#im not done writing this story

[choccy-milky]

from my new oneshot, 'the vexing village of vellmore' ✨ ao3 / wattpad ((it's about seb & clora visiting a cursed village and trying to figure out how to break the curse, and since it ended up being 50k words i decided to split it into 2 chapters and the next part will be out soon!🙏 also, while it does have spoilers for the raven and the snake, it's a standalone story and can be read blind💖))

[tender-emotional-music]

I need to do a whole post ranting about this, because it is so hilarious how people will see the leaks of byler always filming together and teaming up and say "it's just them on bikes! Byler isn't real!" or the alleged casting call for young byler + Jonathan and say "omg you delusional losers! There aren't going to be any romantic scenes between 8 year olds!"

Because surely they understand story structure and realise that El and Mike ending on ambiguous terms in s4 + Finn and Noah constantly filming together + Millie and Finn not filming together past the first two episodes + El apparently having a storyline with Hopper and Lucas/Erica/Max (just as the s4 finale foreshadowed!!) does indeed mean something?

I constantly see them refuse to place this information in the greater scope of the narrative and character arcs for s5, instead just interpreting them in isolation. We aren't excited about the flashbacks because we want to see romance between children; we're excited because it demonstrates that their early relationship is important enough to warrant showing on screen, and that whatever that scene establishes will be important to their current-day selves. The bike pics aren't significant because they're hanging out; they're significant because they suggest that they truly are teaming up in s5 and that this pairing will be important to the overall narrative (as is always the case when couples team up in the show). These things imply that the writers do take this plot seriously.

Of course, this doesn't CONFIRM byler, but as I've said before, the only place they can really take mlvn in s5 is them being a team, proving they did work through their issues in s4. But that does not seem to be happening, and yes, that does mean something. People will say that Will needs to move on and learn to be himself. If that were the case, he would not be paired up with Mike. He would be with someone/a group which enables him to foster his identity outside of Mike. Funnily enough, that does seem to be happening....with El.

[blueskittlesart]

in the nicest and most non-confrontational way possible. i feel like some of you think that anything that isn't directly openly spelled out for you within a story is "missed potential" or "unexplored." like. sometimes there are implied narratives. sometimes the point is that you as the reader are supposed to think and draw your own conclusions and participate in the story. the writers not directly spelling every little detail out for you doesn't mean that the story is poorly written or missed its own plot details somehow. PLEASE.

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[chateautae]

hi <3

my lovelies are you still here? i'm thinking of dropping something 🥺

[kuni-kuun]

This year, the cake on Kunikida’s desk is left untouched. There are presents too, but the wrapper is neatly tucked around the corners of the boxes, tape left untorn. A colourful assortment that spanned the borders of his desk. The Agency is quiet, the air still and cold. Freezingly so. Of course they miss the usual liveliness of the space, hell- even his yelling would bring a smile back to their faces. Maybe a pat on his back and “Good job Kunikida!” or “We did it!” and have the other grumble tell them to file a report or do the paperwork instead. Dazai sits on the chair next to Kunikida’s empty one, his trench coat draped over the back. ‘Ideals’ rests on the centre of the desk, the bright flourishing green colour now seems somewhat dulled and worn. Maybe it’s just the lighting, he tells himself. He breaks the silence with a shaky voice, trying to keep his tone lighthearted. “You know…” he starts, trying to keep a smile on his face. This year, it looks a little grim instead. His mask is barely holding together. “You could’ve welcomed me home at least- right…?” The silence is deafening now, but he continues. “You know, when people come home from rehab or…prison…” He murmurs into empty air, his voice becoming choked. “You- you know…? Mersault?” There are tears flowing down his face. He couldn’t register when they started falling, but now his hands are wet and so are his cheeks. Grief salty like the ocean waves. His half-hearted laughter is strangled.

Atsushi is inconsolable. The poor kid thinks that it’s all his fault, and nobody’s been able to get him to come out the room for days. Now, he stands in front of the desk where his senior once sat and solemnly stares at the notebook. This is his second time seeing it without its owner. It feels wrong. He knows which present is his. It’s a little messy, but he’s rewrapped it at least three times, just to try and get it perfect. It probably isn’t anyways. A sorry excuse of a present won’t bring him back, he knows. It’s his fault, isn’t it? So that’s why he has to try harder, because real lives are at stake.

Both Ranpo and Yosano remain silent, watching this scene. Their original partner from the detective trio is now gone. There isn’t a lollipop in Ranpo’s mouth this time and Yosano hasn’t drunk this heavily in months. Now she stands sober, watching over the other’s empty desk. How should she feel? Ranpo doesn’t know either, but his expression remains dark. The future of the Agency, slashed and taken away from them so easily. The idealist.

Even the president is behind them all. Fukuzawa and his imposing figure seems…worn. His usually cold expression holds a hint of…something else. His grey eyes are fixated on the empty desk, but his mind is elsewhere. This time, not even Ranpo knows what he’s thinking.

U think ur so funny. Is it funny for you that this is what i woke up to on kunikidas birthday. I jope youre laughing because im gonna get you.

[divinemanicstate]

jayers i drew for my wife @jade-lynxx

[arrowpunk]

God damn it all. I want to like Arcane. I really enjoyed everything up to like. The final two episodes. But then they had to go and make. The disabled guy who was trying to make the world a better place. Into a eugenicist.

And the stuff Jayce said to Viktor about how Viktor always saw his disability and sickness as flaws to be fixed/cured/perfected or whatever. Was like really gross. Yeah. Viktor didn't want to fucking Die. That doesn't mean that he wanted to? Remove disabilities in general from the world. He wanted to make the world a better place for everyone. He grew up in the undercity, and because of that he got a terminal illness that was slowly killing him. He wanted to make life better for people in the undercity so they weren't Suffering.

That doesn't mean eugenicssssssss.

And making it so that Viktor has actually been the big villain/antagonist all along? And that apparently?? In Every Single Universe? He becomes a eugenicist? Unless Jayce saves him from that???

Dude what the actual fuck. What the actual literal fuck.

[virgil-upinthestars]

post ep 5 - SPOILERS

okay okay okay i think billy yeeted them out of the road. we see jen clawing up from the dirt in trailer footage, i think billy just chucked em back to westview. i don't think he's quite there at murder yet, seeing his last conversation with agatha, which? slay king. as a witch and practicing pagan, love him. "no, not for me" you take that negative energy and turn it right on its fuckin head sweetheart. but also please for the love of the gods don't get carried away, don't commit murder, your father would probably have a stroke even if your mother would sit there yelling you're doing great sweetie!!

also i think the reason why rio wasn't there in the last scene was bc she was collecting alice's body. now i'm imagining her walking out, seeing billy standing there alone with lighting coming from his hands and a scarlet witch crown like

[nexility-sims]

no context outing #4 of ∞ - winter fashion / the den !

see, like i said, jorts ... also obsessed with her winter look, down to the rosy flush :^) / once i figure out how to put that jacket on her we are cooking with fire

[topaziraphale]

"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,

The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"

Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.

What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.

[mastercrownmonday]

ft. star dream

wow i wonder what shenanigans lie ahead

(sibling post on main)

[blueskittlesart]

at a certain point i think we need to acknowledge that art is very rarely created accidentally. if you can see a theme in a work than that theme was, more likely than not, at least somewhat intentional on behalf of the creator. you don't put a piece of yourself out into the world without thinking about what it means at least a little bit.

[lord-squiggletits]

I think the reason that MTMTE remains the most defining, influential, and loved series in the IDW1 run is fundamentally because, despite its many flaws, MTMTE has the power to make you think and wonder about the world beyond what's shown on the page. The character relationships are so strongly developed that it's easy to care about the characters and easy to imagine further adventures they could go on. While the myriad dropped plotlines, underwritten/underutilized characters, and worldbuilding with weird implications are all fucking maddening at times... even if it makes you mad, MTMTE makes you mad because you care and it makes you want to immerse yourself into a world that feels like it's real beyond what's explicitly shown to you on the page. It's a sandbox of a story where there's so much fertile ground for pretty much anyone with any preferred character archetype, storyline, etc to dig in.

It's just... immersive. That's the best way I can put it. It feels like it could be real and it makes you want to spend more time in it than the constraints JRO had. It makes you want to know more about it and come up with theories on how/why things function or happen the way they do. That's why it's loved and that's why it's the best series in IDW1.

[starry-bi-sky]

more cfau miscellaneous things because Childhood Friends Danny and Jason have my head and heart always and I need to finish rewriting chapter two dammit (and redo the half-finished chapter 4 because its just Not The Vibes). i'm almost through I need to get through the graveyard scene. (i just stubbornly refuse to have it be shorter than the original chapter and thats the little death. that is the mind killer.)

Danny and jason’s ghost forms both smell faintly like burnt flesh and cigarettes. However, Jason has a more smokey smell while Danny’s smells almost,,, electrical? In a sense? Like he just straight up smells like burnt flesh and sulphur while Jason smells like someone put him in a smoker first.

It’s very much an unpleasant smell but Danny finds an odd comfort in it just as much as he finds a comfort in the smell of nicotine.

(Jason post-revival smells burnt flesh once and is immediately offput by the fact that it brings him an instinctive comfort. He doesn’t realize its because it reminds him of Danny, and is uncomfortable by it.)

-

In an au of an au, Danny’s altercation with Rath ends with Rath regaining enough of his sanity to snap out of the grieving state and ends with him breaking down. Instead of being souped and imprisoned, Rath, who is permanently 14, decides to Move On into the unknown. He’s exhausted, heartbroken, and tired.

(Is this influenced heavily by the ParaNorman scene where he talks to Agatha and helps her move on? Yes. But it doesn’t fit with the Original Storyline so im shoving it into an Au of an Au.)

Rath tells Danny that Jason lied to them (which he genuinely believes), and that he’s tired of waiting/looking for him/grieving. Jason is gone. He isn’t coming back, he abandoned them. And he wants his mom and dad, and his sister, and his friends. And he’s ready to join them.

He leads Danny out to Gotham, which other than Amity Park might’ve been the only city left untouched due to Rath’s own mental block on the place. They go out to the park he and Jason used to frequent or up to one of crime alley’s rooftops, and there Rath lies down and goes to sleep. Only to never wake up again, materializing into nothing as his soul moves on.

Before Rath leaves, he forces Danny to promise him that he’ll only wait for Jason for ten years. After that if he doesn’t find him, or if Jason doesn’t show, then Danny has to move on. Whether that be like how Rath does, or if its inly mentally/emotionally, doesn’t matter. He has to move on. Don’t wait for him. Don’t waste his time any more.

(“Oh, and if you find him, kick his ass for me.”)

Danny reluctantly agrees, and Rath lies down. Danny sings to him as he falls asleep.

(Angsty points if the vigilantes including Red Hood caught wind of their presence and were silently watching from the shadows. Rath might know they’re there, but Danny’s too focused on Rath to notice.)

(If only so that Red Hood realizes that this is what happened to Danny, and that Danny is gone before he can make things right. The tragedy, folks. The angst. The initial realization that Danny was Rath, and then also that Danny was dead and has been dead for years, and that before he moved on, he moved on believing that Jason abandoned him.)

(like i said it doesn't fit in the original timeline/storyline hence why its an au of an au and isn't nearly a fleshed out, but i was largely just focusing on the tragedy of Rath moving on and Jason being alive to see it and realize just who Rath is.)

-

Just like how the Lazarus pits shot Jason's twiggy 4'6-5'4 (depending on what you find) feet tall and 86lb ass up like a tree an essentially fixed his malnutrition, the portal did the same thing for Danny.

(granted i forgot about malnutrition and danny's likely stunted growth at first -- his family lived in crime alley and despite both his parents working, I don't think they had enough food all the time. He probably wasn't as badly malnourished as Jason was, but he wasn't healthy either.)

Granted his ghost in its "natural" state (14) is short, and his growth spurts were slow at first, it did result in him reaching his dad's height. There were points where it just happened overnight, like a baby. He went to bed one night 5’6 and woke up the next day 5’10.

Jazz is shorter than him. Although I have't decided if she's even liminal at all (and if she is, it didn't cure everything because she would have also suffered childhood malnutrition, and since in au canon their parents didn't get their hands on physical ectoplasm until after they got to Amity Park. So the exposure is less.)

-

Danny's voice absolutely sounds like canon Dan's. It kinda just dropped one day when he was 16-17 and never went back up. Sam and Tucker sometimes ask him to just talk about anything because they find his voice soothing.

I'm not sure yet how Danny would feel about it at first considering Rath, but I imagine that Rath, when he did speak, would have had a quieter and scratchier/weaker voice considering he's spent the last decade shrieking and crying.

(and i suppose technically that shouldn't have any effect on his throat considering he's a ghost and idk if that would actually affect him, but i like the idea so im keeping it)

In the beginning you could hear him from a mile away by the sound of his loud, echoing wails, but ten years later you can only really hear him by the soft, shuddering sobs he makes. Like he's gasping for air that isn't there. The future is full of very quiet survivors.

And it's much easier to speak when you pitch your voice upwards (especially when whispering/speaking quietly) so he might've spoken in a higher, airy pitch in order to be heard. So Danny might actually find a comfort in having a lower voice.

[dipplinduo]

...The final chapter of The Dichotomy in Our Hearts is out. :') <3

AHHHHHHH my gosh. This is it. We're here. The first finish line of a multi-chapter fic. Oh. My. God. :')))

This mini-series has been very special to me. Its meaning transformed and deepened the more I wrote, and I'm so happy that it got fleshed out to become what it stands as today.

To be perfectly honest, I had to make myself stop writing. I didn't want this beautiful story to end.

But now it is, and now it's yours.

Hope you enjoy - got a lot of cute moments in this one <3333