#in case it isn't clear: this is not a real problem

[flashhwing]

the hellhole that is my life (I want tea and I have tea but I don't have the right kind of tea)

[whirligiggler]

it's so fucking annoying when you just wanna read peoples' hcs about astarion being on the ace spectrum but you're pretty much only met with people insisting he can't be for whatever idiotic reason or people essentially saying to keep that hc to yourself because they don't like it and don't wanna hear it. like for fuck's sake you can't even be normal about a fictional person being *headcanoned* as ace? y'all suck so bad

[long-live-astronerd-ghost-king]

DPXDC prompt: Valentine's day spirit. Superbat edition.

When Phantom sets foot on the Justice League base many years later, he expects anything but not Flash pointing finger at him and screaming about "legendary child who made Superbat canon".

~~~~

Being in Metropolis because of a ghost hunt right in the middle of a battle between Lex Luthor and Superman was not the best outcome, especially considering that Jack had his three-year-old son with him. But without such a combination of circumstances, they would never have found out that "Ghost!" "Daddy, no!" Ectoblast that Jack shot at the target of their hunt touches Superman and..really hurts him.

There were two sides to Danny-the ghostbuster's son and the astronerd. It is clear which half of him did not have a chance to win.

Danny threw his space rocket toy aside and grabbed father's arm. In the next second, boy had already sunk his teeth into Jack's fingers, forcing him to drop weapon. Youngling quickly jumped off and picked up ectoblast and then ran towards Superman. "Fly away! I'll hold him!" Danny stood up to try to cover up ghost (or alien?) in case Dad took not one but a whole bunch of shooting things with him again.

Jack: Get away from my son, ghost. Superman: Sir, I'm sure this is some kind of misunderstanding, I'm not a ghost. Jack: Danny, come to me, he's trying to hide his identity and manipulate us. Danny: No. If the heroes are being attacked, then someone must protect them too. Jack: But he's a ghost.. Danny: Alien or ghost is not so important, Daddy. He's in pain, and he's protecting this city, not haunting it. It's wrong to try to catch him for experiments. I forbid you to do that. Jack: Danny, champ, you're wrong.

Lex: Hah, what an interesting substance. Despite the other aggregate state, or rather its absence, it is so similar to kryptonite. Superman: Lex, is this a portable lab? Now is not the time, in case you haven't noticed. Lex: There is always time for science. I think my colleague will agree, right? "Similar to kryptonite?" Jack muttered to himself.

Jack: So Superman wasn't my target. And we are not colleagues. There is only one insanely rich man with questionable moral values with whom I am ready to do work, and your surname is clearly not Masters. Lex: It's a pity, but still, if you want to carry out the delivery of your wonderful weapons or exchange experiences, then call this number. Luther quickly shoves a business card into Fenton's hand. Jack*throws it away*: Come on, son, let's go back to the hotel, you've skinned your knees.

~~~The Evening. The Roof of the mentioned hotel~~~

"My friend Sam is also very frightening. And she also likes dark.“ The boy paused for a minute of thinking. “You want to kiss your goth friend?" "W-What makes you think that, kid. We’re colleagues, I respect him very much and.." "So you want to. It’s okay, I’d like to kiss Sam too but I’m afraid she’s gonna hit me. You have the same problem?" "It’s a little more complicated for adults." Kal begins to explain but stumbles upon Danny’s completely unimpressed look. Yeah, this boy apparently has heard 'kids would understand when they grow up' lectures at least thousand times. "But you’re basically right."

~~~~

When Batman himself comes to their hotel the next day as a representative of the Justice League to make sure that Mr. Fenton has no desire to harm Superman in the future and to tell that Superman is not going to press charges because of the ectoblast that injured him, Danny refuses to leave the room.

Jack: Oh, Danny, I thought you dropped your space rocket yesterday, it's a good that Alicia's Christmas present isn't lost. Danny: Well, dad, I left it on the roof of a bad bad man, yeah, but Uncle Kal returned it last night and we talked for a while. Jack: About what? Space, my little star? *Father immediately assumes that Danny would like to ask about everything real alien*. Boy*blushes and shakes his head negatively*: No, not about it.

Jack: Then what it was about? Danny: Secret superhero things. I can't tell you. I agreed to withhold that information as part of a pinky swear. Batman: And what about me, young man? You can tell me, right? Batman couldn't resist talking with such a cute kid. The boy thinks only for a second before hurriedly trying to push his father out of the room. Danny: Dad, come out for a minute and don't eavesdrop. I'll tell you when you can come in. The big man laughingly obeys. Lil child checks the reliability of the closed door and runs up to Batman. Danny: And so, Mr. Batman, first promise not to laugh or hit Uncle Kal. Batman: I promise? Danny: Good. This is very important information. Batman: I'm listening.

Danny: He thinks you're terrifying and wants to kiss you. And since he is afraid that you will hit him for this, I recommended him to appease you with a pie cooked according to his mother's recipe. Well, you know, since you love sweets and his parents' farm has the most wonderful apples in all states. He rarely cooks himself, but he will try for you, so even if he doesn't succeed, pretend that you liked it, please. Batman:...

Batman: Would you like to work in intelligence for the Justice League when you grow up? Danny: Actually, I want to be an astronaut. Batman: Our base is located in space. Danny:

Danny: Hmm, then I'll think about your offer.

Batman: Great. It's a pleasure doing business with you, Mr. Fenton. You can count on a job recommendation from me. Do you want anything as compensation for your consultation? Danny: Actually, yes. Mr. Batman, tell me honestly, are you a bat on a frugivorous diet like Giant golden-crowned flying fox or you are a Vampire Bat? Sam says that such a big bat can only be a vegetarian and uncle Kal said your son was more than happy to steal strawberries from his garden with Superboy but..

~~~

Batman tries to behave naturally for a week. However, the sweet tooth inside him still makes him clamp Superman in the corner and question him. "Where the hell are the pies you promised to cook for me, Clark?"

[scribefindegil]

When you encounter a person who does not do something that you consider normative, you need to understand that they could be either stating a barrier or expressing a boundary. A barrier is "I would like to partake of the normative activity, but I can't due to other factors." A boundary is "I have made a decision not to participate in the normative activity."

Many people do not believe that boundaries actually exist! This is why it's so common to give a clear "No" on an issue and get inundated with people saying "But have you tried-" They can't conceptualize that anyone might actually want to avoid X thing, so they assume that you totally want to do X and you would love X so much if only they could figure out a way around whatever pesky obstacle is getting in your way. But humanity contains multitudes, and for any given experience you consider vital for happiness I promise there are people who are Just Not Interested.

If someone is stating a boundary, do NOT talk about how sad their life must be, and do NOT try to push them! Just accept that their life experience is very different from your own, and isn't that a beautiful thing?

Barriers are different. Barriers suck. With boundaries, the only problem is other people being dicks. With barriers, the problem is the barrier itself . . . and probably, additionally, people being dicks. There's really not a way to win in the people being dicks department when you don't do something that other people have decided is Necessary For Humaning.

If someone is talking about a barrier they face, still don't talk about how sad their life must be, although it's fine to commiserate with a friend if they're complaining. It's hard! Some barriers are pretty insurmountable; the person might not ever get to do X even though they want to. And a lot of people don't believe that this kind of barrier exists either; we're very much taught that you can do anything if you try hard enough, when that is simply not true. If someone tells you that they can't do something, listen to them and respect that.

The only reason for not doing X that people really acknowledge as real are the surmountable barriers. And these are real, but even in these cases you should always assume that the person knows themself best and not give advice unless they've specifically asked for it. But if they have asked, it's chill to try to brainstorm solutions with them.

As someone who has both things going on, it really sucks that people tend to assume that everything is a) a barrier issue and b) that they personally have the solution to it. Don't do this.

The only way you can tell if something is a boundary or a barrier is to listen to people and believe them.

Example:

If you offer someone a drink and they say, "No thanks . . . I haven't really found anything that I like yet," (barrier, potentially surmountable) it is probably cool to ask them if they're open to trying something new, and if they say yes ask about their tastes to try to find a drink they would enjoy! They might like it or they might not.

If you offer someone a drink and they say, "I can't, it interacts with my meds," (barrier, insurmountable) you can say, "Aw, that sucks!" and offer them something nonalcoholic.

If you offer someone a drink and they say, "I don't drink," (BOUNDARY) you should give them a mocktail and shut the fuck up.

[moolthecow]

i ain't gonna sugarcoat it.

[utilitycaster]

I follow someone who peaced out of C3 like a month ago, and while she still throws out the occasional post about it, despite mostly running on ✨vibes✨ since pre-Predathos fight. one of her latest takes caught my attention. The wording was a little messy, but the core argument seemed like it might have a point. She’s saying the biggest issue with the story is a lack of internal logic, which makes the characters feel kind of disconnected from their own world and setting. Her main example was the Schism, like, the general idea that the Titans were bad news for mortals should be widely accepted, and they’re dead so they’re not coming back even if the gods leave. She also argues that the idea that the gods would always choose each other over mortals isn’t really backed up by history. Basically, she thinks Bells Hells ignore some of the fundamental structures of modern religion in Exandria, which in turn makes a lot of their arguments about the gods fall apart.

So I guess I’m wondering does it seem like there’s a lack of internal logic to you? C3 is my first campaign, so I’ve been piecing together older lore as I go, and I can’t tell if this is a niche take or if there’s some bigger context I’m missing.

Yes. Or rather, I have a couple of different guesses as to what happened. In short: I think that either Matt wanted to set up a big dilemma and failed to do the worldbuilding to really support it textually; he didn't have a clear vision of what this would be at all (HUGE fucking mistake, like, actually concerning me re: the potential of a 4th campaign level of mistake and I hope it's not that); or, alternately, and honestly right now my guess is that this was the case, he straight up did not think the characters would be such selfish dickbags and thought going in that this would be a clear "we have to stop Predathos" and intended the familial connections within the Vanguard and the scene in Hearthdell to be added nuance to provide some understanding of the Vanguard not as simply mindless evil monsters but people who have genuine grievances that have been exploited by predatory cult leaders, and was not prepared for a campaign where the party immediately took the Vanguard's side.

Religion in Exandria has never been super formalized or organized. Some of this is, of course, that you don't have to like, convert or even attend services if you have a relationship with a god. But as a result, it means that any exploration of religion as hegemonic falls apart. I am not saying religion needs to fit the regular daily or weekly practices many people irl have (depending on one's levels of observance), and those characters whose powers canonically involve a deity often do observe either restrictions (Caduceus's vegetarianism) or have some form of meditative personal worship, but we never see like, a system of worship outside of Vasselheim, and Vasselheim lacks the powers that the real-world pope has (let alone the medieval era pope). Tuldus was forced by his family to pray, but it's never depicted as part of How All Worshipers of That God are expected to behave. This is really the crux of a lot of problems with this campaign - people keep taking very individualized issues - which are real, but individual - and treating them as a sign of widespread oppression that simply isn't backed up by the text. In fact, the biggest case of widespread religiously-involved oppression is the Empire going after worshipers of illegal Prime Deities (as we see with the Schuesters - the parents are arrested, leaving their young children to fend for themselves) - and the biggest case of widespread proselytizing and missionary work is from the canonically theocratic (and ruled by one person for over a millennium) Kryn Dynasty, which, hilariously, might end up even more powerful given that the Luxon - the source of their religion, their philosophy and cultural practices, and their arcane prowess - has been brought up as relevant to the gods-become-mortal plan by the Raven Queen and seems to not be under any threat from Predathos, and might even get more powerful. Vasselheim's colonial efforts, while certainly not defensible, are small potatoes.

The player character's grievances against the gods all boil down to "I prayed to the gods and they didn't make my life better" while failing to consider that a combination of genuinely wild specific personal circumstances (being Ruidusborn; being the child of an elemental-worship cult with terrible instincts and later running a heist on a Vanguard collaborator; being a shadow sorcerer who caught the eye of an evil Vecna-worshipping wizard in need of a host body) are the root cause. It's like. If your parents kick you out for being gay, that's homophobia, but if your parents are part of a cult that blows itself up and you are orphaned as a result that is not systemic oppression, that is a very specific cult and shitty parents. So that fails to really ground them in the setting. Compare to campaign 2, where Caleb wants to ensure the Volstrucker program is brought to light and eliminated - as he says, no more children on the pyre - vs. here, where arguably Laudna and Ashton are opening the door to far more unregulated cult/evil necromancy shenanigans now entirely unmitigated by the gods. At least Imogen will probably end the Ruidusborn I guess, as a side effect completely unrelated to her actual goals (which are, frankly, unclear) In a campaign that talks about tethers, the characters seem untethered to anything - institution, place, even for the most part family, and only loosely to each other, and it shows in their lack of care.

The other part is that yeah, a lot of things that were given to the Mighty Nein and Vox Machina as "things people would know" aren't given to Bells Hells. Now this could have a mechanical basis, namely, no one has much of a formal education and most of them are also not terribly intelligent on their own. However, it does feel baffling that they can't recognize holy symbols, or don't know the story of the titans at the time of the Schism (which...setting aside the many issues with the concept of "history is written by the victors" which is both inconsistently true in the first place and is frequently used in an anti-intellectual manner to undermine historical study that points out such things as historical racism; just because history might be inaccurate that does not mean that wild speculation otherwise is necessarily true, especially since we do know from EXU Calamity that titans did, indeed, intend to side with the Betrayers against mortals at the start of the Calamity). It furthers this feeling, after Vox Machina being relatively educated even in a story that was not as worldbuilding-focused, and the Mighty Nein having multiple research-oriented characters and a party deeply rooted in a rich world, that Bells Hells feel off and adrift and ignorant, especially since they don't even seem to remember history they lived through such as the Apex War.

Honestly, what I think is most interesting actually is that we don't ever get anyone express a motivation based on structural oppression in-game. Ludinus never got over his parents dying in a war where the options for the Prime Deities were leave mortals to die or fight the Betrayers, knowing there will be devastating casualties, but in setting up his elaborate plot he murdered countless people, destroyed through his communing with Predathos the first rebuilt elven society in Western Wildemount, and participated in actual structural oppression within the Dwendalian empire for literal centuries; he cared not for any widespread liberation and would remain on top, as an archmage, after this imagined revolution, which makes it not much of a revolution worth having. Liliana's problems were caused by Predathos, and many of the Vanguard we see are Ruidusborn. The only other Vanguard we really get to talk to are Bor'Dor, who was oppressed on the basis of his religion and preyed upon by the cult; Tuldus, who see above; and various Paragon's Call members who are mostly just following orders and getting paid. And Bells Hells, when they have the audience of Vasselheim and the rest of the world - a golden opportunity to call out the colonialism - fail to bring up Hearthdell.

In the end, the motivations are all personal pain - in many cases, inflicted, in fact, by Predathos and not the gods - or vengeance. I honestly don't know if the narrative is trying to claim there is something deeper, or if it's simply some of the characters and a chunk of the least knowledgeable fans, but yes, the worldbuilding fails to support a morally complex narrative. It fails to debunk that which was established earlier (and indeed makes the fall of Aeor far more sympathetic than when it was introduced during Campaign 2) and fails to establish any widespread harm the gods did that wasn't the result of someone threatening to kill them. I do not think one can meaningfully debate with someone who puts a boot on your throat, presses down, and claims you're the oppressor when you fight back, nor with someone who argues along those lines, and that's all that fans and Bells Hells have ever done. And yeah we might actually make a world with a formalized hegemonic religion as a result of Bells Hells' actions; it just will be a different god, underscoring that this is either motivated by people who don't know what the fuck is going on; or by vengeance rather than justice.

[sophie-frm-mars]

The Cass Review, and what we can do about it

The UK government is making decisive moves toward banning trans healthcare outright. The NHS says it is adjusting its policies to be in line with the "cass report", a pseudoscientific report written by a transphobe that goes as far as to claim that little boys playing with trucks and little girls playing with dolls is biological, and which disregards dozens of scientifically sound previous studies into HRT and trans healthcare in order to reach its conclusions that trans healthcare for under 25s should be radically changed to discourage transition at every turn and make it as hard as possible for young people to transition.

These moves will kill countless young trans people. I would not have made it to 25 if healthcare wasn't available and I know so many other trans people wouldn't have either.

The mainstream reporting in the UK is keeping itself ideologically cohesive by claiming that trans people exist, nobody hates them, and they're very rare, and the big problem is the explosion of new cases of not-really-trans people who are clogging up the system (this is a lie, the system has been intentionally slowed by malicious neglect, it isn't even a resource issue, the clinics have far more capacity than the number of patients who are let through)

Once again, this is genocidal and is actually a commonplace methodology of genocide. The nazis asked GRT people to help them understand which Traveller families were "real" travellers and which were the fake ones, since they insisted it was only the fake ones who were the problem and who had to be exterminated (because a lot of nazi GRT policy was based on American indigenous reservation policy).

Labour, the main opposiiton party in the UK, has announced it will "follow the Cass Report", and implement these restrictions on trans healthcare once in government.

For the survival of young trans people, robust community structures must be developed immediately.

Efforts to change the electoral situation will proceed at a snail's pace and will be entirely at the whims of what is politically expedient. It will turn around, but it will take a long time. At the voting level, everyone in the UK who cares about trans people needs to make it clear that they won't vote for Labour unless they reverse position on this, and to be clear about this: Labour will not listen. They are PR Brained Psychopaths and they don't want to get into this "controversial" issue in a way that might cost them further popularity and the easy election win.

Wes Streeting, inhuman lab experiment and Labour Shadow Health Secretary has said that activists need to "stop protesting to ask us to be better opposition and start protesting to ask us to be better government", in other words their electoral promises are cynical reactionary bargains and deals to get them into power and the only point at which they will change anything is once they are in government, if at all. I know this sounds very "push Biden left" but I'm not saying give up now - to repeat, everyone who cares about trans people in the UK should tell Labour to get fucked right away, and then keep doing it as loudly as possible, but it's just not going to change until after the general election at least.

Another way to help could be through legal routes, like the work that The Good Law Project has been doing for trans people for several years now, but I don't know enough about the law to know if it can be used to challenge this at all.

We have to accept there is no electoral solution right now to this genocidal campaign against trans people in the UK, and while those efforts are ongoing trans people and cis allies need to fucking organise. Trans exclusive / separatist organising is riddled with issues, I don't want to cast hopelessness around but there are really very few of us and while it's absolutely necessary to privilege trans voices in trans organising and give us the deciding power and the autonomy, we need to utilise the support and time and labour of every cis person who is willing to help in whatever way they can.

Robust community structures means community structures that are helping young trans people get healthcare as an absolute basic starting point, but it means a lot more than that besides. We need community structures that are consciously organised by people who are taking responsibility for the community roles they are in and being completely explicit with each other about the nature and function of their organising. We need HRT community resources so young trans people can survive this medical segregation, we need drug user harm reduction spaces so that what people turn to in despair doesn't kill them, we need sober spaces so that people can get away from unhealthy coping responses, we need conflict resolution structures so that our problems are dealt with privately and nobody is left completely isolated, but more than any of those things, and in order to have all of those things, we desperately need trans assemblies

Assemblies are how we will get a community of robust radical organisers, because only by repeatedly practicing the ongoing process of democracy can people learn how to do it in a way that will facilitate their own organising. We have to empower the whole community to answer our own questions, come up with solutions, organise people into structures to enact those solutions and then do them. All this means is that an open door event convenes frequently (at least fortnightly) to discuss what is happening in the community. Trans people get the mic for allotted time, and discuss the issues, and then whatever voting structure the assembly uses facilitates further discussion, for example through working groups - the assembly breaks into smaller groups to discuss the topic and then representatives report the outcomes of those discussions back and consensus is reached from what the representatives report.

We have to get people engaging in this process because in order to effectively combat this situation trans people must agree on the solutions and then tell cis allies how to help and so far we haven't been doing that. We really really haven't been. But we could be with a little work. And as I'm saying, doing this will also empower everyone in the community to organise toward specific solutions for specific issues like HRT provision, sober spaces, housing, food, etc.

fuck

I'll have more to add to this post later I have to get to therapy I just got really mad when I saw the news this morning

[howtofightwrite]

For a character that virtually can’t die and regenerates in order to keep living, how do you make action interesting? Emphasize they still feel pain, why they’re doing it?

I'm actually going to step back a bit from this question first, and complement it. This is a very honest question, and something most writers who include violence in their work, should really think about. Even if you don't think you have characters like this, you do.

Now, I'm going to dunk on Ben “Yahtzee” Croshaw for a moment. Ages ago (I think it was in one of his Resistance reviews), Yahtzee described, “threatening to blow up the world,” as the laziest form of raising the stakes. Because, “hey, I live on a world.” He's mostly correct. Threatening your protagonist's life is even lazier. In the vast majority of cases, your audience knows you won't go through with it. That you won't kill off your protagonists.

With that in mind, when you decide your protagonist is completely immortal, that changes less about how you write them than you might expect. The biggest difference is simply that they're directly aware of their plot armor, rather than them engaging in faux indecision based on their perceived mortality. Again, this is something that every writer who uses violence should think about, at least a bit. It is natural for a character to fear for their life, and have reservations about risking their life, but making the part where your character's lives are on the line isn't automatically suspenseful. In a lot of cases (consciously or not), your audience will call your bluff, when you threaten to kill off a major character.

If you think back to major character deaths where something drops them without warning, part of what makes those scenes work is the lack of (apparent) setup. The writer didn't spend pages teasing you with the idea, they just went for the throat and ended that character on the spot. This is more respectful of your audience, because you're not telling them, “well, I might kill this character, or I might not.”

To be clear, I'm not saying that there's no place for teasing your audience with a character's impending demise, just pointing out that in a lot of cases, this won't generate the kind of suspense you'd hope for.

So, to get back on topic, how do you make it interesting? Remember that while this character can't die, the same is not true for the characters around them. Depending on the tone you're going for, you could create an absolutely brutal crucible effect, where everyone around your immortal gets burned off, sooner or later. Whether that's literal, or figurative, is up to you. Even if your character can't die, watching people they care about suffer and die is going to have an effect on them.

You probably don't need to draw special attention to the physical pain they experience, but you do want to be aware of it. Especially in the context of how pain affects the victim's behavior. Beyond that, there is probably an element of pain being far more annoying to the immortal than it would be to a normal person. They know it's not telling them anything meaningful, but it is distracting.

Long-term, both of these can easily result in personality shifts. And, legitimately, this is a scenario where a character may be immortal, but they would still experience significant changes over time, and with the growing emotional pain, could have very adverse effects on your personality. This does have some very real, “live long enough to see yourself become the villain,” potential. How many friends can you lose before you stop caring? How many funerals can you attend before you start taking the phrase, “you're either part of the solution or part of the problem,” a little too far? How many times can you pick yourself up off the pavement a blood-covered alleyway, surrounded by corpses, before you start to forget what made you human in the first place?

And, that's not the only option. The simplest answer for maintaining tension when one of your characters is immortal is keeping your eye on what they're trying to accomplish. Keep track of their objectives, because I guarantee they can fail those. Even just keeping their own nature concealed from the mortal world is probably fairly important, because of the idea that men in hazmat suits will drag them away to some research lab and poke them until they figure out how to replicate their immortality, is a classic (and potentially plausible) threat. (Bonus points, if you're wanting to loop in something like the medieval inquisitions, or some other secret societies that could pose this kind of a threat.)

So, what do you do? To dig out an old cliché threat, “there are fates worse than death,” and it's probably worth exploring them. This also opens up new possibilities for threats. Finally, it's worth remembering that immortality does not guarantee success. If your character is hoping for that, it might be time to give them a very harsh lesson.

-Starke

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[asphodelles]

Hi, I found your work on Twitter last year and I really love and look up to your art. If you have the time, I wanted to as if there are there any study topics, artists or techniques that have significantly influenced you :')

I'm at a bit of a complete loss on what to study presently so I thought I'd ask my favorite artists, thank you for reading and I completely understand if this is too open ended a question

Thank you!

This isn't the first time I have been asked this question and I suspect this won't be the last so I'll just lay everything out here. Go to a cafe or get a blanket or something because this will not be a short read:

Foundational:

Anatomy: A lot of my foundational anatomy and clothing illustration knowledge was gained from taking classes and doing observational drawing. Because of this, I'm not going to have the best book recommendations but top 2 books I can recommend for getting Started started are Andrew Loomis or RockHe Kim's books on anatomy (huge asterisk here: they're good at teaching you Basics basics like muscle groups and turning forms and extremely general proportions but will not help that much with making your figure drawings less stiff or how to draw fat or especially in the latter's case how to draw women not built like stick bug anime girls but uh I heard the Morpho books are pretty good. genuinely everything I know about drawing fat is from observational drawing/studies because at some point I got sick of my school for only hiring skinny models in their 20s-30s). I have some diagrams drawn by my friend who studied the hell out of these guys below:

Clothing: I don't know any books that can really help on this front I apologize if I find any I'll update this post but pretty much all of my knowledge on drawing clothes boils down to the following rules: Where are the tension points, how stiff or soft is the textile, how is the form underneath the section of clothing behaving, and don't make even spaces between fold groups

All of this is kind of moot though if it isn't applied through study or observational drawing though

Design:

I have to be really careful here because I don't want to deal in absolutes, the only absolute I'm confident espousing is that anyone who tells you there is only a small selection of methods you should follow to execute a specific type of design are objectively incorrect and just haven't figured out alternative if not more effective design solutions to a common problem. The only real Worst Thing I think you could do as a designer is create a pinterest mannequin devoid of a story, disconnected from its context in the world, and lacking in a clear purpose/personality but this too could be easily be disputed if maximising a character’s aesthetic appeal serves a purpose in its context, and my opposition to this design approach is my personal bias as a character designer for entertainment where emphasizing a character’s function and their relationship to said function is usually the goal

I think the 5 best pieces of advice I've ever received when it comes to designing characters are the following:

Try and follow the rule of thirds/general gestalt design principles of contrast

Always consider what it is you're trying to communicate with the character

Create believable transitions and reinforcements between points of interest

(Entertainment related) KISS principle/Keep It Simple, Stupid is your friend, the way a character wears or wields what they wear or wield will communicate their role in the world (who are they?), their relationship to their role (do they like their job? are they good at it? are they a part of an organization with the means to provide them things to perform their role more effectively?) effectively enough. Excessive information that bloats and conflicts with the communication objective weakens design (example: My favourite childhood toy for years was a pokemon plushie. Would I as a stay at home digital artist be wearing it as a keychain on my crusty paint stained polyester pajama pants when I'm at my desk working my job? is wearing it relevant to my character as a person who both no longer is invested in pokemon and is in this context focused entirely on comfort and doing my job? (no)). I think Elden Ring is an excellent example of a game that has visually complex designs but pretty expedient storytelling with its characters for worldbuilding

Study things that aren't just character design, to borrow from Lynn Yaeger borrowing from Sally Singer "If you're interested in fashion learn everything except fashion... Politics, art, painting- anything except fashion". Because people in different disciplines who work with different mediums or fields of study approach problems in different angles you may not have considered which can help give new ideas + often times the stuff you like was inspired by stuff that isn't at all what you would expect or enjoy yourself (To pull from a very popular example, Arcane is a League of Legends joint which was highly influenced by Warcraft which was highly influenced by Warhammer which was basically a giant response to western pop culture of the 1960s and the history of European warfare something something coconut tree).

Character design is kind of a hard thing to Get Good at considering how much of the actual process is super psychological/not bound by a *ton* of absolutes and has to account for medium and function (you kind of just have to have The Sauce) so I don't recommend Just studying independently only (possible, just very difficult). If you can and are interested in learning more about the specifics take some classes taught by people whose styles you fw who both know what they're doing and are good at explaining their process. For design for entertainment you can always check out Concept Design Academy or The Workshop Academy and see who's teaching there

As far as artist inspirations are concerned I think looking up the artists who worked on projects you like are a good starting point to figure out how you want to stylize. Going off of that at least currently my favourite designers/illustrators for entertainment with The Sauce are probably Evening Monteiro, Sergey Kolesov, Mindy Lee, Tonci Zonjic, Sasha Tudvaseva, Claire Hummel, and Yoshitaka Amano

My favourite book currently for tackling character design at least from a narrative consideration is probably Talking Threads: Costume Design for Entertainment Art (one of the authors is my friend and an excellent teacher!) and a lot of the stuff they espouse really helps to take into consideration individual and external factors when designing a character/how they can be used as vehicles for both individual storytelling and worldbuilding, gigantic reference point for my most recent casual project

Besides that the only other way I can really recommend studying character design is to just look at art, history, architecture, nature (pretty much Everything) and think about how ideas and concepts from those things can be applied to or communicated through a design or figure out what it was about a design or designs you like made it appealing

uhh tldr this is just how i as one among millions of artists got to where i am today as of January 16th 2025 my word is not gospel the advice I espoused here may very well spell my downfall tomorrow

[shallowseeker]

And yeah, it sucks, and Dean was cruel and murderous and dehumanizing, but on the other hand, 14 days isn't very long.

And yet, at 14 days, things were already starting to repair and heal with Jack just a little bit, even before Cas came back.

(I've seen it said that this didn't occur till after Cas came back, but in 13x04, Jack's behavior and personality are what began to thaw Dean out and, per the script, "put chinks in his armor.”)

///

Interestingly, even back in 13x02, Dean’s body language doesn't match his words. Here it reads as "move behind me."

///

By the end of 13x04, Dean and Jack are tentatively starting to like each other. They're even a little bit alike in this scene:

*THEM: not looking directly at each other as they say HEY awkwardly*

Jack: Hey.

*Dean, doing the same thing*

This is also maybe the first time Dean calls Jack by his name? (I'd have to check, but I think so.)

*Dean’s eyes flitting around nervously*

Dean: “You did good today (pause) Jack”

Yeah, I think you can make a well-argued case for something-something “conditional love.”

But given the Kelly-Cas brainwashing and everything else that came before, I’d say it’s not unreasonable for Jack to like having established trust. To have earned trust.

Earning trust is important in all relationships, not necessarily always an evil “conditional” thing.

///

Then Dean goes and apologizes to Sam, saying that he was out of line during the therapy session and that he's sorry for being a dick lately.

It's sweet, but also, no one is being very empathetic to Dean and his losses. But I think by this point in Dean's life, Dean's not really expecting that either.

He’s only able to get that support from one person in his life right now: Jody Mills. (13x03) Which is part of why he felt comfy taking the case with her, I think.

Later in this scene, in a break with his past tendencies, Dean will actually try to rely on Sam:

///

DEAN: And he tapped his power and saved our asses, so that's a win.

Sam was right about one thing, though. It wasn't Jack’s powers that impressed Dean, or even being saved. It was the effort.

(Jack's personality was already thawing Dean, too.)

///

The rest of the scene is sweet. Dean tries to see Sam's perspective, and Sam tries to see Dean's.

It's a trading of strength and hope, which is how real families are, too. Our strength and resilience wax and wane, and we share our burdens, but we try to share our hope, too.

This is a rare occasion: Dean is trying to share a burden; he lets Sam know how bad it really is.

(Dundundun! Ellen Harvelle would be proud.)

Dean is accepting that Sam isn't going to get there on his own. So he spells out his despair for him. The Cas of it all.

And Sam seems to get that it’s a Cas thing. That's clear in his behavior in the next episode. And Sam wants to be there for Dean, I don't think that's a lie, but…

Sam ALWAYS wants Dean to tell him stuff like this, to talk out the big stuff. But one of Sam’s hopes is that talking things out will fix them.

(Classic Type-A kinda mentality.)

But THIS? Cas’s death isn't fixable, not quite as nebulous as the mom-in-Apocalypse-World-problem is. (In fact, I wouldn't put it past Sam to have been up all night researching, finding NO way to get Cas back. Alternatively, the constant casework could represent just utter denial.)

Anyhoo, Sam's grieving the losses too, but Dean is different. And unfortunately for Sam, John Winchester's grief was so horrendous and frightening that seeing Dean's, uh, particular kind of grief triggers Sam's panic response.

Just look at Sam’s face here.

SAM's BRAIN: brrrrrrrr RED ALERT brrrrr RED ALERT

*Meanwhile*

///

Next episode (13x05):

We find Sam in a state of near-panic. Just look at that face:

And actually, looking at Sam's D8> here…

..I think it's possible that he TOTALLY knew what the PB&J stuff was about, and his brain went into a meat grinder of:

OH NO FUCK NO NO NOT THIS--I RECOGNIZE THIS. THIS KIND OF GRIEF RUINED MY CHILDHOOD!!!!!111

{8[

Don't Grieve in Front of Me Dean (analysis)

Don't Grieve in Front of Me Dean Redux (s7 analysis)

///

So.

Sam finds a case about best friends. Makes you wonder what he was googling to find it...

And Sam’s distress surrounding the case is interesting, because he is behaving so DIFFERENTLY than he was in 13x02 and 13x03:

Dean: *cue surprise*

Dean is weirded out. Maybe he figured Sam would let him take a real break, or maybe it's just that the timing of Sam’s suggestion of leaving Jack behind feels weird now.

They’ve switched places.

Dean was eager to leave Jack in 13x03, and Sam was the one insisting on them staying with Jack to help him “learn to control his powers.”

Now, in about two weeks’ time, Sam’s like—“Jack has TV! We’ll put up extra warding! It’ll be fiiiine!”

Dean’s brain, probably: Hmmm. Sam is trying to cheer me up, but wow are these about-faces on what's bad parenting and what's good parenting kinda fucked up.

///

And at the end of the episode, Dean tries again to tell Sam just how bad it is (mirroring Mary's willingness to offer up “not being okay” in s12):

And Sam is pretty much at sea.

[uriekukistan]

JJK 261 ANALYSIS: What happened, how, why Yuuta made the choice he did, and a discussion of tragedy & major themes of JJK

MAJOR spoilers below the cut so please read at your risk.

i wanted to dissect what happened a bit, and address a few points i saw floating around since the leaks dropped. of course, these are all my interpretations, so feel free to disagree, i just had a lot of thoughts floating around that i wanted to put out for discussion.

I. Gojo was never coming back

first of all, i don't know how you guys expected him to survive bisection. i said this earlier in the day as my justification for why i didn't think gojo was coming back, prior to leaks, and i don't think i can say it any better now.

and this is just my interpretation of reverse curse technique, but if anything, yuuta in this chapter supports my theory. in the scene where he's on shoko's table and arata nitta says that he's used rct to keep the wounds from getting worse, but it might be too late for yuuta to recover. in that case, gojo wasn't coming back from being sliced in half. it's just not possible.

additionally, and this is another thing that i've said for a long time. he says right in episode 6 (i forgot the chapter) that his dream is to reset the jujutsu world raise up a generation of strong students that work together. that is why he became a teacher. this very clearly comes from his relationship with suguru, and it's one of gojo's clearest motivations from the beginning.

the problem is, in order to achieve this, he has to die. so long as satoru gojo is alive, he will have to carry the burden of being the strongest alone. his students won't have to work together, because gojo will just take care of everything. this is already in the works, with how many people have come together to stand against sukuna. if gojo lived and defeated sukuna on his own, this wouldn't have happened, and bringing him back would, again, reduce the need for his students work together.

unfortunately, gojo has been doomed by the narrative from the start, and his primary goal as a character basically requires his death to be realized in its entirety.

II. They're not heroes, they're jujutsu sorcerers.

yeah, i'm stealing megumi's line because it's true. he literally said it twice for a reason, and then yuuta said a repackaged version of it in this chapter ("we're about to fight history's strongest jujutsu sorcerer. if we can win by throwing away our humanity, we shouldn't even be arguing about this").

trust, all the characters are well aware of the ethical issues with taking gojo's body after he's dead, both with what it means for gojo, and with what it means for yuuta. but this isn't a story about heroism, this isn't a story about the power of friendship. if it was, yuuji would have saved junpei all the way back at the beginning of the series. it was pretty clear from the start that this wasn't going to be the typical shounen manga like that.

in fact, expecting it to be is unrealistic. it's unrealistic in real life too, if i'm being so honest. everyone wants to think they'd take the moral high road in this type of situation, but the reality is, when you're fighting tooth and nail against an opponent that is fighting dirty, you have to fight dirty too if you want to win, and i think that's what yuuta is trying to point out in this chapter.

this happens in real life wars which im not gonna get into examples because i dont want to start that kind of discourse, but like...it's so great to be idealistic and hope that virtue will triumph simply because it is virtuous, but i think if you take a look around, you'll realize it's true that good people do not get what they deserve simply because they're good (that's so megumi of me to say...). or if you think of it like a board game, if a player is cheating, it is infinitely harder to win without cheating yourself.

maybe this is a bit pessimistic of me to say, but you will not win a dirty fight without getting dirty yourself, and i think it's pretty clear that sukuna fights dirty.

additionally, it's shitty to see gojo be weaponized, and i understand that, but it plays into the themes about strength in jjk, which i will get into.

III. This was not an "ass pull."

i don't really have much to say to this. did you think yuuta wouldn't take kenjaku's technique? plus, kenjaku being eaten by rika is probably the only surefire way to ensure that they're dead and won't just hop to another body. i've already said why gojo wouldn't come back, but it makes sense that if yuuta were to copy kenjaku's technique, who else would he body hop into, if not gojo? there's already narrative evidence to support this action, from the guidelines of yuuta's technique, kenjaku's technique, and gojo's technique, to the character of yuuta okkotsu, which i want to do an analysis in a separate post for him, so i won't get into that right now.

idk...to me, all the threads connect, plus i felt like yuuta's return was foreshadowed pretty heavily in 259 & 260, with the mention of yuuta's plan that yuuji couldn't know, and then on the last page of 260, the comparison of sukuna and yuuta, so for me, i always thought that it was not actually gojo, but yuuta at the end of 260.

IV. Themes of JJK: The burden of being "the strongest," or even just strong

even many jjk fans see gojo as "the strongest," and nothing more, doing exactly what the narrative sets up as one of the chief problems of jjk. a lot of gojo's actions are spurred on by the burden he feels from being the strongest modern sorcerer. his entire character is built around this problem of the responsibility and burden that falls on someone who's considered to be "the best" at anything.

in fact, this is also a driving point for geto too, and the conflicts geto and gojo come into with each other, as well as geto's inevitable fall from grace. it all comes from this issue that's at the core of jujutsu society. gojo recognizes that, and, as i mentioned, that is why he became a teacher. so that no young sorcerers will feel the burden of being the strongest alone.

the problem is this is easier said than done. after gojo dies, this burden gets passed down to yuuta, and he feels that immense pressure, which is why he decides to do what he does. he says "haven’t we been pushing the burden of being a monster onto gojo-sensei alone? if gojo-sensei is gone, then who else will be the monster? If no one intends to become one, then I will!" and i think this really powerful evidence of the pressure and burden of being the strongest, and i think the word monster is really important here. the burden pushes people to be something they're not, a shadow of their true self.

it distorts morality, like with geto. it isolates people, like with gojo. it forces people to go to unspeakable lengths to uphold their burden, like with yuuta. it leads people with immense power to doubt themselves, like with megumi. it leads people to feel like a cog in the machine, not a human, like with yuuji.

this is sooo so important and a key theme of jjk, and this chapter in particular, and the driving force behind yuuta's actions.

V. Themes in JJK: Loneliness and Isolation

this one has, in my opinion, a bigger role in the story overall than just in this chapter.

as i mentioned before, gojo is lonely. the only person who could understand him was geto, and he turned away from him, and then died. he seems like a silly guy or whatever, but it's just a mask.

but geto also felt alone and isolated, and that's why he turned away. between gojo and geto, neither of them were able to put share the burden of carrying their strength alone, and it's what kept them apart and made their relationship so tragic.

arguably, and though he would never admit it, sukuna is also lonely, though it's buried deep within him and something he will likely never acknowledge, despite it, and his lack of understanding of love (arguably a symptom of his loneliness), are major reasons for the way he acts.

yuuta, though supported by maki, inumaki, and panda in a way that the previously mentioned characters are not, is still isolated. he alone carries the burden of his strength. he was also alone his whole life after rika died, and then again when he was shipped off to africa, away from his friends (yeah he had miguel, maybe i'm missing something, but i dont see them having that type of relationship.

not only that, but yuuta recognizes gojo's loneliness, and reaches out to tell him not to try to stand by himself once again, and gojo admits that's something he can't do, the reason being his relationship with geto.

even further, yuuji and megumi, the parallel to satosugu, are both deeply lonely, except for when they have each other. i mentioned in this analysis that the reason megumi can't just get up and keep going is because he's alone and has been for over a month. i want to get into this more in my next point.

VI. Where I think (hope) this leads for JJK

a satisfying ending for jjk, in my opinion, would be the resolution to this loneliness and burden of strength issue that has been present throughout the narrative. something like yuuji being able to save megumi and them being able to correct what went wrong with satosugu in their own relationship.

personally would like to see satosugu reach the ending they should have had through the itafushi parallels - let them save each other! but i do know gege said only one of them (the trio + gojo) will die, or only one will live....that was years ago maybe he changed his mind :D

we all want to see yuuji take down sukuna himself, but i think it would be a great resolution to see everyone take down sukuna as a team. no one person is alone, no one person has the burden of the strongest. i know i said this wasn't a "power of friendship" manga, and i stand by that, but i think this would be the perfect ending. yuuta throws his humanity away to do what he did in 261 because he felt like it was the only choice and it was something he alone could do, but yuuji represents unwavering humanity (literally his name), and i think to preserve that, they all need to share that burden. let them realize they need each other.

this is what gojo died for, and this is what he lived for. this is why he became a teacher in the first place- to raise a generation that can be strong together, that can support one another.

VII. "It's poorly written torture porn!" "There's no point if there's no happy ending!" etc

i said this in a separate post but tragedies have existed in literature since the 6th century BCE, 2600 years ago. many of the most popular stories throughout history have been tragedies, for example, orpheus & eurydice, romeo & juliet, even things like the fault in our stars and the titanic movie. here's a quick explanation of what it means for a story to be a tragedy (yeah it's from wikipedia but they want me to pay to access the original source and im not doing that for a jjk analysis)

one of things i like most about this definition is the use of the word "catharsis," which is to say that the expression of strong emotions is a way of bringing about renewal and relief. in literature, it's used to say that with the arousal and following release of negative emotions relieves suppressed emotions for the viewer. im not gonna get too personal with it, but i know i've experienced this with jjk.

additionally all of the aforementioned tragedies, they have a message, no matter how sad they are. orpheus & eurydice inspires perseverance and faith in the gods. even something like titanic has messages about everlasting love that overcomes all boundaries. jjk has its message too, and it's long underway. we just have to wait for it to reach its conclusion.

it's easy to lose sight of the bigger picture when we only get one chapter a week, and the fact that the pain is so dragged out is a bit tiring, i'll admit. but that doesn't mean it's bad. having negative emotions stirred by a story doesn't mean bad writing. i mean, i would hope you feel sad. i would hope you feel angry. i would be concerned if you didn't. but given that jjk is a tragedy, that just indicates good writing. especially these last two chapters, i've felt moved in a way nothing else has done for me in a long time.

as always, these are just my thoughts!!! im happy to hear from anyone what they think :D

[simphornies]

Could I have it's fine if not

A vox x reader where shes his secretary?

A/N: Your wish is my command, <3 This was fun to write. I definitely headcanon Vox as someone that would fluster easily because he's just constantly around the Vees so being around somebody else that he isn't trying to hypnotize or boss around is new territory for him. Enjoy a flustered Vox. Definitely let me know if you'd like a part 2. I love subjecting him to this in my stories.

Word count: 2.9k words (2,948)

Breathtaking [ Vox x Secretary!Reader ]

The moment Vox saw you standing in front of him in his office, he immediately took notice of your curves. The way your uniform hugged every inch of you nicely. He didn't want to admit that you are Velvette's top model. Not that random bitch Valentino tore up in his fit of rage.

Your intelligence. Your charisma. Your hunger for power. He watched you ever since you demanded to work in his company. He took note of every quirk you have, replaying everything you've done throughout the day just in case he missed something.

When he saw that you were getting approached by Valentino, something boiled inside of him. He didn't want him to have your soul and body. Hell. Your body. He wanted you all to himself. No contracts. No deals. But there's one problem. He has no idea how to approach you. Like at all.

"C'mon darling~" Valentino plays with your hair, "I promise I can make you a star. Imagine it, you and Angel Dust. Side by side. You'll make so much money you won't even know what to do with it!" He breathes out his red smoke, surrounding you both. You could only see his eyes glowing behind it. "Don't run away, babe. Make a deal with me." He grins as his voice echoes around you.

You were about to try and fight for your life against an overlord until the smoke clears out with a zap. You feel the electricity crackling in the air. An arm wraps around your waist, pulling you into them. It was Vox.

"Valentino!" He smiles, "I see you've met my new personal assistant." Val scoffs, a little upset that he got first pick. You weren't entirely aware that you got boosted up to being an assistant but hey. You'd rather that than be a pornstar.

"You never told me this little princesa's your assistant. When did that start?" He whined.

"It started now. I told you I've been watching one of our..." He chuckles, trying to find the right words as to not expose him basically watching you, "...newest recruits."

Valentino almost chokes on his smoke, offended at the lie he just spat out. "Well I need that gorgeous body on set." He lifts up your chin with a finger, taunting you.

Vox moves you behind him before putting his arm around Val, his voice distorting a bit, "Val Val Val..." He chuckled, "You can have any other woman we can reach." They start walking a little bit out of ear shot for you. "I want this one. Got it?" He flashed his hyponitizing eye into his unaffected fellow overlord.

Valentino rolled his eyes and raises his hands up in defeat, "Fine. Fine. Take her." He scoffs, "But as soon as she's gone from your hands. She'll be mine." He chuckled.

"Fucking asshole." You hissed under your breath, secretly hoping he didn't hear it because you're kinda scared of him.

"Well, well. Nice to finally meet you." Vox pivots on his heel to face you, "I'm sure you've heard of me, HA! Who hasn't? The name's Vox." He extends his hand out to you, "And you, my dear, are?"

You take his hand to shake it, "I'm Y/N. I've been watching your work ever since I fell into hell and I've been doing my absolute best to finally get a chance to speak with you! I have so much to say and every time I try to get a meeting set up and-" You rambled before getting cut off by Vox pulling you closer to him as he grinned in delight. "My my. You have a lot to say there, doll. Why don't we go into my office so we can have a real meeting."

You get a bit flustered with your blabbering. "Ah. Yes. Apologies. I was just-" You take a deep breath, "Thank you. For saving me back there."

Vox chuckles a bit and teleports the two of you into his office, leaning into his folded hands. You felt the static all over your skin, your hair floating a bit in certain parts. He walks around his desk and plops down on his chair. You fix yourself up and sit across from him.

"So, Y/N, what were you saying earlier?"

"I want to be yours." You blurt out. Vox blinks, his smile faltered a bit.

"Excuse me?"

"I MEAN-" You clear your throat, "I want to be your assistant. I want to work for you. Under you. I am not afraid to get my hands dirty if it means you rise up in strength as the overlord of this city." If there was anything you can do right, it's killing. And blurting out the wrong things.

Vox chuckled in amusement, "Alright dollface, let's see what you can do." He grins, holding his hand out for you to shake. You shake it with eager delight. ------------------ It's been almost a year since you've begun your work as Vox's personal assistant and it's safe to say that his admiration for you grew over time. You were now next to him at all times. Even though you were his assistant, he was at you beck and call. You honestly didn't expect this behavior out of the powerful demon, but you weren't entirely opposed to it.

"Y/N. Pull up the statistics for the lowest earners this month." Vox states, stress oozing out of his words.

"Yes sir." You nod, directly transporting what he had asked for into the screen in front of him.

"I told you to call me Vox." He groans before cracking his neck, flicking through the screen to note down the employees that haven't met anywhere near the required quota. You take note his stiffness, specifically in his left shoulder. 'He must be working overnight again.' You thought to yourself.

You walk up behind him, gently massaging his shoulders. He flinches slightly from the sudden physical contact. "Wh-what are you doing?" He glitched a bit, hoping you didn't catch that.

"You stayed up overnight again, didn't you?" You sigh, "Sir, you need to take better care of yourself. You may be a powerful overlord but your wits will lose its touch if you don't get the proper rest you need." You work your fingers to massage the knot out of his shoulders as he slowly melted into you touch.

He groans a bit in pleasure, "I-" He started to protest but cut him off before deciding not too. "Whatever. Work your magic. You're good at that with me." He leans further back into his seat as he shuts his eyes, giving into your massage, "And call me Vox!"

You smile, looking down at him, "If you insist," You lean down, whispering into the side of his head, presumably where his ears would be, "Vox."

He was lost in your massage before the sound of his name slips out of your lips, causing his eyes to dart open. "You said my na-" He froze as soon as he turned to face you. Your face was so close to his screen. His face lit up as he slowly starting to buffer.

You grinned at his flustered state, "Sorry. Too close?" You pull yourself back and finally got that knot out of his shoulder. "How come you only have that stubborn knot on your left side?" You thought it strange that it was only on the left. You moved your hands off of the frozen overlord in front of you before shifting over to where he was facing, lightly tapping on his screen.

The taps got him out of his buffered state. He was flustered with you catching him so off guard like that. "No." He coughed, "Just caught me off guard is all." He brings back his signature grin as he looked up at you. "Now what was that question again? Something about a side?"

You roll your eyes, "Your shoulder. The knot I got out was only on the left side. What in the seven rings could you be doing with just that side of you? You arm wrestle Velvette or something?" You state, "You know, I did try that once. She beat me with such ease I never dared to try it again. Valentino just kept trying to lick my arm."

You continued to ramble as he sat and realized why. You haven't left his mind, or his screens, for the last couple of months. He couldn't tell you he's been busy jacking it off to the thought of you sharing his bed with him every night. He couldn't tell you that he wished you were there every time he woke up.

"Ahhh. Yeah! Yeah. Such a bitch to beat." He laughs nervously before quickly getting up, "Well enough of that. Thank you, doll, for the massage. Now, it's almost been a year since you've been by my side and I believe I owe you a treat." He smiled brightly, taking your hand in his, "How about we both the rest of the day off? Let me treat you to a nice restaurant as a...thanks. For your hard work."

Your fingers tapped against the back of his hand, "So...like a date?"

And he glitches again, "No! I mean-pff-what. Nahhhh. That's not-" He stutters, "No! No. I would never-"

His instant denial made your head, and heart, drop a bit in disappointment. You've grown to like him, more than just a close friend and ally. It seems that he took notice of your disappointment as he stopped his ranting to lift your chin up with his free hand.

"Look, just. Get ready. Look pretty! Get Velvette to help you with an outfit if need be. Tell her I sent you. And meet me outside in an hour." He reassures you, "I have quite the surprise for you, Y/N. You know I never disappoint."

"Okay, Vox." You manage a smile, holding his hand tighter. "I'll see you in an hour." You walk towards the door and head straight to Velvette.

Vox puts on his best suit and bowtie. Not allowing a single piece of garment out of place. He waited by the entrance of his building a little bit earlier than the discussed time, eagerly waiting your arrival. Before he knew it he was swamped with reporters, bombarding him with questions regarding the change in the extermination date. He easily answers the questions with his idea of "VoxTek Angelic Security" or so he calls it. He totally just pulled that one out of his ass. He hypnotized the crowd to keep them at bay. As soon as he did, you exit the nearest elevator.

He turned at the sound of heels clacking behind him. You wore a beautiful black dress with red accents that wrapped around your body nicely, hugging your every curve. The drop of your dress went a little bit too low for your liking, straight down from your chest to under your bust, but Velvette insisted that the fashion tape she put on it will prevent any accidental spillage. A slit that revealed the red and blue garter you wore on your thigh that resembled cables. Your hair was curled, half up and half down, falling nicely on your shoulders. On your ears were jewelry that matched the antennas on his signature hat.

The sight of you took all the air out of him, you were stunning in his eyes. "My..." He mumbled to himself as he walks towards you. "You look..."

"Silly, right? I told Velvette she didn't have to go all out. That I was just going out for a meeting with you to celebrate our first year working together." You sigh, looking up at him with a worried look, "If you don't like it, I can quickly change."

Vox couldn't help but snake his hand around your waist, "You look stunning." He grinned, "I can't wait to walk into the finest restaurant in Pentagram City with you by my side." He led you out into the limo waiting, "You're going to break necks with how fast they're going to turn at the sight of you, Y/N."

You blush a bit at his flattery, the makeup you wore barely hiding it. He held the door open for you. You thanked him as you sat inside.

The whole ride there was a test of self-control for Vox. He wanted to hold you in his arms. His heart was pounding loudly in his chest, so much so that he swears you could hear it at this point.

You peek out the windows next to Vox. You thought the lights were beautiful, nothing like what they have on Earth. You were captivated by the lights and he took quick notice of you shifting. You scoot closer to him, trying to get a closer look out the window on his side. "The lights are wonderful here, Vox." You smile, taking in the sights.

You place a hand on his thigh, causing him to blush intensely, leaning over him. "If I were to ask you of anything, I'd love to have neon lights in my room." You look up at him, "If you permit it."

He gave himself a mental pat on the back with how quickly he composed himself. Vox places a hand around your waist, "I will give you anything in my power at your asking." He hypes himself up to finally ask you out to be more than just his secretary. More than just his friend. "If you permit, will you consider this as my first attempt in courting you, dear?"

Your face quickly turned red at the sudden turn on events. You lean back, taking your hand off of his thigh. You attempted to back up but his firm grip on your waist stops you, if anything, he pulls you close to his chest. You blinked at him in disbelief, "I-Of course. I shall. I'm honored at to have your attention."

"Love, you've caught my attention since you arrived in hell." He confessed. Before he could continue, the ride slows to a stop as you both arrive at your destination. "Now, shall we?"

You step out of the limo, hand in Vox's as he assists you, careful to not allow you to trip. "I've gotten us our own private dining room here. Somewhere we can speak freely without anybody listening in on our conversation." He leads you into the restaurant, his words earlier still replaying in your head. 'Is this really a date? A date with Vox?' You thought to yourself.

He pulls out the chair for you before seating himself. He sits across from you, propping up his head on the table with his hand. He chugs the bottle of rum on your table to ease his nerves. A couple gulps in, he was ready to talk. "May I confess something to you, Y/N?" He smiles.

"Yes. Of course. Anything, Vox."

"You drive me crazy." He starts, "You're double drop dead gorgeous. If anything is an honor, it's to have you here in hell as my date. These last few months have been my equivalent of heaven."

You fluster at his words, turning red at the compliments. "Y/N, if I may be so bold. I have fallen for you. You're in my mind, always. Your gaze recharges me as much as it short circuits my system."

He gets up to move his chair right next to you, "My dear, I know I just said for you to consider this as me courting you." He holds your hand in his, "But if I'm going to be honest, I don't think I'd be able to handle keeping my hands off of you for tonight. You're absolutely breathtaking."

In response, you finish off what was left in the bottle he drank out off to ease your nerves. The alcohol flushed your face more than it already was from his confession. "Vox. May I be so bold as to speak my truth in return?"

He gulps down his nerves, a bit on edge. "Yes. You know you're always allowed to speak your mind around me."

"Pardon me, then."

"Pardon you for wh-"

You throw yourself on him, kissing him with passion. His hands instinctively wrap around your waist, closing the gap in between your bodies. You shift to sit on his lap, lacking the shame a normal person, probably not in hell, would have in a high rated restaurant. You wrapped your arms around his neck, leaning into him. You feel his tongue enter your mouth, taking control of yours. He relished your taste. What felt like hours in each others' hold, you finally pull away for air. You gasp and pant, looking into his eyes.

"I've worked as hard as I did, climbed the ranks and dirtied my hands to catch your attention the moment I learned of you. I absolutely adore your mind. Working with you solidified that." You smile sweetly at him, enjoying the shock in his eyes. "I'd love for you to keep your hands on me all night." You winked, "Take that how you will."

You hop off of him, returning to your seat. You sigh contently, holding his hand in yours.

"3..." You count down. Sparks fly from the back of his head.

"2..." You turn to him, his screen was flashing all types of errors now.

"And 1."

His excitement, shock and happiness absolutely drained the city of its power. You giggle and rest your head on his shoulder, waiting for him and the city to properly boot back up. If he unfortunately forgets, you'll just repeat it again for him to remember.

[trainsinanime]

Is there a specific scientific term for what I'll call "harm construction", meaning "thinking of ways that something harms someone in order to condemn it"? There must be, right? I see it all the time and it's not new. Let me give some examples in random order.

One of the first cases where I really remember it was at least a decade ago, an online article by a British newspaper, about how an online store had put a pole dancing pole in their toys section. A bit of an embarrassing mistake but nothing more.

However, that article provided several quotes from a British couple who said they were very worried, because their kid could have seen that. It seems pretty clear that their kid did not, in fact, actually see it, but the newspaper treated their concern as if it was a genuine thing to worry about. It was utterly ridiculous.

A more recent example is a call-out ask I received a few months ago and, of course, immediately deleted, but it's still been living rent-free in my head since then, because it was so horribly bad. I'll not repeat the exact wording, but they were annoyed that their victim blog (which I don't follow and haven't for years, if ever, and they don't follow me) was annoying and sometimes said mean things. They very ineptly tried to explain that this might have been part of the reasons why someone else, completely unrelated, sent out hate messages to yet another person. That was the harm that was so big that it supposedly justified a targeted harassment campaign. (If you're the person who wrote that call-out ask, please rethink your life. You were only increasing the hate in the world, not making anything better. I suspect the sender wasn't anyone who actually follows me, but just in case).

The biggest and most prominent example of harm construction right now is of course all about trans people, bathrooms and school sports. Conservatives and TERFs alike need a reason to oppose the existence of trans people beyond "I personally find them weird", because saying that out loud gets them correctly branded as bigots. How do you turn "let's be really mean to a marginalised group" into a progressive cause? By saying that the existence of this group causes harm. The problem with that is that trans people existing does not actually cause any harm, it's literally fine.

So in an effort to construct harm after all, they have searched far and wide for something that trans people could even theoretically damage, and the only things they managed to come up with are "there might be someone with unexpected genitals behind that bathroom stall door" and "the sanctity of gender-segregated sports". If it weren't for their cultural and political power then it would almost be funny how little potential harm they managed to find and how much they have to amplify it. They're just another couple in the newspaper worried that their kid might potentially see a website.

If you look for it, harm construction is everywhere, because we all sort of agree on a surface level that dividing people into "normal, acceptable" and "weird, must be punished" isn't nice, but the instinct to punish people for being "weird" is still alive and well and many people refuse to question it.

At a completely different end, anytime someone uses the word "normalisation" about a fanfic on Ao3, that's another example. We all know making blorbos do weird things doesn't actually hurt anybody (assuming proper tagging and so on), but we still want to punish people who do it wrong. So we construct harm, by arguing that seeing something on Ao3 might "normalise" the thing and make it more likely that someone will do it in real life.

These examples are very different, at very different ends of almost all scales of power and cultural influence and meaning, but the core idea is always the same. So, yeah. There must be a better term for this.

[tommycorriander]

Hazbin Hotel, Helluva Boss, And Disability

I am disabled. This is something I've talked about a handful of times on this blog and on my Twitter, and anyone who knows me knows I am a disabled man. As a result, while I do enjoy dissecting media and politics, the need to be an advocate for disability issues would have fallen on me to some extent regardless. Disabled folks are often left out of conversations regarding diversity in media, in a continued oversight from able bodied peers.

What does this have to do with the Hellaverse?

Both shows contain at least some small amount of disability representation; specifically, they both have characters that are physically disabled. In Hazbin Hotel this is Vaggie, as she is missing an eye and prior to the finale had lost her wings. In Helluva Boss, the characters would be Fizzarolli, a quad amputee, and the unnamed deaf child in the special. The only character I ever see talked about in regards to their disability by the wider fanbase is the unnamed child, and on a smaller scale in critical spaces I occasionally see remarks on Fizzarolli's disability.

This is a problem.

For as much as fans of one or both shows would love to claim diversity in their shows, the lack of disability representation and the lackluster portrayal of the minimal representation is poor. And I haven't seen any of my fellow critics discuss this, which I feel is an oversight, though I don't fault them for this as there are many problems with both shows and they tend to have their hands full. However, this angle of viewing the shows has been overlooked, which is why I wish to discuss it today.

Firstly, I'd like to specify what I mean when I discuss disability. While the conversation regarding the Hellaverse is primarily centered around physical disability as this is the only form of disability portrayed in the shows, coded or otherwise, disability comes in many different forms. Intellectual disabilities and mental disabilities are just as important for representation in the media as physical disabilities. Among physical disabilities, there's also a difference in visible and invisible disabilities, the latter of which is hardly ever shown in media compared to the former. Ideally all forms of disability would be portrayed equally and with respect, but unfortunately this isn't the case. I also don't expect every show to tackle every demographic at once; this isn't a reasonable request, and to be very clear, my issue with the representation in HH/HB does not come from every single unique experience with disability not being covered, but rather with the narrative the creatives behind the show and the show's fans continue to push: that both shows are diverse and are, in some way, more progressive than other shows.

This isn't the case for many reasons. Fellow critics have gone into depth about the show's lack of representation of women in nuanced roles, the lack of queer women, the racist ways in which the very few characters of colour are presented, the lack of trans representation, and even the way sex and sexuality is presented being rather conservative at times. That isn't the focus of this essay, but I would implore anyone who is reading this who is somehow unaware of the previous issues to seek out essays that talk about those points; Cassidy Whiskey on YouTube has a three-part series that covers a multitude of topics, not just issues of representation, and I would have recommended helluvareceipts on Twitter, but her account has sadly been deactivated. I'm sure there are others, but I'll lose focus if I try to name every single person to go to. If you're willing to trawl through general pettiness in the critical tag (which, let's be real, that is probably how you found this post) you'll find well-worded critiques as well.

Back to the topic at hand. The lack of representation of people with disabilities is already frustrating, but there isn't a complete drought: Vaggie, Fizzarolli, and the unnamed imp child do exist, after all. However, their representation is not just flawed, but even exploitative in some ways.

First we have Vaggie. Aside from the visual of her missing eye and seeing the incident in which she lost that eye, nothing comes of it. She never has to contend with the difficulties that come with impaired sight, and it's never brought up by other characters. In the training scene between her and Carmilla, it's not a factor: instead, her greater flaw in the physical realm when it comes to combat is having longer hair. This is an extreme oversight, which I believe shows that Vivienne and the various writers for the show never actually take into consideration what should be a major element of a character, that being her impaired vision. Furthermore, the loss of her wings isn't even considered at all, with her somehow gaining them back at the end of her training montage with Carmilla. This could have been an excellent vector to discuss physical disability in a coded form, with her wings being a stand in for more traditional forms of limb loss. Still not ideal, as I believe it's better to have forthright depictions of disability over metaphors, but it would have been something. Instead, it's never a factor, and worse, it's effectively cured. As far as representation goes, Vaggie might as well not even count.

That's all that exists for Hazbin Hotel. In Helluva Boss, we have two characters, and I will save the unnamed child for last, because that is where the real issue with the representation is on full display.

So, Fizzarolli. He is a quad amputee and potentially hearing impaired, though the latter is speculated on due to a single scene which I discuss later. Since that scene is the only time it ever comes up, I will focus on his amputee status. He lost his limbs in a fire, something we see on screen. I will disagree with some of my fellow critics in that this scene should have been more detailed; I feel that had the scene shown more of the damage dealt to Fizz's body it would have come across in poor taste, and focusing on the tragic aspect of disability usually ends up feeling like trauma porn in the hands of poor writers, which Vivienne most certainly is. I do not trust her to handle a more detailed scene with grace, especially given her track record (more on that later). It is ultimately for the best that the scene is mostly brushed over, even if it would have been better in the hands of someone with the maturity and sensitivity to cover such a topic for more to be shown in regards to his injuries.

Otherwise, Fizzarolli is mostly fine. He's shown not just surviving but thriving, he has a loving partner (criticisms of the portrayal of said relationship not withstanding) and generally sees success in his life while still having to grapple with the realities of his disability when it comes to his prosthetics being prone to damage and potentially shutting down. I would, in the hands of anyone else, like to see more of this character and what his daily routine looks like as a disabled man.

Unfortunately all the good will built with Fizz comes crashing down when we get to the unnamed imp child in the Fizzarolli special episode. This child is the poster child for virtue signalling. Frankly, it's disgusting how a majority of the fandom seemed to ignore how fetishistic this portrayal was. This is where the real meat of the essay comes in to play.

This unnamed child is given a single scene, and is then promptly forgotten about and never mentioned again. They are introduced as being a fan of Fizz here to view the competition, there is a brief exchange between the two, and then we all move on. And yet this scene was championed as somehow revolutionary or a sign of the top-tier diversity and progressiveness in Helluva, when in reality this type of scene has been done to death. This is tokenism.

One major stumbling block many of the people championing this scene seem to get tripped up on is a very simple question: why was this child a child to begin with? Really, this seems like a simple question, it shouldn't have much thought. Sometimes characters are kids. But within the episode it's clearly shown through multiple different avenues that this is an adult show. The performances are dripping with sexuality, several of the fans of Fizzarolli are there because Mammon sells sex robots of the guy, there is no mistaking that this is something no child should be at, let alone by themselves.

So why was this child a child? Simple: brownie points.

It's a lot more difficult for people to share clips of a wholesome moment from your show if the person Fizz was interacting with was an adult. People are ableist, this is pretty par for the course; as a disabled person I find it generally safer to assume people are ableist before proven otherwise. I can guarantee if this scene were to be between Fizzarolli and a deaf adult fan as opposed to a young child, it would not have been championed as this amazing representation by mostly able bodied fans. And that is by design: if Vivienne genuinely cared about representation, if she truly wanted to show something meaningful to her adult fans in her adult show, she would have had the interaction be with an adult. But that doesn't get her clip shared around on social media. That doesn't get her brownie points for inclusion. It's safe, it's palatable, it's sickeningly wholesome, and it's insulting for that. This is a show for adults, something Vivienne and company is adamant on, and yet they treat their audience like children. As a fan, you should be insulted to have this key-jingling one minute clip presented to you. You should demand more, demand better.

Unfortunately I do not see ever getting better from Vivienne. She has made it very clear she truly does not care about creating art, she really only stumbled into being championed as a paragon for animation because her majority white and able bodied fans saw the inclusion of primarily gay men and thought that was good enough. She does not give a damn about disabled people, and she never will. To expect good disabled representation from her is like expecting good queer representation from a Marvel movie; she is in it for the money, and it just so happens that the inclusion of that scene makes money.

Addendum thoughts that were too long to put into the tags: I would like to make it clear that disability, because it presents very differently, is experienced very differently by many different people. If you felt seen or represented by the disability representation in either show, that's fine, and I don't want you to feel bad for feeling seen. Ultimately disabled people are largely given scraps; I have not once seen someone with my particular physical disability portrayed in media. Sometimes we latch onto things that are subpar or lacking; my criticism of reception to this scene is targeted primarily at able bodied audience members who may be lacking in this perspective and to also champion fellow disabled people to rightfully demand and expect better. Thank you for your time.

[literaryvein-reblogs]

Thank you for all this WORK. I so appreciate the time you are putting into this resource.

Was wondering if there are some good ways to keep information from the character without being knocked out, amnesia, or a drunk black out that would be cause for them to not remember. Thank you!

Writing Notes: Memory Lapses

Healthy people can experience memory loss or memory distortion at any age. Some of these memory flaws become more pronounced with age, but — unless they are extreme and persistent — they are not considered indicators of Alzheimer's or other memory-impairing illnesses.

Some Normal Memory Problems

Transience. This is the tendency to forget facts or events over time. You are most likely to forget information soon after you learn it. However, memory has a use-it-or-lose-it quality: memories that are called up and used frequently are least likely to be forgotten. Although transience might seem like a sign of memory weakness, brain scientists regard it as beneficial because it clears the brain of unused memories, making way for newer, more useful ones.

Absentmindedness. This type of forgetting occurs when you don't pay close enough attention. You forget where you just put your pen because you didn't focus on where you put it in the first place. You were thinking of something else (or, perhaps, nothing in particular), so your brain didn't encode the information securely. Absentmindedness also involves forgetting to do something at a prescribed time, like taking your medicine or keeping an appointment.

Blocking. Someone asks you a question and the answer is right on the tip of your tongue — you know that you know it, but you just can't think of it. This is perhaps the most familiar example of blocking, the temporary inability to retrieve a memory. In many cases, the barrier is a memory similar to the one you're looking for, and you retrieve the wrong one. This competing memory is so intrusive that you can't think of the memory you want. Scientists think that memory blocks become more common with age and that they account for the trouble older people have remembering other people's names. Research shows that people are able to retrieve about half of the blocked memories within just a minute.

Misattribution. This occurs when you remember something accurately in part, but misattribute some detail, like the time, place, or person involved. Another kind of misattribution occurs when you believe a thought you had was totally original when, in fact, it came from something you had previously read or heard but had forgotten about. This sort of misattribution explains cases of unintentional plagiarism, in which a writer passes off some information as original when he or she actually read it somewhere before. As with several other kinds of memory lapses, misattribution becomes more common with age. As you age, you absorb fewer details when acquiring information because you have somewhat more trouble concentrating and processing information rapidly. And as you grow older, your memories grow older as well. And old memories are especially prone to misattribution.

Suggestibility. This is the vulnerability of your memory to the power of suggestion — information that you learn about an occurrence after the fact becomes incorporated into your memory of the incident, even though you did not experience these details. Although little is known about exactly how suggestibility works in the brain, the suggestion fools your mind into thinking it's a real memory.

Bias. Even the sharpest memory isn't a flawless snapshot of reality. In your memory, your perceptions are filtered by your personal biases — experiences, beliefs, prior knowledge, and even your mood at the moment. Your biases affect your perceptions and experiences when they're being encoded in your brain. And when you retrieve a memory, your mood and other biases at that moment can influence what information you actually recall. Although everyone's attitudes and preconceived notions bias their memories, there's been virtually no research on the brain mechanisms behind memory bias or whether it becomes more common with age.

Persistence. Most people worry about forgetting things. But in some cases people are tormented by memories they wish they could forget, but can't. The persistence of memories of traumatic events, negative feelings, and ongoing fears is another form of memory problem. Some of these memories accurately reflect horrifying events, while others may be negative distortions of reality. People suffering from depression are particularly prone to having persistent, disturbing memories. So are people with post-traumatic stress disorder (PTSD). PTSD can result from many different forms of traumatic exposure — for example, sexual abuse or wartime experiences. Flashbacks, which are persistent, intrusive memories of the traumatic event, are a core feature of PTSD.

An occasional memory slip is normal, says Johns Hopkins geriatrician Sevil Yasar, M.D., Ph.D. But as you age, these “senior moments” may leave you wondering whether you’re heading for dementia—the loss of memory and thinking skills severe enough to interfere with independent living, often due to Alzheimer’s disease or other brain changes.

“Stress, an extra-busy day, poor sleep and even some medications can interfere with making and recalling memories,” Yasar says. “And we all have moments when a name or the title of a movie is right on the tip of the tongue, but those events are different from the kinds of lapses that may be warning signs for dementia.”

Most of the time, memory lapses are nothing to worry about.

“But any time you’re concerned about yourself or a loved one, it’s worth talking with your doctor,” Yasar says.

So how can you tell the difference between simple slipups and something that may be more serious? The important thing to look for is persistent change in our ability to think and function. Below are 5 clues. 

Are you losing things and just can’t figure out where they went? We all misplace things. And yes, on a busy morning we may even put the cornflakes box in the refrigerator if we’re moving too fast. It’s normal to put things in the wrong spot, and it’s normal to catch the mistake or retrace our steps to find the keys sitting on top of today’s stack of mail.What’s not: Being unable to figure out where lost belongings might be, putting things in more and more unusual places and starting to suspect—without evidence—that people have stolen your missing possessions.

Do you get lost in familiar places? Losing the way while driving, walking or taking public transportation to a new place is normal. So is getting so absorbed in your journey (or your thoughts) that you have to reorient yourself to figure out exactly where you are.What’s not: “Driving or walking for a long time without realizing you’re lost or completely forgetting where you are, and not asking for help in these situation could  be a sign of dementia,” Yasar says. You may also forget how you got to a new location, become easily disoriented in familiar places, or lose the ability to read a map or follow landmarks and traffic signs.

Do you lose track of the time, date or season? Once in a while, we all forget what day of the week it is, but we usually remember or figure it out quickly. More troubling: not knowing what day it is, the time of day or how much time is passing—and not realizing that you’ve forgotten. Additionally, unable to remember appointments or even missing them despite putting it on the calendar or having received numerous reminders by family. These may be signs of dementia, according to Johns Hopkins experts.

Are your conversations getting stalled? We all have to search for the right word from time to time. “And it’s normal for this to happen more often as we get older,” Yasar notes. What’s not: extreme difficulty remembering words, calling things and people by the wrong words or names and withdrawing socially as a result. Having more and more trouble following, joining or continuing a conversation (you may stop talking mid-thought and not know what you were going to say next) or even following plot on TV may also be a red flag for dementia risk.

Do memory slipups interfere with daily life? Forgetting the name of your neighbor’s dog is normal. What’s not: No longer being able to do everyday activities the way you used to, and you now need help of your family or professionals, “If you used to balance your bank accounts to the penny and now you’ve lost track of where your household money is going, bills have not been paid and as a result electricity or phone service has been turned off. Similarly, you feel lost and overwhelmed making, or even worse, being unable to make, Thanksgiving pumpkin pie with your favorite longtime recipe, it may be a sign of early brain changes,” Yasar says.

And one of the biggest concerns, from a doctor’s point of view, is the issue with medication management, such as forgetting to take medications or taking them incorrectly.

Sources: 1 2 ⚜ More: Notes & References ⚜ Writing Resources PDFs

Here are some possible causes your character may not remember things (apart from those you mentioned). Choose which would be most appropriate to incorporate in your story. Hope this helps and thank you for such kind words!

[puraiuddo]

༺JazzProwl Fic Recs༻

— brought to you by puraiuddo -

This is by all means not a complete list of banger JP fics! It's my personal favorites—those fics that lodged themselves in my brain for one reason or another and never left.

Hopefully this list satisfies at least some of the sudden influx of interest for JP fics (and given how well rec'ing a fic turned out last time...) But, nah for real, not to make rec'ing fics fake deep or anything, but I think the fandom would be a better place if people were more unapologetically enthusiastic about fics and less afraid to interact with authors. So if you use this list to find some fics you have to promise to leave some unhinged comments! ٩("•̀ᴗ•́")و ̑̑

But before I start, I want to acknowledge the prevalence of potentially stereotypical depictions of Jazz in regards to his speech (❞), criminal/violent/sexual characterization (▾), or backstory/origins (⟲) in the JP/TF fandom. I've attempted to flag fics with the corresponding symbols above, because I'd like to recognize those problems while still rec'ing for a variety of other fantastic qualities. That said, I'm not infallible so please use your own discretion.

I've also tagged fics with "hiatus" if it's been a while between updates, but the author hasn't made a comment—these fics are especially important to interact with, b/c you never know if the author stopped posting b/c they weren't getting any reviews!

Now, without further adieu...

༺♡❦♡❦♡❦♡ -ˋˏ ♫ ♡ 𓆩𓆪 ˎˊ- ♡❦♡❦♡❦♡༻

༺JazzProwl-centric༻

Mistakes on Mistakes Until— by jabberish

『oneshot - ao3 - Words: 280,212 - Alt-War AU』

Ricochet's got a bad case of conscience and he's pretty sure it's about to get him killed. (aka I think I've read every defection/ex-Con au and now I'm forced to make my own. Jazz-centric.)

* (づ ᴗ _ ᴗ)づ♡ The crème de la crème of JP fics. I really can't properly articulate the sheer amount of love and respect I have for MOMU other than that if you haven't read it, your life is worse for it. Go read it. Then read it again. Now. (I've read it 4 times. No, I'm not joking) I love all the fics on this list dearly, but MOMU holds a very special place in my heart. Flawless characterization, flawless dynamics, flawless plot, one-of-a-kind writing style... it's got it all. Of note: I've not flagged it despite its premise, because it will expertly subvert your expectations and you need to read it to understand. Bonus: it's got a lot of well-deserved fanart!

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Untitled Series by Need2Scream

『(2/?) - ffn - Words: 158,064 - War AU - hiatus』

Where the Lonely Ones Roam - 116,327

"Say you have a little faith in me. Just close your eyes and let me lead. Follow me home. Need to have a little trust in me. Just close your eyes and let me lead. Follow me home. To where the lonely ones roam." Eventual Prowl/Jazz

Spark - 41,737 - hiatus

"Chase you deep into the unknown. In my dark, in my dark, you're the Spark."/ "Roam with me, come down to where all of the others fell. Get lost, in the dark to find yourself. Just remember what I said, 'cause it isn't over yet."/SEQUEL to Where the Lonely Ones Roam

*It's not clear by the summary, but the series is essentially about Jazz and Prowl's developing relationship as they overcome war-related trauma, intermingled with a spectacular amount of original lore. See the author's ffn bio for a rundown. The originality and attention to detail in the world building in this AU is awe-inspiring. There are 2 fics in the JP series, but the author has a bunch of other Gen fics set in the same AU and another on ao3. Bonus: some of the Gen fics are Jazz & Prowl-centric and can be read as romantic!

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Crime in Crystals Series by Aard_Rinn

『(7/?) - ao3 - Words: 258,030 - Crime/Hitman AU - hiatus - ▾ ⟲』

The Hitman - 6,942 - pt 1

Prowl is the last clean cop in Praxus, the final flickering light in the darkness. There are plenty of people who would like to see him snuffed.

2. The Clarification, 3. The Kill, 4. The Capture, 5. The Prime, 6. The Talk, 7. The Chase 8. TBD

*The main plot is broken into 7 separate fics, but it's all one continuous story. Read the whole thing! It's on my all time favorites. It's thrilling, tremendously action packed, and the character dynamics are some of my favorites. It's also hysterical and wholesome and I've reread it a stupid amount of times. Bonus: it's got fanart + there are 5 extra fics, including a Jazz-centric prequel, in the same AU.

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War Eternal Series by Hearts of Eternity

『(3/4) - ffn - 2m? idk it's insane - Bayverse War AU - discontinued - ▾ ❞ ⟲』

Where You and I Collide - 362,090 - prequel

Separately, Jazz and Prowl are like forces of nature- they are uncompromising and uncontrollable. But what becomes of their natures when these two unstoppable forces collide? Will one break the other, or will they both be stronger for it?

As We Come Together - 485,586 - pt 2 - Gen

While the surviving Autobots begin to flock to Earth in response to Optimus' call, trying to find a new home on the strange organic planet called Earth, some unfortunate bots are beginning to realize the price of war may have been too high. Sequel to Time

May We Never Let Go - 408,409 - pt 3 - Gen - d/c

Hell literally lies in wait above Earth as the Cybertronians and Earthlings coexist uneasily, rattled by every attack the Fallen and his master launch on them. With new evil rising, the powers that be on Earth and beyond are gearing up for war.

1. As We Come Together, prequel 2: Surface of the Sun

*Long, convoluted explanation coming up given that this series is obviously a whole different beast compared to likely any other fanfic series you or I have ever encountered in our lives... b/c the author is just superhuman or smth idk...

The series is officially listed as 4 parts (WYaIC, WTWHL, AWCT, MWNLG). Where You and I Collide is the JP-centric prequel to the other 3 Gen fics (that have substantial background JP). WTWHL is technically part 1 of the series, but it's sorta more character-focused ficlets than a continuous story... which is why I didn't specifically list it as a rec even if that makes things more confusing... (ᵕ¬ᴗ¬) Also the author didn't list Surface of the Sun as part of the series, but it's a direct prequel (like WYaIC) starring the Lambo twins and it's... oh it's so good... absolutely shatters my heart that it's been d/c'd.

I've not listed an exact world count, b/c if you want to read every bit of the AU with all its prequels and offshoots (which I would highly recommend and have done)... I'm not gonna do the math for you, sorry. The main 4-part story is ~1.7m+ which I realize is frankly insane and extraordinarily intimidating, but it is so sooo sooooo worth it. The author has created their own fully fleshed out TF world with its own lore and characters and the time and effort they've put into is mind-boggling .

Anywho, despite ultimately being d/c'd, the series is still tremendously readable and nothing about JP is left feeling unbearably unfinished. I also happened to track down the lovely author and beg for a summary of the ending, b/c I'm a bit of a freak and they very kindly provided it so if not knowing how a fic ends bothers you/prevents you from reading, you have the option of getting closure even if you can't have it written out.

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Fathomless by Sroloc_Elbisivni

『oneshot - ao3 - Words: 19,949 - Fantasy AU - complete』

Jazz is drowning on dry land on the other side of the world. Once upon a time, before Jazz was born, the Rust Sea covered a swathe of Cybertron bigger than the territory of any city-state except Iacon. The sea had been more powerful than any engine besides the one at the heart of the planet itself, big enough to swallow a metrotitan in its depths, the birthplace of storms. Thing is, none of that was Jazz. He doesn’t remember those days, before he was himself, except in his dreams. And his dreams are terrifying.

*This fic makes me feel some type of way... it gives me shivers. It's so eerie and the premise is so unique. It's also beautifully bittersweet, which is a hard concept to pull off.

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The Judge by SilenceoftheLlamas

『oneshot - ao3 - Words: 107,653 - Alt-War AU』

Prowl’s got a secret, and he’d rather be dead in the ground before he let anyone find out about it. Jazz’s got one too, but he’s not as good at hiding it. Prowl is a secret superhero, Jazz is a secret fanboy who doesn’t know that he works with the guy. By night Prowl is the virtuous hero The Judge, but by day he’s just an unassuming tactical officer.

*Jazz and Prowl are sorta painfully adorable in this fic and the JP is so sweet it makes my teeth hurt. Plus it's got a really fun premise with lots of shenanigans.

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Black on White on Black Series by pipermca

『(3/?) - ao3 - Words: 86,248 - fix-it, War AU - complete』

Anamnesis - 31,097 - pt 1

When Jazz and his team are lost on a mission, Prowl has to carry on alone. But a discovery a thousand vorn later could turn his life upside down again.

2. The Ghost of the Howling Plains, 3. Pulling Strings

*Super interesting sorta-kinda-fix-it fic and/or explanation for the events and characterizations in IDW. There are 3 stories in the main JP plot line. Bonus: there's 2 "Extras" fics for cut scenes from the main fics.

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Crystal Ghosts Series by Rizobact

『(2/2) - ao3 - Words: 85,688 - Fantasy AU - complete - ⟲』

Enduring as Crystal - 40,517 - pt 1

There were a lot of reasons Prowl visited the library. He never knew the most important one was waiting for him in the garden behind it.

Eternal as Love - 45,171 - pt 2

Prowl promised he would help Jazz, the ghost of the crystal chapel in the garden behind Praxus' central library. He just couldn't anticipate what shape that help would wind up taking.

*Another super unique premise! I love a good historical mystery and the imagery is specularly evocative! And I'm a sucker for the trope... which I can't reveal, because of spoilers.

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Untitled Series by Vaeru

『(2/2) - ffn - Words: 10,766 - War AU - complete - ❞』

Descant - 7,925 - pt 2

G1/Jux compliant. Requiem sequel. Prowl doubted that his desired image of Respected Superior Officer came across very well with a half-scrapped mech clinging to his hand, but he loomed as best as he was able and glared.

*Requiem is Jazz-centric and I'd say more of a prequel to Descant than Descant is a sequel to Requiem... if that makes any sense. Regardless of how you view it or what order you read it, it's fucking brutal. (-‿-“) Bonus: author also wrote another really great fic called Transformers: Juxtaposition which is Lambo twin-centric and OC-centric, but perhaps one of the only OC fics that I've ever enjoyed.

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Domino Milkshake by SilenceoftheLlamas

『oneshot - (1/?) - ao3 - Words: 24,886 - War AU - complete - ❞』

Jazz drunkenly pretends that he's dating Prowl. Only he isn't, and the mech is right behind him.

*It's a fake dating AU... what more can I say? I love the the begrudging developing romance and the meddling friends. Bonus: it's got fanart!

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Hunter's Spark by WandersUnderStarlight

『oneshot - ao3 - Words: 43,645 - Alt-War AU - ❞』

Jazz disobeys orders to abandon the ruins of Praxus and runs into one of the Senate's dirty secrets.

*This author also has a few more JP fics that I enjoy like An Offer He Can't Refuse and Long Patrol. I gotta offer aisclaimer though: the fics are... fairly cliche and a bit OOC. Hunter's Spark is much more tame than the other two, though. They're all sorta a guilty pleasure of mine, because it's fun to enjoy Prowl being a bit of a BAMF and Jazz being a bit of a damsel on occasion even if objectively I understand why it's not everyone's cup of tea. ("￣▽￣";)ゞ But the author definitely deserves credit for creative and entertaining premises and a really nice writing style!

༺☆★☆★☆★-ˋˏ ♫ ♡ 𓆩𓆪 ˎˊ-★☆ ★☆★☆༻

༺General༻

Little Brother by Meiza

『oneshot - ffn - Words: 64,542 - War AU - discontinued』

Prowl is infamous for being a logical, nigh emotionaless thinker who's better at battle calculations than interpersonal relationships. How he was roped into taking care of the last survivor of Praxus is anyone's guess.

*Prowl & Bluestreak centric, but Jazz has a solid amount of screentime. The subplot is pre-relationship, co-parenting JazzProwl and it's cute as hell. It's not 'officially' discontinued, but it hasn't been updated since 2010... so... At least it doesn't end in a cliffhanger. (╥﹏╥|||)

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Things We Don't Tell Humans by SineadRivka

『oneshot - ao3 - Words: 363,057 - Bayverse War AU - complete』

This was a first for us Autobots; never before have we come in contact with a species like these humans, so eerily similar to our own race and twice as tenacious as Sparklings. The question was, how far can we trust the humans with our culture? Some things have translated between cultures without much effort. Other subjects, however…

*Please note the tags! Also... I'll be honest that I mostly skip to the JP parts and main plot points in this fic as it's about a very ensemble cast and I'm not interested in TF humans ... so I can't entirely vouch for the integrity of the whole thing. (￢ω￢;)

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Echoes of Messatine by MlleMusketeer

『oneshot - ao3 - Words: 303,863 - Alt-War AU - complete - ▾ 』

Cybertron hurtles toward war, and only a handful of mecha see it. Not Megatron, whose inflammatory writings gain him agonizing attention from those on high. Not Ratchet, the Iacon Medical Center’s most prized practitioner, whose Dead-End clinic remains the worst-guarded secret on Cybertron. Not Overlord, whose iron hold over Cybertron’s underworld is beginning to falter. Not Orion Pax, whose concern over the sudden silence of one of his favorite writers drives him to take up his hero’s pen. Not Terminus, who only wants to survive. But Trepan and Senator Shockwave both know well what’s coming. One aims to use a defiant miner’s fall to crush the aspirations of the masses. The other wants to use that miner’s triumph to ignite them. Neither much cares about Megatron himself, or his ultimate survival. Therein lies their fatal error.

*Not clear from the summary, but the premise is essentially "what if Megatron got the matrix instead of OP" and how their pre-war lives would have to pan out for them to ultimately switch roles. Just a really fascinating, supremely well-done "what-if" fic, but also probably the weirdest one to put on this particular list, b/c JP turns into megatron/JP at the very, very end... but... I just kinda ignore that development since it happens in like almost literally in the last chapter and you can def read it as friendship up until that point... (¬⤙¬ ᵕ)

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༺Mature༻

*listen... don't @ me. They're definitely saucy, but they're not explicit. Yada, yada... hey minors, don't read these! ...But we all know you will so just don't talk to me or anyone else about it, cool? Cool. (☞ ͡° ͜ʖ ͡°)☞

Intermission by crabapplered

『oneshot - ao3 - Words: 5,049 - War AU - complete - ▾』

As the war stretched on for interminable vorn, Prowl found himself faced time and again with the mounting stress of his position. Many of those times he was forced to face alone, the gear grinding stress sending him to Ratchet for system overhauls and forced defrags. But every so often he'd be fortunate enough to have Jazz on hand, and when he did, well, it didn't take much. Pressing Jazz up against the wall, cramming him into corners, pinning him facedown over Prowl's desk. It didn't matter as long he could keep Jazz still.

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Audition by crabapplered

『oneshot - ao3 - Words: 12,783 - War AU - complete - ▾』

If one were to be delicate, one would say that Jazz and Prowl are incompatible. The blunt truth? 'You just lie there with this blank expression on your face,' he'd been told by his last partner. Signal had stayed longer then most, willing to try since Prowl was so obviously doing his best, interfacing to please his partner and give him what Prowl himself disliked. In the end, though, it hadn't worked. 'You don't like me touching you, you don't like the mess, you don't even like the overload, and half the time I swear you're running economic simulations in your CPU you look that bored. I don't want that. I don't want you miserable, and I don't want me miserable, either.' So why can't Prowl stop wishing?

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That's all, folks.

ദ്ദി(｡•̀ω-)✧ ~Happy reading!

and for the shit tumblr search/tag system, i offer: #jazzprowl #jazzprowl recs #jazz x prowl #jazzprowl fic recs #jazzprowl fanfic recs #tansformers fic recs #tf jazzprowl #tf fic recs