#im debating on if i post chapter one or not
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coffeeaddictandinsomniac · 11 days ago
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favourite line i've written for my ocs as of now.
(if the image doesn't load the text is: Unlike me, he can actually grow a beard and not just pathetic baby hairs that make me look like a rip-off Shaggy Rogers.)
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cuz-reasons · 2 months ago
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Summary: It is a normal night to end a normal day for Emmet. Then there's a knock at the door.
Thinking about reunions again, so here's something short and sweet today!
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callmehere-iwillappear · 1 year ago
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coming soon(...ish) to an ao3 account near you: the idiot's guide to blindfold chess
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in the meantime, the full piece of this ^^ is on patreon!
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falmerbrook · 1 year ago
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People have probably asked you this before but what is your personal interpretation of The Battle of Red Mountain? Personally, I love the idea of Dagoth being tempted by the heart despite him being the one guy to urge the tools not be used. (Nerevar too to an extent but he’s bad at making decisions)
I just love my tragic six council.
*rubbing my hands together* This is the perfect question for me! I have already given this much thought because I too love drama. So you're getting a bit of an essay; I hope you are ok with that :D. Skip down a bit if you just want just my thoughts on my interpretation, but I'm gonna start by laying out the options and my thoughts on some of the different interpretations first.
So first of all, I don't think there is a canon for it. Both in the sense that I don't think Bethesada or the Morrowind team actually have a solid canon idea of what went down, and that I don't think any one retelling has overwhelming evidence that blows the others out of the water completely (although some have more merit to me than others).
The other strong opinion I have is that I dislike the Dragon Break explanation (at least in the way I see most people present it). Despite Dragon Breaks being one of the more interesting pieces of lore (and one of my favorite watsonian explanations for an in-game thing ever), I think it is the most boring interpretation of the BoRM. I know there's some canon support for it, but it just doesn't speak to me. Like, if every version of the battle could have happened "simultaneously" because of a Dragon Break, then that means that there's a chance no one is lying because the version they tell is truly how they experienced it, even if someone else experienced something else. Where's the fun in that? We're here for tragedy and lies and drama.
So I sort of see there being 6 main versions of what happened that we've been given (with some details changed depending on the exact source): 1) the Ashlander version (descended from the account of Alandro Sul, 2) the Temple version, 3) the Nord version (from the Five Songs of King Wulfharth), 4) the version in the 36 Lessons of Vivec, 5) Vivec's version (as told to the Dissident Priests and the Nerevarine), and 6) Dagoth Ur's version.
The Ashlander version (x) (x) (x) has the Tribunal outside of the mountain fending off the Dwemer army while Nerevar and Voryn fought Dumac and Kagrenac in the Heart Chamber. These put Voryn (and presumably House Dagoth) on the side of the Chimer. Progress of Truth claims the Dwemer destroyed themselves, while Nerevar at Red Mountain claims Azura showed Nerevar how to "use the tools to separate the power of the Heart from the Dwemer people" (whatever that means) and turned them to dust. After that, Nerevar is kinda fucked up, so while Voryn urges him to destroy the tools, he tells Voryn to guard them while he get's the Tribunal's opinion. They're like "let's keep 'em" and he's like "actually never mind I want Azura's opinion" so they poison him, take the tools, and kill Voryn. This one is interesting because the Ashlander mythology and culture seems to be mostly based on oral tradition, so the versions we see of their accounts have been written by scholarly outsiders (obscuring the truth even further). Additionally, they claim this version was passed down from the the account of Alandro Sul, but that leaves a lot of time for this version of the story to change and morph. These are probably, like, 30th level accounts of what happened.
The official Temple version (x) (x) (x) (x) (x) claims Nerevar was martyred in the BoRM, dying of his injuries, and puts House Dagoth and Voryn on the side of the Dwemer. Most of these claim Nerevar killed Dumac and then died from his own injuries (Saint Nerevar specifically claims these were injuries inflicted by Voryn), but don't specify what happened to Voryn or what was going on with the Tribunal during the battle. This version is much more vague about pretty much everything than the Ashlander or Vivec versions. The thing to note with these sources is they are either obviously biased propaganda from the Tribunal Temple or are drawing from obviously biased propaganda from the Tribunal Temple.
The Nord version (x) is way different from the others and for that reason I kinda ignore it to be honest. So in this version (as far as I can tell?) after the War of the First Council kicks up, Voryn drags the Nords into it by telling them he knew where the Heart of Shor (Lorkhan) was. This version seems to put the Nords and House Daogth (including Voryn) on one side and the Chimer and Dwemer on the other. Nerevar and Dumac are still buddies here and fight Voryn and Wulfharth in the Heart Chamber. Voryn kills Dumac. Nerevar kills Voryn. Lorkhan kills Nerevar. Nerevar kills Lorkhan. Alandro Sul is blind now. Vivec might be there.
The 36 Lessons of Vivec version (x) is also one I kinda ignore in terms of what happened during the BoRM since it too is essentially propaganda and largely lies (also I have a hard time understanding it). From my understanding, Vivec puts the Dwemer and Nords against the Chimer. There's sort of an overall placing of the "Sharmat" against the Chimer/Nerevar as well, but no explicit mention of what Voryn or House Dagoth is doing. The Tribunal destroy the Dwemer and "remove them from the world", while Nerever "went too far inside [Red Mountain], seeking the Sharmat [Voryn]" as it exploded. I guess that's how Nerevar dies? Of course, there is also that infamous secret message in the lessons: "He was not born a god. His destiny did not lead him to this crime. He chose this path of his own free will. He stole the godhood and murdered the Hortator. Vivec wrote this."
Vivec's version to the Dissident Priests (x) is probably the most detailed, and one of two that are first hand accounts. In this version, he claims that during the battle Nerevar and Voryn went into the Heart Chamber and fought Dumac and Co., where Nerevar killed him. Kagrenac did something with the Heart and *poof* all of the Dwemer are gone. Voryn tells Nerevar they should destroy the tools, but Nerevar wants to get the Tribunal's opinion. They tell him to keep them, and he agreed under the condition that "the tools would never be used in the profane manner that the Dwemer had intended". Nerevar and the Tribunal go to get the tools from Voryn, but he refuses to give them up, so the gang fights him, gets the tools back, and Voryn escapes. The Tribunal keep their oath for years (Nerevar nebulously stops existing during this time) before using them and pissing off Azura.
Daogth Ur's version (x), claims that he loyally served Nerevar until the end, and Nerevar betrayed him by killing him after telling to him to guard the tools. "Yet beneath Red Mountain, you struck me down as I guarded the treasure you bound me by oath to defend. It was a cruel blow, a bitter betrayal, to be felled by your hand." What a wordsmith!
The one depiction we have of Nerevar's murder is a sketch Kirkbride did for Morrowind's 10th anniversary and it doesn't match a single one of the other versions we have, but because it's visual (and dramatic) it is burned into the fandom zeitgeist so it's worth mentioning.
So none of these line up completely, but there is some significant overlap between a few.
Interestingly, the Ashlander version of the build up to the War of the First Council and the events of the battle itself up until Nerevar goes to chat with the Tribunal is pretty much the same (with the exception of how the Dwemer disappeared) as Vivec's account to the Dissident Priests. Where they differ is in what happened to the Dwemer, Voryn, and Nerevar. To me that makes that sequence of events the most likely of all of the options from a "which is most likely canon" perspective, and the differences between the two come down to bias, with the Alandro Sul and the Ashlanders trying to bolster Nerevar's accomplishments and portray the Tribunal poorly, and Vivec trying to dissuade any suspicion that he killed Nerevar.
Also interestingly, Dagoth Ur's account matches Vivec's pretty closely, with Vivec claiming Nerevar (and the Tribunal) had to fight Voryn to get the tools back, and Dagoth Ur claiming Nerevar killed him (presumably to get the tools back), despite their completely opposing biases. That's gotta mean something. I'm not sure Voryn ever actually says the Tribunal murdered Nerevar now that I'm thinking about it (please correct me if I'm wrong), rather just implies they betrayed him (which could of course include murder though). Meanwhile, Vivec's secret message in the 36 Lessons is basically a murder confession.
This is so messy (in the best way).
SKIP HERE FOR JUST MY THOUGHTS!
So which one do I like? It depends. Like I've said before, I'm here for interpersonal tragedy among Nerevar and Co., so the version I prefer depends on what part of the tragedy you want to focus on. If I want an interpretation of the story that focuses mostly on Nerevar and the Tribunal's relationship, the Ashlander version where they murder him is the most juicy. But a version where he dies from his fight with Voryn, and the Tribunal watch him die, might be the most tragic. If I want the focus on Nerevar and Voryn's messiness, then perhaps his version where Nerevar kills him is the best fit. If I want a focus on Nerevar and Dumac, perhaps Nerevar dies from those wounds. One of my favorite things about Morrowind is that there is no right interpretation, so you can mix and match for the circumstances of what kind of story you want to tell! You don't even have to be consistent. So much angst potential! So much fun to be had!
If I had to create a best ""canon"" interpretation though based on all of those versions I just detailed, it would be this: Following the Ashlanders' and Vivec's account of the build up to the battle, with the Dwemer (and Nords and Orcs are there too I guess idc) on one side and all of the Chimer houses and tribes on the other, Nerevar, Voryn, and Alandro Sul (among others) end up in the Heart Chamber while the Tribunal lead the charge against the bulk of the Dwemer army outside of the mountain. During the fight in the Heart Chamber, Nerevar and Dumac fight one-on-one, ending with Nerevar very injured, but having killed Dumac (it's tragic and emotional. Poor Nerevar). With Dumac's death, the direction of the battle turns to Kagrenac, who is messing with the tools and the Heart. Knowing everything is about to close in on him, Kagrenac does... something... to the Heart and the Dwemer all disappear (I personally like to think it was a lot less planned and perfected than most like to think. It was a panic move). His tools are left behind, and Voryn gets them and tells Nerevar they should destroy them, considering what they just saw and what he knows personally of Kagrenac. Nerevar is pretty delirious and distressed, and doesn't trust himself enough to make the decision. Knowing he hadn't trusted the Tribunal as much as he should have about the Dwemer leading up to this point, he decides it would be best to get their input. He tells Voryn to stay with the tools, and while Voryn is hesitant to be there alone (that could be because he is nervous to be in the presence of the Heart with the tools, or because he doesn't want Nerevar alone with the Tribunal or getting their advice), Nerevar trusts him fully. He is helped out of the mountain and to the Tribunal, who are dealing with the aftermath of the Dwemer disappearing. Note that at this point in their lives, they are annoyed and frustrated with his leadership, and don't trust his decision making too much. They urge him to keep the tools, and he is not thrilled about it, but relents because he is tired. They all rest a few hours, and then go back into Red Mountain to get Voryn and the tools. There, for whatever reason, Voryn won't give them back (I'll get back to why in a minute), and things escalate very quickly, with the situation ending with Nerevar having killed him. Nerevar, now having killed two of his closest friends over this, changes his mind and decides against using the tools, making the Tribunal swear an oath to never use them, period. They aren't thrilled about this, and their animosity towards Nerevar just grows. They either bide their time and wait for Nerevar to die, or kill him themselves sometime after this, after which they use the tools and piss off Azura.
So back to the topic of Voryn, your point about him is interesting. I feel like there's so many ways to interpret him in this situation and how exactly he was invovled. How did he find out about what the Dwemer (or at least Kagrenac) were doing? What side was he on during the war? Was House Dagoth on his side? Did he mess with the tools when he was left alone with them? If he did, why?
Knowing he was probably closer with Dumac and Kagrenac (whether that be personally and/or politically) than most other Chimer, that could explain how he knew about the heart. I've had a thought in the past that perhaps one of them straight up showed him the Heart and the Numidium, which spurred him to warn Nerevar about it. What if that exposure to it fucked with his head a little, like radiation? Afterwards, he could always feels it's pull and beating, and it only got stronger when he got closer to the mountain. It's like a drug that gets you hooked instantly. My thought was perhaps that was the reason why 1) he is hesitant to watch the tools (and be alone with the Heart), 2) wanted the tools destroyed, knowing first hand how maddeningly powerful the Heart is, and 3) he gave in and messed with the Heart when left alone. There is a delightful irony to him being the first of the Chimer to use the tools despite being the one to most strongly urge not to.
On the other hand, it is from Vivec's account to the Dissident Priests that we get the idea that he had messed with the tools when left alone with them, and of course Vivec has reason to portray Dagoth Ur as insane and unreasonable and corrupted by the Heart to the priests. Perhaps though, Voryn had been faithful and hadn't done anything with them, and was instead unwilling to give the tools to Nerevar because he didn't want them in the hands of the Tribunal, who he believed wouldn't be so noble. Vivec only depicts this as an irrational and power hungry move as projection. On that note, I wish we could've gotten Almalexia and Sotha Sil's account of what happened. I'm sure they'd be just as dubious as Vivec's, but they would've been fun to analyze.
One last thing, I've always been curious about House Dagoth's involvement in the War of the First Council. While the Temple puts them on the side of the Dwemer, it's pretty safe to say this is a form of propaganda to make them look bad after their house was disbanded and essentially erased from history. Other sources give little mention of House Dagoth, but mention their leader, Voryn, as serving under Nerevar, so it's likely the house was on his side as well. I have had the curious idea before though that perhaps House Dagoth, having been more closely aligned and politically/culturally similar to the Dwemer compared to the other houses, had a fracturing caused by the war, with some following Voryn's leadership on the side of the Chimer, and others following the Dwemer. This could explain the conflicting accounts of whose side they were on (ignoring the propaganda angle). But that's more AU than a headcanon.
Anyway, TLDR: it depends! There is no one account that is particularly more canon than others (although i think some are more reliable than others). Different scenarios maximize different drama for different characters, so my interpretation depends on what you want to get out of depicting that battle!
Oh my god I am so sorry this is so long. I'm sure you didn't want this much, but I just have so many thoughts and I figured his would be a good opportunity to vomit them all into the world. If anyone actually read this whole thing, I appreciate you greatly!!
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hinderr · 1 year ago
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Woag what's this? Another chapter?! Woag!!
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altruistic-meme · 1 year ago
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intrigued by time travel au and laurent stabs damen (ofc he does) 👀👀👀
>:) oh you chose two of the best ones
Time Travel AU
this is pretty heavily inspired by a wip im reading now, though only as far as the setup for the plot. which is, essentially, that a modern day Laurent somehow finds himself transported to ancient Akielos, where he comes across Prince Damianos 👀
i have so many plans for this as far as like... what is the story saying, what themes and meanings the story is telling. and there are two main things: 1. no matter how much you want to, you can never change history and 2. history is written by the victors.
it's also going to be my first attempt at really writing a tragedy! it's going to have an unhappy ending! i should not be sounding so excited about that. but i kinda am. i almost never read unhappy endings. i think it will be a fun experience.
i also get to write part of the history of Akielos for it, twice, and it's such an exciting prospect to me
laurent stabs damen
>:)
>:)))))
so this is the fic that i went "oh this will be easy to turn into a silly little oneshot" and am now at 4k words and am currently expecting the story to hit around 40k-50k :')
all because i went "what would happen if Laurent showed up on the battlefield at Marlas, found Damen and Auguste's fight, and stabbed Damen to protect Auguste?" i have now looked into armistices, ceasefires, peace treaties, and friendship treaties, what they are, how long they take, as well as a few examples from history. just so i could have a timeline for a fic that i meant to make like 7k max.
BUT as i have some written, you get an excerpt of my favorite moment so far!!
“I’m trying to save his life.” Again, it was not what Laurent had expected to hear. Clearly it wasn’t what Auguste had expected either, because his jaw slackened before he covered it again with a glare. The Akielon continued, “He’s, what?  Twelve?” “Thirteen,” Auguste replied, his eyes flickering over to Laurent.  “Thirteen,” the Akielon repeated. “And how many battles has he been in?” “None.” A hesitation. “One, now, I guess.” “He doesn’t know the rules of engagement, then.” Auguste shook his head. That wasn’t strictly true, Laurent did know them. Mostly. But he had never actually been in a duel before. And he knew that Akielos had different rules than they had in Vere. They were all about fairness and honor.  “I don’t think he would have attacked me, had he known,” the Akielon said, and he sounded so sure. “I would have,” Laurent said from his position behind a sword. The soldier tightened his grip but didn’t press any harder into Laurent’s neck to make him be quiet, as he might have had Laurent been a soldier himself. The prince turned to look at him, his expression curious. Laurent continued, “You would have killed him.” A hum. “I would have,” he agreed. Laurent glared at him, but the prince had turned his attention back to Auguste. “Lack of awareness doesn’t matter in Akielos, though. He still broke the rules of engagement, whether or not he knew what he was doing or the consequences.” “So why is he still alive?” Auguste asked, the words sounding like they were being ripped out of him, rough and frustrated.
[ WIP FILE GAME ]
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reploidbuddy · 1 year ago
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There is....... A first chapter...... Waiting in the drafts......
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rando-lesbo210 · 2 months ago
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I was reminded of two things with fallen heirs
One, with kats disguise in fallen heirs looking like a knock off Rhys and how people have mistaken angels Pandora fit for her being Fiona and they're like the knock off tales but only the two of them vs everyone else
Second thing
I don't know if i want to give katagawa bitches in fallen heirs, I could but it's also so funny to think of him being bitchless when he has actively tried a lot more than Angel who's been running away from her feelings for nearly ten years at that point.
He has the vibes of like this to me but sprinkle in being a whore(/pos we support whores and sluts on this page/REF)
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stray-crow · 1 year ago
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since i've been (unintentionally) jumpin around with the order of Shaking Kevin in a Bottle, i decided to do some planning/mapping of the story's chapters with the scenes i wrote and i'm kinda giggly over these WIP chapter titles that just came to me:
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mygnolia · 3 months ago
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to weave my love ⭒ n. riki
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⭒ SYNOPSIS -› Riki is good at many things- dancing, making fun of his friends, playing it cool (debatable.), Hell- he’s even good at saving people from falling buildings without getting whiplash. But the things he’s bad at? Well, it’s asking you out to prom, and trying to balance the shared assignment he has with you…while being Spider-man.
⭒ PAIR -› spiderman!nishimura riki x fem-pres!reader
⭒ GENRE -› fluff, banter, action ⭒ TROPES -› classmates to lovers, idiots to lovers ⭒ WC -› 17k (i’m sorry idk why either.)
⭒ INCLUDES -› SPOILERS FOR GREAT GATSBY, cursing, non-graphic injuries (reader discretion advised), yes i made the patching up with first aid kit trope SUE ME!! takes place in a busy city similar to new york never specified, reader is rich, jake and heeseung are seniors and riki’s a junior, is riki stupid? yes… jake reveals stuff because he is also a little silly, reader wears a red dress!
⭒ GREAT GATSBY -› basically jay gatsby has this weird amt of money but no one rlly knows how he got it (nefarious reasons) and hes been in love with this girl daisy for five years but then she got married to tom buchanan but he gets rich so he can get the house across from her and wistfully watch her and he pines after her like CRAZY but he dies at the end
⭒ REN SAYS...special huge fat kiss to thena @sensitively-taken you will be in the will when im a millionaire THANK YOU for helping me with so much of this I WUV U AND I WLL BE WAITING FOR UR HUENING FIC!!! | LIBRARY
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NISHIMURA RIKI MIGHT DIE FROM PRE-ADULTHOOD STRESS, IF THAT’S EVEN A THING.
What exactly does Riki have to worry about as a seventeen-year-old junior in high school? Right now, his most daunting responsibility is catching up on the chapters of The Great Gatsby because the only thing Riki’s actually read from the novel is that the main character shares a name with his best friend and senior, Park Jay. His second most daunting responsibility is handling the fact that with the new seating chart in his Literature class, it means he’s sitting next to the object of his very subtle affections, you. 
See, the problem with having a crush on you is that Nishimura Riki’s committed to thinking that you’re way out of his league, and unfortunately, the boy believes that almost too well. Not only are you minted beyond his wildest dreams (having seen your posts on social media), but you’re hardworking, helpful, and dedicated to your role as student body treasurer. He’s already understood that you’d never go for a guy like him. Maybe someone more like Park Sunghoon, whose parents’ salary matches yours. If Riki lived in a rural estate with generational wealth, handling the whole ‘Spider-Man’ thing might be a bit easier for him, considering he wouldn’t have to try so hard in school. It might even change the fact that Riki dealt with some alleyway criminals last night and is currently catching up on lost sleep, as your English Literature teacher goes on and on about a project on the book you’re reading. 
In class, and even sometimes outside of the classroom, your small tendency to not pay attention to your surroundings has landed you in some awkward situations—like now. 
“I don’t really tell anyone this, but I hate Daisy.” And instead of getting a response, you glance over to see Nishimura Riki slumped on the desk. Without trying to make preconceptions about what could land him in a situation like this, you poke his arm, stifling a smile at how his eyes widen when you’ve caught him rubbing the very obvious sleep from his eye. 
“Sorry,” he whispers, still fighting the post-nap grogginess, “Did I miss anything?” 
(Nope.)
Shaking your head, you return your attention to your teacher as he continues to answer questions. The second Mr. Yoo assigned a report, you wanted to die even more considering the work you had to do on top of the impending due dates. But for it to be partnered? And for you to get seated and paired with the one boy who's known for not caring about school? Maybe things are a little stacked against you, but there has to be a reason why Riki’s somehow still passing all his classes…right?
Considering it’s the last assignment about the book, you’re glad that you already read it so many times to know what you want to put into words. And in retrospect, answering a few open-ended questions about it can’t be that hard—the hardest part would be getting your partner to stay awake in class. 
A small tap at your side makes you turn to face Riki, who you see has frantically written a page full of notes about the project in the past three minutes and how he can succeed. “Can you go over the first part? Sorry…I was…y’know.” 
“It’s a partner project. And we’re partners.” You wince at the awkward wording. 
Great! Riki was caught sleeping and that was your first impression of him for your paired assignment? Riki feels so stupid in front of you right now—in front of your meticulous notes with annotations and proper highlighting. He wants to curl up into a ball when he sees you glance over at his haphazard attempt to look like he was paying attention when, in truth, he was trying to remember the dream he had just ten minutes prior. When you offer him a small smile and nod, leaning over with your notebook in hand, he sighs in relief, thanking whoever it was that let him get away with his naps without the consequence of irritating you afterwards. 
The bell rings when Mr. Yoo stops talking, and you pause, startled by the sound. Instead of leaving, however, you pack your bag and shuffle to his side of his desk, continuing to parrot details about your report in hopes that it all makes sense. You need to make sure he knows what he’s doing. 
“I think one of the questions he mentioned was like ‘Is Gatsby a good person?’ and do you remember how in Chapter Eight…” The rest gets zoned out and forgotten in the boy’s head, because he in fact does not know what happened in Chapter Eight. He doesn’t know what happened…in any part of the book. But he agrees anyway, pretending like he understands what scene you’re trying to explain. What he notices is how thorough and dedicated you are towards ensuring he comprehends what you’re explaining, and although it could be because you don’t want him to fail you both, he chooses to believe you’re doing it because you tolerate him. 
You’re so engrossed in covering all the little details and telling him random tidbits regarding the book that you don’t realize your feet have made it all the way to the cafeteria. “But here, let me get your number. I’ll totally explain more over text.” 
Riki is definitely not freaking out when he silently grabs his phone and hands it to you with the contact page, staring a little longer than necessary at the cute smiley face you added to your name. “Thanks,” he mumbles, forcibly tearing his eyes away from the ten digits of your number, “For helping me with this, too.”
“Of course! The Great Gatsby is a fun read for me. A little hard to read sometimes because of some of the characters, but still easy to understand.” And Nishimura RIki realizes that he has to do well. He’ll read the book five times over if it means gaining your approval. 
Jake notices something a little different about the tuft of black and blonde hair when his friend walks in. The first thing is that he’s actually here, and that you’re next to him, smiling. The boy rubs his eye to make sure he’s not dreaming somehow, but when he looks up again, you’re waving goodbye and joining your friends across the room. 
“Did you get hit with something while fighting a villain that makes you more bold? I feel like I just saw you and ____ talking,” Jake starts when Riki finally joins him with his lunch. 
Riki laughs, shoving Jake’s head out of embarrassment and opening his chips. “It’s just school. Got some project in English and she says we’re partnered.” He looks over at his friend chuckling, rolling his eyes at how Jake pokes at his side and wiggles his eyebrows. 
“I better hear you two are dating by next week.” 
“Who’s dating by next week?” Heeseung places his bag of food in front of them and takes a seat, opening the fast food he got last period and stuffing a fry in his mouth. 
“Riki and ____. Let me have one,” Jake answers, reaching inside the bag. 
Heeseung looks over at his junior curiously. “You asked her out?” And the two older students hear a groan from the boy in question. 
“Me and ____ aren’t anything, for your information.” He prods at the vegetables on his tray and takes a bite before a look of displeasure washes over his face. “You’re both way too excited for two guys who do not have girlfriends.” 
“Hey! You know the girl I’m always fighting with is the reason why I’m single. I have to focus on studying to do well in school to do better than her.” Heeseung’s whining falls on deaf ears as Riki smiles victoriously, seeing how defensive the former got. 
Jake offers him a shrug of defeat. “I got nothing.”
The three of them fall into normal conversation and Riki finally explains everything that happened during English.  “So you’re telling me your plan to ask ____ out went down from 18 months to 6?” And with a nod from the younger, they both groan once more. Heeseung exclaims, “We’re both going to graduate, dumbass. Make the plan go down to like…two months? Please?” 
Jake cuts in before Riki has a chance to respond. “Make it one and a half, so we can see you with a prom date before leaving forever.” 
“You act as if you’re going to die after graduation. It’s like you’re begging to be a super senior.” 
And they’re silenced immediately. 
“Do you think the guy I was with earlier hates me?” you ask on the other side of the room. Minjeong stares at you blankly, waiting for your explanation. “I don’t know if you saw when I walked in but I was talking to this really tall guy with blonde hair and black tips. He seemed really out of it, like he kept staring at me and nodding. I think I scared him off by talking about the book too much.” 
Sunghoon, who is also listening in, opens his neatly packed lunchbox and begins mixing his noodles. “I think you did scare him off, ____.”
“Not helping,” Minjeong interjects, “Just talk to him more and maybe he’ll warm up to you. You two sit together in class anyways, so hopefully he’ll talk more?” 
“I know him,” Sunghoon comments, “Well, sort of. I’m friends with Jake who’s friends with Riki, and it seems like all that boy does is sleep.” 
“Maybe he’s really good at subconscious in-class comprehension?” you try, taking a bite of your sandwich. “I just hope it doesn’t interfere too much with treasurer stuff.” 
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NISHIMURA RIKI MIGHT DIE IF HE SWINGS INTO ANOTHER WALL AT 100MPH LIKE HOW HE ALMOST DID TONIGHT.
All he’s had on his mind since school ended till now is how he should probably text you, if he really discarded the slimy acid monster from last week properly, and when the prom theme is going to be released, but there’s something amiss that confuses his spidey-senses and makes Riki much more alert. 
He snaps out of whatever train of thought he had before, focusing on the situation at hand and looking around to follow his instinct. Riki cautiously plants himself on the side of a random apartment building to get a sense of what's going on. A tingle of some sort of in the air permeates the material of his suit and leaves him shivering from the cold. 
He doesn't like it one bit. 
Moving to the side of the building to the top, the boy finally catches a glimpse of something when he gets a decent view of the city and highway systems. Riki knows something’s wrong with the bridge the closer he gets. He zips from one side of the tall, metal tower to the other, crawling down on all fours making sure he isn’t caught. He feels the electric feeling once more, only amplified. It runs up his spine and he wants to slap it, almost like a frantic, summertime bug. The air around him is charged with something he has never recognized before. With a puzzled expression under his mask, Riki continues to investigate the surrounding area. 
Riki finds a lone figure with some sort of attachment to his left arm, like a long glove made out of metal. The bulkiness of it seems to have no impact on his body as the man fiddles with the contraption, and the boy watches with bated breath as the machine fizzes and spurts with electricity. It begins to glow as power concentrates on his plated palm and the superhero sees it for the first time. It’s like a fizz, like a match striking at fire only to produce a quick burst of friction, but it almost feels liquid when he watches the person play with the flickering blue ball of electricity. It dances in the dark in a hauntingly beautiful way, with bolts jutting out from the metal as it spurts and buzzes with a life-like manner. 
A spark. 
“Hey, what the hell do you think you’re doing?” The sound of Riki’s voice from the end of the bridge causes the stranger to look up with wide eyes. Although Riki fully expects it to simply enhance strength or block damage, the immediate strike of blue that flies straight towards him is anything but defensive. With a yelp, he jumps away, this time refusing to show himself. 
What the hell was that?
He knows he should go back down there to change things and get the person and the metal pieces away before it escalates, but when he goes back down to watch, it's ten times worse. The bright blue illuminates the scarred face of the villain as he’s picked up the metal arm–but this time, it’s no longer clunky and sparking, but fused into his arm. 
Riki’s face pales at the sudden change before his body acts on its own and he shoots out a web to stop the man. 
The villain is shocked by the intrusion, but quickly yanks free from the webbing and flicks another bolt of electricity, one that flies much faster now that the metal flows into the arm instead of simply resting on the skin. It’s unlike something Riki has ever seen, something that is so controlled in motion and yet so erratic in nature, and it instills a deathly fear when it grazes his arm he hisses in pain. The sharp feeling springs Riki into action as he jumps away. He’s lucky another bolt isn’t sent his way, seeing how the villain’s too busy marveling at the power of his new gadget.
“You know that fucking hurts, right?” He yells out, cupping his wound. “Maybe leave the gadgets to the kids!”
The man scoffs. “It better have hurt. I sacrificed half my body for this to work.”
“But why?” All Riki wants is answers. Some sort of explanation.
The man charges up yet another bolt, almost like a laser gun is built into the machine. “Less talking, more running, Spiderman.” 
That scared the shit out of him. 
The boy doesn’t have time to think as he jumps out from the dark tunnel to the bridge and up the metal towers—he hates having to fight with people right below. The villain follows in pursuit, almost crumbling the metal with his engineered arm as he hoists himself quickly. Riki continues to jump between the structure to avoid the flashes, trying to get out and apprehend the man as quickly as possible. When he reaches the top, however, he feels death is near as he glances down at the villain below who’s quickly gaining on him. He shoots out webs to slow him temporarily, letting himself fall and swing from the side of the tower to escape. 
What he doesn’t see on the way across the bridge is the flash that misses his cheek and hits his thigh instead. It burns, and mid-air, Riki gives the wound a quick assessment before he lands on the metal, immediately forcing his body to climb. While dealing with his wound, he fails to notice the villain swinging from the bridge support lines to meet him. 
He needs to end this fast before he becomes burnt toast.
Riki doesn’t often rely on instinct to carry him, but he can tell that the villain he’s facing isn’t just a criminal. 
“Land another hit, would you?” he tries to say, his voice strained from the pain in his arm and leg. It doesn’t do much to deter the man in front of him as the arm continues to destroy and bend the metal on the way up. “What are you going to do now, Sparky?”
The man says nothing, charging energy into his metal glove again before aiming and focusing on the target: him. 
Riki jumps off, not able to properly land his web in the right spot as he goes from one section of the bridge to the other. The man behind him looks enraged at the boy’s attempt to escape—so much so that he reaches out with his normal hand to try to grasp the suit when Spider-Man swings past him. Instead of the feeling of fabric, the villain feels sticky spider fluid on his fingers. Riki shoots out a web, one that curls around the villain’s wrist and drags him off the tower. Instead of being able to launch him into the surrounding waters, the man slips from the poorly shot-out webs and falls from mid air into the sea of frantic cars, including one semi truck that collides directly with his arm. In the air, the boy winces when he hears honks and shouts from the impact, hoping it’s the last time he’ll have to witness it.
With his gaze trained on the falling figure, the weakly attached web breaks, and Riki all of a sudden starts falling down as well. He curls up defensively before bracing for impact, curling into himself when he feels the metal dent and the truck driver scream from outside of the parked vehicle, the body of the villain right in front of it. 
Riki staggers, holding onto his arm and thigh the best he can before getting up. With wobbly steps and a small jump, he lands near the unconscious man, whose metal arm is cracked and fizzling—something that Riki knows is bound to leave more scars. 
“Call the police. I’ll get rid of the pieces.” Although Riki wants to figure out who the criminal is and make sure he’s properly apprehended, the gashes in the boy's limbs leave him winded and exhausted. With hot metal scraps bound together by webbing in his hands, Riki swings out and dumps it somewhere rural, trying his best to cover the pieces with the pounding headache that 
Riki revisits the secluded spot under the bridge, looking for clues to the man’s identity, and his expression falls when he notices a lanyard dangling near a trash can. 
His name, his position, and the company. FLiGHT Corp. The company name caught the boy’s eye, and he pockets the item before leaving. 
It seemed like he was a normal research scientist, but Riki’s recollection of the scars and tattered skin leaves him retracting his last thought. He heard something about the failure of a time travel machine at FLiGHT, and if the mass of the incident was anything to go by, he was in the center of it. 
No matter how many times Riki tries to get it out of his head, on the way home, all he can think about is the inexperience he displayed and the lack of response he gave Riki during the whole time. But Riki can’t bring himself to really take away someone’s life—and maybe for that, he’s a horrible superhero. 
He knows he should stop the man before it's too late, and especially with how many self-proclaimed villains there have been, it's not easy to see so many innocent people ruin their lives chasing a power that inevitably consumes them. He knows it’ll only get worse if he lets them run free.
And while the superhero has never been fully honest with himself, there are many times where Riki hates his role as Spider-Man, and wishes that he was just some teenage boy who didn't have the lives of others in his palm. He wishes he didn't have to sacrifice so much to stay behind a mask—and he wonders deep down if there’s anyone else who felt the same. 
His swings lead him across the city above hundreds of lives he has to protect, and he tries to find some semblance of peace. He thinks about how he has his homework due despite having just risked his life, he thinks about how your project is going—and about you. 
In the night under the stars, Nishimura Riki wishes for something just a bit normal. He wishes a good night for himself, but also for you, wherever you could be.
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NISHIMURA RIKI MIGHT DIE FROM TRYING TO READ THIS BOOK IN ONE NIGHT.
The Great Gatsby is exactly like how you described it; a little hard to get through but fun with the plot’s eccentric characters. He’s pretty sure he could’ve just used a detailed SparkNotes explanation for the book, but having a crush can make someone do weird things. And in Nishimura Riki’s case, his infatuation has got him reading a novel about morally-skewed characters and rich society to impress you. 
When you come into class barely on time, Riki gives you a confused look when you sit down, but doesn’t comment on it any further. Instead, he takes out his book and tries to act like his eyes weren’t closing shut from exhaustion by the time Daisy was finally confessing how she loved Gatsby. 
The moment Mr. Yoo stops talking, however, Riki isn’t asleep—much to your surprise. He has his book out, pages filled with sticky notes and a whole section of his notebook dedicated to characters (written in bright red to keep him awake) and their traits. 
“I got it.” It’s the first thing he says when you two are left to do in-class work. It’s ominous, and maybe a little too enthusiastic in a high school literature class for a boy who doesn’t even care that much for school, but you’ll accept it with open arms if it means you get a helping hand on your project. 
“Continue,” you tell him slowly, leaning back in your chair to listen to him. And you don’t know why, but a small part of you thinks that the boy who sleeps every period the book was discussed wouldn’t have much to say or contribute to such an open-ended prompt, but life is full of surprises. 
What you fail to notice is how Riki is nervous and his stomach does at least twenty flips before he swallows dryly and starts rambling in hopes to impress you and redeem himself from his embarrassing slumber a few days ago. 
“So you know how our prompt is based on one character and basically all their actions?” he asks, and you nod, absentmindedly thumbing a sheet in your journal. “I’m thinking we should talk about Jay Gatsby because so much is revealed to us about him that we might as well use it to our advantage. Y’know, talking about how the theme of exploitation and secrets is veiled under Gatsby’s desire for Daisy.”
“You don’t think Gatsby’s a good character?” Riki wants to tell you that Gatsby is more relatable than good or bad, but he shakes his head. 
“I mean, not really.” He feels like with those four words, he’s completely changed the trajectory of his relationship with you from a positive slope to completely downhill—and a wave of panic washes over him. “Should I? I mean, I could see him as more redeemable if you gave me examp-“
You wave your hand to quell his worries. “To be honest, I don’t like him either. But he’s an interesting main character to write about, so I think we should go with your idea.” 
To win your approval feels like he’s won at least three fights against a villain in a row without getting any bad injuries—it feels good. And for the rest of the period, you are able to finish a detailed outline of your work for the next few weeks, mapping out sections for each other, and he even gets to see a part of prom planning on a word document you had open. He considers your shared productivity a win when he packs up and bids you goodbye before leaving for lunch. 
One wave doesn’t catch Riki’s attention from across the room. Not even two, or three calls of his name could get Nishimura Riki out of his thoughts, and Jake frowns before moving up in the lunch line. 
“Something’s caught your eye again.” Jake feigns innocence and sighs dramatically as he places the food down next to Riki’s plate. “Could it possibly be our school treasurer?” Jake laughs, leaning over to catch a glimpse of what’s got his friend so entranced and non-responsive.
Riki scrunches his nose, annoyed, but never breaking his gaze from where you’re sitting. “We talked in class–like, a lot,” is all he says, paying his friend no mind. “She’s genuinely so understanding.”
“God, I don’t think you can be any more down bad for her than you are right now.” Jake picks at his food, and despite his concentration directed towards the olives on his pizza, he’s able to dodge the flying loaded nacho that goes his way, even if he wasn’t the one with superpowers.
“Can you shut up?” Riki grumbles, laying his head on his arms as he notices you smile and point to something. “I just got pummeled into a semi truck last week. Let me have this before I die tomorrow.” 
“Very grim,” his friend notes, ruffling the younger’s hair, “I think this is exactly what all of those mental health assemblies that we get are for.” And Riki basically tunes him out, too tired to fight and too used to the teasing remarks to come up with anything useful in response. 
Riki sits up a bit, letting his head rest on his propped elbow as he looks at the school food and touches another nacho gingerly. “Y’know, I read the book for English so she wouldn’t think I’m an idiot.” 
His friend snickers, successfully pulling out yet another sliced olive from the cheese, much to the disgust of Riki. “She probably already thinks you’re an idiot.” 
The superhero debates throwing another cheesy nacho in Jake's face, before deciding to eat it instead. “Don’t say that asshole! You make it seem like I have no chance with her.” 
Jake shoots him an exasperated look that makes Riki break eye contact. “That’s because you don’t.” 
“I’ll prove to her that I’m worth her time.” Riki says somewhat wistfully, still stealing glances from a few tables away. “Maybe I’ll ask her out to prom, show up in my suit. Do that cheesy upside down kiss shit people say Spiderman does.” When his friend raises an eyebrow at him, Riki shrugs. “I will! Well-maybe not the Spider-Man thing, but prom definitely.” 
Jake continues to look at him unconvinced as he takes a bite out of a slice of pizza with mangled cheese. “You barely talk to her in class and you think you can ask her out to prom as Nishimura Riki?” And the younger grins, eyes still stuck on how your eyes crinkle and how your shoulders shake with laughter. 
“Yup.” And his fate is sealed, just like that.
���What’s your project about, anyways? Didn’t you tell me last night that she gave you her number? Must be pretty serious if she wants to text you.” Riki furrows his eyebrows and shakes his head. 
“It’s just tying the theme of the book to one character and writing about how they show it. So we did the theme of money and Gatsby, because it’s easy and mentioned so many times.” 
Jake gawks. “You must really like her,”
“I was planning to read it regardless of who I was partnered with.” 
“Okay- that’s debatable.” There goes another one of Riki’s nachos.
“Gross.” 
He thinks things are going pretty well for you two. The report is being written and your quotes are basically finding themselves, so Riki should give himself a pat on the back for pitching the initial idea for how to go about your assignment. Maybe reading the whole book offered him a few useful pointers, and he goes to sleep that night satisfied with your progress. Maybe Heeseung and Jake were right—maybe he could finally ask you out by prom. 
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NISHIMURA RIKI MIGHT DIE TRYING TO SAVE THE CITY FROM YET ANOTHER MONSTER TERRORIZING THE STREETS.
He wakes up the next morning, not expecting his alarm to alert his senses to danger. It rings in his head and makes him feel delirious, trying to shake sleep off as he looks out the window for any visible sign of what's wrong. If he could hear the danger in his head then that meant someone could be hurt, and he could go to school without a few hours of sleep if he worked fast enough, right? 
Riki slips into his suit without much thought and goes to crack his window open, only to look back at his clock and read the horrific time of 6:23AM. 
Who the hell picks a fight with a teenager at this ungodly time? 
Then, he shoots from his wrists, once, twice, and suddenly, he's off, covering more ground through the air in just three seconds than he ever could while walking or running for minutes on end.
The source of his tingling spidey-sense is some large metal centipede creature that was setting off car alarms in a neighborhood near the market. Thankfully, no one was really awake to be caught in the crossfire, but he has to figure out how the hell he's going to catch that thing in...he checks his watch…twenty minutes? 
Hopefully, his instinct will help him win this time—again. 
The web he shoots out does nothing to stop the monster, and considering how it connected them both, the threads only drag the superhero to the edge of the building he was initially watching from. With some yelling and pulling, he finally detaches, and realizes that the odd sizzling feeling in his bonds must be from the same source as a few days ago; Spark. 
He had this gut feeling that a villain as strong as him wouldn’t have been destroyed so easily, but his wounds were so deep and the blood loss so bad from a few nights ago that he couldn’t have truly dumped him in the ocean without fainting or suffering something permanent, and although Riki hoped things in the universe would work itself out, the presence of the giant fifty foot insect alone is proof that things were not in his favor. 
He jumps off the building onto another, working quickly as he strings up a few webs between the houses as a wall for the monster, watching it slide and knock over cars in its wild pursuit. The monster spends a few seconds breaking down the wall of webbing and climbing over it, the many legs easily breaking through. As the superhero jumps across buildings and keeps track of the centipede’s movement, he has no idea why it isn’t going for him, and that makes his job much harder without the attention of the monster. One glance at the direction the centipede is headed in sets off another ding in Riki’s head—but this time, it finally clicks why the centipede is headed away from the boy. 
It’s attracted to the power plant. 
Riki immediately jumps and swings off of a lamp post, using the momentum of gravity and the force of his swing to propel him faster than the slithering creature. Squinting, he holds out his fist and points his pointer and pinky out, following the movement of the centipede as he aims. 
Bam. 
He sends clusters of silky white threads down precisely at the first pair of legs to pin it down. The webs stop the creature momentarily, and Riki doesn’t have time to watch how the body shrinks up and fizzes out with blue shocks as it tries to wiggle loose and malfunctions. This fight would be over soon, and the boy smiles when he jumps down to shoot more webs to apprehend the centipede. It wiggles and sends electricity out through parts of its body, trying to pry itself out. He expects it to simply be a robot of sorts following a mission considering its avoidant behavior, but as he approaches the tail, the monster suddenly swings at Riki, and its mass and speed is incomparable to the boy’s reaction speed. 
Riki lands into a tree and someone’s garage, feeling the crumbling wall falling all over him and the sudden pain blooming in his lower back. 
This fight will, in fact, not be over soon. 
With his superhuman abilities, Riki grabs onto the metal of the car beside him to hoist himself up, coughing from the dust, and jumping over the rubble to see how quickly the centipede creature can get out, without regard for his current state. The sound and rumble of the giant monster is all he needs to know that the traps are effective, but not at the previous capacity. 
The plan is simple: apprehend the legs and crush the head, where Riki assumes the decision-making and programming is taking place. But the monster’s angry and erratic actions throw a wrench in his plan. Its legs move faster, digging into the cement and leaving ruin in its wake as it continues down the road. While both the villain and superhero are fast, the distance between the power plant is finite—and only grows smaller and smaller.  
Although Riki can feel the bruises coming, he runs and swings, hearing the wind in his ears as he catches up to the centipede in no time. He tries the same tactics again–aim, shoot, stick, all the while keeping his distance. Although the monster’s body spans incredibly long, and should carry an immense amount of weight, the way it snaps at Riki’s flying body and sends shockwaves through his core leaves him shivering as his body slams into the ground, coughing. It hurts all over, and it feels like there’s weight on his eyes when he tries to open them and get up. His head is spinning as he staggers onto his knees, clutching his chest as he watches the centipede shrivel and crackle. 
It seems like the voltage produced is a double-ended sword, one that burns up the centipede body as much as it deals damage, and with the way the mutant creeps towards the electricity of the plant, Riki gets the feeling there’s a magnetic pull that forces the mutant to continue to crawl even against its instinct to stop. 
Despite his waning strength, however, Riki knows better than to half finish the job like last time. He creates a net from experience, weaving together the thickest and most durable threads to trap the entirety of the slowly approaching creature. It seems to crawl slowly up the makeshift barrier, knocking its head against the white and spreading the bright blue waves of its energy throughout. The boy watches as the thin white mass absorbs all of it and clings to the creature. It works, finally, after his attempts to nullify its movements, and he knows that despite the ache in his every step, the almost mummified centipede that hangs between several roofs for all the neighbors to gawk at is his sure sign of victory. 
All he remembers is hearing a familiar call of his hero name before his legs give out and his head hits Jake’s chest. 
Holy fucking shit is the first thing Riki thinks when he wakes up. 
He’s not out of his tattered suit and he feels grimy all over, but his body has done wonders in reducing the otherwise fatal injuries he got. No human body should be able to withstand two energy-filled blasts, but his suit and superhuman healing are of greater help than ever in alleviating the damage from his wounds. 
He knows why he’s in his bed with bandages thrown over his open wounds. He knows that every time something like this happens, it’s Jake who shoos away the concerned civilians, telling them he’s a medic. Jake is not a medic—rather, he’s a seventeen year-old boy who knows about his friend’s double life and with all the times he’s saved Riki, someone might as well dub him the greatest medic of all time. 
The clock on his bedside table has only served as a bearer of bad news. He looks over to see how it’s practically midday, and he’s missed yet another day of school from fighting crime. He’s in no condition to get up or get his bag, seeing how his hair is frizzy and his cheek has a cut that would warrant questioning. It seems only fair that he stays absent, and before he falls back asleep, he only prays you aren’t too mad at him for leaving the seat next to you empty.
But you aren’t mad, just worried. The soreness in his muscles doesn’t go away though, and he groans when he sits up in his bed, with bandages around his arms and an ice pack discarded next to him. 
He’s most definitely not coming to school like this. 
While you bore holes into the clock hanging off the wall, that doesn’t speed up the time. Two minutes pass, then another minute. As your classmates find their partners and begin discussing, you notice how the room gets louder with the due date looming near. It’s the first time you’re alone without the familiar boy beside you, and something hangs low in your chest when you put in a pair of earphones and open your laptop. 
Riki’s absence should have no effect on you. After all, you’re both just high school students who’ve talked once or twice, and yet you still look over at the empty chair. Staring doesn’t make Riki appear, though, and you return to your edits. It feels empty without his insight, or without him asking you to help him with a passage. Riki was your solution to all things boring. If he wasn’t doing his work, then you two were laughing at something on his phone. And if you agreed to both do something other than the report, then you could ask for an extra opinion when deciding prom details. There was something freeing about working with him that attracted you. Riki knew how to lighten the mood on days that weren’t so good for you, but he also worked hard and let loose at the same time. There was a perfect balance in Riki’s life that you aspired to have; it was a good mix of playful, dedicated, and fun all in the same vein. 
The words blend together on your screen. Jay Gatsby this, Tom Buchanan that, it all looks monotonous the more you keep trying to read and comprehend what exactly you’re talking about. 
Before class is dismissed, Mr. Yoo steps to the front of the classroom to gather everyone’s attention. He introduces your new novel for the next month, explaining yet another large assignment associated with the text. 
Truth be told, you don’t pay attention to any of it. 
The only thing you remember to do is to grab extra copies of the printed graphic organizers, as you get out of your seat and rush out when class ends in pursuit of one specific boy. 
“Sim Jaeyun!” The call of his name diverts Jake’s attention from his phone to your waving arm as you weave through the students and finally reach him. 
“You can just call me Jake,” he explains, “what’s up?” 
You begin to reach into your backpack, trying to feel for your folder, and pull out a few sheets. “These are for Riki.” 
Jake cheers internally for his friend who’s busy recovering at home. “What, you got a crush on him or something?” 
He tries to play it cool by teasing you, but the smile you bite back leaves the boy questioning if there really is anything going on. Jake knows better than to tell you anything about Riki’s feelings, and opts to instead grab the papers and to thank you for looking out for his friend. 
“Is Riki okay?” You have to know, just to make sure he’ll be here tomorrow to cure your boredom. 
What Jake says is much different than the nonchalant wave and half grin he gives you. “He’s just bedridden.” 
“That’s pretty serious! Did he come down with anything?” He seemed fine yesterday, so what’s the catch?
He blurts, “He just got badly hurt.” 
Immediately, Jake knows he’s fucked up. 
Your confusion and silence answers him far more than words ever could–he basically hears the gears turning slowly in your head.
Jake weakly defends, “His parents had a fight with him because he hit his head or something. He’ll be fine by tomorrow. Just bedridden from sadness, y’know?” 
The look you give him is unconvinced, but when Heeseung pats him on the shoulder and waves to you, the boy realizes that maybe staying quiet would’ve been the better decision. 
“I’ll see you later, ____.” And he’s off, waving half-heartedly and dragging a very confused Heeseung out of the cafeteria. 
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NISHIMURA RIKI MIGHT DIE TRYING TO WAKE YOU UP AS GENTLY AS HE CAN.
Ever since March started and flowers began to bloom, your energy seemed to do the opposite, dwindling until Riki catches you mirroring his frequent in-class action: sleeping. And it worries him beyond belief, because you’re not the type to fall asleep like… ever. However, Riki does not have the heart to wake you up, even if it’s with a little nudge that you probably barely feel with how light he taps. It breaks his heart to have to ask you to review what he has done, because the bell is about to ring and the teacher might just send you to detention if he catches you off-task. 
The allergies always make Mr. Yoo irritable, and Riki knows not to get on his nerves. 
Your eyes flutter open to the pokes and prodding from none other than Nishimura Riki, who gazes at you softly when you adjust to the bright classroom setting once more. 
Panic settles in. “Wait- how long was I sleeping for?” 
He shrugs and scrunches his nose, not giving you an answer as he finishes scribbling something in his notebook. 
“Oh my god, I’m so sorry.” Your hand squeezes into a fist at the frustration that you’ve let your partner down. 
And yet, Riki seems to be unfazed, frowning when he sees you stressing out. “Don’t ever sweat the little things, yeah? If there’s anything you ever need to talk about–trust me, I know what it’s like to have a lot of pressure on your shoulders.”
Smiling at him, you respond with, “Thank you, really.” 
Being treasurer is daunting in the spring. It’s full of requests, forms, and small tasks that leave you spent by the end of the day. “But,” you glance at the clock to see just how much time is left, “how’d you know?” 
He motions to your open computer with a now dark screen. “I saw your document pulled up. ____’s tasks or else she will be kicked out of student government,” he taunts, snickering when your eyes grow wide with embarrassment and you lightly nudge his shin with your foot in warning. 
“It’s not polite to snoop,” and although you say that, you catch something in your peripheral vision. It’s a few drawings of a figure and gadget drawn, shaded from rigid shapes with small descriptions pointing to different places. You weren’t sure what was more surprising; how good the drawings were, or the subject of his imagination. 
Weird. Inherently, there was nothing wrong with Riki drawing a villain, and you chalked it up to him being creative. Nothing more, nothing less. 
He puts his hands up in surrender at your last comment, his grin showing anything but. Just one look at the boy makes you realize that everything you’ve just thought about is foolish. 
There’s no way he’d have time to be a villain and a student. With one final thought, you let your raging thoughts rest and focus on the present; him. You’ve seen his hair messy, especially after his naps, but when Riki tries to style it like how he did today, you pay more attention to the streaks of blonde and how he often hides behind his bangs and scrunches his nose. It’s cute. He’s cute.
The truth is, you enjoy being around him like this, joking around and never worrying too much about your responsibilities and expectations. It’s refreshing. Being around Riki gives you the feeling that things will be okay in the end. 
You snap out of your thoughts to see that his desk is empty, while your’s hasn’t changed one bit.
“You’re going to sell prom tickets now, right?” He makes small talk before leaving for lunch, closing the notebook you were suspiciously eying before slipping it into his bag. 
“Yup,” you answer, popping the ‘p,’ “I’ll see you later,” and you two part ways.
All the long lines and constant distribution of change doesn’t allow much wiggle room for you to daydream. As time goes on, the ticket-selling line grows smaller and smaller, but the only thing you truly care about is eating the lunch your parents packed you. Your sandwich is probably sad and soggy now that there are only a few minutes of lunch left. When you finally sign off one last time after triple checking the forms are all correct, you let out a sigh, leaning back and finally getting a break. 
Then, it hits you that you’re not even sure if the boy you’re fawning over is attending the biggest event of the year, and you feel stupid for forgetting to ask. 
-
Yesterday was a rookie’s mistake–today, you’d make sure you get an answer from him.
“Are you going to prom, Riki?” is the first thing you ask when he sits down, grabbing his book and laptop with a little too much enthusiasm. 
“I’m thinking about it.” Yeah, whatever confidence he had when convincing himself he’d ask you out isn’t serving him well at this moment. Quite frankly, Riki feels lame as ever trying to be nonchalant around you. “You?” 
“I’d have to set up, so I would be there, yes. But whether or not I have a date is another story.” You smile to lighten the mood, but Riki watches you and nods, focusing back on signing into his laptop and getting his notes for the new book you’re reading. 
“Well, you’re not the only single one here.” And he wants to reprimand himself for saying something without thinking. “If someone asked, would you say yes?”
You think about it carefully, really because you don’t have anyone in mind when it comes to prom if Riki’s not planning on going. “It’d have to be someone I know—someone I talk to somewhat regularly. I’d be nice to be with someone who doesn’t make it awkward.”
Nishimura Riki might die from over-thinking if he keeps on wondering whether or not he fits that description to a tee.
RIKI'S TO-DO LIST BEFORE PROM
☐  talk to ____ regularly 
☐  don't make it awkward 
☐  be..cute? 
The boy decides that his superhuman responsibilities might be easier to complete than any of those three things. 
He switches the subject to stop his head from hurting too much. “Did you finish the report?” 
You still, and Riki’s question reminds you of the report looming over your head. In your defense, you two hadn’t brought it up much in the past week, and he didn’t seem to worry over how much of your time was spent emailing teachers or making spreadsheets. Although caught off guard, you’re quick to respond with, “What did we have to finish? I thought we were done since last week, but if there’s anything else-” 
“Sorry,” he rushes out, biting his lip, “I meant, if you finished reading it.” And the answer is no, you haven’t read it since your last edit on it three days ago. 
Within a few clicks, you find the document and scroll to the bottom, seeing the small note that Riki left that said ‘let me know how it looks.’ It’s sweet to know he thought about your input as much as you did his. 
“While some can agree that Gatsby’s rise into high society was sketchy, Gatsby still retains the same reserved character from years ago, and doesn’t manipulate others into success or use his money for nefarious purposes. It’s not like he changed after his wealth, and it could be argued Gatsby loved Daisy until his last breath and was willing to die as long as she was happy, emphasizing the theme of sacrifice. 
So, is Jay Gatsby a good person? The question targets the morality of a character who many can empathize with. Those who are charmed by his overwhelming love for Daisy would say that he’s committed textbook crimes, but focus more on the intent behind it. To pine after someone from a distance isn’t easy, but to pursue her after years of separation is even harder. It’s universally agreed, however, that love as a driving force doesn’t nullify what he’s done to others and the dirty schemes he’s enacted to gain the power he has. Therefore, Gatsby makes for an interesting main character, and highlights just how twisted a system around money can be.” 
The last page is–for the most part–his writing, and your admiration for him grows when you finish reading and scroll to hit your Works Cited page.
“It’s good,” you tell him wholeheartedly, “Didn’t think you had it in you.” 
Riki cracks a smile at your light teasing, soaking up your praise. 
“Now you know.” He shrugs. And he can only hope that you like him as much as you like his literary skills. 
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NISHIMURA RIKI MIGHT DIE WHEN HE COMES TO THE REALIZATION THAT HE IS EXACTLY LIKE JAY GATSBY,JUST WITHOUT THE MONEY—DESPERATE FOR THE GIRL OF HIS DREAMS, DYING YOUNG, AND A FRAUD HIDING BEHIND SECRETS.
Nevermind the last one, he has to hide when he has an identity to protect as the city’s only superhero, but Riki feels his heart sink to his heels when he read a few weeks ago how much Gatsby simply adores Daisy. When Gatsby died, he scoffed, closing the book with a sudden disinterest. If he were the male lead, he wouldn’t have been laying in a pool for target practice. Maybe being a superhero teaches you how to avoid being easy bait for all your enemies, or maybe Gatsby was too carried away with love to think straight. 
Fighting crime gives you insurmountable experience with sneaking around, but it wasn’t something he could just teach to anyone. When he gets this horrible gut feeling that something’s happened to you, he just knew something was wrong. He might not be easy to catch, but for anyone else? Definitely.  
For everyone else, prom was a month away, but for you, it was three weeks of talking to your advisor and president, arguing with your other board members, and sitting behind that damn money box for another five days to sell tickets. For you, it was realizing that you were supposed to buy streamers and balloons yesterday on your way home from school. It was the thinly veiled disappointment in your board member’s texts when they told you they were at a loss for words. ‘I’m sorry, and I know you’re busy, but how could you forget? Prom is so important for all of us. What if they don’t have what you need anymore?’ It all repeated in your head as you bit your lip in frustration and slipped on the first pair of shoes you could find. Although it was dark and dangerous, you could care less if it meant avoiding the passive aggressive comments you’d get tomorrow during your meeting.
There it is again: that little tendency to not pay attention to your surroundings. 
You yelp when you feel someone grabbing your wrist and pulling you in, muffling your screams as he pulls you along. To see him on the news was worrying, but to see Spark in person with your life on the line is even worse. 
Tears spring to your eyes as you struggle against the metal to no avail, and you curse every previous moment you spent worrying about balloons rather than your safety.
Spark suddenly stops, shoving you against the wall before his hand grabs a brick with his metal arm, beginning to climb. “Don’t let go.” And you don’t think twice before holding on.
The city view would be beautiful if you weren’t hearing your heartbeat in your ears or if you weren’t dangling from the railing of some company building, trying to wiggle yourself free of the rope around your wrists. 
Spark speaks up, drumming his fingers on the railing next to you. “You wouldn’t happen to know where your friendly neighborhood Spider-Man is, would you?” And you furrow your eyebrows, genuinely questioning for a moment if he really knew how the superhero operated. 
A voice from across the street puts a temporary hold on your thoughts, and you glance up to see a flash of blue and red soaring through the air, followed by a groan and a beam of light next to you. Seeing Spark’s powers right in front of you spurs you into action, yanking at the rope and trying to take tiny steps away from where they were fighting.
“From what I’m seeing, you wanted to hold someone hostage because you’re not feeling too good, huh?” Spider-Man shouts as he shoots out webs and blocks hits. You shake your head in partial disbelief of how unserious he is, but also how unbelievable all of this seems. “You tried to take a potion or something? I’m going to tell you this now, but these usually don’t work.” 
Riki’s assumption is right, and considering how Spark now has a leg and arm from metal instead of just the arm, the procedure for the additional limb couldn’t have been easy. The superhero still proceeds with caution, making sure to pay attention to anything new as he dodges and fights back. 
The villain immediately gets back up, stumbling for a moment before he regains his stance and runs towards the boy. You hear the clanging of fist hitting metal from their fight, and considering the difference in height and build, you’d expect Spider-Man to be easily flung to the side, but he holds his weight in battle. 
Riki aims for around the left shoulder, where an abundance of stitches cover the skin and fuse the metal into muscle. He lands a hit, and almost another one, before a punch to the side knocks him from his momentum. The boy wheezes when his back makes instant contact with the ground, rolling and getting up before Spark has time to shoot. 
He notices how quickly the gadget generates electricity now. Before, the beams took longer, and were easily predictable, but now, it glows bright for a moment before it fires directly in Riki’s path. The boy dodges the first, but the second one almost hits the top of his head before he ducks and creates distance. 
From the roof-top, Riki scans his surroundings before making the split-second decision to jump. 
He swings to the other side of the building, keeping you in his peripheral vision as he works on apprehending the villain in front of him. They spring into yet another fist fight, with Riki’s agility easily letting him avoid punches and land precise hits to make the previous injuries even worse. 
You think Spider-Man has the upper hand in this, seeing as how none of Spark’s punches seem to slow down the superhero, but you hear something loud before you can register it. 
You figure out what happened after Riki stumbles and suffers a blow to the stomach, sending him tumbling to the edge of the building. Spark knew that Spider-Man was avoiding his left arm—he knew that one wrong move paired with the tungsten material would have a lasting effect on the superhero’s fist. 
Riki coughs from the impact before his spidey-sense rings, pulling him back into battle as he runs as fast as his body can take him. 
You. He still needs to save you. 
With renewed vigor, he continues to avoid the flying sparks as he ducks between structures and uses the terrain to his advantage. He can tell, though, that the villain is slowing down. The shots are less accurate–a telltale sign that the enhancer Spark tried is working against him. 
Between all of the chaos, Riki finally lands a proper web, yanking as hard as he can to pull Spark to the ground. He stumbles, grasping at thin silk before Riki lets go on his side. The villain’s balance is off, giving the boy an advantage as he closes the distance, hopping over a thrown slab of metal and landing a solid kick into Spark’s ribcage. As he stays down, Riki continues to aim for muscle and flesh, his head spinning as he packs punch after punch to keep the villain apprehended. 
Spark’s body–curled into itself to absorb the hits the best that he can– hides the growing blue flash that he’s slowly charging up with his remaining power. The moment it escapes from under his abdomen, Riki directs his efforts towards avoiding the electric glimmer. The villain rolls over, his body tattered from the consistent injuries, and he fires what seems like an intense bullet of energy. It zips by the boy’s cheek, cutting the mask and leaving blood to run down in its wake. Time slows down as the superhero tries to process the unlocked speed of the burst, and Spark loses focus marveling at his new abilities. Never before had either of them seen power so concentrated, and it inflicts both fear and excitement. 
He lifts his arm, the other holding it up for support, and Spider-Man notices the fizzle of bright blue. Riki’s about to jump out of the way, preparing for yet another high-speed bullet, but before Spark fires, something clicks. The arm doesn’t directly point to Riki–but it skews off to the right.
Except, he’s no longer aiming for Riki in the split second that the boy blinks. He’s suddenly aiming at you, where your hands are tied to the railing and your feet are dangling from the bent metal that holds you precariously over the edge, leaving a fifty foot drop in its wake. When you see the blue energy in the villain’s palm growing slowly bigger, you pull at the rope desperately with zero regard to the tender rawness of your wrists. 
In your attempt to somehow break the rope, your cry of fear snaps Spider-Man into action. 
Riki pushes his sore body to jump as quick as he can, leaping across the rooftop to the building over. He easily avoids the metal railing, grabbing onto your arm as he yanks hard on the rope, the force of it separating a piece of metal from the railing. He immediately jumps, sending out a web to swing him back up. It all happens in a flash–first, you were bound to the edge about to fall to your death, and all of a sudden, you’re tightly pressed against Spider-Man’s chest with your bound wrists still attached to the metal. Shutting your eyes, you trust Spider-Man entirely, closing your eyes to avoid seeing just how far up you were. Wind rushes in your ears and leaves your stomach fluttering with butterflies until the superhero sets you down on a secluded rooftop. 
“Please,” he begs, “don’t leave. I’ll be right back.” 
You’d be a fool to do anything but wait. 
Riki checks on you one last time before diving down, springing himself back up with another web. The damage from the blasts is recognizable even from far away, and yet, he notices the reflective shine of a metal arm on the edge of the building before Spark lets go. 
To Riki, Spark is dead after dropping from a fall having taken that much damage, but he hears no impact. Making haste, the boy fails to find any figure no matter how hard he looks, but Spark’s laboratory has to be here somewhere. The badge from a week ago was stuck on Riki’s mind, and he could only imagine the reasons why he pursued this life. Was he recreating something? If he needs to power some sort of machine, then the heart of the city is a perfect place to harness the electricity for any large scale project. As much as he wants to dedicate the rest of the night to searching the city for some sort of clue, the fact that you’re still stranded on that rooftop after having just experienced a life-changing event blares like an alarm in his mind. 
He quickly leaves, returning to where you’re seated.
Without the fear of falling to your death from earlier, you were able to focus on undoing the knots from the rope. Red scratch marks and irritation bloom on your wrist, and the reality of it all happening still hasn’t settled in. Despite not being harmed once, the fear and incessant pounding of your heart overwhelms your senses, and it leaves you heaving with confusion. 
A pair of footsteps only become apparent as Riki walks closer, taking a seat beside you and letting out a large sigh. He stares at the stars silently as if he doesn’t have a cut on his cheek and bruises waiting to paint his skin purple–as if he isn’t hiding his true self under a facade. 
“You’re not hurt, are you?” You shake your head, grateful that Spider-Man was the reason you got away without a real injury.
“Thank you, really, for saving me. I don’t know how you manage to do it.” 
Riki chuckles under the mask. “Eh, you get used to it,” you hear Spider-Man say. “You fight a couple bad guys, get over a fear of heights and eventually you get the hang of things.” 
Scoffing, you gently rub at your wrists to ease the redness. “Easy for you to say. I haven’t been taught a crash course on how to avoid being supervillain bait just yet.” 
“Maybe you should learn it sometime,” Riki responds absentmindedly, “someone like you shouldn’t have been out so late doing whatever it could’ve been.” 
Sighing, your mind drifts off to think about the balloons and streamers that are not in your hand. “I had stuff for my upcoming events.” 
He knew about all of it when you’d explain your cryptic reminders and notes on your computer, but he still feigns curiosity. “What upcoming events?” 
“Just prom,” and he hears just how strained it makes you. 
Riki tilts his head in faux confusion. “What do you have to do for prom?” 
He notices how you immediately slump, as if the mere mention of prom deflates your happiness. “It’s only a few weeks away, and I was supposed to get decorations for our venue yesterday. I just wanted to slip out before my parents noticed.” 
Despite the fabric over his eyes, Riki’s expression shifts from surprise to pity when he understands your stakes. “You still need to be careful. Is your student council strict?” 
“Not strict necessarily, but judgemental–I ran for the position because I thought I could help my school raise funds and find more opportunities, but it just feels like no one truly wants to try anything new.” You wave it off as if it’s not that important, as if it isn’t the reason why you find yourself stressed so often. “I just don’t want to disappoint or give people something to talk about.” 
Despite not being involved with school the same way you are, the boy next to you resonates with the fear you currently face. The fear of letting people down was a large part of why Riki continued to put on that mask and step into the most dangerous situation of his life; he never wanted to sit down to hear the news that Spider-Man quit. 
So he keeps doing his job, even if some days are harder and some fights aren’t worth winning–just like what you do. 
“Yeah, I get that,” he tries to console, “You must be doing a lot for everyone around you, and I’m sure a lot of people appreciate what you’ve done. Don’t beat yourself up too much, yeah? You’ll always have me.” He smiles, but he knows you don’t see it. You’re looking at the stars, trying to calm your mind and return to your life before everything happened. 
You glance over at Spider-Man, wondering if he’ll truly be around for you when you need it. “If I need to talk to you, should I step out of my house past 8PM again?” 
Riki chuckles, watching clouds slowly dim the moon’s glow in their path. “If I’m not fighting crime, I’ll show up at a moment’s notice.” 
There’s no way he means it, but you grin, feeling a lot of the pressure and stress of earlier slowly wash away. After all, nothing happened to you–Spider-Man made sure of it. Maybe things really were going to be okay. 
“Let’s get you home, yeah? Don’t you have stuff to do anyways?” 
You shrug, nothing really coming to mind. As you get up, you remember having to run a plagiarism check on your work, and how Riki told you to text him when you got home after your student government meeting. 
Riki. Spark. Spider-Man. 
“Wait,” you tell Spider-Man, sitting back down on the cement, “I need to talk to you about something else, too.” 
“It’s not like my dinner’s getting cold,” the superhero mumbles quiet enough that you can’t hear. 
“There’s this guy,” you start, paying no mind to how dirty your clothes are getting when you cross your legs. 
Spider-Man scoffs, looking off into the distance, and it makes you believe he has to be your age or older. “You have a crush on him, or something?” And a whole tidal wave of deja vu hits you in the chest. 
‘He must be badly hurt’ isn’t just something people say. People don’t just draw insanely detailed drawings of Spark’s arm and machines without notes to follow unless they knew. People wouldn't just randomly miss school without any impending signs. You’re sure of it–the tired naps in class, the random drawings of superheroes and superhumans alike, or how awkward he could act–it all makes sense.
Your classmate, aka Nishimura Riki, aka the guy who you’ve questioned if you had a crush on for the past few days, might be a villain. 
The swirling feeling of trepidation in your stomach leaves three words running around your head. 
What. The. Fuck. 
Although you tried so hard to stop thinking about it, Jake’s comment from before rubbed you the wrong way. It was sometime last week where you couldn't get your mind off of the implications of his words, but that feeling was brushed underneath your responsibilities. 
Until now. 
“Yeah, there’s this guy,” you breathe, feeling your chest constrict, “Nishimura Riki. I think he’s Spark.” 
His blood runs cold. 
“You think this…why?” 
You take a deep breath, trying to organize all your thoughts. “Well, first, it was his friend, Jake. He said that Riki was badly hurt, and I was really confused at first, but tried to let it go.” 
Riki was going to strangle his best friend. 
“And then, I was looking at him in class, right? And keep in mind, he’s pretty cute, and we sit next to each other, so I just noticed how good his hair looked that day, but his notebook was out, and I saw all these drawings of Spark. Like, the arms, the metal things, even the projectiles! Who would know the ins and outs of that thing if it wasn’t Spark himself?”
He didn’t know what to think about first; the fact that you gushed about him for the first time, or if he should even tell you that Spider-Man would know those things, too. 
“And sometimes, I notice he’s a little awkward around me. I can’t explain it. It’s like he’s paying attention to me. That must’ve been why he captured me.” He wants to laugh at how damn close you are to figuring it out, but in reality, nothing is funny about the situation. 
Nishimura Riki is actually listening to this, right now, as Spider-Man–not Spark. The awkwardness, though? It was his crush on you, and was not superhuman related in the slightest.  
“I don’t know,” he attempts to divert, pretending to focus, “I saw a badge for FLiGHT. You know the company that’s been making time traveling machines? I saw a glimpse of his name and face. It’s not that guy you mentioned.” 
You raise an eyebrow. “And you haven’t gotten him caught?” 
“Villains aren’t easy to find, y’know. It’s not like playground hide and seek,” Riki defends, crossing his arms. 
You shrink in your spot, feeling sheepish for questioning a superhero so bluntly. 
“Plus,” he continues, “Spark has never had a hostage. Wouldn’t it be pretty mean of that friend of yours to kidnap a girl from his class?” 
“Yeah—that makes sense. Thank god,” you breathe, closing your eyes momentarily. “Then what do you suspect all that evidence leads to? Maybe he’s a secret agent?” 
“I think,” Riki continues to keep up his clueless facade, “Your friend might just be clumsy. Or creative. I mean, maybe he went through a break-up?” Nice one, Riki. 
You shake your head. “No, there’s no way he has a girlfriend. You’d think I like guys who are taken?” Scoffing lightly, you then remembered that Spider-Man really would have no idea who any of you are. 
He shrugs and stands up stretching before motioning for you to follow him. “I have no idea what you high school kids do. Come on, let’s get you home.” 
As you hug him tight, the cold air whips around your body and leaves goosebumps in their wake. You barely open your eyes from the fear of seeing yourself inches from hitting a building or up in the air. Spider-Man only yells his confirmation after asking how to get you home, finally placing you on the ground outside of your large gate. 
“Thank you for saving me tonight.”
“Anytime. Figure things out with that friend of yours, and don’t go out late, okay?” You nod and take his words to heart. 
“Goodnight, Spiderman.” 
—-
Nishimura might die. One, because he has this horrible guilty feeling in his stomach, and two, because of a villain. 
Yesterday, he ignored the salmon and rice bowl that waited for him back at home, choosing to follow the coordinates he saved on his phone after he took you home. It led him to a seemingly harmless auto-shop, with an arrow on his GPS pointing to a garage that was shut down completely with nails and blocked with boxes. The exterior pointed to it being abandoned, but Riki suddenly saw some light coming from a makeshift above.
The boy scaled the wall as quietly as possible, glancing into the source of the whirring. He caught small glimpses of something–metal, glowing, blue. 
Or at least, for a few seconds it was on until the power went out. 
The voice that complained from inside the room sounded identical to the man Riki fought. Spark grumbled, turning on a flashlight and quickly waving it around. Riki ducked from the window and held his breath, waiting for the man to suspect something. 
Nothing. 
One lightbulb slowly flickered back on, and then the other dingy light followed. The space was cramped with the metal equipment in the middle, resembling what Riki had seen in the news. 
He was right–it was the same time travel portal that was ruined from a few months ago. 
Spider-Man continued to observe the man as he worked and drilled, plugging certain wires or pausing momentarily to read from a journal. To anyone, it’d seem peaceful, like some sort of renovation project. But in reality, it was so much more than that. 
Riki searched for any sort of information about the machine, trying to see what exactly was left to do until his gaze landed on something. 
There was some sort of date on a bright pink sticky-note, and Riki’s eyes widened when he finally comprehends it. 
The machine was scheduled to be completed tomorrow. 
-
A street lamp next to Riki dies out—which was a clear sign that something was powering up. From the dark, he hears the metal from the same place as last night moving again, and he knows that Spark has left. His presence sends anyone down the street and immediately running, leaving the area for only them two. 
Riki finally sees the completed metal build. Half of his body is wrapped in or replaced with metal parts as he sets down the metal portal, beginning to push it in the direction of the power plant. 
A truck or car would make things much easier, but whatever.
Riki wants to cry from fear and run away. He wants to leave and pretend he never saw anything from last night. 
He’s going to die fighting Spark and he will quite literally a) never finish highschool and get that stupid diploma, b) finish explaining how Gatsby is not a good person and is naturally selfish, and c) he’s never going to tell you how he’s had a small crush on you ever since he saw your cute campaign video as to why you should vote y/n l/n for student body treasurer last spring. 
“You sure that thing works?” Riki asks, jumping into action as he sends webs to immobilize the machine. 
“You’re annoying, you know that?” Spark sends a projectile in the superhero’s direction, hitting the wall behind him instead as Riki jumps out of the way.
With another duck mid-air and the roof of a flying car dangerously close to his nose, Riki thanks the dance practice he does for his flexibility as he shoots another web and swings away. 
Spark is uncontrollable by now, sucking the light from street lamps and fizzing wires in his wake. He has no idea how he’s supposed to get in contact with the villain like before. The body of his suit fizzes with bright electricity that sizzles and pops. It illuminates Spark’s figure, making him easy to spot, but not so easy to defeat. It’s an overload of power, causing the voltage to escape between the joints and gaps of the metal pieces in his suit. And Riki can feel it; the air is heightened and so are the stakes of this fight—and with how the man that stands in front of him looks upgraded and menacing, he knows only one person can make it out of this fight alive. 
“You injected the city’s ‘Gas and Electric’ into your system or what?” Riki calls out, making light of the situation. If he’s being honest with himself, he’s scared out of his wits seeing the six foot figure with blue and white shooting from every crack, looking like a nightmare to touch.
Riki avoids a few more angrily thrown objects, using the momentum of his jump from the side of the building to zip from the top of a yellow fire hydrant to go from one side of the street to the other. “You’re slow!” He taunts, tucking in his legs to avoid a shot of electricity directed at him. 
The screech of metal from the nearby hydrant can be heard as the top flings off, making Riki lose his anchor/ Before he can process it, instead of smoothly landing on the building, he crashes into it faster than expected, groaning when his back makes contact with the glass and he tumbles into the living room of someone’s apartment. 
“Fuck,” he curses, fighting his aching limbs to get up once more. 
And the solution hits him. Literally. 
When he steps out and quickly attaches a web to the top of the building, he’s met on the way up with a splash of water from the hydrant to his face, and Riki splutters as he wipes his mask, regaining focus as he lands on the concrete and hides behind the ledge. 
Water. If he can get it in contact with Spark and pour enough water on the right spot, the excess of electricity blazing from his mechanical body should work against him. 
“Too scared? You should know better than to run away.” The superhero rolls his eyes, crawling away silently to avoid being seen by Spark. Riki does his best to look around for something, and finds a black flower pot in the corner, using a web to grab it before he scales the side of the building and runs away while Spark is distracted as the villain also climbs the wall to face him there. But when Spark climbs the ledge and scans the premise, Riki is nowhere to be seen. 
Instead, Riki swings across the street and fills the pot with water, heaving the extra weight as he shouts out from the sudden pain in his side. He stumbles on the pavement, crying out from the injury as the pot falls with his whole plan. 
Maybe this is where Spider-Man dies. 
He sucks in a deep breath before rolling from his back onto his knees, ignoring the wound to pick up the flower pot. The hydrant still shoots out water, and the superhero rushes towards it, causing Spark to follow. He narrowly avoids another shot from behind him, reaching the yellow hydrant before dropping the pot on the ground. Spark is th 
While Spark has always been intelligent, Riki could tell that the man didn’t fear the water, believing he’d be invincible to the elements now that his suit was perfected. There was something off, Riki could tell, and he would make sure to use it to his advantage. Spark was uncontrolled, and his powers drastically decreased the more he used them. There’s no way his body isn’t in overdrive with how recklessly he’s been letting himself get hurt. 
Riki uses a web to get himself on higher ground instead of fighting, waiting for the supervillain to follow. If he could get Spark off the edge and fall into the growing puddle of water, it should slow him down. 
Spark scoffs. “Run away, then. Like you always have.” Riki hears the wall crumbling under the villain as he climbs within seconds, immediately preparing to fight when he makes it onto the rooftop. But Spider-Man was also prepared, jumping from his crouched hiding position and attempting to catch Spark off guard. 
All he can focus on now is pushing him off. There’s no way it’d be easy, considering he had to focus on his touching any of the electricity off of his suit. Riki delivers a kick to Spark in the ribcage near his heart, where he’s fused metal into flesh. The villain coughs before taking a step back, his metal arm reaching for Riki’s outstretched leg. He grabs it, twisting with anger before the boy meets the ground in a violent throw. Not only is the slam greater because of the enhanced strength, but the power seeps into Riki’s skin, leaving it hot from the energy radiating off of his palm. 
The boy groans, flipping to his side to avoid a fatal hit to the chest. He reaches for Spark’s normal arm, swinging the villain’s body away with as force as he could to create distance between them. 
Riki has been in enough fights to simply know when to run, even if he doesn’t know what’s coming. He could feel the tingle of the charge as it powered up, and with its energy so unrestrained and its user so unstable, the large attempt to hit Riki sends the villain stumbling back from the force. The more Spark uses his powers, the more likely he’s going to end up dead. 
“Your skin can handle that anymore!” he shouts, getting ready to swing himself closer as a plan manifests itself in his head. “You’ll die like this!” 
Spark seems to know that too as he wipes his mouth and recovers from Riki’s attacks. 
“You think I care?” He shouts, desperately pressing his wounds to stop the bleeding. “You think I have anything else for myself?” The vulnerability of his character shines through as he clutches his bleeding wound without regenerative powers to help. “You think I didn’t know that when I did it to myself--what they did to me?” 
Riki doesn’t respond, grimacing as he continues hand-to-hand combat. Although he takes a solid punch to his jaw that’s forming a deep purple bruise, he manages to trip Spark onto the ground.
The man stumbles back from the head injury, the pounding from earlier not letting him to think straight. Riki doesn’t try to injure him anymore, but he instead blocks an incoming punch and tries to force Spark towards the edge. 
The villain barely notices how much space there is left, and the boy lunges with full force. They tackle each other into the ground, and Riki gets off after apprehending him once more. 
The city's a mess, and Spider-Man’s eyes want to shut down so badly, but he takes a few steps in Spark’s direction, pushing him off the side of the building as quickly as he can. Riki hears the thud before he peeks over the edge, seeing the water erode all of the engineering from the machinery. He slowly descends from the rooftop. 
“You were in the accident, huh?” Riki shouts on top of the plethora of sounds. Pain, buzzing electricity, splashes of water as he lands next to Spark; it all echoes in his ears as he pours the water from the pot on Spark’s body. “Why did you try it? Why did you want to go back so bad?”
“If I could go back,” Spark coughs, trying to get away from the large pool of water, “I could’ve prevented the accident from taking the lives of the people around me. I could’ve saved them.” 
Spider-Man understands loss, and he understands the regret that comes with failure. He understands how the man in front of him feels after having everything taken away from him, but his emotions could never justify his actions. 
“You know you can’t change things,” Riki responds, “You tried your best, Spark.” It’s the last thing Riki tells the villain before his body slumps and police sirens grow louder and louder. It’s the last thing that he continues to think about, even if the medic quickly assesses the severity of his wounds. 
“I’m fine- really,” he pushes away the hands of a concerned woman as she holds a roll of bandages. “There’s something else I need to do.” 
Riki knew he had to tell you about this–he couldn’t just let you confide in him about..well, him, without your knowledge. And Riki wasn’t morally perfect, but he knew an explanation would be the only way to fix things.
Your house looks different when jumping over the fence instead of standing in front of it. When he realizes he has no idea what room belongs to you, he racks his brain, suddenly remembering how yours was the only one with a gray balcony over the pool. And so he climbs, slipping from the exhaustion creeping into his body. 
You’ll understand after he explains everything, right? 
“____, a little help?” And what the fuck is Nishmura Riki doing outside of your door? You go to investigate the muffled sound, inching towards the curtains and pulling them back to expect him there. When you hear a half yelp and a hissing sound that follows right after, without a person anywhere in sight, your heart drops to its stomach. 
Do not say it’s true. 
“Riki, where the fuck are you?” you ask, traversing out when you don’t see him anywhere across the glass. 
“Down here.” You run in the direction of the voice, and your eyes grow comically large and you gasp, staring down at the sight before you. 
“Holy shit.” 
There Nishimura Riki is, with his mask half burned off his face and his blonde and black hair messy and matted to his forehead with sweat. The suit is ripped in multiple locations with gashes and purple replacing the healthy skin underneath. His face is in more of a grimace, as he holds onto the web with both hands and one foot planted on the stone of your balcony—read; the bottom of your balcony. 
“A little help?” And you see his sheepish emotion through the tattered fabric, embarrassed after you had to find him in such a compromising situation. “I’m a little worn out and I think my webs are getting weaker.”
You’re a little frustrated with him for being out so publicly, but more scared and worried for his condition. Your gaze narrows on the mask, tattered and covered with scratches, but clearly visible. It was Spider-Man’s mask. The material gives way to a familiar face, and your mind almost blocks you from putting the pieces together. It’s impossible, almost horrifying to think of the implications of what it means to wear the blue and red suit. 
Instead of being the villain, Riki is, in fact, the savior.
The harsh truth is that your classmate, who you spent the last month working on a project with and suspected was a villain, is the same superhero that went out and risked his life every night fighting crime. It’s jarring to see him like this, breathing heavy and straining against the stone of the balcony, and his cough snaps you out of it. “What the fuck do I do?” 
Riki tries to put his hand up in surrender and shuts his eyes at your harsh tone. “Okay, okay, I get-“ and he cuts himself off with a yelp as his footing slips. 
He holds out his hand, and you immediately bend over the smooth railing to grab it, leaning back on the heels of your feet to help him up the most that you can. You’re filled with confusion when the boy hobbles over the cool surface of the balcony and lets his head rest on the stone, not saying much as he catches his breath. You watch the rise and fall of his chest and how his right arm goes to nurse the left side of his ribcage, wincing and sucking in a pained breath as he assesses the smear of red on his fingers. 
Sitting there with your mouth agape, you’re not really sure what to think about first; to check if RIki’s alright, to think about how your city’s greatest superhero is your English project partner, to yell at him for going to your house instead of his house to fix himself up, or to think about how good his side profile looks in the moonlight. Maybe you should’ve just been relieved that the boy you started to like wasn’t a fear-inducing villain.
“Okay, first of all, we need to have a huge talk. But I’m not a medic Riki- I’m going into accounting for fuck’s sake.” He hears the amount of curses flying from your lips as you ramble, and sees how stressed you look watching him sit against your railing. 
“I don’t know how to help you. And also,” you lower your voice and scoot closer, looking around at the large property to really make sure no one’s listening. “you’re Spider-Man?” 
The information all hitting you at once is worse than when your history teacher told you your essay was horrible. At least then, in her office, you could process everything. But here? You’re about to faint. 
“I’m pretty cool, huh?” And of course Nishimura Riki says such a thing, taking deep breaths as he shallowly presses on the blossoming bruises on his skin and wipes the sweat from his brow. 
“Pretty fucking stupid is what it is, Riki.” You cross your arms and try to take a look at where he’s been hurt, hoping that at least he has some sort of regeneration ability that helps him heal much quicker—because there’s no way he could deal with all of this on top of school. 
“I have my reasons,” he says, his voice quiet. 
You pause. “For being Spider-Man?” 
“No,” he shakes his head. “For coming here.”
“What could possibly make you want to come over to my house instead of the nearest hospital? What’s that important to you?”
“I really want to ask you to prom.” 
You simply stare at him, surprised. 
“You came to my house, even though you’re like, a punch away from passing out, to ask me out? And you couldn’t have, I don’t know, asked me anytime during the classes we have together?”
Riki somehow finds it in himself to frown and shrink from your angry piercing gaze. “I can’t because talking to you makes me nervous–so yeah, I’m sorry I’m half conscious on your balcony in my suit instead of at your door with a poster.” 
You’re conflicted, your mind still reeling from the recent discovery and your flood of emotions. Ever since you questioned his identity on top of your feelings for him, you had a hard time really knowing if you could like Riki if he turned out to be a villain, so to know that he proved both of your theories wrong leaves you quiet as you think. If possible, the color in the boy’s face drains even more when you go back inside, but the door stays open, and he thinks he hasn’t ruined things after all. You emerge with a bottle of isopropyl alcohol, a bowl of warm water, and a pristine white towel. 
“I’m not mad about that, you idiot,” you reprimand him, setting everything down as you examine the cuts on his face. You squeeze the towel and start to dab at his skin, avoiding the cuts as you clean it. “Who does this for you if not me?” 
“Jake.” 
“Seems like a pretty good friend.” Riki nods in response. 
 “I’m sorry,” he sighs, sitting up to properly address you, even if you weren’t able to meet his gaze. 
“For what?”
“For putting this on you–all of it. Not just the whole Spider-Man thing.” He knew he’d have to tell you at some point, or else it’d eat him up inside to know he kept all of it from you. 
“Look at you, saving me mid-air and talking to me as if you didn’t know who I was.”
You notice a flash of regret through his wince as you clean up a cut with antiseptic. “I meant it when I told you I knew what it was like to have a lot of pressure.”
“Guess I wasn’t so far off, then. If we never talked, would you have told me?” Riki shakes his head, and the simple motion leaves you somehow disappointed. 
“How do you ever tell anyone you’re…y’know, Spider-Man?” Even if it’s a hypothetical, you shrug, not being able to answer.
“How’d Jake find out?” 
Riki chuckles and hisses at the same time before trying to remember. “I think I just kicked his window in after a nasty poison got hold of me. He was a little too excited to have Spider-Man on his bedroom floor, and less excited to know it was me. I’m not really supposed to tell anyone, though.”
“Then why’d you tell me? You could’ve just gone back to your friends.” 
“I felt guilty–I know, I know, it sounds stupid. I’d definitely get my identity revealed at this rate.” You shake your head. 
“Not stupid. Keep going.” 
“I didn’t care that you suspected me, or if anyone else did, because I knew it was never true. But I felt so bad knowing you were sharing to me how you felt without even knowing it was me who was listening–like I was holding something from you.” 
You admire his honesty, and when you look at his furrowed brows and his lip that he’s been gnawing from worry, you can’t even imagine what he’s had to hide and do for this. In a way, you look up to him more, for trying his best even if he’s gotten all odds stacked against him. Riki’s commendable in your eyes–he always had been, ever since you woke him up in class. 
“I like those things about you, Riki. That you’re honest with yourself and the people around you as much as you can be, and you try to help others when you can. I’m glad we got to know each other more this past month.” Talking to him feels different than talking to Spider-Man from a few days ago; it feels raw, like you’re not just confessing something to a brick wall anymore. If none of this ever happened, you doubt you’d get the chance to tell Riki any of this properly. 
The boy stays silent, taking deep breaths while processing what you’ve told him. “I’m glad I could help you out.” 
You furrow your eyebrows. “I hope you know I don’t like you because you help me out. I like you because you’re attractive, and because you’re genuine,” you blurt. 
Riki laughs despite his ribcage hurting everytime he does so. Riki nods and mumbles a ‘thank you,’ also glad to truly get to know you. While his crush was more of an infatuation with your hard work and amiability, the past few weeks really opened his eyes to who you were. You never wanted to disappoint, and even if your recklessness left you in some dire situations, Riki could see how much effort you really put into things. 
There wasn’t anything else he needed to tell you–you were smart enough to see how much he cared about you.    
You’re so close, your lips glossy with lip balm as you watch him carefully. You hear and see it all; the heavy, labored breathing from his body healing itself rapidly, and the way his hand is full of rough cuts and calluses as his fingers intertwine with yours. But your eyes catch a glimpse of his mask tossed to the side, the blue shining in the corner of your eyes as you’re reminded of who he is right now, and what role you play. You are still ____ ____, but he’s a superhero.
It makes you momentarily forget whose suit you're peeling away, whose skin you're cleaning. It reminds you that he’s just the boy in your English class that you fell for. “What does that make us?”
“Prom-goers,” he answers with a slight nod. 
You smile, wiping a cut before placing the towel back into the bowl for the last time and getting up. “We can be prom-goers, yeah.” 
You’re not sure if you’re ready for anything, and you’re thankful that he understands that, too. As much as it warmed your heart to see him again and hear his confessions, the blaring truth still hangs over your head. You grab his mask, finally looking at him before handing it back and grabbing your things. His secret identity wasn’t something you could just ignore. 
“Go home, Spider-Man,” you turn your back on him, and time slows when you falter before sparing him one more look. “I want you as Riki, not like this.” 
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MAYBE NISHIMURA RIKI DOESN'T NEED TO DIE–OR ALMOST DIE–ANYMORE. 
He went home that night with his scars somewhat cleaned and his bruises miraculous healing on their own, and even if slipping through the window left him clutching his side in pain, Riki silently jumped up to celebrate his multiple victories before slipping out of his suit and finally getting some rest. 
Riki’s scared of how he’s affected your relationship. He’s worried you’ll avoid him in the halls, and he’s worried you’d never want to see him again after putting you through all of it. As much as he'd understand how upset you'd be towards him, he hopes he did the right thing by telling you.
But you see him on your way to English, and you call his name. His eyes search for yours in the crowds, and you two see each other before you crush him in a hug. 
Riki isn’t sure how to feel at first, but eventually wraps his arms around you as relief settles in his stomach. 
“Thank you for saving me, Spider-Man,” you whisper, loud enough for only him to hear. 
He smiles at you, ruffling your hair as you go to English together. “Anytime, ____.” 
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NEVERMIND, NISHIMURA RIKI MIGHT DIE WHEN HE SEES YOU IN YOUR RED PROM DRESS.
But first, he has to try something out. 
He curses to himself when silently zipping from a tree outside your family property to the top of your house, staring past the ledge two and luxurious stories to your well decorated porch light and door. He just prays that Google Maps is  right about how secluded the area is, so no one can see him pacing around your rooftop, with flowers elegantly wrapped in his hand (courtesy of your mother’s sleek envelope from a few days ago). 
“Fuck it,” he says to himself, shooting a web and dangling himself down. Riki’s upside down figure watches swirled window frames and meticulously designed accents as he descends, and he wonders what kind of shady business your parents could’ve done to afford something so grand. 
He faces your door—hanging down instead of rightside up, but he’s still here on time like he promised. 
The door opens at 6:00PM like he instructed you to, but what he didn’t tell you what to do was shriek and slam the door. On his nose. With a loud yelp, Riki clutches his nose, rubbing the spot you hit and trying to apply pressure to alleviate the pain. 
When the door slowly creaks open again, you face with the image of Nishimura Riki, aka your boyfriend, aka your English partner, aka Spider-Man, curled upside down in the fetal position as he cradles the sore spot on his face and swings slightly from the breeze. 
“You scared me, dumbass! How was I supposed to know it was you? It was so hard to see!” 
Although muffled, Riki’s able to mumble, “You have a porch light for this reason, _____,” and a jab at his stomach from you follows his sarcastic remark. Finally, his nose feels better, and he straightens out to finally look at you. 
Pretty, pretty, pretty, and the boy wonders how you look even more stunning with a glittering red dress and perfectly done make-up. “I like the red,” he says, trying not to freak out over your beauty. “Reminds me of a certain neighborhood superhero.” 
“I have some blue spider earrings to match.” With a beautiful smile, you turn to show him the little accent, and it melts his heart. “Are you okay, though?”
“I’m fine. I should’ve probably put more thought into that.” 
You snicker, sliding into your heels and closing the door behind you. 
“One of us is better at romantic gestures, it seems.” It warrants a scoff, and Riki brings a gloved hand to poke at your forehead teasingly.
“Let me have a do-over, then?” And the way your lips curl up into a bright smile leaves him quiet and in awe. 
“What, were you going to kiss me? Very original, Spider-Man.” With the way the fabric shifts over his features, you can tell he’s pouting. 
“I thought girls liked this.” 
You shrug, pretending you aren’t swept off his feet by the effort he’s put in. Taking a step in his direction, your hands reach up to gently pull the mask over his chin, ears, and then his nose. 
Whispering quietly, you ask, “You’ve kissed other girls upside down?” 
Riki’s quick to shake his head. “You’re the only girl I’d withstand a head rush for.” And god, you just can’t stop yourself from grinning at his sweet, genuine words.
You lean in, placing a small kiss on his nose as a silent apology. Then, you close your eyes and lean into him once more, feeling his hands carefully holding the side of your head and his lips on yours. Your kiss with Riki is saccharine and slow, making you pull away when the urge to beam at him is too much. Your cheeks definitely hurt by how romantic he’s being, and you can’t resist kissing him once more.
“I’m not gonna lie,” he starts, finally letting himself down, “It feels weird.” 
“You ruined the moment.” And he really didn’t, but you enjoy his subtle reactions to your light digs at him. 
“Whatever.” Riki laughs. “Stay here, I’ll be right back.” 
You nod, sitting down on the porch and dragging a manicured nail over your lips with the ghost of his affections, thinking about how you literally just kissed Spider-Man. 
Riki comes back, dusting off his suit and smoothing out the wrinkles, with a large bouquet of red roses and one blue one snuck in there. Your lips stretch into a grin and you accept the bouquet, keeping a mental note to read the card in there.
“You never cease to amaze me, Riki.” It’s the last thing you mutter to the air before you loop your arms around his neck, urging him to lean down as you kiss him once more—this time rightside up, but still as sickly saccharine as the one before it. Your heart is fuzzy with fondness and your eyes glitter with adoration. 
“So, which kiss was better?” he asks when you pull away, a little breathless and dizzy.
You swat his arm and walk past the gates, seeing the sleek limo waiting by the curb. “I don’t know, Spider-Man. Maybe show up in your suit and we’ll try it again.” 
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REBLOGS AND FEEDBACK ARE ALWAYS APPRECIATED AND ALWAYS READ!
RIKI FIC DONE!!!! ngl y/n u were right there how did u not know riki was spiderman but whatever idc she's a hard worker not smart LMFOAOAO. my first ever action fic so i hope you enjoy! also i hate the ‘oh he pined after her for 4 years she liked him for 2 months’ bs because I WAS IN IT. and it sucks so i tried to deviate from it :)
꣑ৎ permanent fic taglist (TAGGED IN TEASERS, FICS, HEADCANNONS, DRABBLES, ETC.): @dimplewonie @minleeeknow @heeheesang @mintpjzroll @llvrhee @firstclassjaylee @in-somnias-world @rairaiblog @suneng @mavlogist @sensitively-taken @sumzysworld @simpjay @moons-v @riksaes @txtari @jungwonscatcus @tya0 @sasfransisco @woorcve @shypen @pinkriki @rikisluv @saranghaohoshi @lilifiedeans @wonmyheart @k1ttyluvr @nikisgfff @ramenoil @laurradoesloveu @lvcky-g1rl-syndr0me @ikeulims @missychiefs1404 @qwonyoung23 @yangjungwonnie @onementally-unstabel-kid @microwvdstrawb3rri3s @blooqz @anormieee hi permies hope u enjoy! kith
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pyrriax · 2 years ago
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no no I loved this chapter (as i have loved every chapter)
It was a great thing to come back to after standing up for three hours without food or water or any sitting (sorry if u didn't need that information, my day was kinda rough)
But how dare you do this to pandora (/j)
The story is going really well though,I can't wait for the next chapter. I would leave comments on ao3, but unfortunately the universe hates me and every time I try to make an account it doesn't work.
-S
anon i will just start bawling my eyes out right here right now, don't challenge me
it'll all start falling into place in due time! i'm honestly just so happy i've got people even reading this silly story, this fic has been my little passion project since august and i'm just hoping it all makes sense!
i'm really excited to start getting further in and really putting my cards on the table with everything i have planned, especially once we get into the third arc (which is coming a lot sooner than you'd think!!)
and hopefully your day gets better, anon!
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fairuzfan · 1 year ago
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im trying to ask all different kids of accounts bc i can't get one solid answer - how would u specifically define zionist? do you think the people who are currently israelis (and are not west bank settlers, may they all be tried for their crimes) should be able to live in a decolonized palestine?
I had to take a couple of days mostly because I was trying to find a single concise answer for you in a citation. Before I give you a definition of a Zionist, I must first describe what Zionism and it's implications are. Here is Ismail Zayid's "Zionism, the myth and the reality" (click).
The very first couple of paragraphs of the book, he says:
Zionism, as a modern political creed, grew in close association with three interacting major forces which exercised a profound influence on the character and nature of the Zionist movement, resulting in three basic qualities characterizing this movement, namely: settler colonialism, expansionism and racism.
The first of the three major forces was the growth, in the nineteenth century, of European colonialism and imperialism and the expansion of the colonial settler regimes. The alliance made between Zionism and European colonialism is clearly attested to by both sides, identifying reciprocal benefits in the alliance. Herzl, in his "Der Judenstat," expressed clearly both the racist nature of Zionism as well as its role as a settler colonial outpost: "We should, there, form a portion of the rampart of Europe against Asia, an outpost of civilization as opposed to barbarism. We should, as a neutral state, remain in contact with all Europe, which would have to guarantee our existence."
There's more in the book that I can't type up lol, but in essence a Zionist subscribes to the idea of Zionism itself, and insists on the establishment of a settler colonial entity whether passively or actively.
Zionism is a settler colonialist movement, as stated by the founder of the movement for Zionism, Theodore Herzel (quoted above in the smalltext). It modeled itself after much of the European colonialist strategies, enforcing borders and nationalities on a previously border-lose world. I mention the making of borders as a fundamental part of colonialism because by rejection of those borders as a concept, we start to imagine the world in a post-colonial universe. Sherene Seikaly makes this point in her book "Men of Capital" in the introductory chapter:
But in such a search, it is almost inevitable that nationalism—its “lack,” its “strength,” or its “weakness”—will stand as a metonym for politics. In some renditions, the weakness of normative nationalism—a “political deficiency” and a lack of a national “spirit”—resulted in, as the leading historian of collaboration continues to argue, the catastrophe of 1948. In response, scholars have documented a national project among the Palestinians. This work is invaluable and has shifted the terms of debate as well as our understanding of the social and cultural geography of the late nineteenth and early twentieth centuries in Palestine. However, to continue reveling in the marriage between national consciousness and politics reifies colonial epistemologies. Moving beyond nationalism as both the means and ends of politics is long overdue. Certainly, nationalism was one aspect of subjectivity formation, but it was not the only way to make politics. What I seek to destabilize here is not whether Palestinians were sufficiently national, but to ask why that sufficiency and/or its lack continues to be the measuring stick for whether people can remain on the land they resided on for centuries. Must people’s investment in the random and shifting borders that imperial and colonial officials drew determine their status? Are there other ways to think about politics outside, beside, underneath, and alongside this national prism?
I've said this multiple times before on this blog in different ways, but I'll state outright: I reject the notion of nationalism as a way for us to authenticate Palestinians' claim to the land they've lived on for centuries, as Seikaly mentions. Zionism's core goal is the establishment of such borders is aligned with European colonialism's core goals: division of the world so that they may categorize itself within the world's hierarchy.
Now, the core saying in the Free Palestine movement you often hear is "From the River to the Sea." This, basically, is a rejection of the establishment of those borders as a necessity for the Palestinians to be recognized. Zionism relies on border-making for it to be an actual thing. Without borders, Zionism would not exist. Which is why the "Balfour Declaration," that had essentially districted and redistributed Palestine is often referenced by both Zionists and antiZionists. Balfour, a well known racist and antisemite, had advocated for the establishment of a "Jewish State" not because he really cared what happened to either party — but specifically so that he could get the Jewish people of Europe.... out of Europe.
Seikaly mentions this in "Men of Capital":
However, we should qualify its meaning to get at the specific condition of Palestinian invisibility in colonial epistemologies. Zionists of the late nineteenth century did not imagine that there were no people on the land of Palestine, but rather that they were not a people. Theodor Herzl described a set of caricatures that inhabited what he called the land of Israel: the wealthy effendis who could be had for a price and the remaining impoverished peasants who could be smoothly removed without incident. These people were a motley crew without anything defining or unifying them. Zionists from various political leanings did not share Herzl’s confidence that the people who lived in Palestine would not be attached enough to its land to resist their displacement.  However, the Zionist emphasis on the lack of a politically coherent and distinct people in Palestine who deserved to make claims to the land on which they had resided for hundreds of years would continue apace. The caricatures of the effendi and the peasant, as well as the depiction of the Palestinians as insufficiently rooted, continue to have currency. In the meantime, Zionists were hard at work shaping a cohesive settlement community around a new ethno-national understanding of what it meant to be Jewish. They called themselves the Yishuv. Zionism promised Jews who had suffered religious, political, and racial persecution for centuries in Europe that they could finally become European but only by leaving Europe. Anti-Semitism and Zionism had one thing in common: the belief that Jews could never assimilate in Europe. The process of becoming European by realizing a settler colony would be an abundant source of persecution: For the Palestinians it entails ongoing erasure; for the eastern (Mizrahi) Jews who did not fit the Ashkenazi (European) mold, it has meant decades of marginalization; and for the Ashkenazi, it required killing centuries of tradition, language, and culture to fit the template of the new Jew.
So now you know that Zionism is, at it's core the establishment of borders to reinforce itself as a colonialist entity — thereby enforcing a separation between the colonized and the colonizer that can seem material, but is, in fact, immaterial. Zionists are people who ascribe to the ideology that a Settler Colonial "Jewish State" must exist, and that its establishment is necessary for whatever reason, thereby enacting those borders and displacing the indigenous populations. But what does a post-colonialist society look like if we no longer have these regional borders and nationalism as we've come to understand it?
Palestinians argue for the Right to Return to their homes. I have family members that cannot see the places they were born in because they were kicked out and not allowed to return. I think, for these people especially, it's only natural that they be allowed to return.
You ask if people who are currently live in Israel should be able to live in a decolonized Palestine. Short answer: yes. Of course. There is no reason to reject these people who are willing to live in a decolonized Palestine.
Long answer: still yes but I'm going to re contextualize it a little.
We've established that a decolonized Palestine is one in which borders are irrelevant, as is the current version of nationalism, and no need for categorization. In a decolonized Palestine, as long as you are not a perpetrator of a "crime" (I put that in quotations because of the current colonial implications, but I lack a better word for it) that makes you — and not your grandparent/parent — directly responsible for colonization — like as you mention, settlers who violently expelled Palestinians — and willing to participate in a Palestinian society in which there is equality of all peoples regardless of race, ethnicity, economic status, or religion, then it is possible to become Palestinian.
Israelis are all, to a certain extent, culpable in colonization. There are antiZionist Israelis, but nevertheless, it doesn't change the fact that they are settled on land that was acquired violently. Of course, the same can be said for many USAmericans. To a certain extent, I am a settler in Turtle Island despite being a refugee. I willingly participate in a colony, whether I actually agree with it or not.
I think from hereon, to live in Decolonized Palestine as well as a Decolonized Turtle Island, we must make the reparations necessary to the communities who have suffered systematic violence at the hands of the colonial entity to truly live in a post-colonial world. You might be asking how I think that's going to be conducted — I am not sure. But what I do know is that living without borders — or in other words living without colonialist labels and all sorts hierarchies that arise — will require a reframing of the understanding of our world as well as how we interact with each other in it.
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fishing-for-blood · 4 months ago
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Lol. LMAO. So the Google doc of drabbles I was talking about before in the tags
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I don't think it's drabbles anymore...
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Can you tell I have feelings about the todoroki 'resolution'
I haven't kept up with mha in a while since I could see the downhill trajectory the story was taking for all of the villains from like a mile away, but god damn if the latest leaks regarding Dabi haven't exceeded my expectations in terms of the amount of pure disappointment and frustration that could fit into one character arc. What the shit
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helenofblackthorns · 5 months ago
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tlkof chapter spoilers!!
ok this is my live reaction that I wrote yesterday but couldn't post because no one else had read the chapter! figured I could post it now tho!!
dru complaining about having to learn about faerie nobility... girl just call Kieran up Im sure he knows all about it 😭😭 also I wonder how Helen & Mark fit into that given their mom was a lady of the Seelie Court (will that come up in twp perhaps??)
dru is dying her hair black??? shut up
DRU'S 5'3???? WHAT wait I thought she was taller than Livvy & Cristina or something how short does that make them. why did Julian steal height Jesus 😭 whole inch on Clary is crazy damn
PAIGE???? girl leave
Jane Cartwright... is she related to Jon perhaps???
Dru & Thais are already iconic & I need Mason to leave immediately
Mason the first twp victim of the Blackthorn gene pool I see I see
Kit mention who cheered
Dru debating name dropping Mark lmao
ASH????? OH
Dru comparing the colour of Ash's eyes to "the sea glass Julian loved" is CRAZY
Ash doing magic??? omg
Ash recognising Dru 😁😁😁
him being surprised she forgot.... 💔
not him pissing her off already lmao
Dru clocking he's not fully fae because she knows so many half fae yeah I know that's right
giggling & twirling my hair I'm obsessed with them already
SHE FORGOT AGAIN????
THEYRE ALL HERE OMG
like 10 pages in & Dru's already given all her siblings a heart attack good job everyone
THREE DAYS
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snomoscribbles · 9 months ago
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so there's an Aonunete fic ive been working on to the side for a little bit and I wanted it to be a one shot, but I got carried away and now Im debating if I should post it chapter by chapter? uuuuuuuugh. decisions. Its Human AU where the Sully's do move into a new town but Neteyam stayed behind with Mo'at to graduate highschool with his peers. So Ao'nung meets Lo'ak first and while they do butt heads, they actually become friends without the extra animosity of the avatar setting and because of exposure therapy since they're on the same basket ball team. But Neteyam finally showing up after the school years up for him and Ao'nung is scrambling when he realizes Lo'aks golden boy brother is 100% husband material and he's gotta do something about it. But Neteyam isnt taking him seriously because he's his younger brothers best friend which puts him in adopted brother mindset and he cant figure out if he's grateful for the extra time to get his shit together or frustrated as fuck that he cant get this beautiful bastard to notice him. Just kind of an interest check on if I should start posting it, or just go ahead and wait till its finished? current title is "Best Friends Brother"
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