Sometimes I think about how Leon is always carrying that giant sniper riffle around and how even though he likely weights less than he should he's also a lot stronger than a guy his size should be
Like, Leon is thin (and probably a little malnourished bc he likely only eats enough to function) but he's absolutely jacked from carrying around that thing
Leon is lean and all but a punch from him would probably make you visit god for a few seconds before coming back to Earth because all his strength is concentrated in his arms
17 notes
·
View notes
UGHHRRRR I DONT HAVVE MUCH 💔💔💔 THIS ID ALL I GOT GUYS💔💔💔
HAPPY BIRDTHDAY SPAMTON IM SORRY I LOVE YOH 💔💔💔
Also obligatory spamton doodles because @charrfie said cannon spamton was handsome and I wanted to incorporate some of that into my style! So these r just some messing around doodles (sobs)
IM SORRY THIS IS ALL I HAVE 💔💔💔💔💔💔💔💔💔
313 notes
·
View notes
Okay but listen
The Ghost Zone is vast
Infinite one might say
Almost none of its residents met their new King before he was crowned
So like 99.9% of all the ghosts are very respectful of young King Phantom, he’s done great things, saved us from Pariah, 10/10 would crown
The remaining 0.1% is Danny’s Entire Rogue Gallery
And some of ‘em, some of the less common ones aren’t really sure where they stand now, so they won’t give him a reason to fuck them up
The others? Like Johnny and Ember and Technus and Youngblood and Wulf?
That’s their fucking Babypop
King Babypop if he whines but they’ve known him waaaay too long to give a shit if he’s the king
What I’m saying is the Justice League somehow get to the court of the Ghost King to ask him for something, it’s extremely impressive
The buildings are magnificent, the ghosts are their weird and wonderful selves, and every single one of them speaks of their new liege with wonder and appreciation
They make their way to the throne, he looks young but regal with a blazing blue crown on his head and a council of obviously very powerful beings at his sides
Beside the throne is just a fucking brick shit house in plate-mail with a massive sword ready to cut them down if they breathe wrong to the king
The hall falls to respectful silence when this young king speaks
And then half way through the meeting a fucking rockstar with flaming blue hair leaps in through the window and tackles the king straight outta his chair
This very dignified regal figure they’ve been negotiating with (he’s heard of them, he’s been very accommodating and seems to really want to help) is Under Attack
Is it a coup??? His knight hasn’t even moved, the council just continue on as if nothing’s happening, the king is wrassling like a puppy with another ghost who looks about the same age, both screaming profanity
Before the league can decide to get involved, King Danny gets a foot on Ember’s chest, punts her across the room, screams after her that no one can hear you sing in Soup Jail, and returns to the table
“Any way we can add a music deal to this package?”
Ember takes a seat at the table like nothing happened, she’s clearly not supposed to be part of the proceedings but she’s here now and she’s into it
And about two hours later it fucking happens AGAIN cuz Kitty comes barrelling in through the door and goes for Danny’s throat, once again no one else moves except Ember, who fucking dives right in and screams at Kitty for fucking up her new recording deal
(There’s also shit like “defeat Apokolips, defend the Earth, seal Darkseid in a jam jar or whatever” on the table but Ember only cares about one thing)
3K notes
·
View notes
I NEED to talk about Astarion x Durge because, if you try to break up with him later in game, and tell him it's because you're scared you are going to kill him one day, the dialogue you can get? Absolutely amazing.
He sort of, lets out a breathe of relief, because it isn't that you don't love him or he did something wrong (he asks if he did something wrong to make you want to break up)- it's because you're worried about killing him. He goes on to tell you that while he is prone to embellishment, he meant it when he told you before that together, you'll find a way to help you. He reiterates it, to drive the point home. He is going to help you- to save you from the Urge. He says that he's learned during your time together/during the adventure thus far, that you can't let fear rule you, or else you will never really live.
Then he tells you, "I'm not afraid. Not of you, not of your darkness, and not of our future."
If you tell him that you could end both of you, he sort of hums, then says, "Cazador used his tortures to strike terror into me. But I've rarely been more afraid than on the night I feared Bhaal had claimed you for good." He says he trusts you won't kill him (then playfully says that, if you do, then he's just gotten sloppy and he probably had it coming.)
When you decide not to break up with him after he says this (by telling him he's sweet) he sounds SO relieved. He breathes out, and makes a joke, about how he is sweet- and beautiful, and no one says that enough. Then ends it with a heartfelt, "I'm not going anywhere."
This is all non-Ascended Astarion by the way. He is so in love with Tav. He cares SO much about them, is WORRIED about them, but not because of the idea they might kill him (he is not worried for himself-) he's worried of losing them. He says it blatantly when he says he has rarely been more afraid than the night he thought Bhaal took you for good; thought he lost you.
I am so unwell over this. Two people, with dark, haunted pasts, who want to be better (if you're playing the Durge that way) and they both want to help each other. And they aren't going anywhere. He's not afraid, not of you, not of the future with you. He loves you.
971 notes
·
View notes
Aang gets a lot of hate for not giving up on Katara in The Guru. While I don't like the fact that they never had a plotline dedicated to the concept of love and attachment not being the same thing, I love Aang as a male protagonist for that reason.
The hero sacrificing his family, friends, lovers, children is a trope as old as time. You find it in Indian mythology, Chinese mythology, Greek mythology. It's what leads to the fridged woman trope, the noir detective’s dead wife, Batman's ‘good soldier’ in modern day pop culture.
You'd also notice how it's a singularly male hero trope. The female hero, rare as she is, never even gets put into a position where she has to choose between her loved ones’ safety and the greater good. Almost as if subconsciously the writers can't fathom a woman choosing to sacrifice her family, no, when it's a woman her most important duty suddenly is about others.
Aang, in his quest to be a hero, didn't let go of the girl he loved. And when he did he did it for her safety and was narratively punished because of it. And if it means the end of world, well, what's it to a woman's love?
Except we also see how Aang takes his responsibility seriously too!—or he'd just have stood his ground on not killing Ozai and not have done any energy bending. I don't care it was a deux ex machina. I'm just glad to have a hero who didn't think his morals were more important than actual breathing people (cough, Batman, cough).
Why is it that a villain is considered a good lover because he won't sacrifice you for the world, but the moment the hero does it, it's a bad thing?
If you're going to say “it's because a he's a hero,” well then, being a hero then equals being a man who only sees the world through his man eyes. Where the narrative makes everyone else's pain his man pain while stripping the same characters of their right to have their pain acknowledged.
109 notes
·
View notes
The thought that you exist is so divinely blissful in itself that it is ridiculous to talk about the everyday sadness of separation...what does it matter? since my whole life belongs to you (LtV)
I'm cooking up a theory/scenario on OG Seon Jae's death in the OG 2023 timeline and plan to post that soon-ish, but before that. I genuinely think the universe keeps doing this on purpose by flooding me with OG Seon Jae posts every time I decide not to think about him anymore. I've seen at least four posts on him since yesterday. What sorcery is this.
We know he didn't jump off the balcony,
but the fact that he was sure he was going to retire after this.
the fact that he considered their comeback stage his last stage ever.
And that it truly was, unbeknownst to him. His absolute last stage. His absolute last performance.
the fact that Sonagi wasn't even on the concert setlist but he performed it, as if as a final tribute, an homage to his love, to her.
[look at his veins?? his eyes?? the way he is this close to screaming and falling apart? the way his face contorts as if in sheer pain and anguish and hurt??]
Every time I look at that face, that BROKEN BOY who thought it was ALL his fault. The boy who had mustered up the courage to finally interact with the girl he's liked over a smile, an umbrella and a candy, only to cause her her biggest grief in life. The boy who knew his love would eternally be unrequited because he would never dare to appear before her as a figment of her traumatizing past that he was to be blamed for (he wasn't but who will tell him that).
He knows all he has of her is his memory of that smile, the candy and that umbrella.
He knows he doesn't exist for her. Not in the sense he desperately wishes he would.
Which is perhaps why he later finds it "funny" that Im Sol is such a dedicated fan of him as an idol. Her cherishing him, supporting him, loving him.
But not loving him the way his heart desperately longed for her to love him.
It was fine. He didn't deserve to be forgiven and be loved by her. He wasn't that fortunate. He couldn't dare to dream such an impossible dream.
Even if OG Seon Jae had managed to survive and retire after this concert, you bet he'd still keep singing Sonagi on his own time and again if not everyday. Anything that lets him take a trip down the memory lane, because this boy breathed Im Sol's memory her smile her light as if it were air.
The reason this song still remains my ultimate favorite out of them all is not just because Woo Seok's singing here is phenomenal, or because the lyrics and the composition make my heart ache in the most beautifully painful way possible, but because it is not just a song. It's a story, a tale of a boy who fell in love with a girl for the smile she brought to his life, the kindness she radiated, the love she blossomed in his heart for all eternities. It's a confession--of love, of regret, of guilt. It's a plea hidden in a melody.
72 notes
·
View notes