#ikesen poll

[natimiles]

I finished Mitsuhide's Eternal Route! and I'm loving him even more

Now, knowing that...

My ikesen faves are Ieyasu, Mitsuhide and Mitsunari

I played all the original warlords romantic and dramatic endings (except Masamune, Sasuke and Kennyo, I only have 1 ending for them and I don't know why tbh); Ieyasu and Mitsuhide Eternal

I haven't played any of the "new" warlords yet

Yoshimoto is not an option (yet). He is handsome as hell, but being an Ieyasu lover I can't bring myself to romance an Imagawa without feeling guilty 🥹 Even more now that I played his Eternal Route so recently and reminded of his past

I wanted to play Ranmaru, but cybird doesn't cooperate with me

[writingwhimsey]

Random thought...

Once MC gets together with the warlords, we all know sexy times are like all the time. And all I can think about is the warlords' vassals and what they may or may not walk in on/overhear when going to check on their lord or report to them.

So that leads into this poll...

[paradisekissmoon]

Uuu

Ikesen mid-term Ranking ENG

[memoria-99]

Which situation would you rather be in?

[victorrs]

(okay so i forgot about luke and roger so we're going to pretend this poll is just for those with moles on their faces :))

[bloemrijk]

the cradle archives

I have a question about how I should upload for the chapters in the archives. In the original gameplay, every part ends and the next one recaps the last few pages if you missed it. This is consistent to all cybird games.

Edit: because I don’t know if Cybird screenshots still apply and the limitations of google sites, this will just be the text. I’ll try to save backgrounds elsewhere.

cross tagging again to help get more attention to the archives. Please block or mute me if I bother you.

[writingwhimsey]

Poll time!

So I am getting close to finishing up my All's Fair In Love and War Nobunaga fic. I am already planning a sequel (but that's still in the VERY early stages) and before I get to that I want to write warlord Ava with some other warlords. And once again dear readers, I am putting the choice in your hands for who I write next.

Right now, the following are the guys I have ideas for on their stories. So please vote and let me know who you think should be the next suitor to get to date Lord Ava!

[colourless-hydrangeas]

Context.

[lovecraftiancicada]

Edit: the people have spoken

[friends-to-lovers-tournament]

Friends to Lovers Tournament: Round 1, Side A, Match 7

propaganda under the cut!

Sasuke/Mai:

THE MOST FRIENDS TO LOVERS EVER. Mai is the MC of Ikesen which is a dating sim/otome game. Originally from the 21st century, she's accidentally time travelled to the Sengoku Era where she unknowingly rescues Oda Nobunaga from his historical death thus changing the course of history forever. She reunites with a fellow 21st century dweller Sasuke whom she'd briefly met right before the accidental time travel, who is now a ninja. Though they're on opposing sides, they're friends in all the routes as Sasuke promises to protect her and bring her back to the 21st century safely. Regardless of which route you're playing, Sasuke will always be your friend and he's the same smart yet silly goofy guy, making references to 21st century events and slang and memes which have the other warlords scratching their heads in confusion. Sasuke's route is the ultimate friends-to-lovers + slow burn + mutual pining combination, as they both gradually develop feelings for each other, yet it's also kinda frustrating (in a good way) bc Sasuke is SO clueless to her feelings and his own for a good majority of the route while Mai was down horrendous for him. The pay-off in the end is really sweet (i legit cried when sasuke finally confessed to mai lol) and spicy (ikesen is uhh a bit of a mature game), which makes the achingly slow burn really worth it. Also Sasuke's just a really nice fucking guy, like real boyfriend material, no red flags, the perfect golden retriever boyfriend frfr

Fuyupoly:

Submission 1:

they're from the winter troupe of the mankai company, and unlike the other troupes they're all adults. that said, they all have varying degrees of trauma and emotional stuntedness. it takes them some time to fully open up to each other bc they're all very cautious of each other's boundaries and don't want to cross any lines which initially led to some issues in the group's formation. over time they've learned to bridge the gap while still being mindful of hard boundaries. at one point they have a discussion about what exactly their relationship is (gay) cuz they were talking about how the other troupes have clearly defined dynamics (spring=family, summer=besties, autumn=rivals & teammates) but they don't,, and homare deadass says they're "people bound by a common destiny" which in and of itself sounds very Gay (like why are you as a man bound to other men by a common destiny), but it goes even further because homare starts spouting WEDDING VOWS: "In sickness and in health, for better or for worse, we shall share our laughter and our tears as those with an intertwined fate... How beautiful we are!" THIS IS A DIRECT QUOTE FROM THE GAME AND THE MC EVEN REMARKS "i can already hear wedding bells in the distance..." 

gradually they become closer, in individual sub-units based on who's paired up as co-leads for a play, and as a troupe overall. also two of its members are childhood friends who had a messy 'divorce' in their young adulthood and it took the game breaking its genre to introduce a timeloop for them to finally make up if that means anything to you. one of their troupe songs "precious to us ~bokura no kisetsu" has some pretty beautiful and fruity lines: "The many kindnesses born in me here / Never fail to breathe life into my chest / Even all the pain and bitterness / Have now become dear to me (Ah…Stay with me)", "No matter how many times our season passes / Let us keep living together / Holding our hands, without ever letting go / Let us open up the curtain of tomorrow", "There is no need for words, because once our gazes meet / Joy sparks a light in your eyes", "Our journey, may it be a brilliant one / As our breaths overlap as one"

a lot of their plays has a LOT of homoerotic tension between the two leads too. their first play has tsumugi and tasuku play angels, and it's heavily implied that tasuku's character has an unrequited crush on tsumugi's character. their third play has azuma play a vampire and tasuku play Just Some Guy and it's generally agreed in the fandom to be one of the gayest, if not THE gayest, play A3 has ever written. obviously the vampire thing is very fruity, but there's also how the vampire was longing to bite the human but was holding himself back, and when the vampire left the human in the end, the human was absolutely HEARTBROKEN over it and was swearing they would reunite one day. the stage play of this takes it even further by having the vampire embrace the human from behind and BITE his neck. the fourth play is a watered-down adaptation of Phantom of the Opera where they genderbend Christine into Chris among other things and change the relationship between Chris and the Phantom to one of friendship.... ostensibly so, because there's still a lot of homoerotic undertones in their interactions. i could go on but this should be enough of a sampling taste 

Submission 2:

the writers rlly said "let's take 2 normal guys who are childhood friends and have been into theatre since their school days and have them go through a pre-canon messy divorce, an eccentric poet with a potentially controversial haircut, an amnesiac sleepyhead who can only be awoken with marshmallows but is also somehow extremely athletic despite doing nothing but sleeping and eating marshmallows all day, a man who is so beautiful and mysterious he breaks gender, and a supposed android from a fictional south asian country, and throw them into a blender, oh and for good measure let's throw in some theatre and angst and gay and angst and gay" and the end result was marriage. i mean it took them a lot of awkward fumbling around and conflicts to get there but they got there and thats what matters. ok *technically* in-text they're all rlly good friends and kinda found family BUT they are found family via marriage papers i do not make the rules chief

Submission 3:

The reason why they are so friends-to-lovers to me is because their relationship is founded on quiet and unconditional acceptance of each other—regardless of how flawed they may be or how heavy their burdens and trauma may be. When the troupe first formed (sans Guy who was in another country at the time), they didn’t have any major clashing personalities at the very beginning and generally they were mindful of each other’s boundaries, unlike the other troupes that came before them. However, it’s BECAUSE they were too mindful of said boundaries that it was difficult for them to break down their walls and bond as a team—and there were a LOT of walls to break down, as all of them had varying degrees of emotional baggage and trauma.

In fact, it’s only three plays in that they finally truly start opening up to each other, with Azuma getting the ball rolling by opening up about the deep loneliness that haunted him ever since his childhood. It’s during this conversation that they also discuss what their relationship as a troupe is, because the other troupes have defined their relationship as a team (Spring is family, Summer is best friends, Autumn is rivals & teammates), and Homare goes on to declare that they’re “people bound by a common destiny” and goes on to spew wedding vows: "In sickness and in health, for better or for worse, we shall share our laughter and our tears as those with an intertwined fate... How beautiful we are!" I mean… it can’t get any more obvious than this, really. They are married.

But anyway, Tsumugi says he wants their relationship to be one where while they respect each other’s need for space, they’ll also be there for each other and share their pains and burdens—or in his words: “supporting each other when our burdens become too heavy to bear on our own”—which I think is really sweet because it carries this idea of quiet, unconditional acceptance; they don’t push each other to share more than they’re comfortable with sharing, but with whatever they ARE comfortable with sharing everyone carries the load and pain because pain is easier to bear when you’re not bearing it alone <3 

A later part of the story focuses on Hisoka, a mysterious amnesiac, being terrified of regaining his memories and facing some “sin” from his past that has led to another character, Chikage, trying to take revenge on him. When he confesses this to the rest of the Winter troupe, Homare asks, “How heavy is this sin you bear?” and Azuma suggests, “Perhaps it’s just heavy enough for the five of us to carry together.” (at this point Guy hasn’t joined yet). The stage play adapts this scene into a song called Key to Memory. The key (pun unintended) part is 1:27 where there’s a back-and-forth between Hisoka and the other Winter troupe members (sans Tasuku because he wasn’t in that particular play)

Hisoka: “I’m scared…”

Tsumugi, Homare, Azuma: “It’s okay.”

Hisoka: “My unforgivable sin…”

Tsumugi, Homare, Azuma: “Let’s carry it together.”

Hisoka: “I might not be me anymore.”

Tsumugi, Homare, Azuma: “It’s all right. We understand and we accept you, so let’s go together.”

And it ends with Hisoka singing: “I was afraid to open the door of my locked memories. But if everyone is here, I believe I can do it.”  In both the game and stage play, Hisoka fully regains his memories and reconciles with Chikage (long story). He tells Fuyupoly he can’t go into detail about his past with Chikage because it’s dangerous but he’ll tell them when the time is right, and they accept this saying that no matter what his past is, they know and love him as their Hisoka which obviously is a very sweet thing for friends to say, but it’s also very Marriage-coded to me.

Later, Guy is introduced as an android from Zahra (a fictional South Asian country) and joins the Winter troupe as a temporary member—because he’s stuck in Japan for the foreseeable future—until they find a permanent member to replace him. The other Winter members have a conversation among themselves and agree that regardless of whether he’s really an android or a human they’ll accept Guy for who he is and help him improve his acting, which again harkens back to the idea of ‘unconditional acceptance’. Eventually it’s revealed that Guy is in fact a human who has forgotten his memories of the past and his emotions. He recovers his memories all at once which shocks his system and causes him to pass out. When he wakes up in his room, he finds the rest of the Winter Troupe asleep around the room—which I believe is symbolic of their whole theme of “quiet acceptance”: they don’t want to push Guy to share beyond what he’s comfortable with, but they’re always there to listen to him and share his load if that’s what he wants. He opens up about the memories he recovered, and they don’t treat him with pity like he’s a lost child, but still extend gentle empathy and understanding. They also emphasise that it genuinely doesn’t matter to them whether he’s human or android because he’s Guy first and foremost. It’s at this point that Guy truly lets himself become part of the Winter troupe/Fuyupoly and not just as a temporary stand-in member, because he’s found a place where he’s found himself again and people who will accept who this “himself” is, whether that be an android devoid of emotions or a human brimming with vivid beautiful emotions.

[Mod note: There’s a LOT more but we’re afraid of crashing the post. I (Deli) summarised it the best I can since I’m familiar with A3, but if you want to read the full thing you can check it out on this google doc)