#if you dont want to be tagged let me know

[lovelookspretty]

lover of mine

drew starkey x actress!reader au

— in which drew and y/n, secretly exes, must fake date in order to keep the peace at a mutual friend’s wedding, but the forced proximity makes them question whether they ever truly moved on.

warnings: sweet baby boy drew whos willing to help u, nothing else rly

one | two | three

authors note: i wanted to give it a sort of “the proposal” / “anyone but you” type of feel !! this is obviously going to be a series so let me know if u want to be added to the tag list from now on so u dont miss an update ! <3

your body freezes in place when you’re asked about the wedding. crap, you forgot. but it isn’t like you received any invite.

“theo sent you an invite through the mail. you got it right?” your friend, leila, asks you. leila and her fiancé theo have been your friends for years now, ever since you met leila during a movie priemere and shared respect on each other's careers. she’s been your closest friend, so theo naturally had to come along too.

“what? yeah,” you lie right through your teeth, and guilt punches you in the face when you stare right into her bright eyes. you raise the cup of coffee. “was literally jumping for joy when i got it.”

leila sighs in relief. “thank god we got the right address,” she says and you question what she means by that before she continues, “we didn’t know whether to send it to your apartment or drew’s.”

your breath is caught and you pause before your drink reaches your lips.

“drew,” you repeat, and she nods.

“yeah, but we figured you’ll both see it either way so, sent it to his place ‘cause theo said it was closer,” leila says, and you raise your eyebrows in amusement. “but anyway! before the wedding, i wanted to stay with our inner circle so if it’s possible for a little two-week vacation? the venue is close to my mom and her boyfriend’s house so we’d just be staying there. i would’ve picked after the wedding if theo didn’t already have the honeymoon planned. he’s too excited.”

“wait, two weeks?” you inquire, “who’s coming?”

she shrugs, “you and drew, libby, gia . . .” she trails off as she thinks about it, and you swallow as you set your cup down. “i forgot who else. i know it’s one of theo’s coworkers but i forgot who. let me text him actually.”

your face lights up at the opportunity to get away, and you nod. “i need to call drew actually,” you say, and she smiles and nods as you stand from your seat and make your way to her living room. “need to remind him to take the . . . fish . . . out.”

“fish?”

“we’re having fish tonight, yeah.”

you turn away to scroll through your contacts until you find his, then click on it. you settle down on the couch as you wait anxiously for him to pick up, and just hope that he does.

just before the call goes to voicemail, the line clears. “yeah?”

“you are such a—!” you hiss quietly, careful not to let leila hear you. “why didn’t you tell me leila and theo sent you a wedding invite for us?”

“i literally just checked my mail, alright? i would’ve said something about it as soon as i saw it,” he tells you. “i just flew in two days ago, y/n. i’m at the . . . i’m not at my apartment right now but my mail’s all on my counter. i’ll look for it once i’m home and then send you pictures of it, okay?”

you know that your situation with drew is slightly complicated. you were together for five years before ending things just a year ago.

because of your careers, you aren’t surprised that people assume you’re still dating. even close friends like leila and theo. everything was kept private. a year into the relationship was when fans even found out about you two.

you both have been looking for a time to address the breakup, to friends first for sure, but with your conflicting schedules, the time’s just never come up, and sending a “by the way, we broke up” text to an imessage groupchat wasn’t totally ideal.

even with the wedding coming up, having to be around everyone while you celebrate your closest friends, how are you either of you supposed to bring it up now?

“okay,” you tell him. “just text me when you’re free. any time before 10, please.”

“okay,” drew’s voice is soft and understanding. the line goes dead and you pull your phone away from your ear, seeing that he’s hung up.

your expected text comes around 8pm. drew’s sent you four different attachments. all are photos of the elaborate and detailed wedding invitation. the designs must’ve been leila’s idea.

you’re surprised to see an incoming call on your laptop right after. you hover over the accept button, then click on it.

his face fills a rectangle of your screen. he’s on his phone—“do you see it?”

“yeah wait,” you mumble, clicking out of the facetime to open your messages with him, then click the first photo. “leila and theo; rsvp by september twenty-seventh.”

“the letter’s addressed to my place but they put our names on the envelope,” drew tells you, and it looks like he’s ruffling through something before he flips his camera to display his counter. on it is the envelope in question, which is addressed to his apartment, but for y/n and drew, it says.

you hum. “are you going?” you ask him.

“of course i’m going. what do you mean?”

you shake your head, “nothing.”

drew only knows of leila or theo because of you, because leila works with you. maybe he’s made friends with theo but it’s not something you’ve personally seen, so you’re just assuming that maybe since you’ve broken up, there’s no reason for him to go? especially when he’s filming soon?

you stare down at your keyboard as you speak again, “leila wants us to come on a two-week pre-stay with her and theo. and others.”

there’s a brief pause from drew, like he doesn’t understand.

you sense it immediately and continue. “like, before the wedding, she told me today about how her mom has his house she wants us to stay in, just a few of us for two weeks, then they have her wedding— i don’t know, i need to ask her more about it. i think she just wants to fly everyone out and spend more time with us before she’s on honeymoon and living the wife life.”

“could be fun,” drew says. “i mean, i can’t even remember the last time i was out with theo or leila. it might be good for us.”

you furrow your eyebrows at him through the screen, and you try to read him to see if he’s joking. “there is no more ‘us’, remember? and by the way, neither leila or theo or anybody else knows that.”

drew hesitates as if he’s trying to justify your situation.

you rub your eye before resting the side of your head against your fist, “they addressed the invitation to both of us, drew. i feel like we should at least tell them the truth so that when we get there, they know.”

drew hesitates, his eyes moving around as if searching for the right words. “yeah, i know. it’s just . . . complicated.”

“complicated doesn’t even begin to cover it,” you say, feeling frustration build up. “it just feels dishonest. they think we’re still together, and if they find out at the wedding, it’ll look like we’re hiding things.”

“we are hiding things,” he reminds you. “we’ve been avoiding the topic. do you really want to drop this bomb on them right before their wedding?”

you go silent as you think about it, because if telling them isn’t a good option then . . .

“what if we just kept up the appearance that we’re still together?” drew suggests. it draws your attention as you look up at your laptop. “for the wedding and the pre.”

you blink, taken aback. “what do you mean?”

“i mean,” drew continues, “what if we act like we’re still together while we’re there? it might make things easier for everyone. seeing us apart will just create tension. people will feel like they’ll need to walk on eggshells around us.”

you give him a skeptical look. “acting like a couple isn’t the same as actually being one. i’m not sure i can just pull it off without it feeling fake.”

“we’re not faking,” drew says gently. “we’re just playing a part for a bit. we’re professionals. it’s literally our job. we can do this for a few days.”

you pause, considering his words. “but what if it just makes things worse? what if pretending just complicates everything?”

drew’s expression softens, and he speaks more earnestly. “look, we’ve been in tough spots before. there’s been so many times on set with you and i before that we’ve had to navigate headfirst. this is no different. think of it as a role we have to play for a short time. it doesn’t change what’s real.”

you sit back, processing his suggestion. “so we fake it for now and deal with the truth later?”

he hums. “it’s not ideal, but it could save a lot of awkwardness and stress. we can be civil and supportive for their sake, and then handle everything after.”

you let out a long sigh, feeling the weight of the decision. “it just feels like a lot of work to keep up a pretense. but i guess if we’re going to do this, we need to at least figure out how to make it believable.”

“we’ll figure it out,” drew says, his voice a little more hopeful. “it’s not about being perfect. it’s just about getting through the weeks without making things worse.”

you nod slowly, still feeling uneasy but recognizing the practicality of his idea. “okay. pretend for leila and theo, and then deal with the fallout afterwards.”

there’s a faint smile on his face as he nods at you. “just two weeks, remember? we can do that,” he says. “i’m gonna head to bed. i’ll talk to you tomorrow about it, alright?”

“okay,” you murmur, and drew hangs up on you.

the facetime window closes and displays your last app that’s been open, your messages. you’re face-to-face with the photos of the invitations once more, and a part of you is overwhelmed with emotions—fear, excitement, guilt.

two weeks. that’s all it is. just two weeks with your ex-boyfriend. you can survive that . . .

right?

[yuyu1024]

Lettuce

Pairings: Mingyu × y/n

Genre/tags: non idol, dating

Warning: 🔞 fluff but still smut, pet names (babes, baby, love, honey, sweetheart etc.), cursing, unportected/protected sex (always be safe), kinks (size, breeding, tits, etc), mention of small age gap, mention of low self-esteem/confidence and insecurities

~~~ [lmk if i miss anything]

Words: 2.6k

Disclaimers:

- this story is just made up

- english is not my first language, please be nice 😊

A/N: been away. I didnt know if I should post this or delete but then... I dont want effort to go to waste so.. 😅 i hope this is an okay one.

Have a nice day.

-----------------------------------------------------

"Are you still waiting for your ride home?"

You look at the group of girls standing a few feet away from you. They are from the department across your office.

"Is your boyfriend late?" She adds a follow up question

You smile, "I am." You cautiously answer.

They are not your friends so you are not comfortable to share more than that. And also they are known to be the gossipers in the officr so, any details about your personal life would be the next topic for the next few weeks if you share anything with them.

"It's already late... are you sure he's still coming?" One girl asks.

Luckily, the bus arrives just in time for them to hurry in. No time for you to even chat with them anymore.

"Thank goodness..." you sigh feeling relieved.

*pings*

🐶: sorry, im late. 😭

🐶: i helped an old lady cross the street.

🐶: didn't know she would ask me to also help her get boxes of soju in her shop.

🐶: she admitted to pretending to struggle crossing the street so she can ask anyone to help her and his son 🙃 and then made me buy a whole bunch of lettuce.

🐶: like a whoke bunch😶

🐶: you like lettuce right babe?😚

You smile as you read your boyfriend's text. You don't know if its you imagining him pouting because he feels sorry he made you wait or its because he felt used and scammed.

💖: you're so silly.

💖: its still a good deed so its okay 😊

🐶: but i am 10mins late.

🐶: i cant let my princess wait for me.

💖: i can wait. As long as its you... ♥️

You see him read the message and then not reply.

"Hello stranger..."

You got startled when Mingyu embraces you from behind and kissed you on the cheek.

"Yah! You scared me." You slap his arm

"Sorry..." he giggles and kissed you again. This time on the lips.

"Stop..." you say, blushing. "We are outside."

"So...?" He grins and then puts his arm around you. "We are a couple. Who the fuck cares?"

You roll your eyes. "You know people judge..."

"No... they are just jealous because I am dating a wonderful woman..."

You shake your head. "No... they are not jealous because of me..." you push him away. Forcing a laugh. "Probably because you look good in that double denim look."

Here you go again with your self pity and self judging. You always do this. 'This' notion that you are way below over any other girl and that you are just lucky Mingyu is your boyfriend. You always make an effort to put yourself down without even noticing that Mingyu does not like it.

He fucking loves you. Inside and out. From head to toe. From front to back. He even loves it when you are not at your best behavior nor position. He just... loves you. Period.

But on your end, even with a million reassurance, you always doubt yourself for him.

***

Arriving at his apartment, the first thing you did was announce that you are going to take a shower. You didn't even looked at him when you said it. You're not mad at him or whatever. You are just guilty and feel sorry for being down out of the blue. You didn't even talked that much during the ride home.

"Hey..." he takes you by your arm and pulls you close for an embrace. He kissed the top of your head and then forehead. "Take your time... I'm going to cook dinner."

You smile with no teeth showing. "Okay..." your voice sounding almost a whisper.

"Anything in particular you want? We have meat, fish and vegetables... like a lot of lettuce..." referring to the whole plastic the old lady sell him. "You want something with soup or fried? Ramyun or pasta?"

"Hmm... I like pasta... and a salad on a side?"

"Okay... as you wish my princess..."

The whole apartment smells like a five star restaurant. The fragrance is to die for and makes your mouth water. When you got out of the bedroom, hair still damp, you got suprised by how extravagant Mingyu arranged the dining area. Fancy plates, lit candles, wine glasses and a bottle of his favorite red win. All of a sudden, iy felt like you entered an Italian restaurant wearing your baby pink pajamas and hello kitty slippers.

"Hi, babe." Mingyu is a ray of sunshine while putting on a few more finishing touches on the table. "Ready to eat?"

"Aww..." your heart is aching with pure joy. He is the sweetest man alive.

You stumble your way to him, caused by your own feet. He managed to catch you giggling with you. You look silly but he find it cute. And then as your eyes met he immediately captures your lips for a kiss. Small pecks that got deeper and more seductive. The kisses are loud that it echoes and bounce off the walls of the apartment. He can't also stop touching every curve of your body. From your hips, to your ass and to your tits. He even lifted your shirt so he can access your bra and yank one side down exposing you boob.

"M-mingyu...." you giggle as you try to pull away from the kiss. He does not want to let you go. He keeps on chasing your pink lips whenever a gap starts to build in betweem his. "We need to eat... the food will get cold..."

He didn't answer. He leans lower so he could give love on your exposed bud. He suck it first before he lets his tongue lick it and make your squirm.

"M-mingyu..." you inhale. "The food...?"

He finally lets you go, smiling. "Fine." He chased one more kiss. "But after we eat..." and another one. "I'd like to go straight to dessert." And another one. "You know I love my dessert." He says, bitting his lower lip while grinning like a mad dog.

"You're crazy!" You pinch his nose.

"Crazy over you..." he growls and suddenly picks you up off the floor. He puts your legs around his waist and you automatically hang your arms over his shoulder to hold on.

"Yah!"

"I can't wait. I think I want to begin our dinner with dessert first." His eyes is filled with desire and he is ready to wreck you.

Kicking the door open to your bedroom, Mingyu lays you down gently but in a hurry at the same time. He is on a mission. He is not going to make love to you. He will FUCK your brains out tonight. You know that look in his eyes.

"No condoms... I need to feel you... skin to skin..." he pulls his shirt off and throws it, hitting the wall, then begins to unbuckle his belt and pants. "And I'll like to fill you up until it leaks out of your pussy." He adds, grinning

"Oh God..." you try to get a hold of yourself. Not ready for what is coming

He pushes down his pants and underwear in one go. His length springs free and is up, steady and hard. It's tip glistening with pre cum.

"Turn around..."

You do as he says and go on fours on top of the bed. He pulls your pants down, revealing a bare and wet pussy ready to be torn.

"No panties huh..."

You blush. "Well... I know we'll have sex today... I just didn't know its going to be this soon..."

Mingyu hovers on your back, hand sliding up and down your curves. "Do you want me to stop and just go on with dinner?"

You lower your heard, embarassed, even though he's not seeing how turned on and red you are. "No... I would never say no to you..." after a few breaths in you look back, cheeks red and warm. "You know sex with you is my only addiction."

"Fuck yeah it is..." he says proudly and satisfied

He eases himself in, slowly but deliciously. He skipped prepping you. He can't wait anymore. His dick is aching and wanting to feel your walls.

"I'll be a little rough to you today, babe." He smacks your ass and a moan escapes your lips. "I didn't like what you did earlier..."

"Ughhh!" He slams strong and consistent. It's driving you insane how he could hit the very back of your cervix. Actually he could hit every thing inside you. Thats how long and thick he is. "W-hat... what did... I do?" You arch your back and pushed your upper body up so he can embrace you and touch your body as he thrust your brains out.

"You know..." he grunts as he adjusts and tries to go deeper, even though he is already at the deep end of your insides. "I don't like it... when you don't appreciate yourself..." he inhales and exhales as he feels you clench and make it tighter. "Fuck! Babe!" He kisses the curves of your neck and bites on your shoulder when he feels the tightness thats make it fucking sensational for him

You ubotton your top to give him access to your chest. You didn't unhook your bra though. You just pulled the ladies out and the bra helps give them a push up.

"You are beautiful... sexy... and a wonderful woman..." he pushes your hair out of his way so he can kiss your neck. "Love yourself... the way I love you."

He then pulls out, almost making you cry and beg. But them makes you turn around to face him.

"Can you?" He asks with the most loving eyes

You crash your lips to his. Pushing your tongue in him. You didn't stop until you hear a moany cry from your boyfriend. His brows then creases when you playfully bite his lower lip. "I want to..."

"But what?" He carries you off the bed and pins you to the wall, beside the window of your bedroom. Your one leg touching the ground while the other is hooked over his forearm. "Answer me, babe."

He slams back in you. Stronger and much deeper. Which confused you coz how? Its not like your cervix can expand. But thats what it felt when he slammed you. It didn't hurt. It felt insane actually. Insanely goodm

"You are kind... sweet... caring... hardworking... knows what you like and dislike... respectful..."

You are catching your breathe in your throat. Its like you are choking from excess pleasure. You try to speak but you can't let go of the high. So instead of speaking, you just shook your head.

"You don't agree?" He asks. Mingyu looks at you with his puppy eyes and showered you with kisses. Then he kept repeating all the good qualities you have as a person and even physically.

He really is telling you every bits about you. Everything that he loves and dislike but accepts coz it is you. It is part of you. He really do love you.

"What can I do... to reassure you?"

You put your hand over his mouth. Not to shut him down but to hush him for a second. Just for a moment until you get it all out for him.

"Fuck me!" You cry as you can't help but  cry more of his name. You are so close to your orgasm. "Nggghhhh...!"

You shut your eyes ready to explode but then Mingyu pulls away from your hand, takes you back in bed to finish, when he suddenly says the two words you didn't expect him to say while he's fucking your brains out

"Marry me..." he says.

Your eyes opens, looks at him in pure shock and bliss. "W-wha..." you can't finish your words. He was hammering you. You can't answer. "Mingyu!" You moan his name so loud when your world spun around.

"I love you." He grunts as he see you melt and when he pushed into you a few more times, he finally begins release himself you. All the warmth and every drop of him in you. "Fuck!" He exhales, dropping his body on you but not his weight. "I love you..." he says again. "So much..." he kisses your shoulder and then your cheek. "So... what do you say?" He smirks

"Suddenly?" You look at him, confused.

"Hmmm..." he scrunches his nose, still wearing the smile on his lips. "Not really..."

He then gets up, pulling out of you, which felt like you got more naked than what you are now. More exposed.

"Wait lemma clean you first."

He runs into the bathroom and takes a towel to wipe you clean. Just clean enough to be presentable but not totally wipe his seeds off you. He wants that in there.

And then he runs out of the room.

"Where are you going? Babe?" You are confused. Why is your man running outside the bedroom ass naked

Giggling as you see him comeback in and carrying the plastic bag of lettuce.

"Huh? What's that for?" You sit up and wrap the thin white blanket to your body.

"I lied. Well... we still going to have salads and all..." he is mumbling. "This should be over dinner... but... I could not help myself earlier so..."

"Mingyu... what is going on...?"

Laughing but still trying to pull a serious face. "It was true that an old lady sold me this but... as I was helping her she took the paper bag the came wit this... and I panicked." He sits down beside you. "I didn't want to put it in my jacket or pocket coz... it will be obvious... and when we walk and your cold you always put your hand in my jacket's pockst so..."

"Mingyu!" You grab his face and kissed him. To make him focus. "Just say it..." you are giggling now too.

"Okay..." a soft smile spreads to his lips. "I know... you may think... I'm still young and naive."

"No you're not..."

"Yeah but... still... anyways..." he nervously laughs. "Like I said... you are an amazing woman. Anyman who you choose to love will be the luckiest. And thankfully its me..." he then goes down to his one knee and pulls out a black box from the plastic of lettuce. "I said I didn't like what you did earlier... you looking down at yourself... but that does mean I hate you or mad at you for it... I just say that because I care.. I want you to feel... assured and happy." He opens the box and shows the most brightest ring you ever saw in your life. "If I have to always reassure you for the rest of our lives... I don't fucking care. I am up for it. I love you and I can't live a day without you." Pulling out the ring and taking your hand. "Please marry me... I will serve you and love you forever..."

You watch him put the ring on your finger.

"So...?" He looks at you with doe eyes

Letting go of the blanket covering your body, you launch yourself to him, making you guys fall on the floor. "I love you Kim Mingyu..." you say first before kissing him. "Forever is not a bad idea..." you kiss him again. "Of course I will accept."

"Sorry if I proposed to you after sex... at diner would've been fantastic"

"Don't say sorry... I do love your way..." you get up from embracing him. "It brings back to how we started."

He sits back up. "Right."

Then you stare at your ring. "Who could've guessed that... I will be marrying the guy I met and fucked at a friend's birthday?"

[crimsonbubble]

mingi loves wearing jewelry right? imagine those hands with all of the rings touching you and those necklaces hanging in front of your face when hes inside you

hehehehhehehe

Rings of Temptation

cw. nsfw, afab!reader, hand kink, fingering, mirror sex, praise, pussy slapping, squirting *not proofread, just pure horny

[mingi has been all up in my head recently and I dont even know how he got here]

taglist (dm to be tagged); @sidusvenari @sugarnspice630 @ravenempress101 @autieofthevalley @linearities @wisejudgedragonhairdo @madiexuberant @mifuelarts @straytiny127 @yun-fangz @huen1ngk4i @juyeonshour @uniq-tastic @hongjng8 @miyaluvvsyou @everyonewooeverywhere

The state that your boyfriend has you in is pitiful. Sitting all pretty and spread out on his lap in front of his full-length mirror. Mingi sits with your back to his chest, hooking your knees over his to keep your messy cunt on full display for him.

Mingi ghosted his lips over your pulse point, laughing when you shudder. “Such a good girl for me, yea? Look at how pretty you are, making such a mess on me.” Mingi slips his fingers out of you, using his middle two digits to lewdly spread your folds. You whined as he shamelessly stared at your aching cunt, letting his thumb rub against your clit.

You clawed at his forearm, jolting in his lap when he roughly smacks your pussy. He laughs against your shoulder, harshly tapping your clit with three fingers before smacking it again. Your thighs trembled as Mingi plunged his fingers into you again, his rings pressing against your messy hole.

“Look at yourself, princess. Look at how your needy cunt squeezes my fingers.” The second you look, you can’t look away. You knew Mingi’s hands were big, but seeing them pressed up against your pretty cunt made them look that much bigger. You greedily drank in the way your pussy gripped his fingers, whimpering pathetically when his rings brush against you.

The thick metal of his rings is cold, making you quiver every time he buries his fingers in you. As you trained your eyes on the way Mingi spread you open on his fingers, you didn’t take notice of his sharp eyes watching you. “It’s the rings, isn’t it?” You blinked rapidly, heat rushing through you as Mingi finally caught onto why you were staring so fucking hard at his hands earlier.

“You like seeing me wear rings, hm? I bet you think about this all the time, huh?” Mingi’s pace quickened tenfold, his fingers curling to hit your sweet spot with every pump. “Thinkin’ about me fucking your needy cunt open on my fingers huh? Wanted me to finger you with my rings on, is that it, princess?” You nodded hastily, clinging onto his wrist as he abused your sweet spot.

More arousal continued to gush out of you and around Mingi’s fingers. Your body is strung so high, clinging onto Mingi like a lifeline. “C’mon baby, make a mess on me. Make a mess on my fingers like a good girl.” His voice deepened as he mercilessly hooked his fingers into your sweet spot. The pressure in your gut was different, it felt much stronger.

Mingi smirked against your neck, sucking more hickeys into your heated skin. He felt the way your pussy throbbed and squeezed his fingers, pulling them out and circling the wet digits over your clit. “There we go, baby. Just like that. Such a good girl. My good girl.” Your hips jolted off his lap, your nails digging into his forearm as Mingi rubbed his fingers over your clit.

He kissed up your neck as he slipped his fingers into your sore cunt, curling his fingers against your sweet spot and making more slick gush out of you. He repeated the same process; curling his fingers into your sweet spot only to pull out a second later and rub over your clit. You’re left a limp mess in his lap, soaked in your own arousal. It even managed to splash onto the mirror.

Your poor cunt is sore and beyond sensitive but that doesn’t stop Mingi from spreading your slick folds and watching how you pulse and throb around nothing. You whine and thrash in his lap, pushing at his wrist as he rubs his thumb over your swollen clit. “Just one more, baby. I need to see you make a mess again.”

[bulbabutt]

you know why i dont care to get involved in fandom bs while watching a show live? cuz ill never forget how LOUD and ANNOYING people were watching steven universe when it aired.

i will never ever forget the person loudly yelling at everyone in the tag back in 2014 that this silhouette was an animation error and that "it had already been discussed and debunked" that garnet was a fusion

same shit happened with "rose is pink diamond" theory. this was the start of it. fucking the second we ever saw the idea of a pink diamond existing when there wasnt one anymore people were like "OH I WONDER" and then you had LOUD FUCKING PEOPLE complaining and debunking the theory as if they knew better. "NO cuz that would make rose the BAD GUY!" "no! that would make the story TOO COMPLEX!" dumbass shit.

it gives makorra bottles never popped in the end

but people will be always be loud and wrong all the fucking time and try and make you feel stupid for thinking maybe the writers have a plan and say theres no point to let yourself keep watching and learning more. i always think you should watch something until its done and see what the writers really wanted to say instead of shouting at other people on the internet for daring to be like "hey i wonder if--" or "this seems to me like--"

like sometimes people will look at things like THIS FUCKING OBVIOUS and scream that the artists just made a mistake. just cuz they didnt expect it. just cuz its not what they wanted the story to do when they thought about it in their heads.

a lot of times when theres a backlash to stuff its cuz shows dont go the way fandom spaces expected, and its less that the writing is bad than it is the fandom decides they know how a story will end by the time one season is out.

and i know youre all used to binge watching but not letting yourselves experience a story as it grows really hurts your brains sometimes. esp if you let a fandom ideology cloud your ability to experience an unravelling narrative.

[echo-goes-mmm]

Silas and Wren 2.0 #1

Masterpost

Next

Warnings: implied past non-con, blood

Silas strolled through the markets. He didn’t venture out into human areas often, except to hunt, and these streets were largely unfamiliar to him.

The market was flooded with smells and scents foreign to him. There was all sorts of human food stalls, and some of them intrigued him. But there was no point in wasting money on things he could only taste and would make him nauseous later. Besides, that wasn’t what he was here for.

Silas went deeper into the crowds, breathing in deep. The scent of human despair grew strong with every step, and at the end of the trail would be his goal.

Vampires did not keep slaves. It was a point of pride that they hunted every night; a valued skill to be able to rule the streets and feed a nest without a single death.

But Silas lived by himself, and in the shadow of a much bigger nest of vampires, ever since his father had exiled him.

His territory was tiny, as to not offend their generosity, and he was tired of being so utterly alone. A companion that could talk and think would be welcome; almost like he had a home den again.

Regular meals would also be nice. A single human could supply him easily without putting him in the sights of the ruling nest.

And he’d be rescuing the human from slavery, treating them well like their masters didn’t. Surely that would be a handsome enough reward for their blood. Merciful, even.

Three birds, one stone.

He pinpointed the slavehouse by scent before he saw it. Despair and dread filtered towards him, as strong as any rancid perfume. It was a disturbing smell, one that made his stomach flip with anxiety.

The building was large, and sounded busy. Chatter and the sound of iron against stone reached his ears. 

A salesperson met him at the door, smiling at first, and then his face fell when he saw Silas’s eyes.

No human had slit pupils.

“Hello, sir! What can I help you with today?” Silas smiled at him, as was polite, and the salesman shifted uncomfortably.

“I’m looking for a companion,” he said quietly, trying to make up for frightening him.

“Certainly, any gender preferences?” Silas hadn’t thought of that. In all his research about caring for a human, he didn’t consider gender. Maybe he’d relate more to a man?

“A man, please.”

“Right this way, sir.” The salesman led him through the warehouse, passing by rows of chained slaves. They seemed organized by category of work, then sex. Interesting.

“Forgive me,” said the man, “but I wasn’t aware vampires had slaves. I don’t mean to imply anything untoward of course.”

“We don’t.”

“I see. Well, here is our lovely collection of bedfellows. I’m sure one will be to your taste- er, preference.” 

Silas’s stomach turned icy. He hadn’t meant sexual companionship. He scanned the row of slaves, all of them chained to the floor by the ankle. They looked miserable. The smell of fear was at its peak here in this awful section.

Now that he thought about it, maybe this was for the best. One less person stuck in sexual slavery. 

Now who would he buy?

Slowly, he made his way down the line of men. They all had different appearances, clearly meant to “appeal” to different people. But it didn’t matter how they looked, Silas was interested in the scent of their blood. It was only fair, he couldn’t buy all of them. 

Even if he still had access to his father’s money, he couldn’t afford it.

___________________

This buyer looked different. Strange. He couldn’t place it until he saw the flash of the man’s fangs. A vampire. 

He’d never heard of a vampire owning anybody. It was usually catch-and-release, right?

The vampire wasn’t looking at them quite like a regular buyer. It was a good moment before he realized the vampire was smelling them.

He shuddered, and the vampire’s gaze turned on him.

___________________

None of them smelled particularly appealing, until he came to the end of the row. This one was small and looked tired. 

Poor thing.

But he smelled delightful, and Silas was interested. However, there was only one way to be sure he tasted as good as he smelled.

He bent down and murmured to the slave. “Just relax. This won’t hurt, I promise.”

The slave looked up at him, his honey-brown eyes wide.

“Would you mind if I took a sample?” The salesperson looked nervous at the request. “Just a taste,” he reassured him. “Not even an ounce.”

The salesman nodded, too terrified to refuse.

___________________

Oh god. The vampire was going to drink from him. 

Please don’t let it hurt. Please, god. 

The vampire cupped his cheek and gently but firmly tilted his head to expose his neck. He screwed his eyes shut.

“Relax,” said the vampire, and he tried his best to obey him. The vampire kissed his neck, a mere brush of his soft lips, and he felt a strange tingling sensation on the little patch of skin. Venom, probably.

He felt the vampire’s cool breath, and then a slight scrape of what was surely the tips of his fangs.

But instead of a stabbing pain, he only felt a mild pressure. A slight tug and some trickling warmth told him he had, in fact, been bitten. 

He gasped as the blood left him, his heart pounding as the vampire swallowed it down.

The vampire pulled away after a moment, licking his lips, and he tried not to flinch at the sight of red on the man’s mouth.

___________________

His blood was even better than Silas could have guessed. Deep and rich, with a hint of sweetness. Utterly delicious.

And if this was how good he was mistreated, how amazing would he be healthy?

He wiped away the excess drops from the slave’s neck, licking them off his thumb. He stood.

“I’ll take this one.”

taglist: @just-a-whumping-racoon-with-wifi @secretwhumplair @freefallingup13 @mylovelyme @whumpzone @paintedpigeon1 @haro-whumps @whumpthisway @fanastyfinder @extemporary-whump @susiequaz12 @keepingwhumpwiththekardashians @the-cyrulik @morning-star-whump @writereleaserepeat @annablogsposts @tobiaslut

[xamaxenta]

angel boy for @meramera-writes <3

[smoqueen]

[poorly-drawn-mdzs]

Wei Wuxian eats a watermelon. Yep!

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[opikiquu]

(disappears for a month and reappears with a slightly obscure hyperfixation) Hey guys

[shalom-iamcominghome]

I've seen the last '"g-d made you perfect" that I can handle, and it's led me to a realization about how I think of g-d.

I don't think we were made perfect. We were made human. And, if I'm honest, the only perfection in my mind is g-d, and that sense of perfection is what differentiates humans from g-d. If humans were as perfectly-made as g-d, I for one wouldn't see the point in following, believing, trusting, caring for, or loving g-d.

I guess for me, I see the ways in which humans alter the Way We Were Created that I really don't think it's right to speculate as to if there's a limit to altering our abilities or bodies. For instance, as a trans person, I've definitely been inundated with this idea that because g-d made my body "perfect" that I shouldn't alter it ever, but isn't that a dangerous precedent? Is it really so, that our bodies are magically made perfect, as g-d that to even tamper with the idea of change would be the same as cursing g-d? I really don't think that's compelling.

I love thinking about just how much g-d is placed into people, but I don't think it warrants restricting the ability to learn, create, grow, or change. Thank g-d that He created the ability to change!

[katabay]

original thief series basso & garrett :)

ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels

there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.

anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[luck-of-the-drawings]

OOH YEAH BABY ITS THE SURGERY EPISODE BABY!!! ME AND THE HOMIES NEED SOME NEW FACES FOR OUR NEW PLAN, AND WHO BETTER TO GET THE JOB DONE THAN THE TWO MOST EVIL PEOPLE WE'VE EVER HAD THE MISFORTUNE OF HAVING OUR LIVES VIOLATED BY? I MEAN IT WOULD BE FUNNY. IT WOULD BE FUNNY.

[myokk]

before it felt like a sin, ch. 1

pairing: Sebastian Sallow x f!MC

word count: 3000

summary: Eloise never wanted to be different.

And yet, her differences are what have defined her life up until this point: growing up as a squib in one of the most prominent wizarding families, being exiled to muggle society, and then attending Hogwarts at the age of sixteen.

She finds herself thrust into the life she should have been prepared for from birth but was denied. As she navigates this new life and her new precarious position in her family, she must come to terms with the fact that maybe what she dreamed of her whole life isn't turning out how she ever expected it would.

a/n: Hi everyone!! I decided to post this here too...I'm slowly going through everything I've written so far, and I want to post each chapter here as I edit them. I'm hoping that this can be a way to a) get back in to writing more, and b) get better at my art as I make full illustrations for each chapter. Let me know what you think!! :)

There is nothing quite as horrible as being a muggle, Eloise thought savagely as she ripped out yet another stitch in the landscape she was embroidering. At least, it was supposed to be a landscape. Maybe with her head tilted to the left and with her eyes almost closed so everything blurred together, it might resemble one. She did just that, trying her hardest to make out some recognizable shape and blast the stupid practice of manually pushing colored thread through a fabric in some sort of -

“And what is this, Miss Babbit?”

Eloise jumped at the sound and looked up at the scowling face of her teacher, and then quickly back down at the tangled thread in her lap. Behind her, she could hear the hushed giggles of the other girls in her class.

“Oh! Er…it’s -”

“How long have you been here?” the woman interrupted.

“One hour…I just -”

“Don’t be smart with me. I mean, at this institute.”

“Five years.” Eloise glared down at her embroidery as if it had personally offended her. It wasn’t like she was actively trying to be bad at everything, but she had the distinct disadvantage - how had it ever come to be that she would be at a disadvantage to muggles? - of not having spent a lifetime being prepared for muggle society and all that it entailed. The last five years had been a monotonous, endless cycle of lessons designed to turn her into the perfect lady: French (a waste of time as Eloise was already fluent), embroidery (a waste of time as the things she embroidered weren’t actually useful), dancing (a waste of time as she was already engaged to be married - why would she bother trying to woo another silly man?), and her most dreaded class of all: etiquette. No matter how many years had been spent trying to assimilate into muggle culture, her thoughts still got muddled when she tried to remember the steps to a dance, or how to properly address the son of a duke.

Did it really matter, anyways, what the other girls thought? She had pretended her whole life to be the daughter she thought her parents had wanted - now she was simply pretending that she hadn’t been thrown into the muggle world without a second thought. What was a bit more pretending - that she didn’t care? That she hadn’t been tossed aside without a second thought?

“Exactly. Five years. And yet, you have shown no progress whatsoever. This -” a finger jabbed accusingly at the embroidery - “is absolutely horrendous. If your parents hadn’t continued to make such a sizeable donation every year, I would have deemed you a lost cause and sent you packing when you first arrived. How your family ever managed your betrothal to the son of an earl is beyond me.”

Eloise grimaced at the mention of her fiance as her teacher clapped her hands together to get the attention of the class - a wholly unnecessary action due to the fact that it was already being given. “Class is dismissed. Please collect your belongings and put them in the correct place. Remember, as future wives and mothers, you must be organized in all aspects of your life. Many of you will be managing important households and the slightest misstep -“ a slight glance to Eloise out of the corner of her eye - “can cause the biggest of scandals.”

Eloise raced to gather her things and leave the classroom before everyone else. No matter how many years had been spent at the school, she couldn’t help but hate sitting through the classes amongst the judgmental stares and snide remarks. Although things had started out shaky at the finishing school - to be expected, really, when you’ve grown up in wizarding society and then are then forced to live as a muggle - it still stung that after all these years, she still hadn’t found a friendly face. She was treated as if she were a pariah: it was as if the other girls just knew that something was different about her. But…wasn’t that the great irony of it all? She wasn’t different than them. She was a filthy squib.

When she first arrived at the school, she was an anomaly. A twelve-year-old girl who didn’t know how to play the piano or who the queen was. It was clear to everyone that Eloise wasn’t the charity case of the school - her parents were obviously quite wealthy - and yet they seemingly wanted nothing to do with her. Whereas the others got regular letters and visits from their family, it was as if Eloise were an orphan. Nothing new to her of course, but to her peers this otherness aided them in her ostracization.

Upon entering her room, she was abruptly pulled out of her thoughts. Something wasn’t right. Everything seemed the same: a twin bed perfectly made opposite a small wardrobe, a plain wooden desk placed between them. The weak afternoon sunlight shone through the window, illuminating her desk. But…there.

That…

Placed on her bed, resting on the pillow, was a letter.

She never received letters.

Eloise shoved her embroidery under her bed and hungrily grabbed at it, pausing when she saw the address. Miss E. Babbit. The Third Bedroom on the Left… It seemed vaguely familiar to her in a way she couldn’t quite put her finger on.

As she read the letter, though, it became apparent to her exactly why this was. Although not exactly the same as the one her brother had received six years earlier, it quickly became apparent that this was a Hogwarts letter. For her. For Miss E. Babbit.

Hands shaking, she set the letter down on her desk and sat on the edge of her bed. She smoothed her hands over her skirt over and over, taking comfort in the familiar softness as she tried to even her breathing.

How was this possible? She had all but accepted the fact that she was a squib. The shame of her family, a dirty secret to be hidden away and never talked about or mentioned again. Her parents had suspected as much by the time she had turned seven without any signs of magic whatsoever manifesting around her - not even a basic transformation of brussel sprouts to sweets during dinner. It was ultimately confirmed, however, when her own Hogwarts acceptance letter never arrived. She had spent the whole year before her banishment daydreaming about her life at Hogwarts, still optimistic that there could be something magical inside of her. Her brother, Leo, came home every holiday with wonderful stories of his new friends and teachers, and the subjects he was learning at school. Even back then, at twelve years old, Eloise hadn’t been sure if he was actually hopeful she wasn’t a squib, or if he had been trying to prolong the fantasy for her before it all came crashing down.

Although she had had five years to come to terms with her new life, there was still a small part of her that hoped. A small “what if…”. She had tried time and time again to squash that tiny ray of optimism that would escape every so often, tried so very hard to cultivate a hard exterior that wouldn’t let any sort of vulnerability shine through. And that optimism was a vulnerability, after all. It was that vulnerability that had made it absolutely impossible for her to fit in the muggle world, and made it so that she didn’t really want to try.

Five years to come to terms with the fact that she needed a new purpose for her life and…

…not anymore?

Eloise grabbed the letter and greedily read through it again, drinking in all of the words. She paused at the end, thinking. Was this a forgery? Some sort of awful joke orchestrated by her brother? Leo had never been cruel to her in the past; in fact, he was the one who always encouraged her and was the most probable source of the small optimism that remained within her. However, she had no way of knowing how he had changed since she had last seen him. It had been, after all, five very long years. And not once had she heard from him, even though he had promised her through huge sobbing gulps that he would never abandon her. Maybe their parents had slowly poisoned him against her. It would be right on the nose for them, after all.

Looking at the envelope again, however…Third Bedroom on the Left…no. It was too specific. Nobody in her previous life had any reason to even want to contact her again, and nobody in her current life even knew what Hogwarts was, let alone have the ability to convincingly forge a letter just to have some fun at her expense.

A light, bubbly feeling began to spread throughout her body as it sunk in that this was real. She was going to Hogwarts. Soon, a - squinting at the letter again - a Professor Fig would be contacting her and giving her things to study. A huge grin slowly spread across her face and she hugged the letter to her chest as she fell back on her bed. She read through it again. Was it the fifth time already? It felt as though no amount of times rereading the letter would ever be enough.

Eloise got up and walked over to look at the calendar on her desk. She was surprised to see that September 1st was in only two days. The days at the finishing school moved in such a strange, sluggish way. They all felt the same. Monotonous. French and Latin and embroidery and household management and Merlin even knows what else all blending into each other in an endless parade of dusty classrooms and gossip and boredom.

The light feeling left her in an instant as, after years of practice, the optimism was squashed back down. But how will you even get to London? And, her brain added sneakily, you haven’t even shown any signs of magic. Maybe you’ll just be returned back here after they realize their mistake.

No, she thought fiercely, gripping the letter. Until -

A tapping came from the window. A tentative smile returned at the sight of a tawny brown owl with another envelope in its beak. She ripped it open as soon as it was in her hands (again addressed to Miss E. Babbit) and along with the letter a small, purple pouch fell out of the envelope and onto her bed.

Miss Eloise Babbit,

I am pleased to be the wizard charged with such an important task as escorting you to Hogwarts in two days’ time. It is something extraordinary to be accepted in your fifth-year, and as such, I expect extraordinary things from you. I have enclosed a small pouch along with this envelope, and in it are some items that will be vital to you in the upcoming days. I have included books for you to study at your leisure, and a small gobstone that will bring you to our rendezvous point in London. All you have to do is touch it at noon on the 1st and you will be transported instantly.

Your family has not been informed of your acceptance. I am sure you understand why - at this, Eloise scoffed quietly to herself - which is why I will personally be your escort.

I am looking forward to meeting you and bringing you to the sorting ceremony in two days’ time.

Yours,

Eleazar Fig

The handwriting was tiny and spidery and cramped, but it didn’t stop Eloise from reading it with the same vigor as the previous letter and as many times. Finally, she turned to the small pouch that had fallen onto her bed when she opened the second envelope. It must have had an invisible extension charm, because it was filled to the brim with books on basic spellwork and general wizarding history. Professor Fig had no way of knowing, but Eloise had already read many of these books and many more during the year her brother had started Hogwarts, as she had needed to know absolutely everything about what would be awaiting her. A few years may have passed since she had stepped foot in her family’s library, but she couldn’t get the books or their contents out of her brain even if she had wanted to. She had really wanted to forget everything she knew about the magical world when it was confirmed she was a squib but it was a futile effort. As she zoned out during her piano lessons, she would find herself mentally going through the movements to cast different charms.

It was painful to be thinking about things from the life that had been ripped away from her, to know that what she was thinking about would never come to pass, that she would never be able to wield magic - and yet she couldn’t find herself able to stop.

As Eloise picked out one of the books and settled into her armchair, a steely resolve overcame her.

She would prove that she deserved to be there, and was just as capable as any of they were. She would make her parents regret ever discarding her like she was nothing.

She was worthy. She was capable. And she would prove it.

The morning of September 1st dawned cold and rainy. Absolutely perfect.

Eloise had pretended to be sick the night before, and no one had suspected a thing when she stayed in bed long after all of the other girls had gotten ready and headed to breakfast. As the last of the chattering faded away down the hallway, Eloise finally got out of bed and prepared herself for the day. It was difficult to sit still long enough to braid her hair. Her fingers wouldn’t stop trembling and she had to restart countless times. Finally, she tied the black ribbon at the end into a neat bow and turned to the drawer of her desk to retrieve the small purple pouch she had hidden away.

Everything she deemed important enough to come along with her had already been placed inside: the books from Professor Fig, the hair ribbons gifted to her by her brother many years ago, and some clothing. Nothing else was coming with. She needed the fresh start. Besides, anything else she might need would be supplied, as her acceptance letter had specifically stated that any school supplies would be provided to her.

Waiting the hours before noon came along proved to be more difficult than Eloise had imagined. Time seemed to be moving slower than the molasses that had come with the breakfast sent up to her, the steady patter of the rain becoming a sort of metronome keeping time as she paced back and forth. Wasn’t there anything that could distract her, even for a bit? She glanced at the clock. Only five minutes had passed since the last time. 10.35.

The second hand ticking away in tandem with the sound of rain splashing against her window.

What if this was all a trick? What if she arrived at Hogwarts, and they turned her away because they realized they had made a mistake? After all, why would they admit a sixteen-year-old? Surely she was too old; every other student had started Hogwarts at the age of twelve and had shown signs of magic much earlier than that. She still hadn’t shown any signs of magical capability whatsoever, and didn’t feel any different than she had before receiving the letter. It had to be a fluke.

As her thoughts started veering into the melancholy she was prone to, she shook her head. No. Today was a happy, exciting day. She wasn’t going to squash the optimism down today, not when she needed it most. All of these thoughts she was having were simply that: thoughts. Not reality. Hogwarts never made a mistake, and in all of the history books she had read, she couldn’t recall an instance of someone being turned away at the door. Granted, she had also never heard of someone being admitted so late. But, better to focus on what she did know, which was that she had gotten the letter. It must be right in its assumption that she had magic.

Trying to pass the time was easier said than done. She ended up quizzing herself on all of the charms she had memorized in the books sent by Professor Fig, moving an imaginary wand in the precise movements needed to successfully cast and focusing on her pronunciation. She had studied all of these forms late into both nights she had had the books, and when she would eventually close her eyes to sleep, the wand movements were all she saw.

Eloise was determined that she would receive pity from nobody. Nobody was going to look at her like she was lacking. She had gotten enough of that to last a lifetime, and now that she was given this opportunity she wasn’t about to waste it.

When noon finally struck, Eloise was ready and waiting. She eagerly grabbed the gobstone that was sitting on her desk and felt the familiar tugging sensation in her navel as she was whisked away to London and the beginning of her new life.

next chapter

[lunarharp]

if i just told you i love you would this world change

[kelocitta]

Perhaps a more literal "Clerk Lover" than most abnormalities playfully given the title; Rat King shows significant variance in hostility when faced with high level employees vs. low rank ones. Teams otherwise completely decimated by its rampages may find themselves with stragglers who were merely forced out of the way in favor of more enticing prey, at least in the moment.

Naturally, Managers should take care to discourage any dangerous ideas about 'mercy' 'favoritism' or "kindness" lest they find abnormality containment units suddenly prone to failure.