#in a ‘war’ none of us fucking want

[dirt-grub]

I hope to live to see the collapse of the American empire

[holyshit]

.

[pussysidon]

Star wars really needs to stop making hot old men I have seen an ungodly amount of people thirsting over old man Hunter

[jubilant-glcry]

FURTHERMORE

i feel like someone should also point out that it's a bit odd to be so militant over adherance to the canon of a series so heavily based in mythology and folk tales

please free yourselves from the shackles of copyright and ip bc I promise art will be so much more fun and interesting if you do

[beltsourcookie]

the faerie kingdom episode would have been better if they added worms and moles as their npcs and not a bunch of monotone grayscale silver aesthetic

in fact, the forest/woods aesthetic isnt the problem because compared to actual cottagecore faerie aesthetic, the faerie kingdom is too incredibly 'pristine' and feels like youre in in the utensil section of the cooking aisle

devsis creating the faerie kingdom:

what the faerie kingdom should have taken inspiration from:

cookies that have heavy designs from wild berries and flowers would have been more suitable because it can build a more creative and colourful world instead and there would be endless possibilities for outfits

[djsangos]

//shoutout to this jackass who kept throwing themself in the water making us push a 4 person quota with 3 fucking people and then having the AUDACITY to call for a revive at the end of the wave BRO YOU ARE THROWING IF YOU DON'T WANNA PLAY THEN AT LEAST DISCONNECT

but also shoutout to my OTHER coworkers locking in so we could meet that quota... even if we lost this shift in wave 3 by LITERALLY ONE FUCKING EGG we all did our best... except the thrower fuck that guy

(i was 'this way'ing them at the end telling them to GET THE FUCK OVER HERE IF YOU WANT A REVIVE DON'T JUST STAY ON THE COMPLETE OTHER SIDE OF THE MAP EXPECTING US TO GO TO YOU)

[gu6chan]

the brief mention that 1.3 leonard could still be feeling some deep lingering grief over his brothers' deaths still never fails to fascinate me tbh like, does he think of the standards he must have lost since their passing and feel guilt? or does he see them in every child he abuses??? does he keep his grief to himself or does he find it a useful anecdote to what must be a countless number of families dealing with loss??? does the green dragon know? does he confide in it????? since leonard seems to be aware of what arioch lost to the union, just how aware is/was she in what HE lost???????? did they have a role in each other's loss? is THAT where their beef came from??????? im going to merge into a wall

[calkestis]

.

[drorey]

before you send someone a stupid anon ask, THINK

[truthinquotations]

Decided to check out the podcast I've seen ppl talking about..... don't u just love it when authors use our war for decoration purposes in their fiction and then don't even use the correct language 💀 what fucking conflict Christ it's war

Thanks for not saying "in the Ukraine" i guess

[goddessofwisdom18]

this is another rant and i think it'll sound a little nonsensical bc i can't come up with examples of what i'm talking about but another criticism i see from antis that i think is dumb is the shit that's holding certain characters to modern leftist standards. why doesn't rh*s do this why doesn't f*yre do that IDK maybe because you're reading a series by a hardcore liberal who's never thought about collective action or praxis in her life and who wrote this entire series as an individual power fantasy. the solution to this is not to let this reflect on characters who are symptoms of her beliefs (especially when u don't let it reflect on *other* characters despite them canonically having the same beliefs) but to either criticize sarah herself or read actual books with leftist themes LOL

[notebooks-and-laptops]

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[mostlysignssomeportents]

A sexy, skinny defeat device for your HP ink cartridge

Animals keep evolving into crabs; it's a process called "carcinisation" and it's pretty weird. Crabs just turn out to be extremely evolutionarily fit for our current environment:

https://www.scientificamerican.com/article/why-do-animals-keep-evolving-into-crabs/

By the same token, all kinds of business keep evolving into something like a printer company. It turns out that in this enshittified, poorly regulated, rentier-friendly world, the parasitic, inkjet business model is extremely adaptive. Printerinisation is everywhere.

All that stuff you hate about your car? Trapping you into using their mechanics, spying on you, planned obsolescence? All lifted from the inkjet printer business model:

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

That GE fridge that won't make ice or dispense water unless you spend $50 for a proprietary charcoal filter instead of using a $10 generic? Pure printerism:

https://pluralistic.net/2020/06/12/digital-feudalism/#filtergate

The software update to your Sonos speakers that makes them half as useful and takes away your right to play your stored music, forcing you to buy streaming music subscriptions? Straight out of the HP playbook:

https://www.wired.com/story/sonos-admits-its-recent-app-update-was-a-colossal-mistake/

But as printerinized as all these gadgets are, none can quite attain the level of high enshittification that the OG inkjet bastards attain on a daily basis. In the world championships of effortlessly authentic fuckery, no one can lay a glove on the sociopathic monsters of HP.

For example: when HP wanted to soften us all up for a new world of "subscription ink" (where you have to pre-pay every month for a certain number of pages' worth of printing, which your printer enforces by spying on you and ratting you out to HP over the internet), they offered a "lifetime subscription" plan. With this "lifetime" plan, you paid just once and your HP printer would print out 15 pages a month for so long as you owned your printer, with HP shipping you new ink every time you ran low.

Well, eventually, HP got bored of not making you pay rent on your own fucking printer, so they just turned that plan off. Yeah, it was a lifetime plan, but the "lifetime" in question was the lifetime of HP's patience for not fucking you over, and that patience has the longevity of a mayfly:

https://pluralistic.net/2020/11/06/horrible-products/#inkwars

It would take many pages to list all of HP's sins here. This is a company that ships printers with half-full ink cartridges and charges more than the printer cost to buy a replacement set. The company that won't let you print a black-and-white page if you're out of yellow ink. The company that won't let you scan or send a fax if you're out of any of your ink.

They make you "recalibrate" your printer or "clean your heads" by forcing you to print sheets of ink-dense paper. They also refuse to let you use your ink cartridges after they "expire."

HP raised the price of ink to over $10,000 per gallon, then went to war against third-party ink cartridge makers, cartridge remanufacturers, and cartridge refillers. They added "security chips" to their cartridges whose job was to watch the ink levels in your cartridge and, when they dip below a certain level (long before the cartridge is actually empty), declare the cartridge to be dry and permanently out of use.

Even if you refill that cartridge, it will still declare itself to be empty to your printer, which will therefore refuse to print.

Third party ink companies have options here. One thing they could do is reverse-engineer the security chip, and make compatible ones that say, "Actually, I'm full." The problem with this is that laws like Section 1201 of the Digital Millennium Copyright Act (DMCA) potentially makes this into a felony punishable by a five-year prison sentence and a $500k fine, for a first offense.

DMCA 1201 bans bypassing "an effective means of access control" to a copyrighted work. So if HP writes a copyrighted "I'm empty" program for its security chip and then adds some kind of access restriction to prevent you from dumping and reverse-engineering that program, you can end up a felon, thanks to the DMCA.

Another countermove is to harvest security chips out of dead cartridges that have been sent overseas as e-waste (one consequence of HP's $10,000/gallon ink racket is that it generates mountains of immortal, toxic e-waste that mostly ends up poisoning poor countries in the global south). These can be integrated into new cartridges, or remanufactured ones.

In practice, ink companies do all of this and more, and total normie HP printer owners go to extremely improbable lengths to find third party ink cartridges and figure out how to use them. It turns out that even people who find technology tinkering intimidating or confusing or dull can be motivated to learn and practice a lot of esoteric tech stuff as an alternative to paying $10,000/gallon for colored water.

HP has lots of countermoves for this. One truly unhinged piece of fuckery is to ask Customs and Border Patrol to block third-party ink cartridges with genuine HP security chips that have been pried loose from e-waste shipments. HP claims that these are "counterfeits" (because they were removed and re-used without permission), even though they came out of real HP cartridges, and CBP takes them at their word, seizing shipments.

Even sleazier: HP pushes out fake security updates to its printers. You get a message telling you there's an urgent security update, you click OK, and your printer shows you a downloading/installing progress bar and reboots itself. As far as you can tell, nothing has changed. But these aren't "security" updates, they're updates that block third-party ink, and HP has designed them not to kick in for several months. That way, HP owners who get tricked into installing this downgrade don't raise hell online and warn everyone else until they've installed it too, and it's too late:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

This is the infectious pathogen business model: one reason covid spread so quickly was that people were infectious before they developed symptoms. That meant that the virus could spread before the spreader knew they had it. By adding a long fuse to its logic bomb, HP greatly increases the spread of its malware.

But life finds a way. $10,000/gallon ink is an irresistible target for tinkerers, security researchers and competitors. Necessity may be the mother of invention, but the true parent of jaw-dropping ingenuity is callous, sadistic greed. That's why America's army of prisoners are the source of so many of the most beautiful and exciting forms of innovation seen today:

https://pluralistic.net/2021/06/09/king-rat/#mother-of-invention

Despite harsh legal penalties and the vast resources of HP, third-party ink continues to thrive, and every time HP figures out how to block one technique, three even cooler ones pop up.

Last week, Jay Summet published a video tearing down a third-party ink cartridge compatible with an HP 61XL:

https://www.youtube.com/watch?v=h0ya184uaTE

The third-party cartridge has what appears to be a genuine HP security chip, but it is overlaid with a paper-thin, flexible, adhesive-backed circuit board that is skinny enough that the cartridge still fits in an HP printer.

This flexible circuit board has its own little microchip. Summet theorizes that it is designed to pass the "are you a real HP cartridge" challenge pass to the security chip, but to block the followup "are you empty or full?" message. When the printer issues that challenge, the "man in the middle" chip answers, "Oh, I'm definitely full."

In their writeup, Hackaday identifies the chip as "a single IC in a QFN package." This is just so clever and delightful:

https://hackaday.com/2024/09/28/man-in-the-middle-pcb-unlocks-hp-ink-cartridges/

Hackaday also notes that HP CEO Enrique J Lores recently threatened to brick any printer discovered to be using third-party ink:

https://arstechnica.com/gadgets/2024/01/hp-ceo-blocking-third-party-ink-from-printers-fights-viruses/

As William Gibson famously quipped, "the future is here, it's just not evenly distributed." As our enshittification-rich environment drives more and more companies to evolve into rent-seeking enterprises through printerinisation, HP offers us a glimpse of the horrors of the late enshittocene.

It's just as Orwell prophesied: "If you want a picture of the future, imagine a HP installing malware on your printer to force you to spend $10,000/gallon on ink – forever."

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/09/30/life-finds-a-way/#ink-stained-wretches

Image: Jay Summet https://www.youtube.com/watch?v=h0ya184uaTE

[inbabylontheywept]

by tradition, the first day of the camp was spent pranking the group next to us. our prank was ziptying the zippers on their sleeping bags together. we figured one of them would sleep with a knife, because we all slept with knives, because we were dangerous maniacs and half the danger of a dangerous maniac is that they tend to think that they are Actually Normal. so. obviously that didn't pan out, and instead they got stuck in their sleeping bags for like half an hour and because their scoutmaster slept in their car and couldn't hear them yelling, they actually only got out when one of them went full caged animal and chewed through the plastic. which meant they had time to make it to the axe throwing station, but they did miss breakfast.

the scale of our victory was impossible to understate. it was an epic prank. unrivaled. the best in years. we knew they were going to retaliate, and we both feared and craved it. maybe i'm still a maniac, but that feels like a common thing, right? do well adjusted people that are not maniacs crave Judgement?

(serious answers only please, from people who would never spoon a knife.)

anyway, the next day we got back to our camp, and the neighors had skipped dinner to just come back and fill all our tents with pinecones. which was like, a decent prank, i guess, but it probably took them an hour to fill all the tents up, and it took us like 15 minutes to tip the tents out, and as a return volley to the ziptie prank it was incredibly underwhelming. we felt a little cheated.

so our scouting group held a council, and we agreed, unanimously, that our prank was 100% better and theirs sucked and that there would be no escalating tensions because we were the clear victors. they'd had their chance to retaliate, and they failed, and so the war was over. that was it.

we agreed on this. we swore. but madness is a relative thing, and in our group of maniacs, we still had J. i have many, many J stories. too many. i biked up to school with him from 4th grade to 8th, and i saw him get hit by cars thrice. he'd just swerve into the road sometimes. one time on a rainy day in 4th grade, a car splashed me, and before i could even consider my response J yelled I GOT THIS and then he blitzed off after the car. i didn't see him the rest of the day. i was so anxious i barely slept that night. i saw him the next morning and he told me that he'd chased the car until it got to a gated community and then he'd climbed over the fence and looked in peoples garages until he found the one with the car, and then he'd ripped the hood ornament off and broke their window. then he gave me a hood ornament to a different brand of car from the one that splashed me and i didnt tell him because i didnt want him missing more school. i want you to mentally adjust your mental model of the things a 9 year old is capable of doing to include chasing a car for five miles, hopping a fence, breaking into a garage, and vandalizing a randos car.

and that's just the tip of my J stories iceberg.

the point of all this is just to say that J was so crazy that he made us knife spooners look like accountanting enthusiasts.

so we agreed the war was done, and we shook on it, and then J, in the name of friendship, in the name of honor, in the name of avenging our pinecone filled tents, snuck over to their camp that evening and fornicated with a watermelon that they'd been saving in their cooler.

i want to emphasize, again, that this was not the consensus of the group. that is not a prank. like i know it seems like we dont know what pranks are because of the whole ziptie thing, but even we knew that fucking someones food is not a prank, it is a crime, and a sin, the kind of weapon that had only been ethically used once in history by Horus in his battle against Set and none of us dumb assholes had owl heads.

so.

the next day went pretty well. we threw some more axes again, which is a valuable and important skill for children to learn i guess, and we learned how to tie knots, which is a skill that turned out to be far sexier than i ever expected, and i learned how to light fires with a magnifying glass, which was great. i'm looking back at this, and i am actually just now beginning to realize that the clear and obvious point of scouting is turning child sociopaths into apex predators.

and then the day ended, and we went back to our camps, except for our leaders, who had a sort of Scout Leader Meeting they were going to have for a few hours at least. it was built into the camp, that day was supposed to be our day to chill as a group, and make peach cobbler, and just be buddies.

except, as it turned out, our neighboring group's alternative to making peach cobbler was eating their watermelon. so at some point they opened their watermelon, and woo boy. oh man. you think catholics hated seedless watermelons? you should see how much mormons hate seeded ones.

so we were chilling by the fire, and then we heard screaming from the camp over, but we didn't pay much mind to that because there are many reasonable explanations for a group of 10ish children to scream simulanteoulsy, such as wasps, which are abundant in arizona, and then the screaming got closer, which did not bother us because there were many reasons for a group 10ish children to scream and run towards us, for example, wasps, which are abundant in arizona, and then we noticed they had large sticks on them, which we figured were perhaps being used to drive away the wasps, which are abundant in arizona, and then they arrived and they started beating the shit out of us, abundantly, in arizona.

so we ran into the woods.

now, at this point, we had no idea what was up. we knew that the camp next to us was out for blood, which was crazy, because we'd actually locked them in fartproof bags for 30 minutes and they'd barely done anything back, and were trying to figure out what could possibly have happened that could drive them to Terrible Violence when we realized that J was cackling like a witch that had learned how to order children off of ebay.

so we politely asked J what the hell he had done, and he politely explained that had "done" their watermelon, and we politely beat him with large sticks because life is nothing but endless cycles of violence.

we were still being chased by the other camp btw. so it was them, chasing us, chasing J, and then they got tired and went back to their camp, and we chased J a little longer because we were mad we'd all been walloped with sticks, and J did not care because he was a supernatural entity whose only weaknesses were Needles and Fire, and then we got tired and went back and J kept running, and we just kind of figured he would come back eventually.

he did not.

we went back to our tents, and we waited, and J did not come back. we stayed up all night, peering into the forest, worrying. our leader came back, and we did our best to hide our battlewounds, and he either genuinely did not notice or simply accepted this as part of Boyhood. then he went to bed, and we waited, and waited, and waited. And Waited. and did not sleep.

eventually, we convened again, and we agreed that if J was not back by after breakfast, we would have to tell the scoutleader about what exactly had transpired. and we really did not want to do that, because it would have meant that everyone would have gotten in a very large amount of trouble.

morning came around, and J still was not back. we went to breakfast, and we ate very, very slowly. we were afraid the other camp was going to continue their war with us, but they actually looked fairly frightened. one of them actually came to us and asked for a truce, and we agreed because we truly felt bad for them. like, yes, they did beat us with sticks, but J fucked their watermelon. we werent complicit in the watermelonfuckening but they didnt know that, and it was definitely the kind of crime that left one outside the bounds of the social contract.

and then when we could eat no more bits, when breakfast was almost done, right when i was getting pushed to go and tell the scoutleader that we needed to find J, he arrived. he was sleep deprived, and noticeably scraped and bloody, and tied to his belt was a blood squirrel tail.

and i asked him, J, where did you get that? and he said, don't worry man, it was already dead, which did not answer by question and gave me several more.

the camp ended that day, and the other groups avoided us like the plague, and it was not until some weeks later that we were able to piece together what happened.

J, in his sojourn through the forest, managed to find (or, possibly, make) a dead squirrel. he then cut off the tail to keep on his belt, because he was a weird little freak like that. he also took the dead squirrel, and he skinned it, then he tied it to a little crucifix made of wood, and he left it in the other scouting group's camp. which is why they were so scared of us.

it was such an unhinged thing to do it actually sobered us up for a while. scouting became a scary thing for us. we'd found something dark and primal there, in the place where no adult could see, and our appreciation of J as a wild ride kind of changed into seeing him as something truly dangerous. we had a sense wherever he went, something terrible would follow, and the only way to escape it was to not be there when it arrived. and so piece by piece, the scout group dissolved. it wasnt until he moved out of that ward that the rest of us started daring to go back to scouts.

and for the final epilogue of the tale:

i have a little brother who was friends with a younger cousin of J's, and the two would go to parties together in highschool. and sometimes J, who was in his early 20's at that point, would show up at the parties, and it was unsettling in such a way that it just became a known risk at parties with the cousin. and at one party, they were playing truth or dare, and J wasn't even in the room, but someone asked him the Truth of how he always knew how to find the cousin, and J said the cousin's mom had mentioned she was worried about him and the parties so he'd put a tracker in his car. and when he saw that the cousin was out of the house on weekends, he'd made a visit by, just to make sure he was safe.

then he left. and every single person at that party went over that poor kid's car. they searched the wheel-wells, checked underneath it, the works, until they found the tracker. then because they were clever, they didnt break it, or throw it away, or anything that would've given away what they'd done. they just gave the tracker to the cousin, who put it in his glovebox. and on schooldays, he'd take it with him, so J could see him in the parking lot. and on weekends, he could leave it in the garage, so he could go to parties with out Hell coming with him. because everyone that met J - every single person - knew that the only way to be safe from him was to be far, far away.

[meganegatari]

is this vore? /hj. hi. im gonna squeet. and dunk my head into ice water digital footprint pls forgive me. may have wrote this with one hand IM JOKING. this is just somethin quick because i need to get it out of my system ok.

nsfw drabble—biting sev all over ♡ sub!sevika, edging, fingering (all s! receiving), idk what else girl i can't see straight cuz of her...

and there she lay before you, bare and twitching, in a state she's kept very well hidden from everyone—except you.

her lip tucked under her teeth, head thrown back and half-lidded, blown out eyes lazily following your movements; she was laying sprawled on the mattess. she had tried and failed to hold herself up, both arms trembling under her weight until they eventually gave out.

this was the result of you—oh, how evil you were—edging the poor woman for an eternity. in actuality, you had tortured her to such a point she didn't even have the energy to bark orders at you like she usually does.

all she could do, was whine. whines of your name, wordless huffs and quiet pleas were all she could sound out. and every so often she'd squirm under you and break eye contact when you did something so obscene, even she couldn't handle it.

you wore the most wicked of sneers on your face excitedly, using all your strength to push her thick muscular thighs outward, until you gazed upon a sight worth winning wars for.

the torture you faced her with had her pussy throbbing. no, that was an understatement. you could see every individual muscle controlling her shiny lips jump at the cool air, you could see the way her clit was nearly whispering for you to touch it, and not to mention the pooling of pearlescent slick dribbling out of her pulsating hole, making a literal puddle under her ass.

now this? this was a never going to get old. you'd plaster the image of her fucked-out self on every surface, take a polaroid and carry it around with you. you were salivating. drool was almost running down your chin at the sight.

but alas, your blissful trance was cut short, by none other than her gruff voice.

"hey. you gonna stare or am i gonna have to finish this myself?" her voice shook, then her eyes darkened and she spat, "you'd like watching that though, wouldn't you. fuckin'—holy-!!"

you didn't give her the time of day to listen to her bitching about, and you cut her off by lunging forward and sinking your teeth into the soft flesh of her right inner thigh.

her shocked intake of air quickly turned into a pornographic moan, her back arching, her breathing quickening, and her thighs fighting to close around your head.

you knew that was her weakness. your teeth in her skin? pff she was a goner. you used that to your advantage as much as you could, she deserved earth shattering orgasms just as much as the next gal.

her noises were bordering on a shriek as soon as you circled her hole with a digit, grinning into her skin at the way she was sucking you in, legitimately trapping your finger inside her.

you felt the flutters of an impending orgasm tickle your immobilized finger, and with great effort you removed your mouth from her thigh and pulled your finger out.

the look on her face when you did that felt sharper than if she had stabbed a spear right through your heart. when sevika gives one of her famed death glares, the word stops spinning. but you being you, it just spurs you on more.

before she can protest you migrate up and place gentle kisses on the side of her neck, right on her pulse point, as a soothing motion before you did what you really wanted.

you sank your teeth in her flesh as hard as your jaw allowed you to, the tangy taste of her blood invading your mouth.

simultaneously, you brought your hand back down to her neglected pussy, pushed your thumb up against her thumping clit, and slid your two middle digits inside her—within moments finding her spongy sweet spot.

the cries of pleasure were stuck in her throat, and you couldn't see from what you were doing, but you'd bet your entire life's savings that her eyes were rolled so far back in her skull only the whites would be visible.

your fingers were working hard, all in harmony to bring her to that peak she so craved, and luckily it hit her after no time at all.

her whole being tensed, a low groan reverberated through the room as one of her hands flew to grab a chunk of your hair, further pushing your body flush against hers. you didn't move your mouth, it was suctioned against her in such a way that was guaranteed to leave a nasty bruise on her skin the next day, but she loved it. you did as well.

you felt a gush of warm fluid on your palm, and chuckled into her skin while she shook all over, needy, animalistic noises being all she could produce.

you put in the work and made sure she was utterly spent, then lifted yourself off of her to enjoy the look on her face. she looked so at peace, so satisfied and ethereal, you adored her more than words could ever say.

and likewise, she did you. she cracked open one eye and smiled widely, opening her arms and beckoning for you to lay back on top of her in an embrace.

naturally, you did just that. eagerly burying your face in the crook of your neck, you kissed over the bite mark you left, ran your tongue over the indents in her skin and reveled in the little whimpers she made.

she always had more flesh you could lovingly bite, why stop at just one square inch?

sev taglist (not tagging everyone still cuz YALL SIGNED UP FOR TLOU AND IM A PEOPLE PLEASERRRR SORRY): @fizyypopp @luvssliyahh @wizard-pdf @dearangxl @melsmunch