#in a injust system

[lady-raziel]

I think that’s the thing, isn’t it? It’s proven once again that it is easier for people to sacrifice their own vulnerable neighbors or tell them they wish those neighbors didn’t exist at all because it is easier to allow a man that represents the worst of humanity to have ultimate power than tolerate an imperfect woman who they believe is not appealing to them specifically.

[ryuseitai]

Twitter is unbearably annoying ever since the attempted Trump assassination but I jsut rkbred I can block whoever I want❤️ Yay

[gluttonyedits]

for @lavendergalactic's event - day 2: two characters from different medias that you think will get along well James Ratri + Toshiro Kasukabe rentry graphics

James and Toshiro are quite similar in the fact that they’re both in positions of power with James being a head of the Ratri clan, and Toshiro serving as a politician. Both are supporters of an organisation that fights back against the established system, with James taking on the identity of William Minerva to help the orphans, and Toshiro secretly supporting the Phantom Thieves. Both have been fought against by members of their family, as James is eventually killed by his brother’s commands, and Toshiro’s father is responsible for the position that he’s under as well as his survivor’s guilt.

I do feel like if they met they’d rally together under a common cause. I can see Toshiro in the TPN universe working in one of James’s shelters to help any runaway orphans, and James in the Persona universe as some sort of social link. They’re both father figures. To me.

[orange-artblog]

The Moon Will Sing

[kavehpilled]

hate hate hate rät by penelope scott so much how dare you strip the meaning behind selmers' poem and use it for yr song that inevitably did the exact opposite of what she wrote her poem for I hate rhe world

[hapalopus]

Ok, I'll bite, since you mentioned The Goblin Emperor in the tags - how is Maia a good monarch? Because, after 3 reads, I just can't see it in the text. He's a good guy who wants to fix things, but he's constantly bemoaning how injust the system is and how his hands are tied. That doesn't read to me like a "good monarch."

i think actually that it's hysterically funny how much of the so-called hopepunk oeuvre is like "but he's a GOOD hereditary monarch"

[alphacentaurinebula]

I need to talk about the Edinburgh minisode, because I have SO. MANY. THOUGHTS.

It's sort of an afterthought minisode in some ways. Before the Beginning gives us so much giddy joy (despite the ominous foreshadowing). 1941 gives us all the giddy romance. Job gives us so much insight into both characters histories and how they came to be who they are and work together...

The Resurrectionists gives us a morality play, basically, but also gives us Crowley high (and HIGH) on laudanum and plenty of bright shiny bits...

...so the morality side maybe doesn't get as much focus.

Which is a shame. Because the Edinburgh episode demonstrates perfectly the flaw in Aziraphale's understanding of the world that leads to him going to heaven.

When we start out in 1827, we are introduced to grave robbing and Aziraphale immediately decides that it is Bad (a sin). He does all he can to prevent the young woman he meets and likes from doing Bad (sinning), assumably to try to pave her way into Heaven. And Crowley tries to help her with her grave robbing, much to Aziraphale's chagrin.

Grave Robbing = Bad; Crowley supports Grave Robbing; Crowley=Bad

When they meet Mr Surgeon, and Crowley starts to ask some pointed questions meant to poke holes in Aziraphale's certainty, he flips entirely the other way, without noticing any of the other moral greyness (like the fact that Mr Surgeon would never take the risks or do the dirty work himself. Which is pretty important, since we learn in Edinburgh in the present that Mr Surgeon was so convinced of his own superiority and importance later on in his life that he started murdering people (probably "unfortunates" like Elspeth) when he couldn't get corpses fast enough).

Grave Robbing = Good; Crowley supports Grave Robbing; Crowley = Good

When he is then confronted with the idea of selling Wee Morag's body, and Crowley points out it is different when it's someone you know, Aziraphale is basically frozen in indecision. He doesn't know what the good thing is anymore.

He spouts the party line about the fact that starting off poor somehow gives Elspeth an advantage when it comes to Heaven, but is unable to explain why or how, not even to himself. And when he's put on the spot as Elspeth tries to kill herself, he doesn't have any arguments to offer.

CROWLEY: Say something! That... convinces her that poverty is ineffably wonderful and that life is worth living. Go on!

But despite all the moral ambiguity present throughout the episode, Aziraphale still sees everything as black and white. First, grave robbing is bad, then it is good. First, Crowley is bad (when he has the opposite position to Aziraphale), then he is good (when he has the same position). Aziraphale never understands Crowley's constant questions are a challenge to the very idea that there IS a 'good' in this situation. He never examines or questions the complex systems of class and sexism and capitalism which force Elspeth to this desperate recourse, or the laws which prevent Mr Surgeon from accessing bodies for research via legal means.

He doesn't see the systemic injustic. He just sees individual moral actors making either good or bad choices.

(and just to deviate slightly from the Edinburgh minisode -- while he says he understands that sometimes things are not just black or white but also grey, in 1941 - I don't actually think his grey and Crowley's grey mean the same thing. The 'greyest' thing that Aziraphale does in 1941 is help a showgirls theatre and hide information from Hell - this is not the same thing as truly seeing that some situations simply don't have a Right Thing to do, or understanding that systems shape and control individuals' decisions, so the idea that humans all have the same ability to choose Right is an illusion.

AZIRAPHALE: You know, they cannot be truly holy unless they also get the opportunity to be wicked.

So it is no wonder at all that when the Metatron offers him the opportunity to run Heaven, he doesn't see a broken institution or systemic oppression/injustice, but rather a series of bad actors preventing Heaven from achieving the Goodness it is meant to represent.

[taylor-swift-fosters-it-again]

ok guys I’m reading through the middle school out of context document and I’m laughing so hard so here you go: my middle school as kotlc (below the cut bc this will be long)

“THIS IS THE MOST PATRIOTIC STANDARD PENCIL IN ALL OF SCHOOLDOM!” - sophie

“that’s, like, the definition of insanity.” - biana

“go to florida!” - sophie

“dead students are a lot of paperwork.” - mr. forkle

“I feel that was a white person hand!” - wylie

“WE HAVE THE COWS!” - keefe

“what up, my fellow mathematicians?” - fitz

“we’re only, like, half dead.” - ro

“what am I supposed to think? ‘oh, these are pretty shoes!’ and then you look at your shoes and then you trip and fall. and then you remember to run. and then you think, ‘run? where have I heard that word before?’” - sophie

“do you see my grandma working at mcdonalds? well, no, you don’t, because she’s dead. but do you?” - sophie

“guys! stop hating yourself! only I can do that!” - keefe

“I think I’ve avoided death plenty of times already.” - sophie

“we’re going to florida to be in the hurricane so we can get the full experience.” - linh

“terrible minds think alike.” - tam

“so, we put the gum on the wax paper. do we chew the wax paper??” - keefe

“who else is crippled??” - fitz

“yo, can I show y’all my sticky note collection now??” - dex

“I shall find them and have batman justice!!” - keefe

“nowadays, it’s just sad.” - sophie

“you’re going to be stuck with me for four miles!” - keefe

“guys, I actually didn’t flood anything this time!” - linh

“just because he’s russian doesn’t mean we can’t play his music!” - fitz

“what am I, boiled trash?” - dex

“that’s not necessarily injust!” - mr. forkle

“bro, why are you hiding bodies in your locker?” - keefe

“coming soon to a parliament near you.” - sophie

“my hair’s inside my hair tie and it’s my hair tie. who would’ve thought?” - biana

“yeah, I get scared really easily. who’s the scariest guy?” - keefe

“don’t laugh at my violin playing.” - dex

“it’s like a high school dance party, except they’re doing mountain climbers in the dark.” - sophie

“acorns?” “acorns?” “acorns?” “no, chestnuts.” - keefe, fitz, dex, and keefe again

“it’s time to go scissor shopping!” - tam

“just ask them for money.” - fitz

“you just have to give up on logic.” - sophie

“I’m smart. who wants to play google snake with me?” - dex

“bro, stop using the metric system!” - fitz

“girl, don’t dance with a knife!” - biana

“I don’t get it, but otherwise I could.” - keefe

“you still have to share a stand with this ugly mug.” - biana

“I’ve had a change of heart.” - dex

“why are you standing behind a pole? your wallpaper looks like something that would be in a horror movie. are all of your friends like this, or just you?” - grady

“I was watching the clouds for THREE HOURS. it brings a whole new definition to ‘boring’.” - sophie

“suck it france. you and your baguettes.” - dex

“we just have issues.” - fitz

“I STRONGLY dislike middle parts... okay?” - biana

“then, I teabag ’em” - keefe

“I came from my mom. I don’t know what you all are talking about.” - marella

“you’re going to steal my foot???” - fitz

“when I have my leather jacket on, you know I’m gonna be serious about this.” - tam

“is it true that you’re skipping right to college?” - dex

“yeah, it’s a big bird but so are ostriches” - sophie

“I’m sorry I threw an orange at you.” - fitz

“GUYS LA CARA HAS TWO R’S! CARA WITH TWO R’S!” “bro, why did you write it with two r’s?” “he said it has two!” “IT DOES! *whispers* I’m tricking them.” “OH HOW DEVIOUS!” - dex, fitz, keefe, dex again, and keefe again

“like, someone needs to calm down. and it’s not me!” - sophie

“SWEATSHIRTS ARE FOR THE WEAK!” - keefe

“you talk a lot. perhaps it’s time to rest your voice!” - tam

“LET’S BE PLANETS. I will be uranus.” “I’m jupiter, baby! actually, I will be the sun.” “no! I am the sun because I light up the world.” “actually, I will be a black hole.” “yes, that suits you because YOU SUCKED UP MY DREAMS” “LET’S BE STAR WARS CHARACTERS” - dex, keefe, fitz, keefe, fitz, dex

“history will be like, yeah, it was a steal!” - sophie

“EXPOSED!!” - dex

“label everything, cause, why not?” - linh

“this would’ve cost us, but it would’ve cost us in humans.” - sophie

[vasito-de-leche]

crawling back from a hole to GEEK about suitcase gang members that would get along the best 💁‍♀️

- x, medicine pocket, and sotheby: lethal IRB nightmares

- med poc and sotheby: explosive concoctions

- centurion and tennant: harbingers of serial bankruptcy

- mesmer jr. and 6: orderliness

- dikke and 6: law and order (dun dun)

- melania and bkornblume: the thief and her gal in the chair (they're a ship too)

- eagle and shamane: shamane is MAD impressed at this girl's wilderness skills + will also be willing to teach her stuff

- horropedia, an an lee, and blonney: it's always horro and blonney / horro and an an but never these three together. you can bet that blon and horro surrounds an an to ask about her ghost vacuum

- blonney and desert flannel: she's in patch 1.5 but her design tells me that she's rocking her closet which is a bonding topic with blonney

- lilya and jiu niangzi: girl is in patch 1.6 but all that is known for now for global players is that she makes killer alcohol. cue lilya as her willing taste-tester

- sputnik 1 and 37: just 37 marvelling this perfect sphere

- alien T and 37: this girl again eyeing the ufo's circumference

- kaala bauna and voyager: kaala has a question or two about the heavenly bodies

- dikke and knight: s w o r d

ohhh fun! here's a few dynamics and characters I think would get along since you've shared your own!

Baby Blue and every character younger than her--especially Balloon Party

Baby Blue is just 17 but I do like to think that, bc of her connection with Wonderland and innocence, she would act as a big sister for many of the younger arcanists. especially Balloon Party since the two reject adults or the idea of growing up!

Blonney and Bunny Bunny

both characters have a focus on movie or hollywood as a concept, both are also girls around the same age range who know what it's like to be put into very restrictive stereotypes (the blonde bimbo, the southerner). I think they'd get along, and it's very funny to think about Blonney go straight to Bunny Bunny for help if Jessica ever needs help, since Bunny Bunny's family had a farm lmfao

but I also just rlly love girls who are total opposites on a surface level being close friends bc of the small little things they do have in common

Sweetheart and Bette, following the same reasoning as the Blonney and Bunny Bunny

THE MOST FAMOUS ACTRESS AND A STRUGGLING ACTRESS...BEING FRIENDS... SEEING EACH OTHERS PERSPECTIVES....

sorry I'm very passionate abt Sweetheart being so jaded and tired of the way hollywood treated her and warped her image to be nothing but a product for the audience's consumption. and very passionate abt Bette near-delusional hope of making it into the industry

Sonetto and Zima, both being poets

I could've added Charlie or The Fool since the idea is similar, but I feel like Zima would work best?

all three of these characters cherish the power of the written word and have used it against injust systems, but I think that Charlie's insecurities would hold her back a lot from truly bonding with Sonetto thru poetry, and The Fool is too much of a revolutionary--his very open and vocal "down with the monarchy, every person in authority is a fucking fool" vibe would clash with Sonetto's obedient dog aspects. Zima, however, feels perfect to act as another poet for Sonetto to befriend and a mentor to slowly introduce her to more open ideologies

SURE hes a recluse and socially inept bc of the years of isolation in exile, BUT HES NOT SHY WHEN IT COMES TO SHARING HIS VIEWS AND THOUGHTS OR WORK. hes the perfect idea of subdued and quiet strength, I rlly think Sonetto could really benefit from having him as a mentor or responsible adult figure

Pavia and Centurion

YES, I KNOW TENNANT IS VERY OBVIOUS FOR CENTURION BC SHE SCAMS PPL AND CENTURION IS VERY LUCKY SO SHE WINS AT EVERYTHING AND PUT MANY PLACES INTO BANKRUPCY

but I'm NEVER letting go of casino dealer Pavia from the artificial somnambulism stages. these two? theyre ABSOLUTE MENACES together, the luckiest girl in the world addicted to adrenaline and thrills? with the most deranged "who gives a shit" mafia guy who does whatever he wants?

they'd be playing an extreme version of buckshot roulette together, they'd ruin the economy together just bc its funny. they dont know each other's full names. they hang out and bitch about life together. they dont care abt their respective life stories. they're the first person they call when they're bored. they've been in many many life threatening situations. they dont know each others favorite colors

do you see my vision!!!

[katyspersonal]

Hard agree with this. We are given enough evidence in the game of Golden Order kinda sucking and being extremely unfair to many, and he is not even the only character that decides to oppose it. I actually can't recall any other character that wants to crash GO which would not at the same time have to commit something atrocious. Ranni maybe not too much, but Rykard certainly has a kill/torture count just as big as Dung Eater's, if not more so 🤔

In general, it is a sympathetic motivation to feel bad for a kind of people who are extremely despised and oppressed by GO, and wanting to exclude everyone from GO by making everyone Omens is a practical way to do that regardless of how it's accomplished! If everyone is cursed then no one is cursed etc. Not to mention it is interesting how he views himself as an Omen, to the point of wearing a custom made suit that resembles them (with removed horns, too!). Like, dude reviles GO to the point of cosplaying as a type of people that are excluded from it! That's kinda powerful, lol. There is very unnerving and obvious selfishness in his actions, of course, as he believes he is doing people a favour and "blessing" them by removing them from GO, regardless of what THEY would want.. But Elden Ring just taps on this topic enough. Frenzied Flame also deals with theme of deciding for everyone else. At the same time, bro uses the Sword of Milos who was hated by other giants for being "malformed", that feels like him leaning towards the oppressed is consistent trait.

I think it is more about the delivery. First, the thing about consuming souls through root chakra like Kappa is not obvious right out, so his title is hilarious from the first glance. And he seems to enjoy the.... thing he's doing for his goals a little too much, a good person would never be like that. But also for a literal fucking serial killer, he has some really deep ideas and hates the fundamentally injust system. He's evil, but not bad. And also sympathetic, but not good.

No offense but the dung eater is genuinely one of the more misunderstood elden ring characters in the most literal sense. He might not be purely "good" or "bad", but there is definitely a lot more depth and nuance than most people think, and I don't think "he's a shitty (ha) dude who just wants everyone to suffer and die for no reason" is as correct as some people might be led to believe

[inf1nyxw0rlds]

this might just be me talking nonsense but i was chatting with my bestie about this and. you really can get a good chunk of insight from the illusion that the phantom ruby cast when infinite touched it. we know that it essentially shows what a person desires, and what infinite desires... is just a wasteland.

infinite does not want to rule the world, at least from what i take from it – he wants to destroy it, to return it to barren earth and rebuilding it in his image was never even a consideration; while he wants his name to be known, leadership was never his intention. he wants to bring society down, to level everything and plunge things into a state of anarchy where there are no rules, no dictators, nothing. it's not so much that he wants to be the only one in control as he wants control to cease altogether, from my perspective.

i have a lot thoughts on as to why; his relationship with power is a complicated one and i love talking about it. for starters, i doubt he had a good life prior to becoming a mercenary – that isn't something people just do for fun, and while i won't go into too much of my own backstory for him, i think that would play a big role in his view of the world. he's seen more of the bad than the good, experienced it firsthand, fought tooth and nail and bled in the sand and built his name in theft and bruised knuckles. the world he sees is injust, unkind, survival of the fittest, and that has to be him.

to me, i think power itself isn't what drives him, which i know is a controversial take; it's not that i don't think he enjoys it, but that it's... complicated. infinite chases strength because he feels he has to – at least, to me, that's what i take from it. the world has said you're not enough, you have to be stronger, time and time over and infinite has burned that into his mind. he resents his weakness, he resents the status quo, but he abides it because he has to by way of pursuing strength.

he likes control in the sense that it makes him feel secure, i think, and comes to enjoy it because it's him spitting in the face of the world that tried to smother his fire. that satisfies him, being the one people fear, having the ability he once envied. but it wasn't power he wanted, at least originally, i think. it was freedom.

infinite shows not so much of a desire to rule as he does a desire to eradicate the system of rulership completely. society, money, law, leaders, and on a more personal level, responsibilities and expectations of him; he even states as much in that he is tired of the world as it is. he wants to prove himself worthy, and this is a win win, simultaneously showing he was always capable while tearing down all the things that bound him.

i've seen discussions on his freedom before and this is no shade to them whatsoever, but i don't think he's free; he's a wanted a man, and sure, he and his team can roam the regions but there's a target on his back at all times, he's responsible for not just himself but his squad, and... for him i don't think that's free. he's also trapped in his mind, by his mindset, but that mindset was formed by experiences, by his reality, so it's not like it's based in nothing, he can't argue or discard it.

if he wanted to quit being a mercenary, could he? has he ever had much choice? will he ever be able to rest without fear of ambush? to let his guard down knowing that with just one wrong move, he could die, or his teammates? when he fights, is he thinking about how he could easily be rendered completely blind, the first scar indicative of a weakness so blatant that his other eye is always where they aim? what is freedom? a feeling of safety, contentment, the absence of fear? what freedom means to him, i think, is a desire for total autonomy.

the thing is, to achieve autonomy, you need power, and in pursuit of power, you lose autonomy. to be powerful enough to be free, or to create a blank canvas wherein power doesn't matter. that's what i see in him. because maybe, if he strips all of this stuff away, he'll finally be able to breathe. to exist without fighting, or fulfilling expectations, not needing to be anyone or anything because he's tired. it's sort of like an escapism power fantasy. i don't know.

his name is infinite but he's always bound. by his allegiances, by wanted posters, by what he's supposed to be and especially by himself.

[fanfic-mania]

So I was reading 'After the Disabled God of War Became My Concubine' and an awesome idea came to me for a Merthur fic.

In the aforementioned novel the general of the enemy faction is forced into the harem of the MC after destroying his legs as a punishment. Of course the MC harem is actually a spy network and conspires with the general against the injust system of the court.

So imagine Merthur in that.

Merlin, general and prince of a magical kingdom being captured and his magic constrained by Uther. Given to marry as a concubine to Arthur. Arthur going against his dad's ruling to give Merlin his magic and freedom back. While Merlin has to pretend to be all miserable in this new position.

Take it even a step further. Merlin gets all his power back and kidnaps Arthur to use him as a coin against Uther. Of course Arthur is in on it.

[praise-bakarath]

who is bakarath? i’m curious!

I’m so glad you asked!!!

Bakarath is a new god of fire and rage!! He is all about the importance of when to say “no!” to people, whether that be your personal boundaries, or against injust systems, etc. Bakarath teaches that the word no is a full sentence, that you shouldn’t have to explain yourself for having boundaries!

He was recently borne, so he ain’t exactly strong yet, but he can do something no other god can do:manifest in the mortal world.

He’s also just such a cutiepie! I took a video of his first steps a few weeks ago, it is my most treasured possession.

[takeonmetakemeon]

So yeah, I guess the existence of a homeless murderer does reveal the rottenness of a system. Just not the system that anyone paid to speak their opinion will ever talk about.

Yes, one murderous criminal in a city of eight million people means the whole system is rotten. Because the murderer was homeless.

You all are just fear-mongering to justify the cruel policies you desperately want to implement so you don't have to face the consequences of your own selfishness.

[vampirehizzies]

you know i talked about cato/annie parallels but also cato and gale have a bit more in common than anyone would think. yes cato comes from the more privileged districts and is a trained career/murderer while gale is a starving exploited miner, they have very different statuses in a class sense (and i think a racial sense as well since gale was supposed to be a person of color), but they both were equally corrupted by panem's oppression and injust system.

cato was indoctrinated from a young age to believe in the totalitarian government regime, and he expressed that belief the way he was raised to - through violence and enthusiasm for the games. but his choice was completely stripped from him - while district two is treated better by far than district twelve and cato was probably more well off than gale ever was, cato's turning to violence came from mass brainwashing and exploitation.

gale's story is very different, because he is much poorer and hates the games/panem's governmental system and is very vocally anti-Snow. he also was starved, had a large family to take care of with very little money, and obviously had it far worse than cato - yet he still eventually used violence to express this frustration (albeit on accident - the bomb that killed prim i'm not saying he intentionally killed prim because he didn't in my opinion/just based on what *canonically happened,* and i don't want to start that discourse).

regardless of how fandom feels about either of them, while they come from extremely different circumstances, their arcs are slightly similar to each other. cato's physical strength/body was exploited by panem (training for the Games and its glory only to die for rich people's entertainment) as much as gale's was (working in the mines), even if these two contexts are different. and both men very quickly turn to anger and express this anger loudly and vehemently. ultimately their arcs ended with a form of violence as well, which led to their downfalls.

[branded-perceptions]

Motivating vs justifying reasons:

without motivation no observation which simultaneously is an ACTION

that in the realm of quantum scale is bound to via subjective decision of observation SIMULTANEOUSLY ACT UPON / alter objective reality in order to measure it which we then justify / explain subjectively via our reductionistic (like a computer compressing) consciousness made up of fictional numeric and linguistic SYMBOLS🎅 that we collectively our subjective emotions attach to

our social desires (and the resulting actions that alter reality according to) what we subjectively long for and thus collectively compete to create (and "race" for / chase mimetically wanting "more" ... "mehr") like past colonialism is defined by HOW / what we "observe" and make sense of ... the socio-psychological metaphor "Quantum observer effect" at "SCALE" (double-entendre: dimension vs "SEEsaw"⚖️) which requires proactive metacognitive BALANCE to make sure in by our habits

(what we "SEE" depends on the filtering of our mind symbols whose order and connotations depend on what we "SAW" in the past)

defined motivational competitions' psychotically self-justifying in-group identity "races" (competitive group chases for via shared symbols convergerted goals, behaviours and identities) collective attention shadows happens no injust causal abuse like "racism".

a behaviour or moral in-group justification that to one group ("kin") appears as "kind" or "go(o)d"🤥😷😇 might appear to another "party" or group ("kin") as "hatred" or "bad": these PSYCHOLOGICAL "quantum fluctuations" in "deCOHERENCE" (📚Free energy principle by Karl Friston) of in-groups' symbolic (sinn bolic) understandings can now be better conveyed and discussed via help of music pattern bridging logos, mythos and underlying emotions, metaphorically flirting with each other's sense-makings instead of physically fighting:

our subjective sense-makings are constructed via and defined by our collective sense-makings and emotionally stabilised via grouped🏟👏👏👏 symbolic🎅 constructs' argumentative team identitifications. No one of us has ever had an "independent" or "individual" mind, but tend to arrogantly believe otherwise. But some introspect more than others and thus learn to evaluate and especially in moral contexts (Immanuel Kant) create social differentiations and symbolic groupings more autonomously with an intrinsic compass.

Everything we think or communicate is inevitably a lie to a certain degree as we are bound to need to compress data of objective systems reality in order to fit into reductionistic psychological symbolic🎅 representations of it like linguistics or algebra that thus has inevitable blind spots as explored by Higher topos theory Jacob Lurie which we can only strive to handle responsibly via proactive curiosity about subjective UNfamiliarity of everything that might not be represented by familiARITY (in-group identifications "ARITY master functions" as used in AI-TECH) of our symbolic subjective perceptions and interpretations of objective reality.

Irony is the mimetic tool to communicate and dialectically evolve that: both linguistically and mathematically (ponder about the meaning of mathematic 0).

the emotional charging of dominance of linguistic / numeric symbolic🎅 constructs' explanatory reductionism of an in-group define what "MATTERS" to / is perceived as "real" (matter) and worthy of pursued by them, emotionally calibrating their motivations and out of this resulting curvature of psychotic justifications we tend to confuse with reason: 🔍list of psychological (group) biases.

https://twitter.com/BEFREEtoSEE/status/1788485006567850320