#im so glad you all liked my sketch so much!!!!

[deathbringerdragon]

AAAHHH EVERYONE'S MESSAGES ON MY FANART OF BEEBS-

THANK YOU GUYS SO MUCH!!!

💗💗💗💞💞💕💕💕❤️❤️💗💗💗💞💕💕💞💗

[xxplastic-cubexx]

Snap: *draws a Megaman-inspired Magneto*

Me: ...Perfect modernization.

wait now that its not 3AM i can do you one Slightly better

bonus:

[dimeadozencows]

:DDDD

I have endured what no one on earth has ever done before

I put my lips to the hands of the man who killed my son

[signedeclipse]

Ooh, i found your page, and i saw your prompt post about the Multiple/All hashira have feelings for the reader who is the best swordsmith and all want their swords done by her, I think it be funny to also add Hotaru Haganezuka to the mix and him also being like "im not sharing my fellow Smith back off!" :D

I think all would be funny with all hashira, but anyone underage it's like I admire you and you are now my older sibling/parent now.

Giyuu | Gyomei | Mitsuri | Muichiro | Obanai | Sanemi | Shinobu [X Reader]

In which you are the best swordsmith, and the hashira you're assigned to adore you.

Giyuu

He never deserved any kind of special blade, special treatment, or anything above what the average person got

At least, thats how Giyuu thought about things

Recently, his swordsmith had retired, and while he had stated he didn't care who got the job, there was still pressure for him to pick since it was considered some kind of honour

During his visit to the village, he met you at an izakaya, where you were talking with the owner about your proposal for the 'hashira in town'

He felt bad for walking in, knowing you didn't intend for him to hear anything, so he immediately tried to hide in the corner and finish his food sooner

Unfortunately, the owner immediately pointed him out, and asked him to come over to talk to you

Both of you were red with embarrassment, and Giyuu had to insist you stop apologizing

You were nervous about talking about the design, but eventually he caught the gist that you wanted to repurpose another sword into his since older steel was more valuable

You'd clearly done your research because you knew of him and Sabito, and you offered to use Sabito's left-over ore to add to his for some more sentimental value

Giyuu was really keen about the idea, and before the choosing ceremony could occur, he presented himself to Lord Tecchin to request you become his permanent swordsmith

Gyomei

Nichirin blades were the most common weapon used by demon slayers

Gyomei had started with one, but he quickly found his attacks were focused on the impact, and less on the perfect point of precision

He needed something different, but he wasn't sure what

Being a bother was something he hated doing, but he took it upon himself to visit the swordsmith village so he could meet with Lord Tecchin

Even Tecchin was unsure, until one of his guards spoke about you, a budding swordsmith with a less traditional outlook on weapons

Gyomei was willing to try, and he was glad he did

You were a natural creative, he could hear your charcoal sketching along parchment even as it was hidden below melancholic humming

You were interested in his assessment of his inability to use nichirin to its best potential, and after considering several forms of weapons, you both landed on something that could act at various ranges

The flail was a deadly weapon on a stick, but you proposed keeping it on a chain would help him control it, since he could vary how much length he gave the flail to move

"It'll be heavy, though, and hard to know where it's going. How much can you lift?"

"Several thousand kilograms."

"Ah."

You were at a loss for words, but you took him seriously and began working

Gyomei actually had a hand in helping make them, because you could barely carry the flail moulds, let alone the finished product

You instructed his hands on how to feel the weapon, gave him suggestions on use, and described its appearance so he could adjust the colours as he liked

Your patience was appreciated, and Gyomei took it upon himself to make sure you were treated extremely well after the week of gruelling work

Mitsuri

Mitsuri had a very special blade

It needed to be thin enough to bend, but thick enough to remain still when not moving

The only person who had ever managed this perfect precision was Lord Tecchin, but as he grew older, the task became harder

So, there was a contest for a replacement; anyone who wanted to could join

You were intrigued by the idea, but you'd had trouble in the past with your experimental blades, so much so that some friends of yours suggested you leave yourself out

But you wanted to give it a try, besides, you'd heard great things about the love Hashira, and you were sure she wouldn't be mean about it if it didn't meet her standards

Your best idea was to use something other than the scarlet ore to give it further reinforcement, so you created an alluminium-steel alloy that could be coated in scarlet ore by melting the scarlet crimson Iron Sand, which was more flexible than the ore

It resulted in a long, thin, and sturdy blade that could handle nearly triple the force of its original, though it wasn't as flexible as before

On the day of the contest, Mitsuri was extremely interested in your process, and you got to see your creation in its moving form for the first time

Mitsuri was extremely talented, and she had no problem bending the sword with her whipped movements

As it turns out, she had to be careful with her previous swords because she had gotten too strong for them and they got too loose

You easily won, and Mitsuri was beyond joyed to know her swordsmith was not only talented, but also extremely pretty!

She's always sketching herself with her sword on the letters she sends to you and often inviting you out to eat

Expect a lot of recipes sent your way, and a lot of sweet messages detailing how excited she is to see you again

Muichiro

Swords were the least of his concerns when it came to slaying demons

They should always be perfect, always kill without getting in his way; he shouldn't have to ever think about it

But after his run-in with Tanjiro and his previous swordsmith passing away, the concerns bubbled up

He didn't have time to spend waiting on some smith to make something comparable to what he wielded, he needed something just as good, if not better

So the search began, and of course, your name popped up a lot when he'd ask who was 'the best'

You were young, close to his age, and you were hard at work when he found you

Muichiro ignores every craftsman sword hung upon your wall, disregards every talent, and demands you take him on

But stubborn meets stubborn, and when you say no, hes taken back

What do you mean 'no'? Do you have any idea how much of a speck you are compared to him?

The challenge you present nags at him, and he decides youre not worth it; he can always ask someone else

But the idea of anything less than perfect, the annoyance of you denying him, it manages to peer through the mind fog several times to the point of annoyance

Fine, he'll say please and apologize, because your craftsmanship is worth it

When he does get his sword, he's even more irked that it never so much as scratches, and works extremely hard to try and break it just so he can tell everyone you aren't as good as they say

It never happens

Obanai

No one could get his concept right

A lot of people thought he wanted what Mitsuri had, which he thought was extremely well crafted, but it wasn't exactly what he needed

Mitsuri had the arm strength to handle a weapon that long and precise, but he needed something smaller, more sturdy, but with 'joints' of weakness

His concept was rejected by many, and his frustration was beginning to boil

When you came up to him, requesting to make it, he had already given up and mentioned he was leaving soon, and not to bother him

Even after leaving the village and resigning into using the typical blade, he was surprised when you found your way all the way out to his mission point just to deliver him a weapon he never asked for

He didn't like that someone had intruded on his mission, but when you were both attacked and he had a chance to use it, he had a hard time being mad

The weak points of the weapon started far apart and got closer together near the top, giving the blade a wave-like appearance that certainly looked odd

But when moved with enough force and velocity, the joints could be bent further to reach around corners in odd ways, following his movements with a latency that let him fit it through impossible holes and bends

It was everything he was looking for and more, considering he only proposed two joints and you'd delivered nearly twenty in a blade as short as seventy centimetres

Hes impressed, but hes still mad you made this journey and put yourself in danger, so of course he is going to take you all the way back to the village

Personally

With no one else

And listen to you talk the whole time

Yea

Sanemi

Sure, swords were important, but he didn't give them much thought

He was always getting new ones because his always chipped, snapped, and scratched with all the force he was putting on them

The blades were built for flesh, but he didn't care, he practiced cutting rocks and throwing the blade like it was some kind of toy

Eventually, his destructive tendancy drove his swordsmith to quitting, as many others had, and he was once again called into the village to find another

The choosing ceremony was skipped with him, since it often ended up with him insulting everyone and picking the person who cried the least

So now he just went from workshop to workshop, looking at what people could offer

Your workshop looked the newest, with freshly varnished wood and some construction materials still left on the side of the den you worked out of

It was just you in the workshop, with new bulletin boards already covered in sketches and schematics, and a shelf of ores labelled by size, strength, and purity

Sanemi figured since you were new, you'd take longer to break and give up, so he resigned to Lord Tecchin whom he had picked and challenged you to have it done by the next day

It was an impossible challenge, but that was the point

Even so, the next day you were at his door by the crack of dawn, not one, but two identicle blades ready for him to retrieve

They were perfect, left matte instead of shining, and sharp enough to cut a perfect lien through the most delicate and loose fabric

Sanemi hated to admit it, but he appreciated that you'd at least already prepared him a replacement

When he tried them out for the first time, he finds they last a lot longer, and it takes him several months for a chip to occur in it

Even then, he has a second one, so for the first time in years, he's been away from the village for more than six months

You're not perfect, but you're certainly good, and he's thrilled to see what more you can do with a few more years of practice

Shinobu

When Shinobu first started toying with the idea of wisteria poison as an effective killing method, the hardest part was figuring out how to apply it to a blade

Injection was most effective, but needles were chunky and harder to get into demons campared to something broad like a nichirin blade

So she was reffered to you, and you drafted up several ideas that you felt she might enjoy

Other swordmen felt it was an insult to the dark, to remove the central half of the blade, but it was the easiest way for her to have something light without shortening the blade or thinning it out and risking it snapping

The planning resulted in a very unique blade but an even more unique sheath

Shinobu hadn't asked, but you lined it with a spongy fabric so that she could fill it with the poison and automatically apply itself along the blade

It had a drain, anti-microbial and anti-rusting additions, and a beautiful handpainted pattern along its outside.

The amount of thought you put into it really astonished her, and while she never had issues with the design, Shinobu made sure to have a bi-annual trip to visit you

Along with the many letters she would send with news and treats from the butterfly mansion

Being able to share her experiences with you with other hashira or corps members gives her a sense of pride, especially when she gets to show off something she used to view as a sign of weakness

Authors Note - I have wanted to write this prompt for SO LONG!! Its a lot of characters, so I apologize but I left out Uzio, Kyojuro, and Haganezuka to focus on those I had the most ideas for!

Thank you for requesting, anon!

[cryptidclaw]

All the different book covers you made for “The Sight” are sooo pretty!! I would pay actually money for you to illustrate the book covers or just redesign preexisting ones because the newer ones are so ugly and boring.

It’s always the same damn close up of a cat’s face and they always look wonky but the covers you made are so dynamic and creative, not only giving someone an idea of what the book might entail as well as painting a picture in their head but also making it so a person will be more interested in actually picking up the book to give it a chance.

Sorry for the long ramble, your art is always so nice and visually appealing. Actually eye candy. Do you have separate versions of the other thumbnails by any chance?

aaaa thank you so much!! im so glad you like them!! Honestly being a book cover designer/illustrator would be a dream job for my so this means so much!!!

I don't have the thumbnails separated since they were all sketched on the same page but! as a thank you here is a look at the illustration part of the finished cover! (I should have the full cover complete by the end of this week!)

[ilustrariane]

Hello everyone!

i'm back!

for the past months i tried a different thing with this account (i think you all noticed), i trusted it to my old marketing team (we have a new team now), and honestly they never understood tumblr...all posts flopped basically.

So i removed most of them, and decided that tumblr is supposed to be something PERSONAL, like a blog really, not instagram. So i took the account back, and now i will only be posting things my way.

I'm still working on my comic ATNOMEN and my PATREON, so i dont have as much time to draw other stuff like the old times, but i will always update it when i have something worth it!

So, this time, i bring you a Belle sketch i did while livestreaming on my newest ART TIKTOK (follow me there, i plan to make at least one livestream a week with sketches like that).

Im using traditional art like a hobby, its something different to do other than drawing on the ipad all day!!! watercolors and markers is what i plan to use!

i'm glad to be back and i'm sorry for trying to use this account as marketing only, i know now this is now what tumblrs is supposed to be!

[phoenix-art-official]

Ah— ("natural way of spacing", anon, here) i meant that it *looks* very natural! Very pleasing to the eye etc etc ... I'd be even more astonished if you managed to do it effortlessly ... I've been trying to get better at it, personally. And you're right. It does take a lot of work !!

OHHHH OK well then in that case TYSM AAAAA IM GLAD MY ENDLESS NITPICKING PAID OFF!

i actually found the best way for me to conceptualize combined poses was to take some inspiration from comic making! in comics, every page starts as a thumbnail, and the goal of a thumbnail is to be small, non detailed, but easy to read. it helps you "zoom out" and get a better read on the full composition of a page/panel. its how i start all of my sketches at this point. no guiding lines, no focus on anatomy or perspective or accuracy- just form, volume, and readability! theyre also meant to be done quickly- within a minute or two.

heres an example from my latest sketch. this was what i started with. its vague, but it helps me visualize clearly how the lines flow together and lead the eye. you naturally focus first on fords face, then follow his arm to stan.

after that is my proper sketch, paying mind to anatomy, volume, and perspective

notice how i keep it messy! this leaves me room to change things as much as i want, moving or posing things differently depending on what works in the space. thankfully this one didnt need much tweaking!

i generally draw a lot faster than most artists, from what i can tell- i spend maybe 2 or 3 hours on a sketch like this, and then im like, "okay, im done, looks good."

this is just my own process after, like, a decade of teaching myself, so it may not work for everyone, but i find its better to have an ill-fitting guide than none at all. adapt to your own needs!

[dahliasheep]

Hello! I love your art and your use of colors; I was wondering if you'll ever post a process video or a step by step to show how you approach your art?

hi!! thank you, im always glad people like my sense of color cause it's my favorite part :-) it's a bit hard to show process videos because i tend to work on multiple drawings within a same file, at the same time, so it looks very confusing. but i made this one for that! it shows my process from sketch to finish, and i'll also add some thoughts under the cut

the steps to my art are usually :

sketch, always in color (i dont like sketching in black, it doesn't work as well for me). i did this step on another file so you don't get to see it, but it did happen at some point

set the lines to black, or to whatever color i want the final lineart to be (to make sure the colors work well with whatever lineart i want to have ; if i changed it at the last second, it would look weird)

add very rough colors : here, making the background orange and the character dark blue. if you draw on a white background and try to change it at the last second when everything else is done, it might not work with the colors that well

i work from these basic colors to pick the actual shades. i usually start with skin and hair, then clothes. the idea is to find a color that evokes whatever color i have in mind without clashing with the base tone. so a character who has a bright red base tone, and has blue eyes, i will use very desaturated grey to give the illusion of blue, not actual blue. that would clash too much!

once all the colors are done, i start cleaning the lineart. i usually start with the face, and do that part pretty carefully, but then forthe rest of the body, i might erase the whole rest of the lineart and draw it from scratch. i alternate between cleaning the lineart and refinining the shapes on the other layer, giving them nice clean edges

i think that's about it! i hope this was helpful in some way :-) thank you for your kindness !

[4ddi3addie2005]

THE NEW CHAPTER IS SO AAAAAAAAAAAAAAAAAAAAAAAAAVGDFCHBVKDSVBKHFBJLSVBJLSSJLVBSLJBVLS🦅🦅🦅🦅💥💥💥💥 GOOD FKN SOUP IM DEVOURING IT RN it might be my fav chapter thus far........It has elements of The horrors tm and scenes that make me kick my feet in delight GODDDDDD🙏🙏🙏🙏🙏🙏 AAAAnd as usual I have some new silly doodles that I've got (Sadly I cant draw fast enough to finish my fan art for this chapter BUTIMWORKINGONSMT). I do have the RGB reader designs that I mainly use so that other fans could (maybe....just maybe...) mold their reader/player into whatever they want but I DO have a design that caters to my fav design tropes...

ALSOALSO- I've got a folder righttt 👉here where I'll compile some more sketches (and the animation with the right sync good gracious me-) so that I dont BOMBARD you with 50plus images.

the last "AGAIN"- THE CHAPTER WAS SO SCRUMPTIOSSSSSSS- KEEP UP THE AMAZING WORK!!!!!!!!!!!!!!!!!!!!!!!

Thank you I'm so glad you love it!! 🦅💥 (Nonsense emojis are becoming a habit I have to stoppp...)

It's so funny you said that cuz I have a Doc called "kicking my feet blushing giggleinf" that I use to jot down the "fluffy" moments when the inspiration worms hit x0

And take your time with the art gurl!! What you've already done is amazing!! The most important thing is that it's fun and engaging for you,, no pressure 🫶

Those RGB designs are a banger btw they have so much personality!! I forgot to mention I loved the color scheme of your animation. I'm a sucker for some super saturated RGB...

OKAY now I'm gonna gush abt your art >:o] I love your insert she's too spunky!! She looks so done w him LOL. Also your style is delightful and fun!! I love your habit of drawing ppl with tired eyes and no mouth. It speaks to me.

The “You look lonely” piece is gorgeous btw :) He’s so shinyyy,, Insert looks tireddd. I know it’s the meme format or whatevah but I would be too.

I hope you don’t mind me sharing screenshots? Just let me know :o) I’m abt to holler abt some sketches.

THESE!! These made me so soft oml. I know in my heart he feels like a Squishmallow or whatever those fat chibi stuffed animals are.

DRIP KINITO 🔥🔥🔥 I giggled. Also baseball Kinito is canon now. To me. I just KNOW he picks up random human sports and tries his darndest to play them with only two people. (Reader cheering him on and also looking thoroughly depressed is so real LMAO)

I think that's all I have in my heart for now... TY for this plethora of art you went above and beyond <3

BTW I’m gonna provide a pic of the players here for easy viewing cuz they’re cool as freak 💯🐊

EDIT: I am so glad!! You love my fic!! I heart U!!

[critterbitter]

I finally got all my brain ducks into enough of a row to send this! I just wanted to say that Tumblr recommended your art to me on a whim, and I am actually OBSESSED now lol. I had no prior investment in Submas or anything tangentially related to it prior to this (aside from liking Pokémon generally lol), but I couldn’t help but tear through everything you’ve drawn for these silly little rat children and I love them so much now!!! I wanna pick them up and shake him around like little action figures! The shenanigans and the heartfelt moments are just,, UGH so good! I have no words! Thank you for the food I am going FERAL over them <3

Your art is also high key goals for me now tbh. I absolutely ADORE your coloring and rendering style, and also they way you draw Pokémon in general?? Very animalistic but still recognizably Pokémon?? Literally galaxy brained. I’m going to SCREAM. I know you already posted a bit of your art process, but I’d love to know if you’ve got any rendering tips and/or how you get that clean but sketchy look. It looks so good I want to eat it lol.

(Also I really love the way you’ve been formatting Elesa’s dialog, with the extra lines around the letters. It really gives the vibe that her grasp on Galarian is currently shaky at best and idk, I like that you’ve managed to find a way to convey that over text. I think that’s pretty cool :D)

I SAW YOU REBLOG A WHOLE BUNCH AND IM,,, (throwing hearts at you)

Thank you so so much! I’m glad you love these terrible little guys wandering Unova just as much as I do, haha!

As a treat, lemme pull out some drafting for the mini illustrations. I usually start every snapshot with a run down of what I remember from the area, possible shenanigans encountered, and then a doodle of ideas to come.

From there, it’s a SUPER rough sketch, followed by lineart and rough color, and then cleanup!

(More thumbs and their finals below!)

At the end of the day, all my lines are VERY sketchy. I’m a lot stronger when it comes to mashing colors. That, and if you set your line layer from normal to multiply, the lines will always be automatically darker then whatever layer is placed underneath. It’s a trick used quite a bit for placing cel shadows in animation, but it’s useful for lineart in a pinch.

For colors, I like to stick to a limited pallet and branch out only after setting my primary colors. This entire series has been very experimental for me though, as you can probably tell.

As for the last bit— YES… YOU GET IT! As Elesa grows, the lines in her dialogue will start appearing less and less. It’s the little things that map the span of time for these guys.

Yippee!

[bubblybloob]

Hi! I just wanna say I really love your owl-looking lq, and am considering a similar shape for the headpiece of my tlq cosplay im working on! If that's okay for me to do of course. I'm gonna do some sketches for it before hand so it won't be the exact same, but still! Thank you so much for owl quiet they are adorable

AAAAAAAAAAAA REALLY???? OMIGOSH THAT’S SO COOL!!!!!! Of course you can! The fact that you are at all makes me so super happy!

I know I don’t really draw the bird like this anymore, but I’m glad so many people like it, if ever requested I’ll draw him like this, I still find him fun to draw in his older design.

[decafbat]

i really like how much depth your art has, do you think you could show how you break down bodies when sketching if that makes sense? it’s something i struggle with a lot in my art! ｡ﾟ(ﾟ´ω`ﾟ)ﾟ｡

ok apologies in advance, this is probably going to be a really long and tangential rant about art that may or may not actually help you in learning how to construct bodies. im just gonna put it under a cut to save everyone from seeing this huge text wall.

i dont think its gonna be possible for you to replicate my methods here, because theyre mostly just really specific shortcuts for finding certain proportions and reference points for anatomy, which i'm fairly versed in, but not as much as i'd like to be. the shortcuts you'll need will be different from mine. im glad you think my art has depth, that is something i am trying to seek very intentionally right now, and i dont think im even close to the depth of form i am actually aiming for. so like. this makes making a tutorial kind of inherently hard. nevertheless, i threw this quick sketch together after like 3 failed attempts. (i was doing those attempts digitally, ended up giving up on that and going back to traditional because its what im most comfortable with rn)

i didnt get all the steps i took to get here because scanning that much would be cumbersome but ill try to explain how i got here. i start with the head almost every time.

i use a lot of symbolic/graphic shapes when drawing heads and dont stick to using forms very often besides the circle at the center of the head, which i use as the base to form these graphic shapes around. think of it like "wrapping" the ball in various textures and masses. the eyes are usually "textured" onto the head, notice how the her left eye looks narrower then her right. of course i try to make sure her bangs sit along the curve of the sphere and her ears look like they sit on opposite sides of the head. its easy to forget that part, making the head look unsymmetrical. the particular masses of leica's head would be her snout, which is just a curve extended slightly outside the diameter of the ball, and her hair, which are two strange organic shapes that are quite hard to draw, two hair sprig anime antennae things (forgive me, i forgot the word for them,) and the back of the head, which i usually need to extend slightly. its a little too extended here, needs more on the top, i fix this in the final pass. this was a quick sketch, so i didnt focus too hard on the forms of the head beyond the most essential ones for her design, but i sometimes highlight the form of cheeks with curved hatching, or try to make the eyes appear more sunken-in as they are on human faces. i dont know how to proportion the neck and torso correctly until i draw the head, so i always do it first. next, i did the torso.

so heres why i said that you probably wont be able to replicate this approach. you do kind of just have to practice anatomy, i cant just make it make sense because im not very good at explaining this stuff, but ill try to go through what i did here. so, i generally use simplified bone shapes to find proportions and reference points, as well as more complicated shapes like those of elbows and knees. i try to study fairly often because im not satisfied with here im at with this stuff yet. of course, i dont think i'll ever be. so i'll usually start with the ribcage, add a shoulderblade out the back to find the shoulder, the armbones come out of that, the bone in the upper arm connects to the ulna with a sort of three-pronged attachment, one big knurl in the middle, which forms the thrust of the elbow, two little ones on the side. i think those are part of the ulna but i dont remember. see, you dont really have to know what exactly they do as long as you know what they look like. the ulna does some goofy rotation shit i dont understand, connects to the wrist, and then we have a hand, which, i mean, im not good enough at hands to even be telling you how to do it, but i just have a big squarish mass and some little hotdog fingers coming out of that. you can see on her left hand that ill have a big circle forming the the area on the hand where the thumb attaches... theres more depth to the hands, i think you can easily find better tutorials then i could offer. anyway, under the ribcage theres the pelvis, represented with a box. ill get into that when i talk about the legs. i wanna briefly talk about the way i add the flesh and fat to the bones.

so, i really can't give a comprehensive crash course on anatomy, but i can point you towards the morpho series, which is where i get most of this stuff from. you can get very far with the volumes Simplified Forms, Fat and Skin, and Skeleton and Bone Reference Points. moving on, i just kind of have a feel for where the masses attach by now. the important thing to remember when drawing fat characters like this is that the fat should "hang" from the bones and flesh, drooping down slightly. leicas fat hangs substantially, so she's not very wide despite her weight. this is important to her character design i feel. i almost always draw characters naked first when doing serious drawings because it will come in handy knowing where the forms of the body are when i add the clothing. by focusing on the way her body looks naked, i can modify the impression of those forms when adding clothes, and when i add them later on in this drawing, leica will take on the distinctive boxy look i try to draw her with.

if you look at the arm, youll see that the place the line of bone sits is very high compared to the whole mass of the arm, the flesh and fat of the arm "hang" from the bone, and then the upper arm squishes against the bent forearm too. even if the anatomy in the arm is indistinct, it can still look convincing when the forms act realistically against one another. the elbow has much less fat connected to it, so its more bony then the rest. this isnt actually consistent on all people so like, think about that kind of thing when designing characters, like i was talking about before, fat can sit in infinite different ways. maybe if i was doing a more objective anatomy lesson i'd draw cath, because i do have a sort of vague understanding of muscle placement that doesnt come through here, but probably would if i was drawing a scrawnier character. let me know if you want that.

a word on the breasts too: they hang a bit lower then you'd expect, keep that in mind. the attachment point is also angled, as the line shows. the line starts roughly in the middle of the torso and ends around the armpit, but the form of the breast can go underneath the armpit or even connect around the fold of fat in the back. many things to think about. i love boob shapes. ok lets finally get on with it and talk about the legs.

so, the really specific shape of the pelvis doesnt matter that much unless youre drawing a really thin character, so its just a box here. out from the sides of the pelvis, extending out more then you'd expect, is the femur, which ends in a similar joint to the arm. this shape helps me figure out the form of the knee. two masses on each side with a bunch of complex and weirdly shaped bones forming the kneecap, which i have omitted because i dont yet know shit enough to include them. i am learning though. so, obviously the feet are just scribbles here because im just gonna put her feet in socks anyway. you really dont have to do more then you have to. a few tips i can offer here, the butt should hang a bit too when drawing fat characters, i think the butt is supposed to start just below the pelvis if i remember, but take that with a grain of salt. i also didnt really do that here but its hard to tell because she's facing mostly forward. again, i dont think i can really communicate what's going on here. morpho has a lot of great drawings explaining the shapes and muscles of the legs, all things i might focus on more when drawing a scrawnier character. for this case, i regrettably don't go too hard on the legs. also i should note that legs would usually be much longer, leica is really short so ive exaggerated the proportions to communicate that. i may change my mind on that front in the future and give her more grounded proportions. the important thing to remember with legs is just getting a nice hierarchy of forms going. bigger thigh going into smaller calf going into smaller foot. it mostly comes automatically now.

i added the clothing, shaped up her head a bit, added a bit of fur. i put her in her classic outfit, just a sweater and jeans. i enjoy the big thick folds that come out of these clothes, and big areas of white space too. its nice. i try my best to form all the folds around the forms of the body i drew earlier. thats one case where i really really have no idea what im doing and could never explain it in words. its just some fun intuitive play with loops and lines. this is at around the stage for a sketch where i'd do inks, or if it was going to be a finished pencil drawing i'd erase out parts piece by piece and replace them with nicer and more defined lines and tones.

i guess that's all i can offer , i hope that halped.

[xxplastic-cubexx]

AHHHHHHH ur latest movieverse charles is so precious,,, i want to pinch his cheeks and stretch them like mochi

squihshy..

[fushitoru]

Hii lovely! I'm a very anxious person, so I'm so sorry if I come across as awkward in any way shape or form, I tend to be more of a lurker, but I'm trying to get better at interacting!!

First of all, your Bridgerton fic is??? SO?? GOOD??? The way you portray all the characters, the language, the settings, everything is just absolutely chef's kiss!! When I watched season 3 this spring I was sat there thinking about how good Gojo would be in the setting, so cue my excitement once I found your fic lmfaoo

ALSO?! Spider-man Gojo?? Academic rivals to lovers??? I would literally give my soul for that. Spidey is my all time favourite superhero and it's one of my favourite tropes sob SUPER excited to read it once you get it done!! <3

You write so so so beautifully and you (among a few others) make me actually feel like getting my finger out of my arse and write myself LOL But until then, have some art of Bridgerton Gojo? Just a sketch for now, and I couldn't for the life of me decide on hairstyle, so uhh, have both I guess??(+ two slightly different expressions lmfao)

I also just want to mention, please make sure to not pressure yourself too hard with writing and take everything at your own pace!! I (among others, I'm sure) would wait for however long you need to finish up these lovely works of yours!!

(I'm so sorry if these ever get super long, I'm a big time yapper, which is ironic for an anxious person loool)

Muuuch love<33

OMG HI BB!!!!! thank you so much for interacting with me, even though it's out of your comfort zone :') plsplspls don't worry about being too awkward or anything, i literally was smiling like an idiot while reading ur ask!!

and AHHH thank you so much!!! it's so funny that you say you thought that while watching season three because it was actually that season that made me want to write this series. glad to be of service <3

AHHH i'm also really excited to post it. i'm not done but im sooooo excited to finish it and have really been enjoying the process because spiderman is also one of my fav troupes + i feel like i've been able to write it in my OWN voice. super super excited for that <3

OH MY GOD. YOU DRAW SO BEAUTIFULLY??? I LOVE THIS SKETCH. i honestly really like both hairstyles and expressions you drew them so well 😭 i definitely imagine his hairstyle as the one on the left while im writing. everything from the outfit to pose you drew SO WELL (im in LOVE with the jacket as well as the shoes) he looks so BOUGIE and so TALL im literally going to climb him. and im ngl the expression the right seems so much like his sassy self, especially when he's making fun of someone while his expression on the left i interpret as something a bit more unfiltered, when he's more genuine. god you are so talented, literally captured the vibes.

AND ILY!!! no matter how long these asks are i will read them pls bring forth the yap. literally squealed while reading this, ilysm. thank you SO MUCH for drawing bridgerton!gojo im so honored ����🫶🫶

[hisui-dreamer]

CONGRATS ON 1K RINNAAAA :((( YOU WERE ONE OF MY FIRST MOOTS EVER AND ITS MAKES ME SO HAPPY AND PROUD THAT YOU HIT THIS MILESTONE!! THANK YOU FOR BEING ONE OF THE MOST WARM AND WELCOMING PEOPLE IVE MET IN THIS FANDOM <33 YOURE SUCH A GIFT ITS INSANE!!!!!

IM SURE THIS DOESNT SURPRISE YOU BUT!!! for the 1k event i was thinking soulmate au with azul (HEHE) except its the doodle one? LIKE WHERE YOU DOODLE ON YOUR BODY AND YOUR SOULMATES GETS THE SAME MARKINGS YK

and i have a habit of doodling sea creatures like octopi and morays on my arms and hands so i think it'd be cute for him to like, take his gloves off one day and just see a little eel on the back of his hand :((( squishy guy <3333

headcanons or a drabble is totally fine, whichever one is easier for you!!!! thank you for easing me into this fandom :(( i will never be able to thank you enough for making my anxious ass WAY less nervous <3 and no pressure if this doesnt inspire you ofc hehe you're never obligated to write anything !!! :D

the doodles that drew us together

Pairing: Azul Ashengrotto x gn!reader

Synopsis: Azul thought all his life he didn't have a soulmate...

Tags: soulmates au (doodling), reader is yuu, fluff, comfort, reader likes sea creatures, bot proofread

Word count: 591

Notes: aubbie thank you so much!!! I'm so glad we became moots, you're one of my closest friends and everything I see something azul related I think of you haha! I hope you'll enjoy this azul soulmate au ♪⁠ヽ⁠(⁠･⁠ˇ⁠∀⁠ˇ⁠･⁠ゞ⁠)

Masterlist

Azul had been fascinated by the idea of soulmates as a young mer

it was something that gave him hope, that despite all the other mean mers who would make fun of him, there was someone out there who would understand him and love him

and so he kept drawing on his arm, doodles of shells and other fish that caught his eye

but there wasn't any response.

maybe his doodles were too ugly and his soulmate didn't like them?

and so he learned to draw better, drawing again and again, hoping he would get a response

but still not a single mark would appear on him

it had been a tough blow to him, but he eventually accepted that he didn't have a soulmate

if he was going to be alone for all his life, then he had to take care of himself (because nobody would)

he became super greedy and selfish, always prioritising himself and his materialistic needs

although he also had a friendship with the tweels, he really only befriended them because they could help him out (but he did get attached to them over time)

and so, he opened the mostro lounge and became the sly businessman that we all know

on the first day of his second year, as he was going over documents after closing the lounge, he felt a slight tingle in his hand

Azul's eyebrow rose in response to an unexpected sensation. A peculiar warmth, like a gentle caress, emanated from the back of his gloved hand. Intrigued, he swiftly removed his gloves, revealing smooth, pale skin. A gasp of astonishment escaped his lips as his eyes fell upon a minuscule masterpiece, a tiny, adorable octopus delicately inked in pen.

"Is this...real?" Azul murmured, his voice tinged with disbelief. A surge of hope surged through his entire being, dispelling the weight that had burdened him for far too long.

With a trembling hand, he grasped his own pen and cautiously began to sketch his own octopus upon his wrist, with one tentacle reaching out, holding hands with your octopus.

And he can't stop he smile that graces his lips when a little heart appears between the two octopi.

What a hectic day it had been! For a magicless student to arrive in NRC and for him to finally connect with his soulmate!

...?

Oh. Azul had to speak to said magicless student as soon as possible.

when the two of you start being a couple, Azul does everything and anything for you

when you're in exams and your nervously doodling sea creatures, he'll draw some flowers nearby to help calm you down

no he doesn't help you cheat by writing you the answers, he's already given you the perfect study materials, you shoud put in some effort too

he gets jealous if you draw other sea creatures too much though, especially moray eels

he lets you work at the lounge with a very high pay, making sure you're not working too hard, and always offers to tutor you if you're struggling

his soulmate had to go to a different world just to find him, you'll be sure he helps to settle in and hopefully never leave again

Insert clingy octopus wrapping his tentacles all around you because he can't bare to let you go

when you have dates and appointments, he'll help remind you by writing on his arm

this man has waited for you his entire life, he's ready to lay the world down at your feet if you ask him to

Masterlist

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[drill-teeth-art]

I want to be able to draw my diverse bodies like you. The way you draw them and also how they are desired by other characters, as a bigger person, also makes me feel seen. Im still a bit scared to draw bigger characters, the time a classmate asked me "why do you only draw fat characters" when i was pracricing bigger bodies still echos in my head, my sketch book was full of what i thought were skinny characters, and had only really drawn 2 bigger characters.

I don't remember which character this was, but you have a character that has a stutter and isn't made fun of for it! They are even intimidating. I had a nervous stutter as a teenager, and still do on occasion. I just love everything about your art, colors, line work, diverse characters, interesting dynamics, everything!!! We've talked before but I'm a bit shy to say all this off anonymous. Hope you have a wonderful day/evening/night!!

Well, firstly! I think you mean my version of Mixmaster! And I'm really happy to hear you feel so seen and empowered by him! I trip over and struggle with my words a lot, and I also found a lot of comfort in writing a character not get ridiculed for his stuttering. So I'm glad others do too!

And secondly. You will be able to draw more diverse body types with practice, I'm certain. I was honestly really surprised and upset finding how many people also questioned my art seeing me drawing more and more fat bodies. Asking me basically like "why do you draw so many fat people" but not pop quizzing me when I'd draw a skinny character. And like. It sucked! Sometimes it still sucks. How depicting bodies like mine and how I want my body to look someday brings in so much questioning and scrutiny I'd never get drawing only skinny people. But I draw fat bodies anyway. Because you know what? My art isn't For people offended or off put by having a fat body put in front of their eyes. Fatphobes can go find other art to look at not everything is for them even if they act like it. I hope you draw many many more fat bodies. For all the frustration that comes with other people being weird, it's really rewarding to allow yourself to actually draw your own body. And thank you for all the kind words. No worries about the shyness I get the feeling! You have a good day/night too.