#in order for this to even work you have to go with the theory that kinger is one of the devs for digital circus

[genderqueerdykes]

its extremely important, i would say even vital to learn about queer history. do not use what i'm about to say as an excuse to ignore our history, however i feel like i need to point something out, because i get a lot and i mean a LOT of questions asking if there are books written on every single queer identity and i have to point out that while it's extremely important to try to look to the past for validation in the present, it's also extremely important to realize that not every single queer experience has to have a long well documented history in order for it to be seen as "valid"

in many places in the world, even writing about being queer can be grounds for being jailed or killed. it's not always safe or practical to publish books, zines, or other written works when it comes to various queer identities. even in places where it is safe, not every single identity is going to be covered and written about. not every queer person feels the desire to write about their experience and not every queer person wants to be immortalized for being queer. this is extremely important to consider

also, queerness is based in identity. identity does not need empirical evidence in order to be legitimate. it may not be easy to find books on certain identities, but that doesn't mean they're not real. as important as it is to refer to books and the writings by other queers, it's also extremely important to not leverage literacy and the ability to publish books and/or zines against certain people and identities. just because there aren't books or comics or poems written about certain identities doesn't mean you can't view them as legitimate.

queerness is not like a scientific theory. it does not need to be proven. it does not need evidence. you do not have to prove that other queer people of the same identity exist in order for your identity to be valid. do NOT use this as an excuse to refuse to learn about queer history, but also do not look down on queer people whose identities don't have books written about them, either. remember that queerness is illegal in many, many places in the world. not every experienced can be published and written about. that's okay.

basically what i'm trying to say is don't use a lack of written records to dismiss certain queer identities or even misgender people. that person's anecdotes, that person's stories are still worth listening to. it doesn't matter that you personally haven't heard of other people identifying that way. don't use books and literature against individual queers. don't weaponize the lack of published work against people with complex or niche identities. having books and sources to refer to is an incredible resource, but that's not why they're there. they're not there so you can refer to them and go "a-hah, this is irrefutable proof that x group of queer people don't exist!" they're there so you can learn about some of the beautiful experiences humanity has to offer.

queer literature and history is important, but just because we don't have proof of something being reflected in the past doesn't mean it's not legitimate in the present. there were periods in time before these books and records that we refer to were published. it doesn't mean the people who came before these works weren't queer, and that their identities weren't legitimate. there have always been queer people as long as humans have existed and it's honestly very shitty to spit in the faces of everyone who came before the common sources we have to refer to today. they were still queer even if they had no books to refer to. queerness is not a science. it's okay to accept someone even if they can't provide you with piles and piles and piles of proof that their identity should be allowed to exist.

you don't necessarily need a "source" to prove that queer identities exist. the "source" is humanity. the "source" is lived experience. don't ever stop learning about our history, but don't use a lack of written records against other queer people. it helps no one. thanks. hope that made sense.

[misty-sparkles]

I heard Caine was based on AM and then spent three days on a shitpost

[medicinemane]

Sometimes I feel like I'm going crazy

You have... very very very very very very very very smart people you know, and they're say something that not only isn't true, but literally is as opposite of the truth as it's possible to be... and you'll... gently inform them "hey, it's actually a bit more like this" and then they just kinda... go on saying literally the exact same thing

I'm not sure if it's just that... I often feel like I must be very bad at communicating, or people must just not notice/ignore a lot of what I say, but... I don't know

Like dearest friend, you've said something as absurd as... I don't know, it's hard to say without saying it, but honest to god about as absurd as saying the United States was a part of the USSR, that level of completely getting it backwards

...and it just doesn't seem to matter when I try to explain it... I legit don't even know if you read what I said

Really end up feeling like I'm going nuts sometimes

[aidenwaites]

Im now watching Jenny nicholson's video on evermore park and man. The management for the entire entertainment industry is just kind of Like That huh

[fingertipsmp3]

Like yeah I can absolutely be charming and personable when I need to be, but I have to be in the correct headspace first. Like I have to not be catatonically depressed about my dog dying and my sister dying and winter in the north being so bleak!!! Can we talk about it

[yeyinde]

stalker!Simon decides to have a little fun with his favourite camgirl.

the message comes up halfway into your "show."

it's a boring night. slow. you wear a lingerie set one of your viewers sent in beneath a silk robe, all in a pretty pastel pink—cliche, but it works; an uncomfortably disgusting version of hair theory unfolding in front of your eyes—and discreetly chug wine when you twist away to grab a new toy. a series of pale pink vibrators, nipple clamps. mundane depravity for what's shaping up to be a lacklustre night.

but the money that pours in from these little shows (adult version of classic party games—hide and seek, would you rather, truth or dare) is one step closer to erasing your debts. student loans. car payments. rent. you smile so wide it aches, and put your best face on when you blink, coquettish and coy, at the camera where nameless, faceless men throw money in a ring for a scrap of your attention.

tonight's game is Simon Says. and it's supposed to be normal. boring.

but a message from a viewer named Simon (in a sea of many who cheekily changed their usernames to match the theme of the game) stands out.

Simon says... go lock your door.

you blink. between all of the Simon Says touch yourself for me baby, pull your shirt down, lemme fuck you for real it sticks out. a change in the routine.

you huff, pouting. "already did that, Simon. c'mon, gimme something else to do, honey."

another one pops up. Simon says... you shouldda got a dog.

your brows furrow. "that's not part of the game, Simon. i'm gonna move on—"

Simon says... open your door.

he's paying you handsomely. dropping coins, large amounts of money, for each message to shoot to the top. little superchats. why he isn't taking advantage of it and paying you to do something sexy, something lewd, unnerves you. your heart starts to race, thudding against your ribs almost painfully.

it's fine, you think. he's just a creep. a loser. "uh huh, not part of the game, Simon. i'm afraid i'm gonna have to cut you off—"

you block him. they don't normally get under your skin like this. ever. at all. even when they throw random names in your dms, hoping one of them happens to be yours, and try to blackmail you to your fake friends and family. it doesn't bother you as much as this. as him. get a dog. how absurd.

the next series of chats pass without the same odd comments. take your bra off, but leave the robe on. act coy, like you don't want to—

creeps, you think, in their own right. but. paying ones. so, you smile. stiff. uncomfortable. grinning so wide it hurts. pretending to ignore the strange unease growing in your guts. your eyes sliding back to the superchats saved in a glowing log. let me in. a troll. whatever. it's nothing. nothing. you'll drink wine after this, scrub your skin raw in the shower and buy yourself something pretty with the money these greasy losers threw your way—

Simon says... let me in.

you feel your heart in your throat. it can't be him. you blocked him. you have mods to keep trolls out of your chats, but wonder—hopefully—if maybe it failed. maybe they found your stream are just being weird. strange. but when you check, the filters are on. he's a registered user. paid the premium to watch you. to get an invite to your special game nights. it makes it worse, you think, that he paid to be here. to do this.

your hand shakes. you block this user, too, ignoring the discomfort churning inside your chest. the fear spiking along the nape of your neck. hair raising. there's a prickle on your skin. the feeling of being watched

no. it's fine. you're fine—

"ah, what else should i do, Simon?" you ask your viewers, pulling on another smile. one that hurts. aches. wobbles around the edges. you'll end the stream in a few minutes. order Thai food. drink yourself stupid. take the day off tomorrow. use this creeps money and waste it. blow it on something stupid. dumb. laugh about it with your friends.

your shoulders dip. the tension easing. you're fine. you're at home. the door—

you locked it. right? you definitely, absolutely, locked it when you brought in the package from the delivery driver. the massive, hulking man who loomed in your doorway, too wide, even, to fit inside, and growled out in a low, brassy timbre: sign 'ere. you took the pen, pretending he wasn't drilling holes into you with his gaze, eyes liquid in the dark. intense. wanting. and then scurried inside—

back pressed against the door, hands wrapped around the lingerie set.

you glance at the chat. "which Simon bought me this cute set? i'd like to thank them personally," you murmur, forcing your shoulders to drop. it's fine. you live in the middle of nowhere. no one is coming to your door.

there's no takers in the chat. you shift on the chair, licking your lips. "it's really cute, Simon. a perfect size, too, and i just—"

something catches your eye in the corner of the monitor. a movement. a slight shift. a whisper of fabric. you tilt your chin, peering into the hazy black reflection.

what you're looking at doesn't make any sense. your bedroom door is open. a curtain of black drapes over the wall where the pale strip of light doesn't reach.

the washroom light is still on, a yellow spill illuminating the hallway, but nothing is there. no one is in the hall. but you know you closed your door. you always do when you stream. your heart trips over itself. leaps to your throat. you almost choke on it—

another bubble pops up. Simon says... hey. uh, who is that guy behind you?

there's a ringing in your ears. your hair stands on end. something moves again. the black mass wasn't a shadow. it moves. takes shape. the covered head nearly reaches your ceiling, body filling the entirely of your room. massive. a mountain you remember thinking. a fucking mountain, you texted your friend. thighs the size of tree trunks—

a hand reaches out, grabs hold of your power bar. thick gloved fingers curling over the button. in the bluegreen glow of your computer screen, a man steps out.

"glad y'liked it, pet." the deep, brassy drawl sends shivers down your spine. you try to scream, mouth opening wide to choke it out, yell for help—

your chat bubbles up, feverish in their excitement. you skin through the messages, stomaching churning as it clicks in your head. their rabidness isn't about saving you, but—

(omg he's gonna fuck her pron??? we're getting pron????? no fucking wayyyyy god i wish it were me—)

this isn't a fucking bit, you morons, you want to howl. call the fucking police—

but he gets there first. two strides. it happens in a blink. the screen goes back and he's on you in seconds.

you're not even sure how someone so big, so heavy, could move that quietly—

"ah-ah, none o'tha' now," his hand curls around your neck, tight. choking. you try to fight but he just huffs, breathing in deep, chest expanding across your spine as his other hand snakes around your waist, trapping you against a corded forearm. he bends down, nuzzles his jaw into your crown. coos:

"Simon says... turn around for me pretty girl, an' be good, now. went through all this trouble t'find you. think i deserve a little reward—"

[paarksunghoon]

Jake finally taking you after months of uncertainty whether you like him or not. Pushing you against a wall, rough and passionate making out, and him being a softdom. Pleaseeeeeeee.

i imagined jake wearing glasses 😋 bonus points if the neighbors are heeseung, jay and sunghoon and they all hear jake fuck you lol

***

It all started with a stupid semester project.

Jake hates group work. He hates relying on people and he hates when his partners don’t complete their portion of the work. Jake thinks they’re lazy and good-for-nothing, even though he knows he’s being dramatic. He hates being the only person to contribute to the Google doc and he loathes it when the grade is dependent on everyone as a whole and not individually.

He meets you in Advanced Research Methods. It’s a required class for mathematical and physics majors in order to graduate, and Jake has pushed off taking it for as long as he could because he hates the idea of researching data with a partner. He knows the professor well enough to assume that there would be group work (he assumes correctly) but absolutely nothing could’ve prepared him from laying eyes on you for the first time.

When Dr. Kang announces the partners for the semester-long research project, Jake’s tapping his pen against his leg when he starts to hear names being called out. His ears perk up when he hears his own. When your name is said, Jake looks up and finds that you’re staring right at him.

You look so put together. Jake doesn’t know what it is about you that makes you look like you’ve got it all figured out. Maybe it’s because your hair looks particularly neat compared to all of the other people sitting around him. Perhaps it’s your laptop and notebook right next to it. Whatever it is, he finds himself a bit nervous to inevitably approach you in order to begin working on the project.

Dr. Kang allows the students to mingle and get to know one their project partners during the last ten minutes of class to exchange information. When you take initiative to walk to where Jake is sitting and occupy the seat next to him, he finds himself stuttering.

“H-Hey,” he says pathetically. You’re prettier up close.

“Hi! Jake, right?”

“Yeah, that’s me.”

“Here’s my phone. Why don’t you put your number in.”

Jake’s hands are almost shaking as he holds your phone between his hands and settles with ‘Jake Sim - Research Methods’ as his contact so you remember him. When he hands it back to you, he watches you type away before he feels his own phone buzz.

Unknown Number: hi! it’s yn.

He saves the contact quickly before class ends and the two of you decide to wait until the next class to set a time to meet to work on the project.

Jake’s worries about group projects disappear when he begins working with you. You’re punctual, never a minute late when the two of you agree to meet after classes to work on it. You contribute to brainstorming sessions and crunch data numbers like you’re the best at it. Jake finds that he’s able to divide up the work evenly and sleeps at a decent hour because he doesn’t have to stay up late to finish an extra portion.

Your intellect is attractive to him. You’re able to explain difficult theories and statistical processes to him better than any professor he’s ever hard. Only, it becomes hard to listen to you talk because he keeps staring at your lips.

They’re so kissable. Jake wonders what they must feel like against his own. He imagines grabbing your face with his hands and planting one on you when you talk about SPSS but he doesn’t act on it, fearing that he may make you uncomfortable. Jake loves it when you start to wear shorter dresses and skirts because the weather is warming up. He likes seeing your thighs stick to the seats and watching you pull the fabric down to prevent flashing everybody.

As the months go by, he realizes he’s learned a lot about you. You’re not from around and you dream of working in astrophysics one day. You love the color green and you’re obsessed with tangerines to the point where he bought a bag just to present you with one at every session. You’re a night owl and you love all kinds of music except country, and you prefer coffee over tea.

Jake also knows that your body is gorgeous. Your legs look stunning in shorter skirts and your tits look beautiful when they almost spill out of your crop tops. He knows what your thighs look like when you sit and how your skirt rides up to accommodate the new angle you’ve put yourself in.

It messes with his head because sometimes, he swears you might like him, too.

You laugh at his corny math jokes and ask him to hang out with you on the weekends. You let him buy you coffee and meals when it’s late into the night. You let him walk you home and you even allow Jake to nap on your bed when he comes over to work on the project after long, hot days.

It all comes to a boiling point one Thursday evening when he’s alone with you in your dorm. Your roommate is gone until Monday and Jake is sitting on the bed whilst you’re sitting on the desk chair, stretching your arms above your head until your shirt rides up. He can see your skin and wonders how soft you must be.

For just a moment, Jake wonders what your bare skin would feel like against his palms. Your breasts look plush to the touch and he’d bet anything that your pussy would feel so amazing against his fingers and cock when you’re wet. He imagines sliding his dick in and out of your tight hole, pumping until he’s coming inside of you and making you messier than before.

But he regrets this thought because he’s half hard in his sweatpants and there’s no way to hide it.

“I, uh, think I’m gonna head back to my dorm,” Jake announces as he puts a notebook in front of his crotch.

“Already?” You turn around and pout at him. “But you got here thirty minutes ago.”

Jake shuffles to the door. “Sorry, Y/N. I think I’ll do my portion there.”

“Jake, I really need you here to complete my part. We’re supposed to turn in the second half of the report this week and I need your help to do it.”

God, you sound so hot when you’re asking him to stay.

He panics when you stand from your seat to approach him as he motions to open the door. The sound of your chair scraping against the floor startles him until he drops the notebook that’s been covering his semi-hard dick. You gasp.

“Are you hard?”

Bashfully, Jake sighs and tries to back away from you. “This I why I wanted to leave, okay? I…I didn’t want to make you uncomfortable.”

You look at his crotch and then back up at him. “Why are you hard?”

Jake’s face heats up even more. “I-I don’t know.”

“Jaeyun.” Your voice sounds so delicate saying his name like that.

“It’s because I like you and you’re wearing shorts that leave nothing to the imagination, okay?!” He sighs. “I’ve liked you since the second time we worked on the project because that’s when I knew I could rely on you. Everything else was just circumstance and now I need to go to my dorm so I can take care of this.”

“I can help,” you tell him. You say it just shy of confidently and he can’t tell if you feel bad for him or not.

“You don’t have to say or do anything. I already made this weird.”

You force yourself to stop looking at his cock. Knowing Jake, he’s too embarrassed to realize that your proposition is genuine and that you’ve harbored a crush on him since becoming partners with him too. So you muster up enough courage to press your lips to his and hope the message is clear.

Jake’s eyes widen against your mouth and you pull back after a few seconds to see the astonished look on his face. “I like you too, dummy. Have since you started bringing me tangerines after knowing me for two weeks.”

“Really?”

You nod. “Mhm. Can I kiss you again?”

Jake captures your mouth in a kiss the way he wants to—his hands grab your jaw and he pushes his lips against yours until he’s turning you. You feel your back hit the hard wall and gasp into the kiss, allowing Jake to lick your bottom lip with his tongue. The sensation dances across your chest and you gush out a stream of wetness at Jake’s urgency.

“Could’ve been kissing you all this time,” he mutters against your neck as he drags his lips down your skin. “Feel what you do to me.”

Without detaching himself from you, Jake puts your hand on his hardened cock and hears you whimper at the feeling. He coaxes you to squeeze him through the fabric and moans against your neck when you do.

“Such a good girl, listening to me like that.” He pulls away and pushes his hips into your palm. “I’m always hard for you.”

“R-Really?”

“You’re so hot, Y/N. You have to know that.”

Jake doesn’t let you respond. He grips your waist and pushes his plump lips back on yours and kisses you with fervor until your own lips have become swollen. The two of you emit breathy moans in the quiet of your dorm room and your free hand pushes Jake’s sweats down until his cock springs free. The hand around his dick collects the precum that has oozed from his swollen head and you smear it over his skin.

“Fuck me,” he moans to himself. “You’re perfect.”

“Your cock is perfect,” you choke. “So big.”

“Yeah? Can you spit on it for me?” You do as he says, leaning forward until a wad of it touches his slit. Jake smiles at you lustfully and squeezes your hips. “Good girl. Always so good, aren’t you? Makes me wonder how good you’ll be for me when I fuck you.”

“I’ll be so good,” you whine as you twist your hand up and down his length. Jake resumes kissing your neck and the electricity makes your pussy quiver. “I want you inside of me now.”

“Now? You think you’re wet enough?” You nod. “We’ll just have to see, now won’t we?”

Jake’s movements are hurried as he pushes your shorts down until they’re at your knees. You aren’t lying. You’re really wet. The cute baby pink panties you wear are soiled and he feels it when his fingers come in contact with the fabric.

The short whimper you let out is enough for Jake to short circuit. He doesn’t believe this is real. Even less so when you maneuver his cock until the tip it pushing against your covered core, gathering your wetness to coat his cock.

“Fuck, you really are perfect,” Jake whispers against you. He pulls back to watch as you stroke him while keeping the tip plush against you as if to coax him into fucking your hole. Jake’s mouth hangs open at the delicious sensation of the wet fabric against his cock head and decides you’re wet enough to take all of him.

He relishes in your gasp when he forces you to turn around. You push your ass towards him and Jake slaps your right ass cheek with his big hands until the sound reverberates in the room. Jake pulls your panties down until they join your shorts halfway down your legs and pushes his cock against you.

“How are you so fucking wet?” he mutters.

“It’s all for you.”

“Fuck yes it is.”

Without bothering to pull his sweatpants off, Jake uses his hand to slide the tip up and down your slit until you’re arching your back and clutching the wall to the best of your ability. The wet splashes make him even hornier and he pushes the head into you until you envelop him.

Slowly, Jake pushes into you inch by inch and holds you by the waist. He rubs your bare skin and coos at you when you wiggle your ass to get more of him. The pain feels exceptional. You can’t remember a time where you fucked someone as big as Jake and you don’t want to live without his cock inside of you like this.

Jake takes his shirt off to prevent it from obstructing the view of his cock disappearing into your pussy. He pushes himself inside of you until he’s completely sheathed and catches you by surprise. Jake silences your moan with a kiss to your mouth and rubs soothing circles on your waist, kissing you like his life depends on it while you get used to the new stretch.

He pushes his tongue against yours and uses the spit to coat his lips. You taste exactly like the pink lemonade you’ve been drinking all night and the innocent flavor makes his hips buck into you.

“Fuck me,” you beg. “Please, Jake. Don’t make me wait.”

He obliges. Jake fucks into you with all his might and his strong, muscular arms hold you in place as you push your chest against the wall and hold onto the door handle. The string of moans you let out is surely loud enough to let the neighbors know what’s happening behind the door but neither of you care about that right now. Jake wants to make you come and he’s slinging his hips into you from an upward angle, bending his knees to make sure his cock impales your g-spot.

“You’re so hot,” he moans. “I think about fucking you all the time.”

“M-Me too,” you confess.

“Yeah? What do you think about?”

“I think about—Ah!—Fingering me in class and eating my pussy.”

“Fuck yeah. I can do that for you.” Jake grips your hips tighter. “I can make you cum.”

“Make me cum, Jaeyun,” you plead, pushing your ass back. “I wanna cum on your cock.”

Jake pistons his hips into you until you’re parallel to the floor, holding onto the handle for dear life. He pushes into you so hard that you’re afraid you’d fall if it weren’t for his strong grip on you. Jake pushes and pushes, saving his orgasm until you come first.

It hits you like a tidal wave crashing over the shore. Your orgasm is long and drawn out as he keeps his brutal pace. Your release seeps from between the two or you and drips down his balls. Jake bites his lip at the tingling sensation and smacks your ass when you clench around him.

“Use me to make yourself cum,” you tell him. “Please, Jake. Please cum for me.”

“Say less, Princess.”

His orgasm follows shortly behind yours. Jake pulls out after five more thrust and pumps his cock until his cum spurts all over the globes of your ass. The warm, thick liquid feels so good against your skin that you push your bare pussy against him until Jake is letting his hot cock rest on you too.

When he regains his breath, he spots a roll of paper towels and gives your cheek a quick kiss before cleaning the both of you up. His touch is gentle, juxtaposed to his fucking just a few minutes prior. Jake cleans himself up before wiping the cum off of you and wiping your pussy gently too. He coaxes you to change into fresh undergarments and lets you collapse onto the bed with your eyes on him.

“I really do like you,” Jake says. “I didn’t say that just to fuck you.”

You pull him down and kiss him until all that’s left is soft pecks and the sound of lips smacking. Jake lets you pull away to lay on top of his chest and you feel him kiss the crown of your head.

“Sleep, Y/N. I’ll be here when you wake up.”

***

comments and reblogs are appreciated! x

[vroomvroomwee]

Crowley is Lucifer

(Ok I know some of you don't believe this theory but I highly suggest you give this a quick read anyway. I tried to make it short and easy and I'll be going chronologically, from s1 all through s2)

- First, let's get this out of the way, Lucifer and Satan aren't neccesarilly the same person. Even in the show the devil that appeared in s1 has only ever been reffered to as Satan, not even once as Lucifer.

- In the bible Lucifer was the one to tempt Eve with the apple, and who do we know that does that in the show. Crowley is literally THE snake from Eden.

- An obvious one perhaps, but the red hair is also a giveaway

- In the bible Jesus was tempted by the devil for 30 days, in the show Crowley says "I showed him all the kingdoms of the world", so that's another role Lucifer has that Crowley had in the show

- It's well known (even mentioned in the Sandman) that Lucifer was the most beautiful of all angels, and our demon is played by no other than David Tennant

Now on to season 2 because there's a LOT to unpack here

- He litterally started the engine of the universe which was one of Lucifers roles

- He's the first to say "let there be light", which is pretty fucking huge since that is Gods line

- "I worked closely with upstairs on it" even in the first scene they're telling us Crowley is an angel of very very high rank

- He fell for asking questions, which is litterally what Lucifer fell for, for questioning God. This in and of itself should be a pretty big indicator. "I only ever asked questions"

- Shax: "a miracle of enourmous power only the mightiest of archangels can perform"

Crowley: "How do you know I didn't do it"

And Shax just... doesn't counter that. She looks even skeptical, as if it COULD be a possibility, unlike Uriel who says to Aziraphale don't excpect us to believe you did it. Shax litterally doesn't shut the option down which confirms Crowley has the power not only of an archangel but of the mightiest kind

- In the bookshop with Gabriel/Jim he says "I don't remember. It [gravity] seemed like a good idea when we were all talking about it"

- "You're welcome to come in, you might even spot an archangel" don't tell me this was Crowley just egging Shax on and not being sneaky

- The fact that he could sense the demons coming. "Somethings wrong""It's coming in waves", when Aziraphale couldn't. It could be a demon thing but we saw Sandalphon, an archangel of lower rank, in the first season mention "something smells evil" so obviously angels can sense demons too, they just have to be powerful enough. And keep in mind Sandalphon was already in the book shop for quite some time, Crowley sensed them even before they had arrived (he also sensed the hell hound who was some fucking miles away)

- The.fucking.folder. "You have to be a throne or dominion above" and this dude opens these clasified documents like it's nothing. If this isn't an indicator of his high position as an angel I don't know what is.

- He's worked with Saraqael, another very high ranking angel

- "I'm the only first order archangel in the room"... and the camera imediately pans to Crowley, and for anyone who's read the book and watched the show you know that rarely anything is coincidental

- When the Metatron says they can't lose another prince of heaven. This... this fucking line. So it's relatively well known that Gabriel and Lucifer are brothers, and if Gabriel is one of the princes of heaven I wonder who the other one could be. "Two princes of heaven". And the Metatrons words were very careful, he doesn't say lost as in heaven can't find him, he says it in the context that they won't be sending Gabriel to hell since they won't lose another prince to downstairs

- In the bookshop when no one can identify the Metatron he turns to Crowley who imediately recognises him. Now you have this dude, who's literally on top of the angel hierarchy and is responsible for running heaven and the connection to God themself, surrounded by archangels and a principality you spoke to face to face with just a few years ago and... none of them can tell who you are, the only one who does is the literal demon. That tells us that Crowley has not only seen him in this form, but has probably worked with the Metaron himself personally. "Always asking damn fool questions", 10 million angels and he remembers what this one particular angel was like 6000 years ago

- Crowley is also very reluctant to reveal his identity as an angel. Now if he were just an ordinary angel of no real significance he wouldn't have a problem revealing his name, but... if his name was one that's the literal representation of all evil in this world, then it is understandable he keeps it a secret, in fear he might scare Aziraphale away

- And I wanted to leave the best for last. So you remember in the book when Crowley has to sign his name to start Armaggedon, and Hastur tells him "no, your real name" after which he reluctantly writes it. Now in the book we never see him write anything, but in the show we see him write a sygil, something that looks very mich like an L. An L... A FUCKING L. And now I wonder how this theory didn't come up sooner.

(Also he can fucking stop time, like dafuq)

Edit:

- "Oh looky here it's Lucifer and the guys" we all thought he was talking about someone else, he's just refferencing things other angels have said about HIM. FUCK

- I keep seing people saying Crowleys memories were wiped because he couldn't remember Saraqael and Furfur. But I think people forget, demons lie. He's lying to make them think he's not that angel they worked with, that he's not Lucifer. (In season 1 we hear him a few times refferencing his life as an angel, so he does remember most of it)

- Also saying if the Raphael theory were true then as showrunners they would have mentioned him somewhere for those not that familiar with the bible (or don't read much fanfiction). The refferences for Crowleys past are so so vague that it would be too sudden and confusing if he were Raphael. But there is one name that everyone is familiar with, no matter who you are how old you are or where you're from, a name that needs no introduction.

Edit 2:

- Back to him being the most beautiful angel, I don't think it was ever quite explained how every single demon when they're in hell looks... awful, but Crowley doesn't. Beelzebub has the spores all over their face, Hastur the maggots and the sh-, Dagon the scales etc. But Crowley doesn't, not even when he's in hell, he's always just so, well, pretty.

- I saw a few people asking about how Lucifer started the rebellion and Crowley wouldn't do that. I think it's the same Crowley who wouldn't get stuck in traffic after creating the M25, or the same Crowley that wanted to call Aziraphale after bringing down the entire London network, "you told them you invented the spanish inquisition, and started the second world war""so the humans beat me to it that's not my fault", "so all this is your demonic work?""no, the humans thought it up themselves nothing to do with me"

- Also I think Satan's in charge of hell not Crowley the same way the Metatron's in charge of heaven and not Gabriel (and who can very easily demote angels if he so wishes)

Edit 3:

- like some of you pointed out Lucifer is also known/means Light-bringer. And Crowley was the first to say "let there be light."

- The file he opens with Muriel is Gabriels file, a class A archangel, so if he knows the password to that it means that either he's on the same level as Gabriel, or above him.

[seelestia]

✦ how can you tell? (of how easily i fall at your feet.)

⎯ oh, how love bleeds from just one gesture. ( some telltale signs that they might've fallen for you. )

#STARRING. neuvillette, wriothesley & lyney ft. gn!reader. { 2.4k words }

#TAGS. sfw, fluff & crack, major pining (!!!). more: neuvi has 1 extra part bcs i realized too late, wrio is a rascal /aff, lynette is a professional wingwoman here (everyone, applaud!!), mentions of various fontaine npc's.

#P/S. pardon my rusty writing and ideas but alas, may i entice you with some fontaine gentlemen on this fine day?? (˶ᵔ ᵕ ᵔ˶ ) ੭

★ 〜 masterlist.

© seelestia on tumblr, apr 2024. please do not repost to another platform, plagiarize, translate, use for AI-related purposes or claim as your own.

⎯ neuvillette's love is subtle, hidden behind a veil of formal courtesy. the iudex is the nation's symbol of impartiality; personal relationships, a common factor of inciting bias in one's judgement, are to be sifted through wisely. he can choose which he ends up keeping, yet he cannot choose which he ends up wanting. what of a relationship he desires but cannot keep? a conundrum but still, his affections for you seep through the crevices.

it's in the way. . . your name becomes a beloved among the melusines, you wonder why?

it goes without saying that every citizen of fontaine acknowledges melusines to be friendly creatures. all of them are sweethearts! ...but is it you or is there some form of hidden favoritism here?

for some reason, they always seem to go out of their ways to greet you on the streets. a “hello, mx. [name]!” from the right then a “good day, mx. [name]!” from the left. maybe a “stay safe, mx. [name]!” on days when it's crowded too... you're starting to think the quota of greetings you receive is much bigger than everyone else.

before long, even your arms are getting piled up with favors. one ticket for a seat in the opera epiclese from aeife, a slice of cake from sedene, some high-quality butter from muirne, a free beverage from menthe — you lost count of the freebies you've received already.

what's going on? it is as if there's a badge of approval from someone just hanging over your head. visible to a melusine's eyes, but not to yours. (you've heard that melusines perceive things differently than humans, though.)

but who are you to complain? you're not immune to their contagious smiles each time you pass by. on some days, you even entertain the thought that they are more familiar with you than you are with them. all in a humorous sense, of course.

ironically enough, this theory wouldn't take long to ring true: having received a bouquet of your favorite dessert from café lutece on your birthday from kiara, this coincidence only feeds into your suspicion even more.

a considerate gesture but surely, they don't do this for everyone? you don't recall ever telling your usual order and birthdate to a melusine before. your mind scrambles around for a memory you might've missed. who could've—

“oh, yes... i almost forgot,” kiara holds her chin in thought. “monsieur neuvillette says to send you his regards,” she nods, relieved that the message did not make its narrow escape from her mind. but blissfully unaware of the impact her words have left on you.

“goodbye, mx. [name]!” the melusine bids you farewell with a cheery wave. you murmur back a response but it comes out incoherent at best — you are simply too dumbfounded by the realization.

...so, that's who.

(wait a second, is arouet in on this too?!)

it's in the way. . . he begins to take longer breaks, hoping to run into you in front of the palais.

taking quiet strolls just outside the palais is, more often than not, neuvillette's idea of rest from work. although some might expect the iudex to have chosen a more 'creative' or luxurious location, but he digresses.

this place is near his office so less time is wasted on the journey back, liath also patrols here so he has the opportunity to inquire about her well-being — and occasionally, he stumbles upon you as well.

'occasionally' is the keyword: neuvillette has always preferred order and routine above chances and coincidences. but something about this idiosyncrasy — the tendency to linger beyond his usual duration, the act of stalling to hold onto hope that you might pass by today — is a indication of hypocrisy he wishes not to comment on.

sometimes, he closes his eyes so that his ears may be more attuned to the sound of your voice. sometimes, he opens his eyes so that they may look around for a glimpse of your face. who's to say if he'll ever be graced by your presence? it is all in fate's hands.

call it an odd method of manifestation, a childish one that even neuvillette scoffs at himself for. sometimes, it doesn't work, of course. not that he ever expects it to — but oh, when it does.

“...monsieur?” your voice cuts through the silence in his mind. he takes the sight of you in; a polite greeting on your tongue, several grocery bags in your arms and that beam on your face as you say, “what a coincidence to see you here.”

the iudex finds that he doesn't mind having his privacy briefly interrupted. not at all. not when it's like this, not when it's by you. alas, it seems that fate has smiled down on him today.

“yes, hello. what a serendipitous coincidence indeed.”

neuvillette smiles, he can't help it. perhaps, he might grow a soft spot for coincidences, after all.

(you sneak a brief glance at the sky with a squint. ...is it just you or are the clouds clearing up a little?)

⎯ wriothesley's love is beguiling, the kind of adventure that keeps you on your toes. a forthright gentleman; he is the type to know what he wants and he wants you. with him, you'll taste whiplash like never before. butterflies in your stomach, the urge to throw a shoe at him, you'll get it all. but an adventure isn't an adventure without breaks in between and it's at that very moment where you'll find you adore him the most... when he rests his head on your lap, momentarily free from worldly titles, breathing like the man who longs for warmth that he has always been.

it's in the way. . . he always offers you tea when really, he just wants you to stay.

everyone knows that wriothesley enjoys his tea — but that's only because he sees no need to hide his preferences; not his craving for a cup of tea when afternoon arrives nor his fondness for you either.

he doesn't conceal it, but doesn't bring attention to it either. wriothesley likes to think that only those with discerning eyes can pick up on the miniscule (???) hints he drops. that is, if saying “why not stay for some tea?” is even considered a subtle clue at all... maybe, he's mixing up polite courtesy with flirting a bit too much.

but who cares? in the grand scheme of things, the fun is seeing whether you'll figure it out or not. and let's be frank here; wriothesley is a patient man in all aspects, able to play the long game like no other.

don't worry, you may take as long as you want to — ironic since you're technically the only player in this 'game' — but hey, he has faith in your abilities! besides, you get to enjoy a cup of free tea (and with his company, preferably). surely, you can't complain about that? ...hah, he's just teasing you.

tick-tock! tick-tock!

the clock strikes twelve in the afternoon.

“ah, finally a well-deserved break.” the tone in which wriothesley pairs with that grin on his face is nothing less than devious. the glance he throws your way as he set aside the documents on his desk is something. or rather, it's suggesting something.

and frankly, you've experienced this many times enough to know what the underlying meaning is. “let me guess...” you let out a sigh, “you're asking me to have tea with you again?”

the emphasis on the last word is definitely, wholly intentional. you're sure wriothesley knows that too — “bingo,” he hums at you, sounds almost like a whistle. “you're getting more and more clever. must be all the tea i made you.”

“don't flatter yourself,” you roll your eyes at his attempted jest but you take a seat on his office couch, anyway. your own unique and adorable way of saying yes, he learned. still, wriothesley thinks that exasperated look on your face is an absolute marvel... and maybe, that little smile tugging on your lips you're trying to fight, too.

“same as usual?” he asks, pushing back his chair with a proud grin still plastered on his face that you wish you can wipe off.

but instead, you shake your head fondly at his antics. “mhm,” and rest a cheek on your fist. watching him tiredly, you realize you could get used to this. maybe.

wriothesley smiles to himself. looks like you figured out the tea has always been an excuse, after all.

(you've won the game, congrats! a subsidiary reward is a comment from sigewinne about how this tea routine between the two of you bears a resemblance to an elderly human couple's. she means it, innocently sincere.)

⎯ lyney's love can be faceted at first, one with such a smooth surface that you never imagined there would be so many layers underneath. joy and bliss, sorrow and burdens; all cramped and stuffed together behind his mask of perfection on the stage, a mask akin to a child's treasure chest almost bursting at the seams. you can unravel him if you tried, you can take off that mask if you reached out. and when you do, you'll find beautiful violet eyes staring right back at you, thankful, imploring you to go further.

it's in the way. . . his bravado dissipates around you, nerves scattering like confetti that bursts from his hat on stage.

they say that the first impression is the best impression — or at least, lyney hopes that's the case with all of the interesting impressions he has left on you so far. his instinct by nature is to impress, to bedazzle and that hasn't stopped since meeting you for the first time.

trying doesn't always lead to success, however. you stuttered in front of them twice, lynette pointed out after the first time he spoke to you. that fact spooked the poor magician so much he stayed up rethinking the conversation under the cover of his blanket. lynette isn't wrong per se, but lyney firmly believes that he will leave a better impression... one day, somehow, no matter how many times it takes!

he is a magician; charisma and charms should have or rather, already have come easily to him. his persona on the stage is no lie — just a tiny concerted exaggeration, maybe — but you've been among his audience before. you've seen what he is capable of. so surely, you'd know that lyney isn't really as demure and easily flustered as you might think he is... because no punches held back, he acts like that every time you talk to him.

he can't help it and that, exactly, is what makes it worse.

how many times have he cupped his face and mumbled nonsense into his hands for failing to impress you yet again? you're so wonderful and he's just so... miserable. this is unlike him. he has to wonder why you still look for him after each performance when you know you'll be greeted by his being a wreck.

maybe they like you that way, freminet tried to help. or maybe they like you no matter what, lynette chipped in. that had lyney pondering for a long, long, long time which translates into weeks.

will the day come where he presents you with a rainbow rose and professes his feelings for you without losing his nerves? he can only hope (and try, one day).

it never gets old.

when his feet step off the stage and the curtains have fallen, the satisfaction that spreads all the way to his fingertips never fails to disappoint. but with that, also comes the imminent feeling of anticipation.

for each performance he delivers, a visitor is bound to linger. when all members in the audience would head to the entrance of the opera epiclese to leave, one of them would stay. waiting patiently to be beckoned to the backstage. it's been a routine for so long, after all.

“lyney?”

right on cue.

your voice greets his ears, a sound that he can admit he misses only to himself. he exhales, a placating act to shush his beating heart from growing any louder.

“ah, [name]!” the magician enunciates your name with a certain type of fanfare. “here to lend a hand again, i assume?” he tries to shoot you a confident grin, but you aren't gullible enough to not see the tint of red blooming on his cheeks.

you stifle a chuckle at his (attempt at a) bold opening. “of course,“ said with a nod and a silly thought along the lines of: he's cute.

your honest and calm response takes him by surprise. he blinks a tad. oh, it seems the thrill from the show a few minutes prior still hasn't worn off. perhaps, he's still all too used to the crowd's shouts and cheers... not that he expects you to start yelling, of course!

“i see,” lyney feigns a cough to recollect his composure. now that he is cognizant of the fact it's just the two of you, he shrinks down into a more casual version of himself with a nervous chuckle.

“will you... be staying for long?” he asks, bashful. the question sounds more genuine than just a mere pleasantry. his eyes look hopeful, twinkling at the thought of having your presence around. his fingers have even come up to scratch at the side of his neck, you don't think lyney even realizes he is doing that.

who are you to say no? you smile. “well, my schedule's pretty empty today.”

his lips instantly break into a grin, brighter than one he usually has onstage. “that's actually marv—” he starts.

“that's great,” a familiar monotonous voice cuts in. lynette peers from behind you with a hum, “we could use more hands to pack up the new props.” oh, and that brief glint of mischief in her feline eyes as she watches how lyney gapes at her sudden intrusion.

“sure!” you glance back at her, oblivious to it all. “thanks for letting me in, lynette. i'll try my best to help.” even if you admit that one of the reasons you're here is for lyney, but you can't discredit his twin sister for allowing you to enter here in the first place. a free backstage pass in exchange for free labor, quite a fair deal.

with your back turned to him, lyney takes the chance to mouth his own words of disbelief to lynette. incomprehensible except for that one i can't believe you're doing this! that she manages to catch.

“no problem,” she observes her brother over your shoulder with keen interest, “everyone knows how fond lyney is of you.”

there is a series of spluttering noises behind you. a certain magician finds himself at the verge of choking on mere oxygen.

“lynette!”

but really, she has no doubt that lyney has fallen head over heels for you. hook, line and sinker.

— thank you for reading! reblogs and comments are most appreciated. ♡

[literaryvein-reblogs]

Any advice for figuring out how to work on writing characters arguing?

I’m just curious and also I mistakenly derailed part of my writing over struggling to write a scene of characters starting an argument that was meant to escalate.

Writing Notes: Arguments

Arguing is full of tension.

Even benign conversations between friends so often belies subtextual personal agendas that are antagonistic or covertly full of anger or upset.

Honesty itself sometimes is the product of extreme tension and upset.

One’s resistance to telling the truth to another or admitting to oneself a truth can be excruciatingly tense and stressful, even between lovers.

SIDESTEPPING

You instantly create conflict in dialogue when you avoid “on the nose” responses.

On the nose means a direct response, sometimes even echoing the previous line.

You can avoid direct response:

With a statement that is unrelated to the prompting dialogue

By answering a question with a question

With a line of dialogue that is going to need some explanation

Also consider using silence:

“Are you ready to go, dear?” Bob asked. Sylvia said nothing.

Or use an action response:

“Are you ready to go, dear?” Bob asked. Sylvia picked up the mirror.

OPPOSING AGENDAS

Always know what each character wants in a given scene.

If a character in a scene is just taking up space, give him an agenda or get him out of there. Or cut the scene entirely.

Scenes require conflict or tension, even if it’s subtle.

Before you write the scene, note what each character wants.

Then spend a few moments playing with those motivations.

List 3 other possible motives for each of the characters, then mix and match to decide which ones will make for the best conflict.

It is also important to create tension among allies.

One of the danger points in fiction is when two friends, or people who are at least on the same side, have a talk about what’s going on. The trouble is there might not be any trouble between them. So much of the dialogue becomes a friendly chat.

This will violate Alfred Hitchcock’s axiom (Hitchcock once said that a good story is “life, with the dull parts taken out.”).

The fastest way to handle it is to make sure there is tension manifested from the start.

Create tension in at least one of the characters, preferably the viewpoint character.

Example: When you have Allison meeting Melissa, her college friend, for coffee, don’t have them sit down and start talking as if nothing’s wrong in the world. Put the trouble of the story into Allison’s mind and nervous system and make it an impediment to her conversation with Melissa. In Melissa, place something that might be in opposition to Allison’s needs. Allison needs to ask Melissa’s advice about a crumbling marriage. Maybe Melissa is full of news about her sister’s impending wedding to a wonderful man and gushes about the prospects.

Spend some time brainstorming about the ways two friends or allies can be at odds. Then weave those things into the dialogue.

DIALOGUE AS WEAPON

Look for places where you can use dialogue as a weapon, a means for your characters to charge ahead in order to get what they want.

Keep in mind that dialogue is action.

It’s a physical act used by characters to help them get what they want. If they don’t want anything in a scene, they shouldn’t be there.

Note that not all weapons are explosive. They can be small and sharp, too.

PARENT-ADULT-CHILD

A great tool for creating instant conflict in dialogue is the Parent-Adult-Child model, popularized in the book Games People Play by Eric Berne (1964). This school of psychology is called Transactional Analysis.

The theory holds that we tend to occupy roles in life and relationships.

The 3 primary roles are Parent, Adult, and Child (PAC):

The Parent - the seat of authority, the one who can “lay down the law.” S/he has the raw strength, from position or otherwise, to rule and then enforce his/her rulings.

The Adult - the objective one, the one who sees things rationally and is therefore the best one to analyze a situation. “Let’s be adult about this,” one might say in the midst of an argument.

The Child - not rational, and not with any real power. So what does s/he do? Reacts emotionally. Throws tantrums to try to get his/her way. Even an adult can do this. We’ve all seen clandestine videos that prove this point.

So it is a helpful thing to consider what role each character is assuming in a scene.

How do they see themselves? What is their actual role? (It may indeed be different than what they perceive it to be.)

Most important, how will they act in order to accomplish their goal in the scene?

Answering these questions can give you a way to shape your dialogue so there is constant tension and conflict throughout.

Also consider that the characters might change their roles (try something new) in order to get their way. Thus, this is a never-ending source of conflict possibilities and only takes a few moments to set up.

TIP ON DIALOGUE

Look at all of your dialogue exchanges, especially ones that run for a page or more.

Analyze what roles the characters think they’re inhabiting.

Rework the dialogue by getting each character to be more assertive in their claimed role. (Also note that a character can change roles as a matter of strategy. For example, if the Parent isn’t working, a character might switch to pouting like a Child in order to get his way.)

Sources: 1 2 ⚜ More: Writing Notes & References

Hope this helps with your writing!

[certaimromance]

ꫂ ၴႅၴ Allegation of Love.

Aaron Hotchner x Lawyer!reader

Summary: When you arrive at the police station to defend a client's innocence, you don't expect the man accusing her to be the same man you've been dating for months.

Words: 1,6k.

TW: fem!reader. mentions of crime and serial killers. established relationship. aaron already divorced. english isn't my first language (sorry for my mistakes, be kind please).

Note: I just love Hotch and wanted to write something with him here. To me, he is definitely the kind of man who is so tired from work that he tries not to mention it on a date (of course, after all the trauma he has been through).

Also, I'm warning you that this is all very chaotic because I'm doing a lot of serious writing lately and I need pink love, comforting and even uncomfortable chaos to relax. So I've been re-watching the first season of the show (sorry, I'm just a girl and not a fan of the last few seasons🥲) and I want to salvage a little of the Hotch we were introduced to before so much misfortune befell him.

♡ Enjoy! ♡

It wasn't that you were annoying, particularly aggressive, or obsessed with being right, you just did your job to the best of your ability. Even if that meant being the villain of other people's stories and mentally going over every law to make sure it was obeyed.

The issue was that not everyone saw it the same way. In the workplace, where you managed, your exact memorization of the rules wasn't always appreciated if you were the one carrying the defense and doing everything to overthrow the other side's theories. For the same reason, you usually had to argue with cops, prosecutors, judges, and—on this occasion—even an FBI agent who wasn't happy with your presence.

You had in your hands an alleged confession of several murders delivered by your client under the coercion of the man who was interrogating her, without your presence there and with some pretty questionable methods to put her in an empty room without concrete evidence or an order from the judge. Unbelievably, it was a fairly common occurrence in your day-to-day work.

At least it was until the boss of the agent you were arguing with showed up and everything started to get complicated.

“What's going on here?”

The cross words and your intensity in emphasizing the injustice of the manipulation of the confession did not allow you to realize that there was someone else in the room. Much less that it was someone who looked exclusively at you until one of the police officers present cleared his throat.

“There has been a violation of the law.” You slowly turned to look behind you, and that's when you saw him.

Aaron stood stiffly, trying to look professional and serious, wearing a tie that matched your dress.

“There wasn't one, Hotch. We just got the confession.” Agent Morgan interjected into the silence provoked by the exchange of glances between you and his supervisor.

For the first time in the half hour you'd been there, you were completely silent. Even when two more agents showed up to try to defuse the situation, you didn't stop repeating the same arguments and insisting on your point. Now, however, you seemed to have lost the ability to speak.

There was a long pause before Aaron spoke carefully. “I'll take care of clarifying the situation.”

Trying to remain serious and stoic, he led you to one of the station's offices with the excuse that he wanted to talk about the case quietly so as not to attract the attention of his team. The strange thing was that he called you by name in front of everyone, without anyone having introduced you before. Maybe one of you two would have noticed if you had been a little less attentive to the other and more attentive to how the situation looked in the other's eyes.

“What are you doing here?” He asked as soon as he closed the door behind you, loosening the tension in his jaw a little, at least now it was just the two of you.

“Where's my 'Good to see you, sweetie. Please don't sue us' or anything like that?”

He raised an eyebrow at your comment, hoping you would take it seriously. Automatically and unconsciously, he had begun to move away from you and sat down on the other side of the desk, marking a distance between the two of you. Aaron had brought out his work side and you had hidden it at the mere sight of him.

“The woman your team pressured into confessing to a crime is my client.” You finally spoke in a serious tone, staring at him with some surprise. This wasn't the usual dynamic with him—you usually had a more relaxed side to him.

“Since when do you take cases like this?”

“Since it's been assigned to me.” You said, raising your shoulders. “One of the buffet partners is on vacation and left me to his clients, as I mentioned the other night.”

The other night when you were in his car, when he had his hand on your thigh as he drove home, when he smiled at you every chance he got to turn around and look at you. When the two of you weren't on completely different sidewalks and weren't supposed to act like strangers.

“This is pretty weird.” You said after watching him for a few seconds and noticing that he seemed lost in his memories. “I hope the agent I was arguing with isn't your friend. That would be awkward.”

Aaron looked at you, trying to figure out what could have happened before he showed up. He already knew you were a good lawyer, very capable and, above all, a good striker. It was too weird for him to think that you had been using your skills against his own team, against the friends he once wanted to introduce you to and that you had now met for the first time in the most unimaginable way.

“What?” You asked.

“Nothing.”

“You look at me like I'm a ghost.”

His brow furrowed again.

He didn't want to say out loud that everything related to his work had ended badly and was completely destroyed, just like his ex-marriage and any attempt to fix it. He had always felt comfortable with you because your work was just as demanding but less dangerous than his. You usually handled family cases, divorces, estates, and coordinating child care. You were away from the blood, the killers, and all the atrocities he lived with.

“I'm worried about you being in the middle of this. It can be dangerous.” He showed his concern for you and had to hold back from holding your hand.

“You should worry more about the lawsuit.” You pointed out in a tone somewhere between teasing and serious. You didn't like him worrying too much. “I'm very good.”

“This is serious.” He finally let his guard down and placed his hand on your knee from under the table, giving it a gentle touch.

That was the man you know and love.

“Me too, it's my job.”

“And you're making my job harder.” He pointed out with a small smile in response to yours.

What were the chances of your love life and work life crossing paths like this? You thought they were pretty slim, which is why you steered clear of talking about work when you were together.

You were just about to answer when you heard a tap on the door and one of the agents who had been watching you during your discussion came over to give Aaron some information about the profile. You couldn't understand him very well because he seemed to be speaking in code because of your presence.

“I'll be there in a moment, Rossi. Get the team together and we'll talk.” Hotchner finished earnestly. You could still feel the warmth of his touch on your knee. “I'm just finishing up here.”

As soon as he left the office, you looked at Aaron with surprise.

“Is he who you always mention?” You asked, and he nodded. “I thought it was 'Rosie,' not 'Rossi,' and that he was a woman.”

“Now I understand why you grimace when I mention his name.” He replied with some amusement. “You were jealous.”

Yes, especially when you found out that they'd shared a room once.

“Don't mock me, I'm about to sue you.” You advertiste in a fake threatening tone, pointing a finger at him. “And I don't care how handsome you look right now, I'll do my job.”

“Me too.” He replied, trying to ignore your compliment to keep a serious expression on his face. “And you look pretty too, I like that dress.”

The love between you seemed to be bubbling anyway, and it was impossible to hide it when you had breakfast together just a few hours ago. You went from making him coffee to offering him a lawsuit if he didn't agree with you.

“I know, I'll use this dress while I debunk your profile theory.” You got up from your seat suddenly after taking your phone out of your bag. It was then that you looked him in the eye. “Are you going to release my client now or should I call the judge?”

“You're not going to take a suspect in five murders. I'm not going to let her off the hook.” He copied your action.

“Give me the evidence then, love.”

Oh, to call him that at that point was a cheap shot, especially when you were the one who won because he had no concrete evidence, only theories and his complex profile.

“But stay away from her anyway, she can be dangerous. My agents will keep an eye on her.” He snorted after a few seconds, trying to find an argument, but failing.

At that moment, you gave him a little smile, proud of yourself and what you had accomplished. “See you at dinner?”

“Sure.” He replied without being able to help but give you a small smile in return. “But I'll pick the place.”

“Well, that's an argument I'll let you win.” You put your phone back in your bag and took a couple of steps towards the door, stopping when you saw him coming after you. “Can I kiss my opponent?”

“This is pretty unprofessional.” He said, putting a hand on your waist and leaning you against the door. Without hesitation, he kissed you firmly on the lips.

After a few minutes, the two of you walked out of the office as if nothing had happened, and the professional scene continued. Your heels clicked towards the exit with your client at your side, while Aaron met with his team, trying to find new ways to solve the case and refine the profile. The only problem was that he happened to be working with people who were very detail-oriented.

And, gosh, it was impossible not to notice the traces of your lipstick on his lips.

[murdrdocs]

INTERVIEW 024. BILLY LOOMIS & STU MACHER murdrtober oct 15th. coercion

You have a theory to test out and the perfect situation arises. 1.1k+ wordsMDNI 18+; includes coercion + dub-con

You shouldn’t have answered the call. 

You should have minded your business and completed your work. But really, it’s your manager who should be at fault, an older woman who always argued that every call is an important call. Even the ones made in the middle of the night when you were the only one in the office. 

You were so busy trying to be a good employee—staying far too late in order to complete extra work, answering calls that could have gone to voicemail and left for someone to deal with in the morning—that you’ve gotten yourself into a predicament you might not survive. 

You’re hiding beneath one of your coworkers desks, trying to hold your breath and ward off tears since that definitely wouldn’t help your circumstances. You’re listening for the sound of footfall, and even though it’s prominent each time—a loud thud against the carpeted floors—you can’t tell where he is just from this alone. 

But you’ve been still for way too long. He might be treating this like a child's game of hide and seek, but it’s more than that to you. It’s life or death, and if you have any say in the way you go, you’re not going to let yourself die at work out of all places. No, you’re getting out of here alive, and being a sitting duck is only going to get you closer to death. 

You peak out from under the desk and around the walls of the cubicle. When you see nothing, you stand to half-height and head towards the exit. 

You don’t hear anything, he doesn’t seem to be near you at all, so you go faster, nearly sprinting as fast as your kitten heels and pencil skirt will let you go. The exit is right there, the glass door presenting a perfect image of a darkened hallway, nothing but every other fluorescent light on this late at night. You’re almost there, you can make it. 

You actually think you’re going to make it but just as you’re reaching for the door handle, arms wrap around your waist and lift you off of the ground. 

You’re confused about how he had been there and where he could have come from, until you’re turned around and presented with another person. 

Of course there’s two of them, he said “we” on the phone, but the adrenaline was too prevalent in your body and at that point you were simply trying to come up with a way out. 

But you failed. 

You’re pleading and begging in the man’s arms, offering whatever they could want. Files, money, jewelry. 

“I’ll do whatever you want. Please, please, don’t kill me.” You’re crying now, tears running down your face, smearing your makeup even more than it has been already. But you’re staring at an empty vessel, looking straight into the void eyes of the white Father Death mask. 

He tilts his head, reaches behind his back, and brings his hand back around to show you a hunting knife. You shake your head, thrashing around in his partner’s arms, screaming so loud that your throat is beginning to ache. They don’t bother shushing you, but they don’t need to. No one else is on this floor anymore. No one can hear your screams. 

You’re put down but your arms are bound behind your back, held in two gloved hands, keeping you right where they want you. You’re forced to look up at him like this, watching him glare down at you, stalking towards you with that knife glinting in the low light. 

“Wait. Wait, wait, waitwaitwaitwait.” You don’t expect it to work, but it does. He stops just a foot short of you. You breathe heavily, trying to figure out what you could say to convince them to spare you. It comes to you quickly, a fleeting reminder of a theory you had not too long ago. 

It was spoken into the air during a horror movie marathon and then quickly shut down by your friends, Stu on one side of you and Billy on the other. 

“If a killer has you set as his target, pussy isn’t going to make him forget, alright?”

But you assured Stu that you never knew unless you tried, and now's as good a time as any to put your theory to the test. 

There's no way for you to sugarcoat it, no wording that would make what you're going to let them do any less crude or debauched. So you lay it out directly how it is, telling them that you'll let them fuck you and do whatever they want with you, so long as you walk out of here in one piece.

You realize it was definitely a mistake to give them free range when you end up bent over a desk, one of them taking you from behind and the other forcing himself deep into your throat. It's hard for you to keep up, so at a certain point you just don't. You go limp and let them use you as they please, even whenever the one from the back lifts his mask and dribbles spit through your cheeks, using a gloved hand to circle your tight rim and tease his thumb into the puckered hole.

You’re a ragdoll thrown over the desk, your pantyhose torn at the knees and the crotch, your skirt lifted over your hips, the buttons of your top thrown around the floor with one of your heels. You’re still wearing the other heel, forcing your body to comply with the circumstances even more as you stand on the ball of one foot to accommodate. 

When they speak, it’s never to you. You’re a central person in this, but you’re never treated like anything more than an object. They ignore your whines and grunts as they comment on how much of a slut you are for them. They ask each other what the view is like and describe everything in disgusting, excruciating detail. But no matter how uncomfortable you feel, that pleasurable ring of fire is completely worth it, especially when you compare it to a knife twisting in your gut. 

By the time they’re done with you, they only speak to you once. It’s the one in front who speaks, his voice no longer changed by a modulator like it was on the phone. He leans down until the odd shapes of the eye slits are level with your lidded eyes. 

“We’ll be back for you later,” he tells you, and it’s not a threat, it’s a promise. You manage to weakly smile up at him before you’re nodding off.

[qqueenofhades]

I really really REALLY need to see more people makimg the connection between trump and his russian handlers tbh.......like i know we've somehow gone through the looking glass of putin apologia but that piece abt the NYT you just posted, the bots, the interference: in the bag for trump? Yes. But i dont believe its due to his or even republican power or popularity or forcefulness.......this is a man with so much debt and kompromat thats only getting worse!! Not to sound kwazy BUT WE ARE BEING FULLY INFLITRATED and at the risk of conspiracizing i think the russians are ALSO behind the Times's demise along with so many other information centers etc. Like i KNOW these leftists love him but like. Wouldnt they care a LITTLE abt being manipulated like this???

Trump is 100% an active, willing, and eager Russian agent. That's not even paranoid conspiracy theory, that's just the only reasonable interpretation of the facts:

NOT TO MENTION that in the next two years after the Helsinki conference where Trump kowtowed to Putin in every way, the CIA admitted to losing huge and unusually high numbers of classified informants around the world (not CIA agents, but people secretly working for the American government in often-hostile countries):

Once again, this all happened when Trump was in office, when he was actively handing over CIA intel to the Kremlin against the wishes of the entire national security establishment, and which other experts have suggested was directly as a result of Trump handing over the identities of American informants to Russia, including those stationed in Russia itself:

Now, I could go on, but you get the point. Not to mention that Trump just lost a major UK-based lawsuit against Christopher Steele, the former MI6 agent who was the first to provide documents linking Trump to Russia in the controversial "Steele dossier":

And now: Trump is deeply in hock for hundreds of millions in legal fees and punitive judgments that are only increasing by the day, he somehow just came up with $90 million to appeal the judgment against E. Jean Carroll (nobody knows where he got this money either), and Russian state TV spends all their time openly salivating for Trump's return to the presidency (so he can hand over Ukraine and the rest of NATO and, as he literally said, "let Russia do whatever the hell they want.") I know we're largely numb to all the awful treasonous shit that Trump does, but like. This isn't a conspiracy theory, this is just what's going on in plain sight, and while the Online Leftists have recently become so stupid that I honestly can't tell if it's just terminal brainworms or active Russian psyops, it's strongly indicated that it is in fact a mix of both:

So, like. Just some food for thought.

[uyuforu]

Astro Observations: Solar Return Chart IV

Hi!! Here is another Solar Return Chart Observations post lol. Since I am officially on the new one, I thought of doing another post to conclude and coming back on the last one, meaning the one of last year. Coming back and looking back over what happened :) Let's go! I hope you will enjoy this post ^^ This post has mature and triggering contents, so be aware and careful when reading it!

All pictures were found on Pinterest

Other posts you could like:

જ⁀➴ Solar Return Chart I

જ⁀➴ Solar Return Chart II

જ⁀➴ Solar Return Chart III

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꒰ᐢ. .ᐢ꒱ I was Leo Rising last year, and I was very popular around me, people were also checking me in the streets. It wasn't even sexual or anything, people were just noticing me super easily, and I was the center of attention wherever I was going.

꒰ᐢ. .ᐢ꒱ Sun 12H indeed meant that loneliness was def going to be there. I was very lonely most of the times, and it's not even physically, it was def mentally. I wasn't seeing my friends often, and I was just feeling very alone in a corner. I felt like no one really understood me and as if I was just left alone. One of my friend passed away suddenly also this year, so I really felt alone for sure. Also the years I was more into Astrology and Tarot! Just a full year of learning more on the spiritual and esoteric side!

꒰ᐢ. .ᐢ꒱ Venus 1H, I had a glow up, though it happened quite over night. I don't have much explanations on how it happened. Suddenly I was veryyyy pretty, I bought better make up products, and the way it was showing on my face was just insanely good?? IDK!

꒰ᐢ. .ᐢ꒱ Mercury 1H, I was more confident when it came to talking to other people. I used to be very shy, and used to not be confident enough to talk to others, but this year I felt more confident to do it. Anxiety when calling, ordering disappeared. And I was less scared to talk back to people.

꒰ᐢ. .ᐢ꒱ 1H Ruler in 12H, I was most of the times by myself, mostly doing things on my own, and I felt very alone.

꒰ᐢ. .ᐢ꒱ Mars 2H, I was much into shopping some times, and I was more anxious and stressed about making money. I had a lot of motivation about it.

꒰ᐢ. .ᐢ꒱ 2H Ruler in 1H, I was more spending money on myself.

꒰ᐢ. .ᐢ꒱ 3H Ruler in 1H, I was talking more about myself to others, than before. And I was also writing more about myself, for example on the blog I post a lot about my experiences to support my theories.

꒰ᐢ. .ᐢ꒱ Scorpio 4H, time at home was stressing and slightly toxic. I had this need to runaway or even live somewhere else. I wanted to escape. My idea of home changed.

꒰ᐢ. .ᐢ꒱ 4H Ruler in 6H, staying at home was my routine, I was working from home too.

꒰ᐢ. .ᐢ꒱ Vertex 5H, some destined events happened in my love life.

꒰ᐢ. .ᐢ꒱ 5H Ruler in 9H, I traveled to NYC last year, and it was for holidays. I traveled to meet someone I loved (who didn't come in the end lmao). I also met another guy who had a crush on me there.

꒰ᐢ. .ᐢ꒱ Pluto 6H, I took some weight lol, not so much. Since I moved less because of my job, I kept seating down and took some weight.

꒰ᐢ. .ᐢ꒱ 6H Ruler in 7H, I was healing my relationships trauma last year, I went to therapy and understood a lot of traumas I had. I also made a lot of friends at work.

꒰ᐢ. .ᐢ꒱ Aquarius DC, a lot of things changed in my relationships, I realized tons tons tons of things!

꒰ᐢ. .ᐢ꒱ 7H Ruler in 10H, I was in a serious relationship last year, but 7H was ruled by Uranus, and it didn't end well.

꒰ᐢ. .ᐢ꒱ Saturn 7H, didn't see my FS all year, didn't talk to him. And when I asked to meet him, he refused. Def a year I couldn't reach out or talk to him! I also couldn't be in a relationship, or anytime a guy had an interest in my, it's like the Universe worked through to not make it work out. I also broke up with my ex bf that year.

꒰ᐢ. .ᐢ꒱ Saturn conjunct Groom, same!

꒰ᐢ. .ᐢ꒱ Groom 7H, I realized my FS was my FS last year. I also realized I was in love with him.

꒰ᐢ. .ᐢ꒱ Neptune 8H, I had a lot of vivid dreams last year, I dreamed of my mother in law too, and of my FS as well, both of them talking through dreams to me. I also didn't had s3x all year, refused any s3xual advanced. Though, I had a lot of s3xual dreams.

꒰ᐢ. .ᐢ꒱ 8H Ruler in 8H, transformation was a keyword last year, I was also more open on the spiritual side, and I had a lot of grow that happened.

꒰ᐢ. .ᐢ꒱ Moon 9H, I was constantly learning new things, and more on the spiritual side, and also esoteric. I discovered so many new things, and I needed that. I wanted more and more!

꒰ᐢ. .ᐢ꒱ Chiron 9H, i traveled and felt like the travel I did was a waste of time and money lol ;-;

꒰ᐢ. .ᐢ꒱ 9H Ruler in 2H, I traveled to NYC and it was painful for my bank account.

꒰ᐢ. .ᐢ꒱ Jupiter 9H, similar to Moon 9H.

꒰ᐢ. .ᐢ꒱ Moon conjunct Chiron, my feelings were hurt often this year. I was crying A LOT in general. Perhaps the year I cried the most.

꒰ᐢ. .ᐢ꒱ Jupiter conjunct Uranus, a lot of benefic transformation, despite it wasn't that easy sometimes or just very sudden.

꒰ᐢ. .ᐢ꒱ Taurus MC, a year of trying to find a harmonious balance at work, and trying to find my way. Was focused on the money I made, and also trying to find a routine through work.

꒰ᐢ. .ᐢ꒱ Uranus 10H, I changed jobs twice last year! I was fired, I just changed. And by the end of the second job, I decided to work at my own name. And so, I now work online, as an Astrologer! Uranus also rule here over uncommon jobs.

꒰ᐢ. .ᐢ꒱ 10H Ruler in 1H, was more popular, and people noticed me in the crowd more easily. I also decided to work for myself, and started my own company.

꒰ᐢ. .ᐢ꒱ 11H Ruler in 1H, I was positing lot more selfies and pictures of me than before online. I also had a lot of internet friends.

꒰ᐢ. .ᐢ꒱ Union Cancer 11H, I met one of my best friend last year, she is a Cancer Sun and we met online!

꒰ᐢ. .ᐢ꒱ Juno 12H, i was dreaming a lot of my FS this year, also didn't meet or talked to him all year.

꒰ᐢ. .ᐢ꒱ 12H Ruler in 9H, I traveled this year, and overseas!

꒰ᐢ. .ᐢ꒱ Sun conjunct Venus, I was and felt more pretty, a glow up that happened!

꒰ᐢ. .ᐢ꒱ Mercury conjunct Mars, I was more aggressive sometimes when I was speaking, I was often aggressive when trying to stand up for myself, or just explaining myself, I think it was me finding the right adjustment between never standing up for myself before, and doing it now, but not knowing how.

꒰ᐢ. .ᐢ꒱ Groom conjunct Neptune, dreamed a lot of my FS.

꒰ᐢ. .ᐢ꒱ Sun opposite DC, didn't see or talked to my FS for the whole SRC, I also didn't want to be in a relationship.

꒰ᐢ. .ᐢ꒱ Venus conjunct Rising, very same as Venus 1H or Sun conjunct Venus.

Thank you for reading!

back to index ; ask ; request ; rules

[ziracona]

Me rewatching every Wednesday scene the lesser bad is in trying to figure out how tf I think Hydes work and what their motivation was for every single thing they did all season and if it was really 2 people in that head or just 1, or 2 early on but only 1 later in the season or-

[basketonthedoorstepofthefbi]

Hello!!! I have a request if that’s okay with you. 💕

Would you maybe write a Spencer x quiet!reader? Where she doesn’t have the courage to talk to him because she’s too shy?

I don’t really have a plot in mind so that’s up to you!! I’m sorry I couldn’t come up with any ideas but hopefully it lets you write whatever you want. Thank you for taking the time to read this. And I read your other stories, you’re so underrated and amazing I love your wording when you write. 🥹🫶🏻🫶🏻

Hi Mary!! Thank you so much for your kind words c:

I did my best c: I hope you like it!

Round Table (Spencer Reid x shy!gn!reader)

Pairing: Spencer Reid x shy!gn!reader (if not gn please let me know, but I'm fairly certain it is!)

Word Count: 1538

Warnings: mentions of anxiety, but besides that none?

A/N: this was so fun c: i am really enjoying challenging myself with your guys' requests. hope you enjoy!!

------

You were an incredibly anxious person, which, honestly, was okay. You tried not to let your anxiety hinder your life too much, but like any other human being, sometimes it got in the way. It was frustrating, sure, knowing that a situation would be so much easier if you weren’t so anxious about it, but you reminded yourself often that you weren’t perfect, and neither was anyone else. 

Some people were afraid of heights, of the ocean, of needles. Some people had trouble going out into crowds or grew overstimulated in public places. 

You? You were painfully shy. There was always an adjustment period to being around new people.

Baristas, the bus driver, pharmacy techs, cashiers at the grocery store - you did just fine. But those were one-time interactions, brief discussions that you could compartmentalize. 

They came with a script to follow, with cue cards already queued up in your head as they occurred. You could put on an emotional mask for five minutes while the nurse at the clinic gave you a flu shot. You could smile and speak in your special voice labeled Getting Coffee, an octave higher than you usually spoke, in order to acquire your much-needed beverage. There was a clear goal in mind with each of these dialogues. Sure, you didn’t present as the most confident person in the world, but you always made it through conversations like these without stumbling over your words or being too terribly awkward.  

You didn’t succeed as much with deeper connections, with ones that took time to cultivate. You were a guarded person to begin with, with only a handful of people you felt truly close to. Vulnerability had always been difficult for you, but you supposed you were in the majority on that front. It took a while to become comfortable around coworkers, extended family, hell, even your therapist. You had to have time to adjust, to settle in. 

A lot of people in your life thought you were just socially awkward or even an agoraphobe, but you didn’t mind being around people. It was the intimacy, the connection, the having to give away little pieces of yourself, that made you anxious. It kept you from participating in conversations most of the time, usually only speaking unless spoken to. 

You liked your job as a linguistics and handwriting analyst in the FBI for that very reason. You didn’t have to say much  to people unless it was related to a case. With a clear goal in mind, a threat to neutralize, you could turn on that mechanical part of your brain that spouted off facts, information, theories. You didn’t have to tell anyone about your weekend, about your hopes and dreams or your favorite foods. 

You were consulting on a case for the Behavioral Analysis Unit - a serial killer who stalked his victims months before their murders, sending handwritten letters and using poetry to taunt them. Your supervisor had asked you to collaborate with the BAU, sending you to the sixth floor on your own. 

For the last two days, you’d been working closely with Dr. Spencer Reid - Spencer, he insisted you call him. Just a couple of years older than you, but still very young for his role in the FBI. He was friendly,  and very smart, and he rambled on about all kinds of things - 

Everything, actually. The Chinese food you’d had for lunch on the first day? He explained the origin of fortune cookies. Did you know their first appearance in the US was in San Francisco in the late 1800s? 

Pointing out a Dickinson line in one of the UnSub’s letters? Did you know only ten of Emily Dickinson’s poems were actually published when she was alive and the rest were posthumous? 

You often just nodded along and smiled, occasionally throwing in an oh, that’s very interesting to appear as an active listener. And you were an active listener. You did genuinely think he was interesting, and you found his info dumps to be incredibly endearing. But your contributions to the conversation were abysmal in comparison.

Beyond discussing patterns in the UnSub’s letters and what it might mean for each victim, you had no other fascinating information to share. You didn’t do well with small talk, and Spencer didn’t ask you any overtly personal questions. 

It wasn’t until close to the end of the second day spent in the conference room of the BAU’s office that Spencer asked you a direct question about yourself. 

There were three evidence boards set up, all full of scanned copies of the letters, each one pinned up meticulously by you and Spencer the day before. The large round table in the room had letters stacked out all around it, each one bagged in protective plastic. 

Spencer was standing in front of the evidence boards with his arms crossed over his chest, studying the photocopies with his head inclined to the side. 

He broke the silence you had been slowly settling into the past two days. “Your supervisor said you had a specialization in poetry?” 

You nodded, stepping over to the table and carefully lifting one of the letters up. You liked how he spoke as if you two were in the middle of a conversation, when in fact, it had been totally silent for the past half an hour, save for the soft puttering of the air conditioning vent.

“Studied a lot in undergrad,” you squeaked out, clearing your throat as you held the letter up the fluorescent light above you to examine the stationary. 

“What university did you attend?” Spencer asked, and you turned your head to find him inclining his head to the side. He actually wanted to know? 

“I went to Bennington College to study poetry,” you said softly, suddenly finding it difficult to focus on the letter in your hand. “But I went to graduate school at Georgetown. Master’s in Linguistics.” 

“Really? That’s fascinating,” Spencer commented, which caught you by surprise, especially because he didn’t sound the least bit sarcastic. “That combination of degrees is exceedingly rare. Generally people who major in poetry often either go on to complete as far up as a doctorate in the subject or  they stop at a Bachelor’s degree. The latter statistically don’t end up working in a field related to poetry, either, so their degree is basically useless.” 

You weren’t sure if you were supposed to be offended by that, so instead you just nodded your head politely. “Okay,” you murmured, biting your lip. 

“Can I ask you another question?” Spencer asked, and set the letter in your hand down on the table. You smoothed your hands over the fabric of your shirt and nodded. “Do I… do I make you uncomfortable?” 

You shook your head. “No,” you said assuredly, and then, a little more hesitantly, “…why would you ask me that?” 

Spencer turned to face you. “You’re just very quiet unless we’re discussing the case. Which is fine, of course, but I just… I don’t know. I thought maybe you were annoyed by me or I said something to offend you.” 

You felt guilt spread over you and your cheeks turned pink. The last thing you’d wanted was to make anyone feel bad who didn’t deserve it. And the very kind, helpful, and adorable Dr. Spencer Reid was the furthest from deserving to feel bad. 

 “I just don’t talk a lot,” you tried to explain. Your hand rubbed the spot where the top of your chest met the skin of your neck, an anxious habit you’d had for years. “I mean, I do with people I know, and that’s not to say I dominate the conversation by any means, but I just…” you realized you were rambling. “You didn’t do anything wrong,” you added, your voice just above a whisper. 

“Thank you,” Spencer’s lips flickered into a straight-lined smile, one you had seen several times over the past few days, often when unintentional eye contact was made across the table. “For clarifying, I mean, that I didn’t offend you.” He cleared his throat, and leaned against the round table, standing just a few feet from you. Still a very professional and comfortable distance, but closer than he had been before. “So, does that mean that if we got to know each other, you’d talk more?” The corners of his lips spread out and his smile grew. 

You tore your eyes away from his to look at the letter in your hand, the protective plastic around it crinkling between your fingers. You weren’t actually looking at the letter, though. You’d just needed somewhere - anywhere - else to look. “That’s generally how it goes,” you murmured, biting your lip. 

“So, if I were to, for example, ask you to meet me for dinner sometime, could the getting to know each other happen there?” 

Your eyes fluttered over to Spencer’s and you saw him smiling. You could tell by how he looked at you, with his head inclined just slightly to the side, that he was being fully serious. You nodded, unable to control the small smile on your face. 

Spencer grinned, and you could tell he couldn’t resist when he spoke again. “So, is that a yes?”