#im just like richard beeching

[imflyingfish]

Me watching the industrial and commercial demand go up while there is low residential demand knowing that this will cause a labour shortage.

[petermorwood]

The Slow Train...

...is a song by Flanders & Swann, commemorating the little rural stations which got the chop from the Beeching Axe, and was mentioned by @lizamezzo in connection with this post.

*****

@dduane and I travelled on something similar back in 2000, going from Freiburg-im-Breisgau to Jechtingen by way of Breisach.

The trains got smaller with each change, from an ICE high-speed to a Regional to the last one, a diesel railbus rather like this - some of which, I've read, needed only six paying passengers to turn a profit.

That sounds a bit optimistic, IMO, though at the time we were travelling (mid-afternoon) it was full of schoolkids as well as people who'd clearly been to the market in Freiburg.

During a mere 15-minute run through the woods and vineyards between Breisach and Jechtingen, it stopped at three other small stations to let various folk on and off - which looked very like "properly serving the community" to us.

*****

It's always been highly suspicious that Dr Richard Beeching was instructed to "improve railway efficiency" (i.e. close unprofitable lines) by the same Minister of Transport, Ernest Marples, who had "an interest in" (i.e. was making money from) the companies which were building motorways - and who later fled to Europe just before his prosecution for tax fraud...

In addition, Beeching may have massaged his figures by recording only the rail use at slackest times, rather than at morning and evening rush-hours, but that too is only a suspicion.

Anyway, here's the song.

*****

On The Slow Train.

Miller's Dale for Tideswell ... Kirby Muxloe ... Mow Cop and Scholar Green ... No more will I go to Blandford Forum and Mortehoe On the slow train from Midsomer Norton and Mumby Road. No churns, no porter, no cat on a seat At Chorlton-cum-Hardy or Chester-le-Street. We won't be meeting again On the Slow Train. I'll travel no more from Littleton Badsey to Openshaw. At Long Stanton I'll stand well clear of the doors no more. No whitewashed pebbles, no Up and no Down From Formby Four Crosses to Dunstable Town. I won't be going again On the Slow Train. On the Main Line and the Goods Siding The grass grows high At Dog Dyke, Tumby Woodside And Trouble House Halt. The Sleepers sleep at Audlem and Ambergate. No passenger waits on Chittening platform or Cheslyn Hay. No one departs, no one arrives From Selby to Goole, from St Erth to St Ives. They've all passed out of our lives On the Slow Train, on the Slow Train. Cockermouth for Buttermere ... On the Slow Train. Armley Moor Arram ... Pye Hill and Somercotes ... On the Slow Train... Windmill End.

[garbagequeer]

hey hello im writing a piece for laptop ensemble that involves sampling and i need the most repressed/tender/yearning quotes you got. just as gay and heart wrenching as you can. but also no pressure I know youre a stranger on the web I just feel like you post that kind of stuff a lot thank you bye

hope this isnt like too late school keeps me busy :( (also can you put a read more on asks? guess i’ll find out). i ended up choosing many quotes from the same texts cause im indecisive as shit but i’ll bold my favorites from those in case that makes it easier for you!

anyways first of all you can never go wrong w richard siken as obvious as that is. these are both from you are jeff

You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you. And you feel like you’ve done something terrible, like robbed a liquor store, or swallowed pills, or shoveled yourself a grave in the dirt, and you’re tired. You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you don’t even have a name for.

Let’s say you’ve swallowed a bad thing and now it’s got its hands inside you. This is the essence of love and failure. You see what I mean but you’re happy anyway, and that’s okay, it’s a love story 

this one’s from planet of love (the format got fucked bc tumblr is not actually a finctional website but :/ )

I have a megaphone and you play along,                                                                 because you want to die for love,                                                            you always have.     Imagine this:You’re pulling the car over. Somebody’s waiting.                      You’re going to die                                            in your best friend’s arms.             And you play along because it’s funny, because it’s written down,you’ve memorized it,

from litany in which certain things are crossed out 

I make you pancakes, I take you hunting, I talk to you as if you’re            really there.Are you there, sweetheart? Do you know me? Is this microphone live?                                                       Let me do it right for once,

sorry about the scene at the bottom of the stairwell                                    and how I ruined everything by saying it out loud.            Especially that, but I should have known.You see, I take the parts that I remember and stitch them back together            to make a creature that will do what I sayor love me back.

We were inside the train car when I started to cry. You were crying too,            smiling and crying in a way that made meeven more hysterical. You said I could have anything I wanted, but I                                                                                just couldn’t say it out loud.Actually, you said Love, for you,                             is larger than the usual romantic love. It’s like a religion. It’s                                                                                                 terrifying. No one                                                                        will ever want to sleep with you.

from snow and dirty rain

I had a dream about you. We were in the gold roomwhere everyone finally gets what they want.

that scene from when harry met sally where sally says:

One day I was taking Alice’s little girl fro the afternoon. I’d promised to take her to the circus, and we were in a cab playing “I spy” - you know, “I spy a lamppost”, “I spy a mailbox” - and she looked out the window and there was this man and this woman with two little kids, and the man had one of the kids on his shoulders, and Alice’s little girl said “I spy a family”, and I satrted crying, you know? I just started crying, and I went home

(like anyone else sometimes cries when u see a family doing something nice? is it because i want to participate in a sense of family of my own but have been excluded as a gay person from it’s portrayals and it makes me go :^( cause i dont feel there’s room for me there but i want there to be and i just have to long for this nuclear family heteronormative way of life that i’ve been made to believe is idylic? is it because my parents got divorced and my dad’s an ass and my mom is just a very angry lady and i want to re-do my own childhood? who knows. should we ban movies? yes we should!)

from maurice (ultimate source of tender)

“There was something better in life than this rubbish, if only he could get to it, love, nobility, big spaces where passion clasped peace, spaces no science could reach, but they existed for ever, full of woods some of them, and arched with majestic sky and a friend”

‘Did you ever dream you had a friend, Alec? Nothing else but just “my friend”, he trying to help you and you him. A friend’ he repeated, sentimental suddenly. ‘Someone to last your whole life and you his. I suppose such a thing can’t really happen outside sleep’

we are all so lucky i don’t actually own maurice in english this would just turn into me quoting the whole book

ee cummings voices to voices, lip to lip

the thing perhaps isto eat flowers and not to be afraid.

from virgina woolf’s letters to vita

7 september 1925

january 21 1926 vita writes

I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone: I just miss you, in a quite simple desperate human way. You, with all your un-dumb letters, would never write so elementary phrase as that; perhaps you wouldn’t even feel it. And yet I believe you’ll be sensible of a little gap. But you’d clothe it in so exquisite a phrase that it would lose a little of its reality. Whereas with me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal. So this letter is just really a squeal of pain. It is incredible how essential to me you have become. I suppose you are accustomed to people saying these things. Damn you, spoilt creature; I shan’t make you love me any the more by giving myself away like this—But oh my dear, I can’t be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I don’t love. I have brought it to a fine art. But you have broken down my defences. And I don’t really resent it …

and on january 26 virginia writes back

Your letter from Trieste came this morning—But why do you think I don’t feel, or that I make phrases? ‘Lovely phrases’ you say which rob things of reality. Just the opposite. Always, always, always I try to say what I feel. Will you then believe that after you went last Tuesday—exactly a week ago—out I went into the slums of Bloomsbury, to find a barrel organ. But it did not make me cheerful … And ever since, nothing important has happened—Somehow its dull and damp. I have been dull; I have missed you. I do miss you. I shall miss you. And if you don’t believe it, you’re a longeared owl and ass. Lovely phrases? … 

from virginia’s diary, about vita on december 21 1925

I like her and being with her and the splendour–she shines in the grocer’s shop in Sevenoaks with a candle lit radiance, stalking on legs like beech trees, pink glowing, grape clustered, pearl hung.

from virginia woolf’s to the light house

What device for becoming, like waters poured into one jar, inextricably the same, one with the object one adored? Could the body achieve, or the mind, subtly mingling in the intricate passages of the brain? or the heart? Could loving, as people called it, make her and Mrs Ramsay one? for it was not knowledge but unity that she desired, not inscriptions on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge, she had thought, leaning her head on Mrs Ramsay’s knee. Nothing happened. Nothing! Nothing! as she leant her head against Mrs Ramsay’s knee. And yet, she knew knowledge and wisdom were stored up in Mrs Ramsay’s heart.

Love had a thousand shapes. There might be lovers whose gift it was to choose out the elements of things and place them together and so, giving them a wholeness not theirs in life, make of some scene, or meeting of people (all now gone and separate), one of those globed compacted things over which thought lingers, and love plays.

there forced themselves upon her other things, her own inadequacy, her insignificance, keeping house for her father off the Brompton Road, and had much ado to control her impulse to fling herself (thank Heaven she had always resisted so far) at Mrs Ramsay’s knee and say to her—but what could one say to her? “I’m in love with you?” No, that was not true. “I’m in love with this all,” waving her hand at the hedge, at the house, at the children. It was absurd, it was impossible 

(fun fact: the spanish translation adds something that i’d translate as “one could not say what one meant / what one wanted to say”, which i really like and i was disapointed to find out isnt on the english edition)

It was love, she thought, pretending to move her canvas, distilled and filtered; love that never attempted to clutch its object; but, like the love which mathematicians bear their symbols, or poets their phrases, was meant to be spread over the world and become part of the human gain. So it was indeed. The world by all means should have shared it  

from the great gatsby

I didn’t want to go to the city. I wasn’t worth a decent stroke of work but it was more than that—I didn’t want to leave Gatsby. I missed that train, and then another, before I could get myself away (…) Just before I reached the hedge I remembered something and turned around. ‘They’re a rotten crowd,’ I shouted across the lawn. ‘You’re worth the whole damn bunch put together.’ I’ve always been glad I said that. It was the only compliment I ever gave him

from kafka’s diaries

may 27 1911: Today is your birthday, but I am not even sending you the usual book, for it would be only pretence; at bottom I am after all not in position to give you a book. I am writing only because it is so necessary for me today to be near you for a moment

parts from a from a letter he wrote to oskar pollak on february 4 1902

When we talk together the words are hard; we tread over them as if they were rough pavement. The most delicate things acquire awkward feet and we can’t help it. We’re almost in each other’s way; I bump into you and you - I don’t dare and you. When we come to things that are not exactly cobblestones or the Kunstwart, we suddenly see that we are in masquerade, acting with angular faces (especially me, I admit), and then we become sad and bored. Does anyone make you as bored as I do?

then I fall silent and you fall silent and you become bored, and I become bored and it’s all like a stupid hangover and there’s no use lifting a hand. But neither wants to say this to the other, out of shame or fear or - You see, we are afraid of each other, or I am.

Of course I understand it. It’s boring to stand for years in front of an ugly wall and it just won’t crumble away. Of course, but the wall is afraid for itself, fro the garden (if there is one), and you get out of sorts, yawn, have headaches, don’t know where to turn

You often talk with her, not only for the sake of talking. You walk around with her somewhere here or there, or in Roztok, and i sit at my desk at home. You talk with her, and in the middle of a sentence somebody jumps up and makes a bow. That is me with my untrimmed words and angular faces. That lasts only a moment, and then you go on talking. I sit at my desk at home and yawn. I’ve been trhough it already. Wouldn’t that separate us? Is that so strange? Are we enemies? I am very fond of you

from his leters to milena

Last night I dreamed about you. What happened in detail I can hardly remember, all I know is that we kept merging into one another. I was you, you were me. Finally you somehow caught fire.

jane wong. from clearing

We want to believe everything has meaning.Plums blossom over a power grid

and I am in love again. The shame of it.

from leslie harrison’s [sirens]

I’m not Penelope married to faith married to waitingbound in fine soft strands of silk dyed and stretchedin my world longing has teeth and fins has a tastefor blood longing is a room built entirely of knives

Lorde’s melodrama tour interlude

Don’t you wish you could go inside a heart, see the strings and atrium’s, everything beating and bleeding. It’s kind of funny, I spend almost every minute thinking about love. Being guided, and divided by love. But I’ve never seen it. It’s just a rumour, a comedown, an afterglow. I wanna see it, in colour. In the summer, I can almost picture it

from Andrea Long Chu’s on liking women

One day, you tell yourself, it will give you what you want. Then, one day, it doesn’t. Now it dawns on you that your object will probably never give you what you want. But this is not what’s disappointing, not really. What’s disappointing is what happens next: nothing. You keep your object. You continue to follow it around, stash it in a drawer, water it, tweet at it. It still doesn’t give you what you want—but you knew that. You have had another realization: not getting what you want has very little to do with wanting it. Knowing better usually doesn’t make it better. You don’t want something because wanting it will lead to getting it. You want it because you want it

ada limón, In a Mexican Restaurant I Recall How Much You Upset Me

But love is impossible and it goes ondespite the impossible. You’re the muscleI cut from the bone and still the boneremembers, still it wants (so much, it wants)the flesh back, the real thing,if only to rail against it, if onlyto argue and fight, if only to missa solve-able absence.

i dont think i need to get into mitski songs because you probably already know but basically pink in the night/come into the water/once more to see you/in happy when she says if you’re going take the train so i can hear it rumble one last rumble/in i want you from the first verse to the first time she goes “i just need a quiet place where i can scream how i love you” (YES the card thing is very important)/the first verse of i will (w emphasis on everything you feel is good i f you wold only let you)/abbey/strawberry blond

sufjan steven’s futile devices obviously predatory wasp of the palisades you know the drill 

was going to find some twin fantasy lyrics but i started thinking about famous prophets (minds) and like. emotionally left my body so. i wont be thinking about it or any other songs anymore it makes me too crazy

from frances ha

It’s that thing when you’re with someone and you love them and they know it and they love you and you know it but it’s a party and you’re both talking to other people and you’re laughing and shining and you look across the room and catch each other’s eyes. But not because you’re possessive, or it’s precisely sexual, but because that is your person in this life and it’s funny and sad but only because this life will end and it’s this secret world that exists right there. In public. Unnoticed. That no one else knows about. It’s sort of like how they say that other dimensions exist all around us but we don’t have the ability to perceive them. That’s what I want out of a relationship. Or just life, I guess.

from ellen lee’s notes on twin fantasy that i revisit constantly

there’s no going back to deliver these words to the ones they were really meant for. That’s how heartbreak feels, I guess. It feels like your heart in between the teeth of someone who’s looking away. When you’ve lost your loved object, what happens to all the things you have to say to them? When they’re turned away, what happens to all the things that you couldn’t, but desperately need(ed) to, say to their face? He dissociates himself from his own romance until it becomes a fantasy. You have your bleeding heart, you have a finite set of memories — when nothing new enters and you’re unwilling to let go, then you have a fantasy. The loved object enters into you and transforms.

the journey home by dermot bolger(havent read this at all dont really plan to/dont know a thing about it either i just came across this shit like 2 years ago and i still think about it)

I wanted to hurt him; I wanted just to touch him. What I wanted I’m not really sure. If he had stopped and opened his arms I would have walked towards him; I would have sat on the kerb all night with him

adam b, sweet i have a (really gay) heart

i feel like my body is the extension of a lake. i feel really badabout not telling you the truth, sometimes. i feelreally small next to you. tall boys remind me of bean stalks.i wish i had your legs. i wish i could know your handsbefore i even touch them

aaaand i think that’s all i could think of and track down, hope this is actually helpful and not too long (i am indecisive no kidding). also ksjdfg it’s nice that you thought to ask me this and i did have fun going over all these quotes so thank you 💖💖💖