#in a way no show will be able to depict
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cierv-o-robot-o · 2 years ago
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I find it so funny when people ask me why the fuck I find southpark entertaining like girl I do not know either I don’t know what to tell you I’m sorry
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mortimer · 2 months ago
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if youre wondering what criteria i use to decide to tag/categorize something as either painting or illustration, the answer is that it's almost completely arbitrary
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pynkhues · 1 month ago
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I've loved that scene with the twins, i'm glad i'm not the only one who felt some sexual tension between the brothers and Lestat lol. I don't know if it was because Lestat was really hungry and just wanted to eat them or was actually attracted to them but there was a vibe- and they totally were into him too lol. (Someone needs to write a fic when Louis changes his mind and instead they have foursome with good Matthew and Mark hahaha).
But yeah, i agree we can't rely on the books wrt the types of relationship they will have. Book Lestat definitely was not "a monogamist at heart" as Sam called him. One of his more endearning traits was his ability to love so intensely and falling in love with everyone and everything. The fact that he loved David and Armand didn't take anything from his love for Louis. I think he genuinely loved them just as much-even if in a different way. Imo, all the book vampires are capable of the true polyamory in a way that very few humans are capable of practicing. Adding a sexual element change a lot about these characters and their dynamics.
I think the show vampires are way more human than the book ones: they can eat, smoke and have sex so it makes sense that they'd be less forgiving and more prone to jealousy. I admit that i'm a little disappointed that the show seems to downplay every other relationship to prop up loustat (they did it with loumand and i'm sure it'll be the same with lesmand and nickstat) but Rolin wanted to base the whole show on the gothic romance between two vampires and it is what it is. So yeah, I don't expect Lestat to have any other love interests besides Louis. I also don't think Louis will stay single for as long as everyone think haha.
(x)
Oh, I think he was definitely attracted to them, and I think the show was also kind of using it as a bit of a tease / set-up to the future incest of the show too - same with Armand's threesome with the father-and-son within the coven. It's just a neat little detail to wink to where we're going. I also think the Mardi Gras Ball was always planned as a night of all out depravity to farewell New Orleans, so leaning into the sexuality / carnality of feeding ahead of - - y'know - - all the murders, haha, makes sense to me.
And yeah, I agree about the books having more of a genuine sense of polyamory to them, and other relationships being downplayed (although I think Nicki might not be, if for no other reason than the fact that he's dead and marks no threat to Lestat and Louis' love story). It's an interesting thing in a lot of ways, because so much of the Rue Royale era in the books is Louis still being so close to his human life and Lestat trying to live one on Marius' instruction after never really having gotten to live one in his mortality. It lends itself to a more quote-unquote 'traditional' romance and family unit with Claudia, even if that family wasn't actually traditional at all between Louis and Lestat both being men, and then the incest between Louis and Claudia. It kind of goes back to the perversion of the family unit as a vital part of both gothic horror and the Milton's Satan character archetype that I've talked about before.
In that sense though, the books move further and further away from 'traditional' romance and relationships as the characters are moved further and further away from their humanity. They transcend a human existence, and a need for human ideologies, and honestly, I just don't think that's a thread that Rolin and the writers are super interested in, at least not in the way the books were? In fact, so far, I think what the writers seem to be most interested in is how you do find the human within the monster, and a lot of that seems to be about grounding them in relationships, not just to one another but to places and things. It's why Louis' return to New Orleans resonates so much, as well as his hanging of Paul's portrait and Claudia's dress - it's that reconnection to his own humanity and self that Louis denies himself in his isolation in Dubai.
It's a departure from the book in a lot of ways, and it's a tricky one because I think we gain as much as we lose as viewers? Like we are going to miss out on things like the polyamory and exploration of different romantic relationships, but I think we're also going to get an enriched exploration of who these characters are in this version of the story and as a result a really passionate, heightened gothic love story. Like God, look at the difference already between book Louis and the show's Louis, but yeah, I totally get being disappointed too - there's definitely parts of me that are, even though I'm overall pretty content with the changes if not outright happy. It's the nature, I think, of a good adaptation.
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willowcrowned · 1 year ago
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“Making anyone over the age of 8 watch tcw should be forbidden” okay, but why?
because it’s bad in the way only bad kids shows can be. and then it’s also bad in fifteen other ways
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antxnous · 2 months ago
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ok I’m complaining abt some heavy shit in the tags cw and tw ahead and stuff but I am actually abt to crash out in class rn
#bla bla bla bla Idk how much of these tags is gonna cover the preview on mobile#so I’m gonna give a billion things of context#there are particular scenes relating to assault of a very sensitive nature in this film and it happens about 2-3 times#I am gonna preface this by saying I do not need anyone to try and educate me abt these particular scenes in entertainment#I am fully aware of how unnecessary they are/can be in contexts and there are other ways of portraying or implying that something happened#all of this being said. a classmate brought their roommate to class and they spent the entire scene overreacting with hands in the air#and going ‘what? what? what? why?’ over and over#and my professor gave a WARNING and PAUSED a good few minutes before hand and said anyone is able to walk out and he’ll call them back in#he chose to stay and make a scene regardless#and then during the ad break he starts loudly going off about how unnecessary the scenes were and how#’we don’t do this on our campus our classes are about JOY and WHIMSY’#like this irritates me already bc ok well anthropology is not about JOY and FUCKING WHIMSY#please grow up. second of all why are we discussing rape after the scene#I saw the scenes I do not need to hear you rally six other loud motherfuckers about rape in this small ass classroom#’THIS IS SO UNNECESSARY SOMEONE INVESTIGATE THE DIRECTOR WHY DID THEY DEPICT THIS’#EVERYONE KNOWSSSSS YOU ARE PREACHING TO THE CHOIRRRR EVERYONE HERE IS AN ANTHRO MAJOR WE AGREEEE#and then trying to frame the professor like an ass for showing films with rape in it??#THE WHOLE CLASS IS ABT CRITIQUING ARCHAEOLOGICAL MOVIES. WE KNOW. THATS WHY THESE FILMS ARE CHOSEN#YOU FUCKING DIPSHIT OH MY GODDDDD#gisa yaps
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kefnut-the-gweilologist · 2 years ago
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apparently there’s supposed to be a tv adaptation of the poppy war series and im kinda dreading it
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isamoa · 1 year ago
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“ WHAT GETS THEM HARD! ”
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jjk men x f!reader ࿐ MDNI.
ᰔ、summary. jjk scenarios on how their dicks get hard ofc
ᰔ、tags. (ft. gojo, geto, toji, choso), nsfw, female anatomy, cunnilingus, exhibitionism, sexting, masturbation, etc.
ᰔ、a/n. these are just my silly depictions. if u dont agree idgaf lol
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SATORU GOJO has the dirtiest mind and the highest sex drive. his pants definitely start feeling a little tighter at the sight of you eating a popsicle or something. specifically in public. he would have no shame in it either—casually forming a smirk on his face and dropping a snarky innuendo about the way you’re eating. “can you suck me off like that when we get home?” he’d mumble from across the table, his eyes peeking out from the top of his glasses, a smirk plastered on his lips; wet from the constant licking of his tongue. your eyes widen, a small ‘pop’ sounding from your mouth when you took the frozen sweet out to gasp at the man in front of you. “gojo! are you serious?” you’d yell in a whisper, looking around to see if anyone had heard him. “you’re right,” he’d sigh, standing up from his chair to reveal the very prominent and very obvious bulge in his pants. “we should just do it now.”
SUGURU GETO on the other hand is a polite man. like satoru, he’s a real freak in the sheets—but not as shamelessly. the littlest things can get him hard for sure, but unintentionally seeing your undergarments would really get him going. like an accidental peek at your panties from under your skirt, or a shirt thats a little too see-through showing off the print on your bra. he wouldn’t say anything of course, not right away. you would just be minding your own business one minute and then he’s dragging you towards the bedroom the next. “sugu- what are you-?” you would ask in a confusing tone, craning your head to look at the said man who was now behind you—pushing your stomach up against the countertop; a single hand brought up to grope your breast while the other laid flat against your hip. “your bra is showing.” he’d let you know blankly; an attempt to distract you while his hand slid it’s way into your pants. you would look down in response to his comment, noticing that your bra was in-fact showing like he said. unfortunately for him, you also already noticed the hardon pressed against your back.
TOJI FUSHIGURO gets hard from eating pussy. simple as that. he will get embarrassingly sloppy—juices coating his face and dripping down his chin, loving every second of it while his cock slowly grows harder. emphasis on grows. and if you think for a second that he does it for your pleasure, think again. this man will eat you out purely for his enjoyment only. his eyes are closed and his hands are squeezing at your thighs—legs thrashing uncontrollably from the uncomfortable pressure in his pants that’s about to come undone. “toji- let me help you.” you’d beg with a whimper, dragging your hand from the top of his head down to his cheek when you noticed the constant shuffling of his legs and the crease in his eyebrow. he’d laugh darkly, the breathy snicker creating a hum between your core that made a whine escape from your lips. “im fine mama,” he’ll say cockily, pulling a hand away from your leg to undo his zipper. “ill cum soon, you don’t gotta do ‘nun.”
CHOSO is a needy guy. his face will turn red at a simple flirty text—but send him a slutty pic and he might just cream his pants. fully naked or dressed in lingerie, his favorite or not, he will definitely feel some pressure down below. he might ignore you for a while, uncertain on how he should reply; if he’s even able to. “fuck- couldn’t wait till i got home, could you?” he’d whine quietly, trying his best to keep his voice down from the bathroom of his office job; one hand holding the phone up to his ear while the other rushed to unbuckle his belt. “sorry cho,” you’d apologize from the other line, voice rather faint as you posed for another picture to send him. “when are you coming?” you ask doubtfully just as his phone vibrates with another notification from your contact. “now- im comin’ now baby.” he replies with a huff, phone almost slipping from his ear. “really!?” you try to clarify—much more excited than the first time. “no, i mean im cumming. right now.”
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falsecardigan · 1 year ago
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No bc I agree with everything about this. I truly want to believe that everything wrong with the season five finale will be somewhat rectified in season six. Especially because we have almost a year until it airs. It won't be able to rectify the fact that Adrien wasn't there or the fact that he will never get the closure his character so desperately needs. However it can have Marinette actually think about what she's doing and have her change her mind and have her tell him (obviously as Ladybug). I'd rather it not narratively cause problems because it does upset me that this was one thing that genuinely had nothing to do with relationship conflict and it never should have been but all I want at this point is for Adrien to stop being left in the dark. It's been an ongoing theme in the show since season two and there are so many episodes showing why that shouldn't happen (especially in season four) and yet it keeps happening. The truth might hurt for him to hear but he deserves to know and I really do hope Maribug tells him because the absolute worst thing that could happen is someone else tells him.
ok since i’ve really only whined but not actually explained my reasoning lol, here is my take on the s5 finale. (this is long, sorry)
I think we’re all on the same page about the idea that gabriel being seen as a hero, by all of paris but especially adrien, is icky. and on top of that it does not feel good that marinette is supporting that lie, even if it’s out of love for adrien. most people are assuming this issue will be resolved somehow in 6, probably by lila exposing the truth. cool. that’s my hope as well. but even if that’s the case, i still dislike the framing of his wish and what the surrounding context seems to imply about it.
it is not my assumption that gabriel’s wish included green initiatives and a reformation of the parisian school system lol. I assume that his wish was to exchange his own life for nathalie’s. but as we know, wishes literally rewrite reality. the fact is that paris improved after his wish, so it is still related. he remade the world, and the new world ended up better. It all supports the idea that his wish was a good thing—a noble sacrifice that redeemed him in some sense. my impression is that even if (hopefully) he is exposed as hawkmoth, the actual wish he made will still be framed as admirable. obviously marinette found it noble enough to agree to lie to everyone about gabriel’s identity as hawkmoth.
which brings me to another pain point: the fact that gabriel essentially won the long battle against ladybug and chat noir. i’ve heard arguments that he didn’t win because he died and how is that winning? he got what he deserved in the end. but imo, he just put himself out of his own misery, because he was on the brink of death anyway because of his cataclysm wound, and he basically escaped having to face any emotional consequences from his literal terrorism and child abuse. and even if you don’t consider that a win, you also can’t consider marinette’s end of the deal a win either. her goal was to prevent hawkmoth from unifying the miraculous and making a reality-altering wish. which is exactly what happened. so she failed her mission. ladybug lost. and to me it’s sort of bizarre that the narrative seems to be framing that as a good thing? ladybug lost, but the new reality that resulted from it is so much better than the old one, and she is actively choosing to lie in order to protect the seeming goodness of that reality.
marinette is lying, of course, to protect adrien, which does not feel out of character. we’ve seen her do this before. but it is frustrating to me for precisely that reason. the final battle was meant to highlight how much marinette has grown over the past five seasons, but her choice here highlights the ways she has not grown. starting with syren in season 2, she has witnessed how much it hurts chat noir to be left in the dark and how it weakens their partnership. in that case, she convinced master fu to let him be in the know, and trust was restored. but then she continued a habit of keeping things from him, putting more and more distance between them, till it culminated with kuro neko in s4—a total breakdown of the ladynoir partnership, where chat noir renounced his miraculous. i would have thought that marinette would learn from that experience and realize that keeping people in the dark is harmful and that even if the truth hurts, adrien has a right to know it. but she once again made the decision for him, and when he finally finds out, it will be all the more painful to know that the person he loves and trusts most in the world lied to him. i actually really appreciate that marinette as a protagonist has such a good heart but is still such an imperfect character, so i want to respect this choice as a manifestation of her flawed but good intentions. i just can’t help but be really disappointed that after 5 seasons of making the same mistakes again and again, she has apparently not learned from them, which makes me feel she has not grown the way the writers say she has.
her facing hawkmoth alone for the final battle is supposed to be a sign of that growth—and yes, I can see how she has grown a lot in confidence and capability since her shaky debut as ladybug. but i also feel that her flying solo defies one of the central themes of miraculous: that in the fight against evil, good people need to stand together. just think of the difference between the s4 and the s5 finale. in strike back, ladybug is broken and sobbing because she has lost the miraculous and feels like a failure who is all alone. but then she is buoyed up by her faithful partner and all of paris, who express unbreakable faith in her and vow to stand by her side. that was so powerful! showing that she doesn’t have to be alone, and she’s not supposed to be alone, and that part of being a hero means accepting help and working with others to achieve good goals. this message was a major part of marinette’s character arc in s4 and it’s something that was introduced from the very beginning and has been supported over and over in the show. but then in “re-creation,” she has no team, and she doesn’t need one. which … good for her, I guess? But then why did we have 5 seasons of “you and me against the world” if in the end it was always going to culminate with “I'm sure we can figure out a solution if we work together. You … and me”—referring to Marinette and Gabriel, while Adrien is literally locked in a blank white prison hundreds of miles away?
it just really kills me that in kuro neko, adrien gave up his ring under the assumption that chat noir was not needed—that he was entirely useless to ladybug. and then the narrative proved him right. ladybug did not need chat noir to defeat monarch. she just needed his ring. the writers confirmed in their recent commentary that they had planned a bug noire fusion from the beginning, and they intentionally sidelined adrien so that could happen—they even had to figure out an excuse for why he wouldn’t be there. so they traumatized him with nightmares of destruction and fear of akumatization to ensure that he would once again give up his ring and conveniently remained locked away while bug noire faced down monarch alone.
you could argue that it’s better for adrien to have missed the final battle anyway, since facing his own father would just be even more traumatizing for him. i understand that. (that’s the reason i liked that in the owl house, it ended up being just luz vs belos, and hunter did not have to face him again.) but at the same time it feels so narratively unjust that chat noir—who has been fighting against hawkmoth by ladybug’s side since day 1—has zero part in seeing his mission through to the end. even though it’s all about him. because while marinette is the protagonist, adrien is the connecting piece of the whole story. it’s always been ladybug vs hawkmoth, and adrien is in the middle of them, because he’s both ladybug’s partner and gabriel’s son.
you’d think, logically, that as the connecting piece, Adrien’s decisions would be vital to the plot. That he’d have the power to tip it either way. but instead he is completely stripped of his autonomy—literally, because he’s a senti, and also symbolically in the narrative, because he’s simply removed from the equation. Like, he’s still central to the equation but he has no say in it. It’s all about him but he’s not even present. Everyone is fighting for him but he can’t fight for himself. Everyone is speaking for him but he doesn’t even have a voice.
the finale kind of sets up marinette and gabriel as narrative foils of each other, showing how they have the same motivation—to make adrien happy. and they make the same decision to protect that goal. which is interesting, sure, but also kind of effed up to me? i’m not sure what to take from the idea of the protagonist mirroring the antagonist in this way. that’s been done loads of times, but in this context, for a child audience, i don’t know what to make of it. what kind of message that is supposed to send to the children who are the primary audience of this show? ladybug is a good guy, and in the end, she’s just like the villain because they both love adrien and want to protect him. so that’s why she agrees to tell everyone the bad guy was a hero. ????
that gabriel/marinette parallel leaves adrien to parallel emilie, which makes sense and is fitting but also just sort of … depressing and again, lowkey effed up. that adrien ends up with the same narrative role as a corpse in a coffin. almost, like, macguffin-esque—a thing that motivates the agents of the story but has no agency itself. despite him being so central to both sides of the main conflict, his decisions don’t affect the outcome. because he doesn’t have the option to make any. because he’s not even present. both gabriel and marinette made a life-altering decision for adrien, thinking it was best for him, without considering that what’s best for him is to know his own story and make his own choices. him getting the rings was somewhat relieving, but it also felt like kind of a slap in the face. because it’s like, “look, adrien’s free! he has his amok and no one can control him anymore!” but, like, how free is a person who is living a lie? will he ever experience true autonomy, or will his life continue to be dictated by the decisions others make for him? will the narrative give him decision-making power or will his role continue to be symbolic?
one thing that makes this all extra dissatisfying is that Adrien literally does not have the option of getting closure with his father, because he’s dead. maybe a dramatic reveal in the middle of the final battle would not be the best way to go about it, but now he can’t have any sort of closure. in the owl house, it didn’t feel necessary for hunter to be present in the belos takedown because he already had his confrontation with belos in graveyard possession scene. belos tried to physically control him, and hunter broke free, and spoke his mind, and as traumatizing at is all was, it was good for him to be able to do that. it would’ve been so nice if adrien also had that opportunity. if he did break free from his father’s control, either by overcoming akumatization or the control of his amok somehow. or if not that, if he were just able to have one honest conversation with his father about emilie. like he did with his alt self in the paris special. it was so significant for the writers that bug noire detransformed and spoke to gabriel as marinette. why couldn’t adrien have done that? Marinette is the one to tell Gabriel that Adrien wouldn’t want him to make the wish and hurt someone else, that Adrien has made peace with his grief, that he has learned to cherish his mother’s memory without living in the past. wouldn’t that be even more powerful coming from adrien himself? if adrien was part of that final confrontation just as himself, we could even still have bug noire play a primary role.
i get that adrien being part of the battle is a risk, since we saw in chat blanc one option of how it could play out. but we also saw in the collector another potential way adrien might respond to learning that his father is hawkmoth—charging into battle by ladybug’s side. especially if he was given time to process the idea beforehand. it’s not impossible. you’d just have to compose the scene and its buildup a different way. so honestly it feels sort of lazy to just remove him for the sake of ease? and also sort of a waste of narrative potential? the villain being the father of one of the main characters is such an interesting plot element. imagine if luke skywalker did not ever face darth vader. if he never even learned that vader was his father. or if he learned that fact after vader’s death, which was the result of a confrontation he was not present for.
of course, i know adrien is not the protagonist. marinette is. and of course i want her to be empowered by the story. but i’m getting a little tired of what i see as kind of cheap feminism in ML. like, girl power for the sake of visibility so the writers can pat themselves on the back about it, if that makes sense? this show does have so much good feminist power with a strong female lead who has realistic flawless and a big heart, who overcomes self-doubt and other struggles, and who has proven time and again to be a smart, capable leader who has earned the trust of everyone on her team. but all of that sometimes feels undercut by the narrative treatment of adrien—like he has to be put down somehow to elevate marinette. ML has subverted gender roles in a lot of ways by having ladybug lead with her brain while chat noir follows with his heart. and adrien has a lot of other strong feminine associations—the focus on his physical appearance, the expectation of perfection and obedience, his soft and gentle nature, his romanticism, etc. And one of the biggest ones is all the ways he is trapped, all the ways he is pushed down and made to be submissive. they even depict him as a princess locked in a tower, with marinette as the knight in shining armor to save him from the evil dragon (his father). with adrien in that traditionally feminine role, it would have been empowering to see him to take a leading part in his own liberation. instead, he was locked away both literally and symbolically in favor of a solo bug noire confrontation, so marinette could look like a girlboss in her cool new outfit, taking on the bad guy all by herself, even when it would (imo) fit better with the themes of the show and her own character arc for her to fight alongside her partner. but as Thomas Astruc said, “She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?” (X) it just makes me feel that the writers cared more about the cinematic value and feminist brownie points of that battle than its narrative significance—which i feel could only be increased by adrien’s participation. “all that is necessary for the triumph of evil is that good people do nothing” … and that is all adrien was allowed to do.
i think a lot of fans at this point are just assuming that whatever feels dissatisfying/off will be fixed in s6. they’re trusting that the writers have a brilliant master plan that we just have to be patient and wait to see come together. idk, maybe i’m just tired. or a little jaded. i think there will be a lot to enjoy in s6, but i’m also prepared for disappointment. i honestly did not love many elements of s4 as well as s5, and i had expectations that weren’t fulfilled there either. i’ve felt let down by the writers many times now, so i expect that many of their future choices will  resonate with me. but i still love ML, and I am eager to see how everything will unfold. i’ve also read a lot of other analyses of the s5 finale, and there are great points being made on many sides. this is just my personal interpretation and opinion. i did not like the finale when i first watched it, and after sitting on it for months and trying to evaluate my feelings and look at it logically, i still do not like it lol. if you do, great! this isn’t intended as a personal attack on anyone—just me expressing my two cents, which ended up being more like $20. thanks for bearing with me if you read all this ✌️
#ml#ml s5#ml s5 spoilers#ml recreation#ml negativity#(not that I think this is particularly negative but like. just in case)#for ppl who are tired of the conversation#anyway. this is how I feel#a lot of this is just stuff i've talked with mar about the last few days especially#if u like the finale I love that for you!! it makes me very sad actually that I dislike it so much#but I cannot get around the fact that it was deeply unsatisfying to me#that ending in no way felt like what the hawkmoth arc had been building toward#I struggle to make sense of a lottt of the central themes of the show with the context that they had always planned#to have marinette face hm alone#and i completely disagree that the finale depicts gabriel losing#him getting to obtain ultimate power and create a wish to rewrite reality at all (no matter what the wish was) IS winning.#that is exactly what ladybug and chat noir had been working to prevent all this time#the aim was never to convince hawkmoth to make a good wish. it was always to keep it from happening at all.#because no one should have that much power#mar's point that origins posits that 'all that is necessary for the triumph of evil is that good people do nothing'#and that doing nothing is ALL adrien is allowed to do#is right on the money for me. ml has had such strong themes of working together and depending on your friends - the whole paris special hit#on this - and the culmination of the primary fight of the narrative being marinette on her own is so. odd to me. just really unsatisfying#of course i will watch season 6 and I will hope that these loose ends will be resolved in a satisfying way. i'll hope that marinette comes#clean and she and adrien are able to rebuild their relationship from there. and i'll hope that he is allowed to become at least as active i#the narrative as he used to be (circa seasons 1-3)#but I don't think there's a way for season 6 to make up for the letdown that was the s5 finale.#from the beginning - as soon as you get an inkling that gabe is hm - you think 'oh WHAT is going to happen when adrien finds out'#it's one of the strongest underlying tensions in the narrative - and one of the things that makes the story so interesting#the ladynoir dynamic of 'its us against the world' convinces us that the two of them will work together to take down hm
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telltaletypist · 2 months ago
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i think there is something to be said about the way a lot of popular western media (both within fiction and outside of it, now that i think about it) uses the pretense of nuance to obfuscate existing power dynamics.
the example i'm mulling over at the moment is netflix's Arcane, which depicts a pretty straightforward conflict between a brutally oppressive ruling class and an underclass that is out gunned, out manned, and lacks even the means to support its own population. despite this, the show takes a very even-handed "everybody's flawed" approach to how it portrays this conflict, one that seems to be increasingly popular in popular western media. this makes for a compelling story, the show takes the time to make sure we understand all the characters involved, their motivations, their flaws, their hopes, their dreams etc, but i think when people engage with that kind of narrative uncritically, they tend to miss the forest for the trees and get lost in pointless debates over which characters were more in the right or who's actions were more justified by their trauma etc. this kind of weightless, individualist approach seems to always lead to the same conclusion: that changing society is scary and traumatic and everybody is too flawed to be trusted with leading such a shift. how convenient that this always seems to benefit those already in power.
i'm thinking about this in regards to the reactions to the latest developments in the story of Arcane, which sees caitlyn supporting a military dictatorship, in part as a response to the trauma of losing her mother in jinx's terror attack. the reactions are pretty typical fandom discourse about whether or not her actions are understandable given what she's going through as a character, but what no one seems to be considering is that she's only able to undergo this change in the first place because of her class position, not just as a member of the wealthy elite of the overcity, but also as a respected member of the overcity's law enforcement. see, while the individual characters involved might be complex, the moral dimensions of the overall conflict really are not. one side has all the power and resources, as well as a vested interest in keeping the other side subjugated to maintain its dominant status quo. just because the dominant side is populated primarily with skinny attractive people a who're shown to be doing their best with the situation and the other are mostly grotesque caricatures of poverty stricken degenerates doesn't mean this is a difficult choice.
it remains to be seen how the actual show will play out, but i can't help but see it as continuing a trend of what i can only describe as a kind of smug liberal nihilism, crafting a brutal class conflict only to revel in the horrific spectacle of it all, basking in the complex moral greyness of its protagonists, uninterested in taking an actual stance. there's a point when nuance becomes a form of cowardice, imo
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parkerpeter24 · 1 year ago
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quiet temptations
pairing ➳ tasm!peter parker x fem!reader
word count ➳ 2.3k
warnings ➳ SMUT. characters are 18+ and MINORS DNI. this contains depictions of fingering, oral (m recieving). fluff, peter being sweet but also horny-
summary ➳ you’re awfully quiet but peter can’t seem to take that.
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“is everything alright?” peter mumbled as he laid beside you. your back was to him, his arm wrapped around you, “you’re not talking.”
the bed you were laying on was warm, a thin blanket over the sheets because you got extra cold during the winters and a quilt that covered you and peter both. your fingers danced against the wall adjacent to the bed, feeling the cold plaster contrasting peter’s own fingertips that danced on your waist, under your sweatshirt.
“you gonna talk?” he placed a kiss on your hair that was loosely tucked behind your ear, making it fall over your eyes. chuckling when he heard you groan and push the lock of hair back in its original place, “so.. no?”
you sighed softly.
“that’s alright.” peter responded, feeling as if he was just talking to himself now, “we don’t need to talk if you don’t want to.”
the sound of your hum was accompanied by peter’s hand gliding under your sweatshirt and caressing your stomach. he was careful, as if you were made up of glass, watching out for any signs of refusal on your face but your features looked solemn, unchanging.
he sighed, not being able to hold in his concern, “alright, just nod if everything is okay…”
he waited for you and surely you did nod after a few seconds, making peter’s worries dissipate.
“what’s gotten you so quiet?” he tried to get you to talk, his fingers taking a detour from trailing upwards, making contact with the elastic hem of your sweatpants– which originally belonged to him, “‘cause one way or another, i’m gonna hear that pretty voice.”
you felt your face heat up but peter still didn’t notice any change in your expression. if he couldn’t see the blinking of your eyes and sense changing breathing pattern, he’d have assumed you were asleep.
“at least tell me you want this.” he mumbled into your neck, pressing his lips against your exposed skin.
“yeah.” you mumbled and peter wasted no time in sliding his hand under the fabric of your lower, arm holding your body against him. you let out a soft breath as his fingers travelled lower. his middle finger slid your panties to the side before making contact with the skin. he pressed soft kisses to your neck before his nimble finger delved into your folds.
a leg pressed between both of yours, parting your thighs as he nestled a warm hand against your sex.
you let out a soft sound, clutching onto the quilt. his finger sank deeper until he found the earliest bit of your arousal and pulled it out, wanting to spread the wetness everywhere.
his finger travelled up to your clit, circling around it and you bit your lip when he fucked it back into you, knuckle deep. he groaned softly, loving the way your muscles almost clenched his finger.
he repeated his actions a few more times until you couldn’t hold back the soft needy moans that he beyond waited to hear. you felt his teeth sink into the skin of your neck before he sucked that spot, soothing the sting from the bite.
you moaned when he curled his finger, trying to search for a spot that would make your sounds louder. his finger dipped into you inch by inch every time, showing he was in no hurry.
peter’s arm was strongly keeping you pressed against himself as you started to arch your back. he could tell you were getting needy but he wished to hear something from you– even though he was loving the musical moans you were letting out.
he pressed his ring finger into the mix, adding it when he pumped them into you the next time. his face pressed further into your hair when you tried to get away. he could tell you needed more– you were writhing, trying to grind your hips into his already hard cock– but he kept going at the slowest pace he could. one brush of his fingers against your most intimate spot and your lips parted in a loud gasp.
you tried to arch your back which only led to peter’s arm pressing harder against your abdomen. his lips were pressed together, letting out soft hums which accompanied each one of your moans as if encouraging you.
he pulled out both his fingers, fucking in again and then back out and in again until it became a faster rhythm. squelching sounds filled the mostly silent room as his leg parted yours even further.
peter rolled his fingers into you continuously, the heel of his palm nudging against your clit which had your eyes rolling to the back of your head, “pete-” you gasped, “m-more.”
the desperation in your voice made peter grind into your ass. his fingers fucked you faster, holding your legs apart, curling them into you just right until you were jutting your hips, chasing your high.
“good girl.” peter mumbled, “keep it up, baby.”
his fingers moved continuously in and out of you. he could tell you were close with the way you clenched his fingers, however before the coil in your abdomen burst, his fingers pulled out of you, a soft wet sound following it– completely opposite to the loud whine that left your mouth.
“oh my god- why’d you stop?!”
“now you wanna talk?” he mumbled into your hair.
you felt your cheeks heating up further than they were. you hid your face into the pillow, but peter wasn’t letting that happen. he tugged at your chin with his free hand, “oh, baby. trust me, i want you to cum.”
you whined, biting your lip softly at his dirty words. you wondered if peter came prepared for this because no other day would you have expected such filthy words escaping his lips. he’d never done so before in all the times you two were intimate.
he turned you around gently, slowly pressing his forehead against yours as he brought up his fingers to his own lips, sucking them clean. he moaned at the taste as his tongue swirled around the digits, sending a wave of shivers up your spine and arousal to your core.
the second his fingers were released from between his soft, warm lips, your own pair replaced them, tasting remnants of yourself on his lips. you moaned softly, pressing your chest up against his.
“want you.” you breathed out heavily.
peter only shook his head, “not until you tell me what’s with the silence.”
“huh-” your brows pulled together in confusion, “you’re really not gonna-”
“first you tell me what happened.” he pecked your lips once, twice, and a few more times.
you sighed, pursing your lips as you tried to formulate what to say to him– or rather how.
when peter saw you struggle, opening your mouth and then closing it, he brushed a thumb against your cheek, “it’s okay, you should take your time.”
you nodded, feeling the warmth of his hand transfer to your cheek as your eyes met. his chocolate brown eyes swam with what you could identify as pure adoration.
“until then…” he mumbled, leaning in to kiss you.
soft at first, it escalated when he brushed his tongue past your lips, quickly finding yours in a slow yet passionate dance. peter pressed you against the mattress, handling the covers to stay over your bodies.
he wasted no time in moving his lips to your neck, hands going to hold your thighs apart as his thumb now brushed against your clothed thigh, kneading gently as his teeth nipped at your collarbone.
you gasped softly, letting him do as he pleased with you. as you held the back of his head with one hand, the soft, brunette sea of hair engulfed your fingers.
peter moved his hands to the hem of your sweatshirt, wasting no time in sliding it up past your chest, careful enough that you weren’t exposed to the coldness of the room. he dived under the quilt, wrapping his lips around one of your nipples, the other being knead in the palm of his fingers.
you gasped as peter’s tongue flicked the bundle of nerves, your stomach flush against his torso.
you could feel his lips curl into a smirk before he switched, rolling your sensitive left nipple between his slender fingers as he licked and pulled the right one in his mouth.
you were getting fidgety, squirming under peter as he felt your grip tighten on his locks, not enough to hurt. he moaned against your skin, placing a few kisses right under your breast, moving lower, now seeming in a hurry.
“pete-” you almost pleaded, finding your voice breathy.
his hands travelled under the pair of sweatpants, making quick work of sliding them down as he traced your thighs, down to your knees before you felt the material slide off you.
you lifted the quilt slightly, just wanting to get a glimpse of peter. the few rays of light that touched him weren’t fast enough to warn you as his lips pressed to the wet patch over your panties. you gasped and threw your head back.
you felt peter’s hot breath and the muffled sound of his moan from under the blanket. he pushed your thighs apart, diving deeper as his nose pressed against your clit, the fabric thick enough to make you grit your teeth, wanting his lips and tongue on you.
maybe peter heard the clenching of your teeth or the way that your hand found home in the tufts of his hair again but he was eagerly pushing down the material past your legs throwing it down to the floor.
you felt peter’s forearms lift your thighs as he shuffled closer to your core, licking up a bold stripe across your folds. your back arched but peter’s grip was keeping you against him.
for a moment you heard him groan as he retracted, “what’s wrong?” you breathed out, supporting yourself up on your elbows.
you almost laughed when his hand creeped out from under the quilt, holding his fogged up glasses out for you to take. with a chuckle, you held the frame between your fingers, quickly placing them to the bedside table.
as you laid your back against the bed, peter was quick to wrap his lips around your clit. you let out a moan as he licked and sucked on the bundle of nerves.
he held onto your thighs, keeping you firm against his lips as he explored the very intimate part of you. his tongue darted out, poking at your entrance, but not giving you enough time to notice that as he slid the muscle deeper against your walls.
you moaned, pressing a hand over your mouth to muffle the lewdest sound you’ve ever made. the bridge of his nose poked against your clit and peter only pressed deeper as his tongue delved in and out of you. it seemed as if he would see no tomorrow if he stopped making out with your dripping hole.
you arched your back, “pete- oh god-”
you felt him hum against you, sending your jaw drop open as you finally felt the pleasure crash all over your body. your toes curled and eyes rolled to the back of your head. you could swear this was the hardest you’d ever come before as goosebumps covered your arms.
you let out a sigh as peter helped you ride out your high, keeping up his ministrations. finally stopping, he placed a soft kiss over your clit, sending your body flinching at the action.
when peter climbed out from under the blanket, surely he looked like he needed to clean up. his chin dripping with your arousal and forehead all sweaty from being so long under the warm quilt.
“you need to wash your face.” you chuckled, brushing back a few locks of hair that were sticking to his forehead.
“and you need to tell me what’s wrong.” he mumbled and you sat up, adjusting your sweatshirt back down.
“it’s nothing-”
“and don’t you dare say it’s nothing.” he sat up as well, beside you, wiping mouth with the sleeve of his shirt– that thing was going in the washing machine the second this conversation was over.
“it’s… just… exams and stuff. you know how anxious i get.” you sighed.
“i know… but you don’t have to! there’s still a week left before-”
“okay, that may seem like a long time but trust me, it’s not.” you looked up at him, meeting the brown eyes that held concern, “i’m sorry, i… i was just overwhelmed. didn’t feel like talking.” you almost pouted, making peter pull you against his chest as he hugged you. you in turn wrapped your arms around his waist.
“trust me, i know how stressful exams can be. but it’s nothing you haven’t been through before.” he placed a soft kiss against your hair, making you hug him even tighter, “you got this, beautiful.”
“yeah, yeah, yeah. easy for you to say.”
he chuckled, “what’s that supposed to mean?”
“you’re like, i don’t know, the smartest guy of our whole generation.” you mumbled against his shoulder.
peter shrugged at that comment, “hey, even i watch youtube videos for help sometimes.”
“yeah, but you grasp every concept so quickly, like you don’t even have to try.” you looked up at him, blinking when you realised how that must have sounded, “...that was supposed to be a compliment.”
“you’re adorable.” peter chuckled, “how about we study together? i’ll make a time table; and don’t worry, it’s not going to be super chaotic, just a simple time table; and we can figure it out together. how’s that sound?”
you smiled at him, feeling your heart swell at the amount of his care, “sounds perfect.”
his smile mirrored yours, “thanks for telling me.”
you gave him a grin.
“now since i told you, can we fuc-”
─── ・ 。゚☆: *.☽ .* :☆゚. ───
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girlkisser13 · 5 months ago
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being married to bruce wayne would include
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• galas, charities, balls, etc. become more a part of your life than you probably ever wanted them to be.
• once you two officially become a couple, you become gotham’s "it" couple. whether you want to or not.
• in the press, the two of you are often depicted as gotham royalty.
• even before the two of you start dating, you swear you feel someone's presence at night whenever you walk home from work.
• it wasn't until a mugger attempted to steal your purse that you finally learned where that feeling of being watched had been coming from.
• when the dark knight told you to be mindful of your surroundings and to hurry home before swooping away into the night, you could only nod with widened eyes.
• you didn’t say anything until you got home, to be honest, you geeking out: it’s not every day that someone gets to meet "the batman".
• you gleefully call your boyfriend about it. he doesn’t answer it until later, but you can hear a smirk in his voice as he responds to you fangirling.
• eventually, you find out about his identity on accident.
• as expected, you’re a little upset. someone you were romantically involved with was masquerading around town dressed like every night was halloween, getting into dangerous situations.
• after the two of you talk about it, you begin to understand why he does it and while you may not necessarily agree with some of his more controversial methods, you can’t help but feel a sense of pride that he’s putting everything at risk just to make sure what happened to him doesn’t happen to anyone else.
• alfred always reports to you first whenever something happens to bruce, knowing how much he truly means to you.
• you’re the one he listens to the most (even more than alfred) when it comes to what he should be doing whether it be a complicated mission or something as simple as eating a much needed meal.
• most of the time you would find yourself waiting at a restaurant for an hour before he would text you that he can’t make it because he’s being held up.
• when he does show up, he’s late, he looks like a mess, and he greets you with a lop-sided smile and half-lidded eyes. and you melt because you remember that he did choose you and you do love him.
• bruce’s absence is always outweighed by his affection. he loves touching you even if it’s just your shoulders or your fingers or your elbows. he always finds a way to be close to you when you’re together.
• he’s always trying to make up for the lost time with you by getting you expensive gifts and trips, only for you to reassure him that he doesn’t need to do all this.
• you’re always able to tell when he’s had a particularly rough night. his usual silence feels different; heavier.
• he becomes a lot more handsy with you, more affectionate. as if you’re the last flower in a prized garden and he never noticed until now.
• if you’re asleep by the time he gets back, you may get woken up by him caressing your cheek, rubbing a thumb over your hand, or him putting his big arms around you to pull you in close.
• one of your favorite things though is definitely seeing the family. most of the time you see alfred and always try to tease recipes out of him which expertly deflects.
• whenever the bat kids are at the manor, he invites you because they love you and he knows you love them too.
• dick constantly flirts with you and teases you and bruce. you love to play along with him because it makes bruce very uncomfortable.
• he finally proposes to you after three years of the kids telling him to do so. you obviously say yes.
• the two of you decide to have a small, private ceremony at the manor. friends and family only.
• bruce 100% cries as soon as he sees you walk down the aisle in your wedding dress.
• alfred volunteers to be the wedding planner, because he always knew that you would be the future mrs. wayne. <33
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pynkhues · 1 year ago
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Thanks so much for all your meta posts! I’m a little late to the succession party so apologies if you’ve already answered this but having just finished the show, I’d love to hear your thoughts on how you understand the, for lack of better term, uniquely unsettling nature of the relationship between Kendall and Logan.
To preface, all four kids have unique and interesting relationships with and to Logan and I’m in no way trying to minimize any of the characters trauma. Just, there’s just something about Kendall being told at seven years old that he would inherit it all while at an innocuous small-town ice cream parlor that is upsetting? Almost sinister? I can’t help but think of the season 1 finale and the hug, the closeness that is somehow a combination of comfort, relief, foreboding, control, and possessiveness all wrapped into one gesture. I can’t put my finger on it but there’s just a disquieting undercurrent to some of Logan and Kendall’s interactions.
I’ve been trying to define why I feel that way watching so many of their scenes and I’m having a hard time pinpointing it. Do you have any thoughts? I’ve seen some fans make comparisons to emotion incest or enmeshment (which I think would apply to all the kids to greater or lesser extents) and predatory childhood grooming (which I think has some similarities considering Kendall was “groomed” to take over Waystar but I don’t think a more literal interpretation is really supported by the text) but none of it feels like a perfect fit. Would be super interested to get your take.  
You’re very welcome, anon, and I’m so sorry it’s taken so long for me to reply to this! It’s been! A big few weeks in an already very big year, haha (my sister has been in family court for the last nine months, and I'm her +1 / support person, and let me tell you, I now know a lot about the legal system I wish I'd never had to). Your question’s a really interesting one though, and one I’ve thought about a lot, because I agree – I think there is something uniquely unsettling in Kendall and Logan’s relationship, and it is something that’s hard to pinpoint.
After all, like you said, all the kids have unique relationships with Logan, but in many ways, there’s more crossover between their abuse than there isn’t. There’s physical violence, emotional incest and family enmeshment at the core of the Roy family dynamic, and Logan’s capacity to weaponise familial bonds in order to keep them all close to him and fighting with each other is pretty much one of the tenets of the show. Logan might’ve thought of himself as a sun they orbited around, but the reality is he’d never give them that much rope – they were always doomed to be burning their feet on the surface of him.
I also agree with you that grooming’s not necessarily the right term for what’s happening in the family dynamic, because I don’t actually think Logan’s a groomer? I get why people think he is, and he’s absolutely abusive, don’t get me wrong, but grooming implies a serious degree of intent and the formation of a relationship with the purpose of manipulation and abuse, and I just - - don’t think Logan’s brain operates that way? I think he’s much, much more of an enmeshed parent than he is a groomer, because I think Logan loves all of his children in the fullest way that he’s able. He himself was a deeply traumatised child who grew into a horrible and abusive yet still deeply traumatised man, and to position him as only developing these relationships with his children for the purposes of manipulating them is just something I don’t see.
In many ways, it makes it worse, right? Because every decision he makes isn’t one with an end goal for the kids, it’s ongoing and his moments of genuine warmth are only matched by the moments he leaves them in the harshest of colds. Like he promised Shiv Waystar not because he was grooming her but because for a minute, he genuinely wanted her to have it, which makes it a lot harder for Shiv to process than if he was always stringing her along.
This idea of promising a company of that scale to a seven-year-old boy, to me at least, doesn’t just read as unsettling, but as deeply tragic, because to make that sort of promise to a child that young isn’t about Logan’s relationship with Kendall at all, it’s about Logan’s relationship with himself and his past.
Think of it this way – we know that Logan and Caroline didn’t divorce until Shiv was (at least) 11, which means he was making that promise long before they split up, and in the late 80s, probably not long after Waystar had had that expansion into Parks and Cruises.
I think what makes it insidious is not the promise in itself, but the fact that Logan has no concept of the fact that Kendall would and does shape his entire life and identity around the offer. To Logan, it’s probably an earnest thought offered on a sunny afternoon, but it's nakedly borne out of a deep internalised trauma over losing a father he’d never know and inheriting a business from an uncle who’d leave him scars that would last 70 years.
To give it to Kendall is to let him wear that trauma - a trauma he doesn't understand - like a cloak and tell him its a gift.
-
I'm separating this because I think I'm less confident with it overall as a theory, but I think there is another buried layer here too that Logan potentially saw something in Kendall that was inherently mmm, I don’t know what the word here is actually – vulnerable, I guess? But that’s not necessarily what I mean. My point is more that Logan’s a man who had, at the point of having at least the Golden Trio, all the resources in the world, and while arguably Shiv, Roman, and (to a lesser extent) Connor’s various issues and neuroses can be put down fairly cleanly to Logan’s abuse and neglect, I don’t necessarily think that Kendall’s can.
The show never diagnoses anyone, but I feel it’s pretty implicit on the show that Kendall’s bipolar, which feeds into his addiction issues (people with bipolar are up to 59% more likely than people without bipolar of being diagnosed with substance abuse disorders) and it’s outright stated in the pilot that Logan saw rehab as the ‘nut house’, and that he pulled Kendall out of it after just a day in 2.01, of which the latter is canonical medical negligence. How much medical negligence played into Kendall’s childhood, and how much Logan’s personal history between his sister’s death and his first wife’s nervous breakdown, informed perhaps a need to have a ‘healthy son’ is anyone’s guess, of course, but I think personally that it’s probably a significant factor.
Add to that that Logan does seem particularly protective of Kendall, and that Kendall’s the only one who seems to fully understand Logan’s medications and health (even though Connor’s the one to understand the funeral plans), I think is telling. That maybe there was a genuine (albeit extremely toxic and power imbalanced) shared intimacy around health between them that opened up a space for vulnerability and affection that Logan never understood the weight of, and that Kendall could never let go of.
This is getting into tldr territory now, haha, but yes! I guess I’d say that I agree with you, and I think what makes the relationship between Logan and Kendall particularly biting is Logan’s simultaneous dependence and thoughtlessness. He leans heavy and hard, but loathes the signs of splintering, and I think he feels he does Kendall a kindness by pretending not to see it a lot of the time. Pair that with Logan having not dealt with his own abuse and instead projecting all the ways he’s Not Noah onto his child, I think it’s overall just a mess of a traumatised person not recognising their own trauma and dropping the weight and expectations of all of that onto their seven year old son at an ice cream parlour and never growing enough to know what they did is fucked.
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gender-i-hardly-know-er · 2 years ago
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yourstardarling · 8 months ago
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Lilith Analysis
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(Lady Lilith, by Dante Gabriel Rossetti)
In my perspective, Lilith symbolizes the female intuition which is often vilified in our patriarchal society. She questions the status quo, defying societal norms and forges her own path for how she lives her life. In some interpretations, Lilith is depicted as the serpent in the garden, tempting Eve with the apple as revenge for her expulsion after refusing to submit to Adam. Targeting Eve instead of Adam, shows how Lilith understands the curious nature within women to want to know more and what ifs. It is the same curiosity that made Pandora open the box releasing malicious spirits into the world.
The energy of Lilith is a vengeful one as she sought revenge against God for her banishment out of the garden. In her expulsion, she was stated to steal babies and harm innocent lives, unsympathetic to anyone in her way. So within our charts, Lilith shows where we've experienced profound shame and societal rejection. It is where we are often demonized for refusing to yield to others' expectations. If we don't heal this pain it often becomes a form of self-destruction, fueling a need to gain revenge, harming anyone in our path. This part of our chart is usually suppressed, relegated to the shadows, but integration of this energy is crucial. Mainly because keeping our shame underneath the surface will often cause self-sabotage within the house Lillith is in. Finding the underlying root of the problem will often lead to reclaiming of your power, making Lilith be an energy of magnetization and authority. Neglection will only exacerbate internal conflict.
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Lilith in the 1st:In the first house, these individuals are the walking embodiments of Lilith. They are often faced with deep-seated feelings of shame regarding their sexuality and physical appearance. Many have endured the pain of bullying in their youth, which has made them feel shunned out from society. This shame becomes a heavy burden that feels as if it is a part of them, complicating efforts to express their true self openly. Consequently, a portion of their identity remains veiled, guarded against potential judgment or rejection from others. Yet, beneath this veil within their unconscious, lies a potent magnetism. A profound sense of sexuality that others find rather attractive or unsettling. They find themselves both desired and feared. But honestly like Britney said it’s because, "All of the boys and all of the girls want to if you seek Amy." Lilith's influence in this house encourages independence and self-assertion. It teaches the importance of standing firm in the face of societal pressures and refusing to be demonized for your own authenticity. However, yielding to criticism and seeking external validation risks facing internal conflicts. A constant battle against yourself. That is why confronting the shadow aspects of one's personality should be practiced, as it offers a pathway to self-discovery and empowerment. When you are able to show resilience and unwavering faith in yourself, you're able to garner admiration and respect from those around you. The ability to transmute pain into productive actions serves as a magnetic force, attracting allies and opportunities alike. Learning to embrace your inner sexual energy is imperative, as it is something that cannot be suppressed. Unfortunately, this embracement may invite unwanted attention, leaving you vulnerable to exploitation and trauma. Overall, the role of Lilith in the first house is one of self-acceptance and defiance against societal norms. It's a journey marked by challenges, but also by profound personal growth and authenticity.
Lilith in the 2nd: In the house of personal gains, Lilith has felt great shame surrounding her personal values. Individuals with this placement have a hard time surrounding their self worth and physical assets. Possessive tendencies lie beneath the surface, as a consequence from being betrayed in the past. People may have taken advantage of them for their material value and stolen from them. Financial wounds run deep making them unable to properly trust themselves with money. Might find themselves in cycles of reckless spending, prioritizing instant gratification over long term investments. The types go on a shopping spree and then feel guilty for indulging materialistically.These people can either be overindulgent or extremely picky when it comes to what they spend. There is an inherent value of pleasure and spending resources on things that make you feel good.The sign Lilith is in will give you an idea on what you unwarily spend money on and guide your financial decisions. Implementing a budget plan can be very beneficial in uncovering and healing shame surrounding your spending habits. It will help you regulate your spending. Underlying shadow challenges when it comes to self worth is another aspect of this placement. Leading to having doubts about deservingness and attaining success. Lilith in the 2nd, prompts a reevaluation of your values. Rather than being overly picky, you're encouraged to be intentional in your pursuits. Learn to align your investments with your deepest values and aspirations. Family dynamics may also contribute to your relationship with money, with the possibility of past generations engaging in questionable financial practices. Additionally, Lilith's immature aspects may tempt individuals to resort to unethical means of acquiring wealth, such as engaging in sex work or participating in illicit activities. However, succumbing to these temptations risks exploiting others and ultimately perpetuating cycles of harm. In navigating the influence of Lilith in the 2nd house, you are urged to exercise caution and integrity in financial dealings. By confronting shadows and cultivating a sense of self-worth, they can transcend shame and reclaim power over their financial well-being.
Lilith in the 3rd: When Lilith is in the third house of youth and mental stimulation, these individuals have deep shame within their speech and communication. Oftentimes they were demonized as a child, facing constant scrutiny about their childish behavior. Parental guardians made them seem like they were to blame for the smallest issues that occurred. In school they may have felt shunned out from their peers, becoming the target of bullying and ridicule. This ridicule can even come from their teachers that overly criticized them for not being the perfect student, leading them to feel like they were a bad kid. Might indicate having a speech impediment, having a hard time communicating how you feel and issues surrounding being able to read. Your intelligence was significantly downplayed from the earlier years of school which made you believe you were dumb. For this reason, you may prefer being quiet and only speaking when you are needed to, often avoiding starting conversation. To others you may seem standoffish when you speak, but instead it can be anxiety to say what you really want because of public reaction. This Lilith wound is one centered around your inner child and taking back power over your mind. Intrusive thoughts of feeling less than can often be an underlying trigger, but you must recognize that these voices in your head are not your own. It is programming from the ridicule you received as a kid. Mindfulness and meditation practices can help regulate the outside input that comes in your head. You're a very intellectually capable individual that often understands knowledge about topics considered unconventional by society. Don’t be ashamed of what you know and use it to teach other people information you are passionate about.
Lilith in the 4th: Within the house of home and heritage, Lilith has wrested with feeling of shame for her family background. These individuals can often grow up feeling sexually repressed by their family. Criticism for what they were and being called a slut for wanting to express themselves. This placement reminds me of Meg from Family Guy, and how she is consistently made the butt of all ridicule by her family. As you went through puberty, you could've felt uncomfortable being objectified by family members. Some could've faced even faced exploitation by their own family. There is a strange focus on purity within the household and committing towards conservative ideals of presenting yourself. From their point of view, you may be seen as someone who is promiscuous and disobeying traditional values. You might find it hard to feel at home within yourself because of these past afflictions. This can even lead to you feeling ashamed about your emotional responses, often viewing them as evil instead of necessary feelings. Aside from sexuality, this Lilith placement also indicates having shame regarding your origin. There might have been concealed truths about your birth, unraveling as you mature. Might have felt like your family were strangers and you did not belong with them. Issues with the mother figure can be highlighted by this placement. You don't get along well and could feel a sense of cruelty from her. A shadow side to you is kept veiled from your family, which makes you feel like an outsider by them. You may have a reputation of being the rebellious cousin. They may harbor outdated ideologies such as racism, homophobia and xenophobia, that makes you more ashamed of them. The home you grew up in may have been the cause of this shame too, because of its design or infestation issues. Overall, stepping away from your family's point of view of the world is a big factor with this Lilith placement. You cannot allow their lives to dictate who you are meant to be. Learning to nurture yourself and finding your own community is an essential part of your journey. As time pass, you may discover yourself becoming a space for other people to confide in about their personal issues. A testament to Lilith making a home for herself outside the boundaries of Eden.
Lilith in the 5th: In the fifth house, individuals have grappled with profound shame surrounding the way they experience pleasure within their lives. Their childhood may have been faced with restrictions on the ways they could have fun, such as engaging in hobbies solely to appease their parents rather than for personal enjoyment. Activities you found enjoyment in, felt like you needed to keep hidden away from other people in order to not get ridiculed. There are plenty of hobbies you enjoy that others will find unorthodox to have. For example, going to shooting ranges, participating in drag shows, taking part in the circus or cosplaying your favorite characters. When it comes to your talents, you might face envy from others because they want the attributes that you have. May face hate in your extracurricular activities and being outcasted by team members. In your own eyes, your often unsure about your talents and feel like you're not good enough in your practice. Additionally, there is also shame regarding sexual pleasure. You might find it fun to explore, but some experiences make it unsettling for you to enjoy. There may be a need to keep your sex life a secret from other people. However, sex positivity can be a notable aspect of this placement though, not having much conservative notions in your sexual experiences. When it comes to children, you might feel some shame for not wanting to have kids and face scrutiny from others for this stance. You can even feel like you hate the thought of children and not wanting them around you. If you do end up having kids, they can exhibit Lilith quality traits of rebellion and unorthodox behavior. There is definitely a shadow side to how you gain pleasure with this placement, indulging in self destructive behaviors and selling yourself away for fun. You must learn to tame that primal urge within you when you are having a great time. Especially as this can lead to addictions to pleasure, such as having a gambling, drug abuse and being overly sexual. Learn to set boundaries when you're having fun.
Lilith In the 6th: In the house of service, Lilith plays a commanding role within her work space. This placement reminds me of The Devil wears Prada, where Miranda was seen as a formidable figure by her colleagues. Similarly, coworkers may harbor similar feelings toward you, casting you as assertive & harsh. You may face a lot of scrutiny in the workplace and could even work in an environment where there's a prevalence of discrimination. Workplace harassment can occur here as well, oftentimes facing oversexualization. Navigating and accepting your shadow persona in the workplace becomes essential. As long as you come there to do your job, that’s all that matters. Just try not to lash out at your colleagues because of misconception and other issues. There may be a big rumor that you are lazy for not doing as much as everyone else. However, you're the type of person that only comes and does the work that is necessary, not overworking themselves as everyone else. On the flip side, you can be hyper focused on work and do a lot more in your day that others don’t really see. This can take a toll on your health and work stress can be a big indication of this placement. Speaking of health, you might have a terrible relationship with health officials. Health experts in the past might have treated you poorly and even faced a misdiagnosis. Your relationship with health overall is something you can feel intense emotions around. A health condition could make you feel like you don’t have the same capabilities as other people. Might struggle with digestion and eating food to nourish yourself. There is a lot of necessary shadow work to uncover within your habits and daily routines with this placement. Learn to not be so hard on yourself, making time to properly maintain your physical needs.Health is wealth after all.
Lilith In the 7th: When Lilith lies in the house of partnerships, there is often shame surrounding the close connections these people have. They often easily attract people with Lilith energy in their lives, such as rebellion, ostracization and outcasts. You're often able to see the version of others that they keep hidden underneath. For some reason, people can feel like they can trust you with their problems and you make space to not judge them. Something about you just allows people to feel easily able to open up their shame to you. It might be because there is a part of you that has felt the same shame of being shunned out by other people. In your love life, there could be a tendency to feel outcasted by your partners which leads to having a warped perception of yourself. Partners often can make you feel like you are too much and incapable of being loved. May find it hard to feel their needs being met in their personal relationships. Here lilith indicates issues of being taken advantage of by other people and personal power being exploited. Aggressive aspects can also show facing abuse, which can make these individuals pretty guarded when meeting others. You could feel the need to be in control and have a dominant role in your love life. However, self-destructive tendencies may spur from not getting what you want out of a partner and lead you sabotaging your connections. You can often pursue relationships you know are unhealthy for you. There’s a tendency to want people that bring out an unhinged version of yourself, becoming a whole different person with a partner. Shadow work needs to be done as to why you chase these toxic connections, which sometimes is rooted from the way you viewed the partnership of your parents.
Lilith in the 8th: In the house of death and loss, Lilith is put to face the extremes. Each time they are in a transitional phase in their lives, they get kicked out of their paradise. These individuals understand the darker sides of life and are somewhat good at navigating their shadow. Shadow side can often take things to the extreme when they are out of control. Really good at understanding the taboo and being okay with things that are scarier for other people. A necessary need to make peace with inner demons and resolving past psychological conflicts. While they are able to easily exude a seductive persona, sex can be a harsh topic for them to feel comfortable with. Losing their virginity might have been a monumental experience that shifted the way they act in their lives. There is a need to work on resolving issues with sex and not being afraid of it . Also, you might be into some fetishes that you feel the need to keep hidden from other people. Hiding is a big coping mechanism for them, whenever they feel like the world rejects them, they bury themselves down in shadows to not be seen. A distinct relationship with death, some hold huge guilt for being unphased by death, while others worry about their own deaths. If a family member had died, you might feel guilty for not being sad or crying at the funeral. These people can mourn their innocence a lot, thinking of a time they were untouched by the world around them. During transitional phases of your life, you could be vilified and demonized for acting differently. Might have had a dark aesthetic or emo phase during your teen years. Change can be a scary thing for you and you could harbor strong resistance towards new possibilities. This mainly comes from the scrutiny you’ve felt by other people. Learn to embrace the taboo and understand change will only allow you to reclaim your power.
Lilith in the 9th: These individuals hold a complex relationship with religion and belief systems. Growing up, they likely experienced a religious environment that instilled fear and submission to authority. It's possible they had overly religious parents who prioritized adherence to faith, rather than showing genuine love and understanding for their children. As you mature, there's a tendency to reject traditional systems of beliefs for more esoteric philosophies, helping you find empowerment through alternative spiritual paths. Although shifting your beliefs will allow you to have a sense of freedom, remnants of past religious trauma still linger in your mind. Guilt for what you believe in is a big focus for this placement. They often find themselves at odds with mainstream perspectives, feeling a sense of alienation and struggling to fit in. There's a tendency to doubt their intelligence and the information they know. This struggle extends to academic pursuits as well, where they may feel out of place and struggle to connect with their peers. Moving away from their area of upbringing can be liberating, allowing them to explore their shadow aspects and embrace their darker side through travel and adventure. In doing so, they may discover a newfound magnetism and allure, attracting others to their path towards self-discovery.
Lilith in the 10th: In the house of public career, Lilith exerts a strong influence on one's outward image and persona. When in public settings, you often see people being easily magnetized towards you. If Lilith is conjunct the Midheaven (MC), it can signify experiences of unwanted attention, including catcalling. There's a deep-seated fear of being seen, stemming from the difference between your public persona and true self-image. Overexposure to the public eye can lead to discomfort, particularly in career fields where others seem to dominate or overshadow you. There is a natural ability to exude sensuality that others find intriguing. They may develop a reputation for sensuality and allure, which can intimidate others, particularly men, due to the inherent power they radiate. Despite the fantasization, they may resent the objectification and sexualization. In professional settings their bosses may even attempt to take advantage of them. This placement can also indicate stage fright and social anxiety, causing them to prefer the sidelines rather than the spotlight. An unbalanced version of this placement would be sabotaging yourself when it comes to your career. Promoting bad behavior so that you can gain the upper advantage in situations. It's crucial for them to be vigilant against exploitation by authority figures and to properly navigate professional relationships and contracts. Despite potential misconceptions about their character, individuals with this placement must embrace their authenticity and prioritize their own career aspirations over societal expectations. Your that b*tch for real, and you cannot allow the public opinion of you to dictate who you are. Also, Lilith in the 10th house may signify a challenging relationship with their father, involving absence, mistreatment, or attempts at control. This further fuels aspirations to become a successful person, in order to prove their farther wrong. Embracing their power and authenticity is important for success and fulfillment in the professional world.
Lilith in the 11th: Friendships are never easy with Lilith in the 11th. Despite outward display of support, these individuals frequently encounter betrayal from those they consider close allies, discovering that supposed friends harbor secret animosity and ulterior motives towards them. Friends could make jokes about insecurities you have, while accusing you of being soft for finding offence. Your secrets are not the safest within your social networks, they are like blind items ready to spill all the tea about your personal life. This atmosphere of distrust can lead to a cautious approach to forming friendships, resulting in a preference for family and romantic relationships over the unpredictability of friendships. Despite these challenges, individuals with this placement often gravitate towards unconventional or marginalized groups of people. Finding companionship in the outcasts who defy societal norms. They may become strong advocates for the rights and liberation of marginalized groups, focusing on the need for women's rights and the empowerment of societal underdogs. So while friendships may be met with much difficulty, these individuals create meaningful connections with fellow non-conformists in society. Finding solidarity in their shared struggles, leading to finding community outside of Eden.
Lilith in the 12th: Individuals with Lilith in the 12th house tend to keep Lilith's energy to the depths of their subconscious mind. They are often unaware of its magnetic, rebellious, and sexually charged nature. May doubt their own sexuality and seductive capabilities, feeling overshadowed by others charm. However, when in solitude, Lilith emerges to confront them about their inner shadows and demons. This often leads to solitary battles with their deepest fears and insecurities. Sleep issues are common with this placement, as they may struggle to maintain a stable sleep routine. May prefer the quiet solitude of the night for introspection and self-discovery. In their dreams, they often confront scenarios designed to evoke feelings of inadequacy and shame, forcing them to confront their inner vulnerabilities. They can be drawn towards dream working, meditation, shifting and exploring unique ways to access their subconscious mind. By using the arts, they can transmute fears and underlying issues in their mind to a reservoir of creativity. You can often see their shadow portrayed boldly in their art. Also, these individuals are often empathetic and hold nonjudgmental view towards the shadows of other people. Overall, through uncovering their darkness, Lilith in the 12th house can lead to spiritual growth and artistic development when integrated unapologetically.
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Remember to look at the aspects to Lilith in your chart. Since it is an astrological point & asteroid, it doesn't hold as much significance compared to the planets. So aspects allow you to know how much of this energy can be brought up to the surface. Also, this reading is for all versions of Lilith in the chart.
-your Star Darling
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(Portrait of Simonetta Vespucci, by Piero Di Cosimo)
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neon-sunsets · 1 month ago
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it’s actually insane to me in retrospect that viktor got the arc he did. I need to go back and count his screen time minutes, but it’s clear that he’s up there numerically, and his story has so much weight within the narrative outside of just numbers as well.
beyond that, though, is the fact that viktor's narrative is fundamentally one about internalized ableism and the systemic structures that encourage it.
(obligatory disclaimer #1 that I have a significant mobility disability and a progressive chronic illness, but I am only one disabled person.)
imagine this: you are a child. you are disabled. the world you live in is one where you cannot afford healthcare; no one is there to teach you how to even use your cane correctly. your world is inaccessible and, worse, even the people who would normally show class solidarity with you don't, because you are not even able to do what they expect from you. characters like vi, powder, claggor, ekko, and mylo are all shown care and solidarity that viktor isn't — because they are able-bodied and therefore able to "pull their own weight."
this, at least, is an environment that can probably be overcome or mitigated by age and meeting people in your community who do care about you. this is an environment comparable to that of many, many, many disabled people who manage to thrive in a deeply unfair and ableist world.
but then you encounter a man who sees that you have talent and tells you as much. he does not ask much of you and he does not care that you are disabled. all he asks is for some help, which you give, and in return he teaches you the things he knows. what comes of this, after all is said and done and your understanding of the world has been fundamentally changed, is that you do have something you can give to your community, to the world. you have a talent which you can use to make yourself useful. you're not strong or sturdy but you can make machines, and that is always in need.
but you can't skate by on being useful like a normal child. the onus is always on you to prove that you're worth the air you breathe and the space you take up, that it's worthwhile to keep you alive. and the place to go to make yourself the most useful, where the most change can be made, is not a place you have any traditional way of accessing. you, through tenacity and grit, manage to get there anyways. (the show doesn't depict this, but any way viktor would have managed to get to the academy would have involved significant difficulty and possibly deception).
and when you get there, to that towering city of bronze, you find that nothing you do actually matters all that much.
everyone looks at you and sees your disability. everyone looks at you and sees where you're from. no matter how smart or accomplished or helpful you are, your behavior will always be, in their eyes, representative of your people. you could handle the stares, the rejection. but their judgement is dangerous to you and your people.
so, in order to survive, you must be perfect. you must project confidence or at least indifference to their cruelty. you must do as you're told and accept meager promotions and toil away as an assistant. you might be the only disabled zaunite they'll ever meet, so you have to make it count. if you fail, if they decide everyone from the undercity is lazy and useless, it's your fault.
you tell yourself you won't let them get to you. you tell yourself that you believe in your abilities.
it's a convenient narrative, and it's wholly untrue.
you, after all, are only a human being. a lifetime of the chips stacked against you is nearly impossible to overcome.
and so the image you build of yourself is that of a man far more self-confident than you, one who is quiet and reserved but proud of his accomplishments. the man you actually are, though, is one desperate for acceptance. desperate to assimilate. you chase your dreams, yes, but you can't bear to take credit, can't bear to be the face of them. you don't let yourself get close to anyone except the man you've built all of this with, who you love more than anyone else. you don't let anyone touch you (except him) and you don't touch anyone. you convince yourself you don't deserve his love or anyone's, that you're not whole enough for that.
you take it so far that, when you finally have the technology you think can cure your terminal illness, the first thing you try to fix is your leg. not the thing eating at your lungs and cutting short the time you thought you had, but the leg which has marked you as Other your entire life. and even though it doesn't quite work, even though it still causes you pain with every step, you force yourself to run on it — faster and faster until you're outrunning the ships and screaming because you may have visibly "fixed" your leg but it still hurts the same.
and when the system is not only oppressive in the material sense but also set up to make you hate yourself, there is almost no escaping this cycle of self-hatred. throw in the fact that in season 2 viktor keeps getting tossed from resurrection to resurrection against his will and it's no wonder the man did the things he did. it doesn't excuse them by any means, but arcane is not interested in excuses — it's interested in what makes people do the things they do. everything that he did to the people in the commune was a reflection of his own self-hatred, both because he still possessed it after death but also because, since he was programming the hexcore to try and save his life but started with "fixing" his leg, it is designed to make people as physically "normal" as possible. the faceless, identical machine people are a metaphorical representation of the ideology viktor has bought into in his pursuit of self-hatred and internalized ableism. his whole arc across both seasons is a demonstration and condemnation of the ways that systems of oppression reinforce self-hatred in the people they are oppressing.
obligatory disclaimer #2 that I don't think arcane did everything right. I'm frustrated with the direction of season 2 away from the piltover/zaun class conflict and towards the broader league of legends universe. but I do think, as a disabled person with a very similar experience of my disability to viktor, that this arc is well-done and very compelling. in the end, what saves the world is viktor accepting that he is deserving of being loved. I'm going to be thinking about this one for a good long while.
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awordsmith · 1 month ago
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if we had known 𝜗𝜚 s.r
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۶ৎ in which you and Spencer are best friends, and have never crossed that line because you're in love with him and he's in love with JJ–or so you think.
katcember
who? spencer reid x bau!reader when? s7 category: angst content warnings: proofed! right person wrong time(?), unrequited love, false depiction of therapy (really just the quickness and no evaluation), past to present, depression, broken to mending friendship, jealousy, envy, Spencer's addiction, lots of crying (prepare yourself), personal growth, reid with care word count: 9.4k a/n: it made me cry. a lot. enjoy!
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Wind had been blowing through your hair, you had worn a long-sleeve and yet it was still cold–it was December, the constant downpour should've made you think twice before you'd left, but it hadn't, and you were freezing. Maybe you should have brought a jacket, that would have been ideal, but you were running late, and you were never late, so you had been rushing.
You remembered the clouds darkening that night, you weren't afraid of the dark, apparently, as Spencer had mentioned, but of the things that could be lurking. Hotch was staying late, per usual, and the others had already gone home for the night, so Spencer had offered to walk you to your car.
He was nice like that, which is why you'd considered him your best friend. You hadn't had many outside of the BAU, some acquaintances at best–and though you had been incredibly close to the other members on your team, Spencer was different. You had always supposed it was due to the fact that you were the closest in age.
He had been 26 at the time, and you were just a year younger. That was the year you had joined the team, at the ripe age of 25, whereas he had been with the team for 4 years prior to you. He was the youngest known member to join the Bureau, and working with him, you were able to see why.
He was incredible in almost everything he did, you loved listening to him rant, it was mesmerizing the way someone could be so passionate about so many different and unrelated things, the way he knew so much about nothing and everything. You'd known it was mainly his eidetic memory, but it had still been fascinating. You couldn't help the way you'd analyze the way he spoke nor could you fail to notice the other team members energy toward his rambling. It annoyed you a little, but you had been new and hadn't wanted to say anything.
In your own way though, you'd been able to show him you cared, "go on," you'd murmur in a low voice, a small smile grazing your lips. He used to look at you contemplative. The first time you'd said it, you'd almost wished you could take it right back. The others had looked at you like you might have been mad, and maybe at some point you were; if it were maddening to want to listen to someone speak, then you would've concluded that, yes, you were indeed mad.
"Thank you," you'd said as you got to your car, spinning on your heels, smiling up at him.
"Any time," he had chirped, hands in his pockets, "hey, there's this showing, it's in Italian and there are no subtitles, but I can whisper you the translations, if you...wanted to go..." he'd scratched the back of his head, it was the first time he'd invited you out. It wasn't a date, you'd known this because you'd heard him ask the others about it before, most of the time he was shut down and you'd had to cover your snickers because as sad as it was, it had also always been somewhat funny, their responses and expressions–and the way Spencer never look disappointed, but rather confused and sometimes even expectant.
"I'd love to-o-o," you'd shivered, grabbing your arm and rubbing it up and down.
"Oh, are you cold?" He'd frowned, concerned. He'd pulled his satchel off and had sat it atop your car's trunk. He'd shrugged of his sweater, it was his favorite at the time, the brown, plaid one. He'd worn it more than he spoke, which was saying something, you remembered smiling at the thought as he'd handed it over to you.
You were stunned, you had never dated anyone before, so this treatment hadn't been normal for you. Though with Spencer, things always seemed to be everything but ordinary.
He had grabbed your bag as you'd slipped into his sweater, dainty as it had been, it did the job. It smelled like him, like too-sweet coffee and paper, or maybe that was old books, it could've been both, he never was seen without one or the other.
"Thank you," you'd smiled up at him, taking your bag back, watching as he'd pulled his satchel back over his shoulder. The wind picked up again, but his sweater kept you warm, "again."
He'd nodded, "as I said, any time, it looks better on you anyway," you'd returned his nod, suppressing the grin that would have no doubt escaped you if didn't know Spencer was Spencer, if you were strangers, perhaps.
"So, the movie, where do you want to meet?"
He'd grabbed the strap of his satchel, eyebrows raised in slight disbelief, "you–want to go? Really?"
"Yep," you'd nodded, eyes lighting up, "I have a personal translator, not many people can say that. I'm special," you'd said dramatically, but pride had slipped through, and you were sure he'd noticed it, even if he'd omitted to say anything.
He'd snorted, "I don't come free."
That was the moment you'd known, that no matter how hard you'd try detaching your heart, losing him would hurt–it'd hurt in ways you'd kept yourself from imagining. Coming to this conclusion, making up your mind hadn't been all that hard, it was simple–really; you would just never lose him.
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That same year, Spencer had been kidnapped by an unsub, who'd later be identified as Tobias Hankel. Words couldn't express how angry you were at JJ. You'd lashed out when you'd found out he was missing, Morgan had to hold you back from, from that point you had lost all control of your emotions and it was the first time you hadn't been scared to lose your job. You had been terrified of what he was going through, you hadn't even a clue as to where he was or if he was still alive. But he has to be, you remembered thinking.
It had almost drove you to complete depression, thoughts of uncovering his body in the most gruesome way, thoughts of him being a body and not Spencer, the genius who could ramble on and on about almost anything, who'd given you his sweater when you were cold, who'd whispered translations into your ear–it was unthinkable, and to this day it still brought you to tears when you thought about it.
When the live videos of him began popping up on the screens in the living room, Hotch had ordered you to stay in another room.
He'd noticed the way you'd began to look at Reid, how you watched him speak and encourage him to do it more often around you. He'd never say it out loud because he knew you and Spencer were both adults and would never cross that boundary, but he just couldn't bring himself to let you see Spencer like that. Gideon seemed to agree.
You'd been angry at him, of course–you were angry at the world. It's how he'd feel if something like that ever happened to Haley or Jack, he hadn't blamed you, but he had still needed you to be at your best, and you had already been deteriorating with the knowledge of Spencer's kidnapping, seeing those videos–him in that state–it would have ultimately broke you, and you were so young; he hadn't known then, if he could have pulled you back from that.
Finding Spencer alive was the only thing that saved you from a catastrophic end. You would have brought down the door with you bare hands had it not been for Hotch kicking it down for you. When you found he wasn't there, you'd run out, passed the other's shouting, "they have to be on foot, they can't be far."
Gun out, you were the first to approach, some part of your mind had taken over and you'd realized doing this by yourself wasn't rational nor professional, even if it was Spencer. He had been right there, so close, and yet so far. "I'm moving in," you'd told Gideon and Hotch, when they'd finally caught up.
No one said anything as you'd moved forward, guns trained on whatever might have been in front of you. It'd been dark, you'd had your flashlight above your gun when a shot rang through, you'd screamed and had ran towards it. The rest of the team followed close behind. Spencer had been leaning over Tobias, mumbling to him.
Hotch had stepped in front of you to help Spencer get to his feet as you'd stopped to watch, unable to physically move forward. Tears sprang in your eyes as the team began asking if he was alright. When Hotch had confirmed this, he'd glanced at you and frowned, turning back to Spencer for a brief moment to pat him on the back before walking away. Spencer had turned to you–or at least you thought he had. JJ had moved forward to your side hesitantly, but Spencer instantly captured her in a hug.
Your heart dropped and you felt some type of way, though you hadn't wanted to admit it to yourself at the time, there'd been a strong distaste for JJ in that moment, strong and yet it hadn't just been anger, it had been envy. You'd known it was envy because jealousy stemmed from something you had, and you did not have Spencer the way JJ did.
"I am so sorry," she'd said, and guilt had ran up your spine. How could you have felt such a terrible way toward her when she'd probably been punishing and blaming herself for everything he'd been going through? The worst part however, was that though you may have been closer to Spencer than anyone else on the team, he'd always have that bond with JJ; she'd known him first–and that was something you couldn't compete with.
When they'd pulled away, he'd glanced at Gideon and smiled painfully, but then his eyes had turned on you, and a nervousness that hadn't been there before spread across you like fire in a forest.
"Hey," he'd mumbled.
"Shut up," you'd wrapped your arms around him and buried your face in his chest. He had smelled horrible, alcohol and another scent you wouldn't recognize until later.
He'd chuckled and you had heard the aching in it as he'd wrapped an arm around you, the other had gone to your hair, smoothing it downward, "I didn't say anything."
"What did I say," you'd pulled away, eyes red and rimmed, tear streaks smudged slightly on his dirty shirt.
He'd gave you one of those impeccable smiles, the ones he'd come to find could always get him out of trouble with you, you hated it, but despite yourself it still worked. He'd lifted his head then, to someone behind you, it was Morgan, his own eyes looking just as haunted.
Morgan had followed Gideon toward the cars after a shared silence. You'd helped Spencer limp back to the car, "you can put your full weight on me, I can handle it," you'd said, huffing.
He'd snorted and winced right after, "I know, you can handle anything." You'd smiled to yourself, then had frowned when Spencer stopped moving suddenly. You'd slid your eyes across his face, afraid he'd had some internal wound, one he couldn't mentally feel, but then his eyes–serious and captivating–stopped your wondering, and his voice had trembled when he'd whispered, "thank you."
Your throat had went dry and the rawness that'd laced your tone said everything and nothing at all, "any time."
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He'd gotten addicted, anyone with half a brain could've seen it. You'd wanted to mention it, you'd wanted to bring it up, you just hadn't known how. Everyone on the team had seemed to want to ignore it, or, like you they'd had no idea how to bring it up without triggering him.
But you would. Your movie nights had ceased, after he'd been released from the hospital, you'd wanted him to take it easy, you'd never once thought that would've been the result. What the hell had happened? What had you not seen? What in this tragic world had he'd been going through on those live videos?
You had kept biting your tongue, but eventually, it had got to a point where you just couldn't stand to see him like that nor could you stand to sit idly by like the others and pretend like nothing was wrong.
Unannounced, you'd shown up at his place, should you have been there? You didn't think to care, a knock, then two. As you'd gone in for the third, audible rustling had come from the other side of the door. You had frozen, hands glued to your side like a cheerleader at default. His face when he'd opened the door looked horrible, he'd probably been just been asleep, it was a Sunday after all, a once in a lifetime Sunday where you hadn't been called in, a miracle, really; were it not for that Sunday, you just might have chickened out.
"Hey," you'd smiled, rubbing your hand over your arm nervously. "How–are you feeling?"
You hadn't bee able to see half of his body as he'd been leaning halfway out the door. You'd been to his apartment a few times prior, sometimes to pick him up, sometimes you'd binge movies and shows, but you'd never stayed the night. With how close you were, you were both careful not to cross that boundary–well, it had mostly been you.
You not wanting to make him uncomfortable, you not wanting to accidentally give yourself away by mumbling something in your sleep; you not wanting him to notice it in your eyes on an evening when you were half awake–and he would have, you had absolutely no doubt that he would have.
"I'm okay," his voice was thick, it had been 1 in the afternoon and you hadn't been one to judge, especially when it came to him, especially when you'd considered what he had survived–but it had still clung to you like a shadow, a dark, looming shadow. "What are you doing here?"
Your friend–your best friend–had been in trouble, he hadn't even looked like your friend anymore, he'd been a shell of himself, and if you had been anything, you'd been determined. You'd frowned and pushed your way into his house, "you've been distant," you'd moved your eyes around the space, nose crinkling at the odor, his apartment had been trashed. Cups of noodles had been on every surface, some even on the floor between his couch and coffee table. Blankets scattered the floor and you could remember seeing clothing on the floor in the hall that led all the way to his room. Your chest had squeezed in pain for him.
"Yeah, I've been meaning to," he'd motioned around and had cleared his throat.
"Oh, Spencer," your eyes had softened as he'd shut the door behind him, "I don't know what you've been going through, but I know it's been hard on you."
"You don't know what you're talking about," he'd audibly gulped and had cast his eyes to the floor, having the decency to look a little ashamed.
"Spencer," you'd walked toward him, voice startlingly clear. His eyes had glanced up for a second, then quickly back to the floor. "Spencer," you'd said again, pulling on his wrists, "why haven't you come to me? I know you're hurting, please let me help you."
"Why?" His tone had been clear indifference, his eyes narrowed slightly and when he'd looked at you his face was distrusting.
That was the first time you'd felt a physical crack in your heart. You had never–never–seen him this way, in all the months you'd grown to know him, to appreciate and respect him, never once had he looked at you that way.
"Because you're my friend," you'd pleaded, tears welling up in your eyes.
He'd snatched his arms from you and had turned around with swiftness he'd only ever used in the field, "I think it's time you go."
"Spencer?" You'd called, your voice quiet.
He said nothing as he'd stepped out of your way and had reopened his door, waiting patiently for your exit.
You'd done so, but not without a plan forming in your head. The next day, Monday, you had woken up extra early, gotten ready, and had headed for Spencer's. You hadn't let a single word of his deter you from banging on his door until he'd answered–pushing away the guilt of waking up his neighbors–that day you'd forced him to give you a copy of his house keys.
The day after that, you'd gotten up early again, and using the copy of his house key, had silently slipped into his apartment and hauled him out of bed. You'd took his groaning and shouting and every insult he'd thrown your way under his breath, he didn't mean it, you knew, so you'd always thrown them away as soon as they'd leave his mouth–but sometimes, they'd find you at night when you were in bed and you'd cry yourself to sleep, then you'd get up and go through it all over again for his sake, all for him–but maybe...maybe just a little bit had been selfishly for you.
Hating yourself for knowing that had it been anyone else, you probably would have given up that first day, but it hadn't been anyone else, and you hadn't given up on him. Even if you'd known he was in love with JJ at the time, you wouldn't have done anything differently, because you didn't want to lose him–you couldn't; you had promised yourself.
The following weekend, you'd asked Gideon to let you stay home from the case you and the team had been working on, alluding to the fact it had something to do with Spencer, which thankfully got to him.
While Spencer was away with the team–you'd hoped they would watch out for him, you had to have faith that they had cared enough to do at least that much–you cleaned his apartment. You'd bought materials specifically to tackle the mold threatening to grow. You'd searched up–a lot of what you now knew on how to clean an apartment that had been dormant for a couple months–on the computer in the nearby library. Leave it to Spencer to always make you feel young.
You'd begun with the things you could pick up, separating dirty laundry from garbage via trash bags. The space had garnered a foul smell which you'd noted that first Sunday you'd popped up out of nowhere, but it had eluded your mind when Spencer had asked you why. You'd thought on that moment multiple times, why? Why? You'd sometimes felt like screaming when you were alone, how could he have asked such a stupid question? Of all the things that must have been floating through his thick skull he'd settled on "why"–you'd taken a breath, calming yourself. He couldn't help it, he hadn't expected anyone to care so he acted as if no one did. You hadn't meant to profile him at the time, it had just happened, and if you'd been honest, you hadn't felt sorry. It had been one of your biggest motivators–to show him that someone did in fact care.
Eventually, he'd begun to expect you each morning, and maybe it was a little selfish on his part–maybe–but he'd begun to lean on you, turn to you...a lot more than he should have. At first he'd rationalized it, you'd been persistent, who was he to stop you?
Within a month he'd begun seeing a therapist, he hadn't wanted to take time off of work and admit himself into a facility, doing that had–and still–scared him more than his addiction, it would have meant admitting he was unstable, unable, and that just–well it hadn't been an option.
He'd gotten his life somewhat on track again, thanks to you, it had all been you. He had treated you horribly and you had still cared, had still helped him–admitting himself into an institution not only scared him because of his past, but because the thought of not being able to see you at work everyday, and outside of work whenever he'd wanted was too much to bear, he knew he would have possibly gone mad–and he hadn't wanted to think about what that had meant.
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You'd never seen a drunk Spencer before then, the air was chilly, and you'd just left the bar, thanking God Hotch hadn't been there, or he no doubt would have ripped into you for allowing Spencer to drink as much as he did.
Before then, the only thing you'd thought he drank more than he could handle was coffee. Morgan had taken Penelope home–you'd gotten used to their relationship as fast as Spencer read novels. Rossi and Emily had stayed home as well, reasons: unknown.
JJ hadn't been able to make it, she'd gone on a date with Will, she'd grown on you after Spencer had gotten better, but you'd still had a bone to pick with her and the rest of the team for allowing Spencer's addiction to get a bad as he did.
You'd kept your opinions and feelings to yourself because Spencer never brought it up, but there'd been times–you'd recall them sometimes right before you'd close your eyes at night–times where he'd asked for help in complete roundabout ways. But he'd said them in a room full of profilers, so there was no way he'd said them on accident or without meaning.
"Woa–ho," you'd laughed, grabbing onto his arm to keep him upright. "I am never letting you drink that much again."
"Wha–what?" He'd whined, "why? What did I do?"
You'd heaved a heavy sigh, but had laughed when he'd stopped, turned to you with squinted eyes, and poked your forehead.
Turning back away, he'd found you were on a bridge that overlooked a shallow river, the lampposts that had glowed that night lit up the dark, working together with the stars to allow you to see.
You'd followed him to the hangar and watched as he'd leaned over the railing, his elbows had b raced against the cold metal. You'd leaned your back on the railing beside him, head tilted upward toward the stars as his tilted down toward the water. "I think I love her," he'd whispered, but when you'd caught it–and you had caught it, your heart sank.
"...love her?"
"Yeah," he'd paused, "JJ."
JJ.
Crack went your heart. You'd blinked away tears and gulped. How were you suppose to respond? How would a normal friend respond? What would Penelope or Dereck say? Hell, even Hotch would've been a better person for him to say this to–but he hadn't known that.
You'd swallowed your pain, "oh..."
"I don't know what to do," he'd continued, "she's my best friend..." and she has a husband, and she has a kid on the way, and I thought I was your best friend and I love you... Thoughts ran through your head at godspeed, but you'd stayed silent because you were sure–no, more than sure, you knew for absolute certainty your voice would have given you away within seconds. Spencer had been drunk, but you hadn't been thinking about him, no it was you. If you'd heard your own voice, even for just a second, you would have lost it.
A break down had not been on your list of things to do that night, but there you were, balling your eyes out like a lovesick teenager the instant you'd stepped into you apartment. You hadn't been able to stop it, it wouldn't have been healthy, anyway, and if you had kept it inside, you would have chanced being profiled by the best, and it wouldn't have been hard to connect the dots.
You'd been pretty sure Spencer had not remembered a single thing from the moment you had left the bar. He'd called you the morning after with a massive hangover and as much as you had wanted to avoid him, he'd been your best friend and it wouldn't have been fair to him, especially if he'd had no idea what you were feeling–and how could he?
You'd hid it so well you hadn't even been able to believe it yourself. How to move on, how to get ride of these thoughts that had seemed to plague you every night? You buried it the only way you could; you wrote it out in a journal, everything, every last bit, it had been easier than saying it out loud to a therapist and even yourself.
Every time you'd felt the sudden urge to cry, every time you saw his gaze linger on her or they spoke alone, it hurt you, it hurt you a lot more than you'd ever thought it could.
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It'd been a year, a year of suppressed feelings, of envy, of keeping quiet just so you could hold onto what you have left of him because if there was even a small chance JJ had given him any thought–yes she was married, yes, she had a child, and yes they were coworkers–you were pretty sure Spencer would take it.
"Hey, what're you doing?" Spencer plopped down on the chair beside yours. You were using it to hold documents as you'd been cleaning out your desk, but you'd stopped using for some time now, and you'd meant to take it back to the meeting room you'd stole it from when–briefly–you recalled that night Spencer had gotten a little too drunk.
You slammed the notebook shut way too fast to go unnoticed by him and as you lifted your head to meet his, his eyes snagged on the small brown, leather-bound book. "Nothing, why–what's going on?"
His eyes narrowed bit and when he lifted them back up to meet yours, you stilled. "Nothing..." he dragged out, "just wanted to see if you were busy tonight."
"Nope, completely free," you chirped.
He pressed his lips together, careful to keep his eyes on you. If he didn't, you would've profiled the notebook piqued his curiosity, and if he was going to snoop, he could't give you any reason to hide it.
Now, Spencer never would have done it if it hadn't been you. You had your secrets, sure, but he had talked to you about his mother, he had introduced you to his mother. You hadn't been around when the team first met her, and Spencer had desperately wanted you to, had wanted her to know you.
He'd taken you after he'd gotten clean, and you had been perfect just as you always were. You'd told him about your family too, where you'd grown up, what it was like for you in school, in university, you had practically shared life stories, so the fact that you were keeping something from him–it just–it didn't sit right.
It would keep him up at night and he knew it and–yes, it was an invasion of privacy and it was your right and yet he could not find it in himself to–for a lack of better words...care.
It was nearing his birthday, you hadn't mentioned it yet, but he knew you were planning something, perhaps that was what you'd been writing about, and if it was, well, then there was no harm no foul. You'd be pissed, of course, but you'd forgive him...eventually. You always did when he prodded at you, he'd use the smile you never seemed be able to say no to.
That smile, you were sure God had crafted it just for you because every time you saw it you just melted. Your knees would go weak or you'd get butterflies in your stomach, somersaults, or you'd just feel sick–you didn't know which was worse.
Some days your body would be affected physically and there would be no other explanation except the way you were feeling that day. Except the way you'd cry into your pillows, whenever the pain was too much, you found yourself ignoring the wold around you.
It was growing–had been for a while–you were planning to cancel on Spencer, which wouldn't be out of the norm for you these days, which was most likely one of the reasons he'd invited you out today, because you'd cancelled on your movie night last Saturday and the Tuesday before that, you'd cancelled your babysitting at Hotch's with him.
He was probably worried something had happened to you and you knew it was't fair, but you couldn't find it in yourself to care. His birthday was coming up and you wanted to do something for him, something special, you both loved October, you more than him because it was his birth month as well as spooky season, but as the days passed, you couldn't stand to see his face without feeling your heart ache.
You tried reading, throwing yourself into work, anything and everything to get your mind off of him, but nothing stuck. You were being consumed by your thoughts, your unrequited love, you needed a rush, maybe then you'd be able to close your eyes and breath without smelling his cologne and seeing his stupid, pouting smile.
October 12th, Spencer's birthday, he was turning 30 this year, and you still hadn't wrapped your head around what to do. You'd walked into the office, Penelope running past you, calling for you to follow. You weren't normally late, but the past year of suppression had taken its toll on you; you didn't think you'd ever been in a worser state than you were in now.
You listened over the case, but you weren't really listening, you were debating whether or not to tell Hotch, when someone latched their arms onto your shoulders and shook you.
You glanced around the circular table, meeting each pair of eyes with more shame than the last, "I'm sorry," you said, rubbing your eyes.
Hotch stared at you for a moment, silently analyzing your appearance, Spencer opened his mouth to speak, perhaps on your behalf, you couldn't really tell, but Hotch beat him to it when he stood abruptly and said, "follow me, the rest of you continue." You ignored Spencer's concern as you followed your boss to a private space.
Your eyes locked on something behind him as you waited for him to speak, and when he did, you weren't surprised at what he had to say, "what's going on with you?"
Six years, six years you had been with the Bureau, six years you had worked with Hotch and Spencer and Morgan and JJ and Garcia. Six years and for a brief, but sure moment, you'd thought about asking for a transfer.
"Don't do that," Hotch pulled your attention to his face, "don't ignore me."
Your frown deepened, "I'm not–
"First stage, denial," he tilted his head down when you averted your eyes so as to keep the contact, "but you're not in denial, nor are you angry, I've seen you write in that book of yours for half a year, but it's not enough anymore, you must've just hit stage four–"
"I thought we didn't profile each other," he'd hit a nerve and you both knew it.
He sighed, and murmured your name, it wasn't until you found his eyes again that he asked, "who are you mourning?"
You seized up, tightening your face. It was overwhelming and scary just how accurate Hotch was. A moment passed between you two, Hotch's brows furrowed in confusion and you–body, mind, face, and soul–frozen in terror.
The sound of the door opening knocked you both out of your trance. It was Spencer, Hotch caught the twitch your left eye gave when you perceived who the intruder was. Recognition lit up his face, but then he was just as confused again. You and Spencer seemed to be as you always had been–no, something must have changed, for you at least. Spencer seemed oblivious, or he had been for the better part of whatever you'd been going through.
He was now between a rock and a very hard place, what could he honestly do? This had nothing to do with him–but he had failed a team member once, and now that same team member seemed to be at the pinnacle of the distress of another one. What was he to do? What was the best course of action? He had no information, well, he knew you were in love with Spencer, that wasn't much of a deduction, the whole team practically knew–all but Spencer of course. If it was rejection–no that just didn't fit with Spencer's upbeat attitude, whatever had happened clearly wasn't recent.
"Hotch," Spencer spoke, pulling his attention away from his thoughts if only for a moment, "do you mind if we..."
Oh. The team lead thought, perhaps Spencer had found out already? Then he had everything under control? So, should he leave it alone? Ignore it? That seemed to be what he did best, he grimaced at the guilty thought and glanced at you, now just a bit relaxed. "Sure, but be quick."
He stopped himself from saying more and took up refuge in the room with the rest, pretending like he didn't notice their questioning eyes. This time, of all times, the best thing he could truly do for his team members–was absolutely nothing.
Spencer stood silently, hands stuffed in his pockets as he stared at you with unrelenting eyes. He was analyzing you just as Hotch had been, but with better, knowing eyes.
He did–in fact–sneak a peak at your journal, more so toward your latest entry. It shocked him–to his core, it shocked him. He had to put it down when he'd read the first paragraph. Being able to read 20,000 words per minute, he'd thought he'd be done within seconds, he'd thought he would have been able to read the entire thing, actually, before you got back from the restroom.
It had been the first time in a long time he'd been wrong about something, wrong about himself.
He'd read it over again after a few second of sitting in your chair, too stunned to come up with coherent thoughts. He'd thought he surely must have read it wrong, he must've been tired, he couldn't have read what he'd thought he'd read.
But sure enough, the words were still there, emboldened and burning in his head. He'd flipped back to the first entry, you'd been documenting for a few months now and it physically pained him to read it. How could he have not known? How could he have been so incredibly blind? How could he call himself a genius and not have profiled that his best friend was in love with him? That she was hurting from it, because–all because–
"You know then," her voice tugged at something in him. His face contorted into pain-stricken grief. You contained a small urge to laugh, it would have been dry anyway, and you were tired, but you shoved it down, away.
"Yeah," his voice was raw, like he'd been crying and maybe he had, maybe some part of him felt sorry for you so he had cried. Pity, it disgusted you, it made you disgusted at yourself.
You nodded, your lips forming a thin line, "I'm sorry," you got out before you shut you eyes on instinct to keep the tears from spilling out. You turned around to hide hide yourself, he already knew, you had to keep some emblem of your dignity.
You began walking away when you recalled, for some reason, his birthday, and you turned back around, walking back up to him with tears streaking down your face. Tears in his own eyes threatened to break loose at any moment. You truly were sorry that you had put him though all of this, but that's not why he was crying.
He was angry at himself and hurt for you. He didn't know how he could have been so incredibly stupid. That's all he could think of, all his mind–his heart–would let him think clearly; how stupid he was.
He watched as you stepped forward, as sad and detached as you seemed, your walk was graceful, as if you were a ghost floating down the hall. He tensed slightly, as you brought your hands forward, he'd take it, he deserved to be slapped after all–hell, he would probably slap himself later on when he was alone because of how unintelligent, how thickheaded, and witless he'd been.
He didn't even close his eyes, he was ready for it, but you didn't slap him. You pulled his face down and pushed yours forward. You kissed the side of his cheek and whispered, "happy birthday, Spencer."
Shock wrapped itself around his brain, he felt like a robot as you pulled away and turned. Pieces fell as you walked away because shattered was your heart.
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He should have followed you, he should have, he knew he should have, but he had been scared. He still was, and the more time went on–the longer he stopped seeing you–that fear grew. He couldn't pinpoint exactly what was terrifying him, but he had a few guesses.
He didn't want to lose your friendship: he'd been so close to you for so long, he turned to you for everything and he'd expected you to do the same. There were moments, he'd knew there were, when he'd catch himself analyzing he curve of your figure when you'd fallen asleep on his ouch or yours. His eyes would sometimes trace the lines that made up your face, the dip at the top of your lips, the way they'd press together when you were contemplative or worried. He didn't want to lose those moments, moments that he really shouldn't have had, moments that he considered his and his alone.
He'd never been in this situation before and if he wasn't careful, he'd mess it up: Spencer'd had crushes before, he'd even had a girlfriend once, briefly, but compared to you? They had been fun, exciting even, you–you were dangerous. When those girls had entered his life, he knew they'd eventually leave and he didn't mind that. That's why he'd kept all those moments to himself, why he never told Morgan or Penelope or even Emily. The things he'd done just so he could keep you, of course he knew it wasn't rational. You'd eventually find a boyfriend and settle down and maybe that boyfriend would someday become a husband. He had always ignored the bile that built up whenever he thought about it, about losing you–because he wouldn't be giving you away, how could he if you were never his to begin with?
A week turned into a month and before he knew it, December was here, it had surprised him so much so, he thought surely a car must have hit him when he hadn't been looking.
The team noticed it, the deterioration. It was visible in both his physique and his mind. He couldn't focus on any of the cases they'd been given. It started off small, with his mind wandering, but as time went on, it became less and less easy to focus him again.
Hotch had emailed you professionally, explaining how you could take as much time as you'd needed and when you were ready to come back, the team would be waiting. Then he'd texted you unprofessionally and told you if there was anything you needed, he was one text or one phone call away.
You'd spent the past few weeks going to therapy. As soon as you'd left the office, you'd sat in your car for a while, contemplative. You'd started driving and your subconscious brought you to a personal health center. You had forced yourself out of the car and through the front doors, tears fell down as you entered. There were a few people in the waiting room, not including the receptionist.
"I–was wondering," you half said and half sniffled, "if you had any walk-ins."
They had one, but you'd have to wait for about an hour, and you did. You spoke to a woman, thankfully, it was easier for you to let out all your faults, all the times you'd cried, all the times you had felt you were a horrible human being, all because of one person, but then again this obsession wasn't at all on Spencer.
And it wasn't all on you either, your therapist, whom you called your saving grace from time to time, explained that because you had built up all of your emotions, and there had been a number of them, you kind of just broke. Which was on parr with the way you'd been feeling.
She'd asked to see the notebook you kept, but you had left the thing in the drawer of your office, you'd cursed yourself. You had no idea how much Spencer had read, but he must have read it because there was no other way he'd known exactly how you were feeling, and if there was any chance he'd go back to read any more–that was if he hadn't read the entire thing already–well, you'd wanted to prevent that.
"What are you feeling?" The therapist had asked, "would you rather write it down?" She'd slid over her notepad and pen.
You'd taken it willingly and had stared at the blank space for a moment, and then–all at once–conversations and small gestures and intimate moments flooded your system, it had been 9 in the morning, and the curtains had been closed and the regular light turned off; a lamp and candle directly across form each other had been the only things to keep the room from complete darkness.
The words left your mind faster than you could write, but you did and when you filled a page, you'd flipped it over, no longer crying, but focussed, and when you were done, you'd taken a breath. You had ignored the uncomfortable feeling of the therapist analyzing you, it was her job as it was yours, yet you'd still felt yourself shift under her gaze.
"Can I see?" She'd asked and you'd handed over the paper and pen, though hesitantly.
And it took her breath away, just as you had known it would, as it had no doubt took Spencer's.
It was almost a year's worth of grieving, and yet you had not idea what you were even thinking about. How could you mourn something that wasn't dead? It's not dead because it was never alive. You'd thought.
Unrequited love. One of the most painful types of love, yet when it came to Spencer–there was something more. You'd told her, "it's not just that," she'd nodded, encouraging you to continue and her patient eyes reached something in your heart, and just barely, you felt it mend.
You saw her the next day with an appointment, and they you a few days later, you saw her again. You grew accustomed to seeing her twice a week, and you'd even grown acquainted with some of the staff, the receptionist especially. They had multiple therapists who specialized in different areas, yours, thankfully, focussed on personal growth.
The weather transformed before you eyes and before you knew it, it was the first of December. You'd stepped out of your house and took in the fresh air, it was one of the firsts in a long time that you had felt truly okay, that you didn't feel like the world would come crashing down around you, and better, that you didn't wish for it to happen anymore.
You'd texted Hotch two days ago, you hadn't known if he was on a case or not, but it had been Saturday and your hope peaked through. Throughout the rest of October and all of November, the team had messaged you multiple times, checking in to see if you were okay. You didn't have the energy to respond at the time, but a few weeks after seeing your therapist, you'd texted each and every one of them, save for one geeky genius.
You had notably not received any messages from Spencer, and it used to send a dull ache through you, but now it only made you swallow. You missed him, missed his company, but not seeing him was a step forward, your therapist had said you needed time and space away from him particularly, and you knew she was right. Your subconscious had been telling you the same thing for weeks before Spencer read your journal.
Thankfully, Hotch wasn't on a case, and he did pick up, when you'd told him to come over, he knew something was up, for better or worse, he didn't know, but you were speaking again, and to him no less. You'd asked if he could bring Jack, you had a lot of apologizing to do to the little guy for cancelling on him.
Hotch had alluded in messages that Jack asked about you whenever a babysitter that wasn't you came over, though he never outright wrote that the kid missed you because he'd known it wasn't fair to you. You were thankful, but you still felt guilty.
That day, you'd turned on The Magic School Bus for Jack and kept a careful eye on him while you and Hotch sat at your kitchen stools and spoke quietly in the background. "How is he?" You'd asked, trying to start the conversation light.
"He's fine," Hotch had replied, "...he misses you." He didn't say 'you and Spencer', which told you he knew.
How? It was Hotch, of course he knew.
"How are you?"
You'd turned your head back to him, a small, but sad smile falling over your face. "Better."
He'd nodded, tight-lipped, "good."
"I want to come back to work," he'd let out a breath and were it not for his eyes, you would have never known he'd felt relieved.
His mouth quirked upward slightly, and a crooked grin–a rare sight from Aaron Hotchner, indeed–filled the no longer anxious silence.
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Your first day back at work, a Monday, December 3rd. It was tense at first, and you thought you might tuck tail and run when you saw Spencer, but you didn't, if anything you felt lighter. Maybe now, you could mend your friendship, that's what your therapist had said was the best course of action if you wanted to still be friends with him, though you didn't have much of a choice, you worked with the man.
You didn't avoid him, and the team at first, wondered what you had spent the last few weeks doing. Hotch had returned to your house Sunday to give you an eval, and you had passed with average colors, but he had cleared you. That was all that mattered.
Spencer didn't know what to make of your abrupt return, he hadn't been expecting it and for some reason he felt Hotch was punishing him...slightly. He thought you'd go back to avoiding him, but you didn't. You didn't seek him out like you used to, but you no longer evaded his questions or averted your eyes when he spoke to you.
He felt the wight in his chest lessen, and as time went on you were slowly falling back into your normal routine, but you still loved him, despite yourself, and he still loved JJ, and you came to accept that. If this was as close as you could be to him, you were okay.
And who knows? Maybe as time went by, you'd be able to move on. Your heart warmed and gently, you felt it mend again. Quietly, but efficiently, your heart was righting itself.
A week went by, and then two. You were talking with Hotch in his office about what Jack wanted for Christmas, and he was asking if you'd wanted to take Jack to see Santa with him. The others had already agreed to go, Spencer included, it was quite obvious the kid looked up to him; it still sent a flutter through your body, beginning at your toes, till it hit you head and you felt dazed. Spencer would be an amazing father, whoever he married–and he would...marry one day, you were sure of that–would be the luckiest person on earth–and his kids, well, they'd be blessed by angels.
"Oh shit," you stopped, frowning at the looming darkness that greeted you at the exit of the Bureau.
A snort came from behind you, "yeah, I thought you'd say that." Spencer sighed, halting beside you. You tilted your head upward, your small smile adjacent to his. "I guess some things never change."
You huffed a laugh, smacking him in the chest, "whatever, come on my knight and shining armor."
Hotch watched from his office window as Spencer followed you out to the carpark, like he had all those years ago, and briefly, he wondered if Spencer was going to tell you now. He clicked his tongue, remembering the not so pleasant discussion he and the team had with him concerning you after your return.
They had more or so laid into him, Hotch, though, kept his comments to himself, knowing he didn't have the power to control the actions of others, but maybe, just maybe, fate did. He didn't believe in ghosts, but Rossi talked about them sometimes, and even he had to admit, the setting before him was a little too coincidental.
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You waddled to your car like a penguin, making Spencer laugh, you loved his laugh, you always would. "So," he stopped at your car, leaning against it with those doe eyes–a gift to him and perhaps a curse to you.
"So?" You raised a brow, unlocking your car and shrugging your bag into the driver seat.
"There's this showing..." he cleared his throat, "it's uhm," he chuckled nervously, feeling his palms sweat, somehow the universe had known. It must have, he was a logical person, a scientific one, and being one he knew scientists had not yet debunked the theory of fate, normal people called them "happy coincidences" and/or "happy accidents". They were two different words, but both phrases held the same meaning.
"What language is it this time?" You sighed, but you were teasing.
"It–uh, it's in Italian," he cleared his throat and your heart boomed.
"Oh," you nodded, "sure I'd love to go."
He would have said 'really?', but it was you, and you had been so agreeable these past weeks, He was hopeful, but nervous because what if you did say no? What if he said the wrong thing without knowing it and you left again? He couldn't' loose you, not this time.
It was now or never and he knew it, the entire team had coerced him to a dinner where they half ate and half lectured him the entirety they were there.
"It's so obvious," Emily had sighed.
"Look pretty boy, I'm not one to butt into other people's business, but seriously..." Morgan had shaken his head.
And where Morgan stopped, Rossi had picked up, "did you lose your brain over night?" He'd poked Spencer's head, muttering something in Italian, but Spencer knew Italian, and he had to agree, yes, he was ignorant.
JJ, Spencer sighed when he thought about what JJ had said, "If you love her, Spence," she'd also reached out to grab his hand, holding it down on the table, "then she deserves to know."
"She's my best friend," he had squeaked out.
"Oh, sweetie," Penelope had watched him with sad eyes and a sad smile to match, "we know."
"Spencer?" You raised a brow, an awkward smile perfecting the confused expression you wore.
"Sorry," he muttered, "just..."
"Yeah...what-t?" You shivered and began rubbing your arm to warm yourself up.
"Your cold?" He couldn't believe it, but unlike that time years ago, he wasn't waring a sweater. In fact, he wondered if you still had that one. It was his favorite at the time, but when you'd tried giving it back, he'd insisted you keep it.
At the time he'd excused it as being a germaphobe, but now, he thought it might've been something more. When his eyes shifted to yours, your heart–you could swear it stopped beating. His eyes had softened and he was looking at you with something you couldn't coherently explain.
"When did you know you loved me?"
You took a step back, the question hitting you like the cold wind slapping across your face. "I–"
"I think for me, it was after I got better, after you helped me get clean. Well, at least that's when I started taking into account my off behavior." He rambled a little.
"What?" Your breath hitched, how could he spring this on you so suddenly? How–how–"what?"
He paused, eyes finding yours again, disbelief and maybe anger? He expected as much, he was telling you this after all you'd been going through, but the thing he couldn't understand was why. Why did you think there was no possibility that he could like you back? Why–if you had loved him for so long–did it just–a year ago–start breaking your heart?
He called your name and took a step forward, "what gave you the impression, that I didn't love you back?" If he had know–only if he had known you'd been going through this, that he'd been breaking your heart–that you loved him...
You turned away, tears–God you were so tired of crying. "You said–that night you were blackout drunk on the bridge, that you loved her." You took a shuttering breath, twisting your body to look at him again–knowing this was more than likely going to ruin your friendship for good. "You called her your best. Friend. Spencer...and I," you motioned toward yourself, "I knew I would never compare and I had kept my feelings hidden for so long that I didn't even know what I was feeling–"
"Whoa, what?" He held up a hand, "what–what are you talking about?" His eyebrows scrunched up in confusion, recalling a memory, he had alway thought he'd been dreaming whenever it came to them.
Over the weeks after, it had come back to him in sections, as he'd pieced together the parts one by one, he had come to the conclusion that he must have dreamt it up because–because JJ wasn't there that night. She had some plans with Will, or something, he couldn't really remember.
It had to be a dream, because he couldn't have confessed his love for you to JJ–she wasn't at the bar that night–but if what you were saying was true–no it didn't–it didn't–and then it smacked him in the face.
"I–" he closed his eyes, laughing almost hysterically, "I was talking about you." His voice cracked and he shook his head, running his hands over his face. He couldn't believe it. He just couldn't believe it.
"What–" you sniffled, "what are you talking about?"
He caught his breath, tears falling down his cheek as his face crumbled and he wiped them away, loathing himself more than he ever had before, "I thought–" his breathing was heavy now and you could hear the straining–the thickness strangled together as he forced it out, "I thought you were JJ."
Step, you took a step, and then another until you stood in front of your best friend. The sound echoed across the dark, silent lot, though the wind was picking up again. The cheek you'd slapped burned red, Spencer looked like an owl–a deer caught in headlights, if you will–face turned to the side, mouth agape, eyes wide with shock.
Slowly, he let his head drift back toward you, you were already waiting for his eyes to find yours. You wanted to hit him some more, to take your pent up frustration out on him, but you only had energy for a single slap tonight. A slap, and a kiss.
You pulled him down by his collar, your eyes closing upon impact. He tasted of coffee and smelled like olde books and leather, like you knew he always did. If only you had known, but you couldn't change the past, you could only move forward.
"So, where do you wanna meet?" You asked him when you pulled away. He blinked, and you smirked, eyes narrowing slightly, "for the showing."
His eyes lit up and he pulled you closer, wrapping his long arms around your torso, breathing you in like you just might disappear before his eyes if he didn't.
You giggled as his breath tickled your skin, tears long forgotten, and your heart full as it once had been.
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a/n: if you're a writer, don't proof read your angst fics
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