michelle Law chimes in to describe her experience watching Crazy Rich Asians in The Sydney Morning Herald: “My reaction took me by surprise. I wasn’t expecting to be so affected by seeing a protagonist that looked like me and locations that felt like home. I wasn’t expecting to hear a soundtrack sung in languages from my mother country. I felt seen for the first time in years, well, precisely 25 years, which is when The Joy Luck Club, the last major studio film to feature an all-Asian cast, was made.” Other viewers criticized the film for a lot of other reasons such as continuing the “model minority” myth and minimizing the presence of dark-skinned Southeast Asians in Singapore. Lopez writes that it is impossible to have a unified response to the fil and not all viewers loved it or felt represented by it.

[secretariatess]

13 and 16 for the Royal OC asks?

13. Is there a famous ancestor they look up to? One they would rather not speak about?

16. What are some duties your OC is expected to perform? Military service? The bestowing of honours? Attending the monarch at large events?

Crown Prince Arvek: 13. Queen Alestra, who was a major force in expanding Harlofelp's trading capabilities and establishing the kingdom as a trusted trader with the foreign country Foralt, across the seas. The northern kingdoms were not able to establish the same rapport. As for rather not speak about, King Eleston. Eleston was third in line, but his brothers before him mysteriously died. Eleston reportedly spent most of his time drunk, made all six marriage vows only to turn around and break them all, would only listen to his people if they brought him food and then demanded that they be jailed if he determined the food gross. It's only scratching the surface, but Eleston disgusted Arvek.

16. He is expected to act as advisor to the king, and king's proxy when/if needed. His word overrides that of the lesser princes, granting him the ability to "correct" misguided governing decisions made by them. Military service is not required of him, though military strategy and fighting are. There are some honors bestowed by the Crown Prince, though they play a minor role next to the king's honors. There is an expectation that the Crown Prince will attend large events, though it is not as egregious if the king is present. If the king is not present, and there is no political motivation in not showing, then the Crown Prince is expected to be there to act as proxy for the king.

Prince Selim: 13. He looks up to Prince Hulian, of whom little is known about him. He had learned all kinds of parlor tricks, was able to steal the earrings off the ladies in court, and vanished when a war broke out, with some theories claiming that Hulian had become the infamous Red Mist, a myth of a man who went behind enemy lines to steal plans and kill major political figures pushing the war. He despises King Arvellian, his grandfather, whom he's convinced hated him.

16. At this point, no one expects Selim to perform any duties, considering how many times he's skipped out on it. He's supposed to watch over certain provinces given to him, and oversee projects the king places him over, but Selim's convinced his younger brothers do that for him. Like Arvek, he is not expected to actually be part of the military, but strategy and fighting is taught to him. Learning to fight was one of the few things he enjoyed about his position. His presence at large events is not as crucial, and sometimes his father wishes he wouldn't show up at large events.

Prince "Cor" Corian: 13. Cor doesn't really have an ancestor he looks up to. He's more in the present of things, so he's more likely to directly relate to those around him. Which right now, goes between Arvek and Selim. As for those he doesn't want to talk about, he'd probably say Eleston like Arvek, and he does have some negative things to say, but overall, he doesn't care. He doesn't need to care.

16. He has the tasks of governing the provinces he's been giving. Since he's still pretty young and just coming out of university, he hasn't done a whole lot just yet. Military expectations are that of his brothers, and it's an honor to have a prince at large event, particularly when royalty isn't expected, and he might be sent here and there for political purposes that don't require the grand gesture of the king or Crown Prince.

Prince Veran: 13. Like Cor, he doesn't necessarily have an ancestor he looks up to, but not because of the same reason. Veran finds interesting facts of his ancestors, liking the ones he likes for various details, though not necessarily making a role model out of any of them. There isn't an ancestor he wouldn't talk about, unless it was a boring one who didn't do anything politically or even have a funny quirk or story to tell. There are some that he doesn't care for because of what they did, but he's largely detached from their stuff.

16. He is still going through university, so he does not yet have the tasks Cor has. Rather, he is training to learn how to govern. He is still learning strategy and fighting. His appearance at large events is much like Cor's, where a gesture could be made, but not as important.

Thanks for asking! ^_^

[anniekoh]

Listening to this fantastic interview with poet Monica Youn.

Transcript:

Monica Youn: Deracinated identity for me is an empty space. It’s an empty space that is contained in a shell and the shell is the interface with whiteness. The interface with whiteness, also the interface with other racial identities causes you to be defined as Asian without the guts of it, without the deep connection to homeland or belonging that I feel that other people have access to and that I never have. Growing up in the south, people in ways that are deeply binary and deeply racialized nonetheless have a connection to place, to homeland that I have never felt

...

David Naimon: I think of this in relation to the poem you just read where the tourists and the artists are allowed to pass for White, the tourists and artists are not contained, and in fact, they literally walk away and can walk away, but Asianness is a container in this poem, race is a container. I think of this when I think of something that Ngũgĩ wa Thiong’o says that our bodies are our first field of knowledge, that if you start from a place of finding that field to be wrong, you don’t have the foundation to build from. Also, when I talked to Claudia in 2014, her talking about her desire for White writers to stay within their bodies when they write, to write as White writers, to in a sense be contained, to accept containment and not perpetuate Whiteness as White space as universal perhaps is the ability to step in and step out. But I wanted to read a couple of things Dorothy said about your work in this interview as a lead into what I found to be a really fascinating response on your part that I’d love to explore. Her introduction notices, like I did, something different about From From when she says, “Youn’s first three collections are accomplished and impressively controlled, with a palpable sense of wariness about them. They can be hard to penetrate, not because of the numerous high-culture references to Greek and Nordic myths, Proust, Antonioni, and so on, but perhaps because of a restraint or constraint which felt, well, racialized. In Youn’s latest collection, From From (Graywolf Press, 2023), something has come undone—all to the good of her,” and in that same introduction, “Since graduating from Princeton, Youn has had the sort of career that could be seen as embodying a ‘model minority’ or aspirational-immigrant dream: Yale Law, jobs in top New York City firms, Stegner and Guggenheim fellowships, and critical acclaim for her three books.” Then she goes on to talk about performing a mastery of knowledge, something I want to return to because I do think you use this mastery of knowledge in a weaponized way now in this latest book that I really appreciate. But your response to her when she brings all this up is to say that there’s also a lot of credentialing on the identity side as well, not just on the assimilation side. You go on to talk about how the only model for you growing up in relation to Asian American-ness was an authenticity model which you couldn’t perform as you’ve already alluded to, not knowing Korean language, not having spent much time in Korea, and that part of the impetus for this book came from a panel of young Korean female poets at AWP in LA. You say, “I didn’t want to be led down the ‘authenticity’ path.

...

Monica Youn:

I don’t want in any way someone to come away from either of these two interviews thinking that I am in any way disclaiming the work of the Korean-American poets on that particular panel. I adore their work. I teach it all the time and I don’t think that they are performing authenticity. I think what I was responding to was their description of the funding mechanisms that enabled the production of their poetic works, which was they would often get some Fulbright or research funding to go back to their home country and research it in order to be able to conduct a sufficiently authentic performance that it would be acceptable to a White consumer or a capitalist consumer who only wants to consume authentic racialized experience in the same way that they only want to consume authentic racialized food. That was what I was trying to steer clear of. This is not my home cooking and I’m not going to cook it for you.

[angeliqueshelleyartist]

Representation

SOURCES AND SIGNIFICANCE BLOG POST #6

In this blog post I’ll be exploring the importance of positive representation in media. In our primarily visual culture, representation influences social interactions between people who have more mainstream identities and those within minorities. I’ll also be examining the HBO adaptation of The Last of Us and their positive representation of the characters Bill and Frank which caused waves of positive reception. 

Representation in the context of media is “the way that someone or something is shown or described” (Cambridge Dictionary, 2023). Positive and natural representation of people is more important than ever as it can challenge and alter harmful and inaccurate views and opinions people have of the “Other”, which is the psychological and media phenomenon of “othering” people who exist outside of mainstream identities (Fürsich, 2010). While violence against women has improved (UN Women, 2023) hate crimes against race and LGBTQ+ people have been on the rise (APCC, 2022; Stonewall, 2023). Media can have an active role in dismantling the fear and hate at the root of these crimes. 

Media has a massive impact on behaviour as mental conditioning through images and text begins in childhood (Adukia et al., 2023; Daniels et al., 2016), positive and natural representations of diversity in shows like Steven Universe and She-Ra can help children develop healthy, accurate views and even help them challenge the stereotyping they may encounter from their peers and adults. While media is usually constructed with intention  (see Barthe’s (2009) semiotics theory on decoding the Myth of images, and Berger’s 1972, Ways of Seeing), I think an intention to portray accurate and truthful representations is a positive one as it challenges deplorable antisocial behaviours through eliciting an emotional and empathetic response; Lomas (2019) explores the the psychological impact of positive semiotics. 

Not only can positive, realistic representations reduce prejudice, they can also offer aspirational models for LGBTQ+ people to identify with, this can be even more powerful through the portrayal of everyday day life in TV series (Masanet, M., et al., 2022). 

TV series are not only helpful for children, but also for adults trying to deconstruct the conditioning of a strictly conservative upbringing or an environment that is full of stereotyping and prejudice. An example of this is the recent adaptation of The Last of Us by HBO (first aired 2023). The Last of Us franchise has a few LGBTQ+ characters, though the most notable is Ellie, who is a lesbian and the main protagonist in The Last of Us 2; a decision that made leaps for inclusivity in the gaming industry (GameRant, 2021). Other notable LGBTQ+ characters include Frank and Bill (fig.1), who were fleshed out  in the TV adaptation and received their own devastatingly beautiful episode (Episode 3, Long, Long Time). It’s Frank and Bill’s episode in particular that seemed to have the greatest positive impact not only in the social circles around me, but also beyond (Esquire, 2023). 

Fig. 1 Frank (left) and Bill

Frank and Bill are caucasian, middle-aged, gay men played by Murray Bartlett (left) and Nick Offerman (fig.1). Although greater representation could have been achieved with a more racially diverse casting, I wonder how much or little the impact would have diverged as a result. While great LGBTQ+ representation is beneficial for everyone, a positive aspect for the casting choice was a chance to appeal for empathy from men who may relate to the demographic, and for the rest of us, it was wonderful seeing a layered and relatable representation of a loving relationship between two complex individuals. In the three stages of representation’s evolution according to Ventura et al. (2019), the first being invisibility, the second being imperfect representation and the last being fair representation, I think The Last of Us: Long, Long Time comfortably falls into the latter as it ticks the requirements of having “effective representation, rich and multi‐layered portrayal, positive models, complex and realistic characters, diversity of roles and identities,” (Masanet et al., 2022; Ventura et al., 2019). However, as much as The Last of Us: Long, Long Time was praised, it did receive some criticism of falling into "gay death-tropes" (Andrew, 2023; MacLeod, 2023), but in a post-apocaplytic world, having shared a 20-year romance despite the widespread death around them, a tragic ending seems inevitable in the universe of The Lat of Us. All things considered, I think that Bill and Frank's love story is the start of an upward trend of good and fair representation in mainstream media.

In summary, I think it’s tragic and heartbreaking that hate crimes against race and LGBTQ+ minorities are on the rise despite positive political advances in rights and freedoms. From what I experienced from positive representations like Bill and Frank’s in The Last of Us: Long, Long Time, the exposure to realistic and identifiable characters can alter people’s perceptions and create powerful feelings of empathy, and for me personally, the desire to protect what is beautiful. I want my work to reflect my values of inclusion and my desire for accurate representation. I’ll achieve this through thorough research and sensitivity to avoid stereotypes that I may unwittingly draw on through my own ignorance or exposure to inaccurate media.

References:

ADUKIA, A. et al. (2023). What We Teach About Race and Gender: Representation in Images and Text of Children’s Books. The Quarterly Journal of Economics. 138(4), p.2225–2285. [Online]. Available at: https://doi-org.ezproxy.herts.ac.uk/10.1093/qje/qjad028 [Accessed: 8 December 2023].

ANDREW, S. (2023). How ‘The Last of Us’ did Bill and Frank justice – and impressed many LGBTQ fans. [Online]. CNN. Available at: https://edition.cnn.com/2023/01/30/entertainment/last-of-us-bill-frank-episode-3-cec/index.html#:~:t [Accessed: 4 January 2024].

APCC. (2022). Recorded Hate Crime on the Rise. [Online]. Association of Police and Crime Commissioners. Available at: https://www.apccs.police.uk/latest-news/recorded-hate-crime-on-the-rise/ [Accessed: 8 December 2023].

BARTHES, R. (2009) Mythologies. London: Vintage.

BERGER, J. (1972). Ways of Seeing , Episode 1. [Television Series]. London: BBC.

CAMBRIDGE DICTIONARY. (2023). representation. [Online]. cambridgedictionary.org. Available at: https://dictionary.cambridge.org/dictionary/english/representation [Accessed: 8 December 2023].

DANIELS, E., LAYH, M. & PORZELIUS, L. (2016). Grooming ten-year-olds with gender stereotypes? A content analysis of preteen and teen girl magazines. Body Image. 19, pp.57-67. [Online]. Available at: https://doi.org/10.1016/j.bodyim.2016.08.011 [Accessed: 8 December 2023].

ESQUIRE. (2023). That ‘The Last of Us’ Gay Love Story is Groundbreaking. [Online]. Available at: https://www.esquire.com/uk/culture/a42686416/the-last-of-us-gay-romance/ [Accessed: 8 December 2023].

FÜRSICH, E. (2010). Media and the representation of Others. International Social Science Journal. 61(199), pp.113-130. [Online]. Available at: https://doi.org/10.1111/j.1468-2451.2010.01751.x [Accessed: 8 December 2023].

GAMERANT. (2021). The Last of Us: Every LGBT+ Character in the Franchise. [Online]. Available at: https://gamerant.com/last-of-us-lgbtqia-ellie-dina-lev/ [Accessed: 8 December 2023].

LOMAS, T. (2019). Positive Semiotics. Review of General Psychology. 23(3), pp.359 - 370. [Online]. Available at: https://doi-org.ezproxy.herts.ac.uk/10.1177/1089268019832 [Accessed: 4 December 2023].

MACLEOD, R. (2023). ‘The Last of Us’ tells a new but familiar queer love story. [Online]. The Washington Post. Available at: https://www.washingtonpost.com/video-games/2023/01/29/last-of-us-bill-frank-episode-3/ [Accessed: 4 January 2024].

MASANET, M., VENTURA ,R. & BALLESTE, E. (2022). Beyond the “Trans Fact”? Trans Representation in the Teen Series Euphoria: Complexity, Recognition, and Comfort. Social Inclusion. 10(2), p.143 – 155. [Online]. Available at: https://doi.org/10.17645/si.v10i2.4926 [Accessed: 8 December 2023].

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[womenswin01]

Breaking Stereotypes and Shattering Laughter Records: Celebrating Asian Female Comedians

In a world where humor knows no boundaries, Asian female comedians are shattering stereotypes, taking center stage, and leaving audiences in stitches. These dynamic women are rewriting the narrative, using their wit and charm to tackle cultural taboos, social issues, and personal experiences. From stand-up stages to screens big and small, their impact on the comedy scene is undeniable.

A Rising Tide of Diversity

The comedy landscape has long been dominated by a certain archetype, but Asian Female Comedians List are challenging this norm with their fresh perspectives and bold voices. No longer confined to the sidelines, they're using their platform to bring their unique stories to the forefront. From the sharp observational humor of Ali Wong to the quirky charm of Awkwafina, these comedians are painting the world with shades of diversity.

Smashing Stereotypes, One Joke at a Time

Asian female comedians are unapologetically dismantling stereotypes that have persisted for far too long. Through humor that's both relatable and thought-provoking, they're showcasing the absurdity of racial and cultural misconceptions. Whether it's dissecting the "model minority" myth or playfully debunking clichés about traditional family dynamics, these comedians are sparking conversations that challenge the status quo.

Tackling Taboos with Grace

Laughter has the incredible power to address sensitive topics, and Asian American Female Comedians are masters at using this tool. With an uncanny ability to balance wit with sensitivity, they're discussing topics that have often been swept under the rug. From mental health stigmas to cultural clashes, these comedians are shedding light on the complex realities of life as an Asian woman, all while leaving audiences roaring with laughter.

Personal Stories, Universally Funny

Comedy is at its best when it's rooted in authenticity, and Asian female comedians excel at weaving their personal narratives into universally relatable tales. Their stories of identity, immigration, family dynamics, and cultural clashes transcend borders, resonating with diverse audiences around the globe. Through their humor, they're building bridges that connect people from different walks of life.

Championing Change in Entertainment

Asian female comedians aren't just telling jokes – they're also advocating for change within the entertainment industry. By demanding more representation and pushing for equal opportunities, they're paving the way for future generations of comedians. Their success isn't just measured in laughter, but also in the doors they're opening for others who have been overlooked for far too long.

Icons of Empowerment

These comedians are more than entertainers; they're icons of empowerment. They're showing young Asian girls that their dreams are valid and achievable, regardless of societal expectations. Through their resilience and determination, they're redefining what it means to be an Asian woman in the world of comedy.

The Road Ahead

As the comedy landscape continues to evolve, the influence of Asian female comedians will only grow stronger. Their voices, once marginalized, are now taking center stage and reshaping the comedic narrative. With their wit, courage, and boundless creativity, these comedians are proving that breaking boundaries can be downright hilarious.

In a world hungry for laughter and change, Asian American Comedian Female are serving up both in spades. Through their jokes and stories, they're encouraging us to laugh at our differences, question our assumptions, and ultimately, come together in the shared joy of humanity.

In conclusion, Asian female comedians are making waves, challenging stereotypes, and rewriting the comedy script. Their impact is profound, not only within the entertainment industry but also in society at large. Through humor, they're forging connections, sparking important discussions, and leaving an indelible mark on the world, one laugh at a time.

[mysticdragon3md3]

Finally got more curious about comicAmbrosius, after really liking Netflix Nimona movie 2023.

Tho i think i prefer movieAmbrosius. I've always liked the playful puppy archetypes. And comicAmbrosius sounds kind of like a bratty tsundere. I'm kind of done with abrasive tsundere. I prefer emotionally intelligent, proactively sensitive, playful movieAmbrosius.

Also interesting how the comic uses Ambrosius to discuss White Privilege, while many commentors have related movieAmbrosius to the Model Minority Myth that a lot of Asian Americans have to deal with.

[burning-bubble-tea]

I saw a post disagreeing with sentiments of “do not compare on who had it the worse” by holding the idea that we can say who had it worse while still not disavowing other people’s oppression. And I very much agree but also I’m in belief that those two things can be true at the same time. Mainly cause I as I am clearly do not have it nearly as bad as another but I feel the idea of we can say who had it worse unintentionally skirts around intersectionality since people can experience multiple different forms of oppression and have that combine in different ways.

The post was discussing the model minority myth and giving simple facts as to how Asians can be portrayed as a model minority due to its constructed status and how that is a bad thing. And like I’m not stupid, being used as a tool to drive a wedge between groups and have one group bitter because they’re not acting in solidarity and the other still seeing them as lesser. I can clearly acknowledge that being in the middle is bad but not as bad as being at the bottom.

However, intersectionality strives for equity and justice and dismantling hierarchies. This includes hierarchies of oppression. So I agree as it stands with our socialization of wanting to place things in hierarchical fashions, Black and Indigenous people totally had it worse than Asians and you can acknowledge that while still hating the fact that there is inequality at all. However that simply focuses on the hierarchical nature of race. There are so many different intertwined factors shaping people’s lives.

Anyways, I agree with the comment, we can stop using the oppression Olympics argument to disavow conversations of the complex experiences of forms of oppression but at the same time acknowledge that we also need to unpack the hierarchy because just as the oppression Olympics can be used to shut down conversations about how certain groups are not acting in solidarity all the time, deciding who has it the worse will never be a conclusive conversation due to the nature of intersecting identities and how it can spark unproductive conversations (like this post lololol) and make people unintentionally try and make their situation seem worse as a ‘counter argument”. Cause I’m honest, when I saw someone under the original comment claim that they can relate to all forms of oppression as a black individual and therefore had it worse, I totally agreed with them, but a small internalized racism part of me went “oh but my experiences of xyz are so bad they have no idea” anyways because everyone’s a little bit racist. I think in this shitty semantics conversation, having it worse also doesn’t mean you now are validated in not providing solidarity to groups who white people have deemed higher on the hierarchy but lower than I.

[renbennett]

Reflection:

My goal is to demonstrate our need for abolition through addressing the racism and expectations of minority groups, specifically Asian Americans in relation to Executive Order 9066. My map takes the viewer through different steps that occurred as a result of poor government decisions. Abolition is important because people have an expectation that if they ask the government for stricter laws or more help that it will do something. The sad truth is that the result of government help will only hurt minority communities more because our entire system is built to support white supremacy. The model minority myth and our penal system are ways in which white supremacy has been allowed to continue flourishing in the US. Minority groups have been ignored and are typically stuck in lower income communities without substantial government aid. The model minority myth promotes an expectation that all Asian people are smarter and more advanced than other people. While it hides in flattery, it is used to neglect the needs of Asian Americans. “Asian American” accounts for a large group of people containing many subgroups, and while some people in this group may be thriving, even more people are allowed to slip through the cracks and be ignored by their government. Taxes that could be used to help these communities with social programs for young students or struggling families are instead used for military and police funding. A system that has historically been used against minorities. Black people, Native Americans and Asian people have been historically used for unpaid labor and have been forced to relocate by our government and our penal system only perpetuates this behavior. Instead of military action against our own people, we need programs that can heal and nourish. Minority communities are left to struggle and are incarcerated at a ridiculous rate where they are then forced to live in horrible conditions and work for a couple cents an hour so that they have no chance of going anywhere in life. We have continued the cycle of slavery and racism but it is hidden in our “justice” system. This is why it needs to be completely restructured so that it can serve the people and allow for real rehabilitation for those who need it. My map takes on a perspective of Executive Order 9066 that attempts to bring out the true root cause of what happened. The government stages this action as an overreaction to a terrorist threat, but it goes much deeper than that. What happened in these camps was part of a larger pattern of relocation, unpaid labor and neglect that is driven by the white supremacy our country was built on. My map serves to show where the power really lies.