#im very used to being alone

[hjemne]

I've been... Absolutely normal? After this breakup with the person that I really genuinely wanted to spend my life with.

It happened Friday night, I cried most of the night and a little on Saturday but then something just shifted and I've been like 99% fine and normally and happy since then? The only time the sadness has really hit me since has been thinking about how upset my (dying) grandma will be that she won't be able to know my partner. But otherwise? I got horrendously drunk on Saturday night, had tons of fun and was fine with a guy low-key flirting with me. Since I got thru the handover and sleepiness on Sunday I've been utterly normal, getting on with work, reading romance and enjoying it rather than being sad or jealous etc. The main stressor has been the number of deadlines I've had this week and trying to manage my parents' reaction and reassure them I'm fine.

It's not that I'm complaining I've not been truly and utterly crushed by the heartbreak, but I'm just weirded out by this reaction. I'm worried I'm bottling it all up and it'll explode later or that this is me sliding back into depression, but I'm still enjoying things and it doesn't feel like depression? Like have I actually reached that level of emotional maturity that I've dealt with everything (or most things) already?

He decided about a week ago that he didn't want to go through his early twenties having to factor someone else into his life plans. I understand it, I respect his decision, acknowledge that there's no use in trying to talk him out of it, appreciate the fact he told me as soon as he could in person so we ended the relationship still loving each other rather than growing apart and resentment building. I really can't stress how I've never loved or been loved by anyone like with him before and that he has been the most important person in my life for four years. Accepting that the life we were planning together has gone has seemed to happen so easily and it feels like something must therefore be wrong. It's helped that we haven't seen each other in person and haven't currently got plans to I guess because I think it's going to really hit when I can't be physically affectionate like before. But even with the distance I still just can't understand why I'm feeling so nothing about this. He brought up that he might want to break up in March and I cried far more than this. Have I been emotionally checked out of the relationship since then without realising? Am I just bottling stuff up without realising? I just wish I knew

[basslinegrave]

[mephoj]

late night chat

[neoncherryblossom]

I keep seeing Dad Alastor and poor Charalastor shippers posts going around and they are very funny, and everyone does already know that Alastor did the whole thing to get under Lucifer's skin, but I haven't seen anyone mention that Charlie went along with it. Charlie, who has not had a single conversation with Al since the premiere, heard that he was proud of her and went with it. She got called his child and was put in bed and pat on the head and was very very okay with it. Why isn't anyone talking about how Charlie did nothing but go with it please that was so funny-

[lillymakesart]

my new OC: cempaka!

she is based on the story/universe that my friend @haydardotjpg's OCs indra and yuwei exist in! pls go checkout haydar's art he is amazing!! his ocs can be found more easily on his ig but if you're lazy this is his oc indra (cempaka's one-sided love interest) and yuwei (indra's fated lover)

also, cempaka means "magnolia" in malay!! (she gets a flower name bc my name is lilly which is also flower c:)

bonus first iteration under the cut!

i accidentally had "poinsettia" flower in mind when i did this iteration instead of an actual magnolia, hence the color scheme. but yeah, this is as self-insert as it gets LOL like she's literally MEEEEEE but still very different and i love her as she is <3

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[corviiids]

gushing etc

[dan-whoell]

i keep thinking about a phandom book club, but i have no idea how to go about organizing it or if anyone would be interested or even where to host it

alternatively is there already a phandom book club i could join? because i would love that

[impostorsshow]

I'm actually so obsessed with him it's not even funny if i'm not listening to a TikTok or music directly related to him I can't focus free me free me

This is @/cherubpuppet's OC for a object show [au? pitch? wip show? How do I categorize this] and I've been destroyed by the fact that ruler art is infinitely superior [and 10x longer] and i don't have a good enough grasp on lip gloss's personality to make fanfiction so I am frozen in "want make fanart but fanart takes effort :["

[alchemania]

Finally got enough energy to talk about Furina's SQ and while I loved her and the troupe, MC and Paimon were .... Not Great. I talked about this with friends but in Paimon's case especially, the way they interact with Furina feels like people who just don't understand trauma and depression and then engage with someone suffering from both in all the wrong ways.

Talking about how much of a downgrade her house is from the opera house, making fun of how she can't cook, pushing her to act when she's set a very clear boundary and then guilt tripping her after she's stuck to her guns, shaming her for not being able to fight well (Paimon literally talks about how second hand embarrassment is overwhelming and I'm just like ?????), telling her she's "not acting like herself" when she attempts to open up and be vulnerable....it's just really rough. That and the MC asking "is something wrong" when Furina gets sad over Poission ..like bro people died and she couldn't save them and she's tearing herself apart over it. Those people are never coming back and you know it and you have the gall to ask her is something wrong??? Of COURSE there is!!

It just feels especially odd because we literally get to see all of Furina's suffering and Paimon in particular is. SO mean? Like she was more understanding with Wanderer and Ei and THEY'VE tried to kill us multiple times!! I don't get it, and honestly I'm very proud of Furina for refusing to waver. Let her rest!! She's tired and depressed and she needs time to heal; and honestly fuck Paimon for trying to make her feel bad. Furina's worked harder than she EVER will.

[blueskittlesart]

any thoughts on how once again zelda was robbed of her agency because her "father figure" didn't listen to her? even if rauru was kinder to her than her father. and that she had sonia who was patient and loving for a little while before she died (just like her mother). i know rauru apologizes for his hubris but still, i wish we saw zelda be upset about it. and even if zelda was such a big part of the quest she still literally sacrificed her humanity once again because of someone else's mistake- because rauru literally didn't listen to the girl from the future that warned you that shit was going to go down. o know nintendo just loves putting zelda inside crystals and stones but i wish we got something better. even if it was her decision to become a dragon... did she have any other choice? it really just feels like they robbed her of agency again just like botw and the games before

i've been trying to figure out how to answer this one. because there are two ways i could analyze this plot point, either from a writer's perspective or an in-story perspective, but neither of those lead to me fully agreeing with your interpretation? I think there's definitely something to be said about zelda consistently being pushed aside in these games, but. well. ok let's get into it ig

from a writer's perspective, I do honestly have quite a bit of sympathy for the zelda devs as they attempt to navigate the modern political landscape with these games. The cyclical lore, though canonized relatively recently, holds them to a standard of consistency in their games in terms of certain key elements. one of those key elements is that there has to be a princess, and that princess must somehow be the main macguffin of the game. The player must chase her, and the end goal of the game must be to reunite the player and the princess. In 1986 this was an incredibly easy sell. women didn't need to be characters. players were content with saving a 2-dimensional princess whose only purpose was to tell them "good job!" at the end. but as society advances, that princess becomes a much more difficult character to write while adhering to the established overarching canon. (as a side note: i don't necessarily believe that the writers SHOULD be held to the standards of that canon. I think deviating from it in certain areas would be a good change of pace. but i also recognize that deviations from the formula are widely hated by the loz playerbase and that they're trying to make money off these games, so we're working under the established rule that the formula must be at least loosely adhered to.) Modern fans want a princess who is a person, who has agency and makes decisions and struggles in the same way the hero does. but modern fans ALSO want a game that follows the established rules of the canon. so we need a princess who is a real character but who can ALSO serve as a macguffin within the narrative, something that is inherently somewhat objectifying.

the two games that i think do the best job writing a princess with agency are skyward sword and botw (based on your ask, our opinions differ there lol. hear me out) in both games, we have a framing event which seperates zelda and link, but in both games, that separation was ZELDA'S CHOICE. skyward sword zelda runs away from link out of fear of hurting him. botw zelda chooses to return to the castle alone to allow link the time he needs to heal. sksw kinda fumbled later on by having ghirahim kidnap her anyway, but. i said BEST not PERFECT. botw zelda I think is the better example because, with the context of the memories, she's arguably MORE of a character than link is. we see her struggles, her breakdowns, her imperfection, specifically we see her struggle with her lack of agency within the context of the game itself. when she steps in front of link in the final memory, and when she chooses to return to the castle, those are some of the first choices we see her make almost completely free of outside influence; a RECLAMATION of her agency (within the narrative) after years of having it stripped from her. from an objective viewer's standpoint, this writing decision still means she is absent from 90% of the game and that she has little control over her actions for the duration of the player's journey. however I think this is just about the best they could have done to create a princess with agency and a real character arc while still keeping the macguffin formula intact--you're not really SAVING zelda in botw. SHE is the one that is saving YOU; when you wake up on the plateau with no memories, too weak to fight bokoblins, let alone calamity ganon. the reason you are allowed to train and heal in early-game botw is because SHE is in the castle holding ganon back, protecting YOU. When you enter the final fight, you're not rescuing zelda, you're relieving her of her duty. taking over the work she's been doing for the past hundred years. in the final hour, you both work in tandem to defeat ganon. while this isn't a PERFECT example of a female character with agency and narrative weight, i think it's a pretty good one, especially in the context of save-the-princess games like loz.

as for totk, you put a lot of emphasis on rauru not believing zelda and taking action immediately, which, again, from an objective standpoint, i understand. but even when we're writing characters with social implications in mind, those character's actions still need to... make sense. Rauru was a king ruling over what he believed to be a perfectly peaceful kingdom. zelda literally fell out of the sky, landed in front of him, claimed to be his long-lost granddaughter, and then told him that some random ruler of a fringe faction in the desert was going to murder him and he had to get the jump on it by killing him first. the ruler which this girl is trying to convince rauru to wage an unprompted war on has the power to disguise himself as other people. no one in their right mind would immediately take the girl at her word. war is not something any leader should jump into without proper research and consideration, and to rauru's credit, he DIDN'T ever outright dismiss zelda. he believed her when she said she was from the future, he allowed her to work with him and he took her warnings as seriously as he could without any further proof. but he could not wage an unprompted war on ganondorf. that's just genuinely not practical, especially for a king who values peace among his people as much as rauru seems to. as soon as ganondorf DID attack, giving rauru confirmation that zelda's accounts of the future were real, he began making preparations to confront him. remember that zelda didn't KNOW that rauru and sonia were going to be casualties of the war--she didn't make the connection between rauru's arm in the future and rauru the king until AFTER sonia's death, when rauru made the decision to attack ganondorf directly. I think the imprisoning war and the casualties of it were less an issue of zelda being denied agency and more an issue of no one, including zelda, having full context for the events as they were unfolding. if zelda had KNOWN that sonia and rauru were going to die from the beginning and was still unable to prevent it that would be a different issue, but she didn't. none of them did.

I think another thing worth pointing out with rauru and his death irt zelda is that rauru is clearly written specifically as a foil to rhoam. this is evident in how he treats both zelda and link, with a constant kindness and understanding which is clearly opposite to rhoam's dismissiveness and disappointment. consider rhoam's death and the circumstances surrounding it. He died because, in zelda's eyes, she was unable to do her duty; the one thing he constantly berated her for. Rhoam's death solidified zelda's belief that she was a failure, a belief which she KNEW rhoam held as well. his death was doubly traumatic to her because she knew he died believing it was her fault. Now contrast that to the circumstances surrounding rauru's death. Rauru CHOSE to die despite zelda's warnings, because he wanted zelda and his kingdom to live. rauru's death was not agency-stripping for zelda; in fact, it functioned almost as an admission that he believed her capable of continuing to live in his place. With him gone, the fate of the kingdom fell to her and the sages. he KNEW that he would die and still went into that battle confidently, trusting zelda to make the right decisions once he was gone. where rhoam believed zelda incapable of doing ANYTHING without link, rauru trusted zelda COMPLETELY with the fate of his kingdom. several details in totk confirm that when rauru died there was no plan for zelda to draconify, that all happened after rauru was gone. it was HER plan, the plan which rauru trusted her to come up with once he was gone. and I think it's also worth noting that zelda's sacrifice with the draconification parallels rauru's!! Rauru gives up his life trusting the sages and his people to be able to continue his work in his place. Zelda gives up her physical form trusting link and the sages in the future to be able to figure out what to do and find her. these games in general have this recurring theme but totk specifically is all about love and trust and reliance on others. zelda relies on link, link relies on zelda, they both rely on the champions and the sages and rauru and sonia and they all rely each other. reliance on others isn't lack of agency, it's a constant choice they make, and that choice is the thing which allows them to triumph.

The draconification itself is something i view similarly to zelda's sacrifice in botw--a choice she makes which, symbolically & within the confines of the narrative, is a demonstration of her reclaimed agency and places her at the center of the narrative, but which ALSO removes her from much of the player's experience and robs her of any overt presence or decisionmaking within the gameplay. again, I think this is a solution to the macguffin-with-agency dilemma, and it's probably one of the better solutions they could have come up with. Would I have liked to see a game where zelda is more present within the actual gameplay? yes, but I also understand that at this point the writers aren't quite willing to deviate that much from their formula. the alternative within the confines of this story would be to let zelda DIE in the past, removing her from gameplay ENTIRELY, which is an infinitely worse option in my opinion. draconification allowed her to be present, centered the narrative around her, and allowed the writers to reiterate the game's theme of trust and teamwork when she assists the player in the final battle, which i think was a REALLY great choice, narratively speaking.

In any case, I don't think it's right to say that zelda was completely robbed of her agency in botw and totk. Agency doesn't always mean that she's unburdened and constantly present, it means she's given the freedom to make her own choices and that her choices are realistically written with HER in mind, not just the male characters around her, and I think botw/totk do a pretty good job of writing her and her choices realistically and with nuance.

[thepromisedbride]

i don’t talk about bridgerton on here but just to clarify. i will not be having ANY eloise hate on this account. i will bite.

[worstloki]

people just ignore Thor was a feral child, huh? like his life goal was probably to demolish another race at age 12 and he was probably begging to go to war and attempted to murder their father for not letting him via telepathy that he didn't have.

[ratatatastic]

"Aaron, when you almost fell on the ice with the Stanley Cup—" "Oh, Jesus..." "It's s—o stupid..." "—I mean. Yo, and it would've been okay, man! Like, you know what? You'd be like, 'Oh! He's one of us!' you know? Did you catch yourself? Did you feel yourself slipping a little bit? I think it's kind-of heavy, right?" "My theory is: that I stepped on, like—one of those confettis, maybe? That fall from the sky. That's my theory. 'Cuz it was just a little slide then I turn and I was fine. Did you see Barky almost fell on the TV camera cord as well? Did you see that?" "Oh, shit." "Yeah, there's so much stuff on the ice..." "It was right after he took it from Gary [Bettman] and he put it up and he—Well, I mean he didn't fall. He didn't come anywhere close to falling 'cuz he's Jesus on the ice... on those edges he's incredible..."

The Cam & Strick Podcast | 7.30.24 (x)

nothing delights me more than ekky getting ribbed for being clumsy and instead of just taking it he has to drag sasha down with him XD like oh? i almost fell WELL DID YOU SEE BARKY—girl PIPE DOWN THIS IS ABOUT YOU BABY. BARKY AINT GOT NOTHIN TO DO WITH THIS.

every angle (x)(x) of the almost ekky spill is so funny man and i love to embarrass this man SO FOR THE FOLKS AT HOME ROLL THE CLIP

i think its soooo funny when he says my theory is the confetti sabotaged me ���👌 because if you look at the footage

GIRL WHERE. just admit your ankle got weirdly bendy and screeched in after a hard game it happens to the best of us man

also him throwing sasha under the bus especially because i was like huh? sasha almost tripped over a cord? i definitely wouldve noticed that TRUST ME so i looked at the footage to see what he was talking about....

"did you see barky almost fell on the tv camera cord?" (x)

"did you see that?" yeah. did you. did you see the way he didnt not even move at all when he went past it yeah YEAH (x)

me when i lie and want an excuse to not be the only guy thrown under the bus so i bring up a completely nonconsequential annecdote so i can change the narrative of being the only clumsy guy on the ice despite the fact i very much am, and other such things

"hes jesus on the ice" and other normal things to say about your captain while you smile sweetly and reminisce upon him and his amazing skating abilities

[moeblob]

Karen has four older brothers and this is Ross! He's the second oldest and he looks rather polite and smiles a lot and when he's at work he can behave most of the time... but he really has such a foul mouth it puts Right to shame.

And Karen when she was a kid couldn't pronounce S's and they sounded like Z's. So when her brothers would be leaving for school she would say "enjoy zool" and just. Could NEVER say Ross's name correctly so he told her to just call him Oz. And it stuck but only with Karen. She's the only one to use it and no one else is allowed.

[deus-ex-mona]

ngl i want to see an entire dramatic chapter dedicated to chizuchan’s “oshi break up” with aizo, flashback sequence and all