#in absolute tears!

[zanmor]

We are well beyond canary in the coalmine warning levels with the way trans people and particularly trans women are treated on this site.

Maybe you've heard the metaphor of allowing wolves and sheep to share the same space, welcoming everyone. You end up with just wolves because allowing them in that space makes it unsafe for any sheep. Or the story about how a nazi goes into a dive bar and is refused service. The bartender then explains to someone else at the bar that if you serve them once they tell their friends and before you know it you're the nazi bar they all go to and normal customers don't feel safe.

Terfs and other bigots are seeing these targeted harassment campaigns succeed against trans women and rejoicing. They see Tumblr ban them and officially stand by those decisions as endorsement for their harassment. It's a sign to bigots across the internet that Tumblr is a good place for them.

And what's more is that a lot of us probably don't realize just how much trans women contribute to Tumblr. The women banned recently were sources of site-wide memes and posts I wasn't even aware originated from them.any years old memes and references can be traced back to trans women on this site.

How many of these folks have to be removed before this is no longer a site you want to be a part of it? Sure you cultivate your own experience, but you can't follow or interact with people who aren't here. And if I wanted to interact with the nazis and terfs I'd go to reddit.

I encourage everyone to reblog this. Trans women shouldn't have to be the only ones speaking out against the bigotry they're experiencing. They shouldn't be the only ones risking their blogs being nuked by staff. We have to stand with them.

[ierogenvy]

finally watched the last episode of season two and those vampires sure can interview huh

[blueskittlesart]

Open your eyes...

[phantomrose96]

Thinking about Edward Elric as the Amestrian Military's specialest little unfireable boy

State alchemists can be fired for underperforming. We know this up front from the likes of Shou Tucker. And this makes a ton of sense from the homunculi's standpoint since the state alchemists are sacrifice candidates, and the homunculi would want to cull the weakest candidates and focus only on cultivating the strongest ones who stand the best chance of opening the portal.

........Then there's Edward. Who's already opened the portal.

There's no need to cultivate him. No gamble taken on whether he's good enough to open the portal. He passed the final test already. Graduated 4 semesters early.

And as such, has a free pass to do Absolute Fuck All.

And I'm imagining how funny this is from like an outside perspective.

Some newish state alchemist who'd only ever read up on the stories of Edward Elric, ready and excited to start their career of being paid handsomely with endless freedom to research and travel and do anything they want in the pursuit of science... surprised and confused to find themselves put on probation their first month for things like "ignoring orders." Which is, as best they had thought, a famous Edward Elric pastime.

Roy showing a slight bit of stress about his yearly state alchemist report, and Ed just snorting and rolling his eyes at Roy because every year HE just hastily does his on the train ride over (canon in the manga, a travesty it was left out of the anime) and it gets rubber stamped. Ed not realizing that other alchemists' reports get genuinely scrutinized and torn apart while Ed is free to turn in whatever absolute bullshit he thinks of 36 hours ahead of time. One year his report was about whether alchemy could be done via dance (conclusion: no it can't) and no one cared. Roy WANTS to tell Ed there's some kind of unknown favoritism around Ed making him literally bullet-proof but Roy has no way to phrase this that doesn't sound like he's just in denial and mad at how good Ed's train-reports are.

Guy from the Internal Amestrian Affairs sector who's responsible for auditing other internal military personel for any suspicious activity hitting about 1 million red flags for Edward Elric, issuing a STRONG and URGENT recommendation to suspend the alchemist pending further investigation into things like "literal bunk-buddies with two members of the Xingese royalty (enemy nation)" and "spent $10,000,000 of his stipend on a librarian to make her re-copy (what he seemed to interpret as?) military records in some extremely transparent effort to unearth state secrets (it was a recipe book but he was literally asking her about state secrets)" and "literally has never once obeyed an order, ever, not even once in his career, and is on public record having said 'I do not care about the goals and protections of the Amestrian Military. I am in fact only pursuing my own interests several of which are diametrically opposed to the safety and well-being of the governing body of Amestris'"

The issued recommendation is intercepted before it even reaches its intended desk. President Bradley himself has taken issue with it and denies it before a single set of eyes has seen it. The President's veto stamp is a terrifying hammer, used rarely, and it is now sitting on the auditor's desk.

The auditor sleeps with one eye open from then on out.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[bluebeesknees]

“𝘴𝘵𝘰𝘱 𝘮𝘢𝘬𝘪𝘯𝘨 𝘴𝘶𝘤𝘩 𝘢 𝘴𝘢𝘥 𝘧𝘢𝘤𝘦”

[bet-on-me-13]

Lex is Vlad reincarnated

So! Lex Luther, the greatest person to ever exist, had recently made a discovery.

A few weeks ago, a Cult of moronic simpletons had managed to kidnap him. Him! All for some stupid Demonic ritual where they sacrifice the wealthiest man they could find in return for something meaningless like "No More Poverty" or "No More Starvation".

He had survived, of course, and was unfortunately save by Supermoron.

But before the Man of Steel had busted in, he overheard something from the Cultists. Apparently they had chosen him for more than just his wealth, there was something more about his Soul that they were after. It felt "Divine", as if he had the soul of a God stuffed in a Mortal's body.

And obviously it must be correct. He was already the most intelligent man in the world, One of the wealthiest, and held more political power than any single man on the planet, so of course "God in disguise" was the next logical addition to that List.

Over the next few weeks he studied and prepared.

He needed to make sure that his efforts would be rewarded, that those Cultists had been correct about him despite their idiocy.

After buying up as many Magical Artifacts as he could related to Identity and Soul, he tested himself on Each and Every One. And Lo and Behold, he is truly a God.

Well, the Reincarnation of One. Apparently this was common in immortal beings such as himself, reincarnating themselves into mortal bodies as a sort of Vacation from their Duties. All he needed to do now was find a way to regain his Memories and Power without dying, and he would truly become a God On Earth.

A few more weeks of Preparation, and he was ready.

Apparently the Manchild of Steel had caught onto his plan in that time. His Ego probably couldn't bear another God living in the same City as himself, so he tried to stop Lex's plans of Ascension. Thankfully, in his research he had discovered his Rival's vulnerability to Magical Attacks, and set up countermeasures for him and his Breakfast Club should they attempt to interfere.

He stepped into the Ritual Circle, and began his Ascension to Godhood.

Try as they might, the League could not foil his plans this time. The Ritual Circle lit up with a sickly green light, and expanded to cover his entire body. The Ritual began to finally complete itself.

He had Won.

...

Oh.

...

Vlad stood at the center of the circle for a few moments. He took in all his Memories of his most recent Life, and Facepalmed so hard he was sure The Badger heard it back in the Realms.

Ten Tousand Years of Therapy specifically to curb his egotistical tendencies, and That is how he decides to spend his most recent Life? Acting as a Billionare Supervillain attacking a well meaning Hero for nothing less than Ego?! He even Cloned them!? Had he learned NOTHING!?!?

"Careful Team, we don't know how powerful he is now." He heard his current Nemesis say.

Oh right...they were still there.

He didn't really feel like explaining everything to them, and he technically still had about 40 years left on his Vacation...

He simply turned his back to them, flew back to his Mansion, turned back into his Human Form, and set about his Day. Maybe he could right a few of the wrongs he had done on this life?

It would certainly throw his current Nemesis for a loop. And while he may not Hate him anymore, he definitely still liked to Mess with him.

Maybe this would be more entertaining than he thought?

[newtsnaturethings]

You did it Link! I remember, I remember I’m your Zelda

I’m so happy

[drenched-in-sunlight]

Erdtree’s Sacred Tears.

(discussion of my inspiration to draw this under the cut)

[alibonbonn]

Light dragon armor set 

(set bonus: spawns a surprise froggy in your inventory every once in a while).

[were-wolverine]

first-time parent bruce, trying to scold 10 y/o dick: absolutely not. you’re grounded.

dick, well aware of this fact: *lip wobble and eyes well up*

bruce: wait no-

dick: *starts sobbing*

bruce: i’m sorry, it’s okay. you can do whatever you want. i’m so sorry

dick, hugging bruce and hiding his face: (:<

[theoutcastrogue]

Hey, we've seen some fantastic animated series lately. If you haven't already, run right now and check out

Arcane

Blue Eye Samurai

Scavengers Reign

Chainsaw Man

Cyberpunk: Edgerunners

Tear Along the Dotted Line

Love Death + Robots

Arcane and Blue Eye Samurai compete for the best animated series I've ever seen, of all time, and they're both ongoing. That's wild. What gorgeous animation. Scavengers Reign is a wonderful sci-fi series that's actually original, and I'm sad to say that's a rarity. It shouldn't be! I'll let you discover the rest. Just a reminder that Love Death + Robots is an anthology, and as usually this entails hits and misses. But the hits are SO good.

Other good series that are not groundbreaking or anything in terms of animation (which is generally on purpose: most of them aim to emulate a specific established style, and succeed), but they still get the job done, and are fun to watch:

Castlevania (and Castlevania: Nocturne)

Star Trek: Lower Decks

Invincible

The Legend of Vox Machina

Dragon Age: Absolution

Good stuff!

[figueroths]

funniest fucking uno reverse on earth

[foxstens]

andrew always being at kevin's side because kevin needs it and andrew driving kevin to night practice and andrew patting kevin down to check for injuries and andrew promising kevin it'll be fine and andrew looking awake, interested because of kevin and andrew conserving his energy for kevin's quiet meltdown and andrew smiling for the first time without the drugs because of kevin and andrew always picking up when kevin calls

[multitrackdrifting]

in tears every time i check this account

[sheikfangirl]

Meeting Zelda in person for the "first time" ❤️

Link answered her question with a smile and a very, very tight hug.

The emptiness he felt waking up alone in the shrine of Resurrection, somehow knowing he "lost something...or someone"...it vanished instantly once he hold Zelda in his arms. He knew. and his heart felt full again.

Zelda can't believe Link is really is here. Alive, breathing, holding her. Knowing who she is.

The next shot of the sequence would be them slightly parting, Link takes Zelda's hand in his and rest them on his heart, saying "Yes. I remember you."

https://www.tumblr.com/sheikfangirl/744448441879576576/yes-i-remember-you-happy-7th-anniversary?source=share

Extra Note

I always pictured the follow up to "do you really remember me" like the iconic Final Fantasy VIII Rinoa & Squall's reunion scene. FF8 is a milestone game title in my life. I doodled this in homage of the game's 25th anniversary celebration. Happy Anniversary FF8!! You are an imperfect game, and i dont care. I love you ❤️