#important addendum to my post!!!

[newvegascowboy]

Proposal based on your food post and some things in Fallout.

:readmore:

Homemade sodas and sweet drinks are incredibly common based on home recipes passed down through the generations.

In Fallout new Vegas, and in Fallout 4 you can make drinks such as Nuka-Cola.

Filtering water and making it drinkable will be a big priority wherever you go. But making it palatable will also be a big goal.

Local settlements will probably mix sweeteners like syrup, juices, or even honey to mix it in the water.

Tea will be very popular too with all kinds of local teas made from local plants, sweetened with local sweeteners, and traded or even sold to each other.

Tea has the advantage of being boiled, filtered, and flavored making it a popular drink with massive variants between region to region and even settlement to settlement.

Brahmin milk will have a lot of nutrients and apparently good for treating radiation so odds are its also used as a medicine and a big part of a lot of diets.

Some rare drinks may still be possible but take a lot of work such as coffee, and ice cream.

Coffee needs specific growth and a lot of space to grow. So maybe it'll grow in small quantities.

There's ways to make ice cream without machines but it takes a lot of salt, ice, and milk. So you'd have to be very wealthy or very well located to have it

Shaved ice with simple syrups and fruits may make good treats in areas where there's a lot of ice

I fully agree with all of this! Not including it was probably a bit of an oversight on my part, but this is exactly the kind of extrapolation and worldbuilding I was aiming for.

Soda was invented in the mid 1800s, so I don't think it's beyond the realm of possibility for people to have reinvented soft drinks. Originally, the water was taken from springs that were naturally carbonated and today, we can do it at home with compressed CO2. Even if the drinks aren't carbonated, I totally believe and agree with the idea that they're making sweet drinks.

I was going to mention in the original post and forgot, but lemons? Those things totally still exist. Citrus is too much of a botanical freak not to have survived. It might not be lemons (or limes, or oranges) as we know them, but they are OUT THERE and that means lemonade is real.

Tea is canon within the realm of fallout because you can brew several different varieties in 76. Also, hot drinks are comforting, especially in the winter and I think it's totally reasonable to think that new brews have popped up with the addition Coffee grows in Mexico at a similar latitude to Florida and parts of the southern united states, so I think you could claim that certain strains have been cultivated and grown in those areas, though it might be rare and extremely expensive.

Ice cream's origins are known to reach back as far as the second century B.C., although no specific date of origin nor inventor has been undisputably credited with its discovery. We know that Alexander the Great enjoyed snow and ice flavored with honey and nectar. Biblical references also show that King Solomon was fond of iced drinks during harvesting. During the Roman Empire, Nero Claudius Caesar (A.D. 54-86) frequently sent runners into the mountains for snow, which was then flavored with fruits and juices.

Ice cream is one HUNDRED percent a thing in the wasteland. The milk and cream is easy to source from Brahmin milk. Cane sugar can be grown in Florida and Louisiana, so it's not unreasonable to think that that's another rare and expensive import. It would be easier and cheaper to get your sugar from tree sap or malt grain or reduced fruits, but cane sugar is out there. Making ice cream is a pretty popular thing for kids to do -- put some rock salt and ice in a bag with cream, sugar, and vanilla, and shake it until it freezes. On the coast, salt is probably pretty abundant, even if it's time consuming to harvest, but vanilla is probably one spice that nobody has access to in the wasteland.

Ice houses and cold cellars are probably pretty common in the wasteland, so ice could be available all year round. Plus, refrigeration is useful in the process of preserving foods rather than canning or bottling.

I think it's important to keep in mind that people are smart, and just because the bombs dropped, we didn't revert back to the stone age. The knowledge of canning, bottling, making jams and preserves, cold storage, curing meat, making cheese -- all that knowledge is old. Just because modern technology makes it easier doesn't mean people couldn't do it two hundred years ago. If the knowledge is lost, logic and human ingenuity will rediscover it eventually.

[lezbianz]

i don’t get the chappell roan hate she’s fuuuun😕

[homosociallyyours]

Part of my dream last night included being a part of some kind of love experiment where you get like 9 tries at finding love after you die? And it involved sitting in a train station where this empty car would come by with little personals ads for 2 different men and women and if you liked one you got to scan this little spoon thing and go try your luck at a relationship.

I got so excited at one point bc one of the people had a dog and she was cute and seemed good, albeit a little young (32 maybe?) and I was gonna scan my spoon but wanted to read all the ads first. BUT they were blurry, and I was squinting, and then before I could scan they were whooshed away :((((

Anyway I'm pretty sure it's bc I listened to a podcast that was talking about finding love and they gave some satisfaction formula where basically SURE you can keep searching after this point but you've probably found someone who's gonna be a pretty decent partner. (I think it's like-- 37% of the year range between when you start dating and when you'd ideally like to be partnered? So if you start dating at 20 and want to be settled by 30, after 3.7 years of dating you'd look to stay with the next person who's better than anyone you've dated previously).

Anywayyyyyy needless to say that any window I might've imagined passed a LONG time ago, oopsie kitty! Hence that train zipping off when maybe woman, 31, with a dog was my ideal, like WHO KNOWS!

One thing that's true though is that I think this could be a fun short film idea. Something to ponder.

[fuckyouozai]

i bee leaf normal adult-teenager relationships are Vewy important i remember being 16 on here and having a 24 year old say i promise you i Promise you it gets way better after high school and that was lovely. however a discord server should wind up being like a group chat and i should feel free to say whatever dumb shit i want in a group chat without worrying that a 14yo will share intimate details that they really should not be putting on the internet in the first place

[mononijikayu]

“beautiful boy (darling boy)” — gojo satoru.

“Papa chose the character for you. It means 'dawn'.” He whispered to him tenderly, almost like a little lullaby. “Because you are the beginning of a new chapter for our family. You bring light and hope into our lives, just like the dawn brings a new day."

GENRE: post hidden - inventory arc (2010s)

WARNING/S: domesticity, fluff, angst, trauma, implied death, violence, romance, hurt/comfort, character death depiction of death, depictions of loss and depression, mention of pregnancy, depiction of the aftermath of birth, depiction of parenthood, depiction of blood, depiction of killing, depiction of suffering, depiction of anxiety, mention of death, mention of grief, profanity, family drama;

LISTEN: beautiful boy (darling boy) by john lennon.

NOTE: my classes were cancelled and i just played random music on my phone and this.....sort of sparked something. i sobbed to this, by the way. this might be my last one for now. i've just been frantically making these for the past few days. i'll come back after some rest!!! i love you all so much!!! <3

addendum: the character satoru chose for satoshi is '暁' which means dawn/daybreak; satoshi was born on the same day as his father in 2014.

masterlist

u s and t h e m

IF HE WAS BEING HONEST, HE DIDN’T KNOW IT WOULD COME TO THIS. He could remember it like it was yesterday, when you held out your hand and took his — placing them together on your belly. Your lilac eyes shone against his bright blue, full of wonder and anxiety. He was frozen at that moment. He was overwhelmed. 

Not even his six-eyes could keep up with his emotions, his thoughts. He knew it was an accident, he knew it wasn’t something both of you planned. But he was happy. He was all too happy that he scooped you in his arms, as though you were the treasure of the world and cradled you, whispering the most loving things, loving words ever known to any being.

It was never your plan to have children, not even with the pressure from the elders of your clans. There was never the time. There was never a sense of security. WIth what Satoru was planning to do, with what dangers there’ll be — just like he had experienced in youth, none of you wanted that for your child. And you wanted to help him, you wanted to do well by him. Satoru was your lifeline, your purpose to live was his goal. Your life with him was what made your life blossom in these past few years of marriage. But that changed too, with the bludding life growing in your belly.

You both cried that night, holding each other. It was hard to comprehend that this was happening, that a child had chosen both of you. You were glad that the Tsumiki and Megumi were at a sleep-over. They didn’t need to see you both so conflicted with your joy and your worries. No kid should be burdened by such a thing as the worries of the heavy world. 

The room was dimly lit, the soft glow of evening casting long shadows on the walls. Satoru sat across from you, his cerulean eyes reflecting a myriad of emotions—excitement, concern, and a fierce determination to protect. The news of your pregnancy had brought a bittersweet mix of joy and anxiety.

“We need to decide what to do next, darling.” Satoru said, his voice steady but laced with worry. “I don’t want you to suffer like my mother did. The multiple assassination attempts... I can’t let that happen to you.”

“We can’t tell the world, Satoru,” you said quietly with a soft nod. “The higher-ups could see this as an issue. There was a time when the passing of powers in the Gojo clan – similar to the Six-Eyes, was from father to son. They might see our child as a threat, Satoru….and I…I don’t want them to hurt our child.”

Satoru’s jaw tightened, his protective instincts kicking in. “Then we keep this between us, Megumi, and Tsumiki. My mother….maybe your mother and Aunt Arisu can help us hide this from the world too. They’ll understand the importance of keeping this secret.”

You reached out, your fingers intertwining with his. “They will. They’ve always been supportive of us…and our plans. They’ll be kind to us about this too. It is their next of kin now, after all.”

For a moment, your husband looks at you. His free hand draped across your cheek and you looked at him so lovingly, leaning your head against the warm palm of his hand. He could feel how lucky he was. How beautiful you were. His eyes lowered at your belly and felt that same warmth glowing from within you, as welcoming and loving towards the person who had helped give such life to the growing seed in your belly. 

Satoru pulled you into a gentle embrace, his arms wrapping around you protectively. “I’m sorry, darling.” he murmured, his voice thick with emotion. “I’m sorry.”

You pulled back slightly, looking up at him with confusion. “Why are you apologizing?”

“Because….” he said, his voice barely above a whisper, “You’re the one who will suffer the most here, not me. The secrecy, the danger... it’s all on you. And all I can do is hold your hand. And I….”

You shook your head, resting your hand against his cheek. “Your hand is more than enough. You by my side is more than enough. All I have ever needed, all our child will ever need — is you. All they need is their father.”

“When did I ever deserve something as good as you in my life?”

You smiled at him, “Because you are good, Satoru. You’ve always been.”

“You’re the most important thing in my life.” He whispers to you, his hand on your belly. “You and our child.”

“We’re in this together, Satoru. I’m not alone in this.” You let your hand brush against his silver locks. “Because you’ll always be here, hm?”

He closed his eyes, leaning into your touch. “I love you,” he said softly, his voice trembling slightly. “I love both of you. And I’ll protect you with all I have.”

Tears welled up in your eyes, the weight of his words sinking in. “I love you too,” you whispered, feeling the strength of his love envelop you. “We’ll get through this. Together.”

The next few days were a whirlwind of planning and preparation. Your mother and Aunt Arisu were brought into the fold, their wisdom and experience invaluable in devising a plan to keep your pregnancy a secret. They promised to support you in any way they could, offering their home as a safe haven where you could hide from prying eyes.

Megumi and Tsumiki were surprisingly understanding, their loyalty to you and Satoru unwavering. They vowed to keep the secret, to protect their future sibling from the dangers that lurked in the shadows of the jujutsu world.

As the weeks turned into months, you found strength in the love and support of those around you. Satoru’s determination to protect you never wavered, his presence a constant source of comfort and reassurance. Despite the secrecy and the danger, there was a sense of hope that carried you through each day.

And in the quiet moments, when it was just the two of you, you felt a deep sense of gratitude for the love that bound you together. It was a love that would see you through the darkest of times, a love that would protect and nurture the new life growing inside you. And with Satoru by your side, you knew you could face whatever challenges lay ahead.

The days leading up to Satoru's confrontation with Sukuna were heavy with unspoken fears and silent resolutions. Each moment felt borrowed, a fragile gift that could shatter under the weight of impending doom. You moved through your days with a heightened awareness, every touch, every glance laden with meaning. The anticipation was a living thing, a constant presence that neither of you could shake.

The last time you both saw your son was during separate visits to the ancestral manor. He knew you had been there, especially when you brought Yuuji along at his request. Satoru had visited him shortly afterward, driven by an insistent need to see his boy before the impending confrontation. The weight of the world seemed lighter, if only for a moment, as he thought of his son.

Satoru could only sigh, the longing in his heart palpable. He had yearned for Suguru for the past eleven, twelve years, a constant ache that never quite faded. Yet, this longing for Suguru, as intense as it was, paled in comparison to the deep, unyielding yearning of a father. He had missed his son so much, too much. The distance, both physical and emotional, had been a torment he could hardly bear.

Satoru was certain he remembered everything about his son. The boy was a spitting image of him—silver hair that fell a bit longer, the same striking blue eyes, though his son's were even darker, like the depths of the sea. But more importantly, he recognized the essence of you in every move, every quirk, every smile. Your son might look like Satoru, but in all the ways that mattered, he was you.

Satoru adored him the most in the world. Even if he loves you, there is truly nothing that’s going to encapsulate, translate how much he loves his little boy. Your son was a constant, beautiful reminder of the bond you both shared. Your son carried your grace, your kindness, and your strength. Every time Satoru looked at him, he saw the love and unity that defined your relationship. For that, he was profoundly grateful. For that, he was happy. There was a reminder of you, of him, together in this world, encapsulated in the boy who bore the best of both of you.

And here he was, newly sealed, recovering from all of it;

All he could think about was wanting to see your dear boy.

All he could think about was wanting to embrace him again.

"I want to go to Hida," he said, his voice steady but laced with a vulnerability that made your heart ache. He looks to you softly, eyes full of yearning. “I wanna see him.”

"Are you sure?" you asked gently, searching his face for any hesitation. You purse your lips. “Satoru, it’s unsafe now. Are you sure?”

He nodded, a small, almost imperceptible smile tugging at his lips. "I want to spend as much time as possible trying to make sure our son understands that his father loves him."

You could hear the uncertainty in his voice, the doubt that gnawed at him despite his resolute exterior. "Satoru, you're a good father." you assured him, but he shook his head, his expression conflicted. “You have put your own heart at hold to protect him. He understands.”

"I don't know if I'm doing it right or wrong," he admitted, running a hand through his hair in frustration. "I love our son as much as I love Megumi, as much as I love you. But I didn't have a father growing up. Mine died when I was young, and I don't remember him very well. My mother tells me that he loved a lot, but I don't know if I believe that."

You stepped closer, placing a comforting hand on his arm. "You love our son, and that's what matters most. He's always known that, even if you haven't been able to be there as much as you wanted. He sees it because you show him.”

Satoru sighed, his gaze distant as he recalled the moments he missed, the milestones he couldn't witness firsthand. "I want to be the best father to him, darling. I want him to know he's the most beloved son. That I love him the most in the world.”

"You already are, Satoru," you whispered, leaning your head against his shoulder.

“We have to see him.” Your husband retorts back to you, a sad smile on his lips. “If this is the last chance—”

“It won’t be,” You shake your head at him. “You know that.”

“I know, but…” He sighs, resting his head against the crook of your neck. “I want to be sure. Nothing is bound, darling. I want to… I want to be able to leave him with something he can remember his old man by.”

The weight of his words pressed down on you both, the unspoken fears and the grim reality of what was to come. You could feel your throat choke up as you tried to banish the tears from your eyes. The thought of Satoru not being there hurt you.

Not only because you loved him, but because you knew your son loved him the best in the world. The thought of him becoming without the person he holds dear in the world, it tears you apart.

You want to believe that your husband was the title he was given. You knew he was strong. You believe he will overcome this. That’s why you keep putting off visiting your son. It was safer, it would be in the future that you and Satoru had fought so hard to fight for. But your husband was just a man too. A man who has a finite life and a heart too big for the world to comprehend. He was just Satoru. A husband, a father. A friend, a teacher. He was just like that. 

You look at him with a guilty look. You were selfish with him, with what you said. He needed you, he needed Satoru. Your son needed you both. As much as you needed him. What is protecting him from all these dangers, if you both weren’t there to love him either?

What is loving Satoru if you can’t be there for him either? If you can’t love him properly either? You took a deep breath. You’ve made up your mind. You will not deprive him of this. You would not be selfish with this. You would let him be selfish. You would let him live as he had never before. 

You held him tighter, feeling the tension in his muscles, the vulnerability he rarely showed. “You’re right. We will see him, my love.” you affirmed, your voice steady. “And we’ll make sure he knows how much he’s loved.”

Satoru’s eyes met yours, a mixture of gratitude and sorrow. “Thank you, darling.” he murmured, his voice thick with emotion. “For understanding, for always being here. I don’t know what I’d do without you.”

“I’m sorry, Satoru,” you whispered to him tenderly as you kissed the small of his lips. “I should have been better with this.”

“Hey, don’t be sorry. You want to protect him too, I understand.” He tells you, a small smile on his lips. “Sukuna has familiarity with Hida, I know you’re wary about it.”

You nodded, the weight of your concerns evident in your eyes. “I just want to make sure he’s safe. That we’re all safe.”

Satoru’s smile softened, and he brushed a thumb over your cheek. “We’ll keep him safe. We’ll keep everyone safe. That’s a promise.”

You smiled softly, brushing a stray strand of hair from his forehead. “We’re in this together, Satoru. Always.”

He kissed your forehead, a lingering touch that conveyed all the words he couldn’t say. “Let’s go to Hida,” he said finally. “Let’s spend this time with him, make memories that will stay with him.”

You nodded, feeling a sense of resolve settle within you. “Yes, let’s do that. We’ll make sure he knows how much he means to us.”

All of Satoru’s training was canceled for the next few days.

Everyone understood why and said nothing about any of it.

Gojo Satoru couldn’t be happier to enjoy the long trip.

Because the next he’ll get off the train, he’ll see his dear son.

ARRIVING IN HIDA WAS A REFRESHING THING. It was as though the looming war, the destruction, the suffering, did not exist. These precious days felt suspended in time, a haven of peace amidst the chaos.

Each sunrise brought with it a semblance of normalcy, a gentle reminder of the life you were fighting to protect. The air was filled with the scent of blooming flowers, and the sun cast a warm, golden glow over everything it touched.

As the days passed, you found moments of solace in the simple joys of being together. Satoru’s determination to be the best father he could be was palpable. He approached fatherhood with the same intensity and dedication he showed in his sorcery, and you admired the way he threw himself into the role with such fervor.

His playful nature shone brightly as he engaged your son in games, stories, and lessons. The bond between father and son grew stronger with each passing day, and it filled you with a sense of hope and reassurance.

Gojo Satoshi did not know much about the wider world beyond the confines of the carefully constructed life you and your family had built around him. But Satoru thought that was for the best. At his tender age, the complexities and dangers of the world could wait.

For now, Satoshi was wrapped in a cocoon of love and safety, his days filled with laughter and innocence. The little lordling of the Gojo clan had the privilege of being shielded from the harsh realities, existing in a world where he was cherished and adored.

“Young master Gojo, please do not run too much! You’ll slip!” His nurse-maid's voice rang out in a mix of concern and exasperation as she hurried after the energetic boy. Her normally composed demeanor was visibly frazzled as she struggled to keep pace with her lively charge. “Young master!”

“Heh, chase me! Chase me!” Satoshi's infectious giggle echoed through the gardens, his small feet moving quickly across the manicured lawn. His silvery hair, so much like his father's, shimmered in the sunlight, and his blue eyes sparkled with pure delight.

The scene was picturesque, the verdant greenery of the garden serving as a perfect backdrop to the boy's joy. Flowers bloomed in a riot of colors, and the gentle hum of insects added to the serene atmosphere.

Gojo Satoru watched from a distance, a soft smile playing on his lips. He saw so much of himself in Satoshi, from the boy’s boundless energy to the mischievous glint in his eyes. Yet, he also saw you in him—the kindness, the warmth, the innate ability to find joy in the simplest things.

Satoshi’s world was small but rich, filled with the love and attention of those who cared for him. He didn't know of the looming threats or the responsibilities that came with his lineage. Instead, his days were spent exploring the garden, listening to stories, and playing games. It was a simple life, but it was one that Satoru cherished deeply for his son.

The nurse-maid finally caught up to Satoshi, scooping him into her arms despite his playful wriggling. “Young master, you must be careful,” she chided gently, her tone softening as she adjusted his tousled hair. “We wouldn’t want you to get hurt. You are too important to be hurt.”

Satoshi pouted for a moment before breaking into a wide grin. “Okay, I’ll be careful,” he promised, though the twinkle in his eye suggested that he was already planning his next adventure.

“Our little lordling is too bright for the sun, huh?” Satoru approached, his presence immediately noticed by Satoshi, who reached out eagerly. 

“Papa!” the boy exclaimed, his arms stretching towards his father.

With a warm chuckle, Satoru took Satoshi into his arms, lifting him high into the air. “Having fun, little lordling?” he asked, his voice filled with affection. “You were zooming out there, huh?”

“Yeah!” Satoshi replied enthusiastically. “We were playing chase, and I was winning!”

Satoru laughed, his heart swelling with love. “I’m sure you were. But remember to listen to your nurse-maid, okay? We don’t want any accidents.”

Satoshi nodded solemnly before breaking into giggles again. “I will, Papa.”

As Satoru held his son close, he couldn’t help but feel a deep sense of contentment. In these moments, the worries of the world faded away, leaving only the pure, unadulterated love between a father and his child. He knew that soon enough, Satoshi would grow older and the realities of their world would become unavoidable. But for now, he was determined to protect this innocence, to ensure that Satoshi's world remained filled with laughter and love for as long as possible.

“Let’s go find Mama,” Satoru said, carrying Satoshi back towards the house. “I’m sure she’s missed you.”

Satoshi's eyes lit up at the mention of you, and he nodded eagerly. “Yeah! Let’s go find Mama!”

The path back to the house was lined with blooming cherry blossoms, their petals gently drifting to the ground with each breeze. Satoru walked with an easy grace, his son nestled securely in his arms. The house, an elegant blend of traditional and modern architecture, stood as a sanctuary amid the chaos of the outside world.

As they approached, the soft hum of your voice reached their ears. You were in the kitchen, preparing a meal, the aroma of freshly cooked rice and simmering soup wafting through the air. Your presence was a constant source of comfort and strength, grounding Satoru in ways he often struggled to articulate.

“Mama!” Satoshi called out excitedly as they entered the kitchen.

You turned, a warm smile spreading across your face as you wiped your hands on a towel. “There’s my little troublemaker,” you said, reaching out to take Satoshi from Satoru’s arms. “Were you having fun in the garden?”

Satoshi nodded vigorously. “Yes, Mama! We played chase, and I was winning!”

You chuckled, kissing his forehead. “I’m sure you were. Did you give the nurse-maid a hard time?”

Satoshi giggled, hiding his face on your shoulder. “Maybe a little.”

Satoru watched the interaction with a tender expression. “He’s full of energy today,” he commented, stepping closer to place a hand on your back. “How are you feeling?”

You glanced up at him, your eyes filled with understanding. “Better, now that you two are here.” You looked back at Satoshi, brushing a stray lock of hair from his forehead. “Were you good for Papa?”

“Yes, Mama,” Satoshi replied earnestly. “Papa said we should always listen to nurse-maid.”

You smiled, giving Satoru an appreciative look. “That’s right. It’s important to be careful.”

Satoru's gaze softened as he watched you interact with Satoshi. Despite the looming threat of Sukuna, these moments of normalcy and love filled him with a fierce determination to protect his family at all costs.

“Dinner will be ready soon,” you said, turning back to the stove. “Why don’t you two wash up?”

Satoshi wriggled in your arms, eager to comply. “Come on, Papa!” he urged, pulling at Satoru’s hand.

“Alright, alright,” Satoru laughed, letting himself be led towards the bathroom. As he helped Satoshi wash his hands, he marveled at how such simple acts could bring so much joy.

After washing up, they returned to the kitchen where you had set the table. The meal was a humble but hearty spread, the kind that brought warmth and comfort to the soul. Satoru helped Satoshi into his chair before taking his own seat beside you.

As you all sat down to eat, Satoshi’s chatter filled the room, his stories animated and full of wonder. Satoru listened with rapt attention, his heart swelling with pride and love. He reached out to squeeze your hand under the table, a silent promise that he would do everything in his power to keep this happiness intact.

After dinner, you all settled in the living room. Satoshi, full and content, curled up next to you on the couch, his little head resting on your lap. Satoru sat beside you, his arm draped over your shoulders. The room was bathed in the soft glow of the evening light, casting a serene ambiance over the scene.

Satoru looked at you, his cerulean eyes filled with a mixture of love and determination. “We’re going to be okay,” he said softly, his voice steady. “No matter what happens, we’ll face it together.”

You nodded, leaning into his embrace. “Together,” you echoed, your hand resting gently on Satoshi’s back.

“Papa, let’s go!” Satoshi’s eyes sparkled with excitement, his little hand tugging at Satoru’s sleeve.

“Hm? Where, little lordling?” Satoru asked, his voice warm with affection.

“The koi pond!” Satoshi replied eagerly, his enthusiasm infectious.

Satoru looked at you, seeking your opinion. You nodded and offered him a warm smile. “Why not? It’s too nice today and it’s refreshing after a long play, don’t you think?”

“I suppose.” Your husband nodded to you before turning his attention back to your son, his grin widening. “Does my little lordling want to be carried by papa, or is he wanting to be a big boy and walk?”

Satoshi puffed out his chest with pride, his tiny hands clenched into determined fists. “I’ll walk, Papa! I’m a big boy!”

Satoru chuckled, patting Satoshi’s head affectionately. “That’s my boy. Lead the way, then.”

The three of you made your way to the koi pond, the garden bathed in the golden glow of the moonshine The air was filled with the gentle rustle of leaves and the soft chirping of owls settling down for the evening. It was a tranquil scene, a stark contrast to the turbulent world outside your home.

The tranquil scene was framed by vibrant greenery and the soft murmur of a nearby stream. They were watching the koi fish swim lazily in the pond, their colorful scales glinting in the moonlight. Your son was immediately chattering excitedly about something he’d learned, his voice a melodic blend of enthusiasm and curiosity. Satoru listened intently, a fond smile playing on his lips.

Satoshi skipped ahead, his laughter ringing out like a melody. You and Satoru followed at a leisurely pace, hand in hand, savoring the peaceful moment.

As you reached the koi pond, Satoshi knelt by the water's edge, his eyes wide with wonder as he watched the colorful fish swim gracefully. “Look, Papa! The fish are so pretty!”

Satoru crouched beside him, pointing out different koi. “See that one with the golden scales? That’s the king of the pond. And that one over there, with the red spots, is the queen.”

Satoshi’s eyes sparkled with delight as he listened intently to Satoru’s explanations. “Can we feed them, Papa?”

Satoru glanced at you, and you smiled, pulling out a small container of fish food from your pocket. “Here you go, Satoshi. Just a little bit at a time, okay?”

Satoshi nodded eagerly, carefully taking the container from you and sprinkling a small amount of food into the pond. The koi fish swarmed to the surface, their mouths opening and closing as they devoured the food. Satoshi giggled with delight, clapping his hands together.

“Papa, did you know that koi fish can live for over 200 years?” your son exclaimed, his eyes wide with wonder.

Satoru nodded, his gaze never leaving your son’s animated face. “Really? That’s amazing, buddy. Imagine all the stories they could tell.”

Your son giggled, the sound pure and joyful. “Maybe they know magic, too!”

Satoru’s smile widened, his eyes sparkling with amusement. “Maybe they do. Maybe they’re the guardians of secret underwater realms.”

You and Satoru stood back, watching your son with fond smiles. “He’s growing up so fast.” you murmured, leaning into Satoru’s side. "Almost four already. He's not our baby anymore, hm?"

“He still is, y'know?” Satoru hummed, his arm wrapping around your shoulders. “but you're right. Soon, he’s going to grow up strong. Our beautiful boy, he’s always going to be loved, too.”

“This is perfect,” you whispered, leaning your head against Satoru’s shoulder. The warmth of his body and the steady beat of his heart grounded you, reminding you of the strength you found in each other. “This is everything we could ever want.

“It is.” Satoru agreed, his voice low and filled with emotion. “Everything is more than I imagined.”

As the moon echoed below the horizon, casting a warm evening glow over the garden, the three of you stood by the koi pond, savoring the simple joys of family and the promise of a future filled with love and hope. All Gojo Satoru had to do was defeat Sukuna. All he had to do was get this over with. Then all will be over. He’ll get to be with you. He’ll get to be with Satoshi. You could be a family in peace.

Gojo Satoru wouldn’t be the strongest then.

He could just be himself, he could just be this.

He could just be your husband, Satoshi’s father.

He can be a human being for the first time in his life.

“Papa, can we stay here forever?” your son asked suddenly, his eyes wide with innocence. Both of you look at him. “You and mama, can we all be here together?”

Your son's innocent question hung in the air, a poignant reminder of the simplicity of childhood dreams. Satoru's gaze softened as he looked down at your son, his expression a mixture of tenderness and wistfulness. It was a question that held a weight far beyond its years, touching on the deepest desires of the heart.

For a moment, neither of you knew quite how to respond. The idea of staying in this tranquil moment forever, frozen in time with your family by your side, was undeniably tempting. Yet, reality loomed on the horizon, with its uncertainties and responsibilities.

Satoru exchanged a glance with you, silently communicating the depth of his emotions. There was a longing in his eyes, a yearning for a life free from the burdens of duty and danger. But beneath it all, there was a fierce determination to protect what mattered most—your family.

With a gentle smile, you reached out and ruffled your son's hair. "We'll always be together, Satoshi. No matter what happens, we'll find a way to stay together."

Satoru's hand found yours, his grip reassuring and firm. "That's right, little lordling. We'll always be here for you, no matter where life takes us."

Your son's eyes sparkled with happiness at your reassurance, his small hand reaching out to clasp both of yours. "Promise?"

You exchanged a knowing look with Satoru, his expression mirroring your own determination. "Promise," you both said in unison, sealing the vow with a tender smile

The soft glow of moonlight filtered through the curtains, casting gentle shadows across the room as you lay entwined with your husband and son. In the tranquil silence of the night, you could hear the steady rhythm of their breathing, a comforting reminder of the love that bound you together.

Wrapped in the warmth of each other's embrace, you felt a profound sense of contentment wash over you. It was in these quiet moments, surrounded by the ones you held most dear, that you found solace from the chaos of the outside world. Here, in the sanctuary of your shared love, you felt invincible, ready to face whatever challenges awaited you.

As you closed your eyes and drifted off to sleep, a serene smile graced your lips. In the arms of your beloved family, you knew that no matter what trials lay ahead, you would overcome them with unwavering strength and unwavering love.

“Satoru, my love.” you whispered, your hand entwined with his. “Thank you for being here. For being with us.”

He turned to you, his eyes filled with love. “There’s nowhere else I’d rather be, darling. You and our son… you’re my everything.”

You smiled, feeling the warmth of his words seep into your heart. “And you’re ours. Always.”

The days turned into weeks, and the time for Satoru’s confrontation with Sukuna drew closer. But instead of being consumed by fear, you found strength in the love that surrounded you. The bond you shared with Satoru, the love you had for your son, and the support of your family gave you the courage to face whatever lay ahead.

On the last evening before Satoru was to leave with you, the three of you all gathered under the stars, the night sky a blanket of twinkling lights above you. Your son sat on Satoru’s lap, his head resting against his father’s chest.

“Papa, will you come back soon?” he asked, his voice small and filled with hope.

Satoru hugged him tightly, his eyes glistening with unshed tears. “I’ll do everything I can to come back to you, buddy. You and your mama are my entire world. Papa can’t live without any of you.”

Your son nodded, content with his father’s promise. “Me too, papa.”

“Hm?”

“I can’t live without you and mama.” Your son whispers to his father, wiping his father’s tears tenderly. Satoru blinked at his son’s act. “So papa has to do well and come back, with mama?”

In that tender moment, the depth of the bond between father and son was palpable. Satoru's heart swelled with emotion as he gazed into his son's earnest eyes, filled with a love so pure and unconditional it took his breath away. With a lump in his throat, he tightened his embrace, savoring the warmth of his son's small body pressed against his own.

His voice was thick with emotion as he replied, "I promise, buddy. I'll do everything in my power to come back to you and mama. You both mean the world to me, and I can't bear the thought of being without you."

Your son's response was equally heartfelt, his voice soft yet resolute. "I believe in you, papa. We'll be waiting for you, always."

You leaned against Satoru, drawing comfort from his presence. “I love you so much.”

He takes a breath. “I love you too. With everything in me.”

The night was quiet, filled with the gentle sounds of nature and the steady rhythm of your hearts beating in unison. As you closed your eyes, Satoru whispered a silent prayer, to any god listening above. If there ever was one. He prayed.

He wished that he could come home. He wished that he could be with you. He wished that he could watch Satoshi grow up. He wishes for that dream, for that hope, to come true.

That’s what all he could see as he lay there.

Shoko Ieiri looked him in the eyes as he struggled.

He smiles at her and then you, puddle full of tears.

“I love you.” He choked. “You and Satoshi, I love you.”

From faraway Hida, a boy sits by the koi pond and prays.

“I hope that my mama and papa return to good health soon.”

flashback epilogue

The hospital room was cast in a gentle, dim light, creating a serene atmosphere that belied the intensity of the recent events. Satoru sat on the edge of the bed, his broad shoulders relaxed yet filled with a quiet strength as he cradled his newborn son,  little Gojo Satoshi, against his chest. 

With delicate care, he adjusted the soft blankets around little Satoshi, ensuring his newborn son was warm and comfortable. Despite the fatigue evident in his eyes, there was a palpable sense of wonder and tenderness in Satoru's touch as he looked down at the tiny bundle in his arms.

Meanwhile, you lay nearby, your form softened by the relief of finally finding respite after the long and arduous hours of labor. Your face, though etched with exhaustion, held a serene expression, a testament to the profound sense of fulfillment that accompanied the arrival of your precious child.

In that quiet moment, amidst the hushed sounds of the hospital room, the bond between parent and child blossomed, enveloping the room in an aura of warmth and love that seemed to transcend time itself. Satoru couldn’t be happier to carry his whole world in his arms.

Gazing down at the tiny bundle in his arms, Satoru felt a surge of overwhelming love wash over him. With a soft smile, he leaned in close to Satoshi's ear, whispering words of welcome and affection.

"Welcome to the world, my beautiful boy." Satoru murmured, his voice filled with warmth. "D’you know what your name is? What it means?”

The little boy cooed at his father’s words.

Satoru laughed softly, looking at him lovingly.

He was already so attentive towards his father.

“Mama and I decided together, y’know? Your name just had to be Satoshi.” Satoru takes a deep breath, smiling as the baby cooes again. “You’re satisfied, hm? But you’ll like the spelling more, little man.”

Satoru could only feel overwhelmed by what he felt.

He could only feel nothing but joy, nothing but elation.

The dawn was breaking, as it always had before this moment.

But now,  where his own dawn was in his hands, he just smiled.

“Papa chose the character for you. It means 'dawn'.” He whispered to him tenderly, almost like a little lullaby. “Because you are the beginning of a new chapter for our family. You bring light and hope into our lives, just like the dawn brings a new day."

There was a louder coo this time around.

He was more than happy, Satoru thinks.

And he couldn’t be happier than this moment.

This beautiful boy, his darling boy, his dawn.

Satoru pressed a gentle kiss to Satoshi's forehead, marveling at the precious life he held in his arms. "I love you so much, my son," he whispered, his heart overflowing with love and joy at the arrival of their little miracle. “My little dawn.”

[non-sam-aplatonicism]

In a society where friendship is a stepping stone to a 'next stage' of romance and sex, and romance/sex is not only viewed as a combo package yet also held superior and as the end-goal to all other forms of relationships, it is only natural that 'friendship' becomes a deeply unvalued form of interaction.

Ask any allorose person in your life how they view friendship. I did - it's defined by most as a very casual "i want to hang out more with them; i like them; they click with me" sort of thing. The only people in my former friend group who responded that friendship was about the actual attraction to one another felt were a-spec some way themselves.

Most people view 'friend' as a label that needs no consent to use, to the point where children are mocked for asking if another kid wants to be friends. All throughout my life I've been forced into friendships without ever being asked if I WANTED to be there in the first place. And then once they perceive that "we're" close, they bring on social and emotional obligations I never asked to be burdened with, and then get mad when I don't comply with them, when they never asked how I felt about them in the first place.

I think the focus on friendship in the aromantic community is a double-edged sword. Yes, it is important to value friendship as much as romantic relations are valued! However, the movement from aromantics largely revolves around people not discrediting and throwing out friendships in favour of romance.

I think an addendum is long needed: friendship should be treated as consensual as romantic relationships are. It should be verbally acknowledged and agreed upon by both parties. One of the consequences of amatonormativity is that confessing romantic feelings is seen as this huge important thing, and I honestly don't think it should be that way, but if asking someone to be your romantic partner is a world-shattering all-or-nothing thing like some alloromantics treat it, so should asking someone to be your friend.

And if I didn't make it clear enough, asking someone to be friends before treating them as such should be viewed as mandatory.

TL;DR "friendship and romance should be viewed as equally important" and "friendships should be treated with the same amount of seriousness and consensuality as romance" are statements that can and should co-exist

also this post is explicitely about aplatonicism and the aromantic community. don't derail kthx

[gallusrostromegalus]

Proposal: The Holiday Bloat Treaty

(This Is An Joke Post)

So, we all know the gag about "the only war on Christmas is Halloween coming to support the unjust invasion of Thanksgiving*, in which Christmas is the aggressor", and that is all well and true.

*The debate over Thanksgiving's seat at the table of worthwhile holidays does not invalidate it's right to not get bowled over by christocaptalism.

In recent years however, I've noticed another insidious holiday creep- Halloween is also starting earlier and earlier every year. While I am a big fan of Halloween (I'm a queer little agnostic it's MY DAY), I am disgusted by this trend because it's being used to squash another extremely important but often-overlooked holiday:

Labor Day

Now, I am not so paranoid as to suggest there is a conscious conspiracy by the forces of capitalism to Bloat Halloween like Christmas so that it eclipses the Workers Rights Day in the public mind. I think there is a conscious effort to Bloat Halloween into a second major money maker, but the net effect of erasing Labor Day is much the same

Hence I propose an addendum to The Holiday Non-aggression treaty, something that is very real and totally enforceable (lol), that, as Christmas cannot begin until Thanksgiving/Indigenous People's Day has had it's day, so too must Halloween wait it's turn until after we all acknowledge the contributions of workers in our lives (you know, in the traditional way of "don't use the services of any private employees and see how much life sucks", not "make a retail worker miserable at the labor day sale").

After that, it's Skelly Time BABEY :)

[colleendoran]

This Month Has Been a Year

Hey folks, I got a lot going on, so my social media has been somewhat quiet of late.

I am prioritizing important personal stuff, and need to concentrate on the Good Omens graphic novel work. You can learn more HERE.

It has NOT been released yet, and the link will allow you to sign up to be notified when the Kickstarter goes live.

You will not be bombarded with newsletters.

I am one of the most active creators on Patreon and have over 1620 posts. Until things going behind the scenes have calmed down, I must restrict most of my online activity to my Patreon. Sneak peeks, talks with readers, etc. Some of those posts are behind the dreaded paywall, but many are public.

I hate to be mysterious, but things are kind of heavy, and I am grateful to have the support of Neil Gaiman, all the nice folks at Dunmanifestin, and the kind readers who are generously anticipating the Good Omens graphic novel release.

You raise me up.

ADDENDUM: All my appearances at San Diego Comic Con are canceled.

[poorly-drawn-mdzs]

Hi! I hope this is okay but I would love to hear more of ur thoughts about the Yunmeng siblings because they are important to me and your tummy hurt comic hasn't left my brain as just,,, such good immediate characterization! ^^ Thanks!

I have too many thoughts on the Yunmeng siblings to fit into a succinct post, but I can offer you a Jiang Yanli addendum to the tummy hurt alignment.

[twistmusings]

Character Analysis of the Twisted Wonderland Dorm Rooms - Savanaclaw

Thanks so much for your input on the first post everyone! Honestly a lot of you have much sharper eyes that I do, so I'm making it a habit to add addendums when people spot things that I don't.

At any rate, here is the examination of the rooms for Savanaclaw!

Dorm Room Character Analysis Series

Heartslabyul | Savanaclaw | Octavinelle | Scarabia | Pomefiore | Ignihyde | Diasomnia

Leona Kingscholar

To start with the obvious, Leona is probably the most disorganized dorm that we've seen so far. He's noticeably left his clothes lying around the room. It's of note that he's got an empty hangar in his closet, which could mean that some of these clothes are clean and he cba to hang them up.

Leona has a chess set with three pieces displayed - what appears to be a Knight, a Rook, and a Pawn. I believe this may be a reference to the story arc of book 2, considering that Rooks are a powerful piece in chess. If we consider in terms of chess, if I had to guess, I would say the Knight is Leona (known for it's unique movement which can be used to strategize and take tactical advantage of board placement), the Rook would be Ruggie (known as one of the most powerful pieces in chess because it can move any distance in a single line so long as it doesn't jump another piece, thank you anon for correcting me on this!) because of his unique magic being the lynch pin of Leona's plan during book two, and Jack, or more generally, the rest of his dormmates, being the pawns, that are used to set a strategic defense.

Also of note, Leona has a plant in his room. Of course, it could be fake, but if it is real, it shows a nurturing aspect to Leona that is interesting given his characterization that we know of. Minor Spoiler Warning for Book 6 that has definitely been pointed out by other people, but we know that he lets Riddle rest on his lap during the book when he's knocked unconscious, so he does, indeed, seem to have aspects of a nurturer in his characterization that he tends to hide by being prickly. If I had to read further into this, I would say it's another aspect of his motif overall - Leona has the capacity to care a great deal about everything, but he doesn't because he isn't given the same opportunities as Falena, and so you see those parts of him come out in other places.

This may be a bit of a stretch, but I believe this pillow in Leona's room is intended to be a call-back to Lions and their manes. When Leona lays his head down on the pillow, the pattern would be splayed out around his head like one.

Leona, of course, has textiles in his room, which is mentioned to be important for his homeland in the Tamashina Mina/Cloudcalling event as they are handmade and the primary source of income for Sunset Savanna. This is of note because Leona is not the only one in Savanaclaw to display tapestries like this, but these tapestries are notably similar to those shown in the Tamashina Mina.

So this is going to be a very long and not particularly important sections, so feel free to skip if you CBA to read it, but I wish there was a little bit more information about the inspiration drawn for Leona's homeland because it could be particularly informative of the actual symbolism in the textiles. If we are considering what we know about his homeland, Leona mentions a few things that give us some hints as to the location.

Generally speaking, the Lion King is considered to be set in Tanzania, and this is in line with the Hibiscus and the Baobab that Leona mentions in the Cloudcalling event, however from my most definitely not expert research, a lot of textiles produced in Tanzania are wax dyed. (Mind, I am far from an expert in African Textiles.) This becomes important when Leona mentions that the tapestries and clothing in the Sunset Savanna are woven. While it's not always a rule, typically woven clothing and tapestries are dyed before they are woven, and weaving is what produces the pattern. With wax dyeing, the textiles are produced first, and then waxes are used to create layers of dye that are arranged in patterns. (This also gets called batik dyeing).

The left, above, is a Tanzinian Batik Kitenge Fabric from east Africa, while the right is a Ghanaian Woven Kente Cloth from West Africa next to Leona's Tapestry to show more of what I mean, which throws a wrench into examining this further because we are talking about two different cultures across the continent from one another.

The gist of this being, it does seem that Leona's tapestry and blankets would seem to be more in line with woven fabric as opposed to batik dyed fabric. If anyone has more information who is more versed in this subject, I would love to know more! Basically, this is the long way of me saying I can't exactly identify whether or not any of the tapestries or blankets in his room hold any particular meaning in their patterns or colors because I wouldn't know what culture it would be drawing inspiration from! To be quite honest, it is entirely possible this is a case of Twist mixing several cultures together to paint a more general picture of African culture.

To change the subject back to the room - Leona has a notable lack of study materials in his room. In fact, I don't see a single book in his room. If Riddle is the one who is the king of the little readers club, Leona was the kid who filled in all the stamps on the summer reading list to get the prizes without reading anything.

While it's not as prevalent as Cater or Trey, Leona's room features a lot of darker yellows and reds. It's possible that Leona favors these warmer colors, which is funny considering his rather gloomy outlook on a lot of things, as these colors are generally associated with happiness and passion.

The hidden mickey in his room is just below his overhead lamp.

Jack Howl

Jack, as we know, has a little cactus garden in his room. it is of note, his cacti are flowering, which is a sign that his little cacti are as happy as could be.

This might be a bit morbid, but if I had to guess, I would guess that Jack's rug is a synthetic wolf-skin rug given the jagged design on the edges. This is only a guess of course, as the bedrooms and backgrounds in twist tend to have a slightly flatter style than the rest of the game, so it's hard to tell if it's actually fur or not. Regardless, we see see a lot of the members of Savanaclaw's animals represented in small touches in their room.

Jack is pretty organized in comparison to the other freshmen! All of his books are put away, and even his weights and resistance bands are tucked away as much as they can be.

Jack seems to have soy protein, a protein shake container, and a stick of deodorant ready-to-go! Jack might be a bit extra with his workout routine, but at least he seems to be responsible about it by making sure he's getting the nutritional support he needs to build muscle and taking care not to smell rank.

Jack also has a textile on his wall. Given the Shaftlands seems to be generally inspired by Europe, I would guess that the tapestry is most similar to Nordic knitted and woven fabrics. The motif of the tapestry seems to be floral designs or snowflakes and pine trees. This seems to be a cute callback to how Jack likes to snowboard and how he comes from a snowy place.

Like the other first years, Jack doesn't seem to have decorated his bedsheets much. He does have a bedrunner in a flamestitch sort of pattern. Though the flamestitch pattern isn't commonly attributed to any one country, it is generally considered to be of European origin, adding to the European inspiration of the shaftlands.

The hidden Mickey in Jack's room is next to his tapestry.

Ruggie Bucchi

Mr. Pig. More seriously, Ruggie found it abandoned on the street and took it home. There's a meerkat version as well that Ruggie has mentioned getting in his Birthday Boy Vignette. He also mentions that it sings or lets out a happy squeal when you put coins into it.

Also, Ruggie has a framed photo on his desk, similar to Deuce. I would guess this is a photo of him and his grandmother.

Ruggie actually seems to read quite a bit! He has books in his bookshelf, as well as stacked next to his bed within easy reach to read there if he would like to. These don't seem to be textbooks, so it's an easy conclusion that Ruggie probably reads in his free time. My guess for the textbooks is that Ruggie likely downloads them online from a library resource. Or illegally. To be quite honest, good for him, textbooks are expensive for no damn reason.

Ruggie is also quite well organized - he doesn't have a lot of personal items in his room, but the ones that he does have are put away.

Following on that last point, Ruggie's lack of decorations aside from a handful of things likely lends to him being raised in poverty.

Interesting note, but Ruggie has roommates. In fact, a lot of the Twisted Wonderland cast do, but you can actually see snippets of Ruggie and Jack's roommates space in their cards. The freshmen are mentioned to have four to a room, so though I didn't include this in the first post, Ace and Deuce have two other roommates.

While it might be easy to assume that Ruggie's comforter is giraffe print at first glance, the coloration and spacing of the pattern actually leads me to believe this is meant to be the pattern of a spotted Hyena.

Ruggie's hidden mickey is on the wall next to his closet.

[1moreff-creator]

Extra DRDT CH2 Episode 12 Thoughts

Heya! After making my last post where I just live-blogged my immediate reaction to the episode, I had a few more thoughts that I figured I should write down somewhere. They’re all too small for their own posts, but I still think they’re worth sharing.

Spoilers for CH2 EP12

CW: Murder, hanging, suicide.

The Water Thing

This episode brought up two interesting points which had rarely, if ever, been discussed within the fandom: Arei’s body swinging, and her body temperature and its connection to water. And while I’m relatively sure I saw one or two people mention the swinging at some point, the temperature issue is certainly a new one.

The swinging was explained in the trial: Arei’s body was hung shortly before it was found. But J says something interesting; the corpse should have been warm, unless it was drenched in water and dried. Paraphrasing a bit, but you get the point.

However, I actually don’t think this is a big deal, just adds a slight addendum to previous murder theories. We know the killer dumped the fish in the playground to confuse time of death, so I believe the killer likely splashed Arei with the water to cool her down. This is assuming they even thought about the body temperature, but I don’t think this is a large assumption to make.

I have seen people claim that Arei’s hair looks somewhat wet in the BDA, which… maybe? Anyways, this idea would explain that as well.

This might even give us Possible Explanation Number I Lost Count for the damn missing glove. Maybe it got particularly wet and the culprit worried it wouldn’t dry quickly enough? If people discovered a dripping wet bowling glove, the whole “using fish to confuse the time of death” thing would kinda go straight out the window. I have no idea if that makes any amount of sense, I don’t see why the glove would dry any slower than the rest of her clothes, but oh well.

Arturo’s Talent, and his Recap Foil: Levi

(Here’s the link to the original Recap Foil Theory post by gleamingtempest, in case you don’t know what I’m talking about).

Kinda forgot this was a thing when first watching the episode, but now looking back on it, there’s some neat foiling going on. Levi and Arturo’s backstory already were somewhat opposites in some aspects: Arturo got away from home himself while Levi was disowned, though Levi seems to hold a higher degree of respect for his family in comparison to Arturo. Levi is (now confirmed!) a murderer with no remorse, while Arturo accidentally caused Felicity’s death to some extent and clearly feels guilty about it. Etcetera.

Well, we can add a new detail to this foil! Arturo’s been training his talent since he was twelve, while Levi has admitted since introduction that he’s “a novice to fashion.” Neat detail, and certainly adds to this theory.

Terumin VS Xanvid

Thanks to Haru for pointing this out, but Teruko’s “I’ll fix my mistake” echoes Min’s “I’ll fix your mistake” from her Argument Armament. As I mentioned in the linked post, it’s cool that Teruko is taking a sort of Min-like attitude to her mistakes while calling Xander out, while David is taking Xander’s side in the same trial he calls Min pathetic. Foils and all that.

(Doomed Yuri V Doomed Yaoi, fight!)

This makes me hopeful that Min will still have some importance later. But I’m probably just coping.

What Was David Cooking?

I am kinda sick of talking about this man, frankly. I blame the almost three hour video I made on his MV. But oh well, he’ll stop being center focus soon enough. For now, His Deal is still one of the most central aspects of the episodes, so discuss him I will.

There are two big points of contention with what he said this trial. First, what does he remember about Xander? Second, what was he actually trying to do by pretending to be Arei’s murderer?

The first is pretty simple to assume, I think. David remembers whatever Xander did to become the Ultimate Rebel, and respects him as a result. Especially since Xander’s numeral I in LGI, the Footnote 14 code solved by y-prime, is “I have always looked up to you.”

I don’t think David has Hope’s Peak memories, despite his weird wording with “even if you all lost a year of memories.” He specifically says he and Xander had never met in his Prologue introduction, before they had any real reason to believe they’d lost memories. The LGI video also doesn’t add anything, because… well, it’s not a Milgram MV. It doesn’t come from his memories, it exists purely in meta. This is evident from the comments referencing Byakuya, Nagito and Kokichi, characters these people should have no knowledge of as Veronika claims not to remember anything like the DRDT killing game happening before; certain references to conversations and details David shouldn’t be aware of (mainly in numeral placement), etc.

(While I was writing that, the dev seemingly clarified that David does not have Hope’s Peak memories, then deleted the tweet, so. Just in case, there’s the full reasoning)

The second one is trickier. David is following Xander’s ideals, but that’s all we know. We don’t have a concrete idea of what Xander’s ideals really were, and it’s even harder to know what David thinks Xander’s ideals were.

David: I’m sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes.

He believes Xander had a good reason for trying to kill Teruko, he says he’s sure of it, but he never implies to know exactly what the reason was. And if he doesn’t know the exact reason, he can’t for sure say what ideal Xander was upholding by doing what he did.

But, he knows what Xander was trying to do; kill everyone. Because if it was just Teruko, he wouldn’t have tried to mislead people with the CD thing. Although, Xander was following that one note that said to “kill Teruko Tawaki,” so it could potentially be targeted.

So, taking credit for Arei’s murder to try and kill everyone is because Xander tried to do something similar. But the deeper reason he gave, about the nature of the killing game, is it true?

(Apologies in advance for the particularly horrible collage. I am without a reliable computer atm)

David [Annoyed]: Ugh, fucking fine. You want an answer so badly? Any answer?

[Face covered] …

I…

[Sweating] Ah… We’re… in a television show, after all. That’s… what MonoTV said, right?

“Entertainment” is an ongoing show.

If Min successfully got away with the very first murder and escaped while we all died, isn’t that way less interesting for a TV show?

What’s the point of roping 14 other people into one murder, only to kill them all off immediately?

The killer is supposed to fail and get executed. We’re all supposed to catch the killer, again and again, and participate in trial after trail. You’re *supposed* to try to survive.

All of you, who are trying to slice these class trials to continue living on are playing straight into MonoTV’s hands.

[Confident] As if I’ll accept that.

I don’t care how low I’ll sink, or how despicable I’ll have to become. I’ll do anything to carry on Xander’s ideals by ending this killing game, even if it means that I have to dirty my hands.

Oh, this man is lying out his ass.

This is not an answer you hesitate over if it’s true. The words David is saying are neutral; the show is meant for entertainment, and it’s not entertaining if people die early. There’s no controversy there, no reason to be nervous. Especially since Eden’s already come to the same conclusion.

Veronika: You know, Eden once thought of an interesting plan to end the killing game. Based on everything we know, it could theoretically work.

[…]

To make a television show so boring they have no choice but to shut it down.

All we have to do is nothing.

You’re not supposed to be sweating when you’re effectively repeating something Eden said, even if under a different context.

First, David says he’ll give “any answer”, already making anything he says shady. Then, he seems to deliberate on what to say, which is already suspicious.

The most notable thing is that when he starts talking about the TV show, and what it means for it to be entertaining, he still hesitates. If his plan really was to make the TV show boring, once he decides to spill the beans, there’s nothing to hesitate about.

He only regains his confidence at the end, ironically when he’s saying the actually insane stuff. He finally finds the character he was trying to play and actually says something true; he wants to uphold Xander’s ideals and end the killing game. But I really don’t think it’s because he wants to make it boring.

In other words, he’s not lying about wanting to follow Xander and end the killing game, but his explanation about the entertainment has nothing to do with that. It’s way too simple of an explanation for the amount he hesitates. At least, that’s what I think, I may be wrong.

That brings us to the question; if he didn’t take the blame to make the game boring, why did he do it?

Well, currently and without too much confidence, I believe it has to do with Xander’s secondary goal; killing Teruko Tawaki.

One of the most well-accepted theories in the community is that David’s secret, “everything in your life is worth killing over [and] the killing game is all your fault,” isn’t Xander’s, but Teruko’s.

(In fact, side theory: I’m betting (on little evidence) that by the end of the trial, it will be David with his fanboy knowledge to point out that the “survivor’s guilt” secret that Min “received” was actually Xander’s, and reveal by process of elimination (since it’s likely going to be revealed in the trial that Hu has Veronika’s secret and Veronika has Hu’s, assuming those theories are true) that Min has the poison secret. It’s a bit of a wild prediction, but I think it’s a reasonable possibility to how the series would go about confirming the secrets of the dead)

That, combined with the fact that Xander followed a note that told him to kill Teruko, would certainly be enough for David to decide that Teruko’s gotta die. And killing everyone in the class trial is probably the best way to ensure that happens, since David probably doesn’t hunk attacking her directly is a good idea. If Xander, physically the strongest student in the cast, couldn’t get past Teruko’s luck, what the hell is David supposed to do? Especially now that she carries a knife, though I’m not sure David knows that.

It’s not even that out of nowhere; in the LGI video, Teruko’s numeral XIII appears next to a quote regarding the child of Omelas among other things. Very long story (skip to 1:22:22 in this video for the full explanation), but the child of Omelas is someone who must suffer so everyone else can live in a perfect world. It’s possible David thinks of Teruko, for one reason or another, as the Omelas child; she’s gotta die so everyone can be happy. She is someone “deeply unloved” after all.

Now, is this a stretch? Certainly. But I don’t think David’s telling the truth about his motivations, and I think this is one of the more likely options as to what exactly he was cooking here. I’m sure there’s better explanations out there, I just haven’t seen them :v

David VS Whit

I kinda skipped over the “Red Herring pun to David Freakout” line at first, but I think it’s pretty interesting that David gets so mad at Whit’s behavior. They are Recap Foils, so it makes sense they’d have strong emotions towards each other.

In particular, I’d like to point out how David gets mad at Whit for something similar to what he does as a motivational speaker.

I mentioned it in the previously mentioned section of my LGI analysis, but I believe part of the reason David hates Teruko is that he sees himself in her (pessimistic, thinks the world won’t change, etc), and this would be the other side of that. David constantly says things he doesn’t believe to make people happy, and he considers that to be pretty stupid, so it makes sense for him to get frustrated when seeing Whit doing something similar, trying to raise spirits by telling jokes. Looking at Whit is sorta like looking in a mirror, and David hates that. The mirror in LGI is labeled “reflection is due” for a reason.

I’m not fully sure this works 100%, but I think it’s at least worth considering.

Updates on Eden!Culprit Levi!Accomplice

In case you’re new here, here’s a link to my post detailing the Eden!Culprit Levi!Accomplice theory, which I came up with alongside some other theorists, and is what I currently believe the murder to be. My thoughts on possible character motivation and the such have shifted a bit since then, but the important part is the physical evidence. In particular, the combination of Lockdown Logic to determine Eden most likely took the tape from the gym and the Fish Timeline to determine someone else must have helped her get the fish, combined with the overly complicated murder method which I describe in detail, leads me to believe Eden is the blackened, and Levi helped her kill Arei.

I’m not going to talk about other theories, I’ll let the dedicated theorists perfect them with the new evidence in their own time. But, how does this theory change?

On the surface, uh, not much. We haven’t talked method much, after all.

(Side note, I know some people are bothered by how long that’s taking, and while I kinda get it, I’m not bothered by it. We’re in no rush; I prefer it if all the character conflict is addressed at some point, even if it delays talking about the actual method. Better than it going unaddressed, after all)

The only change is adding that they splashed Arei with water to hide her body temperature, but as discussed, that’s a minor change.

The big wrench thrown into this theory is the end, because… I’ll be honest, dear audience, I have no clue what Levi’s cooking here. Like, at all. Zero read on why he’s revealing his secret. I could try to speculate, but I can’t find any fully satisfactory answer even outside the Levi!Accomplice theory. Nothing makes sense to me, so I’ll just wait for the next episode before trying to read into it.

There is one unrelated thing I want to bring up, though, and it’s related to Levi’s possible motivation. I know this is one of the biggest sticking points in the theory (obviously), so I’d like to talk about it.

As a refresher: although alternate ideas have been offered, my current guess is that it has to do with his desire to be a good person, and the fact he considers Eden a good person. Cue the whole “A Good Person” hidden title behind “All That Glitters.”

Levi: Perhaps I messed up yesterday. But I want to move on. I want to keep trying to become ‘a good person,’ like you, Eden.

The idea goes like this. Levi thinks Eden is good, and so he wants to do good by her. Based on the secret quote in the code of his character page, we can tell he prefers to speak through actions. He’s a bold action man, and that can cause him to come off as heartless.

Levi: I always believed that a person is defined by their actions alone. But maybe that’s just a poor excuse for my heartlessness.

My personal theory (again, other Levi motives are possible) assumes that Levi believes someone will win the killing game eventually (and this is an assumption, I won’t deny it), and if only one persona can escape, he’d rather it be Eden than anyone else. Again, “good person.” Levi will die, sure, but unless he becomes a blackened himself, he’s going to die regardless whenever someone gets away with murder.

Now, this isn’t anything drastically different than what I said in the theory post, so why am I bringing it up?

Well, the thing is… Doing something horrible, throwing away your own life and those of most of your peers, all for the sake of the one you’ve deemed to be “a good person”…

Now where have I heard that before?

David: But doing “good” things requires sacrifice. Sometimes that sacrifice is being seen as a good person.

Even if doing something makes you hated, if that action is for a greater good, then it’s an action you have to take.

Xander is a good person. He’s the only good person I’ve ever known. I swear, I’ll follow in his footsteps and—

Huh. Funny how that works.

My point is that not only is “doing good by the only good person here” now a pre-established line of reasoning these characters can have, Levi doing such a thing for Eden would be a very interesting parallel to what David tried to do for Xander.

This isn’t evidence, to be clear. Just because one guy does it, doesn’t mean a completely unrelated dude is gonna do it too. But I’m calling it now as a potentially interesting parallel to explore, either in canon if I’m right or, like, an AU if I’m wrong :v

That said, I will point out that Hu’s capital G Girlboss Moment is directly after this, the one where she chews David out for deciding what’s best for all of them without consultation. And a little bit afterwards, Levi starts acting weird, apologizing for being useless, revealing his secret, etc. These two things could be connected, if Levi is, like, having second thoughts after that.

I could see a world where Levi’s trying to bring the conversation towards the right answer without fully committing to it, only for something or someone to somehow convince him back to accomplice-hood middway through it. I find that immensely unlikely, to be clear, but again, I genuinely have no idea what Levi’s trying to do right now, so.

All in all, a pretty neutral episode for this theory. Next one could completely break it, though, so I’m excited. I might have to come up with new theories! >:D

God I missed DRDT. And the only drawback of coming back is re-opening LGI trauma :D /silly

Anyways, thanks for reading! See you on the flipside!

[puppyluver256]

feeling this hard again

The constant conflict between people telling you to moderate your own dashboard feed by curating who you follow and blocking tags/phrases you need to hide for your own mental health (very valid) and people who insist on not tagging anything related to certain things because "everyone needs to see this" without thinking that, hey, maybe that would be distressing for someone to come across it with no goddamn warning. Like do these people even think (:

[unadulteratedkr]

~Let's talk about credit~

(not financial credit trust me you don't want to take financial advice from me lol)

No, today I am inviting y'all to the table to talk about the importance of crediting other creators in fandom!

Because, listen. We don't have a peer-review system. We don't have to submit our stuff to a plagiarism checker or go through stringent editing when shitposting on tumblr; we operate in an honor system of crafting folklore using our favorite blorbos, and that means that inspiration and using the specific words and images from canon creates a grey area on what ought to be credited, and how to do it in a way that creates a solid, strong community.

Here's a little of my philosophy and how I give proper credit where it's due, so I figured I'd share them to hopefully encourage others in making sure no one out there ends up becoming fandom's James Somerton

1. Links are your friends, use them enthusiastically

Drooled over a gifset that made you write a poem? Read a fic that made you pull out your embroidery hoop? Saw some art that made you write a song? Link to the original! Tag the original artist, hyperlink to the giffer, share the fic via the amazing shortcut button on Ao3, it's what those creators deserve! Even if it's a shitpost, that creator is where your idea started, and it's the right thing to do to share directly where your audience can connect with the person who inspired you.

This holds INFINITELY true if you are directly quoting someone. If you've used someone else's words to create your own work, link back to the original. No one wants to be sent a fic or a funny post on tumblr and then feel the sinking pit in their stomach when they realize that post is their own words with someone else's name on them.

2. Ask for permission when you can

Now, the reason I threw the addendum on this with "when you can" is because knowing when to ask for permission is more of an art versus a science. I myself have written more than one fic inspired by art where I didn't reach out to the artist before I shared the fic because I had no contact with them (the joys of me refusing to touch the garbage that is the bird site). BUT this is why point number one is to always link back to the original inspiration, because I believe that should always be the bare minimum.

THAT BEING SAID.

If you have a way of contacting the original fellow fandom person who inspired you? Reach out and ask them if they'd feel comfortable with you creating something! 999 times out of 1000, they're gonna be over the MOON you want to create something inspired by what they made, and they'll be really fucking pleased you reached out to check.

3. Ask yourself: is this a "two cakes" situation or am I putting my name on someone else's cake?

This is another one that can absolutely fall into a bit of a grey area. I have written many a fic that started out with me reading a take or a fic that went in a WILDLY different direction from what I was expecting or wanted, and I went "okay, fuck it. I'll write my own." And that's absolutely been a great motivator for me to start a project!

HOWEVER.

That is me creating a different flavor of cake, putting my own frosting on it, and probably adding something weird like lemon zest and instant coffee for a lemonade cappucino chiffon that shouldn't work (but definitely does, trust me)

If I were to have read a fic or a take and then gone, "Oh, yeah, definintely, here's the same idea but now I've rephrased it juuust a little and now it's under MY username on my blog".... that's slapping a different color of frosting on the same cake and claiming it's mine. If you find yourself doing that, I really invite you to pause and consider why you felt the need to do so instead of sharing the original post.

Like, not to bring Shakespeare into it (they say, poorly concealing their icon), but fandom can be exactly like how Juliet views love. Sharing joy in what others have created absolutely can be as "boundless as the sea [...] the more I give [...], the more I have, for both are infinite". It does not take away from the joy your fellow fandom friends will have in your own original work to share the work of others.

4. Hyping up your inspiration is FUN

Finally, this is more of me going "no really, proper credit isn't going to mean people love YOU less" because I truly believe in the power of how much FUN it really is to give credit where it's due. I was buzzing for WEEKS in anticipation of publishing Objection! and The 'I Duoy' Newlywed Special because the marvelous @jackuntiljune had brainstromed with me on the name for the boat my boys eloped on. And I get so fucking giddy when I see someone comment on those fics about the name of the boat because I get to take a giant breath and go "MY FRIEND JACK CAME UP WITH IT, AREN'T THEY AMAZING?!"

If you practice giving credit where it's due, I promise promise PROMISE it will become a joy. It's FUN getting to bring more people into the sandbox to play, and I know I love it when there's more than one person out there I can yell at (affectionate) when I've been emotionally destroyed (again, affectionate) by a gifset or art or fic <3

Thanks so much for reading this far! I can't wait to keep sharing inspiration with all of you out there

[y-rhywbeth2]

Gods and Clergy: Bane

Link: Disclaimer regarding D&D "canon" & Index [tldr: D&D lore is a giant conflicting mess. Larian's lore is also a conflicting mess. You learn to take what you want and leave the rest]

Religion | Gods | Shar | Selûne | Bhaal | Mystra | Jergal | Bane #1 | Bane #2 | Bane #3 | Myrkul | Lathander | Kelemvor | Tyr | Helm | Ilmater | Mielikki | Oghma | Gond | Tempus | Silvanus | Talos | Umberlee | Corellon | Moradin | Yondalla | Garl Glittergold | Eilistraee | Lolth | Laduguer | Gruumsh | Bahamut | Tiamat | Amodeus | The rest of the Faerûnian Pantheon --WIP

Well, I did the murderhobos, might as well cover the deity and daily business of our favourite hot-topic-shopping dictator and co. now? Ahahahahaaaaa There is too much goddamn material on Bane, I'm going to kill Ed Greenwood-

Intro: If you're not consumed with fear and hatred while trying to take over a city which you intend to rule with cruelty and an iron fist then this is not the religion/political party for you. If this is not the religion/party for you, please lower your neck so that I can attach this slave collar to it.

Banites: The hierarchy and rituals and stupid toys of the church of Bane is what you get when Lawful Evil and Lawful Stupid have a horrible, overcomplicated offspring called Lawful Sadistic. Bring me the avatar of Bane I'm going to stab this fucker Also, being goth is mandatory.

Dreadmasters: More teleporting! Bossy, immune to fear and fond of magic rods. Also, do you remember that "divine oath" Durge and Gortash swore...?

The Chosen: Should be way more impressive than what we saw in game. Forging unbreakable oaths! Pet beholders! Detachable shadow spies! Etcetera!

Bane: Boy, the world (and my sanity) would've been a much better off if this dude had gotten intensive therapy instead of divine power!

(This thing is too fucking long and should perhaps be split into two posts but ooooh my god am I not editing this anymore.)

---

Bane's clergy often hear their god whispering his dogma in their dreams:

"Serve no one but me. Fear me always - and make others fear me even more than you do. The Black Hand always strikes down on those who stand against it in the end. Defy me and die - or in your death find loyalty, for I shall compel it. Submit to my will, [as uttered by my ranking clergy] since true power can only be gained through service to me. [Spread the dark fear of Bane.] It is the doom of those unguided by me to let power spill through their hands. [Those who cross the Black Hand meet their dooms earlier and more harshly than those who worship other deities.]" - Bane's Dogma [with 14th century addendums in brackets]

Bane is basically the quintessential villain of the Realms. When a person pictures the face of evil, they picture this god and his followers.

The most important thing to know about Bane and his religion, in my opinion, is summed up here:

"The summons [from Ao] had come wearing the face and form of that which each of the gods feared most. [...] To the Black Lord, Bane, the summons came in the guise of absolute love and understanding, its light searing his essence as it carried him from his kingdom." - Shadowdale

You want to give one of the most evil bastard in the pantheon a panic attack? Give him a hug.

Following a brief version of a backstory that has been given for him; the mortal who would be Bane was born on Abeir, Toril's linked twin planet/parallel universe. There he was a nameless battle slave to Maram of the Great Spear - an ancient primordial being of absolute evil whom the Netherese had summoned into the world, where it broke free and started inflicting horrors upon the world. While in the service of said horrifying evil, the young slave nurtured ambitions of having absolute power for himself.

While on Toril he teamed up with his two future frenemies, Bhaal and Myrkul, and they killed (or possibly subjugated) his master and took his power for themselves, before heading off to nag Jergal for his job. After bickering, the ex-slave known only as "the Bane of the Ancients" wins the draw and gets to be what he always wanted - the epitome of tyranny with godlike power. The next step for him is to conquer the mortal world and destroy all the other gods so that none have power and control over him.

Banite religion is founded on the principle of making Bane's dream of global domination possible. Every Banite is a link in the chains of Bane's power. What they rule, he rules. All Banites strive to take over something (village, city, kingdom, army, whatever). All Banites are expected to aid and obey their superiors in this domination.

When in control, a Banite is to use their power to "further the cause of hate, fear, destruction and strife." Doing so within the control of the law is preferable, but chaos is tolerated as long as that chaos is wielded as a tool with perfect control. You can get voted into power by stirring up people's fears of minorities, or start the apocalypse and present yourself as the saviour - but you must not be overwhelmed, or you have failed.

The world is divided into slaves who have no power and exist to serve, and the powerful who command them. Bane is the rightful master of all and all are to serve him, and by extension his followers (those with the strength to seek, take and hold power), willingly or by force. Control is the key virtue in the eyes of the faith. Always be in control and/or be controlled by somebody more capable/deserving of power than you. As their lessers are expected to obey every order perfectly, the superiors are expected to be competent in their leadership and wield perfect command.

Banites pride themselves on being cold and decisive in all that they say and do. They also enjoy cutting sarcasm. It's vital to appear in command of yourself and the world around you - shouting, loss of temper and other outbursts of behaviour that suggest a lack of control/power are avoided like the plague. Two Banites on the brink of killing each other may appear to be in the midst of only a polite, but insistent disagreement.

Bane used to enjoy watching his power hungry idiots backstabbing each other to climb the ranks while overzealous worshippers splintered into factions and started killing each other (most notably a divide between the divine-magic based orthodoxy and the arcane-magic based reformers/"Transformers".) Then Mystra technically killed him during a fight with Torm in the Time of Troubles, and Cyric took over his church. When Bane made a comeback in the 14th century he immediately decided they wouldn't be doing that anymore. Now it's an united rigid hierarchy from top to bottom, and Banites are a well organised, well equipped unit.

The laws of the heathens are irrelevant, but a Banite who gets caught breaking those law trying to achieve their goals is expected to suck it up and do the time for failure - unless they've been doing such a good job that everybody's too far under their control to try and punish them for it, in which case great job. A+ in Bane worship.

Banites typically establish themselves in an area by finding a location out of sight of a civilisation and building a fortress, where they build their power until they are too strong a force to drive off. Taking over an existing fort is also a possibility. The temple is run like a military base: spartan, with only tapestries showing Bane's symbol and religious texts on it for decoration. The courtyard is meant for military drills and rituals, and there's a mass hall for dining and holding prayer. They like pointy architecture. And black. Oh, and the torture basements! Can't forget those. It's also where they keep a variety of trained monsters in pens. You may end up sharing your cell with a displacer beast or something, but don't worry about it.

Banites have a secret network of teleporting spells. The actual "portals" will be any space of stone big enough to stand on, which are magically connected to other points (also stone). If you stand on one and speak the correct password, then it will teleport you to the destination designated by that password. There are no spells or barriers that can prevent the teleporter from arriving at their destination. Banites can bring others along with them if they are physically connected when the password is said. They can't bring more than 100lbs of inanimate matter with them.

All are welcome to convert to Bane. There will be an interview where your intentions are checked, although if it turns out you're not actually evil-aligned you can still join. There's a good chance that they'll use magic to turn you into an "incorruptible champion of evil and uncompromising disciple of order" anyway; "for Bane recognizes the value of those who have seen the lure of good and turned away from it to serve evil."

Or just use dark magic to twist you from a person into a weapon/guard/servant bound to the service of Bane anyway.

Banites are also able to ensure loyalty with a magically binding divine oath called the Dark Promise, cast by his favoured priests (Dreadmasters). It's an old spell, back from the early days when Bane was a new god and his followers were vulnerable, and is not used as often. When the spell is cast and the oath is made, a set of circumstances are set into motion that targets of the spell must follow to the letter. The promise must have Bane's interests at heart and the conditions and stipulations cannot be endanger the individuals' lives. If the oath is violated, it drains the oath breaker's life force. The damage done by this spell cannot be healed, and if the oath breaking does not cease then they will die.

Bane is one of the few exceptions amongst the gods in that his worshippers are all henotheistic rather than polytheistic. Banites consider worship of other deities "foolish," Bane is the only master you should truly serve. All under Banite rule will be forced to convert to the worship of Bane. They are however willing to cooperate with the followers of Loviatar (pain), Talona (disease), Malar (predation), and Mask (thievery) as Bane has terrified these gods into allying with him. From a certain school of Banite thought, this means that they and their followers are part of the chains of Bane's will (the gods/faithful in question probably wouldn't agree). Bhaal was, or perhaps still is, a servant of Bane and he and Myrkul have also been counted amongst Bane's allies in the past, despite their tendency to squabble, so cooperation with Bhaalists and Myrkulites is not unimaginable when it serves both their deities.

Banites do not get on so well with... anybody, but they particularly hate worshippers of Ilmater (compassion), Tyr (justice), Helm (non-Banite order), Lathander (optimism/renewal), Torm (champion of the innocent), Oghma (knowledge) and Mystra. If they get their hands on one they'll usually torture them and leave their mutilated bodies somewhere for the distressed public to find. Bane and Cyric are still at war, both due to humiliation and the fact that they're still fighting over areas of divine power that the other has stolen/reclaimed from the other, and the corpses of Cyricists that fall into Banite hands are usually found with "heretic" branded on their foreheads as a warning to others who worship the usurper.

Banite clergy are expected to always be armed, and it is mandatory that you at least wear something black at all times. For ceremonial purposes, Banites wear black armour or robes with a blood-red cape. Wizards like to enchant their robes so that they swirl and give off illusions of glittering with "black stars" and have blood dripping off the hem. The higher in the ranks you go, the fancier the clothes get. Banites used to have facial tattooing, although this made them rather easy to identify and kill off when Cyric took over and some purges took place. The highest ranking Banites can be identified by a gem that they wear on their forehead. Banites are not expected to wear anything that would identify their religious affiliations if it would get them persecuted, but they do like decorating their clothes with spikes and are are expected to dress in a certain specific colour that I'm getting sick of typing out. When Bane rules the world we will all be dressing as goths under threat of execution...

Each priest has a ceremonial staff denoting their rank, which they will have at these rituals. When a Banite dies they are buried with it. They are unenchanted and purely for ceremony, at most being used to light braziers. It starts with a simple black wood staff [level 1], which at higher ranks has an ivory skull at the top [lvl 2-4]. Higher yet they add silver plating, and the skull is the size of a fist [lvl 5], and the even higher level priests that skull has ram horns [lvl 6]. After that you get real human skulls! [at lvl 7+]! They're allowed to decorate theirs how they like, as well as adding enchantments. So gemstones, magic runes, etc.

Bane's holy symbol is the Black Hand, a symbol of terror recognisable to the entire Realms. Versions include a black handprint, a black claw or a metal gauntlet embedded with jewels. Priests usually wear a replica of the hand as a carved pendant of black stone. There is another Black Hand seen on his high-ranking priests: elbow-length gloves crafted of flexible metal mesh or chainmail, usually worn on the left hand. It emits an eerie dark radiance, i's supposed to be black, and a non-Banite found wearing one can expect every Banite on the planet to hunt them to the ends of the world for this blasphemy (also it's about 50,000gp in value jfc). The gauntlet cannot be damaged by force and absorbs all spells of third level or less. Area of effect spells are not negated, but cannot affect the wearer. It can drain magic out of items, should the wearer touch them with intent to do so. The wearer can then discharge all of the absorbed magic into the body of another by touching them, causing them damage. They can also paralyze undead and living beings via touch.

To question or disobey a superior is to question or disobey Bane himself, and is answered by torture, disfigurement and/or death. The word of a Banite of superior rank is law, and you will do literally anything they ask you to do.

Banites have invented a magic whip (a mystic lash) that does all sorts of fun nonsense in case that happens. It's made of glowing red energy. If the priest needs their hands free then the whip can actually wield itself (need to scourge that annoying initiate, but you don't want to look up from your book? Then good news!) If the wielder choses, a lash of the whip may cause one of the following; paralysis, memory loss, seizures, extra damage plus the disintegration of equipment, or electrocution.

One is expected to greet those of higher rank by kneeling in front of them and kissing their boots

At the bottom of the hierarchy are the novices, who are addressed by the title of "slave." If they're good enough, Bane will send them a dream vision or manifest as a voice speaking from one of his altars - he will name them, and they are allowed to enter the first rank of the priesthood… of which there are 12 ranks with their own unique addresses, which everybody is expected to memorise. Disrespect to a higher rank will, as mentioned, involve insulting Bane and lead to torture, disfigurement and potential death.

The only time you're not expected to use the titles is when in the presence of heathens, Banites will address each other as Brother/Sister Faithful (when speaking to an equal/lesser) or Dread Brother/Sister (when addressing a superior).

Banites do not refer to each other by name, only by the name of their rank (unless there are too many individuals of the same rank. In the case you had a room full of Black Fangs, you would address them individually as Black Fang [Surname].) It's generally impossible for eavesdroppers to learn the names or personal details of a Banite.

The rankings are determined by character level, and are as follows:

Watchful Brother/Sister/Sibling

Deadly Adept

Trusted Servant

Willing Whip

Hooded Menace

Black Fang

Striking Hand

Vigilant Talon

Masked Death

Dark Doom

Higher Doom

Deep Mystery

The Deep Mysteries include the Deeper Mysteries… which have their own ranks! Secret, higher levels which are unknown to those of the first 11 levels who must address all higher ranking Banites as "Deep Mystery." There is no official means by which a Banite is bestowed this title, they bestow them upon themselves if they believe they should have the rank. The test lies in the fact that in order to keep the title their fellow Banites must also begin using them - in other words if you are not a pretender and truly have the power and authority to hold this title, then your siblings in the faith will follow.

The ranks of the Deep Mysteries, in order of authority, from lowest to highest:

Vigilator

Lord/Lady of Mysteries

Lord/Lady of the Hand

Imperceptor

Dark Imperceptor

Grand Bloodletter

High Inquisitor

The High Imperceptor is the Banite of highest rank of the Deep Mysteries, supreme living servant of Bane, and unlike the prior titles this one cannot be self-bestowed. I haven't seen any explanation for how it is bestowed, but I imagine Bane decides.

Banites don't bother with set holy days. We will have a holy day whenever the leading priest decides we're having one, and it will be called whatever they decide it is. This usually means a) somebody fucked up, time for a public punishment; or b) we've got an enemy/traitor, time for human sacrifice.

Rituals are to be held in as close to pitch darkness as is possible, gathered around the Black Altar (a wood table covered in a black cloth, a block of black stone - whatever, just so long as it's black so we can give it an ominous name). The Black Altar is to be made holy by having a replica of the Holy Hand of Bane floating above it (this too has to be black in colour). This is a levitating 6 foot tall stone hand that can sense alignments within a 60 foot radius, and it will attack good-aligned people on encountering them. When not in use it patrols Banite locations, seeking out spies and intruders and killing them.

And that the Seat of Bane will be placed in front of the Black Altar. The chair is black, its back is carved into the shape of a hand. Senior clergy sit in the throne when acting as Bane's voice for the rest of the congregation. So the leader of the area's Banites sits in the chair, and that means Bane is sitting in the chair. While sitting in it, the seated can read the thoughts of all beings within 90 yards. it can project a forcefield around the chair; can nullify magic in the area; allows the seated to see through illusions and invisibility; know the alignment of everyone present; allow the seated to speak with dead; and also conjure walls of fire. If the chair is knocked over, it causes a massive explosion of fire that kills everyone around it.

Then the party. With minimum partying and maximum solemn, ominous chanting and deep, heavy drum beats. Those guilty of disobedience or other failures will be chained to the altar and whipped in front of the congregation. And then there's the human sacrifice: "Sacrifices had to be humiliated, tortured, and made to show fear before dying to be acceptable to Bane, and they usually met their deaths through slashing, flogging, or being crushed by the Hand of Bane."

The traditional power base of the Banite faith was Zhentil Keep, the base of operations for the Zhentarim. The Black Network has once again been taken from Bane by Cyricists however, after the death of Fzoul Chembryl a few decades back - Fzoul was a Chosen of Bane and basically his favourite servant (who has since been made into a quasi-deity bearing some of Bane's divine power, that he may continue to serve) and Zhentil Keep is currently in ruins. The loss of the Keep (for a second time) destroyed Zhentarim power, and now they're mostly just a bunch of mercenaries with good connections on the black market trade routes (slaves, drugs, weapons, etc) as far as I can find.

-

The Dreadmasters are Bane's specialty priests, making up 10% of all Banites. Dreadmaster is a unisex title. They spend their time doing all the spellwork and making all the delightful inventions that have been giving me a headache. They have a stupid number of spells given to them. Nobody else's specialty priests have this many fucking spells.

They cannot feel fear from sources other than Bane

They can, however, project the feeling of absolute terror into every being within 10 feet of them, usually causing everyone to run screaming.

They can completely destroy the souls of the dying

Create extra evil undead

Create powerful, still sapient undead servants from dead Banites (from ghouls up to vampires)

Create animated suits of armour that serve the Banites, powered by people's souls

Make a warding symbol drawn with a mixture containing three drops of blood from a collection made by sacrificing 30 people. The ward is invisible and cannot be detected, and when activated it drains the life out of everyone present.

They have a supernatural knack for reading other's true moods and intentions They have a supernatural level of charisma and authority over their servants, who cannot help but be fanatically loyal

They are exceptionally skilled in the artificing of magical wands, rods and staves. When they use them the magic of the items is increased.

They're the ones who cast the stonewalk spells that make the teleport network run.

They're also the priests responsible for binding the Dark Promise.

-

"The Chosen of Bane are tyrants in every sense of the word, consumed with the quest for absolute power. Hand-picked by the deity of tyranny and fear, [they] are both charismatic and filled with hate [...] They seek only to rule with absolute, unchallenged authority over every living and undead create across the world."

They are unbothered by temperature, both hot and cold, as well as resistant to being burned or electrocuted.

They do not age, though they will still die at an age where they would've died if they did age.

Supernatural insight into motives and emotions, and a massive boost to their charisma.

They can mind control people, are immune to fear, can share this immunity with others or increase the fear they feel.

They can also cast gaes, which is basically exactly the same as the Dark Promise, but doesn't necessarily have to benefit Bane (blasphemous as that sounds).

They can summon undead beholders to serve them

They can grant their own shadows independence as an undead creature of the same name (shadows), While separate the shadow is free-willed, though the two remain telepathically linked.

They are served by a retinue of their own master's servants including: doppelgangers; helmed horrors; beholders; undead Banites; hell hounds; imps; displacer beasts; Banelar nagas (evil snake things with human faces)

-

Bane doesn't like using avatars, if he needs to manifest on Toril he just possesses people in positions of wealth and power who transform into handsome, yet "oily" looking black haired men as long as he's inhabiting them. The souls of these people are forced to watch as the god does what he wants. Once the body is "worn out" from all the punishment he puts them through (mortal shells, so fragile) he'll move to another evil or neutral mortal via touch.

If he strikes out with his gauntleted hand, then there is a good chance that the person stuck will drop dead.

In combat he warps the face into a more beastial visage. His hands become talons capable of "rending flesh and bone" and in the Time of Troubles when he was first forced to manifest as a normal human he immediately started editing the body into a more demonic visage although that might've been because he'd just crash landed in his own temple and destroyed it, and only had a few moments until his torture happy zealots turned up to find what seemed to be some random dude standing in the wreckage. He was in kind of a panic trying to make sure they saw Bane, God of Tyranny not... that.

His other manifestations as a pair of blazing red eyes staring out from the darkness, and a black, taloned hand which was the temperature of ice to the touch. They work exactly like his other manifestation.

Bane sometimes announces his presence, and that he is paying attention to you, with the sudden manifestation of the giant footprint of a boot, scorched into the earth. He shows his approval of his followers through their sudden discovery of a black sapphire. His disapproval is shown through the sudden appearance of red carnelian, ground into dust.

He is served by various devils, beholders, death tyrants (the undead remains of beholders that failed him), black dragons, banelar nagas and pride incarnates

Bane can cast any spell at will, save those that heal or create.

Bane was slain in the Time of Troubles. After his death his followers had an even bigger row between those who were loyal to Bane (orthodoxy) and those who worshipped his portfolio instead of the god himself and switched to Cyric. Many of the Orthodoxy began worshipping Iyachtu Xvim the Godson, son of Bane (whose mother was either a fiend or a fallen human paladin, nobody's sure).

Xvim was doing a pretty ok job in his nascent godhood up until 1372 DR, when Bane hijacked the essence of himself he'd left in his son and destroyed him - being reborn within his body and immediately regaining the rank of Greater Deity. About a few years following the Bhaalspawn Crisis, the year where Bhaal was supposed to be reborn from the death of his kids but failed.

Bane went on to continue being one of the most infamous, powerful and dangerous gods on Faerûn up until the Second Sundering, when suddenly we've got confusion.

In BG3 canon, the Dead Three are clearly greater than quasi-deity status. Due to new rules that WotC pulled out of their ass, gods of lesser deity status or higher cannot manifest avatars. Bane can still empower clerics and have Chosen, so he's most likely still a Greater Deity in BG3.

In Descent into Avernus, the Dead Three are apparently quasi-deities now, forced to exist in permanent avatars on Toril and unable to grant spells of have Chosen.

I think this nicely explains what I mean when I say D&D has no fucking "real" canon, it's all just a mountain of everyone's headcanons.

[arcanaaa]

ALSO LET'S BE PERFECTLY CLEAR, Cana does not inappropriately grope or touch anyone without prior consent or permission. She of all people would know how it feels to be touched without consent, so it wouldn't make sense for Cana to go around groping others.

And even if it were permissible, Cana wouldn't be gross or lewd just for the sake of her own amusement, she picks up on when someone is uncomfortable and backs off, period. It pisses me off that Mashima makes sexual harassment into a norm and it will not be part of my canon. I though I had reblogged a post about this from my archive but im reiterating it for the record.

clenches my fucking fist I am being so serious when I say that Cana is touch starved. I think about how she only had a few years to be held by Cornelia, where she received all of the love that a mother could give her child, only to have it suddenly ripped away from her is such a shock to her system. And to come to Fairy Tail and be surrounded by adults who would have no reason to give her the affection and love she needs ( not to mention the one person who would have been capable of providing what she needed but never knew her relation to them :))) lol ) is another sort of devastation.

Thinking about how she was denied that connection until the other kids begin to join Fairy Tail and at first, she doesn't approach them for the comfort she seeks. Asking for a hug or to hold hands is tentative and embarrassing! But finding the words to ask is clumsy at best, and downright mortifying at worst. But somehow the sentiment comes across: Gray would be the first to understand her language and while I feel he wouldn't immediately reciprocate, in time he would adapt and accommodate in his own way. Mira and the Strauss siblings are far more receptive, especially Mira, whom they grow close as sisters and seek comfort in each other freely.

There are unfortunate instances where she doesn't want any physical contact, in a lot of cases it being when a vision 'attack' takes over and she has made it clear that she does not like to be touched. Unfortunately, Cana's boundaries are disrespected-- by others, by strangers, by men-- and that ruins any chance for her to grow closer to anyone physically due to that trust being broken. As Cana becomes older, she would end up becoming withdrawn but the starvation never abates. Luckily the people she trusts the most consistently show her that her autonomy deserves to be respected, even with the addition of Loke becoming part of Cana's inner circle, their consistent demonstration of giving her space to decide on her own terms when she wants to receive physical affection in invaluable to Cana. Over time however, she becomes much more comfortable being openly affectionate and demonstrates it in casual ways: leaning into someone or against their body, a hand placement on someone's body such as their shoulder, arm, wrist, or hand; hugging someone, whether from the front or behind, or even just comradery gestures like fist bumps, handshakes, hand slaps, back slaps, etc., are a form of affection she'll give.

[voidsentprinces]

Explanation and reiteration, my dear Nashu! The other blue bird of despair site has been humbugging upon Dawntrail. Comparing it to Stormblood under, from what I gather to be, negative implications. Which lead me to hijack this whiplash response to the yet to be released new expansion. And see how everyone feels about each chunk of the story. Firstly, there was A Realm Reborn. Which...the general consensus is, its enjoyable and important its basically the foundation laid upon the ground to build Heavensward, Stormblood, and much more upon. Without it, we would be nothing but with it we are everything.

Then I asked about Heavensward which seems, overwhelming positive but not without a few addendums hither and tither.

But now, we reach Stormblood. An expansion that chose to split its focus between the freeing of both Ala Mhigo AND Doma from the Garlean Empire. Introducing the home lands of the Au Ra who had been around since Heavensward at that point in the form of the underwater city of Sui-no-Sato for the Raen and the Azim Steppe for the Xaela Tribes. As well as pulling the rug up from under us with the change of Yda suddenly to Lyse.

Stormblood! The expansion which spent its Post-MSQ bouncing between both and then seeking out brand new areas on each country. Some beneath the Ala Mhigan Castle in the form of Skalla. Others far, far, far out into the Burn west of Yanxia. Still further, we explored Ivalice, Dalmasca, and other provinces similarly seeking freedom from Garlean rule at the time. Both suddenly taking a sharp left with "The Call" as friends drop comatose before our eyes and we set the stage for Shadowbringers.

It introduced Zenos, under water diving, and a variety of elements and stylings to the MSQ. But what did you think of it? Either at the time before any aether current changes, QoL shifts, or the dungeons being able to be run with trusts or as it is today?