#im aware of some of the alternatives

[ivie-online]

not a surprise but google is continuously getting worse. searches related to items that can be bought will return endless shopping options, then a few vaguely sourced blogs (made by or for businesses that link to even more shopping options). google scholar is fine for subjects that are broadly represented in western academia, but good luck getting past the abstract without an institution to sign in with, hundreds of loose dollars, or a 3rd party site that works roughly 20% of the time. an entire civilization that has compiled near endless amounts of information, but no unified way to quickly and accurately access it. shouldn’t be of any concern though. i’m sure

[forte-circuit]

do you ever see someone write for a fandom-exclusive trope that you can't find nowhere else with the same energy/worldbuilding (sagau) and they interpret someone so criminally bad (everyone in sagau) that you feel like you should be able to hold them legally accountable in the court of law (this is me shitting on sagau)

[sundial-bee-scribbles]

🖤🩶🤍💜

[10-59]

not pictured: every other resident of the island staring, somewhere between visceral horror and childlike awe

[lord-squiggletits]

A tangent from the tags of my previous Pharma post (and I just thought about this so bear w/ me if it's hastily reasoned) is that the Autobots being generally sanctimonious is actually sort of a reason why I find a lot of IDW Optimus interpretations to miss the mark, specifically the accusations of calling him stuff like self-righteous, caring more about principles than people, etc. And I know that sounds really ironic, but out of every Autobot (and almost every character period), Optimus is one of the few people who has a very forgiving/humanistic perspective on life or at least has a political approach of "if we don't stop fucking fighting we're going to be at war forever and eventually just kill ourselves."

He very explicitly wanted a diplomatic end to the war and not a military victory/conquest. He extended multiple offers to Megatron personally to work together and end the war (Autocracy trilogy, which was pre/early war, and Chaos Theory, which was late/end war, so from this we can assume Optimus' stance was consistent the whole time). When ppl hated him so bad they rioted he removed himself from the planet rather than argue or fight to justify why his actions were the best he could do. Sandstorm starts murdering Decepticons and Optimus solves the murders and then throws Sandstorm in prison bc sparing one of his Autobots the consequences of his actions is less important to Optimus than keeping the peace and making sure anyone who threatens to ignite wartime hostilities is punished for it. There are multiple characters throughout the series that other people give up on as too far gone or too cowardly/evil/damaged to be worth helping where Optimus alone is the person who says "I think they can get better/they did bad things but they're still people" such as the Dynobots, Blurr, Prowl (despite how OP's patience with him hung by a thread by the end of it), Shockwave, and, yknow, fucking Megatron of all people.

And on top of that Optimus' internal thoughts most of the time revolve around feelings of guilt, responsibility, anger, hopelessness/barely hanging on to his ideals, and so on. Bro regularly has thoughts about how the entire Autobot-Decepticon war was his fault and is depressed to the point the thought of dying/martyring himself makes him feel relieved. So like. Idk guys I don't think those are the personality traits/actions of a self-righteous person who thinks he's correct about everything and everyone who opposes him or fails his moral standards is just evil or whatever.

[crazylittlejester]

do u find my self destructive behavior and concerning sentences sexy?

[snekdood]

my childhood could have been worse.

for example, I could have gone and lived with my abusive, significantly more toxic father after my parents divorced.

[doctorwhoisadhd]

hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.

as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".

with that in mind, there are two types of songs we in western, english speaking, society call "love songs":

1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and

2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.

(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)

now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).

to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.

(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)

[briefcasejuice]

i don't have a continuous/relentless internal monologue in the way people usually describe it but i am always thinking about something

[listen-to-the-inner-walrus]

pls reblog

[mxwhore]

the vegans found my stupid post again

[its-no-biggie]

drawing a character lineup is all fun and games until you have to come up with a unique pose for every character

[butchshepherd]

[riotshotguns]

thinking way too hard about the remedyverse and how quantum break does (or rather doesn’t) fit into it and i feel fucking insane nobbody talk me orlook at me

[jaal-ama-daravv]

dissecting the emmrich lich romance argument scene (all routes)

dissecting the graveyard scene dissecting the alternate romance path dissecting the emmrich romance scene (lich) emmrich x rook cinematic (lich) emmrich x rook cinematic (mortal)

Dissection - Mortal Emmrich Argument Scene Version

Emmrich Romance - Argument Scene (Lich Path)

i love and hate this scene so let's get into it -

keep in mind that even though emmrich is now a lich, his fear of death is still very much alive. emmrich immediately expresses his feelings to rook stating that he hopes that they can stay back abit in the battle. for fear that they will be hurt, or killed.

the second 'No' escapes Rook's lips, Emmrich bows his head with sadness. He wishes that she would heed his words because he is afraid to lose her.

Rook's response infers that she is offended by the request to have her 'stay back aways' during the battle, keeping in mind that this battle is rook's and she has been fighting it this whole time. yet, rook still shows that she cares for emmrich, by asking what brought this on.

emmrich states that he can see the life course through us, but is aware that he will lose us to time. in this one sentence emmrich is telling us that he is afraid of rook dying, he is deathly afraid to lose rook, and thats not even overselling it. Emmrich is afraid he will miss Rook forever and will never get over it.

which quite frankly, he wouldn't.

Divergence - Option 1

Rook responds with 'Oh, Emmrich' - Rook is calm and considerate in this response, knowing his fears are real to him.

even as I am (a lich) the mind (rationality) is a victim of the heart (love for rook, fear of them dying). even as emmrich is a lich, his fear of death is rampart, now mostly transferred to rook. emmrich is calm when spaeaking, but fear can be heard in his voice.

im no fan of this line, but it's what im working with so - it feels, double barrelled. on one hand telling emmrich he is not great at keeping stuff in because he is emotional and has panic attacks, and in the same sentence telling the big softy to not mourn the love of his life forever.

this line is delivered with some condescension, and honestly, valid, as the previous line feels on par with Divergence Path 2, invalidating emmrichs fears/feeling for rook. in saying that, emmrich is trying to plead with rook to be careful.

valid all around - rook wake up and smell that the man loves you immensely please

he can, and will be, because he is in love with you

facts - once again, hello darkness my old friend, its fear of death calling

ouch ouch ouch ouch ouch ouch ouch

Divergence - Option 2

You ever been mid panic attack and someone cracks a joke? that is exactly emmrichs response and mindset going forward. now watch the anxiety and panic escalate

rook once again, missing the beat, emmrich escalates by reiterating that he is afraid to mourn rook forever. his voice is shaking. this man is breaking his own heart by imaging the death of his beloved. reiterating my point in earlier posts that emmrich, whilst experiencing relationships and love before, hasnt experienced rook and the connection they share. im reiterating my soulmate trope here - and as we continue

i cant defend rook on this point anymore, 3 strikes ur out

defeat slicks off of emmrichs voice as he speaks this line, inferring 'does rook not love me?' 'does she not feel this'

bottom line is rook is in love with emmrich, just as much as he is with her. rook is however pre-occupied with survivng and getting through the battle, whereas emmrich in this moment in knuckled down in black and white thinking - which has been unfortunately backed up by rooks lil jokes. his anger is valid, just as -

Rooks concern with no realsing that Emmrich is having a menty b, is also valid.

both have their defensives up now. rook for upsetting emmrich, and initially being upset at the notion of 'stay back aways in battle' and emmrich for being scared out of his skull that rook will not exist anymore and he has to spend enternity mourning her, also feeling rejected.

Divergence - Option 3

oh jesus -

on god im trying to be non-biased for this but cmon. the man has a gutteral fear of death, he became a lich he was so scared, you were there rook.

valid king

possible, but rook, sweetie, you're being invalidating.

I was gonna make a comment but then -

insert office stare meme

so here - emmrich is clearly tired of trying to explain himself to rook, and rook backfires with just wanting emmrich to be happy, and calling him an idiot. imo, this route is a straight up argument, whilst both path 1 and 2 have some depth to it. I believe it was done this was because when you choose the mortal path for emmrich, it focuses around supporting emmrich to be happy 'in the now', whereas in the lich path, there is no now for emmrich, it is forever, it will always be forever. I believe this path is to show the frustration between rook and emmrich, one being mortal and immortal, whereas the other two paths have a focus of acceptance. whilst not there yet, its apparent.

All routes lead to -

rook has now said something to akin of a personal insult to emmrich, which then leads rook to 'snapping out of it' as their face changes to disbelief 'oh my did I just say that' aka regret, with Emmrich bowing his head and saying "Rook, I..." in response. Rook states that they should pack as they have to leave soon.

if biowares goal was to have me fear for mine and emmrichs life in the upcoming mission, they succeeded.

All routes leave emmrich feeling scared and confused as he looks to the gorund, holding his hands together -

and rook mumbling under their breath, with confusing and 'ugh, i just wanna shake him and kiss him energy' - rook recognises that emmrich is afraid, and their faults in the conversation.

all in all, this is a touch scene, because it is evident how scared they both are and just want the other to survive so they can be safely back home together. the lich version is more centered around death and mourning as they have alreayd broached the l word, where in the mortal version, you can essentially call emmrich a coward. a very heart breaking scene, which adds numerous layers of depth to emmrich and rook as characters who have flaws but are still loved.

imo, i stand tall that emmrich and rook are in love with eachother and it becomes more evident in the next scene. they have this soulmate type of love, the kind where you would hang off the side of a cliff, hanging on by the strength of your index finger if it meant you could save them. the type of love where one look speaks a thousand words. the type of love that a lich lord would go rogue trying to bring their dead love back.

to add on to the soulmate lover trope this snippet from the Flame Eternal short story feat. Emmrich & Johanna where they are burying a deceased lover with another.

"Johanna snorted. “All that fury, ending in another grave.” “Oh, I don’t know.” Emmrich ran a hand along the coffin’s snowy marble. “It would be rather fine to possess such an enduring affection. Besides, you did see this through.”

Emmrich YEARNS for love. YEARNS. He has yearned for the type of love him and Rook have for over 20 years, at least. THE MAN IS RUNNING HIS FINGER ALONG A COFFIN AND ROMANTICING IT. Romanticising possibly, loving someone so much that he is buried with them (quote flashback to Hezenkoss in the final boss battle of "Ill make sure to bury you and your new lover together", now has more depth) or loving someone so much that love would be eternal together, that type of love where you want to be buried together. for over 20 years he has yearned for this love, and he has found it in the middle of the end of the world. please note that emmrich has a fear of abandonement as well like, huge. oh and add in the comment made by Harding in game about Rook and Emmrich moving too fast, please there is only one trope that goes from 0-100 real fucking fast.

Sending thanks to @galedekarios for sharing a conversation between Davrin and Emmrich, here. This post adds a tremendous amount of depth to this argument conversation. I 100% AGREE with Gale's depiction of 'Emmrich not being equipped for lichdom' because it makes sense. If you think back to the lichdom decision scene and dissection, we mentioned how Emmrich had everything he needs to do lichdom. No?? Clearly not. look at what we have just dissected. Then further on the man is practically on his knees begging rook to be careful, telling them that he will find them in another world. In the event of Rooks death, Emmrich would go rogue. He would lose it. Yes, he is a kind and gentle soul, but he has that fire in him. A protective, and obsessive power that he would do anything to bring back his love.

Additionally, Emmrich grew up poor. This would impact his view on society and love. But more impactfully, it would impact his view on himself. His self-worth. Emmrich likely thinks he doesnt deserve this type of love. Hence the attempt to push Rook away and act over-suave at times.

considering dragon age veilguard is centered around the theme of regret, it is no suprise that saying things you regret have showed up in this game, particularly before the eve of battle and impending doom.

ill have the romance scene dissection soon for you hungry necromancer lovers - ill likely do the mortal versions as well

[lightavii]

something im so fascinated by after reading some posts about severance online is ppl saying they like mark’s innie more than his outie. which like, do NOT get me wrong, me too. but i cant help but think abt how odd the implications of that are sometimes, when u think about why innie mark is the way he is.

like, outie mark is an asshole. for understandable reasons, of course. but he’s super abrasive and has major issues with alcohol and honestly it’s so painful to watch him lash out Over and Over at the people in his life who are literally just trying to help him. and it makes me want to rip my hair out, because with the way he acts sometimes it’s a wonder people even try to help at all.

innie mark is literally the complete opposite of that. he’s meek and polite and his actions aren’t tainted by grief (that he’s aware of) every waking second of the day. but he’s only that way because any and all of the fight has essentially been abused out of him. He mentions how he threatened to kill the disembodied voice when he first woke up but now he’s quick to admit to any wrongdoing before he’s been caught because he’s painfully aware of the what the alternative could be. when he and helly are about to go up the elevator that final time in S1, she asks if he’s scared and he says he’s scared /of being caught/. He’s mustered up all of this courage to rebel and he’s still scared shitless of the consequences.

Not to mention (if I’m remembering this scene correctly) that one of the earlier times he kind of “talked back” to Cobel, she proceeded to fling a mug at his head, and his immediate reaction was to people-please by asking if she wanted the office door closed or not. Jesus christ man. Slides my hands down my face

Innie mark is objectively more likeable for some of us but it’s because he’s been treated like absolute garbage. For a good chunk of S1 he’s just in this constant state of anxiety because who wouldn’t be?? And even in S2, (SPOILERS FOR ANYONE WHO HASNT YET WATCHED S2E1!!!!) when he barges into Milchick’s office and grabs the speaker his hands are fucking shaking, both from the adrenaline of his plan working but I’d also imagine that barging into his ex-bosses office and attempting to communicate with the Board directly goes against literally all of his conditioning and that’s gotta be terrifying.

It’s been great seeing innie mark become way more defiant than he used to be. I think it’ll be interesting continuing to root for him as the story goes on, because I know full well that as outie mark’s personality starts to shine through he could very well become more unlikeable, even though that change would be an objectively good thing. Arghhhh severance mark you make me sooooo mentally ill

I had to ramble these thoughts out somewhere because my friends dont like mark at all so they wouldnt gaf about any of this LMFAO