#in game relationships

[ochiody]

i think they're funny

[danidoesathing]

physically sick over the fact that. In the game’s canon Viktor is doing whatever he can to get rid of his emotions and humanity. and it’s what him and Jayce clash over most. its the center of their entire conflict

but in arcane it’s torn away from him against his will because of Jayce. Because Jayce didn’t care what Viktor became as long as he got his partner back. Hello. Can anyone hear me

[hymyarts]

"We Myrmidons are not the sentimental type."

[not-a-user-jussanidiot]

No because Neil is so gentle with Jean I'm gONNA BE SICK

[xxcrystalinerose]

Going back to Zag's romantic relationships from Mel is extremely hilarious to me because of how comparatively well-adjusted he was.

Sure he done fucked up with Meg in the past and they had to kill each other as part of the job description, his sudden leaving seriously hurt Than while also having communication issues w/ each other, and there's the matter of Dusa being a lowly servant of the House. But in the end, he sorted everything out with 0 grievances from all parties involved (that one dialogue where Than admits Meg is the one who tells him to finally pursue Zag seriously warms my heart). Got the Mom(s) Seal of Approval™ even, and from Achilles too!

Meanwhile I look at Melinoë and she has a frankly criminal amount of situationships. Her rizz level is insane and she goes straight for the throat when flirting yet somehow her dating life is simultaneously a mess and nonexistent. Nemesis regularly kicks her into the dirt verbally AND physically but is the only person to acknowledge how fucked up it is that Mel is sent out alone in the hopes of killing an all powerful Titan that took SIX gods to kill in the past. "Fuck you and fuck your stupid frog in particular" then turns around and gives free Death Defiances. Her and Moros try to flirt with each other but they kept missing the mark because sometimes one of them says something totally unhinged like it was normal (I don't think watching people die is an appropriate bathtime conversation topic, my man). Her and Eris are a hot mess—literally with all those rounds she shot at Mel AND without a basis of workplace professionalism. Icarus is one shot nerve away from accidentally proclaiming his undying (literally) love to her but his guilt complex is hanging on to that nerve. And then there's Arachne and her not so little crush warring with the fact that said crush is family with and is helping the gods who cursed her.

Never have I realized how important it is that Zag has become a minor god of relationship counselling until I look at his baby sister and think, "yeah girl you definitely need help for all that shit".

[night-orchids]

[inktho]

—Is there something you want to show me?

[sashthesloth]

My original playthrough girls

[mookmayor]

for some reason i haven’t seen a SINGLE person talk about the fact that Daisuke was in Swansea’s bed when he had to kill him. Swansea put the kid somewhere where he thought he’d be comfortable & that he could keep the most convenient watch over him until he had to kill him.

If we want to look into this further, you could also tie it to Swansea’s death and how he effectively severed any form of rest or peace for himself by having Daisuke’s body lay in his own bed, serving as a reminder of what he’s done in possibly the only place he could have gotten rest.

[go-fornicate-yourself]

Every day I am in the trenches fighting for my life defending this poor man. He was going through so much and people online demonize him and say he's as bad as his abuser

(I've got a lot of thoughts about this so I'll make sure to separate things to make it easier to look at lol)

Curly is a victim of abuse. Jimmy is his abuser. This is something that I feel a lot of people tend to brush over or don't acknowledge it often.

And I'm not just talking about post-crash. Jimmy's abuse of Curly is there pre-crash too. The party scene where the crew learns about the company going under is a huge example of this. Jimmy verbally abuses him, he gaslights him, he blames him for their (his) misfortune. Jimmy accuses Curly of thinking he's better than everyone (better than him), that he doesn't care about them (about him). That he's going leave them (leave him). Which is not true. Curly tries to explain himself but Jimmy shuts him down and he just takes it.

The fact that he just allows this to happen makes it seem like he's used to this... That this kind of behavior is a recurring thing with Jimmy. And the fact that nobody else tries to defend him or stands up to Jimmy just normalizes it for him. When Anya tells Curly what Jimmy did it catches him off guard. Bc he genuinely didn't think that his friend was capable of that. It wasn't something that was obvious to him. There were absolutely many red flags in the past but they were subtle enough for him to not see them bc he cares for Jimmy, he trusts him. Jimmy's the only one he feels he can open up to, who he can let his guard down with. Jimmy's his home. That's how close they are.

Because of this deep love for his friend and the subtlety of Jimmy's cruelty, he doesn't see the constant verbal and emotional abuse as what it is: abuse. Which is why he finds Jimmy's abuse towards Anya so shocking and jarring.

He isn't a man covering for his rapist friend bc of the 'bro code'. It does look like that from a certain angle and it's understandable why people see it that way but that's not what his character is really about as much as it makes sense otherwise.

He's essentially a battered housewife who's still in love with her husband but is realizing for the first time that the man she loves is a monster. That the man she loves and devoted her life to has been hurting her this whole time and she didn't even realize it. That the man she loves and spent so much of her life caring for has gone and hurt someone else. That he's most likely hurt others before and she's been utterly unaware of it the entire time she defended him and made excuses for him when he wasn't the best or the fairest or the most responsible or when he screwed up yet again solely bc of how much she loved and cared for him.

And Curly barely had any time to process ANY of that before Jimmy decided to try and kill them all to avoid the consequences of his actions. It was ultimately a selfish act even if he thought he wasn't just doing it for himself. Jimmy is selfish and needs to be in control or he loses it. He cares for Curly. He loves him. Curly's done so much for him. Curly's the only one who understands him, who doesn't hate him. Curly's his home. He resents how 'successful' he is but that's only bc he thinks so highly of him. He constantly puts himself down and put Curly on a pedestal and worships him while simultaneously mistreating him.

He treats his best friend like shit, he's awful to him. But he's not aware that this is the case or maybe he's in denial about it. He can't or just refuses to see how he's doing all of what he does for himself in the end. He justifies his attempt to kill them all (to himself and to Curly) by claiming he's doing this for them both. That if they were to get back to earth it would all be Curly's fault, that it'll ruin his life and career... despite the fact he had basically nothing to do with Anya's abuse. Jimmy's shifting the blame on him while acting like he cares for him. Well, he does genuinely care for him but clearly not nearly enough to not mistreat him or use him as a scapegoat for his own guilt.

Jimmy is the rapist, Jimmy is the one who does all of these horrible things. And yet it's highly likely that Curly would just blame all of it on himself bc that's exactly what Jimmy did to him. He's in so deep he can't see the facts of the situation.

It takes abuse victims so long to come to terms with their abuse. It takes time and reflection to see things with an unbiased and healthy perspective. Abuse (especially years of it) isn't just something you can just escape. It consumes you and can twist your reality. Curly had about a week or less to process all of it and then take action in a way that protected his crew and abided by Pony Express' guidelines. Dealing with something this serious in a setting that makes resolving it extremely difficult in a practical sense is already hard.

There were no locks on any of the doors except for medical and the cockpit. They couldn't just kill him. There was nowhere they could detain Jimmy that wouldn't involve corporate potentially penalizing the entire group. They could have used the cryopods but then there'd only be three available for any actual emergency and there were already five crew members and four pods in total. Also, I doubt corporate would be 'okay' with them using the cryopods for anything other than their intended purpose. Hell, even if they were able to make it back to earth without any incidents there's a good chance that corporate would consider the situation 'poor team synergy' and collectively punish the entire crew for Jimmy's actions.

So on top of having to deal with an already difficult situation, Curly has to grapple with the realization that Jimmy a: abused Anya, b: has been abusing him as well (for a very long time too), and c: has probably abused others before Anya and he had no idea about it. He needed to act but he didn't and it doomed all of them.

But it's so unrealistic (maybe even cruel) to put that much pressure on someone, force them through an utterly earth-shattering realization, and then expect them to do the correct/right/responsible thing in that moment. It's a little ironic how people vilify him for that when other characters do the same thing that nobody blames for it.

Anya is the ship's nurse. Curly is the ship's captain. They both have duties and responsibilities on board the Tulpar. She has to keep the crew healthy and safe and is the only one with enough medical knowledge to do so. He has to make sure that everything goes well and goes according to procedure. He's responsible for the crew, the cargo, and even the ship itself. Both positions are integral and require a lot of responsibility to do properly

They're both put through distressing and traumatic situations where due to them being human people with emotions and fears that make them essentially avoid their responsibility/doing what's required of them.

Curly has a freeze response and doesn't act when he should have when it was crucial to have done so. Anya has a fawn response and essentially puts her patient in danger and harm's way. She knew full well what Jimmy was capable of. She experienced it herself and she witnessed it happening to Curly as well. And yet she allows Jimmy to be alone with Curly while being fully aware of how dangerous he is. Which she shouldn't have, that wasn't the 'right' thing to do. Keeping him safe was her responsibility.

But Anya's human. She's going through a lot at the moment. She's terrified of Jimmy and she's trying to appease him so he doesn't hurt her again. It's a natural very understandable thing to do even if it's not the 'right' or 'responsible' thing. They failed each other when they needed each other most and I think that's the most tragic part of it. If anything, all of them failed each other in some way, shape, or form.

So it's incredibly frustrating to see people give Anya so much sympathy and grace for doing something so human yet still 'wrong' but then turn around and give Curly none of that for doing essentially the same thing she does.

I don't know for sure if it's actually because Curly is a man or if it's only part of it or maybe some people just lack that sense of awareness but it's depressing and frustrating as fuck as a male victim of sexual violence and abuse to see this kind of behavior and this much victim blaming towards a character who is undeniably a victim of abuse like I am.

[mostly-funnytwittertweets]

[cheeseandcake-from-ao3]

[whoiskt]

Questions about two of your original characters about their relationship. Should work for friends/lovers/coworkers/enemies/etc, maybe not so much for family, but you're welcome to try!

How did they meet?

How long have these two characters known each other?

What were their first impressions of each other? How does that compare to their impressions of each other now?

How would they describe each other if asked? Physically? In personality?

Do they get along? Why or why not?

Do they have any shared interests/hobbies? Do they ever do these hobbies together?

How often do they see each other? Where do they usually meet?

How do they communicate with each other? Are there any recurring phrases or gestures unique to their relationship?

What is one quality they have in common?

What is one major difference between them?

Does one act as a narrative foil to the other? How so?

Do they have any affection for each other? How do they show it?

Do they have any disdain/contempt for each other? How do they show it?

Do they share the same goals in life?

Do they trust each other? Why or why not?

Is one of them keeping secrets from the other? Why? How would they react if the secret was revealed?

Are they keeping a secret together? How do they feel about that?

Do they view their relationship as temporary or permanent?

Are they satisfied with their relationship? Do they wish they were closer/more distant?

What is their best memory together?

What is their worst memory together?

When were they the most vulnerable with each other?

Do they have any mutual friends? Mutual enemies?

How do these two interact with each other in public versus in private?

If a stranger saw them together, how would they describe their relationship?

How would these characters react to being stuck in a small room with each other?

How far would they go for each other? Would they risk their own lives for each other?

[eastgaysian]

the specific frustration with dungeon meshi is that there's been a very distinct shift in fan content and a very clear reason for it. it was one of the rare cases of a decently popular work where the vast majority of fan content you saw was gen or f/f; m/m ships existed but they were not anywhere near as overwhelming as in other fan spaces, and people who heard about dunmeshi by word of mouth often came in knowing about farcille. the anime started airing after the manga was completed and is a pretty faithful adaptation, it's not as if it added any more fanservice/sexualization/shipping fodder. the only difference is that it made dunmeshi more mainstream/popular, and that's when the focus started shifting towards m/m ships and away from gen and f/f. for the people who enjoyed being in a fan space that unlike 99% of fandoms wasn't m/m focused, that fucking sucks, and there's nothing you can do about it because you are always flat out outnumbered

[seiwas]

cw: pro-hero bakugo, reader has boobs, kind of explicit/nsfw? idk i describe boobs, reader is smaller and shorter than bakugo, unedited sawry

bakugo's muscle tee looks as ill-fitting as it'll ever be draped over you.

there are reasons for this, perfectly founded and logical reasons for why that is—the main one being that, it's, well, his; two, maybe even three sizes larger than what it should be to fit you properly.

but, he can't stop staring, and there are reasons for that too—the main one being that, it's his, and yet, the only way he can ever imagine it now is when it's being worn by you.

your hips sway to the song you've been humming for the past five minutes. it's the same one, the chorus on a perpetual loop. he's sure it's the only part you know; you do this often enough that it's the only part he knows now, too.

the hem of his tee hits right at the top of your thighs, concealing just enough to tease, but he’s confident that if you reach up even the slightest bit for the cupboard overhead, there'll be nothing to hide.

he feels a little bit like a creep like this, watching as he stands in the middle of your shared living room, but it's impossible too look away—you've got to be doing this on purpose, right?

heat flares inside of him when you turn your body ever so slightly, the armhole of his muscle tee large enough to give him the clearest view of skin—

he gulps.

it's smooth, sloping just right; the side view of your under boob curves into its perfect shape and he can imagine it, feel—

(is this considered perving if he's been with you for years?)

the pan in front of you sizzles as you plop in god knows what. you pour in something from the side and wait, one hand propped on the hip you pop out. then, you pick up the pan, attempting to flip what's inside (probably a pancake, now that he thinks about it).

it’s hard to focus on what you’re cooking though, especially when all he sees is plump flesh jiggling, bouncing as you further agitate the pan.

he just got the pants of this suit readjusted, and now they're fucking tight.

bakugo normally runs hot; it’s kind of part of his dna. but this warmth is different, flushing him from head to toe. it creeps up the side of his neck, painting the tips of his ears a blooming red.

you turn around then, plopping the pancake on the plate atop the counter behind you.

"oh! you're done," you greet him with a smile. so. fucking. casually.

as if your tits aren't fucking peaking against the gray fabric of his tee.

as if you think he buys the fake innocence poorly concealing that sly, conniving look in your pretty eyes.

as if you aren't standing in front of him in his muscle tee, wearing nothing underneath it like you didn’t do this on purpose. like you don’t know what it fucking does to him.

his eyes squint suspiciously, deep vermillion staring straight into yours.

you tilt your head, the tips of your lashes kissing the top of your cheekbones as you blink. you reach for a bottle of honey.

“everything okay?” you ask, voice syrupy, sickeningly sweet.

your movements play in front of him languidly, the corner of your lips curling up slightly as you smirk. honey catches on your finger as you pop open the bottle cap.

he’s supposed to be out the door in five minutes if he wants to make it in time for a meeting at the agency. technically, he should already be there if he wants to keep up his track record of consistently being fifteen minutes too early.

but you start to approach him, rounding the kitchen island. there’s a narrow space between him and the slab of marble, but you slide into it like it was made for you.

he’s certain it was, from the way the tip of your nose brushes against his as you tiptoe. your tits are right fucking there, brushing against the skintight material of his suit.

there’s too much fucking fabric if you ask him, between cotton and spandex.

your grin widens, and he feels hot, the heat from his cheeks radiating.

then you whisper, still saccharine, “breakfast is ready,” before kissing him on the lips lightly. a short peck, soft in the way that promises more before you slip away, giggling in your retreat.

he huffs, watching you leave. his feet shift as he thinks.

five minutes, huh?

like hell he’s going to eat these damn pancakes for breakfast today.