#in a fandom that already has a misogyny problem

[ace-and-the-rpg-horrors]

hot take: Fantasista Squad did irreparable damage to the PJSK fandom

[mishtershpock]

.

[smusherina]

yard work - chapter 4 (regina george x reader)

fandom: Mean Girls (all media)

pairing: Regina George x OFC/Reader

summary: You'd been in the same class as Regina George since kindergarten. You'd lived on the same street even longer. Once upon a time, when life was sandbox disputes and who got the swing first arguments, you'd even been friends. Now, in junior year of high school, you doubted she even remembered you. The same couldn't be said about you. You definitely remembered her.

warning(s): homophobia becomes a central theme. mention of a close dead relative. internalized misogyny.

chapter 1 / chapter 2 / chapter 3 / chapter 5

You were sitting on the grass under the bleachers when Janis 'Imi'ike came up to you.

"I'm not selling right now." You said, suspecting she was here to see about buying alcohol or something. You had a contact and made a small bit in commissions around the school selling stuff.

"I'm- what? What're you selling?" Oh, well, guess not then.

"Nothing." You didn't want to incriminate yourself. It was bad enough you were smoking a cigarette right this moment. You took another drag. Usually, you didn't smoke during school but today was turning out to be a shittier day than usual.

"I'm not a nark, I could-" She seemed to shake herself. "Anyway. Why did you come to school with Regina today?"

"You saw that?" You inquired, alarmed but making an attempt to hide it.

"Yes. Now, why?"

"We live on the same street. Her car was having issues." You shrugged, trying to play it off.

"How'd you know her car was having issues?" She did not seem inclined to just let it go. It was beginning to annoy you.

"Because I fix it from time to time. Like I said, we live on the same street. We're not friends or anything." While you didn't like lying, especially not when you yourself were bitter about it, protecting Regina's rep was more important.

"I think that's a lie. We went to the same middle school for a while. You were close back then." She accused, crouching to be at level with you. You were officially annoyed now.

"You used to be close too." You took another drag and, noticing your cig was on its last leg, stamped it on the ground. "And how'd that turn out?"

Janis gritted her teeth. "Not well."

"Exactly." You gave her a tight, snarky smile and stood up. "Bye."

"Wait a minute!" She jogged after you as you made for the school building. "I'm not done!"

"I think you are." You called back, hastening your step. "There's nothing for us to talk about, Janis."

"Dude! You're being a huge dick right now." Janis caught up to you, gesturing as if she were offended. "Why are you so touchy?"

"I'm not touchy, I'm pissed that a stranger is getting all up in my business." You informed her curtly. "Lay off."

She held her hands up in surrender, an infuriating smirk on her face. "What business do you have with Regina?"

You halted and dropped your backpack on the ground. "What is your problem?" You advanced on her, not exactly squaring up but still getting a little too close for comfort.

"Woah, protective, aren't you?" She wasn't intimidated in the least. That only angered you more. "Has she ditched Cady already and found a new pet?"

"If I were you, I'd watch my mouth." You said as menacingly as you could.

"We could help each other out, y'know." She said, playing innocent.

"Why would I help you with anything?"

"Because she hurt both of us." You had to agree with that, however reluctantly. "I want revenge. She needs to go down." Now, that you did not agree with.

"What do you mean?" If they were planning a coup or something, you needed to get the details. You wouldn't be putting up with that shit.

"Cady's gotten an in with the Plastics." You'd never liked that stupid nickname Janis insisted on using. "She's still on the fence about them, but it's only a matter of time before I'm proven right."

"You've infiltrated the popular girl group like 007, great, because Regina wronged you somehow in middle school? Grow up." You rolled your eyes and picked up your backpack.

"She outed me, you douche!" She exclaimed before probably even thinking about it. Realizing what she'd said, she glanced around warily. Nobody was nearby since you were away from the courtyard.

Okay. Well. That made this a lot more complicated. You pinched the bridge of your nose. This was the exact reason you hung around skaters and stoner-wannabes. At least their drama was about graffiti and who had the good kush, not about whatever the fuck this was. You weren't aware you were living in a teen drama.

"Okay." You breathed in deeply. You did not want to be involved, no matter how justified Janis could've been. However, you needed information if you wanted to get in the way. "What've you got?"

A mean grin nearly split her face. Then, in just a second, it melted away. "You won't tell anybody, right? About, uh, that earlier-"

"I sell drugs behind the school, dude." You put it flatly. "You have more flak on me."

"True." She conceded. "So..."

Their plans weren't very well constructed, to be fair. Janis wanted to prove to Cady that Regina was a bitch, her words, and that was sort of just a waiting game. In the meantime, they were collecting information. So far they'd found out about the Burn Book, supposedly a scrapbook that Regina and her friends had filled with mean things about everybody at Northshore. Staff and teachers included. Apparently, Cady hadn't had much time to peruse it, so neither Janis nor you were in it for all she knew.

The concept made you nervous. You could very well be in that book and Cady just hadn't seen it. If everybody was in it, including nobodies like Mary Stigson and Amber D'Alessio, the chance was incredibly high.

You didn't even know what she could've written about you. Over the years you'd shared incredibly vulnerable bits of information with her. She'd shared with you too, but you weren't in any position to weaponize her secrets. You'd been through embarrassing moments that just the two of you knew of, had seen each other cry and rage and experience all sorts of overwhelming emotions, had made it through mortifying tweenhood phases together.

Regina could've written your whole life story, the nastiest highlights at least, without breaking a sweat.

You were like a zombie for the rest of the day. Barely paying attention in class, twirling a pencil in your fingers listlessly as whatever teacher went on and on. You looked up when a sharp, female voice called your name. You apologized to Ms Norbury and pretended to start working.

Calculus class, huh? You looked around, trying to be inconspicuous. You met eyes with Cady Heron. She quickly turned back to her work, writing numbers furiously. So Janis had told her about their new accomplice. Of course, you had every intention to tattle first thing once you talked to Regina again.

You knew she wouldn't want to be seen leaving with you, so you shot her a text that you'd be behind the bleachers waiting. You were her ride, after all. It would've been rude to leave her.

Relaxing somewhere quiet and alone wasn't too bad. You lifted your headphones over your ears and put on a Nirvana CD. Just this morning Regina had called you 'a hobo with a liking for grunge', or something along those lines. You did so love proving her right.

You lit a cigarette in honour of Kurt and closed your eyes. Something about this day, the utterly exhausting events, made you desperate to feel some release. Ever since dropping Regina off, you'd been a fucking mess. Janis having seen the whole thing and then coming to conspire against Queen Bee hadn't helped. You wished things could be spelt out for you.

Did Regina like you? Yes or no. You knew it wasn't that simple, that things weren't simple for her like they were for you. You liked her and so it was easy to let her walk all over you. You liked her so, of course, you sided with her even when Janis and you had a camaraderie. You liked her and so you chose not to think about the horrible thing she'd done to Janis.

Was it only a matter of time before she'd use that secret against you, too? Did it hang above your head even now?

"Hey, loser, stub the cig and let's get outta here. I'm sick of this joint."

"Who taught you to talk like that?" You opened your eyes and looked up at Regina. "Certainly not your father."

"What daddy doesn't know won't hurt him." She offered her hand to pull you up. "C'mon. I have a nail appointment to get to."

You hauled yourself up with her help. Over-balancing a little bit you tipped into her space, and for a moment there you breathed the same air. You took a hasty step back and tuned back into the conversation.

"And- and how're you gonna get there?" You already knew.

"We don't have enough time to go to mine first, so..." She smiled sweetly at you, getting that calculating look in her eye as she grabbed your arm and pulled it close to her chest. Looking up at you through her lashes, long nails stroking down your forearm, a smile so alluring it was evil on her face, she knew she had you. You couldn't say no.

Gulping, you inclined your head. "I'll take you."

"Thanks, babe." And with that, she pressed her purse into your arms to carry and skipped ahead.

Fuck. Fuck. You closed your eyes and fought off a groan. You'd almost forgotten the crush you'd nursed for her back then. It hadn't ever left, you knew that much, but it hadn't smacked you in the face quite like this before. You were familiar with moments that made your heart beat fast, scenarios that played on a loop in your head, and dreams you could never really make sense of. Now, though, hearing her call you babe and the physical reaction it evoked, there was no plausible explanation other than the obvious fact: You had a crush on Regina George.

You knew—knew—that it was hopeless. There was no world in which you and Regina could be a thing. Or maybe there was, but that was a pipe dream you'd do no good in entertaining. Your dad didn't care about who you dated, but you were sure he would be none too pleased. Regina's dad was a whole other case. He was way stricter than your dad, though just as distant.

You'd done this before. It would be fine. Admittedly, back when you'd been actively crushing on Regina you had been twelve and under. Back then you'd still tolerated skirts and girly hairstyles. Back then it'd been socially acceptable to cling to your friend like a koala, kiss her cheeks and hold her hand. If you tried that shit now, especially looking like you did, it would not slide.

(You'd been called slurs around the halls before. While you didn't generate much rumours or hubbub, you knew that you existed in people's peripherals in a certain way. They'd snidely ask if you liked the Ellen Show. Make vile hand gestures at you when you passed by. Garry Fort, resident church boy and social outcast, had even offered to pray for you. You had refused.)

"Jorts! Get a move on!" Regina shouted, a good distance away.

"Yeah yeah," You muttered, but picked up the pace.

"What took you so long?" She asked as she settled into the front seat.

"Lost in thought, I guess." Waxing melancholy about how we could never be together, sweetums. You opted not to say that. "So, where's this appointment?"

"Just drive to town, I'll give instructions."

"Sure thing." You bit your lip and tapped your fingers on the steering wheel. You hadn't had your licence for long but you'd been driving for much longer than that. You were a good driver. Back when you'd been young enough for your dad to feel obligated to spend time with you, he'd taken you to some backroads and taught you. Then, when that stopped, you'd done it illegally. Hey, girls gotta keep busy somehow.

"What's on your mind?" Regina asked, breaking the silence that'd turned uncomfortable.

"Hmm? Oh, nothing." You swallowed. "How was your day?"

"How was my day, seriously?" She turned her body to face you, arms crossed and a displeased look on her face. "What is it?"

You tried to think of something to say. You didn't want to ruin her whole day by revealing she had a spy, of all things. You'd planned on waiting a little bit before telling her. You would've maybe taken her for a ride and then gently broken the news.

So, that was a bust.

"Cady Heron is spying on you. She's retelling everything you're doing together with Gretchen and Karen to Janis and her friend Damien Leigh." You blurted it all out. "I was smoking in my usual spot and she just came up to me. And, uh, recruited me. Apparently, she saw you leave my car this morning."

"What?" Regina screeched, face slack with shock as well as strained with fear, panic, and all sorts of jumbled emotions. "Did anybody else see?"

"I don't know!" Your shoulders lifted all the way up to your ears in a panicked shrug. Her emotions were rubbing off on you and you did not like it. "Did people act weird around you today?"

"No," She paused to think. "No, everything was fine. Karen liked my top."

"You mean my top?" You corrected.

"Whatever." Regina looked out of the window contemplatively. "Are you plotting against me?"

You rolled your eyes, and took your sights off the road for a second to shoot her a look. "If I was, would I be telling you?"

"I dunno, I vividly remember you being sorta stupid."

"Wow, thanks, Reg, that's high praise coming from you. Only sorta."

"Shut up. You're so annoying." She unfolded her arms and leaned back in the seat. "Cady Heron. A spy."

"Janis told me, and I quote: "She needs to go down." Which was pretty dramatic in my opinion." Regina didn't say anything. "I mean, we're in high school."

"What does that have to do with anything?" Regina inspected her nails. Pretty acrylics, sharp and lethal, decorated with gems and swirls. A little grown out, sure, but still in perfect condition.

"I just mean that..." You thought about what you wanted to say. "Y'know, on average women in America die, like, between seventy and eighty years old. We're less than a quarter of that right now. Five years from now, I bet the problems we have now will seem stupid and insignificant. And then five years, or ten, from that, the issues then will look the same way."

"Morbid." She turned to look at you. You couldn't tell what her expression was like, in the middle of changing lanes to pass a car going way under the limit. "Are you always this philosophical?"

"I could be. If you wanted me to be." You wondered if that edged a little too close to flirty.

"No. It's insufferable." You didn't know how to respond to that. "I don't fucking care about the grand scheme of things. My problems aren't stupid or insignificant now, so it's no fucking use thinking, oh, it'll all be fine with time! Well, it won't be, if I don't do something right now." She ranted, waving her hands as she did. "And I will argue that women die much earlier than that."

"It's a statistic, Reg-"

"No, women die at menopause at the latest. They get sad, saggy and undesirable and they die." She said with such conviction that it shook you. "When you stop being beautiful, it's all over."

"Regina, that's..." Wrong. Incorrect. A horrible way to think. "I don't think that's true."

"Women like my mom have nothing to offer. When dad stopped wanting her and started looking elsewhere, when she stopped being asked out at the grocery store and they started asking me, when Kylie poked at her flab and asked what her stretch marks were, she died."

Listening to her talk like that, about her mom nonetheless, was heartbreaking. Still, you couldn't help getting angry. "Your mom is alive and well, Reg. Your dad cheating isn't her fault, it's him being an awful human being. Being asked out at the grocery store isn't like receiving a fucking Nobel prize. Flab and stretch marks are what you did to her body. What Kylie did to her body." You bit your lip when it started wobbling. You bit down harshly to stop it.

You continued even when your voice crackled. "My mom's always gonna be young and beautiful. She's gonna always gonna have smooth, wrinkle-free skin. I won't get to ask about her flab or stretch marks. Not ever." Regina was quiet. You could feel her eyes on you. "You don't get to complain about growing old. Mrs George's been like a mom to me, you know that, so don't fucking insult her in front of me. You can get all the botox and surgeries you want, but I'm not gonna sit here and listen to that shit."

"Sorry." She said, quietly. She'd never been good at apologies.

"It's fine." You wiped at your eyes. "I'm sorry for freaking out."

"No, it's... That was stupid." She mostly muttered, now sunken into the seat.

You shouldn't have raved at her like that. Unpacking all that she said would've been much easier with a clear head. Now you were both stuck in this tension. Tears drying on your cheeks and snot in your nose, you wished things would be easier. You wished Regina had never been taught to think like she did, that she'd see herself like you saw her.

"I think you'll still be pretty when you're forty." You put it out there, going for casual.

"You don't have to lie." She huffed, assuredly rolling her eyes.

"I'm not lying. I don't think a few wrinkles are enough to ruin your face."

"I'm not gonna get wrinkles. By the time I'm old enough to get them, there's gonna be technology to prevent signs of ageing entirely."

You laughed at that. "Are you gonna pioneer that?"

"You think I'd be smart enough?"

"I think you're very intelligent, Regina."

"Hm." You could tell she was pleased, though she was looking away. "Take left here."

"Yes, ma'am."

Notes: I'm writing these abnormally fast. Usually, I'm a total sloth with these things. I guess the instant gratification of notes really is addicting. If I suddenly drop off, I promise I didn't die I just ran out of steam.

I have no idea how long this series will be. I have a general outline and character arcs going in my head, but I'm purposefully not drafting anything. I've noticed that when I plan too much I just feel like I've already written the story and don't wanna put any of the work in. So, with this method, though it has its flaws, I won't get bored of my own ideas!

Also, just to sort of put it out there in writing, they're meant to be flawed characters. OC might be self-aware to a point, but she too has her shortcomings. While Regina's more obviously flawed, neither of them are saints. They're teenagers with shitty home lives, they're gonna be fucked up. That also includes Janis and Cady. They're all dumb teenagers with unresolved issues.

Taglist: @autorasexy, @wedfan2, @unadulterated-moron, @modernsapphicism, @9unknown0, @sage-rose2000, @massive-honkas, @nattys-swiftie, @likefirenrain, @luz-enjoyer

[stormsbourne]

alright listen

I know we're all having an evaluation of how eagerly we believe people who present with even the slightest air of authority and frankly good! we all need to be less credulous of people on the internet who tell lies.

but I think there are also other lessons to learn from james somerton. namely about his raging and blatant misogyny, which I've often seen similar forms of in fandom and on this specific site. to paraphrase bombs himself in the ctrl alt del video, if you see shitty behavior within your sphere, it's important to recognize it and try to fix it instead of rejecting it and asserting that no REAL members of the ingroup are like that. and nerds have a misogyny problem. including tumblr. so let's reckon with it.

do you append "white" or "straight" to your comments about women even when those things have little to do with the topic being discussed, just to make your comments seem more legit? (and no, m/m shipping discourse does not give you a ticket to say it's all straight women -- it's fictional characters, james.) do you often theorize about how (hurriedly appended "straight/white/cis") women are responsible for a problem in fandom, nay, all problems in fandom? have you made up a guy based on a single post that annoyed you and extrapolated to say that all (appended signifier to make it ok) women in fandom are like that? do you see women as uniquely fetishizing, uniquely stupid about politics or social issues, uniquely annoying to talk to? do you assume when there's an issue, even a real one and not the fake ones james made up, that a woman is probably at the root of it?

all of this still applies to you if you're a woman. it also applies if you're gay or a person of color or trans. being an oppressed group doesn't mean you are immune from sexism, and sexism is still rampant in everyday life for pretty much everyone.

your shipping and fandom discourse isn't immune from this. no, I'm not talking about how not enough people like yuri. I'm talking about how women who like "bad" ships like r*ylo or whatever are seen as open targets for harassment. how women who are into "bad/problematic" fandoms are seen as idiots and enablers who deserve what they get. how there's an attitude that women who like shitty bad porn must think it's good, must be too stupid to know better, and must need to be handheld and taught about good, acceptable fiction. I've already talked a lot about tumblr's complete refusal to admit that fujoshi wasn't a term coined by delicate japanese mlm to complain about evil women (and I wonder if james contributed to that idiotic concept), but the way I've seen people assert that women into m/m must be straight, must be stupid, must be lying about their identities, must be hurting gay men in real life in addition to wanting some anime boys to kiss ...

I've seen how some of you people talk about amb*r h*ard, is all I'm saying, and I've seen what you've tried to do to dozens of female creatives that, for some reason, you've decided deserve to be taken down or taught a lesson. I've seen the descriptions you use. shrieking, bitchy, whiny, uppity, shrewish, karen (don't get me started on how karen has been turned into an easy excuse for misogyny). you're not bystanders to what james did and is doing, you're a part of it. sure, you might not have the nazi fetish, but you've said things about women that put somerton to shame.

just a thing to keep in mind while the plagiarism discourse is ongoing. somerton is a shithead for many reasons but this is one that's important to remember because I think people often treat misogyny like a lesser crime, a smaller concern, and it's not. just think of what laws are passing and what views popular movements have of women and then, for one moment, consider that maybe your reflexive need to blame women or pick them apart might have been influenced by the Society In Which We Live.

[transhitman]

Yk what actually I'm gonna actually post thought-out Diasuke hate to prove a point here. Daisuke is also not this perfect little guy that everyone characterizes him as. He goes along with some of the casually sexist things Jimmy says during their optional conversations. He agrees to drug Swansea, which in itself is a very blunt implication that Jimmy has drugged people's drinks before. (Obviously Jimmy bullied him into it, but abusers do that with a lot of people that are labeled "enablers" so like. Daisuke isn't at fault there but it calls into question what he might have done in other scenarios, where the violence is aimed at more vulnerable people. But that's not something we will ever know.) And most of all Daisuke DOES NOT UNDERSTAND THAT ANYA IS GOING TO KILL HERSELF. His biggest flaw is that he's completely emotionally oblivious and is not someone Anya would ever feel comfortable confiding in. And that's not an endearing trait. And just cause I know someone is gonna take me in bad faith idrc if you hc him as like neurodivergent or whatever like coming from an autistic person who really struggles with empathy, it's not fun, and it's not quirky, it just causes issues. Sympathy and self-awareness is definitely something that can be worked on regardless of your capacity for empathy. (To varying degrees of success obviously. I'm not judging people who genuinely can not sympathize with others. But also, Daisuke probably isn't even intended to be autistic. At this point we're kind of just projecting and lying about canon, aren't we? Not to say it couldn't be an interesting angle for analysis but again. It's not actually part of the text.) EVERY crewmember contributes to the systemic misogyny on that ship. If Curly intentionally ignores it, Daisuke hasn't even come to the conclusion that it exists yet. He is also part of the problem.

But none of that makes Daisuke a uniquely bad person! Obviously! Imo it doesn't even make him a bad person at all! He inadvertently contributes to the system that fucked them all over. And? All of the characters in this game are nuanced and morally grey and that's kind of the point!!! (Except Jimmy lol. Nuanced yes but there's a very clear villain there.) Like pointing out a character's flaws and concluding they're bad is not the intelligent take fandoms tend to think it is. Ok, you've identified a character flaw. Now what does it mean. What does it contribute to what the game is trying to say? And I think this is the root of what's so frustrating about people debating whether Curly or Swansea is actually Good or Bad. I really, truly don't think we're here to make moral judgements about individuals. We're here to examine the systemic issues that allowed the story to take place at all. And obviously, every character lives in a god damn society and has had those bad traits rub off on them! Like. Can we move past this base level of moral analysis already? Please. Please.

[gacha-incels]

you’re never going to have a real conversation about racism, colorism, misogyny, pedo-pandering etc in regards to gacha if you’re looking at one single game, especially a relatively new one. like anything, this will be a superficial look at these problems with no understanding of root causes. this has been most apparent when users will say “don’t play X gacha, play Y gacha instead.” these are industry-wide problems. you’re not doing anyone any favors pretending otherwise. I’m not saying this because I love or hate any of these games, I don’t really care, I’m not coming into conversations about this with the mindset of a “fan”. You need to objectively look at the function of these games in the society from which they come and the relation they have with their target market. Your frame of mind needs to be out of “fandom” mode to do this. You need to understand the target market these games try to reach and their reputation in their country of origin. The games are technically “free” - the consumer is not paying for the story, music, worldbuilding, etc. they are paying large amounts of money (for actual big spenders, thousands per month) to gamble for singular characters, so in turn these characters’ designs must reflect what the consumer most desires to an extreme extent- and this is of course informed by a lifetime’s worth of societal conditioning (media/advertising/gov/etc) and the prejudices that entails. essentially, because everything is banking on selling these characters, the designs are a direct reflection of the consumerbase who in turn are reflections of the society they’ve been conditioned by. they get shown what they want to see and expect to see what they get shown in what eventually becomes a feedback loop that enforces itself, this isn’t unique to gacha (though it’s extremely visible), you can see this happening in other forms of media as well. for something more benign, an example is in US media the eagle’s cry was replaced by the more dramatic sounding red tailed hawk because that’s what viewers expected it to sound like, and after seeing so much media where the eagle is associated with the hawk sound clip this falsity became reality to them through this “movie magic”. It doesn’t matter what reality is, it matters what the viewer’s perception of reality is. Power produces reality. media like this is used not so benignly. this is why good representation in media is fought for, there’s the ability to have a huge effect on a populace, also why “all art is political” it’s who greenlites it, who funds it, who hosts it, where is it shown, who sees it, etc this is all politics. all of this is related.

I would say the average gacha design/character doesn’t want to challenge anything but use the signifiers of contemporary stereotypes already rigidly in place to flatter the consumer’s already held beliefs- and typically it boils down to this is the “demure” (most often East Asian) girl who will fuck you, this is the “exotic” (most often generic fantasy SWANA-like stereotyped) girl who will fuck you, this is the “motherly” girl who will fuck you, this is the “little girl” who will fuck you, this is the “angry” girl that says she hates you but you still own, this is your “cool bro” who is designed to not make men feel uncomfortable. by doing this they are also entering the feedback loop of, for example, racial stereotyping, so this absolutely isn’t to say these designs are harmless.. one year thigh straps are in, one year bare feet are in, one year tech accessories are in, every year racism is in, every year misogyny is in. If you’re coming into this thinking a game like Genshin is leading the pack in any of these areas besides being an open world game and its UI you’re kidding yourself. There are thousands of these games, they’ve been coming out since like 2012 with Puzzle & Dragons, LL:SIF was huge on this website when Nozomi was the designated “thick” anime girl (plus ça change), FGO started in back 2015 and continues to reach new heights of pedophilic design and racism each day. The reason why you will sometimes see riskier design choices in music, NPCs, side stories, background design is that no one is paying to gamble for those things.

[punkeropercyjackson]

Why Percy Jackson is a transfem character and always has been

So!!Obligatory 'i'm a trans man,not a trans woman' disclaimer but this analysis is based purely off 1.Percy's canon personality,relathionships and story and 2.Irl transfeminine experiences that i know a lot about thanks to having a lot of transfem friends.Said friends have also listened to my reasoning behind tgirl Percy and agreed with me if not having the hc for her already and every other transfem Pjo fan i've seen i don't personally know also say her narrative is trans woman's one too and they always understand Percy's characterization better than anyone else in the fandom(certainly better than 'himbo/malewife/babygirl-coded/slutty bisexual Percy' believers)and as a Percy kinnie it's been the take that's felt most correct to me ever since i first read Pjo,10 years ago much,MUCH before i even realized i'm queer.So with that,let's dive into why Percy is a girl quasi-canonically,including that Rick Riordan has refered to her as straight but never cis!

Trigger warnings:Misogyny,child abuse,ableism,Luke's canon pedophillia and grooming with an alluding to how it applies to Percy being female(that is not dived into!),a slang word for pedophile that's used as an insult to P*rcicos potrayal of her and internalized transmisogyny

Percy's personality

Now,as i've said before,Percy's not all that actually gendered as male-Meaning,none of her attitude or behavior or interests are masculine and are misenterpreted as such due to misogyny and gender essentialism.Percy has poor social skills,anger issues,merciless tendencies,a strong sense of justice,self-worth problems,a very odd sense of humor that always lands and respects women to the point of thinking they're better than men and none of these are gendered traits but a mix of audhd-dyslexia and trauma.The last one is arguably actually a girl thing even if there's an in-universe reason for it(good mom,deadbeat birth dad,abusive stepdad,most antagonists being older men in power and the first older person she thought she could trust was just manipulating her)

Percy also frequently complains about having to act like a stereotypical guy to have to fit into society's standards because naturally,she's just not-She's completely unconvential even amongst 'other male' demigods and this is reguarly commented on.In fact,there's a whole plot in Titan's Curse of her proving to the Hunters that she's NOT a normal 'man' and it's a huge thing that's reinforced as true the whole franchise!Zoe was right about cis men being ass and that's not 'r*dical feminism' and ngl a lot of y'all are telling on yourselves because she never talked about biology in her misandry,especially because Zoe appears to be around the same age as Thalia physically and mentally so it's super icky to throw t*rf accusations at her because she's traumatized by ancient greek men,one of the worst kinds of men ever!And Percy's totally unlike them despite being amab and identifying male not because 'not all men' but because she's actually a woman

This is a direct contrast to how she talks about and interacts with other girls-Almost every female character earns her worship on first meeting,even if she dosen't like them as people.She puts a heavy emphasis on them being girls in her narration and some dialogue too and her descriptions of them are so admirative they come as envious with her own insecurities in her looks.Percy is severely lacking in any kind of masculinity and Piper even pointed this out based on her vibes alone after hearing all about her at camp and thinking she'd be a macho man based off how people talk about her and i'm unsure if this is a common phenomenom but i frequently see and hear people say daughters tend to look like girl versions of their dad's and Percy is said to be identical to Poseidon but with softer features and the idea Percy should tie herself to masculinity due to it being expected of amabs is contradictory to canon's messages in addition to it's irl sexist implications and the sea is frequently associated with femininity(mermaids and sirens,calling ships 'she',pearl jewelry,the term 'Beach Bunny',the moon controlling the tides,etc)

And small final note:The rock music scene is filled with transfemmes and has been for a long time and while blue things are usually associated with boys,it was Percy's mom who got her to love them

Percy's relathionships

Almost all of Percy's friends growing up were girls-Annabeth,Silena,Thalia,Bianca,Zoe,Clarisse and Rachel vs just Grover,Beckendorf and Nico.She thinks The Stolls are annoying as shit with their 'boys will be boys' beat and she hates male gods on sight and implies she finds them being super conventionally attractive to be offputting instead of appealing.Nico had a crush on her until they got closer and realized she's not an ideal man like he thought she was and therefore 'cute but not his type'(I have no opinion on Solangelo but i got beef with the shippers for making this about blonde hair and blue eyes instead of transfem Percy,especially the trope of Percy acting like a kiddy fiddler over what Nico said as a joke)and she takes responsibility of him post Bianca's death and Nico exclusively wishes for older sister figures,never old brother ones

Percy and Rachel is a classic irl dynamic between transfems and their afab friends:Dating to exes to even closer friends.Rachel is a pretty typical lesbian if we're applying irl wlw things too and Annabeth is clearly a huge lesbian-Like seriously,she only ever showed attraction to Luke and Percy and Luke was comphet in her words('You were like a brother to me but i never loved you')and lesbians experiencing attraction to uncracked eggs is semi-common and she's got tons of subtext with Piper and Reyna and shows a strong distaste for the expectations of cisheterosexual womanhood,mainly femininity.Reyna is yet another comphet lesbian-coded who was into Percy.Clarisse,textually butch,calls her 'Prissy' and Piper,canon unlabeled sapphic and gnc,described her as not masc enough for her taste

Percy's relathionships to older male characters combined with her transfemininity,youth and constantly being described as 'other' from ordinary half-bloods by them function with no need for change as a potrayal to how corrupted men in power treat girls-Not women,underaged girls as Percy is 12 at the start and 18 now and we've yet to get interactions with her and male gods in the current canon timeline so all their abuse of her and innapropriate undertones in their behavior towards her were when she was underaged.This includes but is not limited to:Ares' condesension and (non-sexual) assaults,Apollo's very possible constant flirting that would definitely be textual if Percy was intended as a girl by Rick seeing as Apollo had no problem hitting on the Hunters and Reyna and her entire relathionship with Luke.Luke is canonically a serial pedophile,implied to sleep with Kelli and a raging misogynist and Percy was one of the first victim's of his gaslighting and he tried to kill her after framing her his crime against the gods in an isolated area they'd been alone in together a lot and widely noted to have accidentally been writen flirting with her throught the series by the fandom so i can't help but take Luke.rcy as a male explotation and grooming narrative

Artemis,an archaic symbol of lesbians,loves Percy and considers her above any man.Aphrodite gave Percy advice on her looks by saying everyone deserves to feel perfect in their skin to achive true perfect beauty.Persephone,one of the og csa narratives,said she likes Percy because she's 'brave' with the implication being that again,she can tell Percy is different from usual 'male' half-bloods.Hera is the goddess of traditional marriage and holds a violent resentment towards Percy for disrupting the system.Percy at her core is meant to come across as like a male god but not actually being one and actively not wanting to become one out of hate for authority and traditionality

And another small final note to a section:Frank is trans man-coded(his arc is about being emasculated and saying 'fuck you!' by making his own manhood and Mars' blessing is explicitly compared to testosterone and gives him a huge confidence boost)and they're paralleled as fundamentally similar yet also fundamentally different,Nico and her act like an eldest daughter and a middle brother where she's a pseudo-mom to him and queer siblings and Jason falls under transmasc norms(the ex-wolfkid thing,positive and healthy masculinity,creating a new self after loosing his old idealized one and Team Dad)and instantly became Percy's best friend and is her complimentary foil and 'counterpart' so transmasc4transfem realness

Percy's story(and how it all comes together and would've been improved by canonizing her as a trans woman)

Percy Jackson means 'Outcast who looks out for other outcasts'.She's so unique as a character because she was and is still genuinely a huge weirdo,not just nonhuman,she is human even if it's only half-That's only half of who she is(She's totally a Gwen Stacy variant btw).Being a trans girl would do nothing but enchance her core aspects but also work as a fixit to various canon writing problems!

Percy is femme so that'd give us positive girly girl rep to make up for all the pick me feminism.Annabeth'd have no reason to lash out and give her mixed signals since she's not a boy so their dynamic is improved.Nico's crush fades upon finding out she's a girl so they become best friends and found siblings like they were always meant and wanted to.It causes shifts in the plot that bring a bigger focus on the girlhood aspects of Greek Mythology seperate from romance retellings and a much needed change too:Percy as the hero of the Great Prophecy.Luke was a raging misogynist,a racist,a child groomer,a fucking pedophile and an entire fascist who lied about revolution to ruin society instead of fixing the system.Percy is a lifelong punk,an anarchist and a proffessional instigator and was trying to stop Luke's fuckery from 12 to 16-She's the greatest greco-roman hero ever.TGP was operating on Ancient Greek logic but Pjo isn't Ancient Greece,it's Percy's story-How she forced the gods to change with no choice by SHOWING how much stronger and more etheral she is than them

BUT WAIT,THERE'S ONE MORE FINAL NOTE!!!!!Percy would be a million times happier as a trans femme than as a cis man.She gets to transition and not have to be an ordinary male she's NOT so she starts loving and accepting herself way more as she changes into who she wants and deserves to be and we should all want that for her too.The truth is she's nothing like Hercules,she's unimpressive as a man,Nico believed she was a real male hero but she failed at being a performance of it based off what he knew of men and now they're cool and he thinks Percy's cute but not like that,she thinks aggressively male men are wicked and not all that handsome,Rachel made her feel normal because she's not a normal girl (either),Annabeth has princess hair and had a makeover at a magic spa and she strikes fear into hearts in a way only girls can and she wants all that too,she also wanted to be treated like Thalia so bad,Jason is the Superman she's been waiting for her whole life

She's the mom to Nico and Hazel Sally was to her,she's a rocker chick,she was on the swim team in high school and went to protests and did charity events with that frizzy neurotic girl she's attached to the hip with,she loves burgers and desserts,she's got streaked hair,she uses 2000s and 90s slang completely unironically and she just wants people to think she's normal but still get to be herself.The sea does not like to be restrained

[intothedysphoria]

Stranger Things has a serious problem with the way it portrays working class men.

In Eddie Munson’s first real introduction in the show, he is established as intense, cynical and somewhat of a societal dropout. None of these characteristics are particularly new in the world of Stranger Things but one thing Eddie says really sticks in my mind.

“Forced conformity. That’s what’s killing the kids.”

In the Duffers eyes I’m sure that’s just a way to establish Eddie as an outcast but what he ends up eluding to is an extremely depoliticised explanation of cultural hegemony. Established by Italian Marxist Antonio Gramsci, cultural hegemony is the ruling class dictating cultural ideology and behaviour via institutional and social messaging. (In this case, the media creating a Satanic Panic around Dungeons and Dragons and encouraging parents to force their children to conform.)

Ironic, seeing as the privately educated Duffer’s are dictating what they allow to be seen as working class culture but I digress.

The Duffer’s have an extremely rigid view of what a working class man acts like and despite a show that preaches about the right to be different, that right is ultimately only given to the middle class characters. Working class characters are always fulfilling some kind of classist stereotype.

Take four examples here. Billy, Eddie, Jonathan and Argyle. On the surface, four distinctive and different characters. But once you start noticing the similarities, it’s hard to stop.

All of them are either confirmed to be from an unconventional family unit or don’t have family at all. There’s nothing wrong with coming from a non nuclear family but the way the Duffers portray them, there is always something “wrong.”

Billy has an abusive father and his mother left him at a young age, Jonathan has an abusive father and his mother has mental health difficulties, Eddie is living with his uncle and it’s implied that his father is incarcerated, Argyles parents aren’t there at all. Notice how the middle class families rarely have this level of domestic discord (especially with the point the Duffers make about all working class fathers being shitty parents. The only exceptions seem to be Wayne and Hop and Hop REALLY has his moments.)

There’s also some stereotypical hegemonic working class male value that Billy, Eddie, Argyle and Jonathan hold that makes them either antagonist (either in the narrative or in the fandom) or isn’t a good trait to have. Billy is aggressive, all of them are addicts (which is also racist stereotyping in Argyles case), Jonathan and Billy are sexually deviant (never mind the distinction that Jonathan committed a sex crime and Billy was just groomed, the Duffers certainly don’t.)

It’s also important to note the distinct lack of working class male characters who aren’t white at this point, this show has zero understanding of intersectionality.

In some areas I’m almost glad the Duffers at least understand that working class men have a culture, because all of the working class women on the show have no real attempts to be assigned any working class female attributes. On the other hand, I already know it would just be fucking misogyny yet again.

Just like the shows blatant misogyny, racism, homophobia, xenophobia, ableism, abuse apologia and holocaust denialism, the Duffers show no real care about the discriminatory nature of the way they portray the working class. Or the classism that the wider fandom regularly espouses against working class people and culture.

If Billy, Eddie, Jonathan and Argyle had been from a show created by working class writers, I probably would have significantly less problems with the way their characters are handled. Both because the clunky, stereotypical characterisation would have been erased and also because it would have been portrayals of a real life working class experience. Abuse, addiction, racism and violence are all real problems in working class communities.

But the Duffers don’t give a shit about that. All they do is create an upper middle class view of working class values.

There’s obviously something deeper lurking under what is seemingly just a nostalgia bait sci fi show, something that speaks to the way the media industry as a whole reinforces these attitudes towards marginalised and lower class communities, but that’s a conversation that I don’t yet feel qualified enough to initiate. So, I’ll leave it at this for now.

The Duffer Brothers are absolute fucking wankers.

[hcfiles]

The PR stunt with the latest PR (used as a diversion) adopted many strategies present in the other PRs. But, I want to call attention, not exactly to strategies, but, to the reasons they have been adopting them. For so, I need to point out a fact.

But, before the fact, I need to say you won't like nor accept what I'm about to point out, 'cause it threatens your belief and the adoration (not admiration) you have for him, which makes you blind. But, once you realize it, this circus becomes weak, unsuccessful and loses its meaning. And NV will lose her latest popularity.

He was expecting just one more PR stunt as many others he had done before (Lucy, Gina, KC and you name it). But, someone made him a fool and used it on behalf of NV. Did he end up getting sexually involved with some of his PRs? Maybe. He thinks these deals are also a way he can bang women safely, without further headaches. For me, it's a glamorous way to practice prost****"***on.

She became the main character for having this intention all along (what he didn't realize until he was trapped) and that led to this shenanigan damage control, which he had a choice to avoid, but preferred to accept. - That shows how his moral standards work.

The entire time, NV was used as a shield, a cannon fodder, a diversion and a tool against fans, in exchange for a blue check mark on IG and easy popularity.

As the reaction they had of the PR stunt with her was overwhelming compared to their expectations and they had lost control of the idiotic fandom, damage control was imperative. The PR had already started her own self promotion and they thought that ending the plot would cause him much more damage. The Me Too Movement could accuse him of misogyny.

But, the strategies used to regain this control was to provoke animosity among his fandom. First, to keep a part of it believing his persona and also, to use this part against the others, who they called haters, toxic and accused of jealousy. They intentionally, put fan against fan, so a part could do their dirty damage control job.

Many fake fan pages and fake chats were created to influence and manipulate you. Pages started blocking and reporting each other. Many were the pages using NV as a target and diversion. She, actually, put herself available for that to save his ass. This was partially predicted and expected by whoever was supporting her, planned this PR stunt and had a certain control of his social media (with his consent).

The goal was to confuse and gaslight, to make you believe he was out of job, fired by TW production and not being called to big and iconic roles. Being out of service was a strategy. This way he would continue as a victim and that would motivate you to fight and ask for him in social media, to campaign on his behalf.

The rumoured articles about his behavior on set or against women were planted to generate algorithms, commotion and make fans fight for him so he could regain your sympathy.

That's why he has been avoiding social media and has only been in cameos and accepting insignificant roles. The goal now, is to recover the credibility of his old image, but slowly. Making you believe he's being unfairly treated by the industry is a strategy. This way, you would ignore his lack of morality while priotizing escorting.

But, continuing silent, with dubious and contradictory comments on interviews, such as the one about his IG being fictional and playing the fake paternity plot is not helping. On the contrary. Instead of damage control, he put more fuel to fire and discredited himself.

It is clear you are here to make his likes and algorithm grow, most, to portray him as a victimized boy used by a slut and rejected by the industry. That's a fallacy! That's why he's into and in agreement with everything. He needs to deceive and recover the fandom he despised back there.

Well, the problem with all this damage control was that they not only threw the PR under the bus. They threw him! They had the intention to cause rage against the PR so he would be protected, not criticized for his lack of morals and seen as her victim. But, the rage not only was directed to her, but to him, reasonably!

HE was the reason for all of this circus. This PR stunt was to boost his image as straight, self-confident womanizer man. But, it had a mandatory change (as damage control) promoting the PR as a diversion. It is IMPOSSIBLE to believe his team didn't see it coming. And I believe whoever is behind this PR plan had that intention all along.

He not only ended up being used by this woman and her troupe, but also exposed as a coward liar and hypocrite. Maybe this trap was a Me Too Movement set up. He lost credibility and the respect of fans. By accepting this damage control strategies he put himself in the place of a guy who sees his fandom as a step.

Fandom has been immorally manipulated, gaslighted and used in this dirty damage control. He's slowly trying to go back to the old AVATAR, expecting his fans will forget and ignore the fact he sacrificed them for spotlight, vanity and fame.

He staged this indecent plot, accepted the immoral strategies, is using a fake paternity as self-promotion, to promote movies and a woman .....let's say, of a bad reputation, to avoid being honest, to avoid accountability and afraid of the gay rumours and The Me Too accusations.

The fact is he's not the AVATAR you sigh for. Yes, "he's gorgeous as a God, sexy as hell, sweet as honey" (something I saw on an IG page). But, that's a mask. This self-confidence, moral, good family man AVATAR doesn't exist. He may have a few features of the AVATAR, but, he's not it.

This AVATAR is a character to gain your sympathy, your love and adoration so he can be famous, rich, make you ask for him in every movie and spend your money in box offices. He's giving the fandom a big f**k. So, before defending his integrity ask yourself: Was this circus dignified?

"Dignity comes before fame. Dignity always comes before fame". His words on a podcast. So, where is that dignity now?

[alicentsgf]

why are people so pressed about how Alicent ends up this season??? Like hotd hasn’t been good since s1 people also criticized everything back then but tbh Alicent from s1 was always headed to where she ends up?? I thought it was common knowledge that her last choice would always going to be duty vs love and s1 stated very well that Rhaenyra is that freedom for Alicent???? I absolutely hated the things they put Alicent through (alicole sex and for what? All of her sons being a dick to her??) her arc this season was badly executed but to blame and think that the writers are catering to rhaenicents? seems a bit stretch when the ship is hated by the majority of the show. We can argue in the journey of how Alicent get to the point she is now but it was clear for the beginning that the head of TG?? She would never be, sometimes I think that thanks to most of the general viewers didn’t understand Alicent as a character the writers thought if we put her in these humiliating scenes the viewers would understand that she is a victim of the patriarchy and the men who surround her, but I guess not even with that the GA and fandom as whole could ever understand her character and honestly im good with it, she’s a walking contradiction and i have read her character like that since the beginning, good riddance tho to the obnoxious people that kept bad talking Olivia for only doing her job (this is not a dig to you but the extended fandom that are attacking Olivia again for her character)

Why are we upset now? Because we dared to hope lmao. And now we're realising theres absolutely no coming back from this (it was already mostly ruined i know).

I think the issue is the choice between duty and love should have been made when she chose her children and grandchildren over viserys wish for rhaenyra to rule. Choosing love didnt have to and shouldnt have meant choosing rhaenyra. Like finally FINALLY she lets herself cast duty aside, because "what is duty against the feel of a newborn son in your arms", "you never love anything in the world the way you love your first child", "you imbecile (affectionate)", etc etc. That is what works in line with the original story AND the sympathetic sides of alicent we saw with in season 1. Sure motherhood shouldn't define women but this is a story abt a fucking lineage !! What do people expect. Of course its going to be about parents and children.

F&B might have been bare bones, but it at least had a strong political backbone to it thats been completely removed this season. That direction would have offered more oppertunities for alicent to be explored as a multifacted character. The problem is that because they angled this as a story primarily about misogyny rather than a story about the inevitability of the targaryen line imploding, they maybe thought they couldnt do that without making alicent look like an unsympathetic agent of patriarchy. (Most of the audience read her that way anyway so they did a pretty crappy job avoiding it). Rhaenyra represented a certain freedom for alicent in the story, sure, im not against that at all, but for the writers to suggest literally being with Rhaenyra is what alicent needs to do to achieve freedom from duty? To free herself from the shackles or patriarchy?? (🙄) Its so laughable. Alicents little grandson had to have his head sown back on for his funeral and Rhaenyras faction sent the assassin. Her daughter was traumatised. You dont just fucking come back from that. Really we should have known when viserys died how this was gonna go and I think in some ways we did because a big number of us were upset with the misunderstanding then, we just didnt want to believe what this signaled about where they were taking alicent. People are upset now because alicents character has become totally unrectifiable. We just never believed they'd diverge so much from the known plot points of fire and blood.

As for this bit you said:

" I think that thanks to most of the general viewers didn’t understand Alicent as a character the writers thought if we put her in these humiliating scenes the viewers would understand that she is a victim of the patriarchy and the men who surround her, but I guess not even with that the GA and fandom as whole could ever understand her character and honestly im good with it, she’s a walking contradiction and i have read her character like that since the beginning."

I have thought this myself and unfortunately I think you're right. In an effort to make alicent sympathetic they have created the most convoluted character i've ever laid my eyes on. Towards the end of season 1 we were already saying her being so forgiving after driftmark made no sense, but i was compelled enough by her because of olivias performance of that scene with the knife to be willing to wait to see where they took her this season. And its been an exercise in more of the same stupid shit. The issues in season 1 have just been amplified by the realisation that season 2 is just the same thing again and again and again for alicent. Shes just a punching bag and im sure thats in an attempt to get the audience to feel bad for her, because i cant see any other reason for it, but its just so badly written that shes no longer compelling or interesting or likeable really at all. Theres nothing to root for when you dont know who someone is. I have so little to say about her this season and that hurts honestly. Olivias performances deserved much better writing.

[raiseyourbarkid]

when i first started watching 9-1-1, i was so excited to join the fandom.

s3 had just finished airing, so there was already plenty of fan content available, and i hurried over to ao3 and started reading the fics with the most kudos.

one of the very first ones i read involved Hen reaming Buck out for rescuing someone who didn't have a chance of surviving afterward. it felt oddly familiar, and then i realized—they basically copied the speech Gerrard gave in Hen Begins when she saved that woman in a landslide. they took the abuse that Hen endured because she was black woman, and gave it to Buck. took the words out of a racist misogynist's mouth and put them in Hen's, made her the abuser, just so Buck could be the victim.

that was one of the most popular fics at the time. that was my introduction to the 9-1-1 fandom. and unfortunately, it set a precedent for what to expect from it.

one of the next fics i read involved Buck's relationship with his father. this was before Buck Begins aired and we learned what his actual backstory was, so people liked to invent tragic backstories for him. nothing wrong with that in itself. except as i read this fic (another of the most-kudos'd at the time), i started to realize—they hadn't invented a backstory for Buck. they'd just stolen Chimney's and given it to him. because apparently the story was more tragic or meaningful if it happened to Buck instead of the asian man. (and as i recall, Chimney was made out to be a real jerk in that fic, too.)

and so it continued.

after that introduction, i always stayed on the fringes of the fandom. i still read some fic—obviously, not everyone was like that, and there were a lot of really good fanworks! but i didn't really engage beyond that. as i read more fic, another pattern was emerging: the fandom's treatment of women.

9-1-1 is far from the only fandom to have this problem. in several fandoms with popular mlm pairings, there is a lot of mistreatment of female characters, especially ones who are viewed as a "threat" to the pairing. but the way people reacted to these characters—namely, Abby, Taylor, and Ana—was somehow astounding to me. obviously none of them were perfect people—what character is?—but i couldn't imagine anything they'd done warranting the reaction i saw from fans. i had liked them as characters for the most part! i didn't see those romantic relationships working out in the long term, but i didn't see that as a reason to hate them, much less reach the levels of loathing the fandom seemed to. you'd think these women were cartoon villains, the way fandom portrayed them.

honestly, it had been YEARS since i'd seen a fandom with such bad misogyny, if ever. and somehow, i was surprised again. i'd foolishly believed that fans had been getting better about that kind of thing, about hating women over a ship. so many other fandoms managed to be kind to the women involved with the men they shipped, why was it so hard for this particular fandom?

and now all this.

Buck's finally in a queer relationship, but it's not the one people wanted, so the response is to be hateful and homophobic towards the other character involved? in what world does that make sense? how do people rationalize that to themselves?

i'm just exhausted. i'm realizing now that this fandom has never felt like a safe space and maybe never will.

in over 20 years of being in fandoms, i have NEVER been in one that was so determined to be hateful. and over a show that's predominantly about love and the power of human connections? it's downright baffling.

[thepersonperson]

Oooh I'm really interested in your opinions on the flaming trainwreck that is gojo's relationship with women!

I wanted to respond to this topic in this ask, but then I realized it would be better as a part of something else. So I will link you to my yapfest that happens to delve into what I think are Gojo's woman issues.

So thanks for sending me into a mini crisis within a crisis! It gave me that nice little missing piece to pull apart Gojo even more.

I'm also shoehorning your tags on this post into this ask since they contributed to that analysis.

#fjddjdjs hiiii I apologize right back for subjecting you to my yelling in your tags almost all the time fjdjfjd #but WHAT a time for you to post this bc I literally just typed out a whole rant on gojo's sexuality that I bravely chose to not post djdjfjf hj

Post the rant anyways. Or whenever you feel brave enough. The perspective unique to you is valuable even if the topic has already been discussed.

#but you absolutely hit the nail on the head on why satosugu was and is n will always be doomed bc of COURSE gojo would never act on anything #like his whole thing in this story is witnessing human rights violations and only acting when the consequences are fatal

#hes absolutely my favorite jjk character but hes so very full of his own prejudices that I think the fandom doesnt acknowledge bc hes fruity #like we see him let a LOT of shit slip by bc to him (one of the most privileged cogs in the machine) they aren't real problems #which reminds me of cis white gays whose complections and even the random bouts of misogyny and mild racism he matches up with #he has a lil bit of that 'I can't be shitty to women I'm literally gay kinda' vibes and we see how he talks to utahime #and how he doesn't stand up for maki like you mentioned

That's usually my biggest complaint with fan culture in general. They shave off the yucky parts to make characters more palatable. Gojo's racist reveal post-mortem made me love him even more. He's my favorite character in JJK too and he has also unseated my most favorite fictional racist: Oliver Fire Emblem. (Yes, I have a fictional racists tier list. I'm giving myself a pass to have one as a person with a unique skeletal structure and muscles as Mr. Gojo Satoru would say.)

I think the reason people try to ignore these things is because of how subtle/realistic it is. Gojo's unsavory behaviors are the kinds people are most likely to have themselves. He kind of forces you to look at those flaws and that can be a deeply uncomfortable experience.

Also I think Gojo would be more like "I can't be a misogynist, I'm not a Zenin."

(Cough more on my racists tier list. It's more of "Were they written well? Was the racism properly condemned by the narrative? Is the racism relevant to themes? If they try to get better, is the racism properly addressed? Is it funny in the pathetic loser way?")

#but I also have this different vibe that he. despite how much he says so and maybe wants to. does NOT care about 'the weak' beyond his job #we see him literally step on people in shibuya to get to where he needs to quicker #he doesn't even bother remembering the names of the kyoto kids besides maybe todo and mechamaru (strong)

Well the thing is teen Gojo definitely didn't care about the weak. Post-Geto break up and after he started mimicking all of Geto's moral teachings? No idea. Gojo treats people he loves poorly so it's hard to tell when he really hates or doesn't care about someone. And he does posture about those things like with Megumi's body being used by Sukuna.

During the Shibuya incident, he does step on all those people's heads and let them be thrown against his Infinity like objects. But he doesn't hurt them. This is a guy who stepped on ants and made sure his Infinity prevented them from being crushed.

Kenjaku's group uses his love for other people against him here. Gojo tries to posture during it, but his composure breaks a few times when they start killing a lot of them. He also checked in on their survival after he UV'd them.

That being said, he probably cares more about them as living things than as equals. He has a very clear bias for the strong when it comes to putting in time and effort. ...But also Ijichi is so weak and Gojo trusts him the most. Gojo went out of his way to care for him when he was suffering. ...And he also relentlessly bullies him. (As you can see Gojo's true feelings on the topic are iffy as fudge.)

#imo the only reason he cares enough to correct nanamis language when talking abt yuuji is that he simply has a lot of potential to be strong #he took maki in hoping to make another toji out of her but bc he doesn't know how a toji is made he basically gives up #which is why I think he didn't even think to call suguru out for the way he talks to her

That would be really fudged up if he was trying to make another Toji and I wouldn't put it past him. He does put his students in really questionable predicaments in the name of growth. That might also explain why he corrected Nanami with Yuji. Someone with his power experiencing immense discrimination could churn out another Geto.

#like gojo has really lofty goals but his day to day consists of ignoring it all until there's a problem or he needs to talk about his goals #he's very much running around aimlessly like a headless chicken mostly bc of the higher ups so it's understandable that he doesn't have time #to even think about let alone try to unlearn all that internalized shit stopping him from achieving his goals #also everything about your tags YES TO ALL OF IT YOU'RE SO RIGHT AND BIG BRAINED

So true! Gojo is stretched so thin that I think he defaults to "cold logic" as Mahito puts it. If he's going to change things for the better, he has to invest in strong people, so they get all his attention and time. All the little systemic issues can be ignored because he was raised to only care about the big things.

It's such a frustrating predicament because I want to be mad at him for this, but it's also [Joker Voice] Society. I've settled on calling it out as a character flaw that can be explained (not excused) by circumstances.

#also uwu thank you 4 talking about kirara shes my everything and gojos an idiot for losing that entire years worth of students (2 whole ppl) #anyway I am sorry for clogging your tags yet again your posts make the gears in my brain turn very fast

Thank you as well. Clogging my tags makes me reexamine things more. I think after reading this response you'll be able to see the parts of your tags that influenced certain parts of the Ok Dad Gojo Analysis.

[chaifootsteps]

I really dislike how Sam Haft phrased that latest stolas song as “stolas succumbs to blaming Blitz”

Succumbs to, meaning Verosika, a female character who was nothing but excessively nice to stolas, is being blamed for ‘pressuring’ stolas into his terrible behaviour. But she didn’t know what happened, stolas did. He showed up at that party already blaming him for everything. Verosika is to blame for inviting him and he just “had” to go to not be “rude”? He still went. That was a choice he made.

While Stella, another female character, is blamed for all of stolas’ depression and problems to begin with, and for the grimoire deal itself. As for Via, stolas fans call her an ungrateful brat and cockblocking bitch, after everything stolas has endured ‘for her.’

Every time this man does or says anything terrible, a random woman catches strays just for existing near him. The misogyny of the fandom is going to be palpable come December.

Oh god, you're right and I absolutely hate it. That line was already bad enough given that it's the third time Stolas has "succumbed" to blaming Blitzo, but this one has the added charm of being directly blamed on a woman that Blitzo hurt much worse than he ever hurt Stolas.

[davidthephoneguy]

A little (mostly Dialtown) rant of my own

Ok first of all you all need to calm down, I'm goin on this rant despite not currently being in the dialtown fandom but I was back around when the game first came out. I just feel like I gotta ask you to be calm because I know how agressive people can be online with that shield on anonymity. I also do not hate dialtown or Dogman nor do I blame them for said issues that will be stated.

Dialtown as a whole does pretty obviously have a problem about representation of fem/fem presenting characters especially in the fandom side. As a previous rant stated before most fem characters are either glossed over in favour of male/masc presenting ones, such as with the main dateables. It even extends to side characters which feels rather disheartening. Now I get why its mainly the male/masc presenting ones who get attention, I must highlight the fact that I am a Bi-Ace Transman and I tended to focus on Oliver and Randal over Karen so I was part of the problem on that part. So i get the gender serotonin of drawing them but I hope you can also see how it means that for example, Karen is almost completely overlooked. I would see myself in them because of the shared gender, I really do understand why this has been happening. You are not evil for doing this, that is not what this rant is about in the slightest. Like the previous rant before stated the game doesn't pass the Bechdal test (Which if you are unaware is a media test which requires two fem characters to talk to eachother about anything other then a man, already an extremely low bar to pass) which Dialtown does not pass. It's completely valid to have reservations about that as it is an overall problem with media at large. Media at large is still a white straight cis male dominated space and needs more diversity in all ways. Dialtown as a whole is a good game and has a diverse cast which is wonderful and amazing to see. The only issue is how some are highlighted more then others or demonized in a way that lines up with misogyny (Such as with Mingus' behavior being villainized by the fandom while Stabby and Shooty doing the same thing being ok and lighthearted in the eyes of the fandom which from an outside view just looks like misogyny I am sorry folks. If the only factor in if you like or dislike a characters actions is because they are a woman is misogyny even if they're cis or trans, misogyny is just the word for discrimination in this way) Pointing this out doesn't mean an attack on anyone, pointing out an issue is meant to bring attention to said issue so it can be improved or fixed. The previous person who I have been referencing and paraphrasing here (who I am not going to @ as they don't need more direct harassment) was slightly attacked for having a rant, yes everyone is entitled to their opinion but that does not give either side the right to actively attack the other. Please remain diplomatic.

People are allowed to highlight issues, if we don't then they won't ever get fixed. We're meant to stick together and fix things together, not attack eachother. Thats what people like terfs want us to do, they want us to tear eachother apart so that they get what they want, our destruction. We have to stand together with the things we love. My apologies for how long this ended up being but I just had to get it out of my head. Just my thoughts as a transman/voidrabbit on the topic

[writing-for-life]

Nuance in (The Sandman) Fandom

Send me asks about everything Sandman-related!

I thought a lot over the past few days, partly prompted by discourse on here, partly due to a couple of “interesting” asks and messages I received (the type you don’t answer). I *think* they might have been prompted by engaging in discourse on topics like anti-blackness/racism, misogyny/sexism, TERF characters etc in The Sandman.

Fandoms are always getting super sensitive if someone shines a critical lens on their favourite works, authors and characters. So to make this clear (in case it isn’t already obvious from my brain-rot blog):

I love The Sandman. I love Neil Gaiman. I have an extremely soft spot for Dream (and Desire btw, who deserves a lot more character analysis than just being summed up as “villainous, sexy bitch”. One day, perhaps ;)).

I can read The Sandman and just get lost in the story, even after decades and many rereads. 

But I can also view it through a critical lens—these things aren’t mutually exclusive.

Not critical enough or too critical?

As fans, we can get trapped in certain thinking patterns, like:

“My blorbo can do no wrong”-syndrome 

“Characters with flaws are inherently problematic and imply authorial endorsement of those actions” 

“Characterisation and problematic subtext are one and the same” (aka overanalysing and looking for problems where there are none is the death of every story, but failing to see problematic patterns where they are clearly visible is a problem, too).

Don't say anything bad about my favourite character

I think this doesn’t need much further exploration. It’s not my personal way of looking at stories through permanently rose-tinted glasses (I always feel it stalls my experience, but my experience is not everyone else's). Some people prefer that type of escapism, and I’m good with that (although the downside is of course that by not willing to engage with issues, we can unwillingly perpetuate them). Live and let live, ship and let sail. But please, for the love of god: Don’t insult people via their inboxes or messages just because their opinions and preferences don’t align with yours. I’m not going to sugarcoat it or phrase it “nicely”: It’s infantile (and a form of bullying btw), end of.

How can you even like a character who's so horrible? And that author must be equally horrible, too

We have to separate flawed characters, even those who are written to be really problematic, from real-life endorsement of these actions. 

Author, narrator and character are three fundamentally different things, and don’t overlap as much as some people seem to think. 

We can write vile, despicable characters to make a point (for me, Thessaly was always a prime example for this, and I explained why here). We probably hate them as we write them. I don’t know what else to say, but this facet of writing seems to get more and more lost on people, and it’s a worry. Crying for sanitised characterisation is one step away from censorship. We explore what is problematic about people and humanity through story. That’s how we process and learn. It’s nothing new, but it becomes impossible if we can’t write flawed and even disgusting characters. 

Face value…

Since I’m mostly in The Sandman fandom, I often read that its ending is hopeless, and that’s supposedly the entire message. 

It is agonisingly sad, yes. But is it truly hopeless? I personally see it as quite the opposite, but of course that’s my opinion, coloured by my life experiences.

I also get that show-only fans often haven’t read the comics, or at least not the whole arc. And as such, their outlook from what they’ve seen so far (and choose to focus on) has to be different by default. I also understand that many people are quite new to the comics, even if they have read them in their entirety. I’ve sat with them for 30 years, and I still find new things on every reread (and I read it more times than anyone should 🙈), and I still don’t feel like I’ve understood it all. Perhaps because I still haven’t fully understood myself (and it’s unlikely I ever will). If there’s one thing The Sandman isn’t, it’s one-dimensional and easy to grasp in its whole depth.

I just wrote a ginormous meta on it, if you’re interested, it’s here:

Subtext, (not so) glorious subtext

This is where it gets complicated:

We shouldn’t mix up characterisation and story subtext. Overanalysing every line to death will always make us find something that’s “problematic”, when it really isn’t in the wider context of the story.

Zooming in is NOT always a good thing. Sometimes, we actually need to zoom out. 

But subtext *can be* (accidentally) problematic. Even in stories we love. And none of this negates what I previously wrote.

Stories have real-life implications of sorts, and we need to be able to talk about it. That’s where those slightly flabbergasting, hostile inbox messages come in, and I want to expand on that "topic of contention" a bit:

Neil himself confirmed that the Endless basically warp reality, and that this is why, after Dream’s failed relationship with Nada, many black women in his vicinity suffer terrible fates (Ruby and Carla in particular). And that this spell is only broken when he dies, and that it is the reason why Gwen doesn’t suffer the same fate. And said Gwen then gets used as a plot device to basically absolve Hob (who canonically really is a problematic character, whether show-only fans like it or not) from his slaver past. Once again, very clearly: No one is making this up. Neil confirmed it (for the comics, and that was over 20 years ago. It remains to be seen if his stance has changed as we move into that arc in the TV show).

I don't think it is correct to imply that Dream as a character is racist (I've read that, too) because he logically can’t be. He holds *all* the collective unconscious. He is also, strictly speaking, not white. He is everything and nothing, and he shows up in many different ethnicities throughout the whole arc, depending on who looks at him. But Neil played with a subtext here (reality warping due to a bad relationship which then affects everyone with similar physical traits) that will read very differently to a black person than it reads to a white person, and we have to understand why that is an *extremely* slippery slope.

Plus, we are supposed to see Hob, who *was* a racist at some point (you can’t not be if you’re a slave-trader—it’s impossible by default) as redeemed. And yes, he *does* regret deeply, good for him (and if I were saying this aloud, you would hear the sarcasm in my voice, because it is indeed all about him. We are to sympathise/empathise with him and his character growth while there isn’t much mention of the people he maltreated). But also: it was a black woman who basically forgave him (with dialogue that personally makes me cringe). And that black woman who offers forgiveness is not truly a black woman—she is a character written by a white man. And as much as author and character are not the same (see above), there is an inherent sensitivity in that power imbalance that we can't brush under the carpet.

I don’t think Neil is racist. Probably quite the opposite, and I can even see that his intentions were good from a storytelling point of view. BUT intention and impact are two fundamentally different things, and telling the story this way (comic version) betrays blindspots only white people have. Just like women have blindspots when they tell stories about men, and men have blindspots when they tell stories about women (and there are a few of those in The Sandman, too). And and and…

As storytellers, we can’t always speak from lived experience. It’s impossible. And that also means we occasionally make mistakes that look bad in hindsight, even if our intentions were good.

I guess the proof is in the pudding: What do we do when people who *have* that lived experience tell us it looks bad? If they inform us why it is hurtful, plays into old stereotypes etc?

Are we willing to listen and yield (both are the foundations of allyship btw), or are we insisting that our viewpoint as someone *without* lived experience is right? That lived experience extends to all lived experiences (sex/gender, sexual orientation, age...), and from all we’ve heard from Neil so far, it seems important to him to rewrite what he sees differently today. Whether they’ll always get it right for the show—we’ll see. At the moment, it looks a lot better than in the comics, and certain issues are already being handled with a lot more sensitivity, but a few problems remain.

Pushing back on criticism that comes from people with lived experience is problematic—I’d encourage us to think about what it looks like if a white majority in the fandom is basically saying that the opinions of POC are essentially “overreactions” (and yes, that happened).

It’s complicated. The Sandman was written in a different time, and I think we have to distinguish between things that weren’t really problematic at the time but have aged poorly (again, Thessaly springs to mind, and I have lived experience as a queer person during that time, so I can see it in context while at the same time acknowledging that I would make changes to bring it to the present day), and things that were always a problem due to blindspots. They were a problem in 1990, and if they don’t get changed, they are still a problem today.

This fandom is generally so much more open and nicer than others I know. But that doesn’t mean it’s infallible, because it’s full of humans. 

Nuance is sorely needed, in both story interpretation and interaction between said humans.

[morgansdeb]

Seeing the One Piece fanbase hyping up this 24-year-old white girl to play Robin because they're allergic to older and non-white women is so annoying to me (they're also allergic to fat women)*. The fact that she's super young when Robin is supposed to be visibly older and more mature than the East Blue Five, makes her an immediate NO for me. These weirdos will see a super young girl with black bangs and scream "Robin-chan~~!!!" because they can't consume media without their dicks in their hands. I mean, 19k likes? Seriously?

Iñaki Godoy is 20. Mackenyu is 27. Taz Skylar and Jacob Gibson are 28. Emily Rudd is 31. The ideal thing would be for Robin to be 40 (or AT LEAST 32, and not look like she just graduated high school. She needs to look older than Emily Rudd and the rest of the cast).

I can only imagine the amount of racist vitriol Robin's actress will get if she ends up being a WOC. And let's not even start with the comments about the size of her breasts. Emily Rudd is the most conventionally attractive white girl you could think of, and I still see comments saying she wasn't "right" for Nami because her boobs aren't "big enough."

"But Oda said that if Robin were real, she'd be Russian!!11!" And he also said Luffy would be Brazilian (Iñaki is Mexican), Nami would be Swedish (Emily is American), Sanji would be French (Taz is Spanish/English), and with Usopp... all he did was write Africa, which isn't a country. So let's be serious for a bit. Those answers weren't literal.

Y'all love to talk about how the creepy things that he says on the SBS are "jokes" (remember when he sexually harassed a fan who asked him if she could be a Jump Editor, or when he said he fantasized about Rebecca's top falling during battle? Because I do), so why are these answers the one thing you choose to take seriously?

But this fandom being filled with racist, misogynistic, fatphobic incels isn't surprising considering how terrible Oda is. All these issues are connected and lead back to the source material. It's nearly impossible to have productive conversations about One Piece when everyone wants to blame all the bad on OPLA or Toei, as if the creator himself wasn't the one who opened the door for every single problem.

Some of you act as if someone kicked your dog whenever someone dares to suggest that Oda isn't the Super Progressive Writer™ the fandom has deluded themselves into thinking he is. I don't even understand where the denial comes from, considering his misogyny is so blatant and his association with sex offenders is public information. I understand loving One Piece, but you don't need to kiss Oda's ass, you know? He's not a good person.

Being critical of the media you consume and its creator isn't being a "hater". I can consume One Piece while disliking its many, many issues. I didn't sign a contract that says I have to like every single thing about it.

I'll be upset if Robin ends up being played by some 20-something white actress, but I'm already upset by the fandom's attitude. *Don't think I haven't noticed the obsession some folks have with monitoring Ilia Isorelýs Paulino's social media activity to check if she's losing weight to be "manga/anime accurate Alvida", as if Alvida magically becoming thin is this super important plot point that needs to be adapted. The source material and the fandom's treatment of fat women is another topic I could rant about for days.