#in deph looks at the rules
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THE RULES
MUNÂ Â Â Â
You can call me RED, Iâm 29Â I run on (GMT-4).
Thank you for taking the time to read my rules, these are certain things that I was to make clear to avoid any problems in the future. I believe everyone has the right to tailor their own experience on this website, its why we have rules and regulations to avoid these problems, but should something between the two of us ever occurred, I would like us to talk about it like adults if we canât reach an agreement we should both go our separate ways no hard feelings or drama involved. As an aside i find communication extremely important, and i would prefer it over passive aggressiveness.
DASHÂ Â
There are a few things that are big NO-NOs for me and things I donât want on my dashboard:
DO not interact if you are racist, sexist, transphobic, homophobic, or otherwise discriminatory or bigoted.Â
Pedophilia or anything that is even remotely related to it will be subjected to being reported.
Please keep me out of Drama, this blog is drama free, i want nothing to do with it.
I can be very selective with who I want to write withâŠfor my own comfort if I donât see our character interacting I will not follow you. This is nothing personal.
PLOTTING
 Either plotting a scenario out or winging it works for me, letâs not stress the little things.
FOLLOWING/INTERACTING
I am Mutuals Only, In addition to that please donât interact with me if you donât have a mun page or a rules page.
I will also not rp with you if you are under 18.
I usually follow a blog for a few days.
In regards to memes, I (unless i send you the said rp meme)âŠwill reblog it from the source.
THREADS
I mostly enjoy light-hearted threads and action/adventure plots. Shipping, smut and romance will be present on this blog but I prefer chemistry and ooc discussion.
Please keep in mind that Angel is a homosexual character so M/F ships wonât happen.
REPLIES & SPEED
I work 12 hour shifts 3 to 4 days a week, so i will only be able to reply constantly during my time off. I tend to reply to everything i am notified about ...
i donât mind being reminded if i miss the reply, this is encouraged.
NSFWÂ Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â .
This blog WILL contain NSFW content that will sit under a read more. I will roleplay smut but will not roleplay darker themes bar plotted angst / death.Â
On OC'sÂ
Bring them to me, but please make sure we have a verse in common. I do request as humbly as possible the ocâs have at least a basic amount of information regarding them, give me something to work with please.
Thank you for reading-!â„ and once more remember to be you and a have fun. â„
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Motorcity, a underrated gem of a show that should've gotten a second season.
For those who don't know what Motorcity is, it was a Disney XD series that ran for 1 season with 20 episodes and first aired on April 30 2012.
The genre is pretty much futuristic sci fi dystopian and it is amazing. The premise is it's set in detroit which is now split in two parts, with the evalated metropolis city above called Deluxe detroit built over old detroit now named Motorcity.
Deluxe is ruled by a billionaire named Abraham Kane, who rules Deluxe with very strict rules and banning personal freedoms like cars.
Theres only one obstacle in his way of compelty taking over Motorcity, the last place of freedom for anyone are the Burners. A group of car driving rebels led by his former cadet Mike Chilton-they work to protect Motorcity and possibly take down Kane himself.
The show is awesome with a great premise, likeable and entertaining characters that aren't all one note and have some dephs and flaws to them-some having some internal conflictsof their own.
One character I say is absolutely hilarious, is Texas, he's a goof who's pretty eccentric and boisterus.
The episodes always action packed and fun to watch, along GORGEOUS animation that anyone can appreciate like-LOOK AT THIS.
It's great and I love it, I highly reccamend anyone giving this show a try.
Sadly not all things were resolved or found out since it did'nt get a second season, it got cancled before that, why?
It got mishandled by Disney, frequently changing the timeslots, episodes shown out of order, very little advertising. So it got fricked over.
And honestly this show deserves more attention and appreciation then it got.
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CHAPTER 1: THE PROLOGUE.
I always thought I had a good relationship with  Fates. They have always been somewhat kind to me. My life, one might say, is not of an avarage one. But for me, itâs quite normal and with all honesty sometimes tremendously boring. I lived in a castle uppon the Moon Hill, where the last rays of day fell and my Mother â Nyx- began her rule. She was one of the most beautiful beings that had ever been created by Kronos. With milky-white skin, long and dark as ink hair and eyes that reflected the rays of stars she put up to the sky at every sunset. My Father â Hypnos, stole her from the dephs of Tartarus and for that, he was severely punished. Even though he remained a beautiful being, he never spoke a word. Only in their sleep, one might find him, wondering the ups and lows of dreams. And thereâs me, Thanatos. As a part of my Fatherâs punishment for snatching my Mother from Tartarus, I was obliged to live in the Underworld until I came of age. My duties were to keep the souls peaceful and calm, even when they were desperate to escape their doom.
One day, I was feeling particularly moody. I never liked that place and the thought of having to live here for the next three years made my skin prickle with anxiety. The only thing that made my day more bright, was meeting my best friend â Melinoe. Concidering where she was living, she was one of the most joyful beings I have ever encountered in my life. And maybe thatâs why I liked her so much.
I remember when I first came to the Underworld. It was a scary and unfriendly place, full of souls and faul creatures who guarded the pits and gauges in which a slimy substance was bubbling. At the main entrance stood Charon, the Soul Carrier. He was very tall, skinny, hooded and cloaked. His skin was wrinkled and stained. He turned his faceless hood my way and said: â Ah, young master Thanatos. Lord Hades and Lady Persephone are awaiting your arrival.â
He stretched out his hand and pointed to a very shabby-looking boat at the the banks of Styx. I slowly went up to it and got in. It wobbled, when the hooded man had entered and a few moments later, we were crossing the River. I looked around carefully. The view awed me so much, I barely could blink. Solid rocks formed tunnels that led towards a castle on top of a hill. My uncleâs home. Although Hades was not very closely related to me, I have gained some of his traits. The Soul Carrier stopped the boat and said: âWe are here.â
I got off at the shore and gave him two golden drachmas, which were customary to give as a totem to the Carrier. He snatched them and hid underneath many layers of his coat. He bowed with respect and got back to his duties. I stood for a moment and stared and the castle that towered over the hill.
Beneath it, there was a road leading to the tall gates made of burned ebony bones. On top of the entrance there was a sign: â There is no other certainty than deathâ.
âYeah, you can say that again...â I murmured to myself as I crossed the first gate and entered a wide courtyard. I saw some creatures wondering here and there like shadows. I did not fear them, but I felt I slightly uncomfortable around them. There was tall door in front of me now. I looked up and saw sculls and crossbones ornamented from top to bottom. I reached for the door knocker but they suddenly opened on their own accord. I walked inside slowly. It felt like Iâve entered a grave. I went up a long corridor and stopped at the entrance to, what I supposed, was the Audience Hall. There were two guards on each side of it. Tall, dressed in black and dark blue armours. The lights were also in those colours here which felt like the whole place was blues, grays and blacks. The door opened and I stepped inside. The Hall was quite impressive. Tall ceilings, supported by carved columns. A blue and black carpet that led towards a place where two thrones were placed. But those werenât thrones youâd expect in an Audiance Hall. No. They were made of skelletons and skulls. Both tall, pale white just like the figures which sat in them, though their faces were covered by skull masks. The taller figure had stag like horns placed upon their head and around them there were black diamonds and saphires. The antlers were curved a bit at the end and were gleaming like theyâd been covered with wax. His robes were long and exquisit, also black, blue and gray with a tall collar, that nearly reached the antlers on his head. Next to that figure, stood a shorter one. Also dressed in the most exquisit dress I have ever seen. It looked as if someone had taken down the nightsky and sew this beautiful outfit. Her face was covered by the same skull mask as her partnerâs but I knew, who she was. It was Persephone. The goddess of Spring. Beautiful as she can be, but there was something vile in her posture right now. She had a long spear in her hand, ended with a black diamond as big as a childâs head. I looked at the man at her side, who came down from the platform and swiped his mask off his face, showing a stunning man. His angular jawline and high cheekbones made him look nobel and raw. His eyes were almond-shaped in colours of dark blue and black. His face showed no emotion. And , I dare say, he was the most intimidating person I have ever met in my life. I took a step back and kneeled.
â My Lord. My name is Thanatos.â I said in a low voice. Hades smirked at me and bowed back.
â I greet you in my kingdom, Lord of Good Deathâ he said in a mocking tone. â I hear you are as skilled as your Father in sleep magic, am I right?â
â I do not use the sleep magic, My Lord. Thatâs the treat of my Father. I ease the pain of passing for all those who come to your kingdom.â I aswered, looking straight into his eyes. His face was still but I found some sort of amusement in it.
âAh, you ease the pain of passing. Well, then I will have a perfect spot for you, My young Lord.â he answered, turning his back to me. He stood by his queen.
âYou will be sent to Tartarus, where your skills will be most useful. There is, indeed, a lot of pain there that deserves to be taken away.â he added. Persephone turned her head to him and swiped off her skull mask.
â How can you send a child to Tartarus? He does not deserve to be punished that severely.â she said. Hades looked at his Queen and his face was like stone.
â This is no child, my Queen. This is a gift from his parents. His skills will surely be far more useful here than in the mortal realm. And he will not go alone.â
With that said, he snapped his fingers and right next to him a figure emerged from the mist. Few moments later a beautiful girl appeared in the place of the figure. She was tall, with pale face and bright, star-like eyes. She wore a long, dark dress and had a crown of black thorns on her head.
âMelionoe. My beloved child. Come. I want you to meet your new apprentice. This is Thanatos, son of Nyx.â he said, pointing to me. I bowed in respect. â My lady.â
âIt is a pleasure to meet you, Thanatos. Come. Letâs not waste timeâ she said and she took me under her wing. Taught me all what I needed to know about Tartarus and from that day forth, she became my friend.
I was sitting at the bank of the River and looking at the new flow of souls. It always smelled the same. With rot, fear and blood. I didnât mind the smell. At this point, I didnât mind anything. Days turned to months, months to years. I didnât even know, if my duty was over or not. My mind went blank and I didnât want to talk to anyone. Not even to Melionoe.
â Always the grumpy one, ey, Theo?â she said with her joyful voice, dropping to sit right next me. For as long as I remembered, I have never seen her sad or dull. Which was quite unusal.
â Youâre cheerful for the both of us, Mel.â I answered and picked up a stone from the ground. I had the urge to just toss it into the slimy water of Acheront, but it would most definitley fly right back at me and knock me out.
âAh, come on, Theo. Donât be so grumpy. Life in this place is already dull, donât make it worse.â she added, poking me with her shoulder. â I have something fun for you. Come onâ she said and took off to the nearest boat. I went after her, not really understanding what she was trying to do. Mel sailed onto the River and set the course to Hades. I began to wonder if this was a good idea to begin with. But I trusted her more than I trusted myself and I knew that she would never do anything that would  angry her Father. Melionoe, you see, was very fond of Hades. Even though, he never showed that he cared for her and left her in charge of the worst part of his kingdom, she always was loyal. We were passing another turn, when I saw Cerberus running straight towards us.
â Bad dog! Sit!â Mel shouted and the dog stopped at the bank of the River and growled with disapproval. â Go find astray souls, you dumb dogâ she added, when the animal disappeared from sight. Finally we stopped at one of the entrance gates to Hades. I looked at her,frowning.
âYou once told me, your only dream was to leave this place and have a chance to live a normal life. So Iâm giving you a chance to do so.â she said with a smile.
âWhat?â
â I said, I want to give you a chance to live among mortals. I will give you a month among them. If it wonât be, what you desire, you will come back and stay in Tartarus with me. Â If you manage to find your goal in life among the mortals, I will grant you the freedom you so desire.â she answered more seriously. I only once saw her make that face and it was when she disappointed her Father.
â But⊠Why are you doing this, Mel? Why you want to break your Fatherâs order?â I asked, taken aback by this claim. She was willing to risk everything to make my dream come true.
â Because you are my best friend. And the one I have loved dearly for many years. Since you came to Tartarus, my life became happier. So I want to grant you this choice. Find your goal among mortals and if you wonât succeed, come back to me.â she said, coming closer to me. She rose my chin and kissed me. And then, the gates of Hades disappearedâŠ
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Lost Odyssey - A Thousand Years of Dreams - Story Nine Transcript
The Talkative Mercenary
The ramparts will fall to the enemy.
It is just a matter of time.
They will mount their attack at dawn.
The main body of the allied forces
has already drawn far back from the front.
Only the mercenaries are left behind the barricade.
Their orders: defend it to the death.
These men, who have gone from battlefield to battlefield,
know exactly what that means.
"They've just left us here to die," chuckles the one called Toma in darkness too thick for a person to make out his own hand.
"They want us to buy time so the main force can pull farther back. We're supposed to be their shields, performing our final service for our employers."
His dry, papery laugh shakes the darkness.
Kaim says nothing in reply. Other mercenaries must be gathered there around them in the blackness, but all keep their thoughts to themselves.
Mercenaries have nothing to say to each other on the battlefield. They might be on opposite sides in the next battle. At a time like this especially, when they have to defend the barricade against the enemy's withering attack, they can't spare time even to look at each other's faces.
Kaim knows nothing about this fighter called Toma. His voice sounds young. He probably has very little experience as a mercenary.
If a man grows talkative in the face of death, it means that, deep down somewhere, he has a weakness that prevents him from becoming a true soldier. A mercenary with even a hint of such weakness can never cheat death and live to see another day.
It is the law of the battlefield, and a man like Toma will only learn that law in the moment before he loses his life.
"We're done for. We'll all be dead in the morning. We'll have that 'silent homecoming' they talk about. I can't stand it. I just can't stand it."
In the darkness, no voices rise to second these sentiments. It's too late for talk like this. The day they chose the mercenary's path was when they should have resigned themselves to death.
They will sell their lives for a little money. They prolong their lives, a day at a time, by taking the lives of one enemy after another. That's what a mercenary is: nothing more, nothing less.
"Hey... can anybody hear me? How many of us are here? We're all going to die together. We'll just be a line of corpses in the morning. Don't shut up now. Answer me!"
No one says a thing. Instead of voices, the silent darkness begins to fill with a tangible sense of annoyance.
Wordlessly to gather on the battlefield; wordlessly to fight the enemy; and just as wordlessly to die.
That is the rule of the mercenary, the "aesthetic" of the mercenary, if such an expression may be permitted.
But Toma has taken it upon himself to abandon that aesthetic.
"I knew it was hopeless from the start. Headquarters didn't know what they were doing. There was no way a strategy like that could work. You know what I'm talking about, don't you guys? We had to lose. It's a total mess. I wish to hell I had joined the other side. Then we could have gotten a mountain of cash for winning. We could have drunk ourselves blind. We could have had all the women we wanted. I could have gone either way on this one but I picked the wrong side to fight on..."
"Hey, you!" an older voice booms out of the darkness. An angry voice.
"Yeah, what?" answers Toma, his voice more vibrant now at having at last found someone willing to talk with him.
As if to crush his momentary enthusiasm, the other man goes on, "How about shutting up a while? If you really want to run off at the mouth that much, I can send you to the next world a step ahead of the rest of us."
"I-I'm sorry..."
Instantly dejected, Toma falls silent and the darkness grows still again.
The stillness is charged, however, with a deep tension. Far deeper, even, than before Toma started talking.
The veteran warriors know: watch out for a talkative man.
Being talkative means trusting in words--trusting too much in words.
Words are useless on the battlefield. You take up your weapon in silence, you fight in silence, you kill the enemyâor he kills youâin silence. All the mercenaries here have lived this way. All but the talkative one.
A soldier who clings too desperately to words may cling just as desperately to something else--to the sweet trap of betrayal, for example, or the seduction of desertion under fire, or the lure of madness.
Kaim has often seen pitiful mercenaries who, unable to endure the terror of being surrounded by the enemy, go berserk and attack men from their own side.
Will Toma prove to be another such case? The possibility is great, and no doubt the other men are thinking the same thing, too. In the stillness, they turn the same gazes toward Toma that they reserve for confrontations with the enemy, looking for any signs of change in his demeanor. The moment they perceive the slightest threat in him, a blade will soundlessly pierce the left side of his chest.
The silence continues. Not even the usual all-night cries of insects can be heard tonight as they were last night. Perhaps the insects knew enough to clear out in advance of the enemy's dawn attack. The thought reminds Kaim that he saw no birds in the area yesterday, either. Although animals came to snatch food when the men first built this fortification, there has been no sign of them for several days now.
Animals have mysterious powers of foreknowledge that humans have lost. This becomes painfully obvious from any visit to a battlefield.
There can be little doubt that the animals have turned their backs on this barricade.
Right about now, in some distant forest, a huge flock of black birds may be taking wing in search of human corpses to strip of their flesh:
"It's feast time, boys!"
They already know, somehow. Once the sun is fully up, the battle will be over. If they don't get here first, they'll lose some of their feast to a flock from another forest. Their black bodies hidden against the night sky, those birds now are probably flying for all they're worth.
A voice in the night. Toma's voice.
Weeping.
"Listen, you guys... I don't know how many of you are out there, but we're all going to die in the morning... or most of us. Maybe one or two will live to escape, no more. Think about it: those are lousy odds. You've all been through this before. You're veterans, war heroes, you're probably not scared. But even so... even if you're not scared, don't you think this is stupid? Huh? Tell me! You've been through a lot more battles than I have, so tell me... what the hell are we here for? We don't hate the enemy, we don't owe the leaders on our side anything, but we've got to kill the enemy and follow our leaders' orders... and we're still going to end up dead. Tell me you guys... don't you think it's pointless? Don't you think it's stupid?"
The only response to Toma is the impatient click of a tongue in the darkness followed by someone else's sigh of annoyance.
"I can't take it any longer," says Toma. "I hate this..."
And now he is sobbing.
"All I wanted was some money and maybe something better to eat and maybe nicer clothes. I would have been happy with that. What a mistake I made, taking work like this. I never should have done it..."
Kaim keeps all his senses open for movement in the night.
Aside from himself and Toma, five other soldiers are crouching down in the darkness. Not bad: all are experienced warriors. They would not have been able to put up with Toma's whining otherwise. If they let themselves get angry and started shouting at him or grabbing him by the throat or whaling away at him, they would just end up consuming their strength and energy before their "work" started at dawn.
If this is an assemblage of men who know how to keep their silence, the chances for "life" are that much greater, assuming, that is, that the talkative, weeping man does not become too great a burden for the rest of them.
Still sobbing. Toma continues to curse his fate.
Suddenly, something is different: something stirs in the silence.
This could be bad, Kaim thinks, sharpening his attentiveness still more.
When dawn breaks, Toma will get in our way. Because of him, the possibility for "life" will wither. The mercenaries know that, and because they know it, they might do whatever it takes for them to secure for themselves even the slightest added chance to live.
"I don't want to die here. I tell you. Not now, not here, like a worthless dog. You guys feel the same way, don't you?"
Moonlight shines down from a rift in the clouds.
For a split second, Toma's tear-stained face appears in the darkness. He is even younger than Kaim imagined from the sound of his voice. He is practically a boy.
The clouds hide the moon again, and thick black darkness enfolds everything once more.
A dull light stirs in the deph of the darkness.
Without a word, Kaim darts, wind-like, toward it. He was able to gauge the distance between himself and Toma during the flash of moonlight.
Kaim grabs Toma's arm. Something hard falls to the ground. The dull light flashes again, this time at their feet, and melts again into the darkness.
A knife. Driven by the fear of death. Toma was trying to slit his own throat.
Toma twists away and tries to free his arm from Kaim's grasp, but Kaim chops him in the solar plexus.
Without uttering a sound, Toma passes out.
With Toma slung across his back, Kaim strides through the darkness.
Eventually Toma wakes and thrashes his legs to get loose.
"Stop it! Let me go!"
Kaim lowers him to the ground.
"Every once in awhile, the moon comes out. Check your direction when that happens. Go straight toward the setting moon," Kaim says gently.
"What the hell are you talking about?"
"It's the only way you can get out of here."
Kaim has chosen the thinnest part of the enemy's encirclement. Of course, there is no guarantee that getting through here will save him. From now on, Toma will have to believe in his own luck and abilities.
"Are you coming back, too?" Toma asks.
"No, I'm going back. You escape alone."
"Why? You come, too. Let's both escape. Come with me!"
Toma clings to Kaim's arm as he pleads with him, but Kaim gives him a hard slap on the cheek. The flesh of that cheek is too soft to belong to a veteran warrior. It is the flesh of a boy. A kid.
"You go alone."
"But why?"
"To live, that's why."
"What about you? You want to live, too, don't you? You should run away with me. You don't want to die, do you?"
Want to live? No. Kaim has no great desire to live. He lives because there is nothing else he can do. He lives because he has to. Toma is far too young--his own burden of life far too fragile--for him to know the pain of such life.
"We live to fight. That's what mercenaries do."
"But..."
"Get the hell out of here. You're ruining it for the rest of us."
"You guys'll never win this battle. So why not run away?"
"It's our job to fight."
With that, Kaim turns on his heels and starts back the way they came.
Toma stands there, watching Kaim move away, and a moment later he himself darts into the western forest.
To fight or to flee: Kaim cannot know which holds out the greater promise for life. He also believes it is better not to know.
Exceptâ
"I hope you make it, boy," he mutters, walking on.
The eastern sky is beginning to brighten little by little. Soon the enemy's attack will begin.
From the western forest, a few birds take to the air.
Perhaps it means that a small-scale battle has started in the silence. Or that the poor young mercenary has been felled with his back to the enemy.
Kaim does not look back or break his stride.
He feels certain he has seen that talkative mercenary before. Before the war broke out, the boy was selling fruit in the market along the highway. He was a good boy, took good care of his mother, the women of the market were saying.
Live a long, full life, Kaim wishes for the boy as he himself walks on, glaring at the lightening eastern sky.
#lost odyssey#kaim argonar#sarah sisulart#seth balmore#ming numara#jansen friedh#cooke and mack#cooke#mack#a thousand years of dreams#1000 years of dreams
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