#im still learning the screentones
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majodump · 1 month ago
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The Monkie kid.
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lavendel081 · 2 years ago
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Thank you for existing and making beautiful artwork as I fall in love with Stardew and Sebby!
Hiii!! Thank you so so much that makes me so so happy! As always, sorry for the late reply, since i have exams it's hard for me to reply to these in a timely manner, especially cuz I wanna draw something as a thank you! This time I offer the first Panel from the doujinshi I'm working on.
Thank you so much for your support! I'm so happy when I can bring more people to love Seb and when they enjoy my work! Thank you for existing as well and for bringing me happiness with your words! Have an amazing week!!!
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beesmygod · 6 months ago
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today is webcomics day. i am bea and i make "A Ghost Story" - part 1: pre-gaming
webcomic day is a yearly celebration of the art form concocted by the screentones podcast team as a way for people to see how the sausage gets made. my webcomic "a ghost story" has been running for over 10 years, and yet i still don't think i can say i am good at making a webcomic. regardless, the comic is getting made because otherwise i become very, very sick in the head. today i would like to share with you the process of making a page of "A Ghost Story" from start to finish. either this demystifies the process or will make you think im so cool and strong for doing this 2x a week. instead of reblogging this one post until it gets very long, i will be posting individual updates that i will then compile and post on my personal website. block the tags now if you HATE comics and want them to EXPLODE.
if you have any questions, even things like "what the fuck are you even talking about" feel free to ask. i want to feel confident in what i make again and i think sometimes interrogation from an outside source is really
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that said, let's get started. wait just kidding i want a cup of coffee first, hold on.
ok now im ready. i have a big glass of water. i have coffee. i have a headset for the parts of work that don't involve typing words. i can't type words and listen to some streamer babble in my ear at the same time, so it has to be instrumental music or nothing. i just took my meds so they should kick in after about 30 mins. i woke up late today, which is weird and annoying. but maybe i can work late instead.
first off, i need to know where i'm going beyond this one page. if i dont know where im going with something, then i usually create something that sucks that i have to deal with later. hold on my internet died, i have to reset the router. ok, anyway.
what's rattling around in my brain is that not only do i have to deal with maxine's current predicament, i am also dealing with multiple plot elements i need to wrap back around to from the previous chapter. luckily, im about to put maxine down for a nap, which means i can get back to those other elements:
i need to finish the exposition from the three ankou characters for this story arc establishing their motivations as the oppositional force in the story. the "villain" is not these three specifically, but their boss. they need to have a loose understanding of what's going on in order to communicate this to the audience. god this started turning into a huge ass paragraph so i'll just keep it short there.
we've jumped back to before jack's horrible day from the first chapter of this storyline so we have to make our way back toward that and then lapping it, which means wrapping up his various open threads like:
feeding victoria and learning something new about her
finding out alice is a very exceptional employee who is getting many awards
watching valdo call lily while interrupting her during something personal to ask her for help with maxine's situation.
jack meeting with valdo and lily the day after they first met so jack can just tell them straight up that lily has 4 sisters she doesnt know about.
help that girl with her poltergeist problem. remember that. i've had jokes for this rattling in my head for like 4 years. im going insane.
and also the fucking tilberi!!! that has a point its going somewhere!!! there's a larger menace here!!!
other things to set up the climax of this storyline. sexual tensions, hints at larger emotional problems not immediately evident to the reader
lots of moving parts. and i feel like im moving in slow motion to get to them. i can see them all weaving together in my head, its the process of putting that onto paper that's proving difficult.
ok that took an hour starting and stopping. -_- let me write the next part as i keep brainstorming on how to approach this page. taking a "rubber duck" approach to this might help. heres an image from the last page i worked on (i have a 5 page buffer rn so the site does not match the finished pages) to get us semi-situated.
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also because images will help people understand what skill level we're working with here. i need to be able to communicate an idea to the audience; if the art also looks good on top of that, then that's just an added bonus. but the ability to communicate my ideas is sometimes hampered by my lack of artistic skill or comics language ineptitude. like those speech bubbles kind of fucking suck but at a certain point you have to just hit print on what you're working on in order to keep your already glacial pace.
webcomics is a tightrope act where you're also spinning 4 plates at once. the trick is to keep the audience from realizing how many actually fall or how wobbly they all are. the act sucks but technically its not a failure.
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burquillos · 1 month ago
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Ayo how are you? I really love your art, all of them are so good!
Also may I ask what app/program do you use for drawing (and which brushes?)? Im new at digital art and I can't use any paid app so I try to ask all the artists I like, sorry if it looks weird🤧
Hello!! I use CSP now but I've used open source applications like Fire Alpaca and Medibang for the longest time (and I still do!!)
I mainly use default brushes mostly cause I think it's a hassle to find and test brushes 😅😅 (but also as a personal challenge to myself to learn to draw stuff instead of relying too much on shorthand)
I like using G-pens a lot and that's mostly what I use for lines. I get the most plain round brush for colors and general filling stuff and airbrushes for gradients or any edge that I want to be soft.
You really can do a lot with the default brushes and I'd even recommend using those first especially if you're new to digital art so you can get used to the basics first.
Once you're settled in, you'll have a better understanding of what kind of pizzaz✨ (like textures, screentones, or effects) you'd want to incorporate in your art which makes the brush picking a lot easier and not overwhelming.
These are just my own thoughts though😅😅 I hope you find this somewhat helpful😔🙏
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tepperz · 1 year ago
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i didnt think about it before now either xD
i know lol 20,000+ is too much, i keep getting distracted XDD I'm also always saving morrrrrrreeeeeeeee. Pixiv in particular is sooo bad for that -- if you have a subscription to it, it just keeps recommending you good art after good art. and it's like! aaaaa! I can't keep up with how many amazing works there are! (screaming)
"The example and your analysis of it are really interesting! You’re right about the unique highlights and warm color drawing attention there. I hadn’t noticed until you pointed them out! Even just the one “simple” artwork had a lot of valuable details."
You get it you totally get it!!!!!! Yeah, exactly!!! Like I get its easy to gloss over as a picture but it actually has soooo much unique value! I really like that kind of thing!! I'm a super nerd when it comes to seeing the unique value of artworks ><. I feel like most artwork has its own appeal. Not to sound weird or anything, but besides saving sooo many artworks, I sometimes also go through the manga I own too and try to write down what I think the mangaka has done super well with paneling/screentones/ect, and what I think they could improve on. It's super useful for reference, as someone who's trying to make comics! Even manga I don't like have good points that are worth learning from!
So how would you categorize something like that?? @@ I get how just one doesn’t encompass all that now!
I think i'd put that picture into "portrait - no background" and also save a copy of it into my "texture" folder? hmmmmm. dang, i should have sorted it while I was looking at it earlier!!!!!! i forgor LOL
I’d love to see how these details are translated into your own works.
I legitimately thought of drawing something new with that pic as inspiration, but im in an art block right now so I can't u_u; But! I will go find a work that I had inspiration for!
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so in this one I was trying to give the atmosphere of someone with low contrast dark blue, sort of a creepy mood. The unnaturally still pose in the photo with the low contrast of the anime picture. I don't think it worked out this time, but it is an example of me pulling from other works.
oh! heres another one
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that was last year so im trying to remember what aspects I pulled from. the chibis are my character references, the photo is his eye color... and from top to bottom... I think the top white drawing is his face shape? And below that is his hair color. Below that, the low saturation is inspiration, and the bottom reference is... i have no idea. Vibe? lmao. But yeah, my point is not all my references are masterpieces but I try to cobble them together like some goblin quilt lol
(asldfdsaklj I see you show your art with references later on bless you~)
heehee. I like seeing yours too ^^
Oh yeah, all the poses and expressions even in those portraits do have something that makes them stand out! Even art without backgrounds has to have good balance and use of negative space.
yeah! Exactly! Since organizing and seeing similar pieces together Im really starting to understand some patterns. It's good to learn.
A Clothing folder is sooo useful for cool details or cuts, but also the fabric types and specific folds. I struggle a lot with designing outfits so any help is lifesaving orz
8U I should do that. Have you tried pintrest? I have a lot of cool clothes saved on pinterest. I know it's kinda cliche to turn to pinterest for ideas but it always gets my mind twirling when I see the different types of aesthetics. I know you didn't ask and feel free not to bother clicking it, but if you want inspiration with clothes, heres a link to a pinterest board I use specifically for super interesting clothes: xxx
It’s been so many years since I started this organization system now… I think my Pictures folder just got too disorganized so I separated poses, and then just kept separating as the need arose. Haha letting the folder decide must speed things up a lot though! No worrying about which reference has been waiting for years to be used, just following the mood~
Wish... i wish i'd done that xD You realized the benefits of organizing a lot sooner then me. I watched a video lately about how people who are really good at drawing know what references to use in any particular situation (I think it was this one: xxx) and it sort of hit me how I was holding myself back by not being able to sort what I liked and why. It's really cool to see what pictures you chose and how they work together (with the middle distance and long distance backgrounds folders). I can definitely see the impact it has on your work already!! In my opinion I think you're very good at middle distance shots, so I can see how you'd be inspired by those works! And the interesting angles in your references and big shapes translates into your art as well, I believe ^^
I’m down for trading tutorials for sure! o// Anything to do with light or clothes would be treasured forever~ Are there specific tutorials you’d like? (And ones you’d recommend?)
Ohhh yeah let me get together a bundle for you! Here! I hope this helps! https://drive.google.com/drive/folders/1yGCOUpPunk038by_ztRgELAWLRgmxEVK?usp=share_link ^^
as for me, if you find any tutorials on backgrounds or gesture, I'd love it if you threw them my way! no pressure thuogh.
Man, it’s so cool seeing the references near your art. They all came together and made something with the feeling but new. Loving the moodboard lol!! xD Once they’re on your canvas, then you don’t have to go digging through folders any more, I see I see! :3c
heehee, thank you! I'm glad that comes through!! Exactly, I feel like digging through files gets me out of the flow so I just throw them all on my canvas. i dont mean to make moodboards but it does end up working for me!
Watercolor has a distinctive transparent look so it’s easy for me to tell apart at least! Gouache is a bit harder because it can look like acrylic but they can be used the same way so it’s okay if some get mixed in… (I honestly can’t tell the difference between mediums like oil and acrylics though!! I don’t use them so their nuances are mysteries~) 
ohhhhhh. i guess thats true, watercolor really does have a texture. Gouache I just recently got some this week for the first time. Did you know that they're basically watercolors??? It's wild. But when I see good gouache it reminds me a lot of hard shading, like in anime. Oil I feel like also has a texture, kind of... thick? I have literally no idea about acrylics though. All I know is I like to watch people on youtube use them to relax.
And sometimes I’ll find inspiration in an unexpected folder– It’s tiny but the pic on the bottom right was the biggest influence on this piece! I loved the strong shadows and greenish tint!
i know this is the last thing in this huge bleeping wall of text but its literally so cool to see your inspiration and the final piece. I can totally see where you're coming from with the blues and greens and it's really interesting to see the correlation. Thats why I wanted to put some of my finished works and references in this post too. I love seeing those kinds of things. If you want to share more, I wouldn't mind.
Anyway, thanks for chatting with me!
How did you learn to draw so well? Like was it from classes or a book on fundamentals or just trial and error?
//// thanks for the kind question!
I guarantee you I would have improved faster if I’d taken a class, but I hope some of the materials I’ve used over the years can be of use to you too:
Andrew Loomis’ books - I never made it past the first chapters, but those had some great advice.
Youtube - Proko’s bean method. Figure drawing references will greatly improve anatomy and “drawing what you see”. It’s boring imo, so doing just 5-10 minutes a day can keep one from burning out while still seeing improvement. Speed painting videos are a nice way to relax and study.
Will Terrell’s People Drawing series - He’s a humble man with personal advice for artists. I watch his videos when I feel discouraged or lost.
Art, art, art - Whenever I see an artwork that I like, I figure out exactly what pleases me: line thickness, nose shape, finger positions, composition, the way the hair bends in the wind, etc. Then I try to incorporate that specific characteristic into my own art.
I have growing folders of (I’m a bit embarrassed) almost 8,000 pictures, organized by characteristics, for the sole purpose of studying their prettiness. Sometimes we don’t need a tutorial to spell everything out, just an example can help us envision our own works’ potential. Also, staring at pictures is a relaxing way to study too!
And of course, trial and error~ I don’t post my sad, failed paintings or all the weird sketches I make, but they exist and teach a lot!
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jabberwockjamboree · 3 years ago
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after 1000 years my nostalgia lives again
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hikuret · 6 years ago
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This is a 14 page comic I originally posted on ao3 back in December 2016! It’s been getting a lot of attention there lately, so I figured I should post it here too! If you’d rather read it on ao3 though, here is a link. I’ve made a couple of updates to this version (including the new title page above!), but the ao3 version is pretty much the same.
It’s just a little comic about crushes and friendly meddling, featuring light terumob and ritshou :’)
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project-dimensiongate · 2 years ago
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Im still so happy with how this turned out. Screentones have always been a struggle, especially for online viewing. Now I know how to do them for printing and online and I cant help but be extremely giddy. Also the hatching!! I've always hatched but it's so time consuming normally, and was just easier on paper. Finding brushes for it and learning screentones has been a huge thing for me, especially with reaching the style I've always dreamed of for my comics.
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