#im not sorry hes very important to me

[jester-eyes]

GUH. I had to draw him because my brain literally can not stop thinking about this silly guy. I'm still working on figuring out Clip Studio Paint and getting back into drawing so pls be patient as you watch me struggle Tw // Blood, Stitches

homocidal liu they could never make me hate u

[bamsara]

being an adult means we can buy or make as much self-indulgent shit (as we can afford) and unironically have trinkets of our fave things cause our teen years was bullied for liking things and hiding/denying we were ever neurodivergent to the point of suicide. sucks for anyone that thinks its weird cringe but I'm going to try and allow myself to love myself in little ways now

[its-flame-art]

“wait a minute. wait a minute, Doc. ah... are you telling me that you built a time machine...out of a DeLorean?”

[thesupernaturalhouse]

Vaggie: Alastor can you watch the eggs their being....eggs and I have to- just take them off my hands

Alastor: ooo i certainly will....

Vaggie:.....in a peaceful manner. Alastor.

Alastor: mmm well that's less fun, also why should I watch them?

Vaggie: well you're going to some meeting and I have to help charlie-

Alastor: didn't she excuse you from your duties for today?

Vaggie:...why would she- why would I ask for that??

Alastor: why, you have to come to this meeting to my dear!

Vaggie: no I dont?? It's an overlord meeting I'm not an overlord-

Alastor: but you are!

Vaggie: if anything charlie should probably be going with you rather then me- what what??

Alastor: I'll explain on the way! *just fucking leaves*

Vaggie: wha- alastor! Alastor I swear to the lord you better explain!

Alastor: hmmm, well you're an overlord my dear I don't think there's anything else TO explain

Vaggie: right...but I'm NOT an overlord??

Alastor: I beg to differ, I knew there was something off about you but couldn't place it until Charlie said something

Vaggie: Charlie- what does- okay you know what? You're insane. I'm going to go talk to Charlie myself!

Alastor grabs her shirt collar like a kitten: ah-ah-ah you have a meeting to attend my dear! It's be bad manners if you skipped it, whoch I suppose you've been skipping them for the past 5 or so years?

Vaggie: No, I haven't! and let go of my you asshole!

Alastor: hmmm no I don't think I will~ come on now! We're already half way there!

Vaggie: ugh, at least tell me how you and xharlie think I'm an overlord- which I'm NOT by the way!

Alastor: well...do you remember that sinner you saved? The one you had a slat with and ended uo teaching self defense?

Vaggie: how do you-....ah, charlie- what does that have to do with anything??

Alastor radio noise of displeasure: well, APPARENTLY they told more demons, you DO remember the large influx of demons who came to you right?

Vaggie: I.....I um....yeah....

Alastor: well they said they owed you 'favors' correct?

Vaggie:....fuck.

Alastor: they gave you their souls until said favor is called upon! You not using it has apparently given you the reputation of a very lenient overlord, a defensive and protective one at that! So more people cane to you, you trianed them in defense and most gave you their souls so you could call upon them for a favor at a time of your choosing!

Vaggie: going through the 5 stages of grief trying to process it all

Alastor: On top of that, the other overlords seem to be threatened by the fact you have so many souls and demons going to you WILLINGLY, you not showing up to meetings and beong little morningstars girlfriend doesnt help that either!So this will be a fun first meeting~

Vaggie: no no no no no nope! Alastor, you let me go right this second! I am not- no! Alastor! Alastor!!!

Zestial: Alastor and...oh the defensive Overlord nice to meet you again nd to finally meet you

Vaggie: ¿¡Quién diablos es esta araña joder!? (Who the hell is this spider fuck!?)

Part 1 | Part 2(here!!) | Part 3

[sweeteastart]

Third @bonus-links Fanart >:) !!

I had to honour my love of Warrior in Bonus link and wouldn't you know, I ended up doing two versions. I juste couldn't help but draw him being all fancy...

As always pretty face under the cut

Tried to do a heavier makeup look on the party fit but eh... The light is too strong on his face, can't really see it well

[medi-bee]

isat pokemon au, my liege?

my rambling in tags

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[xxplastic-cubexx]

your fridge-build , original-red-and-purple-oufit magneto showed up in my dream yesterday and i was so unprepared it woke me up

reading this made me cackle for like a solid minute gjAELKGJAK he just wanted to say hi ....

leaving you with a fridge-magnet-sized magneto. so hopefully he can say hi again but less intimidatingly

[moeblob]

Me, too, Blade. Me. Too.

(I am taking donations to buy a gigantic $250 stuffed cheeseburger. It's giant. I want it. I will never obtain it. I saw it in a shop window and..... wow. Big.)

[grimalkinmessor]

Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):

• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.

• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.

• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".

• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.

• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.

• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.

• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.

• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.

• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.

• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.

• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.

• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.

[skitskatdacat63]

Fernando 2012 Chair Lore (source: me)

So I've been thinking a lot about Fernando sitting in this particular chair in the Ferrari garage in 2012 for [redacted] reasons:

Originally I just wanted to find more pictures of it for reference, and then went down a rabbit hole of 2012 pictures, trying to figure out when exactly the chair came to be. There's so many pictures of him in it, and it's so funny to me to imagine them hauling this super villain chair all around the world for him. And so now I'm obsessed with the evolution of it:

Pre-Chair - Australia to Bahrain:

He just had this little stool, well I should say big because it somehow still manages makes him look small. Clearly not comfortable; to paraphrase @sweatyflytrap, it's not conducive to his inner Shakespeare villain monologues

The Chair Appears - Spain

He suddenly now has this, aforementioned, super villain chair. Several things, why is it like this. It looks like a sim chair almost ngl. And then the weird plexiglass support is confusing me, like where did they get that. It furthers my narrative they just had this chair that they couldn't put in a car so they put that clear bottom on it. Anyways yes good, now he has somewhere to brood

The Chair Evolves - Silverstone

Look!! They gave him a booster seat!!!

The Chair is Now Here to Stay :)

I downloaded a truly horrible amount of pics him in this chair, so now you all must also look at them >:)

*he still had the chair in 2013, but I think they took it away from him in 2014 :( Is nothing sacred in this world??? I hope he got to take it home hahaha

[therodpod]

Optimus in Earthspark when the Great War started and Bumblebee and Breakdown ”had” to break up

[sammygender]

something about john winchester mischaracterisation just needles me inexplicably. i can deal with it if a fic is good otherwise but cmon. you have to Get Him. he loves the boys and he ruins their lives like come on….. if you don’t get that he loves them then how r u even getting dean’s character considering that dean is The Same in this manner. love can be bad love doesn’t change abuse it just complicates it etc etc.

unrelatedly but also relatedly, i don’t think he’d be actually homophobic because i don’t think he has time to care. i do however think dean would be absolutely convinced he is incredibly homophobic for unknown reasons. john probably makes like an offhanded comment about something being gay once and 15 year old dean (very attracted to men. genuinely no idea whatsoever. still feels intense rush of panic at the word) decides it must mean john desperately and intensely HATES gay people and proceeds to become world’s best baby homophobe for like a year before he starts to think Maybe Sammy’s gay (sam likes to read books) and cools down on the homophobia. also his heart was never really in it. but he still thinks john is homophobic and has also decided sam’s probably gay (sam is more attracted to women than dean is) so he worries about this a lot.

then one day john says extremely casually about sam Sometimes I wonder if he’s not a little queer, you know, and dean’s heart stops and he’s like What no of course not what and john’s like If it means he doesn’t get into as much trouble with girls as you seem to, I honestly don’t mind and dean’s just like. What. but by this point it’s far too late and all fragments of homosexuality have been far buried beneath the surface by his subconscious. Also it’s important that john WOULD be kind of annoyed by dean being gay. he already thinks sam is weird and has decided to love him anyway (although i’m not sure sam got the memo about being loved anyway so the effort was useless) so it’s ok if sam is gay (privilege of being the family freak!) but dean is meant to be mini him. #picking up girls. see that journal entry. he’d get over it though.

[bluewlnteroses]

thinking about harley finding out about the lives of the other peters and how none of them ever mention a harley keener in their lives in comparison to gwen or harry who were part of them (leaving aside their tragic ending) and how his peter had mj before him and the reasons they didn't get to end up together was because of the spell and not because of a choice between them and gets very insecure about his role in peter's life

[torontoicehounds]

Tyler Bertuzzi | Leafs Media Availability 04.24.24

[roseworth]

honestly i don't think any jason after his death seems to really match the one before it? hard to say he's in character at any point then. they might as well have introduced some new guy and told his story through flashbacks. at least the new guy would presumably have someone that cared enough about their oc to give them consistency

can i say something controversial. i disagree with this

i think you have a great point about how robin jason is a lot different than red hood jason, bc a lot of robin stories have him as just an average happy kid so the whiplash from barr tec jason -> utrh jason is insane

on the other hand,, that adds to it for me. this was not winick's intention but i love the idea that jason was just a happy robin that loved his dad & loved being robin then immediately gets crushed because he was living his happy life and thought everything was great, then went through an insane trauma and realized that everything was not as great as he thought so he decided to start killing people. in my head theres a great narrative where he basically becomes unrecognizable to who he was before because thats how bad his death & resurrection fucked him up

but also heres where im gonna get even more controversial! i dont think hes that different!

i loooove barr tec but i think barr has specifically said that he wanted to be writing dick so he just pretended he was. a lot of robin jason writers didnt bother to give him any character of his own, he was just dick 2.0 until starlin

i dont love how starlin wrote jason because his only reason for writing jason like that was that he hated him and wanted to kill him. but. starlin's jason was so distinct from dick that its one of the only times that it feels like jason. honestly if you take early post-crisis robin jason and compare it to starlin jason, its not that different. hes a little aggressive & angry but does it for a good reason, he fights with batman and can be impulsive but has strong morals even if his morals arent always what batman believes, which is very similar to who he was when he first became robin post-crisis

and because starlin jason is one of the only times that jason is distinct from dick (not to mention, in terms of general robin jason knowledge, most of jason's iconic robin stories come from starlin), it makes sense that that version of jason was used in utrh. and the version of jason that had empathy for victims to the point that he wanted to kill the perpetrators makes so much sense for red hood jason. he believed that the best way to get vengeance for the victims was to kill the person who did it, which is why he was so mad that bruce wouldnt do that for him after he died

in my mind there is a very clear progression from the version of jason that died and the version that comes back to life. he had a lot of empathy for the victims when he was robin (to the point that bruce told him that he should sit out the garzonas case bc he got too emotionally invested in it) so it makes sense that when he is the victim of a gruesome murder from someone like the joker, who has killed and done horrible things and isnt going to stop, that he would be extremely pissed that bruce wouldnt let his morals go just to kill the person that killed jason, since thats what jason, even as robin, believed was the best way to get vengeance for the victims