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#if youre wondering why the two last panels look different is because they were drawn one year appart
crepegosette · 1 year
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have you ever drawn Chile? I think he/she'd be a great design!
Yeah, I have. I'm still reworking his design, so he always changes when I draw him but I do have a idea of how he is
here's an old comic
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harrieatthemet · 2 years
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Park
I’m baaaaaaack!
In which you take a phone call and Harry can’t do this anymore.
This is uncomfortable.
Not that he’s the bragging type, but he’s been to his fair share of new places. And with new places come a fresh panel of strangers, different energies in a room, new scenery even. He’s seen a lot, been around and experienced enough, so he likes to think that there’s no social scenario that can off put him.
But he was very, very, wrong. And he can’t believe that he had even suggested the idea.
“Could be good fo’ her,” he insisted, “y’know?”
And yes, you did know. In fact you had been keen on the idea for a while and it was him, up until now, who had been adamantly pushing back against the suggestion of inviting in a new chapter. The ‘co-parenting chapter’ not so fondly known by him.
“I love that idea!” and just getting you to agree with him on something made his stomach flutter, which is likely what prompted him to suggest it in the first place.
It’s exactly what landed him here, on a beautiful Sunday afternoon. One hand is stuffed awkwardly in his pocket, fingers mindlessly pushing around a piece of lint from the wash. The other has his camera, thumb locked and loaded, so any time Angel Baby decides to look cute (which is always, that’s why he’s got an entire cupboard full of processed digital photos) he’s prepared to eternally document it.
You had set it up nice. Very artistic in a vintage kind of way, that’s what he told you when he met you at the park. And he liked that you packed that Barbie doll angel baby loves, the one that’s been ridden hard and long and was missing a foot.
“She’s gotten bigger,” he mused, a shameless attempt to break the silence.
“Bigger than when she was with you last Thursday?”
He had almost forgotten she’d slept over at Anne’s with him the weekend before. Days in between his time with Angel Baby felt like painfully long, drawn out weeks. A fear of his, regardless of whether or not it was realistic, was that for every minute he spent in separation from her she’d have gotten a little taller or a little older. She’d lose a tooth and he couldn’t play tooth fairy, or she’d have a nightmare and he couldn’t be the one to hold her tight to his chest so she felt safe enough to fall back asleep.
“Everything going good?” Your uppity tone makes his neck twirl to look at you, “like, you know, with the music and the new album?”
He can appreciate you taking interest in his work, and he doesn’t care if you’re just trying to make small talk as the two of you look on at Angel Baby collecting random blades of grass. He’d like to think you’re feeling just as awkward as he is. Are your palms clammy too? He’s wondering if you have that weird, knotted pit in your stomach like he does.
“Yeah,” he nods, “mhm, all good, goin’ real well. S’a process ‘nd all.”
He feels stupid. What a stupid answer, especially because you say nothing back to him and the conversation went right to the graveyard and buried itself 6 feet under.
There was a time where conversations never were like this between the two of you. In fact, they were some of the very best times of his life to date. Not one moment would pass by where the two of you weren’t chatting about something, usually nothing at all really. The banter would ramble on and on. And talking to you felt easy, comforting even, like he had a soundboard to voice off of and a partner who never tired in stimulating his thought process. It never felt like this, like it does right now; forced, uncomfortable, dreary and even a little sad.
“Daddy,” Angel Baby’s voice comes to him in a wave of sing-song, paired with a big grin, “play princesses with me!”
There’s next to nothing in this world that she could ask of him where he wouldn’t immediately agree to her. He’s fully at her Beck and call. No was a word she seldom heard come from Harry, so naturally he agrees.
“I’m gonna answer this call,” and he fights off the frown creeping up on him as he sees your face light up at the caller ID, “do you mind?”
Reluctantly, he shakes his head in a way affirmative enough for you to practically skip off. And when you’re far enough away, out of earshot beneath the shards refuge of an old tree, he lets out the disappointed sigh he’d been swallowing.
“Daddy,” angel baby’s tone is melancholy, frowning as she places her face directly in front of Harry’s, “you’re sad.”
“Sad?” He inquires playfully, though forced, “m’not sad, poppet. Couldn’t be sad when y’with me.”
She doesn’t want to giggle when Harry’s like this, all down in the mouth and out of his element. The two of them are almost alarmingly in sync with one another. When he feels a certain way she never fails to tap into it, like a weird sort of telepathic type of connection. But she can’t ward off the shrill of a belly laugh that bubbles out of her, serene music to Harry’s ears, when he grazes his fingers atop her belly to start tickling her.
“Who was that?”
He doesn’t know why he asked, because that’s rude. And if you don’t tell him, he has to understand that it’s perfectly fine if you don’t want to share. He’s not in the position to be invasive anymore, it was a privilege he surrendered when he put his signature on the divorce papers. But it didn’t stop him from wanting to know, just for the sake of curiosity.
“What?”
“On the phone,” he repeats, tone a little more shy, “sorry, was rude of me t’ask.”
“Oh,” your nervous laugh was enough of an answer in itself, “just my sister.”
For all the years you’ve known him, shared a bed with him, woke up in the morning and fell asleep at night with him, if not for the fact that the product of your love for one another was sat beside him eating a cookie and brushing the hair of an American Girl Doll, he’d have liked to think you’d know he’d realize you were lying.
There’s no sense in pressing you though, so he doesn’t. Anymore detail you provided would just be twisting the knife.
He’s bitten off more than he could chew. There was no sufficient amount of mirror pep talks or hours worth of phone calls to his mother that could have prepared him for this. The only time the two of you had really spent together post divorce, before his lackluster suggestion of a family picnic, was at Angel Baby’s birthday party three months ago. Even than, it was chalk full of other people to mingle with and not just the intangible concept of the family unit he had just a year ago.
This is too fucking hard.
“I can’t do this.” He breaths it out almost all in one word, “I really just.. can’t”
He doesn’t want to disappoint Angel Baby, but if he doesn’t leave now he very well may cause a scene in front of the few stray bystanders loitering in the park. So he sturdiest himself up until he can crouch down, stroking the top of Angel Baby’s head before finishing with a long kiss to the part of her hair.
“Can you stay,” she whines, jutting her lip to really put an emphasis on her begging?, “just 3 more!”
He has to refuse, though he wishes he could just tough it out for her. He can’t though, and while you’re bewildered for a minute, a good look at the expression on his face tells you exactly why he’s in such a rush to book it to his car.
“You can stay,” you insist, to which Angel Baby violently nods in agreement, “and we can walk to the edge of the pond to-“
“I can’t” and now his voice is completely defeated, “(Y/N), I really can’t,”
You let out a defeated, solemn sigh, “Harry we talked about this. It’s not gonna be easy but with time-“
“S’never gonna ease with time,” and now he’s getting up to leave, “m’trying but I just can’t, this is too hard,”
And as excruciatingly hard as it was to play his role in the united family forefront bit, something he used to never have to force, walking away with his back to you was even harder.
This, all of it, is just too fucking hard.
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teebarnes · 3 years
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✨ | I'm Fallin' For You, Darling.
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Click [100 Followers Fic] for the rest of the 100 follower fics :)
Pairing: Chris Evans x female!reader
Summary: Both you and Chris have quite the relationship, it all started the day you gave him a marker.
Word Count: 3.5k
Warning(s): Fluffffff, Angst for sure, talk of anxiety (not a lot but also a lot).
A/N: Thank you guys so much for 100 followers! It means the world, I hope you like this one as much as I do. (Sorry that's a lotta words).
⤑ Click here for my taglist so you can be notified when my new fics are posted.
Any Likes, Comments & Reblogs are super duper appreciated :))
When Chris Evans is nervous, there is only one thing that calms him down. And that one thing is you and the fact that you allow him to doodle on your hands all the time.
The premiere of Captain America: The Winter Soldier was the first time you saw Chris so nervous. Him constantly rubbing his hands together or bouncing his leg underneath the press table and the times when he'd fiddle with the hem of his shirts. These were things you noticed Chris did when he got nervous, and it seemed that you were the only one who witnessed them.
The third day into the film's press tour, you decided to take matters into your own hands. You knew what it felt like to be anxious, the feeling settling within the depths of your stomach or the constant avoidance of looking out to an audience. Sometimes you'd excuse yourself a few times throughout interviews just to catch your own breath.
~
The whole TCA: TWS cast sat along the stage of the comic-con panel. The hosts introduced you all, crowds cheering loudly when they saw everyone.
You took your seat next to Chris, who was already fiddling with his plastic water bottle that he'd been gripping so tightly on, you could already see the indents on the bottle. You smiled, looking out to the audience waving back to some of your fans that you could see holding signs up for you in the crowd. It was, in fact, times like these that your anxiety shot right out the window, replacing that anxiety with happiness and admiration of your fan base.
Five minutes into the panel talk and questions were directed to Scarlett and RDJ. You knew you wouldn't be talking anytime soon as, of course, like all other press tours, the interviews were heavily coordinated. So before you'd have the chance to speak, Sebastian, Anthony, and the Russo brother would go first. Sitting back in your chair, you took a sip of your water, your eyes following down to where Chris was bouncing his leg. Then, setting your water back onto the table, you pulled yourself and your chair closer to the table, reaching over across Joe Russo, who observed what you were doing.
"Could you pass me the marker, please, Joe?" you whispered to him; he smiled, nodding handing you the marker. "Thanks", you whispered again.
You returned to the comfort of your seat, Scarlett and RDJ still bantering. You look forward to the audience and give a tiny little smile to the fans who were waving at you. Your eyes looked down to your arm; you wrote a little message on your forearm, so he knew what the pen was for.
You scooted a bit closer to Chris just enough so you could hand him the pen. You lightly looked over to him; your hand went underneath the table and across to rest on Chris' lap. It was right there when his leg stopped bouncing. You held the pen in your hand, waiting for him to take it from you. Chris looked up turning his gaze to you; you gave him a smile nodding.
His eyes directed back down to where your arm was. He read the note you had written for him, 'Use my arm to doodle. It helps with anxiety :)'. He let out a smile, all the while letting out the breath he'd been holding in.
You looked back up and over to Sebastian, who was now talking; you felt the pen slip out from your grip, the marker clicked and the coldish ink embracing the surface of your skin.
One of Chris' hand rested firmly on your forearm to keep it from moving, and the other used to doodle. That was the first time in the history of you knowing Chris to be calm and content. No bouncing his leg or fidgeting. He was completely aware of everything instead of his growing anxiety.
~
It was after that moment Chris slowly began to fall in love. He never expected someone to notice his worries and do something about them. But, the way you sat there while he doodled on your arm didn't phase you at all, you wanted to support him, and you showed him that you did.
Years later, It became a force of habit, the tiny hugs you'd give Chris just to slide a marker into his pocket before going on stage. The small slight movements he'd make before he took your hand into his so he could draw.
You'd become someone who knew him better than he knew himself. The many dates he took you on lead to you moving in with him. The small moments you both had messing around on set and loving him in the silliest of moments meant eternity to the pair of you. You knew that you had fallen in love with Chris Evans, and so was he. You both just didn't realise that the moment would be a forever moment. If you hadn't offered him a marker that day, where would you be?
It was now the premiere of Avengers: End Game and the last press tour you'd have for a while. Today's interview consisted of a comic-con panel, the same panel you happily let Chris doodle on your arm five years ago.
You both sat together, his hand protectively on your thigh. You were speaking into the mic as a fan had just asked you a question about possibly seeing your character in the future of the MCU. Chris sat there attentive to your voice while he drew on the top of your hand. It was a little duck with a Boston Red Sox hat holding a heart.
Once you had finished answering the question and someone else began to speak, you looked back down to see what Chris was drawing. You squinted in wonder; looking back at Chris, you wondered why he was drawing this. Coincidentally, you had drawn a duck on him one day in between an interview—a duck holding a heart wearing a NASA cap. Chris looked at you with his cheesy smile. Oh! he was up to something, you thought. Chuckling, you watched him colour in the small heart with a red marker. He was, in truth, quite a good artist; you managed to take a photo of all his doodles over the years. But this one, this doodle was a bit different; it meant something more to you.
After you had both finished the panel, you were set on getting a new tattoo. Kissing Chris' lips, you told him that you'd see him at home. Chris had asked you where you were going, so you said you were going out to dinner with your mum in town, which was true you just left out the part of you going to get another tattoo. Your parents were in for the weekend for reasons unknown and wanted to see you before they left, so you had already planned to see them. He nodded, kissing you once more before departing ways.
You both were always so sentimental, and you knew as soon as you saw that duck in a red sox cap holding a heart on your hand that you wanted it to be a forever doodle. That day, when you had drawn a duck on him, he went and got it tatted on his hand the same day. The first tattoo visible on Chris' body, the only tattoo that wasn't hidden under his shirts. In contrast, most of your tattoos were on your arms and wrists; this was another tattoo among the few others you had on your hand, others being the original six symbol and some writing of your favourite quotes.
Before you knew it, you were sitting on the chair in your private tattoo artist's studio, getting the duck tattooed on you forever. The tattoo was a reminder of memories both you and him had experienced together.
~
The red sox hat, being where he took you on your first date five years ago. To a Red Sox game, of course. You didn't have anything to wear to represent the team, so Chris kindly offered you his Red Sox cap to wear; five years later, Chris had to purchase a new hat because you kept his one. Of course, he didn't mind; he loved to see you dressed in things that were his; the hat was one of them.
"I don't have anything to wear", you sadly pouted at Chris, looking at him in his Red Sox jersey and cap.
He looked down to you as you stood next to him, holding his hand softly, looking out to the stadium. He smiled, taking his cap off and placing it over your head.
"Now you do", he smiled, leading you down the stairs to your seats. You weren't really a fan of baseball. Still, once you had experienced your first game, oh man... it became a routine for both you and Chris to attend every game the Red Sox were playing at.
~
The duck, the furry little animal you had brought home a few months after you had first moved in with Chris two years ago. In all honesty, you wanted to get a turtle, but as soon as you saw that slight yellow fluff waddling around at the pet store, you wanted nothing more than to take it home with you. Chris couldn't say no to you, so the duck became your baby.
"y/n?" Chris came around the corner where you'd sat yourself talking to the little duck... Chris had been looking for you for almost fifteen minutes when he found you sitting there with the pet shop worker.
The excitement in your eyes told him that you had forgotten all about the turtle. You looked up at him smiling, patting the empty seat next to him. He sat watching you pet the small baby duck with your thumb lightly. "I'm naming him Alfie" you smiled brightly, looking back at Chris.
He took the duck out of your hands and chuckled, "Alfie, it is".
~
The red heart...
A reminder of how much you both loved each other. Something that had never gone away, the love both you and Chris had continued, it grew stronger over time, of course with a few hiccups here and there but never enough to break that love. But this, the tiny little heart being tattooed onto you, was one similar to the heart that homed your middle finger on a ring. The rose gold ring he gifted you when he asked you to be his girlfriend four years ago.
You rested your head on Chris' shoulder as both of you watched the office. A new series you'd been watching together, it was a few months after your first date with Chris, and you both were head over heels with each other.
"Hey y/n", he whispered.
"Mh?"
"I'm fallin' for you darling."
You lifted your head from his shoulder, looking up at him, "You're what", you whispered softly, you heard what he said, but you just needed to hear it again.
He brought the small box out, opening it to reveal a rose gold band hearts making up the band. "I said I'm falling in love with you", he smiled before continuing ", Be my girlfriend?" he sweetly asked.
You chuckled, letting him slide the ring onto your middle finger. "Of course", you whispered back to him before cupping his face. You both looked at each other, you saw it, you saw the life you'd been wanting. It was with him.
"I love you".
~
Sitting at the dinner table with your parents, you briefly looked down at the now wrapped tattoo on your hand. You had thanked your tattoo artist for another fantastic job; the new ink was precisely how Chris drew it on you earlier today. Your parents were eating away and so were you.
"It's great to see you again, Hunny", your dad spoke.
You smiled, nodding. "I've missed you guys so much."
"What's on your agenda for this weekend?" you spoke again, taking a bite of your food. Your mum and dad took one look at each other before your mum stopped to talk.
"Your dad and I are going to old friends party", she smiled at you. "party", you chuckled. "Since when do you guys party".
"it's an engagement party, I mean... do you have some parties we could go to" your dad joked.
"First of all... no." you laughed, cringing at the image in your head of your parents dancing and drinking. "But that's nice. I hope you both have fun, wish whoever a congratulations for me" you smiled.
"Oh, we will", your mum outwardly said. You took a second to squint your eyes in curiosity to your mum's tone. "Mhkay".
~
It was the end of dinner, and you had parted ways with your parents, taking a Cab to the home you shared with Chris. "thank you, driver," you smiled, hopping out of the cab walking up to your driveway. You giggled, seeing Dodger patiently waiting for you at the front door. "Hey buddy", you smiled, opening up the door for him to jump all over you.
Closing the door behind you, kneeling down to cuddle your pup. Dodger wagged his tail giving you kisses. "Shhhhh", you chuckled lightly, "were you waiting for me, huh?" you watched Dodger roll around on the floor. You stood up, taking your shoes off, leaving your keys on the hook. "C'mon, baby", you whispered, gesturing for Dodger to follow. You both walked down the hall, Dodger by your side.
You could hear the snores coming from your room and knew Chris was already sleeping. You opened the door, looking down at Dodger "go keep my spot warm for me, please", you sweetly asked your pup, who did just that. You watched him gently jump up onto the bed and curl up on your side of the bed.
Walking further down the hall, you went to take a shower. Changing into the PJs you left on the warming rack in the bathroom, you followed back out to check on Alfie, who would be sleeping in your office. Once that was done, you head into your and Chris' room. You took off your slippers and ushered Dodger to sleep in his bed. You kissed his head before he left. "night, bubba".
You slide in next to Chris, who had his back to you. Covering yourself with the blanket, you slide one arm around his bare torso pulling yourself closer to him. He was so warm, and you loved it. Chris groaned, turning over. He smiled sleepily. "Hey hon, how was dinner?" "It was good", you kissed his lips, "That's good," he said, pulling you into his arms to cuddle.
"Hey babe"
"mhhh", he mumbled in a sleepy voice.
"I love you."
"I love you too".
~
The next day you were doing a panel with the marvel cast. Like any other day, you answered questions, so why did you feel this one would be different. You were a bit nervous today, like you had woken up wrong, or you were waiting for something to happen. You didn't know if that was a good or bad thing.
You were talking to your audience. It was a large panel today consisting of the MCU cast, if not all of them. Maybe that's why you were so nervous; the bigger the cast panel, the bigger audience to speak to. "Make eye contact and hand gestures y/n," you thought to yourself right before you begun to answer the fan's questions. You start to use your hands gesturing when a fan had asked you about your character's personality.
Chris smiled, watching you intently; fans noticed. But as you were gesturing, he noticed the tattoo. He had to double-take when he saw your hand, leaving a small on his face. After you finished your question, he leaned in. "I love your tattoo, babe", he whispered; his comment calmed your nerves a bit as you chuckled ", just following your lead."
You both lean back into your seats as Joe and Anthony Russo began the next half of the panel. You were already forty minutes through... only another forty to go.
Anthony spoke, "As you may know, this will be the last you'll see of your favourite actors and actresses for a while..." Joe turned to the entire panel. "So we put together a little something of your time over the last decade" Joe turns back to the audience. "So sit back and relax."
The panel turned their chairs to watch the big screen, the lights dimmed, and the video rolled. It was a decade gag-reel of everyone in the MCU; Chris had pulled your chair closer to his; he knew you were nervous, for what reason? He didn't know, and neither did you. He should've been the nervous one; he was about to do something in front of the entire audience he had been planning for months.
Your head rested on Chris' shoulder, laughing with everyone else as the embarrassing footage rolled through. There was more footage of you and Chris than anyone else, but again, you were too clouded in worry. You didn't overthink about it.
Then there it was, a clip you didn't know existed—a video of you dancing with Scarlett and Jeremy on the infinity war set. You were being videoed from afar, but Chris comes into the frame making funny faces before pointing at you. You blushed a bit, laughing lightly.
"You see her", Past Chris spoke to the camera. "One day, I am going to marry her" he wiggles his finger over to your past self, who was still dancing around like an idiot. You swear your heart stopped, so ultimately, you started bouncing your leg. The video stopped, and the lights came back on. There were hushed voices; you knew they were looking your way, but you couldn't tell why.
You turned your chair, trying to avoid whoever was looking at you. Not noticing anything, nobody was talking. You had turned your head to look down to the end of the panel where The Russo brothers were. They were all looking in your direction, including the whole cast panel. You jumped slightly when Chris caught your leg mid-bounce; you turned to look at him, his eyes dazzling before you. Oh, that smile, you knew that smile all too well. Chris was smiling like a little kid.
Chris tapped you on your thigh, which caught your attention, so you looked down. This is it; this is the same feeling you felt when he first asked you to be his girlfriend. You burst into tears after reading the message on his arm; Chris' forearm rested in your lap while holding a black marker in his hand. You sniffed, looking softly at him. He was now in tears too. Taking the black marker from his grip, you clicked it; resting your hand on his forearm to steady yourself, you answered his question.
'Will you marry me, y/n?' the question written in his bold writing stared right back at you.
You always had your answer 'of course.'
You closed the lid on the pen, and Chris opened his hand; your engagement ring sat in the nook of his palm. He slides it onto your ring finger right next to your rose-gold one. You smile blinking through the tears, you turn to him, and Chris had already stood with his arms in the air.
"SHE SAID YES"
The whole audience got up cheering; he leaned in, cupping your cheeks, both of you laughing through your kisses. He had lifted you into his arms, spinning you around. He set you back down; you wiped the tears from your face laughing while wearing your t-shirt. At that point, you knew everyone was in on your proposal; you turned to your cast members, who were all clapping.
"Give a round of applause for the future Mr and Mrs Evans!" Joe spoke.
You went around hugging everyone who had gotten up just to congratulate the pair of you. One by one, your friends embraced you in their arms.
"Congratulations", two-voice spoke from behind you, "oh my god, you idiots", you chuckled, pulling your parents into a big hug. Chris stood next to you as your dad pulled him into a hug. "Your fiancé sends her congratulations", he laughed, referencing the conversation you had with them last night.
Chris looked down at you, "They had texted me last night what you had said. I'm surprised you didn't catch on", he laughed. "I- I didn't know... I was curious after mum said it so suspiciously but didn't think," you mentally face-palmed yourself.
And like that, the panel was concluded. Everyone congratulating you and Chris before leaving. Chris had set up a little engagement party back at your house; everyone was enjoying their time having fun. You sat on Chris' lap still in shock, his arms wrapped around your waist "you didn't see that coming, did you?" he smirked, looking up at you.
"No... no, I didn't" you laughed sweetly. Your hand ran over Chris' forearm where it still had both his and your writing on it. "That was the best proposal ever" you looked at him, smiling, "I'm glad, darling" you both leaned into each other, lips connecting softly.
"I've fallen deeply in love with you, Mr Evans".
"I'm still falling for you".
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Chris Evans Taglist: @buckyswintersoldiermask @lharrietg @buckyfan12 @afraid-to-be-me @fairityretro
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bleachluna · 3 years
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What Do You Dream Of?
My fic for day 11 of @ichirukimonth! Also on AO3.
The first time it happened Ichigo didn't really think much of it. They had barely known each other a week, and he'd known she was sleeping in his closet for even less than that. He'd woken up for god knows what reason at 2:13am, turned over to try and fall back asleep only to realise that he could hear Rukia tapping away on her phone. He thought about getting up to tell her to go sleep, his big brother instinct kicking in for a split-second before figuring that it wasn't his business. He's sure Rukia can look after herself and besides, he doesn't know much about how shinigami work, maybe they don't sleep as much. They're the dead right? Maybe they don't even need to. He rolled over in bed again, facing the wall instead of the closet this time, and went back to sleep.
Then, one night a couple of weeks later, Ichigo was struggling to fall asleep. His thoughts just couldn't seem to settle down enough for him to slip into dreaming, only cat-napping at best. He was tired, frustrated, and very aware he had school the next day, which just made it worse. He opened one eye to look at the time: 1:44am. It wasn't horrendously late, he could still get a solid five hours if he fell asleep soon. He shuffled his head further back into his pillow, closing both of his eyes. It couldn't have been more than a minute when he heard a sudden gasp from Rukia, even through the closet door. Ichigo sat up, one leg swinging out of the bed, assuming a hollow must be on the way. Normally he'd be pissed to have to deal with that at this time in the morning, but maybe it meant he could burn off some excess energy and finally fall asleep. He swung his other leg out, moving to stand up before realising that Rukia hadn't left the closet. He could hear her shuffling around, breathing heavily. He sat there for a minute, waiting. He listened as she slowly got her breathing under control, going from shuddering gasps to deliberately drawn out breaths. Listened further, part of him still on high alert, as her breathing went slower still with a regular rhythm. She'd woken up from a nightmare. So she did definitely sleep, even managed to fall back asleep after being jolted awake. He wondered if she got nightmares regularly. She certainly fell back asleep quickly enough. Putting it out of his head, Ichigo got back into bed, getting his legs back under the covers and flipping his pillow over. He lied down on his side, facing the closet with his eyes closed, part of him still listening out for Rukia's breathing, and slowly fell asleep.
The next time was another couple of weeks later, a hot night, the type of night where it's a fight to actually stay asleep. The type of night where you wake up because you need to kick off the covers, but your unconscious self keeps pulling the covers back on because that's how you always sleep, so you end up going round in this stupid cycle every two or three hours. Ichigo woke up at some point past midnight, he already can't remember the exact time but he knew it was before one in the morning, and had heard that Rukia wasn't asleep either. He hadn't worried about it, it wasn't that late yet and it was hot, it was probably even worse in the closet, tucked up in what is effectively a sealed box. He had just thrown his covers off, flipped over to his side and fallen back asleep again. Sure enough though he woke up again, aggressively kicking his covers down the bed with his eyes still shut. He went to roll over only to realise that he could hear Rukia breathing heavily again. He turned his head and reluctantly cracked an eye open, spotting that it was 3:37am. He tried to ignore her and go back to sleep. Rukia was a big girl, she could look after herself. He tries to, but his mind wonders regardless.
The thing is, Ichigo doesn't wake up in the night all that often, not any more. And yet, whenever he does on the rare occasion, it seems like Rukia's never peacefully asleep. He's had bouts of nightmares before, he knows they suck, and well...the thing is, he knows Rukia better than he'd care to admit. He knows damn well she'd never ask for help, for anything really. Something about this feels like crossing a line, he doesn't know why he's doing it, maybe it's just the heat getting to his head or maybe, just maybe he does care about her, a little bit, but he gets out of bed. Knocks quietly on her door. Listens out but doesn't hear anything change, if anything her breathing just got heavier. He slides the door open, watching as her eyes suddenly snap open, the rush of air presumably waking her, staring up at him in genuine surprise.
“Wh-What? What are you doing?”
Ichigo scratched the back of his head, instantly feeling awkward. “I just-, I think I heard you having a nightmare, just wanted to make sure you were ok.”
She stared at him for another moment before looking away, quiet as another moment passed. “Of course I'm fine.” She finally looked back up at him, all vulnerability gone from her eyes, “why wouldn't I be?”
“Just wanted to...check.”
Rukia makes an aborted head movement, like she couldn't decide between nodding and shaking her head and ended up doing neither, before sliding her door shut again. Ichigo stares at the wood panel for half a minute, not knowing what to make of any of that, finally snapping back to himself and getting back into bed. He isn't sleepy any more. He lies down on his back, staring up at the ceiling, waiting for Rukia to fall asleep. She doesn't. So neither does he. A couple of hours later Ichigo turns his alarm off on the first ring, and they both get up, getting ready for school, with Rukia completely avoiding his eyes.
After that, Ichigo ignored it. Evidently he did cross a line, he had clearly bothered Rukia, so he ignored the fact that she never seemed to get enough sleep, and the sleep she did get seemed to be filled with horror of some kind. Ignored that Rukia occasionally nodded off in the day, ignored that she seemed to sleep better if he was around, and he definitely ignored the one time she slipped into sleep while he was piggy-back carrying her, her leg injured in a fight with a hollow.
It barely lasted three weeks. Ichigo had woken up suddenly, groggy and unable to figure out why he was awake. Maybe he had had a nightmare? It took him a minute to orient himself, rubbing at his eyes when it hit him and he shot up out of bed. Someone was crying. Assuming it was one of his sisters, he went to leave the room, passing Rukia's closet before realising that it was her. Rukia was crying. Rukia, the strong, confident shinigami, was crying. His hand hovered over the door handle. She wasn't happy the last time he did this, he doubted she'd want him to check on her. But was he supposed to just leave her like this? Pretend she wasn't clearly upset? It was hearing her choke on a sob that decided it for him. No, she probably didn't want him to check on her, but that didn't mean she didn't need it. He slid her door open. Rukia's head shot up before hastily going back down, wiping furiously at her eyes as she snapped at him. “What? What do you want?”
Ichigo rolled his eyes, reaching for her, firmly grasping her wrist. “Don't give me that.” He pulled, encouraging her out of the cramped space, “just come here already.”
“Huh?” Ichigo pulled a little harder, making her get out of the closet with a sharp glare on her face. “What are you doing?”
Ichigo ignored the question, wasn't really sure what to say, so he just pulled her over to his bed. Rukia rooted her feet to the floor in response, a foot away from the bed, yanking her arm back, speaking harsher this time. “What are you doing?”
Ichigo sighed heavily, a little too half-asleep and frankly too bewildered by the whole situation to come up with sensible words, he figured it would be pretty obvious at this point. “We're going back to sleep.”
She turned to him, more confused than angry now. “We? In your bed?”
He shrugged. “Yeah.”
Rukia didn't move, still looking at him, looking like there was about a hundred different things she wanted to say in response. Ichigo glanced at the clock. It was already past four in the morning, he didn't have it in him to argue about this. He quickly put his arms around Rukia and lifted her in a bridal carry, ignoring her surprised protests to deposit her carefully on the bed, close to the wall, and slipped in behind her, pulling the covers over both of them. “Go to sleep.”
She rolled over on her side to stare at him. “Are you crazy?”
Ichigo sighed again and rolled over so he could stare at her back. “What?”
“What if your sisters walk in? Or your dad?”
He looked at her for a moment before reaching for his alarm clock, changing the time it would go off. “There. It'll go off before dad's. You can't tell me with how jumpy you are that you won't wake up to that going off.” He wiggled his head into the pillow, closing his eyes. “Can't promise I'll wake up to it, but fuck it at this point, you can just climb over me. Go to sleep already.” He could feel her still staring, but he was tired enough to fall back asleep despite it. He's not exactly sure if she stayed, when he woke up she was already out of bed and changed into her uniform, but he has a feeling she did. She was embarrassed around him that morning, avoiding him, but her eyes were a little brighter and she was a little more energetic despite the sudden shyness.
The sneaking suspicion that she had stayed, and more importantly that it seemed to work, that she seemed to sleep better if she was with him, meant he did it again without hesitation. A week or so later Ichigo had woken up needing to go to the bathroom. A few minutes later he was partway getting back into bed when he heard Rukia moving around, tossing and turning, obviously awake. Without even thinking about it he knocked on her door, warning her before sliding it open. She gave him an exasperated look and shook her head. “You know you can leave me alone right?”
He leaned forward and went for her hand, before quickly deciding against it and grabbing her wrist instead. “As if. How am I supposed to sleep with you moving around like that in there?” He pulled her out of the closet, noticing that Rukia wasn't exactly fighting back, leaving the space perhaps a little too easily.
“Well...sorry, I won't move around then!”
“Uh-huh.” He just kept pulling her towards the bed.
She stopped moving just beside his bed like last time. “I can't keep sleeping in your bed.”
He shrugged and put a hand on her side and pushed her gently forwards, willing himself not to smirk when she went, shuffling over to the far side. “Why not, the twins sleep in here sometimes when they get nightmares, Karin went through a whole phase of it at one point.” He got into the bed after her, automatically getting on his side to face her.
Rukia rolled over onto her side to stare at him. “I'm not your sister.”
“Thank god.”
She slapped him on the arm. “Ichigo you just said if they get nightmares they come in sometimes. What if one of your sisters come in while I'm in your bed?”
“Wouldn't be the worst rumour I've heard about myself.”
“Ichigo!” she whispered as loudly as she thought she could get away with.
Ichigo propped himself up on one arm to look at her properly. “Look, you obviously can't sleep and I can't sleep with you tossing and turning and waking up all the time. So you know...one problem at a time, if one of them does come in then I'll deal with it then.” He went back down, closing his eyes.
Rukia went silent for a minute, still looking at him, before talking quietly. “I didn't mean to disturb you.”
Even half-asleep Ichigo caught the self-deprecating tone. “That's not what I meant, it's not your fault.”
“Still, if I'm interfering with you getting sleep maybe I should...I could find somewhere else to stay.”
He opened his eyes at that. “Where?”
Rukia shrugged as best as she could in bed. “Uraharas?”
“Like hell.” He closed his eyes again. “Just stay here.”
“I don't want to burden you-”
“With nightmares?” He asked incredulously, eyes open again. “It's fine. I just said Karin went through a phase of them, I've had plenty of them too so I get it, it's fine.”
She searched his face for a moment. “You get nightmares?”
“Yeah.” His eyes darted away from her. “They used to be a lot worse when I was younger, like every night kind of bad at one point. It's better now but I still get them sometimes, especially after, um...Grand Fisher.”
Realisation hit Rukia, looking down at the bedspread. “The night your mother died.”
Ichigo took a deep breath. “Yeah.” A moment of silence, neither of them looking at each other. “What about you?” Rukia looks up, questioning in her eyes, so he clarifies. “What are you having nightmares about?”
She sighed, shaking her head a little. “Just...a mistake I made. Well actually a whole series of mistakes I made that led to...A really bad night. For everyone involved. I, um...I did something that I can't ever take back.”
Ichigo hummed to let Rukia know he heard her, unsure how to respond. She rolled over a little, half on her back, half on her side, looking out of the window, watching the droplets hit the surface. “It's always worse when it rains.”
He huffs out a small laugh. “Huh, same.”
Rukia's mouth upturned ever so slightly as she looked back at him. “You didn't pull me in here so I could protect you from your nightmares did you?”
He gave her a gentle smile. “Wasn't my intention, but hey if it works.”
Rukia rolled her eyes with a smile and pushed at him, almost making him fall off the bed. Ichigo made a noise of offence and pushed back at her, more gentle than she was, getting resettled on the bed. Rukia watched him for a moment before quickly rolling over to face the wall instead. Ichigo waited for her to stop moving, shuffling forward slightly now that he had more room, careful to not actually bump against her. Minutes pass and he finds himself waiting for her to relax, listening out to see if her breathing will slow. He wants to make sure she can get to sleep, it seems to escape her so often, surely she's exhausted, but she's just lying there. Part of him wonders if she's waiting for the same thing for him.
He sighs. It goes against all his instincts, to fall asleep before her when she's the one having trouble, but he's also not interested in playing a game of chicken where neither of them gets any sleep. He knows Rukia doesn't know how to deal with feeling vulnerable, maybe she literally can't sleep until she knows he is. He focuses on his own breathing instead of hers, trying to will himself to sleep. He can't quite manage it. He really does want to make sure she falls asleep. In a decision he'd never make fully awake and well rested, he slides an arm around her waist with his hand gently resting on her stomach, keeping a metaphorical eye on her while he falls asleep, feeling the rise and fall of her breathing. If she has a problem with it, his sleep-addled brain notices that she doesn't say anything and well, it's Rukia, she would say something. Or at least push his arm off. Without thinking he tightens his arm around her, pulling her close to make sure she's safe, and finally falls asleep with his head almost tucked into her neck.
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woeisme-iamwoe · 4 years
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an absolutely massive Haikyuu!! fic rec pt. 1
I went through my entire ao3 history because I’m insane, AND here’s my favorites. (There’s not a lot of aus because I’m not a huge fan of them, and there’s no sad endings. I’m a hopeless romantic leave me alone. There is angst though! Lots) 
Beginning with SakuAtsu (I’m a hoe for Atsumu): 
Hide and seek, by badreputation (10k. E. canonverse) 
It sure is a good thing Atsumu doesn't have a latex allergy 
It’s just a fleeting infatuation. As long as he pushes through it he’ll manage. So what if nowadays there isn’t a night where he doesn’t dream of Sakusa pinning him down on his own bed, in the shower or make Atsumu go down on his knees in the hallway? Those are just pesky details.
Some Memories, We May Keep, by mika60 (31k. T. canonverse) 
This is canon, fight me on it. 
The missing panels, the missing games, the missing moments.
The them we never saw.
*Now complete! :)*
 every action has an equal and opposite reaction, by akanemnida (10k. T. canonverse) 
Miya Atsumu gets a modeling contract with Calvin Klein, which sets Kiyoomi's heart in motion.
(Or: Sakusa Kiyoomi realizes that the rules governing the universe are absolute rubbish at explaining matters of the heart.)
 Ass-fingering as a prelude to relations of the emotional kind: a case study, by neverwere (2k. E. canonverse) 
Fucking hilarious, the imagery is absolutely hilarious. 
"Marry me, he thinks, as he comes around Sakusa's fingers and all over himself.
This. This is exactly why you don't let strangers or very attractive teammates finger you out of the blue.
Everyone knows that the ass is the shortest way to the heart."
Or
When it comes to sex, Atsumu has rules. Guidelines! SOPs! He swears they work, they've always worked.
Until they don't.
 parallax error: angle of inclination, by min_mintobe (10k. T. canonverse)
But now there's the one person Atsumu'd promised himself never to touch. His eyes leave Atsumu breathless with guilt at seventeen, and he spends the next six years safe in the satisfaction of making things right.
Feelings, of the physical kind, and one kiss.
ft. competitive spirit, childishness, and late night conversations.
Atsumu POV.
 autumn ends, but we remain, by wolfsbvne (5k. T. canonverse)
Author says in their ending notes that they're not an ‘author’, but methinks they should write more and pursue that career path because this was wonderful.  
atsumu stares at his ceiling at 2am. he stares until he can make out designs in his popcorn ceiling. a cat there, an onigiri here, and then something that suspiciously looks like a mop of hair, triangle eyebrows, and oh those two bumps are moles right above what atsumu just mapped out as an eye.
(or, atsumu is in kind of in love. sakusa is maybe in like.)
I left a taste in your mouth, by emso (26k. E. bodyguard au)
Because obviously 
Sakusa fixes him with a vague expression of something like distaste. There's a scathing edge to his tone when he speaks. "Contrary to what you seem to believe, not everyone who meets you is instantly dying to get into your pants, Miya."
"Lucky I don't really care right now what 'everyone' wants to do, then." Atsumu swivels his mug around on the tabletop a few times, and then brings it to his mouth to drain the last few dregs of his latte. Over the rim of his mug, he adds casually, "Just you."
Whoa hey Bodyguard Omi, I think Spoiled Rich Kid Tsumu might possibly have a teensy crush on you. 
 How do you know you're in love?, by spiritscript (12k. T. canonverse)
Pure art
“So, how did you know you were in love? How did it feel?” Atsumu felt nervous asking this, a slight wiggling in the pit of his stomach, unable to look at the man beside him who rolled his shoulders in an attempt to reset his posture. “I mean, you didn’t resonate with what I said, so, what is love to you Omi-kun?”
Atsumu thinks he must be in love with Hinata Shouyou and so asks the best person he knows to help him understand his feelings
 san'yo expressway, 6:17 pm, by yamabota (13k. T. canonverse)
Of violent forethoughts, and handheld car vacuums. 
Atsumu tilts his head to watch a slice of orange light bend over the impassive planes of Sakusa’s face. He is absolutely, ruthlessly beautiful. It makes Atsumu want to punch something—put his foot through the windshield—scream, maybe.
Kiss him again, maybe.
They have 344 kilometers to figure this one out. 
Different Kinds of Dysfunctional, by DeathBelle (Series, 5 works. T-E. Canonverse)
Honestly, I think this one is kind of famous amongst Sakuatsu readers but I can’t not include it. If I recall correctly, this is the fic that got me into Sakuastu, so thanks, DeathBelle. The characters are portrayed really well (i.e. Sakusa is disgusted and confused, and Atsumu is a little shit). You’ve got a good balance between conversations and descriptive thoughts and all-in-all it’s just a really good read. 
 Atsumu said into the heavy silence, “You can’t say you’ve never thought about it.”
"Thought about what?" said Sakusa.
Atsumu smiled to himself, smug. "You know."
"No, I don't."
"You know. Of course you’ve thought about it. There’s no reason to be ashamed, Omi-kun. I’m a real catch.”
Sakusa was appalled. "You're disgusting."
"You flatter me. I'm not judging you. I can't lie and say I haven't thought about it, too."
Sakusa shifted, slowly, to peer over his shoulder. He wasn’t scowling, but his expression was unreadable. “Please tell me you’re joking.”
Atsumu wasn't joking, and he was about to get more than he bargained for.
i'll do anything you say (if you say it with your hands), by liliapocalypse (7k words. T. canonverse):
Oh, god. This one was so cute. Super fluffy. Loved the metaphors and symbolism. Sometimes you just can’t say things out loud. 
When a bad injury shocks the whole V. League, Sakusa finds himself paired with Atsumu for more rigorous assisted stretches before every training. Atsumu then finds himself writing random letters on Sakusa’s skin to soothe the spiker, forcing Sakusa to reevaluate how his touch aversion became an irresistible yearning for more, and how the boy with the annoying hair somehow brought that hunger to life.
Or, the fic where Atsumu mindlessly writes a confession on Sakusa’s back when he thought Sakusa wasn't paying attention. Sakusa always did.
 mortality is found is the flesh of your sins, by novrik (10k. M. canonverse)
This is literally my favorite fic of all time. Not just of Sakuatsu, not even of the Haikyuu fandom. Ever. Favorite fic ever. Listen, I’m an atheist, but this fic took me on a religious experience that I haven't come down from yet. The symbolism had me actually shivering, and I had to put my phone down quite a few times. Just, oh wow, just read it. I’d like to share my favorite line; ‘And if Sakusa is Eve, if he takes a bite, what then? Perhaps, he is a little afraid of the knowledge he will gain’. My god, author, if you ever see this, this is not only a plea for you to continue writing, but also an offer of marriage. Your hand, author?
 dickhead one, sakusa kiyoomi. dickhead two, miya atsumu. neither understand how to communicate.
Pray tell, why are you drawn to him?
Are you drawn to him in the way he looks beautiful even when crying?
When his eyes are red, shiny tears streaking down, lips quivering, is he beautiful?
 sakuatsu domesticity simulator, by pseudoanalytics (75 words. T. canonverse)
75 words because it's actually a digital art simulator. An interactive fic! How frickin’ cool is that? The art is so beautiful and I love the plotline and ugh, just everything. Please read, or watch, or click around, yes. Good. 
Update: artist created another interactive fic and of course it is wonderful. SunaOsa this time! https://newttxt.itch.io/cheesecake honestly just check out @newttxt their work is amazing and I love everything they do. 
a vaguely interactive mixture of fic, art, and html, where you too can experience the inherent romance of a big fat jerk and a too-blunt jerk attempting intimacy
***
(this is the result of letting the sakuatsu brainworms really get to you...)
 Pas De Deux, by hatsuna (19k words. T. Ballet/college au)
There's just something about prim, proper ballet Sakusa and human-benign-tumor Atsumu that makes my heart burst. Seriously gorgeous writing style, loved every second. By the same author who wrote ‘liminal spaces’ (which is also just perfect) so that should give you a good idea of the style. 
The mystery athlete gives Kiyoomi a once over in the mirror. “Yer pretty tall,” he observes. The twang of an accent rasps low in his throat. His brazen eyes drift to Kiyoomi’s legs, and something like exhilaration glints gold in his gaze. “Good quads, too. Ya ever played volleyball?”
 Ah. So it’s volleyball.
“I’m a dancer. Ballet and contemporary, mostly.”
 the affective presence of our black and white reruns, by kozumess (19k. E. canonverse)
Beautiful, classic misunderstandings, my heart actually physically ached at that one scene (you’ll know the scene when you come to it). Kiyoomi is so refreshingly relaxed(? Is that the right word to use? We all know Omi never truly relaxes). 
but the want, it's always there, constant like the static playing on every television channel, present even when the station disconnects.
 cut the conversation, just open your mouth, by meeksoo (E. 16k. canonverse)
Absolutely filthy...BUT WITH FEELINGS! Completely nails the Sakuatsu dynamic, and protective ‘Tsumu? Love it. 
Sakusa opens the door. He always does.
 They’re teammates first, barely even friends. But they hook up on the regular and it works. It’s simple, easy. But then a fan gets too close, Sakusa reacts, and Atsumu is swept up in how quickly things can get complicated.
__
As Atsumu palms himself over his briefs, still feeling off, he realizes it’s because he still wants it. Him. Sakusa. Even after already having him earlier.
He should probably feel self-conscious, mildly ashamed even, that he’s panting ‘Omi Omi’ into the dark beneath the steady thrum of the AC unit when Sakusa’s right down the hall, probably good for it if Atsumu ended up back at his door. Instead, he lays there, writhing and sweaty, alone in his hotel room bed thinking about Sakusa and touching himself.
Afterward, as cum begins to cool on his chest, Atsumu really can’t help but face the fact that things may be getting complicated.
 the hands that beckon me to come, by Ellieb3an (4k. E. canonverse)
So hot, what the fuck! 
The toss, the run, the spike-serve at the end of it all—Sakusa sees it happen in perfect clarity as if time has slowed and his vision narrows to the center where just Miya exists, all powerful muscle and extraordinary skill and that air of confidence.
Sakusa isn’t one of the best receivers in the league for no reason, so his body moves on muscle memory, forearms absorbing the sting of the hit. It’s not enough. But his eyes are still on Miya—on the way his shorts ride up his muscular thighs as he lands, on the bead of sweat dripping down his forehead, on the clench of his fist thrust into the air—when the ball ricochets out of bounds.
***
Atsumu stays late at practices to work on his new third serve, even when his frustration with it starts throwing off the rest of his game. Sakusa notices and starts hanging back to secretly watch him from the gym doors. He’s fascinated with Atsumu's determination... and more than a little turned on by it, too.
 you're the flame i use (when it gets dark), by starkartifices (55k. M. canonverse. Ongoing)
Everything is the same except the Sakusas are super rich. 
“Oh, if you want dear, you could bring a plus one. Though, I doubt you have a partner yet.”
“I do actually.”
“What was that, dear?”
"I do have a partner, I mean."
alt title: crazy rich sakusas 
 the inherent romance of classical conditioning (or; the fine art of emotional recognition), by pseudoanalytics (13k. E. canonverse)
Ah, yes. A Pavloved sex life. A Pavloved LOVE life?? 
It's stupid. Atsumu isn't a romantic, no matter how many times he's imagined laying Sakusa out and finally really touching him.
So there's no explanation for why Atsumu is constantly stuck thinking about brushing his fingertips against the meat of Sakusa's palms or the prominent tendons in his freaky wrists.
There's no explanation for why doing dishes sets off a warm burn in his ribcage, or why when he smells disinfectant he inhales like he's walking past a bakery.
Yer doin' this to me, he thinks furiously, as Sakusa derails his thoughts with kisses that come more and more frequently now. Yer conditionin' me, and I can't stop it.
 flutterbird (a collection of sakuatsu oneshots), by wordstruck (5 works. T-E. canonverse)
Works 1-3, I think follow a linear story, whereas the last two don't. 
All sakuatsu works are just the angstiest, most miscommunication filled pieces of absolute gold and this one is no exception. Wow. These men are assholes and they bring out the worst in each other, but I’ll be damned if they’re not soulmates. 
Collection of SakuAtsu fics. Several fics are loosely set in the same storyverse. Not necessarily directly connected and can all be read as standalones.
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heliads · 3 years
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The Sibling Dilemma
When you traded a life in Brooklyn with your brother, Spot Conlon, for an exciting one in Manhattan, you swore to yourself that you’d never reveal the identity of your brother. However, you’ve also promised to never tell lies to the one boy who truly matters to you- Specs.
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The lamps are low in the main room of the Lodging House. A golden glow has cast itself about the peeling paint on the walls, and the wooden paneled floor creaks almost constantly as newsies cross over it to reach their friends. A steady hum of chatter permeates the room, as it has for the last hour or so. However, you’re not focused on any of that right now. No, your eyes are drawn to one boy in particular, dark hair tucked away as always underneath a gray cap.
Specs is talking to Race and Albert about the best selling points, leaning casually against the wall as the friends speak. He’s casual, nonchalant, but somehow manages to make the two boys smile again and again, even as he tears their selling strategies to shreds.
“You’re staring again, aren’t you?”
You straighten up hastily when you hear those words. Katherine, who has just slid into the seat next to you, crows wickedly at your embarrassed expression. “Say that a little louder, Katherine, I don’t think they heard you over in Brooklyn.” Katherine just laughs harder. “They may not hear me, but even Spot Conlon can see you staring at him.”
You tug your newsie cap down over your hair, using this small motion as an excuse to do something to get rid of the nervous energy still bounding over you from when Katherine startled you. “I don’t know what you’re talking about. I’m just sitting here, having a good time-” “'And looking over at Specs for the fifth time in the last minute?” You roll your eyes. “It has not been that long, alright? You’re exaggerating. You’re worse than Jack when there are lousy headlines.”
Katherine puts a hand to her chest, pretending to be affronted. “I would never. Besides, I’m right. You’re hopeless, you realize that?” You sigh to yourself. “Trust me, I know. Don’t think there’s a whole lot to do about that, though.” Katherine smiles at that, letting her gaze follow yours back across the room and towards Specs once more. “It’s almost cute.”
She drops her voice now. “Have you told him? Are you going to tell him?” She doesn’t need to name a conversation subject for you to know what she’s talking about. This isn’t some ordinary secret, this is something you’ve been keeping from every newsie in ‘Hattan, ever since you got here a year or so ago. The boys always wondered why you were so good at selling papes if you came from a factory job, but the truth is that your newspaper-selling experience began a lot earlier than that.
You lived in Brooklyn before you came over here. Brooklyn, home of the best sunsets in all of New York and, most notably, Spot Conlon. To you, he wasn’t just some faceless turf leader like he was to the other Manhattan boys, he was your brother. Your older brother, someone who would never let you out of his sight for longer than a second, or at least until you’d made up your mind to leave.
It wasn’t like you’d left on bad terms. You were just tired of always being treated like a sidekick, someone who couldn’t handle themselves and had to be watched around the clock lest you ruin something. You could sell papes like anyone else, if not better, but that didn’t stop Spot from sending you out with an entourage just in case someone tried something. You were a Conlon, after all, and you could rival Spot for his fighting prowess, but none of that mattered to Spot. No, all he saw was a timid little sister, and that was exactly why you had to leave.
It had taken a long time to convince Spot to let you go. Eventually, you had gone up to him and said that you would be leaving that night regardless of his decision, and he might as well accept it because there was no way you would be staying in Brooklyn any longer. He had stared at you for a second, then broken into laughter. “Alright, if you’re so keen on it. Man, you sound like me.” He had sent you on your way with a new newsie cap and a smile, and you had only seen him a few times since.
The problem with your Brooklyn backstory wasn’t your brother, or an argument on his end, but the fact that you still kept it a secret. You’re not sure when you decided that knowledge of your brother should remain hidden, only that you wanted to keep it that way. If the Manhattan newsies found out that their friend Y/N was Spot Conlon’s sister, you knew they’d treat you differently. And if they treated you differently and always kept their distance, then what was the point of leaving Brooklyn in the first place? No, you had to keep it a secret. There was no way around it.
The only issue with this is that, well, it means keeping secrets from your friends. They took you in without a second thought, defended you to the Delancey brothers and laughed with you after the selling hours were over. Specs, especially, is your best friend, even if you can’t help wishing that it would be more. You two didn’t keep secrets, that’s just what you did. He was kind and honest, and you were withholding the biggest truth of your life. If he found out, you have no idea what he might think. He might even hate you.
“No, I haven’t told him, and I intend on keeping it that way.” Katherine sighs. “They’re going to find out at some point, you know that?” You nod, acknowledging this unfortunate truth. “You found out because your reporting brought you to multiple turfs, and if Jack keeps improving Manhattan relations with Brooklyn someone’s bound to let it slip. I know it’ll happen at some point, I’m just kind of hoping to push it off, preferably until never.”
Katherine reaches out, putting a comforting hand on your shoulder. “You don’t have to be afraid of this, you know. Specs is a great guy, probably one of the best here. If anyone, he wouldn’t judge you for this.” You force a feeble smile. “I know, but that doesn’t mean he wouldn’t feel differently. I mean, what if you found out someone was Spot Conlon’s sister? Even if he didn’t mean it, something would still be different, and I don’t want anything to change with him.”
Katherine raises an eyebrow. “Anything?” You roll your eyes but can’t help a laugh. “Okay, maybe some changes are alright. As long as those changes involve him actually looking at me like I’m something more than a sister.” If you’re too busy laughing with Katherine and don’t notice Specs looking back over at you from across the room, a smile starting to slip onto his lips, well, it would only make your own happiness grow even more.
A couple of days later, you stumble into the Lodging House after another long day in the hot sun and Manhattan streets when you notice that the room is surprisingly empty. Well, it’s empty of two main people: Specs and Albert. You know you shouldn’t have noticed this quickly, but it’s kind of hard to miss- they tend to be the centers of conversation, and without them the room is fairly quiet. In fact, you notice that the few other newsies in the room look worried, as if they know some troubling fact that you don’t.
Eventually, the uncertainty is too much for you and you walk over to Race, whose fingers are clenched nervously around a cigar. You fold your arms across your chest. “Why does everyone in here look so uneasy? What, the Delanceys promise vengeance?” Race laughs, although you can tell it’s forced. “Jack sent Specs and Albert on a mission to Brooklyn. Said something about how he may have borrowed something of Spot’s the last time he was there and he needs the boys to return it before it’s too late.”
You stare at the blond boy in front of you. “You’re kidding. What did Jack take?” Race glances around, as if making sure the older newsie isn’t there, then continues speaking in a hushed voice. “Last time I checked it was some paper with a bunch of selling rules on it. Jack wanted to check and see if Spot was telling his newsies to sell in other turfs, and it would have been on that pamphlet. The only problem is that Jack’s too famous to go return it himself, so he’s making Specs and Albert do it.”
At your scoff, Race grins. “That’s his excuse, at least. None of us want to tell him he’s wrong about being famous, or he won’t stop moping for a week. Not even Katherine will be able to pull him out of it.” You smile at that, although it slips as you realize what this means for Specs and Albert. “There’s no way they’d be able to get it back without Spot noticing, though. Jack knows that.”
Race shrugs. “I guess he thought that he’d get caught anyway. If it’s just two ‘Hattan newsies, Jack can swear that it was an accident and it’ll never happen again, but if it’s him, Spot’ll come after him directly. Don’t know when Jack started thinking like a general but it’s strange to see.”
You sigh. “They’re going to get soaked. Those Brooklyn boys don’t take insults too lightly.” Race mirrors your troubled expression. “I know. That’s why we’se all worried.” You nod at that, feeling your panic growing with every second you spend thinking about it. At last, the nerves are too much and you start to head out the door, muttering some excuse about checking in on Katherine. Your steps, however, do not take you in the direction of Katherine’s line of work. Instead, you’re headed towards the Brooklyn Bridge, towards Specs, and Spot, and everything you tried to leave behind.
Your breathing is harsh in your throat as you walk. You know Spot, and you know that he doesn’t take kindly to newsies trying to encroach on his territory. If he sees Specs and Albert trying to return his stuff- which he most certainly will- then he’ll be furious and try to take it out on them. Your heart clenches at the thought of it- Specs, the boy who’s got a smile like sunshine yet can make jokes as sly as a fox, forced to take the blame for Jack’s actions.
That’s why you’re heading down to Brooklyn, you suppose, hoping that you’ll be able to do something to stop it, although you’re not sure you’ll be able to do anything at all. You’re so lost in thought that you practically trip over Specs and Albert as they enter off of an adjacent street. You straighten up hurriedly, hoping to get away before they see you, but you feel Specs’ hand on your arm, pulling you back.
He looks at you, concerned. “What are you doing here, Y/N? Don’t you know Brooklyn’s dangerous?” You manage a light laugh. “I could say the same thing about you.” Specs’ face closes momentarily. “So you know why we’re here.” You nod slowly. “This is a terrible idea. If you guys go back now, you can probably make it back to ‘Hattan before anybody notices you’re gone.”
Specs opens his mouth to say something, but he’s drowned out when you hear a voice from behind you. Your back is turned, so you can’t see who’s speaking, but you’d recognize that voice anywhere. It’s Spot, and judging by his tone he’s not exactly pleased to see Specs and Albert, two Manhattan newsies, in the middle of his turf. “Is there a reason why you’re both here? It had better be good.”
Albert pales visibly. “We were, uh-” Spot cuts him off. “I’m going to hope that paper in your hand isn’t what I think it is, or we’re going to have some problems.” Across the square, you can see Brooklyn newsies starting to converge around you. This is exactly what you hoped wouldn’t happen. You sigh, squaring your shoulders, then turn around. “We don’t have a problem, Spot. It’s not what you think it is.”
Spot is about to question this, but then his gaze falls on your face. Instantly, recognition flashes before his eyes and he grins, all traces of hostility flooding away. He steps forward, and out of the corner of your eye you see Specs move as if to protect you, but then Spot throws an arm around your shoulders, pulling you close in what passes for a hug in Brooklyn.
“Y/N, that you? How are you taller? It’s barely been a year.” You can’t help but laugh. “Good to see you too. Now, can you tell your boys to back off? We’re not here to make trouble.” Spot nods, gesturing with his hand and causing the rest of the Brooklyn newsies to return to their places by the streets. “Yeah, yeah, no problem. Are you going to tell me why you’ve got the Brooklyn selling rules or do I have to guess?”
You roll your eyes, reaching over to take the paper from Albert’s hand. The boy is still staring at you, awestruck, and so is Specs. You do notice, however, that there’s a look in Specs’ eyes, as if he’s just starting to figure something out. You have an uncomfortable feeling that you know what it is. You force yourself to turn back to your brother, slapping the paper down in his hand. “We wanted to check a few things out, make sure you’re not selling on our turf.”
Spot raises an eyebrow. “Our turf? You do realize this technically is your turf and not Manhattan?” You give him a look, and he just grins. “You know what I mean. Now, if we don’t have any problems, mind if we head back?” Spot nods, waving you away. “No problems here. Drop by later, Y/N. It’s been too long.” You smile back at your brother as you walk away, Specs and Albert following you after a heartbeat.
You can sense their hesitation even as you walk, pressing in on your back like a second shadow. They don’t say anything until you’re already crossing the Brooklyn Bridge, then Albert speaks up. “Look, I don’t really know what happened, but I’m pretty damn glad you were there. Thanks, Y/N.” You force a smile as he turns off onto a nearby street, leaving you alone with Specs and the knowledge that he’s figured out your unlikely family relationship.
At last, he speaks. “Is it true? Are you really Spot Conlon’s sister?” You sigh. “Yes. I moved here because I was sick of everyone treating me differently.” Specs considers this. “Is that why you kept it a secret? You thought we’d treat you differently, just like them?” You nod reluctantly. “I knew you would, that’s the problem. No matter what, I’d never be able to escape the fact that I was his sister, so I just didn’t tell anyone.”
You look up at him now, a sudden panic twisting your gaze. “You’re not going to tell anyone, right?” Specs chuckles softly. “Not unless you want me to, although it’s not the worst secret to hide. If anything, it’ll make them respect you even more.” You tilt your head, acknowledging this. “That’s the problem, though. If I can’t have their respect because of who I am, why should I hide behind my brother’s name?”
Specs smiles at you now, and it makes you feel like you’ve been struck by a gunshot. “I don’t think you’ll ever have to worry about that. You’ve got a way of making people believe in you. Of making me believe in you.” You look at him, hope starting to color everything with a rosy hue. “You-” Specs nods. “I’ve loved you for a while now, Y/N, and I would never feel differently about you, no matter who your brother was. Although, even the same, I might not be heading over to Brooklyn for a summer vacation.”
A laugh echoes in your throat, relieved and happy and full of everything you’ve been holding back. “That sounds good to me.” When he kisses you, you don’t feel like a Conlon or a Brooklyn newsie or even a Manhattan girl anymore. You just feel like you, someone who’s finally able to be happy with the boy you love.
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thevoidable · 4 years
Text
Why Spinaraki is an underrated gem of a ship
Okay, so first of all I just have to make a quick disclaimer: this is not to discredit other Shigaraki and Spinner ships, this is just to highlight why I think these two in particular are just neat. 
Also, manga spoiler warning, as per usual. Content below the cut.
Why their characters work
Spinaraki’s dynamic is something that I feel like is overlooked by a lot of bnha fans, even from a platonic sense, so I’d like to briefly go over their individual characters to reiterate why they’re such a good match for each other.
Starting off, Shigaraki is an absolutely brilliantly-written villain, with a deep and complex past and personality that make him more than your average end-game bad guy. His broken mind that has been beaten to hell and back by severe trauma is still able to recognise flaws within society and the people that live in it, and has come such a long way since his first debut in the series. But what makes him stand out from most other villains is just how human and empathetic he is deep down.
Despite all of AFO’s grooming into making him a hate-filled, destruction-craving god, Shigaraki still retains a key quality from his childhood: a desire to befriend the friendless.
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The reason why the League is such a good portrayal of a found family is because of this innate want to sympathize and look after the outcasts in his life. It didn’t take much time at all for him to come to respect the other members of the League by the time the Overhaul arc came around, and during the MVA arc, it’s clear he cares deeply about their wants and needs. He’s patient and listens to them, valuing their opinions greatly.
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And now it’s time to turn our attention to the underrated character of this underrated ship: Spinner.
Spinner was understandably one of the more forgettable villains during the training camp arc - all he had to his character was that he was a hardcore Stain fanboy and nothing more.
However, that all changed when the MVA arc dropped, and we saw a side to Spinner that ties in to one of the BNHA universe’s underlying problems in their superhuman society, and made him so much more three-dimensional, lovable, and relatable. A victim of heteromorphic discrimination, Spinner was outcasted in his hometown and forced into reclusion, where he wasted his life away in his room lest he step outside and risk being called a freak again. It wasn’t until he saw Stain plaguing the news that he was finally inspired to act, seeking out the League who claimed to uphold Stain’s ideology.
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At his core, Spinner was simply searching for something to jump on, something that would make him get up and make significant change in his life, and looking at his backstory, it’s no wonder why Stain’s ideals struck a chord with him. He has plenty of reason to despise society like the rest of the League, but his experience with being discriminated against also makes him a sympathetic and sensitive character. He recognises that he’s extremely out of place in the world, even amongst the League, because he was the last one of them to figure out what he really wanted in the end, and it’s clear he has plenty of insecurities when it comes to questioning his purpose in life, comparing himself to others - like Toga, another fan of Stain - and how they seem to fit in so easily.
It’s because of these insecurities that Shigaraki and Spinner work well together, because Shigaraki’s patience, understanding, and confidence is what allowed Spinner to solidify his conviction and come to terms with the fact that not 100% fitting in and just coming along for the ride is perfectly okay.
How their chemistry develops
Spinner and Shigaraki’s first proper on-screen interaction was during the highway scene after the Overhaul arc. This is also the first time we see Spinner question whether the League really is about Stain’s ideology or not, and Shigaraki responds by reassuring him that they’re making a necessary sacrifice. 
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Since this is the point in the series where Shigaraki begins to really place his trust and respect in the League, it really shows with how he trusts Spinner’s driving enough to sit on top of the damn truck. And speaking of Spinner’s driving, this is the first time we get a glimpse into his character beyond the fanboy, scenes that we were unfortunately robbed of in the anime.
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Spinner’s love for video games immediately gives him something in common with Shigaraki, and the both of them frequently use video game lingo to describe their battle strategies and thought processes.
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(Spinner’s face in the corner absolutely sends me.)
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From then on, their interactions go into a radio silence until the MVA arc kicks in, and this is where their relationship really begins to take off.
After we get some exposition on heteromorphic discrimination from Spinner, we return to the League in their temporary hideout where we discover that they’re not doing too hot. They’re at a stalemate, unable to really do anything too productive, which prompts Spinner to speak up. He’s frustrated with not knowing what direction they’re going in, and understandably so, because right now, the League is his only place to go. If he left, he would be entirely on his own again, and this time with the heroes breathing down his neck.
He goes into brief detail about the kind of harsh environment he came from and why he was inspired by Stain, and in the heat of the moment, he doesn’t think twice about grabbing the front of Shigaraki’s shirt, the man who could disintegrate him with one touch. Spinner’s got mad balls, I’ll give him that.
Now, it’s known that Shigaraki isn’t too fond of Stain, but he still doesn’t get angry at all, even when Spinner is right up in his face. He remains calm, patient, and is ready to explain what he wants to happen (until he gets interrupted by Machia, of course).
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Fast-forward to when they’ve all been warped inside the doctor’s lab and Shigaraki now has to present his conviction to Ujiko - Spinner’s expression is a little difficult to read here, but it seems his expectations for what Shigaraki has to say are low.
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However, when Shigaraki speaks, his words deeply resonate with Spinner, and it becomes clear that Shigaraki had listened very closely to Spinner’s frustrated rant back in the hideout.
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That last panel is especially interesting and drawn in a very deliberate way. Notice how, as Shigaraki is explaining his feelings, everyone except for Spinner is either confused or uninterested, and the panel is framed so that Spinner is the only one looking directly at Shigaraki. It very subtly conveys how Spinner is the sole person in the room who understands how Shigaraki feels, because despite coming from completely different backgrounds and experiencing completely different levels of trauma, Spinner and Shigaraki still hold the exact same sentiments when it comes to their innermost thoughts and desires.
So, needless to say, Spinner is now somewhat invested, and ready to pay close attention to Shigaraki’s future actions.
The next time we see them, it’s a month and a half later, and here we see Spinner relaying his concerns about Stain once again to Toga.
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It seems that he’s talking more to himself than to Toga, and it reveals his insecurities about his place in the League. He’s debating on whether or not he should stay or leave, and which is the better option. He appears to be willing to wait a little longer to see things through however; he wants to see where Shigaraki’s pursuit of his dream takes him.
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(That’s pretty home of sexual of you, Spinner.)
Cut to when the League are battling with the MLA - Toga gets caught up with Curious, Twice runs off to go look for her, and Compress and Dabi are separated from the group via Geten, leaving Spinner and Shigaraki to fight together. Spinner is the first to witness Shigaraki’s Quirk suddenly evolve to where the decay will spread to whatever is touching it, and he’s quite amazed by it.
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They begin to get a little overwhelmed with how many soldiers they’re up against, and since Shigaraki is in a very hazy, sleep-deprived state, Spinner voices his concern for him. Shigaraki brushes his own health off to the side to bring up his uncertainty in his decision to fight the MLA, and he asks for Spinner’s opinion on the matter, showing that once again, Shigaraki listens to and values what his allies have to say. This time it’s Spinner’s turn to reassure Shigaraki that he made the right choice, allowing him to refocus on getting to the tower.
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Shortly after, the Twices show up to help escort Shigaraki to the tower, and Spinner takes this opportunity to help lighten the burden by taking out the politician, who is basically giving the MLA soldiers stat boosts.
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In the midst of his fight, he reflects on where he came from and how he got here, and he finally solidifies why he wants to follow Shigaraki. After realising that they share the same sentiments, he too wants to see the horizon that Shigaraki is envisioning. Shigaraki “lit a fire in his heart”, and as all he can think about is helping him in whatever way he can, he comes to accept that it’s fine if he’s just coming along for the ride.
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(”I’ve got nothing I love” Are you sure about that-)
As we come to the grand finale of the battle, Shigaraki obliterates a huge chunk of the city, levelling it completely, and Spinner is the only other member from the League to witness it.
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He’s completely awestruck, and when it comes to Spinaraki, it doesn’t get any gayer than these two lines parallelling one another: 
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Some post-development crumbs
Now that we have their relationship established and developed, we can poke at the smaller stuff that takes place afterwards.
The first little crumb we get is when Shigaraki is introduced on stage in the room beneath the MLA mansion. The other League members are waiting for their cue to walk out, and Spinner’s heart beats as he watches Shigaraki intently.
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After the speech, Shigaraki collapses from exhaustion, and while Compress simply remarks on how it’s a miracle he was still standing, Spinner expresses legitimate surprise and concern.
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And for one last crumb until we see them interact again, I just think it’s cute that Spinner is in the support regiment of the PLF, yet again continuing the notion of Spinner wanting to help Shigaraki however he can.
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In conclusion…
Spinaraki is a surprisingly soft and wholesome villain ship with a lot of fluff potential. Just two local gaymers who want to get back at society for condemning them, and who have each other’s complete support and loyalty.
Shigaraki has a huge soft-spot for his fellow outcasts, and Spinner is no exception. He accepts Spinner for who he is, doesn’t make any condescending remarks about him or his appearance, and remains patient and calm even when Spinner gets frustrated, making sure to listen and take in every word that’s said. He values Spinner as a person, and that ends up meaning so much for Spinner in the long run.
Spinner was someone who had no desires of his own, and nowhere to go where he felt safe and accepted. Even after taking up Stain’s ideals and joining the League, he was uncertain if he still belonged there - he’s noticed how there is no longer a trace of Stain’s ideology within the League, and he’s still faced discrimination in the form of Dabi calling him a lizard during the highway scene, something which the CRC does at the beginning of the MVA arc. However, Shigaraki ended up becoming Spinner’s reason for staying, finally giving him purpose to his life. They feel the same when it comes to acting out against society, and they’re able to understand one another on that emotional level. They have plenty in common, and it’s very clear now that Spinner is fully-prepared to follow Shigaraki to the ends of the earth.
Spinaraki’s dynamic is severely underrated, and the concept of Spinner - who has no prior romantic experience - crushing on the world’s new destructive god is too good to pass up. And the video game dates? 10/10, so damn adorable, they could bond over so many different games and just chill out when they don’t feel like going outside. Not to mention it’s just so good how Shigaraki isn’t fazed by Spinner’s appearance and how Spinner desperately needs that from someone, because this boy has obviously not been loved at all and craves that kind of connection (I mean, just look at how easily flustered he got from Mandalay’s flirting; no wonder he was pissed about it afterwards, now that we know what kind of history he’s had. That was probably the first time anyone’s ever complimented his appearance, and it just ended up being a dirty trick).
So yeah, Spinaraki has my whole heart, and I can’t wait to see them interact more (pls lord Horikoshi, give us Spinner reacting to buffraki when they reunite, I need to see his gay little heart panic for a whole second). Their dynamic is one of the cutest within the League, and I really hope more people see it when the MVA arc gets animated.
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I hope you all enjoyed reading this - have a cute little sketch my good friend @batsyart​ did as a bonus!
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ot3 · 4 years
Note
your last post made me think about how I loooove how you use color in your art, it's so vibrant and full of life and movement and expression! I was wondering if you had any advice on how to do color studies? perhaps doing drawings with limited palettes? or anything similar?
First things first, thank you, I really do appreciate comments like these! this post now also has a follow up for finish limited palette pieces
I'm obviously very fond of limited palette art and color studies/color thumbnailing are great ways to get that done. When people think limited palette there's often the association of unrealistic and fantastical color palettes, but learning to limit your color use absolutely applies to semirealism and just builds stronger color theory in general. I was planning to talk about limited palettes in more realistic color use in this post, but this already ended up way too long. If that's something people want to hear about I can talk about it later.
Color theory basics crash-course! I'm sure almost anyone who has colored anything is familiar with this, so I'll be SUPER brief, but I want everyone to be on the same page for this. Color has three qualities you need to take into account: Hue, saturation, and brightness. Hue is what we think of as the 'color'. Saturation is the vibrancy of this color; how bold or dull it is. Brightness is how light or dark the color is. Here's this all labeled on a color picker I stole from google.
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As a rule of thumb, things that look good in color should look good in grayscale. Having a strong range of values (brightness) makes for a strong image. Keep this in mind when you're picking colors – knowing what areas need to be light and what areas need to be dark before you start coloring will make your life easier. I'm going to teach you when and how to break this rule later, but for now let's just talk about picking a palette. I've found five to seven different colors to be a really nice sweet spot for working with limited palettes.
There are three main types of color palettes ill work with and ill provide examples each of them. I expect you to all politely refrain commenting on the amount of homestuck fanart that's here.
Monochromatic, where the piece is all within one color family with slight variations in hue, and larger variations in brightness and saturation
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Accent, which is essentially the same as a monochromatic type with the addition of a strong, contrasting secondary color in one or two variants. Normally the accent color is lighter and serves as a highlight. This is not any kind of a hard rule, but is instead just what I like.
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Split. There are two (or more) main colors at play, each with a couple of different shades.
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Cool. Now lets see how we'd go about making one of these palettes.
 I'm grabbing an inconsequential sketch i've already got and we're gonna slap some color on it. Let's start monochromatic – I've gone and just tossed six pretty random shades of green on it, picking what goes where based on what I want to be light and what I want to be darker. 
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Keep in mind, by monochromatic, I don't mean just picking one color and making it lighter or darker! Adjust your hue within the same color family – some of these are very blue, definitely more blue than green, and some are much warmer and yellower. Play around. In this stage I like to have every color on a distinct layer, so I can just recolor the entire layer at once as I tweak the palette.
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 On the right, I have each color lined up in order of lightest to darkest just so I can get a sense of what I'm working with. Lets go ahead and call this one thumbnail. Now I'm gonna group the layers, duplicate them, and flatten the copy. I'll shrink it down and shove it off to the side so I can compare it to the other ones I make later.
Okay, I did a few more almost completely arbitrary monochromatic palettes. Here they are compared with their grayscale counterparts. 
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All of them have the same number of colors, and lights stay lights, darks stay dark, midtones stay mid consistent between all of them, but the range of values is different between them all. The difference in light or dark between each tone is different and it gives a different mood that you can see even in black and white. None of them is more 'correct' than any other, and it's all about establishing the tone and atmosphere you want. Experimentation is key.
Now lets try making this a complimentary palette. With a strong accent color, your accent should be placed at areas of importance. People are naturally drawn to contrast and when using an accent color in a piece it'll make that area stick out, so make sure you're placing your colors with intent. For this I went back to that first set of greens I had because it was my favorite. Since this palette is over all very dark, I am going to make my accent the lightest color, because that'll stand out more. In a lighter palette, try making your accent the darkest color. Once again I must stress these are not hard rules – there are very few hard rules in art at all – but these are very useful tips for getting emphasis in the right place. This is just an example piece so I'm not being huuugely thoughtful with how I'm placing the color. 
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Here's the same image but with the lightest green just swapped out for a far more vibrant accent of yellow. Looks pretty terrible. I don't want all of the papers and blinds to seem so prominent. So let's scrap this and try a different approach. We're gonna instead add our accent as a sixth color to our palette.
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By adding another color, I've added another level of detail. Figuring out how to manage detail isn't just dependent on how many colors you have, but this is already going to be ridiculously long so I'll spare you that spiel. This is another one of those things I'll talk about more later if people want to hear my #thots. Using the new yellow accent, I emphasized the eyes, the mug, and added some interior detailing to the objects on the table. I also decided to place yellow in some of the windows of the outside buildings, to add a bit more interest in that area, and to justify giving yellow back lighting to our little goblin lad here, which makes him stand out nicely.
A split palette makes things a whole lot more complicated. Now that you're gonna be working with two different base colors you don't just only have to worry about which one is lighter or darker, you have to worry about how the hues look next to each other. Lets work with an orange on top of our original green here. I picked two of the greens and replaced the darker one with a darker orange, and the lighter one with a lighter orange. Now our palette is six colors split 50/50 between orange+yellow, and green. 
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But now something interesting is happening. Let's take a look. If you're particularly keen eyed, you might have noticed that there's a third set of colors here, using a greyish brown in place of the oranges. What's up with that?
Well, what's up with that is, they are orange. The palette on the far right is what happens if, instead of choosing my own oranges, I simply hue-shifted the bluegreens until they were technically orange in hue. 
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The oranges I chose just based on how they looked without actually checking the value and saturation of actually changed the value hierarchy of the whole piece. The table, instead of being in between the objects stacked upon it in terms of brightness, is lighter than either. This isnt bad at all – there's absolutely nothing wrong here. It's just important to be aware of things like this! This is why I said a split palette is the most complicated of the three I'm talking about here – in many occasions, the hue hierarchy can top the value hierarchy. Keep that in mind for slightly later.
I think split palettes work really well for comics, and I like to make my comics with split palettes. Whereas with a single illustration, you can just putz around with your color thumbnails until you get something good, for a comic you're locked into your palette once you've done the first page. Unless you're some sort of insanely meticulous person, in which case I envy you, you probably don't have every single page of your comic blocked out with respective values and can't apply your palette to the whole thing at once to test it. This means you'll need a palette that's pretty versatile. Having a split palette where one of the hue sets is lighter than the other overall allows you to decide whether you're going to create an overall light panel with dark accents, or vice versa. I'm gonna compare two palettes I'm using for comics to make this point. 
Here's a sampling of the comic pages in full color, at 0% saturation, and adjusted for grayscale respectively. You'll notice a slight difference between the desaturated colors and the grayscale colors – grayscale seems to hold truer to the full color version, doesn't it?
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Now, here are the palettes themselves, and some grids showing the relationship between every pair of colors. When you don't know exactly what you're going to be using any given palette for, the relationship between any two colors becomes more important than ever. The bottom palette is split three ways, red yellow and blue each with a light and a dark, and then a completely neutral dark gray color. I'm using it for a long ongoing ace attorney comic I'm drawing. The top one has 4 shades of blue that go from darker and cooler to lighter and warmer, then 3 shades of orange that get yellower as they get lighter. Underneath is just the values – you'll notice that the top palette has a larger value range, with its lightest color being lighter than that of the bottom palette, and it's mid tones spaced further apart. 
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What you'll also notice about the bottom palette is that instead of the reds being lighter than the blues and darker than the yellows, the value alternates dark red dark yellow light red light yellow. Take a look at the color grids. You'll notice that for the most part, every color in the palette on the right looks good with every other color. That's not nearly as true for the palette on the left. The light blue has a weird vibration where it meets either of the reds, and a few of the pairings just aren't particularly pleasant. Honestly, from any objective ideas of color theory, this palette kind of sucks shit. Lets make some adjustments to it.
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I've changed the dark yellow and light red hues so now the light red is slightly darker than the dark yellow. That's the palette that's on top now. Looks better, doesn't it? But so now the question becomes why am I using a palette that looks awkward, disharmonious, and visually strained when I know exactly how to fix it? The simple answer is because I wanted a color palette that's awkward. I wanted that visual strain. I have trouble working on comics and general, especially anything as long as this one, and I wanted a color palette that already meant things would come out looking a little bit wonky, so I wouldn't be as concerned with nitpicking all the details and making everything pretty. I think the sort of visual upset also fits the tone I'm keeping with a lot of the comic.
Remember earlier when I said I'd talk about breaking the rule of stuff looking good in gray scale and in color? That's now. Take a look at this image. 
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Which of the three colors is darker: the red, blue, or yellow? The stupid truth of it is that there's not really a proper way to tell. All three are technically the same 'brightness' but our brain tells us that the blue is the darkest, and the yellow is the lightest. Why do our brains do this? Let’s make em gray now.
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On the bottom you can see what the colors look like when they are set to 0% saturation; as you'd expect it's a homogeneous gray blob. So then what the fuck is going on with the grayscale one? The grayscale one is closer to the way our brains interpret the colors, but we know this to be an improper rendering of their respective values. Which is the correct version, then – the grayscale or the desaturation? Luckily, we're using a computer, so we can have photoshop tell us the exact balance of hue, saturation, and brightness of any given pixel. Let's take a look now.
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Wait, huh? We can plainly see that all three of the colors are at 49% brightness. But neither the desaturated value or any of the 3 grayscale values have a brightness of 49%. So what does a brightness of 49% look like?
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Okay. Sure. Why not.
All of what I've just shown you regarding grayscale is to emphasize the point that your best judgment for which colors look good is a far better measuring stick for a good color palette than any technicalities. Even if the value is the same, the hue can differ enough that you can still get a beautiful finished drawing. Color and our perception of it is so, so vastly technically complex. You can not allow yourself to be bogged down by this. Simply practice, and color will become intuitive to you over time. I have a lot more I could say on the subject of picking and using your colors, but this is already insanely long. Feel free to ask any follow up questions, I hope this was of literally any use!
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ephemerlskies · 4 years
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the lighthouse | jjk
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⇢ pairing: reader x jungkook
⇢ genre: one shot, fluff (what's new), strangers to "lovers", mutual pining, so much sap you're gonna have to shower after reading this, ANGST, jungkook is a literary scholar (?) of sorts
⇢ word count: 12k
⇢ warnings: as stated before, it's Cheesy with a capital C, lots of introspection, brief mentions of death, explicit language, mommy issues, (((major plot twist)))
⇢ summary: you and jungkook had one thing in common: you were both lost souls stagnant in the search of some fulfillment. the one of many differences was that your story had been written on your sleeves, while jungkook’s was a story needed to be unriddled. was this going to be another disappointing chapter in the book of unattainable desires or could your encounter with the mysterious man who lived in the lighthouse lead to something much more?
a/n: i'm super proud of how this turned out even though it ripped my heart out of my chest... this was probably my favorite fic to write and ahh im so happy to release it!!!! i hope you lovely little angels enjoy!! :) <3
What makes us human? This question posed by your philosophy teacher had been stalking your thoughts hours after class had ended. As the rain padded against your umbrella, you piled in a few answers to this question. 
What makes us human? A question that would seemingly have a clear cut answer, but when you got down to it, there was no distinct characteristic that differentiates humans from other animals. It was easy to say something such as how we have complex linguistics or industrialized civilization, but that is to discredit how the packs of wolves howl to each other, the birds sing from tree to tree, the beavers diligently construct their dams, or the dirt cities in which ants build their own societies not much different than humans. 
You pondered the idea that we love so deeply, even when it is often unreturned, but there is no denying the way a mother bear strikes down any and all enemies to protect her baby cub is anything other than true love.
So, what makes us human? You sat on a bench placed on the sidelines where you could witness small scenes of the lives of passing strangers. This sonder might be what makes us human. The knowledge that each person lives and loves and cries and fears and speaks and dies in ways with which you will never begin to familiarize. Life continues on around you despite how unimportant it may seem to the rest. 
Does a lion waste any moment of his time wondering how the deer had found its way to the shallow pond, whilst preparing to strike? Of course not. 
You watched a couple clinging onto each other and wondered where they met. You then were captured in the peace of an old woman prodding around in the grass with her golden retriever; perhaps it was her last companion. Then, your eyes drifted towards the two boys pushing each other over but with the gentleness one could only assume that was out of friendship or perhaps brotherhood.
And then you saw him. 
Gentle fingers tracing the stacks of magazines lined in a perfect column; an arm that disappeared into the sleeve of his dark, wool coat. A tweed newsboy hat sheltering his eyes, and deep chestnut Oxford shoes stepping lightly, nearing a tiptoe, between the cracks of each cement plate, weathered by the infinite other shoes that tread on those very grounds. A body so magnetizing and moving as if it were a secret, and you couldn’t imagine why no one else had been ingested by the enigma that is this man. You longed for him to reveal these secrets that hid underneath his hat and coat, though if he wouldn’t, which he most likely wouldn’t, you had no problem with seeking them out yourself.
In a city filled with young souls draped in modern streetwear, jeans, bright colors, and converse or Dr. Martens or perhaps high heels, catching this needle in the haystack plugged into every synapse of wonderment. The muted tones of his clothing gleamed the brightest out of the sea of strangers.
This is what made you human. Your desire to know everything that lies barely beyond your wingspan. Everything you could hold was close to nothing in meaning, and everything your arms could not reach was always all you could ever want. The rise of your legs, the way you replicated his every movement, running your fingers along the stack of magazines, fastidious prancing in the spaces between the cracks, and your subtle pursuit of the man just out of reach was what made you human. 
Bodies bustling through your path failed to untether you from this chase. It felt far beyond your power to stop yourself from the rising excitement and allure in your chest that pulled you towards him. The man was quick and swift to dodge oncoming bystanders, however your eyes became a missile fixed on a target. 
The unexpected turn he took had you floundering for you had been trapped behind an older lady and a couple walking side by side. Sadly, your memorization of the streets and landmarks had been admisal, so you found yourself in uncharted territory. Each road sign and corner store had been displayed like a foreign language, and you mentally cursed yourself for letting your silly lust for learning what shouldn’t be learned lead you into this difficult position.  
You stood defeated, the man had evaded your fragile trail behind him with ease. You lost him, or maybe he got away.
It was still midday, prompting you to make an end of this means. Your eyes discovered the coast set along the edge of the town, and though this was the furthest you had ever gone, you dared to go further. This mishap of yours granted you the opportunity to introduce yourself to the shore, and the waves have always delighted your interest. So, you found it just to walk down to the sand. The sound of the water pressing into the wet sand was calming; it was something you could find yourself getting used to. Luck presented itself kindly, giving you a moment unencumbered by the rain that had ceased not long after you stepped foot on the beach. 
You took this time to be with yourself and sort out all the problems that have been worrying your mind these past few weeks. Your best friend, Chaeyoung, had an upcoming birthday that had snuck up on you before you had the chance to even think about getting her a card, let alone a gift or celebration. And you would be disappointed with yourself if you failed to outdo last year’s efforts. There was also the test in your Chemistry class scheduled only a day after her birthday, curtailing your plans of staying out late because there was no way you would allow for anything less than your very most on this exam. Then, there was the essay on what makes us human that you denied any chance of regaining priority to your list of worries, knowing it would gnaw at your mind until you forcibly shut it out.
And the man that willed you to seek him out, and that wore the title of his stories as if he intentionally wished to spark your wonder to learn them.
That should have been the last of your worries. It should have been. 
The day began to fade into a warm, orange dusk. Skies once gloomy and grey now covered in blankets of clouds reflecting the sun’s gentle rays and you found yourself reunited with the calming feeling similar to when you first stepped on the beach. 
Not long after registering how far you had traveled along the shore, you noticed a quaint lighthouse with a house-like structure at the base. The off-white stones cemented up until a red paneled roof covered it, tempting you to know what lies behind those walls.
It looked like it was about to rain again.
Are lighthouses closed off from the public? 
There’s a house, there must be someone inside that could help me find my way home. 
All these comments to yourself made to premise the conclusion of entrance into this lighthouse. As you approached the door, framed in oak lining and painted red, the clouds appeared heavy once again. A few drops of condensation was enough persuasion that what was about to be done was for the good of your well being. You pushed it open and a creak echoed around the room inside. 
The walls were covered with stone bricks and there was one table in the center of the room. Other than that, this house was barren and if it weren’t for the second door that you guessed led to the lighthouse you would have called a car to take you home. 
Your walk was pensive and mouse-like; there was some quality about this structure that made you feel like you weren’t alone and sudden movements would disrupt an established peace. Your hand turned the cold, gold-plated handle and pulled open the door, soon being met with a warm gust of air that engulfed you into the lighthouse. 
This part of the building was exponentially more decorated than the room that preceded it. A staircase cemented into the sides of the lighthouse plastered with shelves upon shelves of books spiraled along the cylindrical walls, paired with dull lanterns that illuminated each level of railing had you drawn into its magnificence.
You stared up to what looked like a platform that held a place in which one would rest and look out into the ocean. There was no one in sight, and you assumed permission to climb up the staircase. Your eyes scanned each spine, creased and slightly warped from the moisture of the air, like they had been read over and over again. Your breath became heavy and your stare was focused on the books to ignore the dizziness settling in.
Reaching the top of the staircase came as a blessing, your lungs were close to catching fire. There were two armchairs, side by side, one fashioned a knitted blanket and the other was used as a table for five to seven or so novels, and the walls behind buried in high stacks of more books. There had to be at least seventy in the first half of piles you accounted for, and before you had the chance to snoop around the rest of the room you heard a voice coated with alarm behind you.
“What are you doing in here?” Your breath halted as you turned around, about to explain why you had let yourself into this building, however no amount of words could fully justify this invasive act. 
You recognized the wool coat and the tweed hat now resting in his hand instead of on his head. His eyes were shrouded in a youthful innocence despite his attire that implied he was a sophisticate of some sort. 
“Are you going to answer me or do I have to call the police?” The boom of his voice was chilling, sending shivers along your neck and chest. 
“Sorry, I’m-” How could you possibly defend your intrusion without sounding juvenile or absolutely insane? “I was… It was raining and I just was walking on the beach so-”
“So, you decided breaking and entering was better than getting a little wet?” His barbed responses hurdled how you plaintively stuttered around excuses. Despite his efforts to seem menacing, you couldn't let go of his boyish facial features. It was absolutely astonishing to you that someone who looked young enough to attend your own college and handsome enough to garner quite a bit of attention had anything to do with this dingy, aged lighthouse.
“No, I was going to come in here to ask for directions. I’m lost.” The pitiful temperament of this comment was not intentional, but the man who now stood in front of you felt itched by it. He couldn't ignore how your legs trembled, partly from the cold but also because of his raised voice directed at you, and how that admittedly aroused some guilt.
“It’s fine. Just-” He sighed deeply, placing his hat on the side table adjacent to the left armchair, “You can just wait here until the rain stops. Though, I have to say it looks unrelenting at the moment.” The man’s attention was captured by how the heavy rain seemed to wage war against the raging tides. You caught a glimpse of a smile. The slightest upturn of the corner of his lips almost compelling you to reveal you had spotted him in the town earlier today, and that you found yourself enamoured with his every movement, and he was ironically the reason you were stuck here.
“Are you sure? I can go, I shouldn't have been here in the first place.” The words escaped from your mouth quickly as if they were trying to race each other to be spoken.
“No, I said it’s fine.” The suddenness of this offer hushed you. He then removed his wool coat, unveiling the clothes he wore beneath it. The burgundy crew neck sweater layered tastefully over a collared shirt was just as old fashioned as every other article of clothing he sported. How intriguing.
“I'm sorry.” Your muscles grew sore from suppressing how aggressively you would have been shaking from the cold. “Thank you.” Him granting you shelter gave you motive to keep the umbrella that would suffice to protect you from the rain under wraps. The option he presented was far more favorable.
“Sit down. Please, use this blanket.” He gestured towards the throw draped over the right armchair. His eyes avoided you as much as he could manage though you had this glow emulating from your wanting eyes and soft looking skin that crept to the corner of his vision too brightly to ignore. Consequently, this comment soothed both your body and mind for he unguarded a kindness that was hidden when he first spoke to you. 
“My name is ___.” He was facing the window that displayed the sea, now thrashing and falling into itself, and without moving his head, his eyes drifted towards you.
“I know who you are.”
“Wh- How?” Maybe accepting an invite in a secluded lighthouse on the beach wasn’t the safest thing you could be doing on a Friday afternoon. Anxiety pioneered a place in your breathing, turning it rushed and choked.
Before your mind could theorize all the ways in which you could make an escape from this room or how quickly you could use your hidden umbrella as a weapon he said, “I noticed you following me in the town’s square earlier today.” You sighed, releasing the terror that pricked your lungs. If anything, it was he who should be afraid of you.
“I’m not a stalker!” That weak defense was all you could push from your throat before any well constructed explanations could be put forth. 
His laugh, along with his cryptic gaze towards the waves, made you feel even worse about your actions.
“You were just so stunning and I wanted to know what kind of person still wears a newsboy hat without trying to make a statement.” Your lower lip tucked between your teeth stopped the nervous laugh about to spill and expressed worry that the more you tried to explain yourself, the more this man believed you should be charged for stalking not to mention trespassing.
“Stunning?”
“I mean, like, someone I’d want to meet.”
“What were you planning on doing once I stopped somewhere, or noticed you?” He questioned you only because he relished how you were scrambling to a proper defense. He knew you weren’t any threat to him, not many people were, however he enjoyed your chatter more than the silence that would have taken its place.
“I don't know, maybe just… introduce myself?” This sheepish, yet honest, reply had you drowning in humiliation, while the man before you seemed as if he were floating effortlessly along the surface. 
“I’m Jungkook. Jeon Jungkook.” Relief replaced the worry that he would turn you away, leaving you to the hands of the storm outside. The fact that any other person would have done so led you to believe Jungkook held a lot more compassion than he let on. You held your hand to greet him, finding it only polite to execute this formality. His, however, remained folded behind his back, notably denting your ego as you retracted your hand quicker than you extended it.
“Okay.” You muttered to yourself in slight embarrassment from this trivial rejection. “So, do you live here or something?” Your question was first replied to with a breath of annoyance. Jungkook was kind enough to allow you a sanctuary from the rain, exemption from the intrusion and stalking, and now he found himself having to entertain you.
“Yeah, something like that.” All this disinterested answer did was persist your attempts to break his catatonic gaze. However, his reserve had been solidified steadily over the years, so this venture was going to be tough.
“I didn’t know you could live in a lighthouse?” Your inquiry was spoken with the hopes this would ignite a lasting conversation. 
“It’s not a lighthouse, technically.” Jungkook’s affirmative tone flew right over your head, conjuring even more annoyance that oddly enticed him to continue responding to your dense questions.
“Well, it looks like a lighthouse. It’s shaped like a lighthouse. It’s on the beach, just like a lighthouse.” A chuckle joined the sigh of his breath and his head that shook at your shallow observations. Jungkook eventually turned around and made his way towards the stacks of books, trying to preoccupy himself from whatever this exchange was. “All signs point to this being a lighthouse.”
“Well, it’s not. Lighthouses are meant to send signals to the ships out at sea. This doesn't,” His curt response tickled your amusement, only encouraging you to further aggravate him. “Therefore, not a lighthouse.”
“Okay,” You sounded agreeable, but this was soon followed by a doubtful comment whispered just loud enough for Jungkook’s ear to catch it, “It’s a lighthouse.” He found his stoicism melting away due to your spiteful attitude and conniving giggle in the face of his frustration. You wanted to get a rise out of him, and he knew this, and you were doing a fine job at it.
“It’s not-” His voice elevated with excitement, but he soon tamed the defensiveness threatening to spill from his lips, “Do you want to go back out into the rain?” 
“Okay, okay. Sorry.” Though, you sounded all but remorseful. The sly smirk resting on your face matched Jungkook’s satisfied expression, despite these smiles surfacing for different reasons. You couldn’t deny how humorous it was to distemper this man. How all the worries you laid out like the pebbles and seashells on this beach were washed away by the tides. Meanwhile, his grin provided little contribution in masking his enjoyment of your company and relentless curiosity.
You now sat in the right armchair, bundled in the blanket. It was not necessarily a thick blanket, but the chills once disturbing you had dwindled almost immediately. You were still entranced by Jungkook's movements. His hands were now occupied with a book from one of the stacks he’d been eyeing; the way he cradled the book like it was a newborn baby further revealed he had a somewhat protective attitude towards them. 
“What are you reading?” His eyes remained between the pages and lines of the book, but his focus was yet again thieved by your incessant curiosity. Jungkook thought it irritating similarly to how one would find a cat disrupting their owner from work, annoying yet ever so endearing, and adorably distracting.
“I’m not reading, I’m being bothered by you.” His snark was meant to damage your brazen pestering, but unknown to him it merely fueled it.
“Boohoo.” No matter how elementary that retort was, you still managed to fever him and hold hostage his attention.
“I’m reading The Odyssey.” Jungkook surrendered to you, placing the book on his lap that was now sitting in the armchair next to yours. “Why do you ask so many questions?” His eyes laid on you the same way they laid on the sea, filled to the brim with fascination. 
“I just wanted to know what you were reading.” Even when he expressed a clear indication that he was past your nonsense, it went unnoticed like the particles of dust flitting around the darkened room. This oblivion of yours prompted your next question. “Could you read it to me?”
His eyebrows furrowed at this request. Jungkook had already found himself exhausted by your persistence, and predicted ‘no’ would not be accepted as a viable answer. He just sighed and began to read aloud.
His soft voice somehow drowned out the sea’s commotion. The words flowed off his tongue as if he wrote the book himself; such poise for a young man lured you to immerse yourself in his narration and time grew more and more abstract. 
After a bit, Jungkook paused to examine how you'd received his reading and he was pleased to find your chin resting in your palm and your eyes and ears fixed onto him as if he were reading the gospel. This made it difficult, impossible, to deny entry for the subtle blush working its way on his cheeks.
“Are you satisfied?” He closed the book, peering out of the window to check if the weather had eased since you arrived. Though the intensity of the storm hadn’t lightened in the slightest, there was a new tranquility adopted by the drizzling sky waters that sank and fed into the waves.
“Never.” You replied with a hungered conviction twisted into your words, “What happens next?”
Jungkook laughed in shock of how eager you were to hear more of this story. It was unlike someone who wasn’t well versed in literature to genuinely enjoy listening to this archaic novel. 
“Why are you laughing? Read more!” Your whine came off a bit childlike, but succeeded in its goal. 
“It’s getting late.” He commented with a gentle sternness, though he proceeded to reopen the book. Your peculiar attention naturally drew him to oblige your desires. Even in the midst of a storm, even as the hours slipped by and the evening had been born, he continued to read.
You settled back into your chair in rejoice that you’d get to spend a bit more time with Jungkook. He was practically a stranger, and still there was a climate of comfort and intimacy that took the place of the crisp, winter air when he read from his book. He felt it too, and that was reason enough to allow you this company.
Throughout the chapter he had been working to finish, he snuck glances to find your eyes growing heavy with sleep as each page turned. Jungkook halted from reading and was trapped in the flush of your cheeks and lips and how your mouth hung slightly ajar as you inhaled the cold, wet air of the lighthouse. The puffs of breath that billowed from your lips had him yearning to know a warmth so full with life and curiosity.
“Are-” Jungkook tensed at the idea of disturbing your sleep, as if you hadn’t barged into his life without a hint of permission. “Are you asleep?”
Your head lifted slowly, then held stiff to maintain consciousness, “I was just resting my eyes. I’m not tired, I want you to read more.” You said this in spite of knowing you would drift asleep if he did.
“I think we are done reading for now.” The book closed for the last time, his hands pressing against the cover to seal his assurance. “You should head home.”
“But, I don’t know how the book ends.” This weak argument came from a place of jaded desperation. Regardless, he almost fell victim to your subdued urgency but any sensibility he could garner warned him not to allow this. You were quite obviously tired and he prefered you be safe in your own bed before the night advanced.
“Well, that’s because I only just started this book and it is very, very long.” Jungkook hoped this would usher you out even if that meant the return of loneliness would seep between the pillows of the right armchair after you left him with his solitude. 
“Well, I won’t be able to get these questions out of my mind unless I finish the book.” Another weak argument drained from your inventory of excuses. Maybe a change of subject would present an opportunity to linger in his company. “Also, why do you live here all alone?”
“I just do. I feel like I don’t have to explain this to you.” Jungkook was bewildered at his admission to give you, an unannounced and uninvited visitor, any explanations and still he was close to doing exactly that. “You’re quite invested in my personal life.” As much as that was true, his withdrawal from your curiosity wasn't all that effortful. Living in secrecy and desolation had the feeling of companionship nearly vanishing from his memory and you reunited him with  that warmth. And, he had not realized how it had nearly been forgotten or how much he missed it until he finally felt it again. 
“You seem like someone who has better things to attend to.” The lament that stained his words bore such heartache that was soon displaced in your chest. 
“No, no. My life is boring, and I don’t know. What person wouldn’t be interested in the personal life of a hermit who lives in a lighthouse?” You stood and paced around the platform towering over the swirling bookshelves below, towering over what felt like the entire world with Jungkook. The end of the blanket trailed your footstep as your drooping eyes skimmed the multicolored novels which were remarkably arranged alphabetically by author. How he had the time or patience to organize the hundreds of books he owned was beyond your comprehension. Every detail you acquired from Jungkook was stored in a compartment of your heart, almost as if it were assigned by fate. They were told in riddles and secrets and everything else meant to be deciphered.
“Not a hermit, and not a lighthouse. I couldn’t imagine someone like you being bored with your life.” His voice had become welcoming, with a hint of genuine interest, and this transition felt imminent ever since you first introduced yourself. The tilt of your head signified your agreement with his last statement and implied there was something that bothered you about this truth.
“Someone like me?”
“Someone like you. Curious, young with your whole life ahead of you. It's hard to believe you should be bored with that.”
“You say that as if you aren't the same age as me.” Jungkook shrugged lazily and scuffed his shoes against the rug as he now stood against the window sill, observing your interest of his books.
“I shouldn’t be a lot of things, and yet I am all those things. Bored, curious, and I’m here talking to a complete stranger that totally has the capability to murder me like in those movies instead of going back home.” Your comment that snuck out had wrested a soft chuckle from Jungkook. They were absentmindedly thrown into the air that filled the space between you and him, nurturing his reciprocated fascination with you. Your diligent grazing of each book had distracted how the weight of your eyelids heavied by the minute.
“It’s not like I don’t have great people in my life or a quality education that takes up most of my time, I just,” Your brief pause was to turn your attention over to Jungkook, who did not hide how he was listening intently to these confessions, alleviating from a place in need of emptying. His eyebrow was arched in a manner that jolted you back to your senses. You’d revealed one too many privacies to someone who you had been acquainted with only hours ago. Mortification would have bathed your body if not for the way Jungkook seemed to strongly engage with your openness.
“You just?” He staged his interest overtly to correct the imbalance of how your genuinity left you hanging lower than him on the emotional scale. Jungkook believed that was the least he could do to mitigate the embarrassment about to silence you. 
“Uh, I just never seem to be satisfied with what I have. And that makes me seem like a greedy, spoiled child which makes me even more frustrated with myself.” You admitted, pulling the blanket over your shoulders tighter as if that would shield you from the compromising guilt slithering out of your body. “And that’s how I see myself. Ungrateful and spoiled.” This certainly scraped the barrel of your deep rooted disgust with yourself.
“Not spoiled, just lost.” His response felt like a soft and thoughtful embrace, granted that this was meant to ease the tinge of reproach in your heart. The words he spoke caressed your cheeks and told you that every horrid thing you thought of yourself was flawed.
“I’ve certainly been in your position.” He euphemized what he really wanted to say to you, that he saw himself in you. Even though you spoke very little on this, he felt himself living every experience you alluded to as if he had been right beside you your whole life. Or rather that you had witnessed his life and suffered identical desires and grievances and adversities and were simply retelling his story down to the most intricate detail; and somehow you made it sound brand new and a thousand times more aching. He was stranded in a state of amazement, ambushed by your pain and how even in moments of emotional destitution, you were unquestionably beautiful.  
Likewise, this stranger, who was no longer estranged, and his kind words nearly compensated for the billions of people you could never meet, all the dreams you wanted but could never alter into incarnation, and all the disappointments that plagued your heart.
And you felt held by his words, his voice, him.
“You’ve been in my position?” You requested confirmation.
“I was. Certainly.” And he confirmed.
“Where are you now?” In turn, you wanted this to suggest, ‘where can I find you?’
This question carried profound sentiment on both the giving and receiving end of it. To you, this yearned for advice. Any piece of wisdom would gladly, gratefully be accepted to ease this rampage of constant dissatisfaction. To him, it resurfaced a series of speculations long undisturbed until you had asked this question; a place intentionally void of all attention because it was sometimes too grim to remember. A haze of difficulty crowded a definite answer, though he knew there was one. He couldn’t place his finger on a fitting response and found himself next to you in search of the answer.
Where are you now?
This haunted his mind for a bit, leaving him speechless and albeit impressed, for once, by your curiosity. 
“It’s hard to say. Somewhere in between, I suppose.” Whatever meaning this carried did not resonate as sound to you. The mere idea of being on the end of perpetual longing, waiting for a clear path to the end that promised fulfillment, made it implausible to settle on being somewhere in between the two. Again, you were left unsatisfied and feeling a burden placing itself on your shoulders and wallowing a fit of disappointment in the pit of your stomach. Jungkook noticed how your eyes fell from his, down to the maroon accents of the rug, and felt out of place. Out of place, in his own lighthouse, all because your gaze and attention he’d grown used to in this short time wasn’t directed at him.
“That’s the kind of ambiguity that leaves me so hungry.” He nodded in agreeance with the twisted cruelty of his response you had pointed out. Jungkook didn’t know how or why he’d come to turn every corner and check each crevasse to find what could settle your appetite. This whole time, though, he sailed through this painstaking search without a trace of uncertainty. His illusion of disinterest and annoyance soon dissolved into the floor that your eyes hadn’t strayed from. 
“Maybe if I lived in a quaint, not-lighthouse I would be satisfied with that answer, but I don’t. I live a normal, normal, normal life.” The repetition of your words stressed your fatigue of this dullness, your desire for everything just inches away from your fingertips.
“I don’t think there’s anything wrong with a normal life. I think it’s wrong that we have put the idea of drama and excitement on a pedestal.” This outlook, unlike the last, did gain traction in stripping the thick ambiguity around Jungkook’s mind. To your surprise, you could be satisfied with the small pieces of this man’s mystery being chipped bit by bit. 
He was well aware of his deep rooted appreciation that accompanied your eyes as it moved towards him once again. There was some sense of purposefulness in this glance that demoted his callousness to tender captivation.
“Can I ask one more question?”
“I have a hard time believing you only have one more question.” His doubtfulness didn’t seem to discourage you, or him.
“For real! Only one more, it’s important.” The only way to prove whether or not this question was truly important was for you to ask it. His head nodded his approval.
“What do you think makes us human?” Before he could answer, a swell of perplexity had overtaken his thoughts on this. You could tell, out of everyone, Jungkook would have a profound answer that could save you hours of contemplation over your philosophy essay’s prompt. 
“That’s an interesting question.”
“An interesting question in need of an answer.” You prodded him for his response, though this was pointless if there was no response that could possibly be constructed. Not a response of reason that you seemed to require, but of feeling. Like an instinct, and that in itself made it inapplicable to this question.
“Ask me again some other time. I don’t know if the answer is that simple.”
But, of course, it was. The answer, in his eyes, was blindingly clear.
“I’ll hold you to that!” He gladly took accountability for that commitment. An unfamiliar contentment with the unknown had lodged in your chest when the promise of spending time together emerged through the once conditional circumstances. The promise that transformed those conditional circumstances to voluntary acts.
This humbling discovery left a wide grin on your face, beaming directly towards Jungkook. 
Jungkook peered over to the antique clock placed on a shelf next to the window. The aversion of his eyes was to save face from how your soft smile that projected praise and attachment had effectively unnerved him; he stuffed his hands in his pockets to hide his fingers that twitched out of pure elation. 
The hour hand stationed on the twelve carved in roman numerals verified how his company had erased any discern for the hours that passed. They had floated away so silently, slowly that you could have sworn time froze altogether. 
“Oh shit, it’s midnight? Fuck me.” The decibels of your voice boomed against the walls, it could have shaken the stacks of books down to a pile of mess. “I’m sorry, shit. I didn’t even realize it was so late.” You unraveled yourself from the blanket and collected your belongings in a bit of a frenzy. 
“It’s alright. I, um, I had a nice time.” He distanced himself from you swiftly as you dashed across the room to the edge of the stairs. Even in a hurried state, you still looked back to him and offered a smile, unsure if that was enough to suffice for a proper gesture of gratitude. 
“Me too.” The words were close to inaudible, but you knew he heard them loud and clear, along with the string of implications that were laced in them. 
“Oh and by the way, make good use of that umbrella. It looks like it could start raining again.” Your ears felt engorged with flames when he’d revealed his knowledge of your little secret. It was foolish of you to believe you could outsmart Jungkook because what you thought obscure was well within his range of astuteness and the umbrella, still damp from the rain, was apparent from the beginning.
You didn’t catch how he’d been smiling when you turned away bashfully, strutting down the stairs in an attempt to portray false confidence. But if you did, you would have picked up on his mutual indulgence in your visit, the absolute bliss laden in his eyes. You grasped tightly to the joy evoked from the thought of seeing him again, however your nerves held a tighter grasp that did not allow you to express this to him. Perhaps your giggles of excitement, surely heard by Jungkook, spilling from your throat as you rushed out the empty room or the way you clutched your umbrella to your chest in admittance you had purposefully kept that fact from him would give Jungkook a clue of how thankful you were to meet him. And even more so to be able to see him again.
As you parted from the lighthouse that was not a lighthouse, something in between, you felt that the comfort you once had taper off with the growing distance from the not-lighthouse. You were fraught with a gentle yearning to turn back, run up the spiraling stairs, settle yourself back into the right armchair, and ask humbly to stay a while longer.
Little did you know, Jungkook’s hopes coincided with yours like two concentric circles. 
(One week later)
If it wasn’t the question left unanswered that motivated you, it was the fact that you missed the view of the beach from the window. Or maybe it was the countless supply of book titles that you didn’t get to finish inspecting. Perhaps it was that you missed how the soft blanket complimented the feathery cushion of the right armchair. 
Any of these excuses could be suited to explain how you rushed through the town, determined, goal-oriented and passing down streets now ingrained in your memory, with a destination clear in mind.
But it definitely couldn't be how dearly you missed the sound of his voice when he read to you or his smile or the way he studied the waves with gentle affection. No, it couldn't be that.
Either way, you arrived at the base of the lighthouse. It had been a week since your first visit and you hoped that the invitation still stood for your return. Making your way through the empty room felt quick since you hadn't wasted time to notice how the table now had a vase of flowers in the center. Nor did you notice the new mat placed in front of the interior doorway to the lighthouse.
Your heart dropped from your chest when you reached over to the door knob only to find it was locked. You turned the handle back and forth as if that would miraculously function as a key to unlock the door. After a bit of knob fiddling had proven itself useless, you turned away with a huff of air releasing your frustration. 
The click and turn of the handle had you twirling around optimistically and seeing him made all that disappointment dissolve. 
“You’re back again.” He was smiling at you, then cocked his head to say come in. The moment you stepped into the lighthouse, its lackluster disappeared as if by magic. But Jungkook knew it wasn’t magic at all; it was the person that hid their umbrella, and asked him to read and promised to return as much as he promised to let you return.
“I believe you promised to keep reading to me.” 
“Did I?” The reasons for your return weren’t all that important to discuss, both you and him were just glad to make your way up the stairs to the two armchairs once more, hearts both racing not because of the physical exertion from the stairs but from the excitement rasping through yours and his bodies.
“Yes, but this time I won’t fall asleep.” 
“We’ll see about that.” There was no question that your intense focus wasn’t because you cared about the book he had been reading. In all honesty, you would not be able to summarize any bit of the plot if someone asked. You probably would have a hard time even naming the author of the book because what sank you into the words on the pages wasn’t the story itself, but the voice that read them. Jungkook made those languid paragraphs sound like the first words ever to be spoken; he reinvented the English language through his unique dialect, inflections and phrasing that had the words of Homer dancing off the pages. So, of course there was no question that you wouldn’t be able to name any of the characters or recognize the writing style of Homer because those details faded away, leaving only the memory of his voice with you.
This time, Jungkook didn’t have to offer you a seat. He made it clear that this spot had been reserved and waiting for you by the way the blanket had been folded and worn by the arm of the chair and the new pillow resting at the base of the chair’s backrest. You planted yourself on the cushion that felt more plump than the last time you sat in it and faced towards the large window that showcased the ocean’s energetic swaying.
“I would never get tired of this view.” You commented while Jungkook pulled back the curtains further to widen the seascape. He too was drawn to the deep blue waters making their way to and from the shore. 
“I usually don’t leave the windows this open, but my love for the scenery of the ocean has rekindled.” When he said this, your eyes hadn’t budged from the window unlike Jungkook’s that peered over to you. You pretended not to notice that or the way your heartbeat had taken a quickness that had your skin growing warmer. 
“How could it leave in the first place?”
“It is well known, especially by you, that having an abundance of something lessens your appreciation for it.” A corner of your lips lifted at this, knowing exactly what he had been referring to. Each wave passed by and in a comatose-like state, you wondered where on the shore it would land.
“No need to call me out already, Jungkook.” He had left the window and retrieved The Odyssey that hadn’t left the side table since the night he read it to you. This broke your trance, and you shifted to face the left armchair.
“You made it too easy, ___.”
“Okay, Hermit.” Your smile did wonders to ease the irritation in Jungkook’s chest to tenderness. Though he refused to admit it, this otherwise taunting nickname sounded affectionate coming from you.
“Technically a hermit is-”
“Technically, I don’t care about your technicalities. No amount of facts will persuade me that you aren’t a Hermit.” Jungkook dug his tongue into the side of his cheek to resist from joining in with your laughter. He’d been fidgeting with the book that was waiting to be read, but neither of you seemed to mind putting that off.
“Ho- How was your day?” You shouldn’t have felt as proud as you did for making a man who could read aloud for hours stutter over his own words, and nonetheless you were extremely flattered by this.
“It was good.” Good never really meant good, and Jungkook knew this.
“And what’s the truth?” Your playing field had once again been unleveled, the advantage returned into the palm of Jungkook’s hand in the blink of an eye. His perceptiveness had been bordering on annoying but still remained on the side of impressive.
“Well,” You bunched the blanket in your fists as an expression of worry, “My mom called today.” Anyone who could hear would be able to tell you sounded unhappy about that.
“Why do you say that like it’s a bad thing?” Jungkook articulated his question to get the answer he’d been looking for, finding the hostility in your voice far more interesting than the actual conversation between you and your mom.
“You don’t know my mom, but she projects her over achieving personality onto almost everyone she meets, but most of it goes onto me.” Your back had straightened when mentioning your mom, almost as if it were a reflex, like Pavlov’s dog, that you were conditioned to be on guard at the thought of her. “I don’t know why I get so mad at her when she does that because I know it comes from a place of love.”
Jungkook hummed softly, granting you space to continue talking. 
“Yeah, it probably comes from a place of love but part of me doesn’t believe that. Part of me thinks every time she calls to check on me it’s really just a ploy for her to nag me on what I could be doing better.” You scoffed as the conversation from earlier in the morning played out in your head again. Envisioning the back and forth between you and your mother only fueled your frustration but you couldn’t help yourself. There was no stifling the seething anger imploding before Jungkook’s eyes. “She always says stuff like, ‘Maybe if you applied yourself more you would be doing better than this.’ or ‘I told you that you should have done this or that and now it’s too late’ or the infamous ‘Do you not care about your future?’ lecture that just gets under my skin. She’s so good at saying the wrong things at the wrong time. I don’t know how she does it but she always manages to rub dirt in the wound.” 
“So, she’s never satisfied with you?” Jungkook observed.
“No, never! And you’d think a mother would be supportive or happy with all the things her child had already accomplished but somehow it’s never enough. And she knows what she’s doing. That makes it worse. She knows how she weaponizes my guilt against me.” You held your tongue from the much longer rant about to digress, feeling a sudden discomfort in the way you’d been complaining to Jungkook. You couldn’t understand why it was all too easy to talk of these kinds of things to him, why he looked so interested in what you were saying even when anyone else would have grown tired of you by now, why you found in him a warm confidant much more comforting than you’d expected, yet there was no way to dismiss this reality.
Jungkook did not offer advice, or tell you that you should be thankful or that maybe you were handling these situations poorly. He did none of that. His silence was more thoughtful than any number of things he could have said. He simply listened. 
You rose from the chair to get a closer view of the sea. Past your reflection in the glass, the consecutive tides seemed to grapple over the next and the next; the previous wave always just short of reach to tackle the immediate wave. He had followed you without a word, living up to your desire to have him at your side. There was no need for mindless comments or condolences to fill the silence, only mindful amity, at your side, because watching the ocean with you was enough.
“So, that was my day.” It was the first thing spoken after a period of quiet, perfectly timed and delivered for it to bear a dry humor in its intention. Jungkook and you laughed, finding this the long needed release of tension in your head. 
“Is this going to become a habitual thing?”
“What’s that?” 
“Me complaining to you about my personal struggles that would have gone in my journal or somewhere far more private than this.” All said while your and Jungkook’s gazes didn’t wander from the view of the window. “Me inviting myself into your lighthouse, or not-lighthouse, whatever.”
“I wouldn’t mind that.” Two heads turned towards each other almost as if it were on que.
The way your pupils dilated and softened conveyed every bit of thanks you held in your heart but couldn’t muster the courage to voice. Jungkook’s doe-eyed smile thanked you likewise and confessed the gratitude for how you had rescued him from yet another lonesome afternoon with a curtained window, an unused blanket, an empty chair, and a melancholic silence as he read his one of thousands of books. Not including The Odyssey, that was for your ears only.
“You wouldn’t?”
“Maybe a little.” His tease succeeded to provoke that smile of yours. And even though that was a favor on his end, he was the one that felt graced by it. Realistically, a smile costs nothing yet there grew an enormous debt in his heart; and even though he couldn’t afford it, all he could do was bask in every detail your smile, of the crease of your eyes, and of the way your cheeks took the form of a sweet Spring Peach, and the scrunch of your nose and brows. Before he sank himself deeper in debt, Jungkook beckoned for the two of you to return to your seats and read all your worries away.
---
Who would have guessed that The Odyssey, of all things, would be the thing that would occupy most of your Fridays through the rest of the winter? Sometimes you visited a Sunday, and other times you’d find yourself needing to hear The Odyssey on a Wednesday evening or a Monday morning. The days on which you swung by the now familiar lighthouse would vary, but they remained a weekly occurrence. 
Jungkook had grown comfortable with this routine, reading to you while you watched him and the waves, but mostly him. Occasionally, his reading would cease to an interruption of his own doing to ask how your day was in a very specific way that only Jungkook seemed to exhibit. He’d ask you say anything but ‘good’ or ‘boring’ and he’d clarify that he wanted you to not leave out any details. 
“Why?” You would ask. And he’d look at you as if you set yourself on fire.
“It’s important to me.” He’d reply as if it were that simple, or the answer you were looking for. Still, if it was important to him you didn’t need any more persuading.
Like when you told him you stopped by a coffee shop, he’d tell you to specify which drink you ordered and how it tasted. 
“Cinnamon.”
“Is that your favorite?”
“No, I prefer peppermint but sometimes I combine those flavors and that becomes my other favorite.”
“That sounds sweet.”
“It absolutely is.”
“Does that make you happy?”
“It makes my insides feel like Christmas.”
“Is Christmas a feeling?”
“It is to me!” He smiled at your childlike enthusiasm because it made life seem a lot more appealing than he’d ever believed. Before you, the world was a little greyer. After you, suddenly full of vibrance, saturated to the grandest extents.
Or the time you brought a candle to fill the air with something a bit more pleasant than the smell of the old, wet stones of the lighthouse.
“What’s that?”
“It’s a candle, vanilla and patchouli.”
“Where did you get it?”
“I don’t remember. I just found it in my house and thought this place needed something sweet.”
“But you’re here.” Your teeth bit down on your tongue when he said this. You almost fallen trapped in figuring out what motivated him to say this, but the flattery of his comment was all too pleasing to ignore.
“But I don’t smell like vanilla and patchouli.” You said, only to save face from the fact that you suddenly felt like a deer in headlights when he looked at you, bracing for when he would crash into you and hoping to god you can absorb the exhilaration of souls colliding; and hoping to god he would crash into you.
“Could you light it, then?”
“Of course.”
And the room filled with a sweetness that complimented your company finely. Now, whenever he would smell the scents of vanilla and patchouli he would think of you, and you of him.
He would continue asking these simple questions, and so on.
Why he thought it was essential for you to relay these almost invaluable intricacies was beyond you, but it did make you feel heard; it made you feel held as it always did. It made the value of your life gone without the need to be earned or proven, the value of the smaller moments that fell between bigger moments. 
It made it all okay that you felt like you stripped the clothes from your whole life off for him to revere and that he’d rarely ever display such emotional nudity for you; you were okay with lying bare before his eyes, vulnerable and pliant to his every whim. Even when you wanted to know all of these things about Jungkook and he’d hold them captive or he’d only offer half sufficient answers, you collected as many bits of the puzzle as possible to try and piece together his story.
“How are your parents, Jungkook?”
“Long gone.”
“Oh, Jungkook… I’m sorry for your loss.”
“I watched them grow old and content and that softened the blow.” 
“Are you lonely?”
Yes, it’s excruciating when you are not here. I am tormented in your absence and all too plagued with despondency and I wish you knew that.
“I’ve grown used to it.”
“So you have.”
“So I have.”
You did not want him to be lonely; you didn’t want him to ever be sad but you wanted him to be able to say that he was to you. You wanted him to be able to tell you he was lonely; you wanted him to want you to know his heart. You wanted him to feel as naked as you felt. Vagueness was all you could ever manage to arrest from his gated mind. 
And for once, the little he had given was more than you could ever ask for.
Sunday mornings with Jungkook were your favorite. The ocean was tame during this time on Sundays specifically and sailed you into its calmness; you were half asleep, resting on the sill running along the base of the window panes. Spring had been approaching which meant there were radiant glimmers of the early sun that reflected and glided along the ripples of the waves. Jungkook once said that every time he looked at these little pieces of diamond rays, he believed the sun and the sea performed in devotion for you and him alone. 
“I love that.” And indeed you did. The idea that no one else witnessed this ocean, not this one, not the way you and Jungkook had, was a greedy disposition but felt so true.
“Would you like me to read?” He said in place of, Is my voice properly fitting for something as lovely as this moment?
“I want you to talk, but not of books.” You blinked slowly at Jungkook, “Could you tell me about yourself? Just one thing, anything you choose.” He saw those specks of diamonds glimmering in your irises. He felt so close to you, sitting on the other end of the window, and close enough to finally surrender a bit of his gated mind.
“When I was a child, I knew my days were numbered. The details of why aren’t important, but I digress.” You stuffed a scoff down your throat at the assertion that the details weren’t important. Him, of all people, claiming the details were unimportant had you whirling in a paradox. “With this in mind, I did my best to fulfill everything any child would have wanted. And I don’t think I’ve ever stopped because that list of desires was never ending.” 
Was this what he meant when he said he was in my position once? You wondered.
“I spent all my time looking for the next best thing I could achieve, because the best things that I had was, as you know, never enough. One week, the best thing would be finding a four leaf clover to give to my mother. The next, it was being the first in line for the new, long awaited comic book. Or, it was the time my father took me fishing on the lake, and then seconds after it was the first fish I caught and threw back into the water, and that best thing was soon replaced by my father’s proud smile.”
Your throat tightened as you visualized a young Jungkook sitting on the dock with his father, full of youth and excitement, and how nostalgia had ripened into your heart even though you had no place in this memory of his. This dream-like sequence had compelled a few tears to fill your eyes, fogging your vision of the older Jungkook that sat before you. 
“When I grew older, in my adolescent and teenage years, the next best thing was fulfilling a newfound passion. It prompted me to buy out almost the entire library and major in World Literature. I spent the rest of my days from then on immersed in reading, as you can see. It was the only place I felt like I was achieving the next best thing, and it was cruel when I came to realize there was no way in hell I could finish all the books I’d collected in time.”
“In time for what?”
“In time... for the next best thing to come along, I guess.” This answer appeared fabricated, but was subtle enough to pass through your mind without a second thought. 
“And did it? Did it come along?”
It would have made no difference if your question had been asked to a brick wall because Jungkook brushed it off as he did every other question that would have given you another piece of his puzzle. He took precautions to avoid a defeat to your pouting by walking over to the left armchair and burying his face in the book’s fortitude. Before you had the chance to reiterate your question, Jungkook began to read, making it all too clear he was evading.
“Jungkook?” You whined to which he paid no mind by continuing to read.
“Is he being serious right now?” Again, you might as well have been talking to an inanimate object. There was nothing to be done when he lodged his restraint other than joining him in your armchair, quietly, permissively.
Every day, like this one, spent with him had you convinced it couldn’t be surpassed in enjoyment. And every day, your expectations had been exceeded. That was something you’d never think could happen. Soon, the cares and worries of this Winter melted as the avenue of Spring had unfolded before you. A long path, surrounded with flower blossoms and diamond coated seas, or in other words, the unfathomable had fallen into your hands.
The remainder of this pleasant Sunday had been consumed by The Odyssey and Jungkook’s voice singing its words as smoothly as the waves surrounding the lighthouse and small conversations during the pauses of his reading. One struck you into reminiscence of the first night you met.
“You never answered my question.” He paused, flipping through the many unanswered questions he’d left with you. Jungkook raised his brow to order specification of which one you referred to.
“What makes us human?” The due date of your essay passed over two months ago, however this didn’t diminish your curiosity to know his answer.
“In all honesty,” He paused and looked to assure you would believe his answer would be honest, or honest enough to cater your satisfaction. “I think it’s our desire to achieve the last best thing.”
Every fiber in you compiled its own list of questions in regards to his yet again ambiguous answer, though you had grown to accept that as a part of Jungkook. And you sure as hell accepted Jungkook, ambiguity and all.
“Hm.” It didn’t take a mind reader to know you had theorized any and all connotations branching off from his answer and he didn’t mind that you could be lost in search of whatever the actual meaning of it was. 
The moon was in its fullest bloom tonight, and tomorrow, it would begin to wane into a crescent then into nothing but an empty space full of new and perhaps fortunate opportunities. Jungkook found the romance of this lunar phase well equipped for the dusty instrument he discovered in the base of the lighthouse. 
“I found something that I think you’d like.” Your ears perked like a dog when it’d been presented with treats. “But you have to go get it. It’s in the other room.”
Whatever this surprise was, it had excited you enough to ignore how you’d have to descend and re-ascend the many stairs that would surely tire you. Your eager legs would have jumped right from the platform to the bottom of the lighthouse if the reality didn’t result in broken bones. As you rushed to the door to the other room, you pushed through and discovered a telescope standing in the corner of the otherwise empty space. A few moments later you were hustling back up the stairs, the telescope making the re-ascension of the stairs ten times as strenuous. All the while, Jungkook just stared in amusement at the way you struggled your way to the platform.
“No, I don’t want any help, thank you!” You said sarcastically through grunts of exertion before positioning the instrument in front of the window.
“Well, I didn’t offer you any, so, you’re very welcome.” He stood on the other side of the telescope, admiring the way you fell so easily in love with it, hands scaling the length of the scope.
“Do I just?” You pointed to the eyepiece at the end of the rod and he nodded. You brought your eye to the magnifying glass which was flooded with the enchanting glow of the stars. You’d never seen them this close, but this little gift of Jungkook’s had catapulted you into the illuminated abyss of the night sky. A measly woah was all that squeaked from your voice, because all the other words were stolen by the stars.
“Can you find any constellations?” He’d seen all the stars in the galaxy; that he was sure of. But none had shone brighter than the person he couldn’t tear his eyes from. Three o’clock had crept onto the antique clock, this late hour had worn down Jungkook’s walls completely as the soft glow of adornment laminated his eyes. 
“I think I see ORion's belt. That’s the only one I know other than the Big Dipper.” You laughed at your own lack of knowledge of the stars. Knowledge didn’t seem to matter though, the beauty of the stardusted sky had taken care of that deficiency. You lifted yourself away from the telescope, allowing Jungkook a turn to stargaze.
“Have you heard of the Astral Plane?” Jungkook asking you something other than, ‘how was your day’, was a rare occurrence which most likely meant this was of some importance.
“I’ve heard of it, but I think I’ll need you to refresh my memory.” You really did need clarification on what exactly the Astral Plane entailed, though you mainly just wanted to hear him explain it. 
“Some say it lies in the fourth dimension. It isn’t tangible or something that can be touched. It lies between everything, every atom, every cell, every city and forest and mountain and even between the crevasses of one’s own mind and soul. A place like this is full of divinity and complete attainment and the way it is reached has been theorized by many.” Jungkook’s meticulous readjustments of the telescope had you wondering which constellations he was searching for, or maybe he’d been looking for Venus or Mars or the Moon. “Some say you arrive there in your dreams, or when you reach enlightenment, or when death draws its curtain on you…  I-I don't know why but I’ve always thought that it was stitched into the sky. Far beyond our galaxy, maybe the Astral Plane has situated itself in between each star, just like it does our souls, and exists as the vastness of outer space.” It turned out he wasn't looking for any of those things, he was looking for the Astral Plane.
Could the heat rising throughout your body be merely adoration, or was it something along the lines of a forlorn longing? When he spoke, you felt this sensation growing dense in your bones; you felt a gravitation towards him.
“Seems about right to me.” Fondness had stained your tone which filled some void in Jungkook’s hungry heart, and he’d failed to predict you were the one that would be able to settle it. “Maybe we’ll never reach the Astral Plane, but at least I’m here with you.”
When you said this, the hairs on his arms pointed towards the ceiling. For once in a very, very long time, Jungkook felt a euphoric resurgence striking through the catacombs of his soul and hot tears dripping down the expanse of his cheeks, to the tip of his chin, and onto the glass scope that was shielding this sudden emotional combustion. He blinked away the tears to the best of his abilities and turned away from you and the telescope and the sky. Jungkook felt the push of air from your movement towards him, but he shifted further away. 
“Are yo-”
“I found a cluster of stardust, go look.” He averted you from him and you always fell victim to every trick in his book. 
“Wow, that’s amazing!” The grip you had on the telescope was firm, like you were trying to hold onto the stars themselves.
“Amazing.” He said. This reiteration wasn’t for the stars, however. He wondered if you knew that. He wondered if you could feel how consumed he was by your magnificence under the full moon that reigned with gentleness over the waves. The once wild tides, now moving with the same serenity and romance embedded into Jungkook and this lighthouse. He wondered if you could see he had been emotionally disrobed and bearing all his affection for you. And he wondered how he was so okay with that.
Six o’clock didn’t feel like six o’clock. Your eyes that struggled to keep open told you otherwise, so again you and him were parting ways as the sun had begun dawning over the horizon and there were no more stars to fill the hours slipping away. Jungkook did all he could to compose himself. He’d offered to walk you out; you reached the door that led to the dewy, Spring air awaiting your departure from the lighthouse.
“Wait, ___!” This exclamation echoed louder than the beating of his crimson heart. After stepping through the threshold, you turned to meet his gaze, teary-eyed from what you guessed was from lack of sleep. Teary-eyed from what he knew was because of another egregious goodbye. “Thank you.”
This moment seemed fitting to test the theory that actions speak louder than words. This moment called for the lapse of courage in need to act, not speak. This moment was the moment when you finally expressed the thankfulness that, to you, seemed to outweigh his by pressing a tender kiss to his cheek. It was much colder than your lips and the docile warmth of the morning, but once you pulled away the warmth had stained his cheek. 
Jungkook felt like every cell in his body was evaporating into the space around him. Like the way a fire would extend its heat into the air or the way Spring melted away the frost ridden Winter, your act had covered him in a blanket of love and refuge from the loneliness once vaulting his heart. And it certainly spoke louder than words; all the words in every book Jungkook had ever read and the words left unsaid and the words passing between everyone in the universe.
“I’m the one who should be thanking you, Hermit! You helped me see Orion’s Belt up close and personal!” You called as your strides began a slow fleet from a laughing Jungkook. You waved, now standing a generous distance from him, and he found this gave him the space needed to finally let his tears fall. 
“I love you.” He whispered, hoping the wind would carry it to your ears and heart.
A revelation had overcome him, and no matter how many times he tried to wipe the tears away, they’d be instantly replenished like a stream of water rushing from a conquered dam, spilling over endlessly, with all control suspended in the air around him.
Was it finally here? The last, best thing?
---
A week after the stargazing, your mind had mapped out the stars as you too searched for that Astral Plane. To you, Jungkook’s proposition of it being strewn in the night sky was the only theoretical that made sense. You wanted to flaunt your newfound passion for this concept he’d introduced, and admittedly - and more importantly - you wanted to kiss him again, leading to yet another blissful walk down the seashore to the lighthouse. The air was warm but not humid, carrying a breeze that evened out the sun’s heat nicely. A few pillows of clouds were cascading through the sky, never staying in one spot for too long; you’d come to appreciate each one’s temporary presence and when they passed, you grew to appreciate that as well. The gaze once fixed on the sand had now traveled to the waves of much gentler motion than ever before. 
This walk, unlike the dozens of others, felt different. The streets looked lovely and the air felt clean in your chest, giving you a pleasant journey far more intimate than the last. Then you realized, it felt like you were walking back home.
When you grew closer to the lighthouse, you noticed the curtains had been drawn which was strikingly unusual for a sunny day such as this one. This was a passing observation as you made your way to the base of the lighthouse. 
Through the door to the room before the lighthouse, you were taken aback to find your armchair sitting in front of the table. you walked up to discover a single, folded parchment sealed with a red wax stamp labeled with your name along the top of the paper.
This felt eerie, for some reason, and you called out his name only to be met with silence, before sitting yourself down and unsealing the note.
It read in his voice:
My Dearest, ___
I wrote this to relay a lot of things left unsaid. The first being goodbye. I’m sorry to have to leave you like this, though no amount of remorse could possibly appease my actions.
Your heartbeat had grown rampant, until your eyes read those words. It was then when it stopped altogether. Still, you continued to read.
I kept things from you like the fact that our encounter in the town’s square was all but coincidental. The truth is scary, and my truth would have turned you away from the beginning. It was selfish, I admit, but I do not think I could have endured such a loss. Forgive me for keeping you in the dark all this time, but I am beyond gratified for what you granted me in spite of that.
Maybe it might seem cruel. You are not alone in feeling that — never alone. But, we were never meant to spend every Sunday morning, or Friday evening, or Wednesday afternoon together to watch the waves float along with the hours lost reading to you; I knew this was not the end of your story, just mine. 
The books I have read over and over have imprisoned me in search of the “next best thing”. To my dismay, I thought I had run out of time to find it. But then you came along. You helped set me free by allowing me to live out a few more “best things” through the way you shared your life with me, unselfishly, warmly, kindly— You helped me move on.
I know you too will move on from this. I hope I could at least leave you with the tools and courage to find each “next best thing” in store. If not that, then this lighthouse, open to you and only you, and a myriad of good memories to ease our parting. I know in my heart you deserve nothing less.
I hope you find contentment somewhere in the sea or on the sand or in the stars, or perhaps somewhere in between.
Once you do, we will meet again within the Astral Plane, my love. I swear it. And if you miss me, just look through the telescope and find me woven in the spaces amidst Orion’s Belt.
Thank you. Again and again I thank you and it is still not enough. Thank you for you, for your warmth, for your salvation, for your smile, for your endless questions, for re-introducing me to the aroma of vanilla and patchouli but it was not as sweet as your companionship, for putting good use of the right armchair and the view from our window, for making the odyssey a little less lonely to read, and thank you for stepping into my lighthouse and my life.
Don't you see, it was you. You were my last, best thing.
with love and sorrow,
Jeon Jungkook
Before you got to the end of the letter, you were racing up the spiraling stairs, ignoring the burn in your tightened chest, how the air in the lighthouse had suffocated your lungs. The dizziness that blurred your eyes had not slowed your climb up the stairs, and the wetness of your tears now seeping into his letter.
You reached the top, The Odyssey greeting you on the chair Jungkook would have been seated in. Your breaths were staggered and warm, filling the mournful emptiness of the lighthouse. 
“Jungkook.” You whispered. You begged for a reply. The curtains were drawn over the window, like never before, and exposed a bronze plaque peeking out from the end of the fabric. You pushed the drapes aside to read what was engraved into the metal plate and the first page of The Odyssey that hung below it.
In loving memory of our beloved son, Jeon Jungkook. May he rest in peace. 1918-1942.
The note below read: 
The Odyssey
Jeon and ___ Lighthouse.
You pieced the puzzle together, finally. And with that, came the final picture, so beautiful and mesmerizing and everything you could have ever hoped for, and more.
“Jungkook.” You repeated as a bid of farewell, with a heart full of satisfaction and content, and Jungkook. You pressed the letter to your chest in hopes his words would mend your aching heart. 
And it was true, he was not your last best thing, only one of them. 
But he was undoubtedly your most cherished and beloved best thing.
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redantsunderneath · 4 years
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DC COMICS: Incoherence as Not-a-Bug-but-a-Feature (Spoilers for Batman 89-100)
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Due to the emergence of the new Batman villain character Punchline, I wound up buying the last 12 issues of Batman and reading them in a single sitting. I’ve had trouble following DC comics for a while, constantly feeling that they were in trouble since back in the mid 2000s (with a glimmer of hope here and there). The act of reading DC comics has been a frustrating experience, where individual good stories and runs were laying around in the context of a lot of things that didn’t make sense while the company’s thrust felt chaotic and ideas not well blended. Every status quo change seemed hard to figure out the rules of enough to parse the context.  We’ll get into the background of this, but my reading today of this extended stretch of comics that keeps losing the plot in favor of a fever dream of what’s happening at the moment with specific characters that refuse to cohere, it became obvious that what I had been looking at as subtext or critique was actually the text. I could see the messed up trees but was missing the the forest the universe was trying to describe.
What happens in these issues (Batman current series 89-100, I missed the beginning of the first of 2 arcs) is rolling war between the major Batman villains and the heroes (plus Harley Quinn and Catwoman), which shifts into a Joker and Joker adjacent vs. all as the Joker double crosses everyone then manages to steal Bruce Wayne’s fortune.  We meet 3 new baddies – Underbroker, whose schtick is putting ill-gotten gains beyond the reach of the legal system (with an explicit line to rich globalists drawn), the Designer, who back in the day offered the four A list Batman villains plans to achieve what they most wanted, and Punchline, who is your toxic ex’s new millennial GF who really has it in for you (there is also a new good guy Clownhunter, which is a whole different thing, and a new costumed detective that predates Batman).  This doesn’t convey the chaotic nature of what is happening issue to issue, but there’s more than one Batman hallucinogenic spirit quest, dead characters ostensibly walking around, a plan revolving around the Bat’s origin story that tells some version of it several times, and a no-nonsense declaration that the Joker, as the Devil of the Batman spiritual system, cannot die.   The whole thing has the effect of convincing you there is no definitive sequence of events, only versions.
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Alan Moore’s Killing Joke is not a favorite of mine, for a number of reasons.  But the ending holds up.  The Joker has done terrible things there is no antecedent for, and Batman wonders aloud if this never-ending dance they do ends in anything but both of their deaths; can they uncouple from the unhealthy duality the cycle of which simply repeats.  The Joker responds, well, with a joke about two lunatics trying to escape an asylum.  One jumps the roof to the next building, while the other is too scared to try.  The escapee offers to hold a light while the other crosses on a beam but he says no, no you’ll just cut the light while I’m half way across.  This not very funny joke nonetheless has a bunch of resonances – BM and Joker as conspiring co inmates, BM wanting to break out, a commentary about their natures (almost a reversal of the frog and scorpion story where the scorpion won’t go because he knows how this ends), but mostly it implicates BM as the one who is enabling the cycle, the reason why it won’t end.  They both laugh uproariously, and the ambiguous final panels can be read as the fundamental realization of his complicity causing BM to kill J.  A lethal joke indeed… except, next month, we see the both of them again.  In broader context, the ceaseless cycle of the diad is reaffirmed.  This has been hellaciously sticky as an idea in the Batmen universe.
My realization of what DC has been doing is pretty banal in its pieces. Marvel has “ground level” heroes while DC has a mythos, a pantheon.  Their archetypal makeup is strong, the seven JLA members lining up with the pantheon of Greek gods and the Chakras weirdly closely.  DC has big characters that are somewhat flat which they can use tell big bold individual stories that are cool the way legends and fables are cool. But these stories require bold strokes that a bit incompatible with each other. People get attached to these iterations. Meanwhile, Marvel trucks in soap operas where the characters give you an empathetic stand in and are narratively flexible. Marvel events are usually about the writer vs. the company, asking you to sympathize or deconstruct the creative impulse amid efforts to impose control or order.  DC’s events are about editorial vs. the audience, the shapers vs. the forces of the world.  It may seem obvious, given this description, that DC’s focus is on an archetypal tableau though it may be less obvious that this tableau is under extreme pressure from expectations when trying to tell ongoing tales month in, month out (or semi-monthly in some cases). The stories are constantly compared against the big stories that have gone before, and the audience’s ideas of the characters exert pressure to push them in directions that capture “the” version they believe in.  This circle is not possible to square.
DC and Marvel both have a multiverse of sorts.  DC used to tell “Elseworlds” stories which were later tucked into pocket universes.  DC invented crossing over between “realities.”  DC’s continuity is heavy baggage and they began to have “Crises” to resolve the narrative incompatibilities.  These only made things worse as you can’t get rid of the past people have a relationship with – it will come back.  Now you have to explain that away too.  Marvel just lets it lay – forget about the iffy stories, they count, sure, just no one is ever going to talk about them unless they have an angle.  Marvel continuity is all angles and amnesia. This is just easier to do with dating and rent and your ancient aunt’s medical bills than with Gods. Marvel’s multiverse is about sandboxes that you can always dump into the mainframe if they work (and never really mention the sandbox again).
There is a shift that occurred in the industry in the 2004 to 2005 era that is less remarked upon than many upheavals in comic’s history. Marvel had gone through a period of incredible new idea generation in the early 2000s after a late 90s creative cratering but had just fired the pro wrestling inflected soul of that moment (Bill Jemas).  DC was coming off of a period of trying to do moderately updated versions of what they basically been doing all along. The attitude was “yeah we’re under stress from the combined history of these characters, but we got to keep telling the stories.” Geoff Johns was one voice of DC over the 99-04 period that showed potential - he seemed to get how to find the core of characters and push them into a new in sync directions if they over the years have lost a clear identity.  But mostly he had internalized a basic schism between something mean that the audience wanted, and something good and wholesome about the characters themselves, and figured out how to mess around with this in a equilibrating fashion.
Interestingly, the ignition point of the main forces that were going to blow DC over the next decade and a half was a comic that had virtually nothing to do with any of those main forces. Brad Meltzer, a novelist, was hired to do a comic called Infinity Crisis, which sold extremely well and was, justifiably or not, recognized as an event.  At the same time, everyone also kind of hated it because the dark desires of some DC fans were pushed forward just a bit too much for comfort and for a comic with Crisis in the name it didn’t do a whole lot other than “darken” things.  Nonetheless, this lit an “event” fire at both companies.  Marvel chose a shake up the status quo for a year, then do it again, pattern and was off to the races (I have written about this, and more, here) while continuing its Randian framing of beleaguered do-gooders opposed by rule making freedom haters.
As this was playing out, Dan Didio quietly took power in DC Editorial.  His outlook was more Bloomian – he seemed to spark off of writers who exhibited anxiety of influence. He recognized Johns was the one person they had could be promoted into something of a universe architect, starting work on two key projects from which the rest would evolve. The first, was bringing back Hal Jordan as Green Lantern and diffracting the GL universe into its own symbolic system, with parts frisson-ing other parts, and almost a Magic the Gathering color scheme of ideas. The other was to build up to Infinite Crisis, which would become the model for most of their universe changing events until the present day.
The basic frame is this: DC heroes want to be good (in a sense of their inherent nature) but forces outside form a context that makes them fall.  It’s a very gnostic universe, DC.  They  examine reflections of the concepts, invent scapegoats for certain tendencies (see Superboy Prime as entitled fanboy, Dr. Manhattan as editors that try and fail to mend things, etc), make characters violate principles, rehabilitate them, then show that the world if anything is more broken than before.  This is kind of Johns’ thing and it fits Didio’s narrative as historicval tension fetish.  But then came Scott Snyder (not to be confused with Zack) who began to work on Batman in 2011.  Since then, as much as Justice League is pushed as the central title and Lex Luthor has been pimped, Batman has been the core of the universe and the Joker the core villain.
Snyder had the same continuity conflict wavelength but was significantly more meta and able to contain multitudes than Johns.  He was the first to make an explicit mystery of how there could be several Jokers around at one time (who are the same but not, he posited 3 – man, Christians!) that seems prescient given the near future coexistence of filmic Jokers that are not able to be resolved.  I believe he was the first to begin to tease out an idea – that different versions of things in comics are not a diffraction or filter effect, a using the set of things that work best for that story and leaving the rest, but are a matter of the archetypal system of the audience coming apart. From an in story perspective what appears to happen is that multiple versions of incompatible things exist in the collective unconscious of the continuing narrative, and this is something that the characters may become conscious of.  
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The run I just read is written by James Tynion IV building on the above trends.  The trick seems to be going all in on the Jungian aspect (at Jung’s most religiously epiphanic).  The Designer was a progenitor and adversary to Batman’s predecessor and his intellectual approach eventually defeated the detective… broke him.  At some point in early Batman history, the Designer brought the top four Bat-baddies together and offered each, in turn, a plan to achieve what they most desired: the Riddler, a way to achieve an empire of the mind; the Penguin, power; and Catwoman, money.  They are all elated as they await the Joker to come out.  The Joker emerges with a furious Designer on his heals and promptly shoots him dead.  He explains that he didn’t like his joke in the form of a fable – the devil offered four people the path to their greatest desire: the three chose earthly things, but the Joker’s wish was to be him, to become the devil.  The story proceeds to suggest that the Joker just exists, he is present as a necessary component in the system.   You can kill him, yet he is alive.
DC has been using physics metaphors for the nature of their reality since Flash of Two Worlds in 1963.  The multiverse as a continuity concept was their idea and the holographic universe of the hypertime was a thing.  It seems like since Dan Didio took over, they’ve been heading towards a concept of broad superimposition, of measurement effect being weak, of the universe being like a quantum computer with all possibilities coexisting and the story instantiating not one reality but a path through all the possible ones.  By making Batman trip balls through quite a few issues and relive his origin from different angles, the story is one of its own instability and the heroic task that confronts our hero is attempting to actualize the world.  The Joker is the Devil in the sense of lack of fixed meaning, of relativistic chaos, of the world not making sense because it’s unmoored nature with ultimately no knowability.  Batman, in this story, functions as a postmodern knight crusading against the impossibility of epistemological grounding.
There’s more going on, sure.  One plot is, literally, defund Batman.  There is rioting, people brainwashed by being exposed to toxic ether, people paid to go to theaters even though they will die as a result, and questions about neoliberalism similar to that one Joker movie. Punchline has no personality yet (Tynion’s not the best at that) but she serves well as a generational foil for Harley – a rudderless ideological vacuum susceptible to Joker-as-idea-virus rather than an unfulfilled MD who felt alienated due to the structures of her life and was seeking escape into structureless possibility.  The Designer stuff is both continuity play (See why they changed from goofy villains to more “realistic” ones! Look how pulp heroes informed superheroes!), a comment on the nature of a longstanding narrative (strong intentions die out as Brownian motion overwhelms momentum), and a lawful evil/chaotic evil setup of the dualism of apocalypses (overdetermined authoritarian vs. center does not hold barbarism).  But the thing that ties this to the past decade and a half of DC is the sense that the reality is fluid and susceptible to change or outright s’cool incompatibility.
This is different than other flavors of meta in superhero comics.  Grant Morrison believes the archetypes are stronger than the forces that seek to bend them.  Alan Moore wants you to deconstruct your sacred cows and probably hates you personally.  Marvel might play with self-awareness, but effortlessly resolves inconsistencies after it’s finished playing.  DC, at this point, allows you to watch the waves solidfy into symbols and dissolve, and the constant confusion and lack of grounding is more of a choice then I thought this time yesterday.  The conflict theory of DC reality has been in full swing but this looks to be turning towards a kind of Zen historicism, holding contradictory things in your mind at once. Warren Ellis’ JLA/Authority book is the nearest comparable text I can think of. I need to call this, but I didn’t even talk about Death Metal, DC character multiplicity as meta-psychosis event extraordinaire.  Comics just keep getting weirder.
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abeautifuldayfortea · 4 years
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Visions of Aman
Summary: The death of Aragorn, the final parting of friends, the reunion of Legolas and Gimli and the passing of the Sindar colony of Ithilien into the west. Written from Legolas’ perspective.
A/N: I chose this particular period in time because I wanted to explore more in depth the reasons why Legolas decided to leave Middle Earth as soon as he learns of Aragorn’s death as it is only fleetingly mentioned in the appendices.  This took way too long and I am still far from satisfied with it. I spent two nights trying to decide what the tombs and the burial arrangements would be like (whether the bodies would be set in enclosed tombs or not (and then gave up after going nowhere)). Still, I hope you will enjoy reading it :), I am also very thankful to those readers who were kind enough to leave likes or comments or reblogs on my last fic and to those who didn’t as well, you all make my day, I love reading your comments and reblog tags!
Words: 1379
‘Look!’ he cried. ‘Gulls! They are flying far inland. A wonder they are to me and a trouble to my heart. Never in all my life had I met them, until we came to Pelargir, and there I heard them crying in the air as we rode to the battle of the ships. Then I stood still, forgetting war in Middle-earth; for their wailing voices spoke to me of the Sea. The Sea! Alas! I have not yet beheld it. But deep in the hearts of all my kindred lies the sea-longing, which it is perilous to stir. Alas! for the gulls. No peace shall I have again under beech or under elm.’
‘Say not so!’ said Gimli. ‘There are countless things still to see in Middle-earth, and great works to do. But if all the fair folk take to the Havens, it will be a duller world for those who are doomed to stay.’ 
‘Dull and dreary indeed!’ said Merry: ‘You must not go to the Havens, Legolas. There will always be some folk, big or little, and even a few wise dwarves like Gimli, who need you. At least I hope so. Though I feel somehow that the worst of this war is still to come. How I wish it was all over, and well over!’
~ Chapter 9 Book 5, Lord of the Rings
There were now no folk, big or little that needed him now. The vision had come to him unbidden as he lay dreaming, wide eyed, gazing up into the many stars of Varda and walked among the strange paths in a place between the gaps of the waking world known only to elves.
Painted within his mind, he saw unbeknownst to him the Hallows of Minas Tirith and within its watchful darkness, three figures arranged abreast upon a great slab of marble each in a peaceful slumber, hands folded atop their chests and garbed in pale raiment. Upon the left he discerned the form of Merry and upon the right lay Pippin, their hair white and their faces lined with the wrinkles of laughter lines and between them, Aragorn, son of Arathorn. At his feet lay folded the standard of Elendil, its seven stars set with gems catching the thin light that filtered in through the barred panels of the mausoleum and flickering with a pale faintness like the slow extinguishing of lamps in the pale dawn.
Legolas reached out with his mind, but he could not find the fëa of the three that lay before him and as his fingers reached out to wake them, he felt no warmth, no gentle stirring of the breath. There was no doubt now, the king had passed out of the world, shepherded to the Halls of Mandos and beyond into an afterlife where he would never follow.
He felt the consuming emptiness of sorrow stir within him like the stoking of an icy fire, leaving him cold and shaking again at the loss of not one but three of his dearest friends. As he turned over onto his side, emerging from his rest he dreamt no more of the fair mallorn trees of Lothlórien in golden autumn nor of the last strongholds of Fangorn in eternal spring or the brilliant halls of Thranduil in their glory before they were diminished. A shadow had fallen on his heart and from afar, the white city itself was shrouded in a suffocating grey mist.
And looking to the west towards the White City of Gondor from his bower in Ithilien he began to sing, weaving the tapestry of stories and the great deeds of his friends in a song that leapt, soaring like the great Eagles in its most glorious retellings and fell tinkling into the deep wells of lamentation. The last of his kin who heard his song quietly removed themselves from their dwellings and were themselves so moved and enamoured that they were said to be brought perforce to mourn for them, although they did not know them. To the ears of Men also the lament came, Aragorn’s people who understood not the winding language of the Sindar but upon listening grovelled and wept, for it awakened the truth within them and none were surprised when they received the black news of his passing the following day.
At the last note, Legolas faltered and verily, he knew the time had come for him to heed at last the haunting cry of the gulls and cross the great western sea.
For three years, he gathered his kindred and together they crafted a mighty ship by the shores of Ithilien, crested by a swan’s head set with silver at the bow. The men of Ithilien looked ever on in awe for they had never seen any ship fairer and the make of it, from its rope and canvas – light and iridescent - to the delicately carved oars in the shape of freshly fallen leaves, were of elvish design and its graceful curves and finish were beyond the work of any man.
As the time grew near to its completion, Legolas sought Gimli at the Glittering Caves, and bade him come with him over the sea and into the west for he could not bear for his closest friend and final living reminder of his time on Middle Earth to be left behind. Just as the Caves themselves had been slowly carved by the dwarrow to reveal its hidden beauty, time had tempered Gimli and although the furnace within his eyes still burned with the ferocity of determination, he looked to be in the winter of his days. His hair was more white than brown and was no longer as spry as he had been in his youthful days sprinting across the fields of Rohan. It was not so difficult to glean a smile from him now for though he had once been grim, the days of the War had been left behind and his people flourished in the new colony under his guidance. All was well and the world seemed all the brighter with Legolas by his side. That night a great feast was set and Legolas was given a place beside Gimli at the high table and much honoured by his hosts.
He laughed and joked that Legolas had found himself more drawn to the underground than any elf there had been before him, his merriment bounding off the stars of the Earth embedded in the vaulted ceiling glimmering and iridescent. Looking high above his head to admire the work of Gimli he was reminded of the seven stars of Elendil, flickering at the feet of Aragorn and he shivered, his quip evaporating on his tongue. The cavern seemed all at once too large and despite the blazing torches, he felt cold and small.
“Gimli, my course is set for the shores of Aman. I walked in my dreams with the music of the waters cradling me, I felt the gentle rocking of a ship beneath my feet and a chorus of voices in the sea winds calling me. Will you sail with me? For there is more that I wish for you and I to see together, fairer than all the gems and treasures of the earth and deeper than the wisdom and thriving loveliness of any wood, so it is told. In such waking sleep the Lady of the Galadhrim came to me and she obtained grace for you to be received in the Blessed Realm even before I knew my own thought.”
Gimli was silent. His dark eyes hardened and he thought long for it was a hard choice to make. He loved the plunging valleys and cutting peaks of Aulë and in his dreams he gazed into the calm waters of the Mirrormere and wandered far underground discovering new places and minerals beyond comprehension, each more delightful than the last as he delved deeper into the very bones of the earth. No greed hid within his heart for he wished only to see the beautiful and learn from the fair. Yet he knew he was ever waning and growing closer to death as the timeless years marched on and if he did not go now, then he would be withdrawn without a choice to Aman by Aulë himself. Either way, his time was drawing thin and he wanted more than ever his friend by his side to ease his passing.
And he agreed, if only to gaze upon the exquisiteness of Galadriel again, to see Valinor in all its glory and to find anew things that lay beyond his wildest imaginings in that far island. His mind was set. Legolas was himself content and relieved for the dwarrow were a stubborn people and he knew that Gimli beheld things in a much different light than he did.
Together, they crossed the rolling plains to Ithilien borne by swift feet of horses to see the grand ship finished and sea ready. And together again, they would sail down the River Anduin on the pale dawn on the third year of the passing of Aragorn, leaving behind them the land of their forefathers, Middle Earth that they were born and raised in. 
It is said by the men who watched on that day that not one of the travellers heading toward the distant shores of Aman ever looked back, only onwards to where their final journey would take them...
And some who looked closely would have seen that among the host of elves on the ship stood an elderly dwarf beside his friend at the bow.
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Andy on Asian Animation or SYAC: The Master Review 2
Let’s talk a bit about anime and Dobson’s work relation with it.
I think we can all agree, that starting from the late 90s and early 2000s on, anime and manga became extremely popular in the western world. Sure, Japanese animation was nothing completely new to us (Speed Racer, Nadia-Secret of Blue Water, Samurai Pizza Cats, Sailor Moon, Kimba and Akira e.g. come to my mind as properties already known in the west before 1995) but it really was around this time that thanks to “mainstream” stuff like Dragon Ball and Pokemon people became aware of how different Japanese animation was from western. Eventually resulting in the really good shit (like Cowboy Bebop, Black Lagoon, Kenshin and Heat Guy J) coming over and enriching nerd culture for more than just a few people who knew of it as an obscurity at that point. Now, if you know anything about Dobson, you likely know that his relationship with anime is rather… complicated to say the least. Or, to let him explain it with his own words…
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Dobson essentially likes silly and wacky 90s anime. But later on he hated anime in general, because it got too popular and a bad experience with an anime club in college soured his enjoyment of it. Furthermore, he put the blame on his lackluster art style and storytelling capabilities as seen in the likes of Formera, Patty and Alex ze Pirate, on anime in general, while also claiming that Disney pulling the plug on 2D animation is the result of the “anime inspired” Treasure Planet, meaning anime in a sense deprived him of his chance at working at his dream job and “ruining” western animation.
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Which to me has always been ignorant as fuck. For starters, I can understand not liking certain stories or genres, either for objective or subjective reasons. But to hate on an entire nation’s form of entertainment (not just individual shows or genres), depriving yourself of the chance of potentially watching a lot of good stuff while also being rather insulting to these other works and people enjoying them? Especially when the stuff you can supposedly “stomach” has been rather simplistic compared to other things?
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 Second, blaming Japan for “poisoning” your art style? What, did the ghost of Osamu Tezuka possess you and FORCE you to put sweatdrops on your characters forehead while also going for the rather simplistic character style of Rumiko Takahashi, as well as emulating the slapstick of the likes as Slayers and Ranma ½?
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 Next, if he had emulated them successfully, I say he would have actually managed to tell decent enough stories worth to read online. Not create Uncle Peggy aka “Discount Happosai” or the bland proto-Isekai known as Formera.
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I mean, let’s give some context here: There have been people who successfully managed to emulate certain anime and manga aesthetics into western animation and make it work. Otherwise we wouldn’t have gotten the likes of Avatar-The last Airbender, Samurai Jack, the Animatrix, Thundercats 2011, Super Robot Monkey Hyperforce Go, Kim Possible, W.I.T.C.H, Megas XLR and Wakfu. You know, shows that are actually awesome as hell.
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Heck, Dobson’s favorite animated show of the last decade, Steven Universe, is heavily inspired by anime aesthetics to the point of being embarrassing.
 But Dobson… well, he emulated anime aesthetics in his work the same way as these crimes against animation did.
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Combined with his general shortcomings as a storyteller it is no wonder his initial comics did not do well.
 Lastly, and sorry for digressing here a bit, but if the Wikipedia entry on Treasure Planet is something to go by, there was no real inspiration by anime involved in making this movie.
Supposedly the idea of making an animated Treasure Planet in outer space movie was already pitched by Ron Clements WAY BACK in 1985 but only came to be after Michael Eisner greenlighted stuff in the late 90s. Design wise the movie was supposed to look 70% traditional and 30% sci-fi inspired and people took inspiration for the art style by illustrators associated with the Brandywine School of Illustration. A western style of illustration established in the 19th century, that had a big impact on the illustration styles for many 19th and early 20th century adventure novels and short stories.
What, is anime supposed to be the only form of animation allowed to have sci fi elements or steampunk in it? Fucks sake, The Lion King and Atlantis, which came out one year earlier to Treasure Planet, were likely more inspired by anime. Don’t believe me? Watch Atlantis and then a certain anime by Studio Gainax called “Nadia-Secret of Blue Water”. Or read up on the controversy surrounding the two.
The truth is, it is not entirely clear what caused Disney to shut down 2D feature film animation in the early 2000s. In fact, if anything, most people put the blame on Michael Eisner and a certain change in the publics taste in movies in general, combined with Disney trying to turn almost every movie they had into a franchise via cheap follow up movies on video and DVD.
And even if Disney did not shut down, are we really supposed to believe that a certain guy with fedora would have made it big at Disney to the point Alex ze Pirate would have been made into a feature film?
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But Dobson could never quite understand this and instead of “reinventing” himself properly, he would rant about anime and its fans in one form or another…
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 And on the peak of his hissy fit create this little art piece he baptized Anime Sux. Alternatively “West vs East”. Or as I like to call it, slap a jap.
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Now, the pic was done in 2008 and Dobson claimed sometimes in the last decade, that he no longer holds his old opinions. Unfortunately, by that point he would also more or less use the chance to vent in his webcomic about anime (or rather its fans), which brings us finally back to SYAC.
 While Dobson never outright thematized in more detail WHY he hates anime and manga in SYAC (likely cause if his comic reasoning was even slightly like his reasoning in his blogs, people would have torn him apart like a bag of paper) he did use the format to punch down on anime fans and their preferences.
 For example, for someone who has a 4chan story going around of having been rather arrogant towards others in college for not liking Ranma ½, Dobson has THIS little college related comic to show off, where he portrays an aspiring manga artist as a delusional jackass.
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Then in this strip titled manga, his manga fan is essentially portrayed as a young woman dressing up like a very stereotypical high school anime girl, who is in the wrong for even just DARING to draw her comics in the direction manga are read.
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On one hand, I get Dobson’s point. She could be at risk of alienating a market of readers as she is obviously drawing for a western audience. Then again, if she doesn’t draw a traditional western comic but a manga, why shouldn’t she? I mean, as long as she enjoys it, which I assume she does as she seems genuinely just happy when stating that she likes manga, why not let her? Plus, this comic was drawn in the late 2000s. I think by then most people kinda knew how to read from right to left, so Dobson’s claim she would alienate or confuse people is kinda redundant. If anything I find a) Dobson getting angry at her just very petty (just let her have fun) and b) portraying a western manga fan as someone who would be confused by the sheer idea of reading stuff from right to left is also in itself just really dumb and insulting. What is Dobson trying to imply? That anime fans are so stuck in the way they consume certain media, they can’t act according to “western standards” again?
Then there is this strip where yet another female anime fan is essentially portrayed as the embodiment of how “ignorant” manga fans are of the idea of different art styles...
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Which becomes rather laughable once Dobson describes his style as a mixture of European, American and  Japanese. Why? Because he is the one oversimplifying things, rather than the anime fan.
You see while anime and manga of all sorts do share certain aesthetics (like the black and white art style, emphasize on the eyes of characters, the way hair is drawn, recurring tropes within certain genres and so on) style wise (both in art and storytelling) there can be severe differences, depending on the artist alone. Akira Toriyama’s style differentiates significantly from the likes of Eichiro Oda, Rumiko Takahashi, Kentaro Miura, Tezuka, Kaori Yuki and so forth.
The same also goes for many western artists. Herge had a significantly different style from Uderzo and Goscinny. Don Rosa has a different style in which he drew Scrooge McDuck than Carl Barks did. Rob Liefeld and Jim Lee draw mainstream superheroes differently compared to how Jack Kirby, George Perez and others did. Heck, Ethan Van Sciver and Jim Lee were closely associated with Green Lantern in the 2000s and look how they differentiate.
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 Which btw is the kind of skill level Dobson would have needed to have, to make it in the mainstream industry
So when Dobson says “I draw in a combination of American, Western and Japanese” all I can think is the following: THAT DOESN’T NARROW IT DOWN! WHAT THE HECK HAVE YOU LEARNT IN COLLEGE ABOUT COMICS? WHICH ARTISTS, WORKS AND STORYTELLERS DO YOU TRY TO EITHER EMULATE OR HAVE BEEN INSPIRED BY?
Then there is this little thing…
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Where do I even begin? How about the fact that Dobson’s hand in the last panel looks like he has lost a thumb? The fact that the little boy, anime fan or not, is aware of Sae Sawanoguchi, a character from a short lived OVA and anime series from the 90s, which considering his age, I kinda doubt he would be aware off. Unlike Dobson, who got into anime in the 90s and admits in fact within the posts I loaded up earlier, that he had watched the anime in particular, known in the west as Magic User Club.
Then there is the implication by Dobson, that anime is so “corruptive” as a medium, little kids don’t even know the most basic characters in western animation because of it. I expect in a next panel, that all of sudden some 50s PSA guy comes along and lectures me that if I want this kind of thing not to happen at MY convention, I need to teach little kids more about the GOOD western animation, instead of the BAD eastern one. Then there is this rather unflattering portrayal of a shonen ai/shojou ai fangirl…
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 Which makes me laugh cause honestly, even some of the worst shonen ai and shojou ai can do better in portraying a “realistic” gay relationship than Patty if you ask me.
Also, as much as I think fangirls can be extremely thirsty (I have read my fair share of extremely stupid yaoi and yuri fanfics) I think that in hindsight Dobson is really not anyone to complain about shipping obsession and sex when he himself has KorraSami, the Ladybug fandom and a certain rat pirate under his floppy belt.
As you can imagine, Dobson would get heat for those comics, considering how he himself has been greatly inspired by anime and manga for his major comics. And while I don’t have any explicit deviantart posts of him reacting to criticism in that regard, I do have this comic which addresses it directly.
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 And yeah, if I were schoolgirl number 4, I would just sigh and walk away after telling Dobson that his mistakes and shortcomings are not related to having consumed anime, but rather by what sort of anime (and other stories) he had consumed and the amount of effort he had put in creating his stories instead of emulating just something more popular. Plus, if you really want people to draw more from life, how about drawing more from life yourself down the line? And no, tracing Star Wars movie frames does not count.
Finally, Dobson, considering how very little most people think of your work, I say mission accomplished: People have learnt from your mistakes and know not to be a Dobson.
And at last, there is this comic, which kinda wraps up Dobson’s “vendetta” with anime and manga fans within the pages of SYAC.
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By trying to mock anime fans and make them look just as shallow as he is. I at least suppose. Honestly, the message of this comic is rather muddled. On one hand, I would say the strawman accusing Dobson hates anime just because it is popular is very simplified. After all, Dobson has made his reasons for not liking anime clear in a few more details. It’s just that the details in and on themselves in real life are still rather shallow and boil down to a lot of personal bias rather than an objective criticism of actual flaws. Which I think is worth pointing out.
But frankly, what is Dobson trying to say or point out here? That the strawman is not so different or even dumber than him, because he hates Justin Bieber for “shallow” and superficial reasons too?
Okay, this doesn’t quite work as well as Dobson wants. First, the argument Dobson’s strawman makes is in huge parts based on some verified statements Dobson made for not liking anime. Second, he just says a name and that triggers the guy to express his hatred for Bieber. We don’t know why the guy hates Bieber and you could make in fact the case, that he hates him not because he is popular, but because he has a genuine issue with the artist, his work or his behavior as a human being. Third, if you want to make yourself look like the better person Dobson, try to argue with the guy and make solid arguments why you don’t like anime. Instead you just deflect the criticism by changing the subject and then try to make yourself look like the “smarter” person in the room by mocking your critic in the most condescending manner.
Which as I think about it, sounds like your modus operandi on twitter and tumblr.
Weirdly enough, that more or less marks the “end” of Dobson tackling anime fans and the beef he has with them within the pages of SYAC. Despite how much Dobson’s negative reputation especially in early years was build around him hating on anime and belittling its fans, he didn’t really do more afterwards in the Dobson focused pages of SYAC. And mind you, those strips were also separated by other strips in-between, focused on Dobson just being at conventions.
Unfortunately for him, the strips didn’t really help in any way to diminish that negative reputation and instead just confirmed for many, that Dobson can’t handle criticism about his flawed opinion on anime. If anything, it just made people think even less of Dobson, as the strips just painted him as someone who would rather portray his critics as strawman he can be “rightfully” annoyed at, instead of fellow humans with slightly different tastes in entertainment, who are still worth listening to.
So, now that we have the anime fan related “annoyances” out of the way, what other sort of silly problems in making webcomics would Dobson cover in his strips and are “relatable” to everyone?
Lets see some of these examples in the next part.
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mhalachai · 4 years
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advance snippet: Updating Wednesdays on Patreon (The Untamed)
So. Do I need to write an Untamed modern!AU with a college twist (Lan Xichen is a music professor in Canada) in which Wei Wuxian attempts to self-therapy himself by creating a graphic novel fantasy AU version of his life (aka the real story of Grandmaster of Demonic Cultivation) and Lan Xichen attempts to rebuild his life after a toxic relationship ended? I mean probably not but has that ever stopped me?  here’s the intro snippet we’ll see how things go.
(Title is tentatively Updating Wednesdays on Patreon because i don’t know what to call this thing)
~~
The first day of August finds Lan Xichen in a coffee shop, tinkering with the syllabus for his new music theory course, when his phone pings with a message.
> Lan Wangji: Brother.
> Lan Wangji: Wei Ying has asked me to inform you that he will be publishing the first collection of pages in his new graphic novel on Patreon this afternoon.
Lan Xichen smiles at Lan Wangji's tone. For all that his little brother is more verbose in electronic communication than verbal, he's always so exact.
> To Lan Wangji: Can't wait! What's it about?
The little cursor blinks for a while as Lan Wangji continues to type. Lan Xichen just hopes that his brother-in-law's creative enthusiasm isn't running up against Lan Wangji's sensibilities.
Finally, a reply appears.
> Lan Wangji: Wei Ying wants me to tell you that it is completely fictional.
This gives Lan Xichen pause. Why on earth would Wei Wuxian, or Lan Wangji himself for that matter, need to make that declaration?
> Lan Wangji: It is a high fantasy xianxia story.
Before Lan Xichen can ask why that is causing this odd message exchange, another notification pops up on his phone.
> Wei Wuxian: Lan Xichen! Lan Zhan types so slow! It's just a different art style I wanted to try out and it snowballed from there!
> Wei Wuxian: I know you follow me on Patreon so you're going to get the notification this afternoon so I wanted to warn you hahaha
> Wei Wuxian: All names and places are purely fictional. I don't really have a sword.
Another message arrives, with all the information Lan Xichen needs.
> Lan Wangji: This matters a great deal with Wei Ying.
Lan Xichen smiles at his brother's words. Lan Wangji and Wei Wuxian have been together since their junior year of high school, through a great deal of personal difficulties on both sides, and are still as fiercely protective of each other as ever. He loves them both for it.
> To Lan Wangji: Thank you for the information. I'm sure it will be great.
> To Wei Wuxian: Can't wait to see it! Anything you do is always great.
No more messages arrive, so Lan Xichen goes back to considering how to change the quiz structure of his musical theory class to avoid a marking crisis with the evaluation of his ensemble class.
Finally, as Lan Wangji gathers up his papers to leave, one last message comes in on his phone.
> Lan Wangji: Thank you for your support. We all appreciate it.
Attached to the message is a photo taken of Lan Wangji's family, he and Wei Wuxian holding Lan Yuan between them. The toddler grins at the camera, his arms around Wei Wuxian's neck. Wei Wuxian's looks at the camera, dark circles under his eyes like he's working through the night again, while Lan Wangji only has eyes for his husband.
It's so wholesome and loving that a sliver of pain rakes through Lan Xichen's heart. He's happy for his brother. His brother deserves the world. Lan Wangji deserves being loved, and to love.
Not everyone gets that. Sometimes, that falls apart.
Sometimes, for some people, love is just an illusion.
Lan Xichen tucks his phone away and leaves the coffee shop.
~~
He gets home mid-afternoon, and spends a while stowing away the groceries he picked up on his walk. The neighbourhood has several Greek and Persian markets and he's able to buy most of what he needs on foot, saving the Chinese markets in Richmond for his weekly dim sum brunches with Lan Wangji's family when he can borrow the use of Lan Wangji's sensible and economical mini-van.
He doesn't drive any more, not since—
Lan Xichen stops and puts down the bag of avocados. His mind is a funny place, bringing up the oddest things at the most inconvenient of times.
He doesn't drive anymore. He doesn't need to, using the bus and the odd taxi to transport his instruments up to the university for performances. The public transit system is so much better.
Safer.
He goes back to putting away the vegetables, pulls out a cookbook (new, spine uncreased, bought for him by Lan Qiren for his birthday) and opens it at random. He's never had coconut curry salmon before, but he has all the ingredients.
Trying new things. He's supposed to be trying new things.
The recipes says it will only take half an hour to make, so he goes up to his office and turns on his computer to check his work email. The message fly fast and furious, some about the new department head, some about class enrollment, a few from students asking if they can get onto his waitlist. He replies to the most urgent, files the rest, then checks his personal email.
The notification from Wei Wuxian's Patreon is up, so Lan Xichen clicks it.
Then he sits back, frankly impressed. He's seen Wei Wuxian's comic style progress since the boy was drawing silly cartoons to entertain Lan Wangji in history class, but even he wasn't prepared for this.
The art is gorgeous. Stylized figures, intricate period costuming, rich backgrounds – it's truly a work of art.
Then he gets a better look the two characters' faces, and laughs out loud. It's Wei Wuxian and Lan Wangji, clear as day, with long hair and flowing robes. Wei Wuxian's even managed to capture that exasperated-yet-fond look Lan Wangji has whenever Wei Wuxian is being particularly loud.
The introduction is even better. "Join our hero Lan Wangji and dashing rogue Wei Wuxian as they battle deadly monsters and forge a path with demonic cultivation!"
Wei Wuxian hasn't even changed their names. True, he uses his mother's surname professionally, so Cangse Ying can't be easily tracked back, but still.
Lan Xichen wonders for a moment if Lan Wangji is okay with this, but then he notices that the project text is available in both English and in Chinese, with the Chinese written in Lan Wangji's style.
They worked on this together, then.
Trying not to think about why that makes his chest feel funny, Lan Xichen opens to the first page--
-- Which features a bruised and bloodied Wei Wuxian falling off a cliff while a horrified Lan Wangji screams after him.
Confused, Lan Xichen makes sure he hasn't accidentally read the last page first. No, this is the first. Still a little baffled, he clicks to the next page, sees the stylized banner that reads six years ago and relaxes. This is Wei Wuxian's style of using flashbacks to interrupt the narrative flow. Lan Xichen spent most of Lan Wangji's university years hearing his brother's despair for Wei Wuxian's artistic choices in essay form.
But enough about the past. Lan Xichen settles in to read the first chapter of the story, where Wei Wuxian and his siblings (Jiang Yanli drawn lovingly, Jiang Cheng with a bigger frown and more menacing eyebrows than Lan Xichen remembers) traveled to the Cloud Recesses (the sarcastic nickname Wei Wuxian gave to Lan Qiren's West Vancouver mansion) for cultivator lectures. Lan Xichen is there on the page, too, drawn taller and far more imposing than he is in real life.
The first encounter between Wei Wuxian and Lan Wangji is fantastical and improbable and, according to Lan Xichen's recollection, almost completely accurate. Wei Wuxian had mouthed off at Lan Wangji at the weekend orientation camp for their new arts high school, Lan Wangji glared the boy into submission, then later that night when Wei Wuxian tried to sneak back onto school grounds with alcohol, he and Lan Wangji had gotten into a fight. Verbal, instead of with swords, and without the supernatural murder victims, but Lan Xichen remembered everything else from Lan Wangji's indignant recitation on his return home.
He keeps reading, enjoying the art and the lyrical narration, and keeps enjoying it right up to the scene when Nie Huaisang appears on the page to offer Lan Qiren a present, Meng Yao standing right behind him.
Lan Xichen doesn't remember standing up, but here he is, two feet away from his computer, heart pounding. He hadn't—Why—
What was Meng Yao doing in a story about Wei Wuxian's high school years?
Taking a deep breath, Lan Xichen makes himself return to his desk. As far as he knew, he was the one who introduced Meng Yao to Wei Wuxian and Lan Wangji, when the boys were in university and after he and Meng Yao started dating--
Lan Xichen can feel his heartbeat slow, as he tries to breathe. He needs to stop this foolishness over Meng Yao. They dated before living together for a while, that was all. They broke up. It happens to people all the time.
Wei Wuxian and Lan Wangji were in college for most of that time, anyway, living their lives. They barely knew Meng Yao, even if Wei Wuxian's sister married Meng Yao's half-brother. They couldn't know how badly Lan Xichen had messed up their relationship, how terrible he had been to live with. It was his fault that—
Stop.
Stop.
It's over. In the past. A story that has Meng Yao as a minor character isn't going to mess with Lan Xichen's head. He's not going to let it.
He exhales and makes himself look back at the screen.
Meng Yao only shows up a few more times. For some reason, he's the only character who isn't tagged with his own name. He's there handing over the present to Lan Qiren, standing in front of Nie Huaisang when the Wens arrive, then in two last panels in which he tells the on-screen Lan Xichen that he has to return to Nie Mingjue's side.
Lan Xichen's stomach sours. He and Nie Mingjue had been close, before Meng Yao came into Lan Xichen's life. After that, Lan Xichen hadn't had much time for anyone else. That was normal, Meng Yao always said. People in love only needed each other.
Lan Xichen picks up his phone, then puts it down. He can't ask Lan Wangji about this. It would be weird. Wei Wuxian must just be making artistic narrative choices.
The chapter ends soon after, with Wen Qing and Wen Ning welcomed grudgingly into Cloud Recesses. The next chapter is due up in two weeks, the page declares, and welcomes any comments or feedback. A few people are already posting, gushing over the art work and discussing the teaser from the opening page.
Wanting to be supportive, Lan Xichen writes a small review, complimenting the artistic style, the intricacies of the outfits, poses a query as to the different colour palettes between the first page (dark, red, menacing) and the flashback scenes in Cloud Recesses (light, airy, hopeful), then translates the comment into English and posts both versions up. If Lan Wangji is going though all the trouble of ensuring a bilingual experience, then he will too.
He should go start dinner, he really should, but some part of him is drawn back to the first panel in which Meng Yao appears. He's shorter than Lan Xichen remembers in life, the long hair and braids suiting his face.
It's been so long since Lan Xichen last saw Meng Yao. He's not sure what he's thinking. Is he wistful? Mournful? Sad?
He doesn't know. He never knows what he feels about Meng Yao, which was the problem. He's not normal about feelings. Even Lan Wangji, whose brain is a unique and complicated thing, looking for order and reason and patterns in an illogical and messy world, loves fiercely, feels passionately. Maybe he got all the love in the family, and Lan Xichen got stuck with the stunted and undergrown heart.
Stirring, he pages back to the first appearance of his on-screen twin. The Lan Xichen on the screen looks patient, kind, a smile hiding behind his eyes.
He hadn't realized this is how Wei Wuxian sees him.
He picks up his phone.
> To Wei Wuxian: What an incredible achievement! The art is amazing!
> To Wei Wuxian: Where is the story from? As it's a work of fiction and has nothing to do with your real life ;)
> Wei Wuxian: Oh hahahha the story is a collaboration of a bunch of ideas! I can't tell u more (sworn to secrecy by my collaborators) but so glad you like it!!!!!!
> To Lan Wangji: Did you do the writing? I love the dialogue.
> Lan Wangji: Wei Wuxian did most of the English. I made it better and did the translation.
> To Lan Wangji: Have you told uncle about this project?
> Lan Wangji: He prefers to speak of my composition achievements.
Lan Xichen puts his phone down and rubs his eyes. The old tension between Lan Qiren and Lan Wangji never goes away. It started in high school with Lan Qiren's disapproval of Wei Wuxian, continued into university with Lan Qiren's disapproval of Wei Wuxian as well as Lan Wangji's decision to attend a local university for musical studies instead of going to Julliard in Lan Xichen's footsteps, and outrage at the news that Lan Wangji asked Wei Wuxian to marry him before they even finished their undergraduate degrees.
The resulting years had been a long-standing cold war, with Lan Xichen trying to mediate in the middle. Even the arrival of Lan Yuan on the scene twenty months previous hadn't softened both sides into anything resembling ease.
If Lan Wangji doesn't want to tell their uncle that he and his husband are collaborating on a semi-biographical graphic novel, Lan Xichen isn't going to muddy the waters.
> To Lan Wangji: It sounds like you're enjoying the project.
> Lan Wangji: Working with Wei Ying on any project is enjoyable. I read that couples with young children should try to engage in a mutual hobby outside of parenting.
> To Lan Wangji: Very wise.
He wonders if he should ask about Meng Yao, types out a message to that effect, then deletes it.
> To Lan Wangji: I should start dinner – see you on the weekend for brunch?
>Lan Wangji: Yes.
Lan Xichen puts his phone down. The days are long in August and the sun still bright, but he's tired and he doesn't know why.
~~
anyway that’s where this whole disaster is going. new fandoms are fun. 
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makeste · 4 years
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not a cavalcade of Katsuki panels
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damn, anon. you stone cold came for me with that last part. and just fyi to all onlookers, this was before I had posted the headcanons ask proving this exact point lmao.
but a challenge has been issued now! so I will do my best to pick a variety of impartial panels featuring a veritable medley of characters. not sure I can really provide much in the way of insightful analysis of symbolism and metaphors and stuff, but I can certainly type a lot of words about the pretty pictures, and about how cool people look when they’re standing around all serious surrounded by clouds of billowing smoke.
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why I like it: I figured we’d start off strong. no point in holding back. can the other panels possibly even hope to compete. maybe. we’ll see.
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why I like it: because, you see, he punched a giant robot, and it exploded. you see that, there? and the text was all “SMAASH” in humongous comic book letters, and it was pretty cool. also Deku is very tiny and the robot is very big. and just to clarify, most of the time if a tiny fifteen-year-old child tries to punch an 80-foot robot, it’s not actually going to go all that well, and the robot probably will not explode. but in this case it did! and so this is a very novel and unexpected outcome, which makes it all the more visually striking, which is a very good thing to be when you are trying to show off the brand new superpower which your protagonist just inherited, and letting people see it in action for the very first time.
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why I like it: so you may have noticed we just skipped a whoooole bunch of chapters lol. this is because there are almost 300 of them, and so I’m going to have to use a bit of discretion. anyway so this is a gorgeous panel. just, everything about it. the lighting; the expressions; Shouto’s hesitation; and his mom facing away, not looking back yet, and us not yet knowing how she’ll react. and the fact that they’re visually separated by as much distance as possible -- at opposite ends of a two-page spread -- and yet they’re so close, closer than they’ve been in years. mm. anyway it’s pretty.
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why I like it: first of all because there’s nothing like seeing a deserving character get punched in the fucking face, and few characters IMO have been as deserving as Stain. and second because this is Deku, showing up to save the day out of nowhere at the last minute, because excuse you, but he’s a motherfuckin’ hero. sorry to interrupt your evening plans of stabbing a kid while lecturing him about why, philosophically, he deserves to die. but I’ve got a package here for a Mister Stain. it’s from Mister Smaassh, with two A’s and three S’s.
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why I like it: fyi, anon said nothing about a cavalcade of BakuDeku panels. you didn’t think I’d let that loophole go to waste, did you? but nonetheless I will try to restrain myself until we get to the second ground beta fight. anyway, I like this panel because All Might’s canonically 7′2″ self looks about twelve feet tall here, and he is just TOWERING over these two boys, who’ve been tasked with somehow outwitting him during this curiously sadistic final exam. and it’s just an interesting perspective, because we know they both look up to him, and here they are physically looking way, way up, up, up at him.
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why I like it: now this is how you do a villain entrance. I love absolutely everything about this. the sheer scale of destruction, and the way he’s just sort of casually hanging out there in the middle of the panel almost dwarfed by all this dust and smoke and carnage, and yet is unquestionably the focus of the page. the way that you can’t actually see his face, not yet. not until the end of the chapter. the way the clouds are drifting so calmly and peacefully in the night sky in stark contrast to the horrific events that are about to take place on the ground. this panel gives me literal chills, especially when I think about All for One’s creepy theme music playing in the background.
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why I like it: this panel is so iconic to me that it’s one of the first ones I immediately knew I had to go and find when I got this ask. this entire fight is perfection from start to finish, and there are other panels that are more artistically striking if I’m being honest (in particular, the ones where he’s half-transformed with his face perfectly split down the middle between Muscle Might and Skinny Steve). but there’s just something about his determination in this panel, though. something about the fire in his eyes, and the way he clenches his fist. “my heart is still the heart of the Symbol of Peace.” I remember being sooooo fucking anxious when his true form was revealed, wondering if this was it, if the people watching were going to turn on him, if he was going to lose both the fight and their faith. turns out I was wrong on both accounts. basically what I am trying to tell you guys is that this panel was and is still the most badass thing I’ve ever seen.
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why I like it: because he’s just a frail old man doing what he can to protect the last flickering embers of the thing that enables him to fight on. there’s something so fucking desperate and yet so determined about this image. he knows it’s futile, but still he persists.
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why I like it: damn it was hard to find a “you’re next” panel with just the right angle I like best. this is probably as close as it gets, but I kind of wish Deku was somehow visible in this image as well. but at any rate this is an amazing moment, and All Might is dramatic af for basically no reason but IT’S BADASS. “no I’m not going to actually look where I’m pointing. it’s cooler this way.” or was it because he wasn’t sure if he could keep the emotion off of his face if he actually turned and looked? in this moment of knowing that it was finally over for him, that he would never be the Symbol again, and knowing that he had no choice but to move on and entrust that burden to the next generation? damn.
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why I like it: I... fucking... okay, here’s a fun fact. did you know that I still get emotional over this panel almost a full two years after reading it?? obviously a good 84% of it is the context -- All Might losing his power; Deku being forced to take up the mantle before he feels ready; All Might feeling responsible for him; and both of them being so desperately grateful to have each other in that moment. but don’t underestimate that remaining 16% either though! this is just an extremely well-drawn hug, on top of everything else. All Might pressing Deku’s head to his shoulder with his fingers laced in his hair is some mighty fine fiercely protective hug tropes there, you guys. and the way Deku is clinging to his shirt so tightly his knuckles have probably gone white?? while he cries?? while both of them cry? ON THE BEACH? WITH THE WAVES LAPPING SOFTLY AT THE SHORE IN THE PEACEFUL NIGHT AIR?? jesus fucking christ. this hug contains more emotions than I am capable of carrying inside me at once. I just sort of have to let them flow in and out little by little until they finally subside.
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why I like it: you bet I skipped right from Kamino straight to Deku VS Kacchan Part 2. no regrets. anyway, so these two panels are an absolutely gorgeous one-two punch. so much has changed from the days when they were innocent little kids marching off into the woods to have adventures. they’ve changed. their relationship has changed. and yet, at the end of the day, Izuku is still willing to follow Katsuki even without being given any kind of explanation. and Katsuki still seeks out Izuku when he’s on the verge of having a spectacular emotional breakdown. because he doesn’t know who else to turn to. and because despite everything, there is trust there still, on some deep, fundamental level neither of them fully understands or knows how to acknowledge. anyway, so these two panels just give me a ton of feels all about the passage of time and how everything changes and how you can’t get back what’s lost, but also sometimes if you look deep enough you find that parts of it were never fully gone.
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why I like it: because in a striking display of dramatic main character energy, these boys decided to stage their life-changing destiny-affirming rival fight on the coolest possible stage in the middle of the goddamn night. and then Katsuki made it even better by producing WAY MORE SMOKE than his attack by all rights should have produced! and then they went and crouched down all symmetrically so as to more poetically make intense eye contact at each other. I really like panels with smoke and/or dust clearing dramatically. there are like four more of them coming up on this list. what can I say. it’s cinematic.
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why I like it: I actually had this one as my icon for a while. it’s rare imo to see an action panel that’s so balanced and has so much going on and is so clean and easy to read. both of their poses are so dynamic. I like the way the arc of Izuku’s kick is drawn, and I love the way you can clearly see that Katsuki propelled himself backwards with his quirk in order to dodge it. it’s just a really cool little panel that for me perfectly sums up the general feel of this fight, and its awesome choreography.
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why I like it: actually you know what, before I go any further, let me skip ahead a bit and add three more panels with this same energy.
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I just really, really love these rare moments when all differences between them are momentarily forgotten and they’re just two teenage boys caught up in the intense pressure of an awkward social situation. the one enemy neither of them is the least bit equipped to handle. anyways Horikoshi clearly enjoys it too because he seems to delight in drawing it over and over and over.
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why I like it: because it’s more billowing smoke and dust. because it’s Endeavor, the guy we all swore we would never ever root for, and then 160 chapters later Horikoshi pulls this shit without an ounce of shame. because it’s All Might’s pose, but tweaked juuuuuust enough so that Enji can avoid copyright claims. because he knew that pose well enough to know which arm not to use. because Endeavor is a profoundly flawed human being, wholly incapable of filling the void All Might left behind. and yet he still tries. because it’s better than nothing, and because it’s all he can do. it’s the one thing he can do, his sole redeeming virtue. he tries. he doesn’t give up. anyway so yeah, Horikoshi didn’t have to take the single most unlikable person in the entire manga and give him the world’s most controversial and openly scorned redemption arc. but he did! and I think it’s one of the best things about this entire manga.
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why I like it: because nothing in BnHA is just black and white!! it’s messy and layered and complex, just like in the real world. Shouto despised his dad for almost his entire life. with good reason! Enji was abusive and selfish and treated his son more like a prized possession than a person. we as readers are fully aware of all of this, and we sympathize with Shouto 100%, and that’s completely by design. Horikoshi is well aware of this. so for him to still give us this little moment, where Shouto is so relieved that Enji survived that he drops to the floor and presses his face against his hands in this little prayer gesture -- whatever you think it might mean -- is just so fucking powerful, and again speaks to his commitment to refusing to let anything in this series be completely clear-cut and unambiguous. I love that the characterization of Shouto and Natsu hating their dad exists side by side with the equally authentic characterization of them being terrified that they’re about to watch him die. because those two things aren’t contradictory! sometimes that’s just how it is. anyway so this is a beautiful moment of nuance that instantly adds so much to this relationship with just a single panel.
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why I like it: for once the symbolism is so obvious that even I can’t fail to miss it! Izuku’s face half in light and half in shadow as he thinks about the power bestowed on him. “All for One’s power.” anyway so in my mind Izuku having AFO could not be any more fucking foreshadowed if he was wearing a freaking t-shirt with the Musketeers saying on it and the background was peppered with little Sistine Chapel-esque images of AFO giving his quirk to his brother lmao. but regardless of how it does end up playing out, this is nicely done.
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why I like it: I wasn’t sure whether I should include this image, given that I just made a whole separate post about it a few days ago. but I just really like it, okay. this is one of the all-time great entrances in the series. Bakugou being perched on that pole for absolutely no reason other than to add visual interest. Todoroki’s hair blowing dramatically in the wind. Katsuki’s frayed pant hems and characteristically asymmetrical facial expression. the fact that you just know both of them spent the ride home with their faces pressed to the windows of their taxi cab hoping desperately for an opportunity to break in their brand new licenses, and then lo and behold. that’s amazing you guys. it’s almost like you’re main characters or something.
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why I like it: they did great.
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why I like it: because I lost my fucking shit at this fucking reveal and can you even blame me?? we knew coming in how much trouble Endeavor and Hawks had dealing with just one of these Noumus, and then Horikoshi goes and divulges that the villains have at least A DOZEN MORE waiting on standby. including Hood right there in the foreground, which is a fantastic touch! this panel, for me, almost instantaneously established the League as a legitimate threat once again, and gave me the kind of spine-tingly evil vibes I hadn’t felt since the Kamino arc. and while the payoff might not quite have lived up to my expectations, the Mirko fight at least was more than worth it.
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why I like it: BILLOWING SMOKE AND DUST CLOUDS. you just see this vast landscape of destruction that Tomura has oh-so-casually wrought, and this once-powerful enemy utterly defeated on his hands and knees bowing before him. and it’s just like, oh. Tomura just became a fucking king, didn’t he. he finally stepped up and became the main villain. really the main villain, not just an awkward fumbling NEET whose adopted dad is not-so-secretly pulling all the strings. he did this himself. he went out and conquered and Awakened and won himself a fucking army. and he’s just standing there so cool and casual in the aftermath of it all. and then he goes “oh wait, you guys have money right, that means you can buy us the good sushi.” yes, Tomura. yes.
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why I like it: um because this panel is fucking amazing?? hello?? do I really need to explain this one. the detail is jaw-dropping. he’s got the little scars which are either from the head wound that caused his death, or from his Noumufication. his expression is fucking heartbreaking, and the transition from Kumo to Kuro is so subtle and seamless, and yet it distinctly is both of them. this panel is gorgeous and fucking haunting and almost made me gasp when I first saw it.
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why I like it: the decision to have the night sky take up so much of the space in the panel was [chef kiss]. nothing says existential like the night sky on a cold winter’s night.
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why I like it: this is the best panel in the entire fucking series.
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why I like it: dude. showing his actual family holding onto him with their hands in the same spot as the severed fashion!hands was a stroke of genius in and of itself. but combining that with the emotional tension of them desperately trying to hold him back and protect him from AFO?? that’s just so fucking smooth it’s almost inhuman. just how much meaning can you cram into a single image?? sometimes I wonder just how far in advance Horikoshi plans these things.
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why I like it: guess I’m just a big fat sucker for panels of Tomura calmly standing around in the ruins of his own senseless destruction. the sense of scale on this one is really great, too. and yet again, those dust clouds. gotta love it.
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why I like it: because Tomura literally appears out of nowhere, like he’s ripping a hole through the fabric of time and space. it’s so fucking sudden and he looks evil as FUCK, and Deku and Kacchan are totally caught off-guard, and it is scary. this is one of those panels that made me say “holy shit” out loud. in fact I practically screamed it. and the angles are all funky and weird, and the sky is all BLACK FOR NO REASON, and it really just feels like Tomura could reach right over and just MURDER THEM like it was nothing. just like that. this panel is so incredibly effective at conveying how hopelessly outclassed the boys are. they’re not even in his league, and it’s honestly terrifying.
and on that happy note, we have come to the end of my list of favorite panels! and I gotta say, it’s really gratifying that a good deal of them are from this year alone. I said it in another post a few days ago, but imo the overall quality of the series has been insanely high as of late, and it honestly just blows my mind whenever I stop to think about it. the art is still this good six years into the game. the story is still this good. we are spoiled goddammit.
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steve0discusses · 4 years
Text
S4 Ep 39: Pharaoh Can Fly (Selectively)
Guys, they’re back
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Best storyboarder is back, and the visual difference between last episode and this episode is like when your art teacher picks up your charcoal and just fixes everything wrong with your gesture drawings. It’s like...I mean look at this:
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I just really love and appreciate how illustrative this storyboarder is. And I say just storyboarder because this had about the same budget as the last episode--there wasn’t that much actual animation as per usual. But, all of the scenes were drawn so well, like panels out of a good manga. They just...they always nail it when they’re at the helm and I don’t know why they’re on Yugioh, but bless this storyboarder.
Plot wise, everyone got pulled into the dragon by gooey tentacles that came out of it’s stomach, don’t think about it.
Meanwhile, all of the minibosses could communicate with them and beg for help, yes, even the same miniboss who may have dressed up like Pegasus and catfished Seto Kaiba.
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(keep reading under the cut)
The whole process of getting absorbed into the Orichalcos demon was a whole lot of symbolism and it was...kinda gross. Also kinda sketch. Also, for Kaiba it is a neat little nod to S1 when he had a vision that his brother was absorbed into a dragon mass.
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I don’t think that the makers of the show remember S1, but either they just really like goopy dragons, or it’s a coincidence or I dunno, on purpose? Probably a coincidence.
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And like I made this joke and realized...what if they actually meant to make that parallel though? This is the America crossover season, and they have referenced America’s love of trickster rabbits before with Pegasus but do they know about Br’er rabbit in Japan? Do they know? It’s a pretty Americana Deep-cut, and I have no idea how common this folktale is outside of the states.
I see anime busting out absorbing goopy masses all the time so I’m gonna assume that there might be a Japanese folklore I don’t know about which uses a similar structure (although I’m also assuming it has an extremely different history and association ((which I won’t be going into because I don’t feel like putting a trigger warning on this recap)).)
And looking at Wikipedia, there’s people that think the original reference to moist, absorbing creatures could have even come from as far as India. Which is...fascinating to how it also developed in Africa, and then the Cherokee also made the same story independently and then it fused together here in the States to make it what was eventually made into a Disney movie that will never be released again--this is just a really old ass story, all in all, possibly like over a thousand years old.
And a FASCINATING google deep dive I won’t go into for obvious reasons but knock yourself out.
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Also, lets get distracted for a sec and see how well this storyboarder drew a fitted jacket at that angle. Dear Lord, did they get reference for that or did their brain just already know that those folds would be there? You can even tell that Pharaoh has just a little bit of padding at his shoulders. Ugh. Guys this storyboarder is so freakin good at these little fitted jackets.
So, once Yugi and his friends are absorbed into the mass, where they should have died...and maybe some of them did, but I don’t know if I should add that to the Death Count because like...they could have held their breath in the amount of time they were stuck in there...maybe...Anyway, they are saved by being tossed into the figurative briar patch--by the souls all hanging out in the Leviathan’s stomach--which again makes me wonder...did they pull a folklore on us? Again, I have no idea.
Like a lot of the people in this dragon have been thorns in their side this entire season, they’ve all tried to kill them at one point--all the minibosses, Mai, Pegasus--but now they have decided to team up with Pharaoh (along with the rest of the human race) and offer whatever they can to free them from the grip of the gross dragon mass.
And like, the ending of the folk tale is that the thorny ass briar patch is also where the rabbit lives usually. It hurts everyone else, but the rabbit--the rabbit can deal with it. And likewise, Pharaoh is freakin dead. He’s at home here. He’s surrounded by spirit power, his friends and their friendship power, this is like his zone, and now he’s crazy powerful for it and will be for the rest of the episode.
And like Yami is a very trickster God (especially Season Zero Yami) so like...it does make sense that he would mirror a folk tale based on trickster Gods, even if it is by complete accident.
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So Pharaoh imagines everyone’s tears as individual drops in a glass or something--it’s not a literal glass or anything--it’s just there because the only thing actually happening on screen was his hand hanging out of this dragon’s weird puss skin.
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And he’s now a fully charged Sonic the Hedgehog and no longer needs Kaiba or Joey at all. Just gonna grab his God card demons and take charge of everything else from here on out.
By first exploding his buddies right the hell out of this lizard and across hundreds of feet of open ocean.
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Joey decides to remind Kaiba that he lost the Battle City tournament.
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Seto’s roast was actually in the show, PS. He is not super excited to be reminded that Yugi owns every card that he spent 2 seasons failing to get.
And then Pharaoh did something really, really...
...just really really wild.
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OH OK.
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YEAH JUST TAKE OFF.
GO AHEAD THERE’S NO REASON THIS WOULD BOTHER ME.
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I mean he IS super powered right now but like...
Like...WTF?
4 SEASONS. 4 SEASONS I thought this guy was glued to Yugi like Peter Pan’s Shadow and apparently--he can bounce.
Can Pharaoh do this every time Yugi asks Tea out on a date and tries to instead make the ghost in his head do all the work now? Can Pharaoh just be like “NOPE” and then phase out of the house, leaving Yugi to actually do the hard stuff?
It really adds a level of complexity to their relationship if Yugi can get a room.
(If not a room for romance, but at the very least a room to poop in.)
OR has he been able to allow Yugi to wicked poop in peace this whole time, but the show just never felt like telling us because they felt like it wasn’t important (although it is crazy important)?
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Either way I am just...floored at this character development.
Yami just let Yugi out of his sight for like...I want to say 8 full minutes. Just incredible amount of trust on Yami’s part. Incredible. Knowing Yugi’s track record, he should have died in those 8 minutes but...he was being babysat by both Kaiba and Joey.
So Yami summons the Gods and they shoot lasers--you kinda expect this sort of thing.
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And this is...probably...the real reason why Dartz didn’t bother trying to attack Pharaoh 5,000 years ago.
I can still think it’s because of Bakura but like...this is probably the real reason. It felt pretty chump to just shoot a laser at the bastard. Pharaoh just had to be reminded that this is a thing he can just do. If he felt like it.
Which he never feels like doing, because he’s too busy watching Yugi’s every move, and getting distracted by High School shenanigans.
After this happens, the giant snake falls to the ocean, splitting into just sooooooo many ghosts.
Over 7.8 billion ghosts, if we’re to assume that this is most of the population on Earth.
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(thinking the weird-o in the hat is probably a Duel Monsters card? The duel monsters were throwing themselves into the Leviathan at one point so this is probably like a dark magician boy or something...I just don’t get very attached to the monster cards so it was like...whatever. The cards die like constantly so who cares?)
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It is a pretty set dressing. Like Christmas lights but...dead people.
We also find out that the lost family of our minibosses Alister and Raphael, have indeed spent the last many years inside the Leviathan stomach, which is pretty tragic. We get a bitter sweet conclusion to Alister and Raphael’s story--although it’s not a full on ending for either character. Their life still hella sucks, they are in therapy for basically forever.
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Where is Gurimo?
I don’t know what sort of job or life these two are qualified to have now, but youknow...Marik’s boat probably has jobs available.
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Hold up. Can we talk about the windows?
I know absolutely none of you care about this, but I do, not to be picky or condescending to an overworked art team, but because I just want to know what they were trying to aim for.
There’s an iron stained glass style windowpane thing going on and that’s what’s really getting me. Like...I know these guys were technologically advanced, but why did you use this WW2 background? What happened to Ancient Greece that you were doing before?
Like doing a super past with future tech is so cool to me--I love that sort of concept art. That’s going into like Black Panther stuff where you’re referencing the earliest stuff in Africa and then blending it with stuff beyond our science. But Atlantis is a real big shrug and a “listen we ran out of time and had to press print,” and it’s such a shame. It feels less cohesive than even when this show does Egypt.
And yo this show and how it draws ancient Egypt--I feel like I’ve already talked about that. I have a feeling I’m going to talk a lot more about it next season. I’ll get to it when we get to it. I’m hoping that they have more time and budget to actually DO Egypt for once. (I say knowing they won’t)
Like it’s one of those things where this isn’t a history show, like at all, and it’s very much a fantasy. I’m not going to be like those sewing people on youtube that get annoyed because their TV show doesn’t have handsewn stitching in their Victorian bodices they rented from the costume department from an LA discount warehouse. Because, yo, it’s TV, and I can stretch my own imagination because it’s acting. (although I confess, I watch every single one of those videos).
But...the potential, y’all...the potential.
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Anyway, Dartz isn’t dead. He was just taking his toot sweet time getting down the steps of his Gazebo.
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This is where things get very anime. I get this problem a lot with anime, I really do--and maybe it’s just me. But like...sometimes it feels like anime changes the rules during the boss fight.
That happens a lot, right? Where suddenly the final boss reveals something that like...should have been addressed way earlier? And he’s alive but you don’t get why?
Anyway, Pharaoh reacts by getting maybe way too attached to his newfound independence.
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Which like...I can understand Tea forgetting that Yugi is one people that is two people all the time, but the writers as well?
And what’s kind of great about this scene is that Dartz does see Yugi as two people here. He doesn’t look at Yugi, he looks at both. When Pharaoh is like “Leave me, Yugi!” Dartz heard all of that.
Just kind of a neat thing that we finally have a dude that can just...see Pharaoh for what he is, but it probably won’t matter because there’s like only one more episode left of this season.
Anyway, Pharaoh and Dartz have a chat about where evil comes from...and like...it’s some Yugioh lore, all right.
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So before the show decides to give us the Genesis on Yugioh and reveal where the evil of the Orichalcos comes from, or if all evil was created by Orichalcos itself (which is IMPLYING stuff about Orichalcos) the snake shuts him the hell up.
As it should. Leave that Pandora’s box freakin closed. That’s going into extended universe of Star Wars books territory (RIP.)
As an aside--pretty sure that Yugi is standing outside that tornado. Maybe it was just the editing of the episode but like...
Yo I’m pretty sure Yugi is just standing there. For the first time, it’s not his nuts getting roasted. Wow. Tables have turned so much since he was dead.
Anyway, here’s the link for new people so you can read these in order
https://steve0discusses.tumblr.com/tagged/yugioh/chrono
There’s only one left! We can do it! We can finish this season in 2020! And actually get back to recapping Full Metal Alchemist! ~~Woooo~~
Oh man that movie better still be on Netflix or I’ll have to buy it lolol.
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amethystcria · 4 years
Text
AFTER 291 - Revisiting Twice: Was Dabi listening the whole time?
Lmao I’m so mad I didn’t post this before the leaks because wow...I was right. 
Had to re-edit some parts here but here are the evidences I believed Hori left to implied that Dabi was in fact using Twice. Whether his death was plan or not is still to be decided but... Twice was bait.
I am of the unpopular opinion that both Dabi and Hawks are responsible for Twice’s death.
CONTAINS SPOILERS FOR 291
(FYI: This is rather long bc I haven’t done theories in awhile so I don’t know when to shut up and overdramatic as Dabi sometimes lol.)
It could be just a plot hole Horikoshi didn’t realize he left but it’s been simmering in my mind since all the foreshadowing of Dabi’s upcoming broadcast. And with Dabi admitting how he did think of killing Shoto, his brother, for his goals... This theory doesn’t seem so crazy now. 
Now that we know of the elaborate scheme Dabi has been planning for many years (and good for him!) coming to fruition at last! I have to wonder what role was Twice gonna have in his plan? Was Hawks apart of it too? Had they been playing their part this whole time? (Edit: With the leaks 291 the answer is yes.)
When the mansion got invaded it was so strange to me that while everyone was heading to battleground, Dabi, turned the other way. He was heading toward Twice. Why? How? We all knew that when the raid started Skeptic put the blame on Twice + Hawks and tried to find them. He couldn’t because Hawks had removed the mini cams by then. So how did Dabi know where Twice was located and that he was being targeted?
The only way Dabi would know is if he had been keeping tabs on Twice and Hawks. Becoming familiar enough with their habits and thinking to make the conclusion that Hawks would trap Twice in that specific room. We already know Dabi never trusted Hawks and yet he allowed him to get close to Twice. Why? Especially if he could guess that Twice had become Hawks intended target in his double agent agenda. Unless this is what he wanted...
Which is already pretty bad using an ally like this. If Dabi didn’t want Hawks to get Twice he would have mention it beforehand. He had to have wanted this. But hey let’s give Dabi the benefit of the doubt that maybe he allow this because he thought he had high possibility of avoiding the worst outcome: Twice’s death
But then that would mean Dabi was willing to risk Twice’s life in luring Hawks which is what I think he did. 
But did he really?
(I’ll be using the official viz’s translation for these lines quotes but the japanese raws to show there’s no differentiation between word usage in the images itself.)
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Chapter 265 Dabi: Looks like sentiment tripped you up after all, hero! Hawks: I could never allow mere sentiment to trip me up.
We know that when Dabi finally reached Twice’s location that he did not immediately come to his rescue. He waited for an opening and him throwing Hawks’s words back at him then always seem like an indication of his arrival time.
However in the following chapter, 266: Happy Life, Dabi retorts one of Hawks’ line again. It’s easy to miss since it’s only one word this time and not a whole sentence. I didn’t catch it until several rereads later.
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Dabi: He was just 'unlucky,' huh? Maybe by your screwed-up standards
Hawks: You've just been unlucky, but you can make a fresh start once you pay for your crimes.
We can see that Dabi is quoting a phrase in his thoughts. He is not saying this. And ordinarily this would be fine except when Hawks said this line to Twice, Dabi was nowhere near to hear this. We see at the end of chapter 264 that Dabi is still running up the stairs...
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Unless Hawks was yelling this line which I doubt. Or the time passage between these two panels are different somehow, again: press doubt, Dabi should have not been able to hear this line but he did. How? Either this is an overlook on Horikoshi’s part or Dabi somehow had bugged the room. Pretty wild of a guess especially when Hawks would have taken out any cameras I think...but if Dabi had been overhearing their conversation this whole time then it make sense why he had certain trail of thought passed his mind in this panel.
Panel Above Dabi: Twice. This isn't your fault. As always... scummy heroes are to blame.
Twice was despairing in this chapter blaming himself for once again falling for a trap. I always thought it was very nakama-like that Dabi could SOMEHOW sense Twice’s plead and reply to his soul. “This isn’t your fault” is the closest to an apologize from Dabi, because really isn’t his fault. It’s Dabi’s. And god if he had been listening this whole damn time no wonder he thought this when he did. Of course he could’ve also just heard Twice’s agony scream (sfx seen on the top)...
I could go on longer about how Dabi faked shock on Hawks escaping his hold, how his little show of comradery with Twice in combating Hawks was an act in itself. And his reaction toward Twice’s death, the word choice usages, the tone of it all was quite theatrical. Good show, Dabi!! 
It had to have been if it was being recorded. Gotta play the good ally, right?
I always did wonder why there was such a focus on his hand on these panels in the infamous black speech bubble chapter. It’s not like the other panels where the focus is there because of his burns. He had something in his grasp to hide.
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Chapter 291 Spoiler:
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It was one of Skeptic’s cameras. 
That makes me wonder something though. Was this when he cut off the film? And if so, why? If he knew Skeptic was gonna see it and the world why end the recording there after torturing Hawks? Y’know aside from obviously saying he doesn’t care about the league, etc.
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Are we really so sure that this bubble had his name? Or could there be something else? There’s a good chance this censor wasn't just a tease but indication of when the camera stop for a moment.
I gotta say if Dabi’s pre recording still going on then I fear for his next card drawn. What are the chances he recorded some students on the battlefield as well? Students who shouldn’t be there in the first place whose parents have no clue their child/ren are a participant of war. As far as they know they’re suppose to be on a field trip for their work study program. Oh man are hero society gonna have a field day if that’s reveal~
One thing for sure though. Twice was bait. Whether it went according to Dabi’s original plan can be up for debate(as in his death being the goal...since 291 SPOILER: Dabi’s pre-recording voice only mention Hawks killing Jeanist, not Twice) but Dabi was satisfied with the end result either way. R.I.P. TWICE You were such a swell guy but too easy to use. It happens. You had a good life.
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