#if you do make your own post please tag me

[lila-kriegerin]

OMG, OP!

I was just about to suggest "Now & Then "

but I saw it in your tags.

I'm so sorry this may look like an unhinged rant no one asked for, but someone has to tell people younger than me what I know, so I spent 2 hours crafting a reply/follow-up/addendum to you post, OP. Please forgive any formatting errors. I tried to keep things simple and engaging but a few things may look a little bit odd depending on what sort of device you're viewing it on. I couldn't take the risk of making all the text too small

https://www.youtube.com/watch?v=RQLVzTtt2Ws

The biggest problem trying to find similar films is that they often involve at least two of the girls having some kind of relationship to boys causing drama (I'm looking at you, "Sisterhood Of The Travelling Pants "... and others) whereas a film like "Dead Poets Society " is definitely in that pseudo-homoerotic and explicitly homoerotic range of storytelling.

Why do you think "Little Women" was popular for so long? It was the 1oth century literary equivalent with the requisite brush with death and loss so common to an era before even antibiotics existed... and loss and grief still happen today.

It's true that so few are like "Newsies " and "West Side Story ", but DON'T sleep on hits like "Annie" &

🥁 drumroll, please 🥁

Want to guess what was the first obviously gay song featured in a film from Hollywood (after the Hayes Code)?

The First Gay Anthem: Calamity Jane's 'Secret Love'

It's not "West Side Story " because it's a western frontier musical, and they skirted the lines as hard as they could to have a nice Christian young woman fancying a "tomboy": Calamity Jane (who by historical record seems to have favoured women and men).

Though based on American Western folklore, this premise clearly imitated the successful 1950 film version of Irving Berlin's Broadway musical Annie Get Your Gun, about Wild West sharpshooter Annie Oakley.

But instead of a make-over, Calamity Jane gives its tough-gal heroine a powerfully symbolic pistol; her masculine aggression plays with sexual identity through gestures enlarged to the point of farce. And then it goes deeper--into emotional confusion that grows from Jane taking on supposed male habits. Doris Day brings comic overstatement to Jane's complex repression of her own instincts. Like many a closet case, she exhibits a self-defeating willingness to fit into a male-dominated culture. Her tough mannerisms are also designed to protect her hidden, vulnerable emotions.

You have to dig.

Dig deep, and be willing to watch a film with a different spoken language and culture, but there are some parallels.

Consider the Britney Spears film, which I believe is called "Crossroad(s)" in English. [Sorry, I don't have time to look up the title.]

Now— what if there were a film that's something a bit like a lesbian equivalent?

Touch

A Chinese movie produced/sponsored by the sapphic dating app Rela. It follows three girls on a road trip. Chinese language with English subtitles.

I've never, EVER seen any website draw direct comparisons to other films that way, such as:

If you loved "She's The Man" but want it more sapphic (though ultimately thwarted by the producer), you can't miss "Bend It Like Beckham"!

The photo which was posted by OP DOES contain valid points!! (No one is going to treat you "like a man/boy" unless they truly think that's what you are, and society DOES socialise people differently, so: how would a group of teenage girls or very young adult women ever have experiences identical to those in a film like "Dead Poet's Society"?)

Nevertheless, there are some similar films that are comparable:

"Superbad" — "Booksmart".

I decided to hyperfocus trying to think up some equivalents to "Dead Poet's Society".

Here's a quick comparison I spent far too much time on:

If you’re looking for a Dead Poets Society equivalent with mostly female characters, a few films capture that same blend of deep emotional intimacy, artistic passion, and repressed desire. Here are the best contenders:

1. Mädchen in Uniform (1931 & 1958)

This is the OG queer boarding school drama. Set in a strict Prussian girls' school, it follows a young student, Manuela, who falls in love with her teacher, Fräulein von Bernburg. The film is explicitly homoerotic in a way that Dead Poets Society is only suggestive of—there’s longing glances, whispered affections, and a stifling environment that tries to crush individuality and desire. Like Neil, Manuela faces tragic consequences for daring to express herself.

Cracks (2009) — If Dead Poets Society were darker and more explicitly about queer desire, it would be Cracks. This film follows a group of girls at a remote British boarding school under the spell of their charismatic teacher, Miss G (Eva Green, in all her seductive, unhinged glory). When a new student arrives, power struggles and hidden obsessions unravel. It has all the repression, poetry, and tragic queerness you could want.

Heavenly Creatures (1994) — Peter Jackson (yes, Lord of the Rings Peter Jackson) directed this feverishly intense drama about two schoolgirls in 1950s New Zealand—Pauline and Juliet—whose bond becomes so consuming that it leads to murder. Like Dead Poets Society, it’s about breaking free from repression, but it takes a much darker turn. The homoerotic tension between the girls is undeniable, and the fantasy world they create as an escape mirrors the way the DPS boys use poetry to carve out their own space in a suffocating environment.

Picnic at Hanging Rock (1975) — This one’s all about atmosphere—a haunting, dreamlike film about a group of girls at an Australian boarding school who mysteriously vanish during a picnic. While there’s no overt romance, the film is full of lingering touches, dreamy stares, and a pervading sense of longing and repression. The rigid Victorian setting and the contrast between the natural world and societal constraints make it feel spiritually connected to DPS.

The Falling (2014) — Starring Florence Pugh and Maisie Williams, this film is weird and hypnotic. It’s set in an all-girls school in the 1960s and follows a mysterious fainting epidemic that spreads through the students. It has the same themes of teenage rebellion, deep female friendships that tip into obsession, and an oppressive institution trying to crush individual expression.

Céline and Julie Go Boating (1974) — This is a more whimsical, surreal take on female friendship and creativity. It follows two women who fall into a bizarre, looping story in a haunted house, constantly re-experiencing and altering the narrative. It has a Dead Poets Society vibe in the sense that it’s about escaping rigid reality through art and imagination, but with a queer-coded, magical twist.

If you want the closest equivalent to "Dead Poets Society"...

..."Mädchen in Uniform" or "Cracks" are your best bets, and Cracks more than Mädchen in Uniform

because the latter is so old fashioned that to further scandalise viewers they paired a teacher with a student.

If you want something more poetic and atmospheric, "Picnic at Hanging Rock" or "The Falling" will scratch that itch.

If all of that is too gay for you (gofuckyourself, tee-hee)

You really, REALLY should try

"Mona Lisa Smile".

(...and if it's not too gay for you, then go watch CRACKS right now!)

"Mona Lisa Smile" [hereafter referred to as MLS] is often called the "Dead Poets Society" [hereafter, DPS] for women, and yeah, it certainly hits a lot of the same beats—

an outsider teacher inspiring students to challenge societal norms,

a prestigious school that values obedience over individuality, and

a group of young people grappling with expectations that threaten to suffocate them.

Where DPS is about breaking free through poetry and self-expression, MLS is about that sort of thing tosome degree, but more about feminism, gender roles, and the fight for intellectual freedom in a world that wants women to be just wives and mothers.

Similarities to Dead Poets Society

The Inspirational Teacher as a Catalyst for Change

In DPS, John Keating (Robin Williams) shakes up Welton Academy’s rigid, tradition-obsessed environment with poetry and passion.

In MLS, Katherine Watson (Julia Roberts) does the same at Wellesley College, using art history to challenge her students’ pre-ordained roles as perfect housewives.

Both teachers are NOT merely instructing— they’re awakening their students, making them see the world differently, and often doing so in ways that put them at odds with their school’s administration.

The Oppressive Institution and Its Ideals

Welton Academy is a suffocating prep school that values discipline over creativity, much like Wellesley College in the 1950s. They outwardly promote academic excellence but ultimately groom women to become ideal wives. (T_T)

Both films show how these institutions uphold deeply ingrained traditions that resist change, even when it's clearly needed.

Both films show some of the human cost of trying, and giving up.

A Group of Students at a Crossroads

Just like Todd, Neil, and the rest of the DPS boys who struggle between expectation and their own desires, the young women in MLS— Joan, Betty, Giselle, and Connie—each navigate their own battles between societal pressure and personal ambition.

Joan (Julia Stiles) mirrors Todd.

Betty (Kirsten Dunst) is like a mix of Cameron and Richard from DPS.

Giselle (Maggie Gyllenhaal) is the Charlie of the group.

The Tragedy of Repression

DPS’s tragedy is clear: someone's dreams are crushed & there is a heartbreaking su*c*de [all the trigger warnings apply]. MLS doesn’t have a singular moment that tragic, but its heartbreak is quieter—seeing some brilliant young women choose societal expectations over their own ambitions because it feels like the only option... that is definitely going to haunt some people more than it may haunt white cis-hetero male viewers.

In both films, someone (one you probably like most of all, in both films) will have something horrible happen to them by their own choice, and that is very haunting.

Additionally, I dont think it's too big a spoiler to say oth films end with the teacher leaving— but to say why would spoil the endings of the films.

The last scenes mirror each other emotionally: in DPS & MLS, a quiet, bittersweet goodbye with both endings suggesting that while the teacher is gone, the ideas they planted will live on.

Key Differences

The Central Conflict

DPS is about breaking free from repression through art and poetry. It’s about passion, self-expression, and the fight for creative freedom.

MLS is about that too, though with more of a (*cough*white*cough*cough*) feminist focus on gender roles, feminism, and intellectual independence to have intellectual and self growth as an individual— and it asks whether women can truly be free when they’re still expected to conform to outdated expectations.

Homoerotic "Sub"text

[be honest: if you miss it in either film you're in denial or unobservent and that is your own journey you need to take]

DPS is filled with homoerotic tension, especially between Todd and Neil. The intimacy between the boys—the longing glances, the whispered poetry, the emotional weight of their friendships—feels deeply charged.

If you DEMAND that level of queerness, MLS ain't it.

MLS has some queer subtext, particularly with [one character], who is coded as more fluid in her sexuality, but the film doesn’t lean into that as much as DPS does because it's focused more on the pseudo-historical narrative from the book upon which it was based.

Don't forget that DPS came out to cinemas...

THEN "The Craft" did,

THEN "Cruel Intentions" did,

THEN MLS.

DPS was intentionally pushing boundaries of censors for queer story-telling when the USA was still afraid for gay people to peck each other with a little kiss on the lips on television before 10 PM.

DPS ends in a tragedy that reinforces the cost of defying the system— [spoilers redacted], and the boys are [narratively] left in a state which leaves the viewers feeling a bittersweet limbo.

MLS is perhaps a bit more hopeful; and although the school seemingly remains unchanged, things in that world have definitely shifted for the characters.

Their worlds aren't fully transformed though for MLS, it’s beginning to open up, but MLS leaves viewers with their own bittersweet limbo like DPS[-lite] with a sliver of a dash of hope.

Final Verdict:

"Mona Lisa Smile" is "Dead Poets Society" through a differing feminist lens.

It swaps poetry for art,

an all-boys school for an all-girls college, and

queer-coded male friendships for female students fighting for their intellectual freedom.

It has the same spirit—

a teacher who inspires students to think for themselves, an oppressive institution trying to maintain order, and young people wrestling with societal expectations.

However, where DPS is a tale of tragic repression, MLS leans toward quiet rebellion— not a fiery "O Captain, My Captain" moment, but a slow, steady push toward change.

just saw this on pinterest and it hit me like a truck

[j3lly-fish]

Heyyyyyyy, I'm back? Honestly I still have a lot of portfolio stuff to finish, but I need a break cause im tiring myself out with it LOL. Turning myself to other mediums, I needed a death flower accessory for this sim, so I just made one from scratch, maybe it'll be of use to others? 👀

Unisex

All LODS

New Mesh

2 versions (left and right)

Teen to Elder

Polys: 1478

Found in Hats Category

Disallowed for Random (At least im 99% sure I fixed that)

Known issues: You may get some clipping depending on the hair, I did not make this hat slider compatible cause that slider has only caused trouble in my game, I apologize 😭

You can recolor and edit my meshes, but please just link back to my original post! ♡

DON’T reupload, claim as your own or put behind a paywall

You can tag me so I can see what you do with my cc!

✦ DOWNLOAD (SFS) ✦ DOWNLOAD (PATREON) ✦

[raven-at-the-writing-desk]

Hi Miss Raven! I'm really enjoying reading the things you wrote for the future event and trien sensei event! Wonderful writing as usual ^^

If you don't mind me asking, I actually want to see some yume content to certain twst characters from japanese players but I don't know what tag to use or where to look Do you know where I'm supposed to look? I'm not sure how jp player tag their content.

NOTE: I know shipping can be a sensitive thing, but please, please, please be civil about it. This is meant to be an informative post; if I list particular tags or examples here, they are just meant to be that: TAGS and EXAMPLES. It is not equivalent to me endorsing certain content or ships.

Thank you for the feedback 🎵 I have a lot more requests to write so you’ll be fed for a while please look forward to those~

The Japanese fandom LOVES to tag works so it's easy for other fans to find what they are interested in and to avoid what they dislike. Keep the fandom etiquette in mind and practice it yourself! This means don't use unrelated tags to boost exposure when sharing your own posts; it's seen as disrespectful and rude. It also means you do NOT go out of your way to find content you know you dislike and attack the creator.

I believe the general tag for Twst is # ツイステファンアート or #ツイステ. #twstファンアート or #twstイラスト are used for Twst fan art. Most people I know look for Twst stuff on Pixiv, Twitter, or doujin purchasing sites.

If you're looking for shipping content, there are different tags for that:

# twstプラス is for any Twst character x Prefect

#女監督生 is female Prefect

#男監督生 is male Prefect

#男装監督生 is female Prefect dressed in male clothing or pretending to be male

#twstプラスNL is for Twst character x female Prefect

#twstプラスBL is for Twst character x male Prefect

#twstBL can be used for Twst character x Twst character (no Prefect)

#オリ監 (may also include 創作), #顔あり, and #監督生顔あり refers to the creator's OC or their interpretation of Yuu; Prefect generally has a "face" in these works

#モブ is a generic or “mob” character; typically means Prefect is faceless or can easily be self-inserted or projected onto

#ツイステ夢 or #twst夢 is “yume” or self ship works

If you see a B or Q in the tag, the former means male and the latter means queer or genderfluid

Here are tags that may help you find a particular genre or more specific content:

#夜のツイステ or #夜のツイステプラス refers to general 18+ Twst content

#夜のtwstプラス is for 18+ Twst character x Prefect

#twstマイナス is for yandere Twst character x Prefect

#夜のtwstマイナス is for 18+ yandere Twst character x Prefect

#女化 or #にょた is a scenario in which a character's gender changes to female

#ケモノ is animal features, generally ears and tail (ie kemonomimi); this doesn't refer to beastmen (who already have these traits by default), but generally refers to Prefect or a non-beastman gaining them

#ツイステプラス or #twstプラス is typically “feed good” romantic content

#ツイステマイナス or #twstマイナス is basically angst or content that makes you feed bad

#twstパロ is literally “parody” or an AU; you can add other phrases ahead of it to denote the kind of AU

#卒業後 is "after graduation" and generally means a work setting

受け refers to a submissive or passive personality while 攻め refers to a more aggressive personality; these typically describe the dynamics in a romantic relationship

If you’re looking on Twitter, specific emojis tend to refer to the characters or groups of characters, which I have listed below. I’ve also included the first 2-3 katakana of each character’s first names.

The beginning katakana are combined with one another in order to write ship names. For example, if you want Leona x Prefect, you’d combine the first few katakana for Leona, レオ, and Prefect, 監 or ユウ, to create レオ監 or レオユウ (LeoPrefect or Leona x Prefect). Use a similar formula for your desired character. For example, swap out the レオ (Leo-) part for ジェイ and you get ジェイ監, or JeiPrefect, or Jade x Prefect.

Generally for yumeshipping, it’s the canon character’s name first and then Prefect in the end.

If you’re looking for a BL ship, name order matters. The name that appears first is the “proactive” one in the relationship, while the name that appears second is the “passive” one. For example, カリジャミ (Kalim x Jamil) has Kalim as the lead in the relationship, but ジャミカリ (Jamil x Kalim) has Jamil as the lead in the relationship. YOU DO NOT CROSSTAG; the name order basically makes the ship two entirely separate things and they are treated as such in the JP fandom.

Heartslabyul -> 🃏 ビュル

Riddle Rosehearts -> 🌹 リド

Ace Trappola -> ❤️ エー

Deuce Spade -> ♠️ デュ

Trey Clover -> ♣️ トレ

Cater Diamond -> ♦️ ケイ

Savanaclaw -> 🏜️ サバナ

Leona Kingscholar -> 🦁 レオ

Ruggie Bucchi -> 🐆 / 🍩 ラギ

Jack Howl -> 🐺 ジャク

Octavinelle -> 🐚 オクタ

Azul Ashengrotto -> 🐙 アズ

Jade Leech -> 🐬 ジェイ

Floyd Leech -> 🦈 フロ

Tweels -> イド

Scarabia -> 🕌 / 🧞‍♂️ スカラ

Kalim Al-Asim -> 🦂 / ☀️ / 🦦 / 🕌 カリ

Jamil Viper -> 🐍 ジャミ

Pomefiore -> 🍏 / 👸‍ ポメ

Vil Schoenheit -> 👑 ヴィ(ル)

Rook Hunt -> 🏹 ルク

Epel Felmier -> 🍎 エペ

Ignihyde -> ⚙️ / 🔥 イグニ

Idia Shroud -> 💀 イデ

Ortho Shroud -> 🤖 オル

Diasomnia -> 🐉 ディア

Malleus Draconia -> 🐲 マレ

Lilia Vanrouge -> 🦇 リリ

Silver -> ⚔️ / 💤 シル

Sebek Zigvolt ->⚡ セベ

Ramshackle -> 👻 オンボロ

Prefect -> 🦐 (🌸 or 🚺 = female, 🚹 = male) 監 or ユウ

Manga Prefect (usually refers to Yuuken) -> 🦞 コミ監

Grim -> 🐱 / 🐈‍⬛ グリ

NRC Staff -> 🎓 NRC(の)職員

Dire Crowley -> 🎭 / 🐦 クロ

Divus Crewel -> ⚗️ / 🐶 クル

Mozus Trein -> 📚 / 📖 モゼ

Ashton Vargas -> 💪‍‍ バル

Sam -> ☠️ / 🎩 サム

Lucius -> 🐾 ルチウス

Halloween Characters

Rollo -> 🔔 ロロ

Fellow/Ernesto -> 🦊 フェロ

Gidel -> 🐱 ギデル

Skully -> 🎃 スカ

Family Members and NPCs

Ace’s older brother or Anippola -> 兄ッポラ

Dylla -> ディラ

Chenya -> 😺 チェーニャ

Cheka -> 🧶 チェカ

Falena -> ファレ

Kifaji/Neji -> キファジー

Najma -> 💫 ナジュ

Ambrose the 63rd -> 🧙‍ ア ン

Neige -> ❄️ ネイジュ

Marja -> マーヤ

Baur -> 🐊 バウル

Dawn Knight 🌅 -> 夜明けの騎士 (this is his full title since we don’t know his actual name), have also seen 夜明パパ and シルバーパパ (“Dawn Papa” and “Silver Papa”)

Maleanor -> マレノア

I hope that helps you out ^^ Happy hunting, English-speaking Twsties!!

[bunny-jpeg]

the sinful sentences catalogue

prompts taken from @/creativepromptsforwriting - welcome, welcome! this is a little celebratory lead up towards valentines' day 2025! i figured i wanted to get a head start on my favourite holiday!

fics are queued up and ready to be posted, they will be posted from jan 30th right until feb 14th in the order presented on the list! each of them has their own specific tags found on their individual posts. each post will be tagged with 'sinful sentences', but it would be best to just like/reblog this post to keep an eye when things go up! thank you so much for all the support and i hope you enjoy! - happy valentines' day!

one: "oh, is that how you like it?" - george russell two: "you are such a tease!" - daniel ricciardo three: "no touching right now. that comes later." - lance stroll four: "think you can handle that?" - toto wolff five: "you're so very tempting..." - lando norris six: "how do you like that?" - franco colapinto seven: "i don't think you've had enough already." - max verstappen eight: "Someone should punish you for that." - fernando alonso nine: "You can be a bit rougher if you want." - charles leclerc ten: "I want you to be louder, my love." - carlos sainz jr eleven: "Please, mark me." - oscar piastri twelve: "Tell me exactly what you want." - mark webber thirteen: "I want to make you mine." - jenson button fourteen: "Yes, please keep doing that." - lewis hamilton fifteen: "The night's definitely not over yet." - pierre gasly sixteen: "I believe I could make you do it." - kimi räikkönen

a/n: your reminder to read the tags on the post before reading! and that all fics are adult in themes!

[judesmoonbeauty]

A Day With Jude Jazza: Chapter Two "13:00 Working at Raven & Lunch"

TW: Weight discussion. Idk if this really needs it or not, but I added it just in case.

Please expect grammatical errors and translation inaccuracies. This is a full translation. Creative liberties are taken for characterization and smoother translation process. Cybird owns everything. Re-blogs are appreciated, but please do not post my translation elsewhere. Thank you for your support! ☾.

I’m working hard at Raven today too —

(I’ve been working non-stop, but I wonder if I’ll be able to finish this….)

The moment I gulped at the mountain of documents in front of me…..

Jude: Do ‘em perfectly.

He showed up and said that, so I stopped what I was doing and puffed my cheeks.

Kate: Isn’t there some kind of reward for your girlfriend who works so hard?

Jude: What kinda reward?

Kate: Hmm, like taking me out for lunch…?

Jude: ….Tch.

Then his finger came up to my forehead,

Kate: Ouch!

I reflexively squeezed my eyes shut because of the force of the forehead flick —

(…..It doesn’t hurt as much as I thought it would.)

Opening my eyes, he let out an annoyed sigh and turned around.

Jude: Let’s make tracks.

Kate: What?

Jude: Lunch, let’s go.

Kate: Coming!!

Kate: It’s my first time coming to this restaurant, but it’s super delicious.

Ellis: Good, I’m glad you’re happy Kate.

While eating a tasty meat-dish and chatting with Ellis,

Jude: ……

I heard the sound of a fork being put down next to me, and when I looked over he had stopped eating, leaving the fatty part untouched.

Kate: That’s such a waste.

The plate was silently brought to me, as if telling me to eat, so I ate the fatty portion.

After that, Jude made an exasperated look.

Jude: You’ll gain weight if ya eat like that each ‘n every time.

(Actually, I have been a bit worried about that recently….)

Kate: Isn’t it because you’re handing your plates over to me, Jude?

Jude: Didn’t say t’eat it.

Jude: Yer the one sayin’ it’s a waste not t’eat it.

(I can’t deny that…..)

Jude: ‘N ya eat more sweets than me’, innit?

Ever since we started dating, I felt like it was a waste to leave any of the fat and sweets on the plate,

So when I look over, the plate gets closer to me, and before I know it, I end up eating it.

Ellis: But I think it’s nice to see Kate eating it deliciously.

Kate: Ellis……

Ellis was sitting across from me and kindly smiles.

Feeling a bit happy, I brought the dessert to my lips without hesitation.

That’s when Jude’s fingers stroke my thigh under the table —

Kate: Urk!

Jude: Ya really have put on weight, haven’tcha?

His warped smile irritated me, so I lightly pinched his hand.

Kate: This is what I do to people who say such things.

Jude: Ha, don’t hurt none.

His hand let go of my thigh, and he took a bite of the dessert,

Jude: Work back the weight gain.

He didn’t seem to like the sugary taste, and immediately put down his fork.

Jude: Got the perfect job for ya.

Kate: What is it?

Jude: Deliver all o’ the finished documents to the department heads in the company.

Kate: That much?!

Thinking back to all the documents left on my desk, I felt overwhelmed.

Jude: Kate.

Kate: Yes, [MUMPH]

Bite by bite, he feeds me his dessert.

Kate: Wai-, Jude, Ju-

As soon as I gulped down the last mouthful, he flashed a wicked smile.

Jude: Ya ate desserts for two, so ya can work fer that much, yeah?

Kate: —You DEMON!

Jude: Ha!

As we glared at each other, I heard Ellis’ heartwarming voice,

Ellis: Hehe, Jude and Kate, you both look like you’re having fun today too.

Jude & Kate: Ain’t havin’ fun. • I’m not having fun.

And so, the lunch break ends.

[Event Master list] [Next - ⏱♡ 16:00 - Negotiations at Twilight]

I want to be spoiled and fed by Jude too.......

Dividers: @.adornedwithlight

If you wish to be added to my translations tag list, and are +18 YO, then please comment below! If you wish to be removed, please do the same.

Tag list: @sh0jun @theimaginativelyreticent @sapphire-323 @velisle @nateko @greatwitchsongsinger @injudescoat @aeyumicore @complexivelovely @cosmowgyral @lunaaka @rosalyne08 @8the-perfect-lie8 @voydsoul @goustmilk @kraiyne

[eddis-not-eeddis]

Hello friends, most of my long time mutuals are aware that for the last little while I've been preparing to go to Japan on a mission internship. I was recently approved, and the dates are set. I'll be there from June 1st to July 31st. Now I have a blog specifically set aside for that. The new blog is @that-final-commission and I will be posting any updates and prayer requests for my trip as I get ready, while I'm there, and after I return.

The first prayer request I have is for support. I have to raise $7,500 by June to be able to go. Part of this is money that I've been setting aside from my own personal savings, but part of this will need to be raised through fundraising.

For anyone who is interested in making a donation, please feel free to message me and I can share details for how to contribute.

For those who want to support me but don't have funds, there's an even more important role to play. Japan is a country incredibly resistant to the gospel. When I first started the volunteer process, one of the women already working in Japan told me, "We need help. We are desperate for more workers. But do not come unless you are covered in prayer." Friends, I will need a lot of prayer. Your prayers are more precious to me than financial contributions. There is no doubt in my mind that the Lord will provide for those, he's been opening doors and providing for me through this whole process.

If you would like to be tagged or notified directly when I have prayer requests, please let me know. You can message me, or let me know in the replies.

[accio-victuuri]

my thoughts on xz’s spring festival debut and loch 📝

“Every role leaves something in me or takes something away from me. The character of Guo Jing is very powerful. His perseverance and persistence subtly gave me a lot of support and faith later on.” - xiao zhan

just a few disclaimers before i start:

1. i’m a cpf. this is a cpf blog but i also identify as xz and wyb’s career fan. meaning i care about the impact of their works to the general public. i’m tagging this post with xiao zhan on it cause it’s mainly about him, but if you already hate cpfs, then save yourself the trouble and scroll along. if you still read this and wanna say something, do it on your own blog.

2. this is not the place to compare xz and wyb’s spring festival bo debuts. nor is this a place for conspiracies.

3. i haven’t watched loch. i am not well versed in the whole lore behind it.

okay, now i can start 😅😅😅

As soon as XZ was announced to play the role of Guo Jing in Tsui Hark’s new movie — we all knew that it’s a great opportunity and at the same time, a huge responsibility. Legend of The Condor Heroes is a beloved story/franchise with multiple remakes so this movie had to bring something fresh to the audience. Tsui Hark is a celebrated director, but it’s not a guarantee of excellent results. I’m personally not familiar with his works ( yep, cause i’m uncultured lol ) so at the time i was okay, cool. However, i trusted the people both fans and the public who had mostly good things to say.

It was also pretty obvious that this movie will be screened during Spring Festival. It’s a no brainer. A big IP and movie like this should be released during the biggest box office day in China.

You also have Xiao Zhan. The god of wealth. A traffic star who brings in the money and is a talented Actor. He also has a solid and dedicated fanbase.

However, to those of us who are familiar with how the SF box-office works, fans alone cannot sustain it. The key is to capture the General public’s favor to grow the numbers and to get more cinemas to screen your Movie during the SF holiday. They call it “word of mouth” — when people give good reviews, more people will be encouraged to give it a try. If you are someone on SF holiday, you can probably watch 1-2 ( 3 at most possibly ) movies from the lineup. So it’s critical that LOCH will come up as something you would wanna watch based on what you read online ( or offline ) even if it’s not your 1st choice. I was hoping LOCH fans will come in, but i was also afraid cause they will be the most critical. They know the source material, they possibly watched all the iterations, so they will be the toughest to please.

The showing came later than we anticipated but it was fine. Editing and all the special effects always take up most of the time anyway. ✨

Weeks before the holiday, Nezha 2 announced it was gonna join the Spring Festival line up. This alone was a sure bet that this movie was gonna dominate the Box Office. no question. It’s a popular character and a family-friendly film. A first choice kind of movie if you will. There’s also Fengshen Part II with it’s own set of fans and considering how big the first movie earned, you would think they were gonna come back for Part II.

LOCH still prevailed tho, The pre-sale numbers dominated 👏🏼👏🏼👏🏼👏🏼

in reality, these are mostly fans. which is not a bad thing at all. having LOCH at the top of the pre sales creates a good buzz around it. if you are someone thinking of what to watch, and don’t know much about the line up, it would be good to pick the most anticipated film 🫶🏼

(this photo does not represent the final numbers before opening)

I wanna add too that this year’s promotion for SF movies is next level. They have really done well in making sure that the public knows what movies are out there for them to watch.

The first day for a movie like LOCH with a big pre-sale will show a small rise because people who wanna see it on Day 1 mostly have bought it already. It was still steady tho, It broke 14 box office records which is mostly for the martial arts genre ✨

There are also mostly positive reviews about XZ’s performance like this one ( i will share more on my blog as they come ) and critics. Which is fine. we know it’s not gonna be all praises anyway. One review that went high up on HS was from Nanfeng daily, which is more of a discussion on the story’s flaws. I won’t share it here anymore, but the article was talking about the weak plot and how the two leads having basically no chemistry. I also looked into this other blogger ( who is pretty consistent with reviews and not just one who popped up lately ) one which I think fairly described the shortcomings —-

The film adapted the content of chapters 34-40 of the original novel. It is a story about the integration of the martial arts world into the post-war world, involving the love line of Guo Jing and Huang Rong + the national war line + the martial arts line. The main part of the martial arts line is the previous situation before the 34th chapter, which is the foreshadowing of love and war. It can't be less, nor more. The question that needs to be considered here is how to explain so many martial arts stories before, flashbacks? Arrange information in the lines? Connect events and insert back? Or is there a more clever method?

As a result, The Legend of the Condor Heroes didn't think so much, and just went straight to the "PPT". The first hour was a long, fragmented and incomplete account of the story, and the two leading actors took turns to read the narration to tell the previous story. This is not called The Legend of the Condor Heroes, but "Reading most of The Legend of the Condor Heroes in x minutes".

This is not enough. I don't know if Tsui Hark is taking revenge on someone. It's already a PPT, and the two protagonists are reading letters to each other in the air, with narration superimposed on narration. The audience is like a class in the first half.

AGAIN. I haven’t watched the movie but I think, i get where this going. It seems to me that the screenwriter should have done better. Xiao Zhan can only do so much hard work and bring in talent, but if the story is all over the place, it’s gonna be hard to market to a random viewer.

As of writing, LOCH is on HS and the topic is about the supposed deleted scenes. Getting rid of those didn’t help the flow of the story obviously. There is a post going around that talks about that I will partly share below:

In the original script, Guo Jing's expedition to the west and return to the south are closely integrated. The complete character arcs of all the main characters in the movie, the Western Expedition is also in the film.

The film has spent a lot of effort and resources to visualize Wu Mu's will, war, and animals. The essence of the play, this entire section was taken away for review, and a lot of the plot needs to be reviewed later. The dubbing of the previous part continues, and some memories and inserts of the previous part are added. The broadcast becomes even more fragmented, resulting in incoherent plots.

Guo Jing experienced the suffering of all living beings in the war, and Huang Rong's role of leading the Beggars' Gang is gone, and the early adaptations make it even more miserable.

Some of the character arcs are incomplete.

Then it goes to talk about the cuts ( censorship ) caused by sensitive subjects that may cause diplomacy issues.

We still have a few more days for things to take a turn and I will update this blog for that. LOCH can also run even beyond this season and get more Box Office numbers. I have to admit this post i’m making is premature cause we are only days in, but by experience, the early days will usually tell you what’s gonna happen moving forward.

( as of writing, nezha leads with 1.5 billion and loch at 500 million )

A few more points:

• The film was promoted heavily around Tsui Hark being the director. It didn’t live up to expectations and this is why some negative reviews are coming. This is such a big production with lots of moving parts and it seems like it didn’t all fit. Some antis are saying that XZ fans are “blaming” again but this time i guess it’s valid. i’m not saying XZ was perfect either, i’m sure there is room for improvement but he can’t fix the story.

• 🍤🍤🍤 were too confident. it’s not a secret that I have no love for these sea creatures but they were boasting a lot. AND NOW HERE WE ARE.

this has always been my frustration. the karma is getting them. but is also directly affecting XZ who worked hard on this film. who didn’t tell them to do these nasty things. i also see people who wouldn’t even consider LOCH cause at some point 🍤🍤🍤 were rude to their bias before.

it’s like, people wanna see the 🍤 fandom fail. not xz. just the nasty 🍤🍤🍤 who offended a lot of people online at some point.

my god. they really don’t deserve XZ 😭😭😭😭

• the issue of unfair screening times and slots are also being brought up by fans. all i have to say is, welcome to the spring festival clownery. welcome to the movie world, you all must be new here. it doesn’t mean people can’t complain and be frustrated. what i’m saying is LOCH isn’t the first movie to experience this. it happens every year. it happens every big film holiday. this is not the land of dramas where streaming and rating works. Movies are different. if there is anything I learned, it’s more vicious.

• some are also complaining about cinemas refunding their tickets saying there is technical issues. only to find out that they are replacing the showing for a different movie. this is so shady 💀 but again, it’s all about the money. T___T

• the theme of the movie is also not popular at the moment. TH was saying it’s time to bring back films & stories like this again. I found this article that explains my point:

Jin Yong is an idol of previous generations. In their eyes, he has gradually become a tall but distant statue. Tsui Hark's embrace of Jin Yong's IP again is an outlet for the film market to seek a breakthrough in the predicament. He tried to add mainstreaming, genre innovation, traffic stars and other means to revitalize Jin Yong's IP. There is a logical component, but there is also the possibility of success and risk.

The younger generation of audiences who are not Jin Yong fans have not actually broken off their understanding of the martial arts spirit, but they have chosen new works as carriers. For example, the audio novel "Snow Sword" labeled as "martial arts novel" has been played 2.92 billion times on a certain platform, which is far more than the number of audio books of Jin Yong's works. To some extent, the "traditional chivalry" written by Jin Yong is quite different from the "cool martial arts" that the new audience likes, which combines magic, games, and VR.

In fact, from the pre-sale results to the current box office results, it can be seen that the market and the audience still have high expectations and sufficient space for martial arts themes. The altruistic spirit and noble character naturally carried by the martial arts spirit will still make young people curious and have a strong desire to follow and imitate. For the filmmakers, the difficulty of the creative challenge is far greater than the market opportunity-the care and empathy for individual growth, the assumption of social responsibility, etc., still need the work to provide a new interpretation.

After Jin Yong passed away, someone said, "It's not the end of an era, it's the beginning of an era." What this sentence means is that the spirit of martial arts will never become obsolete, but it needs to be updated from time to time. In addition to constantly exploring new forms of expression of martial arts, we must also strive to find new soil for the spirit of martial arts to land. Only in this way can the spirit of martial arts remain high and vigorous in the hearts of generations.

• the goal for xz ( and wyb ) is to be popular and liked by the general public. having a solid solo fandom definitely has it perks but situations like this — they should have a good reputation. the movie/drama must also be exceptional for it to “get out of the circle”. a movie they make should not be “a movie for fans” but for everyone to enjoy.

Let me wrap this up with some good news tho, because international fans can make a difference. To the countries that are going to have screenings, you can contribute by watching and sharing your reviews! 💕 it’s the essence of fandom, to enjoy the content and be happy with the experience. it’s too easy to get caught up with the competitive nature of the SF movie season cause it’s a favorite topic on weibo, but it’s better to celebrate Xiao Zhan’s Spring Festival Movie debut 👏🏼👏🏼👏🏼👏🏼

I have absolute faith in XZ’s strength as an actor and that time will tell us the truth. right now, the black propaganda is strong cause they have to manipulate public opinion really quick ( i’m not saying all negative reviews are antis but you know what i mean & viewers are expected to be extra critical of XZ cause of how famous he is! ). His talent will shine through. He will have more movies/dramas that are gonna be better than this and we are here to support him. Box-office numbers is not the measure of XZ’s success in playing Guo Jing. I haven’t seen it but knowing XZ’s care for the characters he plays, seeing the training he went through — he did him justice.

-END.

[mel-loly]

–I am back!!!✨

ANDDD since the majority voted “yes” in the last poll I did, I’m going to do a dtiys! Which will be this one:

Oh, and the rules and explanation of tdiys are in the text below (click for 'more' ↓)! Good luck to the participants, I love you all so much!!❤️

Explanation:

DTIYS stands for “Draw This In Your Style”. It's a popular art challenge where artists redraw a piece of art in their own style. DTIYS challenges are often used by artists on Instagram to celebrate milestones or to support other artists [which, in this case, I am celebrating my “return”].

How it works:

An artist chooses a piece of art to redraw.

The artist sets instructions for the challenge, such as the medium to use or the overall aesthetic.

Other artists create their own version of the piece and post it with the specified hashtag.

The artist selects the winners and announces them.

Now that you guys know a little about how it works, I will tell you some simple and “already expected” rules:

You can't steal or do it the same way as me, you have to do it YOUR style (because that's the challenge).

The redraw must have the same characteristics as the original drawing. For example, the colors must be similar or the same.

You can add and change things, but don’t “stray” too far from the original design and features.

Don't forget to tag me AND use the hashtag '#melloly dtiys'! Or if you don't want to post, just send me a private chat or ask! (and if you don't want me to say your name if you "win", please let me know and I'll make the drawing's artist anonymous!)

About the winners and the end date of the competition:

The competition will end on 03/23/25. There will be 3 winners, however, I will only draw (their own) OCs!

An art of your OC in my normal and detailed style (example (↓).

An art of your OC in my normal but simple style (example (↓).

A art of your OC in my chibi style (example (↓).

Thank you very much for reading and, again, good luck to the participants!!! (and if you still have any questions, just call dm and ask!!)💛

-Melissa, Designer.

[lord-emerson]

As you step into Caligula's Coffee House that afternoon, there is a single thought on your mind — where exactly did all this pink fabric even come from?

It is impressive, truly. The cushions, the tablecloths, the hanging decorations are all rosier than an urchin's cheeks following a rooftop race. Lord Emerson himself rushes to greet you at the door, pink cape billowing behind him as he walks.

"Ah, you made it! Good, good. You'll see there are plenty of seats available; take whichever, you'll spend the rest of the afternoon switching around anyway. Mind the garlands connecting the tables — they help our Rattus Faber and scaled friends navigate the space better. There's refreshments too, of course, just talk to- oh, I don't know. Anyone who looks like a waiter. That wouldn't be me, would it now, darling? Lovely. Oh, more guests! Please, if you'll excuse me, my dear..."

ʙᴀɴɴᴇʀ ᴀʀᴛ ʙʏ ʟᴇᴛᴛᴇʀs-ᴏғ-ғɪʀᴇ

Happy Feast of the Exceptional Rose, everyone! And to those who signed up, welcome to Lord Emerson's Lonely Hearts Club. By the end of today, you will have received the name and contact information of your first roleplaying partner. For the next ten days, you will have the opportunity to chat about your characters, establish what brought them to the event and hopefully send each other a couple in-game letters, too!

Here are some things to keep in mind.

You will be paired up with 3 different partners for each character you signed up with: one announced today, one on February 10th and one on February 20th. The event will officially end on March 1st.

Other than these announcement dates, there are no strict deadlines for roleplaying. Everyone is encouraged to follow along at their own pace.

The official tag of the event is #lelhc! I will be checking it regularly and reblogging any quotes, writing snippets and art pieces posted in there. In conversation, I will simply be referring to the event as Lonelyhearts.

And how lonely those hearts are! This is your reminder that despite the "speed dating" nature of the setting, this event is open to all types of characters, many of whom do not seek a romantic connection at all. Always make sure to check in with your RP partner about what kind of stories they are interested in telling together.

Hopefully it will not come to this, but for any interpersonal conflicts, I encourage players to discuss the matter between themselves first. If it cannot be resolved and you feel deeply uncomfortable with your current RP partner, you can turn to me and we will sort something out together!

Lastly, please remember to respect the dress code. For any innocent fools who forgot to incorporate the colour pink into their wardrobe, I will be distributing rosy boutonnières and corsages at the entrance. Thank you, darlings.

Your humble Cupid,

Lord Oswald J. Emerson

[art by @letters-of-fire]

[lovemyromance]

stp complaing about hate you get when you're doing the MOST every day to be vicious and rude to Gwynriels & Eluciens, this is you just getting the day you deserve

Genuinely can y'all shut the fuck up and leave me alone.

You make all these unfounded claims–but show me where I am being "vicious and rude" to anyone.

Screenshots if you can. Show me where I am in GA/EL posts, being vengeful and cursing at people or calling them names or being hostile. Actually - show me where I am in any GA/EL posts at all. Show me where I am being "vicious and rude" every day to be receiving these kinds of anons.

Like please, genuinely this is an invitation. Show me where I'm out threatening people's family/telling them to unalive themselves. Because thats what I get in my inbox sometimes so - please, show me where I have acted up.

You will find maybe 1-3 times before I truly entered this fandom where I might've commented on EL/GA posts unknowingly–again, not anywhere near hateful or rude. Other than that - good luck.

Meanwhile, I have GAs/ELs literally screenshotting all my posts within seconds and responding to them directly like a drunk girl sliding up and responding to every insta story like its a personal DM. I didn't even protest that - I just said keep it to your own tags and we won't have a problem.

All my posts are properly tagged. Are they sassy? Sure.

Are they rude, cruel, inciting violence/toxcity/encouraging harassment of any kind?

Never.

People will post every single hate anon they get and blame the entire Elriel community. I don't even RESPOND to 90% of my anons that engage in this type of speech (both hate anons and extremist pro-elriel anons). I'm not even complaining about it, because I am not blaming an entire community for a troll. That's inciteful, ridiculous behavior based on zero proof.

If you have a problem with logic and hard facts then block me. I do not care. But do not test me. I am NOT the one.

[creaturefeaster]

Hello, welcome to my blog. I am known as Wire or Chicken(stab), my pronouns are they/them, and I am in my late 20's. In this pinned post I will tell you everything I think you need to know about me and my blog!

♦

I post mostly about my own original projects and characters, but sometimes I like to reblog photography and other cool art I come across. I share a lot of my art here as of late, but I do have an art blog that you can find here. You'll need to wipe the dust off of it.

I often struggle with tone, and abbreviated tone tags only make things more difficult for me. Please be clear with your intentions around me, and use non-abbreviated words when possible. Lol, omg, btw, etc., idk, and other such acronyms are okay, but asks with tone tags will be ignored and/or deleted.

I do not use any other social media like twitter, instagram, etc. Aside from picarto where I like to stream, and youtube, you will only find me here on tumblr. I use discord, but not regularly. If we connect, feel free to ask me for my discord handle ^_^.

I like to answer asks sent to me, but sometimes I get a lot and do not end up seeing all of them. I won't be upset if you send me multiple asks, but please do not over-spam me with the same questions/requests. Asks that do not respect my no-list (see bottom of this post) will be deleted, and repeat instances will be blocked. Thank you for respecting my boundaries.

This is not a dedicated NSFW blog, but I do touch into NSFW subjects from time to time. Posts of this nature will always be tagged accordingly with #peek if you dare. Please do not ask or search my blog for NSFW-related matters if you are under the age of 18.

I do not categorize most tags on my blog. I like to talk in my tags, but save for posts relating to specific projects of mine, most posts will not be tagged accordingly. My project tags are #brambleramble (Colorquest) and #tmmomr.

I bounce between my projects and interests a lot. If you are invested in my work, I promise you there will always be plenty of it; What I cannot promise is that projects will ever be done in a timely manner.

CURRENT INTERESTS: • My original characters • Birds / animals in general • Colorful collectables • Drawing & writing • Western movies • Weather • Strategy and management sim games • Guitar / piano • Math

NO-LIST (Please do not talk to me about): • South Park / HP • Hazbin / Helluva • Mental diagnosis • Politics • Points of argument / discourse

[leiaofrph]

Sophie Skelton Gif Hunt

By clicking the links below you will be taken to pages with 507 gifs of actress Sophie Skelton in her role as Brianna Fraser in seasons 2 & 3 of Outlander. All of these gifs were made by me so don’t claim as your own, post in a separate post, or post in your own gif hunts. If you would like to crop these into gif icons please message me first as you MUST credit if you redistribute. Credit includes tagging me in your hunt, and including a link to this post on your post.

Please do not add this pack to masterlists without contacting me first.

I recommend being familiar with the source material before opening this pack.

Please make sure you have read my rules before you message me about editing.

You can find the rest of my gifs of Sophie here.

Please reblog if you use or are a RPH and spread the resource around.

Season 2 // Season 3

[tuttle-did-it]

I don't want to see any images of Sieg Heils-- or any other revolting images like that.

This is what I think we should be seeing on our dashes instead. This is what I want to see when I open this app. This is the image I think tumblr should be flooded with right now.

Especially as we have new folks coming from other platforms.

What about you? Do you want to see Sieg Heils or do you want to see someone angrily ripping a swastika flag in half?

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[thatswhatsushesaid]

i think fandom spaces would become much more enjoyable across the board if people stopped flipping their pancakes over other fans enjoying characters that they don't like. or, god forbid, like them but in 'the wrong way.'

[goldkirk]

hey this isn’t aimed at anyone in particular but I’m saying it for the record here: if I tell you no, please stop messaging me about fundraisers and mutual aid.

I get enough messages that it’s impossible for me to keep up without devoting at least half an hour each day, when I’m not even on tumblr that long most days. Me having a boundary about this isn’t a moral failing, it’s a lifeboat for me on my own blog.

In my personal life I’m already advocating and donating literally as much as I can spare. This is not me not caring, it’s just me not willing to interact with that on the one place I go online to not interact with irl news and world events for the most part.

I cannot be upset all the time. I cannot be upset everywhere. I cannot use all my emotional and mental energy fielding my own upset from ongoing events. My options are to hold boundaries about this or stop coming online at all.

I’m all for sharing information and signal boosting to reasonable extents, but the scale of it this year is so large and so enduring that it is literally not possible to for me to participate on every account I have. I’ve previously shared links to Gaza eSIM donations and a major hub of verified Go Fund Mes here and elsewhere online. We, the online humans, know how to look those things up ourselves by now. There are many, many people choosing to do advocacy work, and right now, I can’t be one of them.

If you’re extremely upset when I tell you I can’t share/donate right now about a Gaza family or personal fundraiser you ask me to share here, just unfollow and block me. That’s what those buttons are for. Protect your own emotions and energy and get me off your feed instead of staying upset and continuing to engage with online people or content that upsets you.

Please don’t send repeated angry messages based on manufactured purity politics and moral outrage into my messages and inbox when I exercise the right to run my own blog.