#if there's typos no there isn't

[doriandrifting]

815 Gate: 008 is 001’s “5 star general”.

Season Two shows us Kali’s crew in the very first episode, but it isn’t until Chapter Seven: The Lost Sister, that we meet 008 and her friends. This is episode fifteen of the series.

Dustin: You're going to crack the case, Steve.

Steve-the-hair-Harrington: *cracks a literal case*

Before this interaction, Nancy says, "The answers are here. Somewhere." A few beats later, Steve drops Dustin's bag and we get a zoom in on it. We see a ghostbuster's pin that references their costumes in Season Two.

So let's go back there, shall we? We'll start on Seventh Street.

"They turn to you, remove their [masks]."

This is not to mention the visual parallels between the Mind Flayer's possession and 008's powers:

Regardless of whether Kali had anything to do with this specific instance, as it was shown to be the Mind Flayer, the parallel is sinister. Character symbolism is also already happening from the moment we see her on screen. She's wearing gloves and covering her mouth—a classic sign that a character is hiding something.

The very next shot after that is this:

One grave reads: “Ashes to Ashes / Dust to Dust / Here lies someone I wouldn't trust.”

Meanwhile in Season Four:

A graveyard with a hand.

Ashes to Ashes. Dust to Dust.

Here lies a sister I wouldn't trust...

The police standing around and not seeing anything directly parallels the abilities we see Kali display in Season 2. Not to mention, the dogs in the neighborhood are clearly seeing something that we're not! Dogs in media are commonly shown to perceive the supernatural, hence why the dogs are barking when Fred and Chrissy get cursed, and yet they're noticeably silent when Steve, Nancy, Robin, Max, and Dustin return as a group. The dogs could see past Kali's illusions.

This is more theorizing than solid evidence but, I think Season Four was Stranger Things' Freddy vs. Jason moment. We quite literally have Eddie vs. Jason, and also a character named Fred who tells us he's rooting against Jason's team winning. They've also cast the actor who played Freddy, Robert Englund, as Victor Creel, and there's a cardboard cut out of Freddy at Family Video. Vecna's hand was inspired by Freddy and a whole bunch of other things, so this isn't a major reach (maybe lol).

Anyway, in Freddy vs. Jason, the townspeople of Springwood have forgotten Freddy Krueger. The ones who do remember him are sent to a mental institution as a government coverup. (I'm not suggesting that is what has happened in Hawkins, but the inspiration is clearly there as Nancy and Robin take a trip to Pennhurst to gather information from the only person who seems to know anything about the case. Henry being taken is also covered up by the government.)

Because no one remembers Freddy Krueger, he's been trapped in Hell and unable to invade children's dreams using their fear. ("Dream a little dream of me" + "Welcome to Hawkins Hell") Freddy sets Jason Voorhees on a killing spree in order to manipulate the children of Springwood into remembering him. Essentially the murders spread a wave of panic and Freddy's name gets tossed around until Freddy's power grows strong enough that he doesn't need Jason and can lure them himself. It leads to a showdown between them, yadayada.

So what does this have to do with Stranger Things? Well, we're told that Vecna is stalking his victims. Dustin says he's trying to build a strong psychic connection with them. We see as much while Vecna's in the Upside Down. But until this season, he never shows any of these vision abilities. He obviously always had them, but it seems like maybe he’s been unable to use them because of being stuck in an alternate dimension. Before this, he’s always relied on the Mind Flayer to physically possess characters like Will and Billy, but we don't see any of that this season. Max says, "All we know is this is something different. Something new."

I think, like Jason Voorhees, Kali was helping build Vecna's psychic connection to his victims. Once it was strong enough, Vecna was able to finish the job himself, opening the gates. This would account for the fact that our victims are seeing visions for awhile before they're actually killed. "Your time is almost at an end." Why not just kill them at that point? It doesn't make a lot of sense. There are also some inconsistencies at the name that Max is called. We also see lurking shots of the characters clearly being spied on, especially Mike. A big one that a lot of people noticed is the one in the junkyard where someone is watching through a car window. Who is watching our characters? Could it be Kali and the "cult of Vecna"? Kali is able to travel through the void, just like El, afterall. And maybe it's a coincidence, but Kali takes El to a junkyard in Season Two to help her train. Again, it seems to me like the writers are leaving a clue.

[edit: Someone pointed out that Kali is surprised by El explaining how she used the void, but I think that there’s reason to believe that she’s lying about that. The purpose of the Hawkins experiment was remote listening using the void. Kali is 20 years old in Season Two, meaning she’s 7 years older than El, but she is somehow completely unaware of the existence of the void? That doesn’t make sense, but El had basically no memory of her time at Hawkins, so it was an easy lie for Kali to tell.]

Besides this, there are so many visual parallels between the opening of Freddy vs. Jason and Season Four—the Molotov cocktail being thrown and setting Freddy on fire, a human puppet on flesh strings (“Master of Puppets” + Vecna’s tentacles making him look like a puppet on strings), etc.

Okay back to connections that I swear can't just be a coincidence (To preface this, I'm not saying the characters are aware of all of these things. IMO, most are just subtle clues being left by the writers/set designs, etc.):

When El goes to visit Kali, she walks into the warehouse and passes a giant Upside Down sign that says "To Paris". Next to it is a spray painted smiley face. This season, Jonathan's wall has a Paris sign and a smiley face balloon, and his tapestry is upside down. (The balloon and smiley face motif also floats around different scenes this season—Like a smiley face balloon by the Christmas lights at Benny's when Lucas wakes up. Another link to the Upside Down.)

El also passes a giant sprayed Magic 8 Ball at the entrance hallway, just like the one 010 was playing with in the lab at the opening of Season Four.

El asks Kali, "Are you real?" just as Max does to El this season.

The sign between Kali and El is a red hand and eye with broken lights that make it read "Spiritual ISOR [eyesore]" instead of Spiritual Advisor:

Downstairs, Axel throws knives at a painted target. It's a person with a heart drawn on it. Next to him is a giant spray painted crown. This is similar imagery to Mike in Will's painting this season.

Axel says something something, "You mean the loony bin," which (offensively) connects to the Pennhurst storyline in Season Four. Kali responds with, "Mick, our eyes, our protector."

Dottie asks to play a game. "Awh, come on. Just one hand." Mick's response is, "One hand leads to two hands, two hands leads to three, and before you know it, I'm as broke as Axel." (This connects to Vecna using his hand to curse people and the motif of four. Also mimics his signature phrase: "You will break.")

Axel has the exact mask from the one they slow zoom in on at Joyce's job:

Something similar happens where we get a long zoom in on a news paper stack. Later we see a piece has been torn out and placed in Will's locker with the phrase "Zombie Boy." The eyes have been crossed out in red marker, just like Vecna's victims losing their eyes. We're never given an explanation for how it got there. We're meant to assume a random bully did it. Some have theorized it was Will's crush who asked him to dance, but that makes little sense. But we are shown that Kali and her crew have a closet where they have a collage of newspaper clippings of all the people they're targeting taped to the wall. They've drawn on clippings in red and black marker. There's Xs through the faces of the ones they've killed.

How did Kali escape before the Rainbow Room Massacre? And why does she nearly verbatim repeat Henry's lines to El while asking her to pull a train? (Also note that while El was in the Rainbow Room, Brenner tells her a story about how she needs to "leave the train station." While Kali isn't aware of the story of Nina, it's another hint from the writers about how this episode is connected.)

"He found his strength in a memory that made him sad, but also angry," Henry tells El in the Rainbow Room. Is it possible that Henry had already gotten to Kali? Where did she learn this? (Both of their speeches are longer, but line by line they parallel.)

To reiterate, we see Kali in a junkyard—the same place we're shown that the California crew is being watched from. These are the only two scenes that the writers chose to take place in a junkyard. Not shown in the screenshot, but there's actually giant "NO."s spray painted on the walls inside the warehouse, always next to Kali. They follow her into the scene at the junkyard, and in the initial shot they obscure El with a bin, so it's just Kali in the background with a big 'ole "NO." in the foreground.

There's a door with a red window spray painted behind Kali like the Creel's door. (Although it's much more prominent when El first comes to the warehouse, we can also see the magic eight ball I mentioned earlier on the right side.)

Kali questions El about what she remembers of her. On the surface this might seem sentimental, but if Kali is working with Vecna, the reason behind this is because she's trying to figure out what El knows about what happened.

One character asks, "Yeah, what about a lullaby? Did you sing her one?" Another allusion to Vecna, but also the idea of singing someone a song, when we know music is a weakness of Vecna.

One character says, "You don't kill their men and expect them to look the other way." Kali responds with, "If they find us, they will release Hell." Another allusion to Hell that we see as a continuous theme in Season Four.

Vecna's army is supposed to be undead, and we get an interesting line from Funshine, "We were dead, all of us. Kali saved us here. And here." He gestures to his heart. Whether this is actually literal is up for debate. Maybe Kali used powers similar to El's and essentially brought these people back to life, which is why they feel they owe her (and by extension, Vecna) their service in hunting down her enemies.

Kali torments El by making her hallucinate Brenner:

Does this not sound exactly like Vecna? Is this not incredibly similar to what happens to Vecna's victims? For instance, Max, when she sees her mother? Not to mention Kali's face is completely devoid of empathy, and the half of her face that we can see is lit in a purplish red glow that is eerily reminiscent of Vecna.

This line is the line. In this scene, Kali is talking about her powers, but it actually takes on a double meaning. Throughout this conversation, she earns a lot of empathy from the viewer, but look at how half of her face is obscured in darkness again. Like El, Kali is only showing us what she wants us to see.

Pt. 2

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[oscah]

Please, do not the cat.

[groovyfrog420]

"subtle hints"

part 1

part 2

[queenie-ofthe-void]

“Led Zeppelin? Never heard of them,” Steve lies, like a liar. Of course he’s heard of them, thinks maybe Hop’s mentioned them before. Doesn’t really know the band well, and probably definitely couldn’t name a song. But the comment serves its purpose, and the trap is set.

Eddie calls it the Zep Campaign. Every day they’ll listen to one album, and Steve will pick his favorite song from each. Eight days for eight albums. On the last day, they’ll narrow it down to one song to rule them all– because apparently even Led Zeppelin likes the Mordor books Dustin doesn’t shut up about. 

Each day, Steve struggles to pick a favorite. Day four isn’t bad– doesn’t mind a song that is actually called Rock and Roll, which is just a lazy title in his opinion– but they’re only half way through and the songs are all starting to sound the same. An endless stream of too-fast guitar melodies and weird, wobbly sounds he’s sure he’s never heard before. The vocals are his favorite part, but the lyrics are vague and confusing.

Long story short, he’s not a fan.

But this growing thing between him and this ridiculous metalhead is new, fragile. So if it’s important to Eddie, it’s important to Steve. 

“Stevie, we really don’t have to keep doing this,” Eddie concedes. It’s day eight, the final album, and he thinks even Eddie might be desperate to listen to something different. “You’ve listened to every other album and honestly this one is the worst. They were all on drugs, and this isn’t even their sound ya know? Like it’s not even real metal.”

And honestly, Steve does know. He’s been listening to this band for eight days and yeah, all the songs sound the same. But these ones are different. Softer. He’s made it this far, and he’s nothing if not persistent for the people he loves.

Sprawled out on the floor next to the boy he likes, passing a fading joint back and forth, he thinks he can suffer a bit longer. 

“No Eds come on, we’re halfway through anyways. Just flip it over and we’ll smoke while we finish.” Eddie huffs a sigh, but Steve can see the slight uptick of his lips, reminding him of why he’s doing this. He flips the record and crawls back, presses himself flush up against Steve’s side.

The next song is long, too long to keep his attention. They burn down their joint and Steve leans heavily onto Eddie’s open chest. He gets lost staring at the vinyl art. A guy dressed in a fancy white suit sits alone in a dive bar, the only splash of color against a dull background. The bartender looks gruff, like the rest of the bar, making the man stand out even more. He wonders if that’s how he looks posted up at the Hideout during Eddie’s shows. Wonders if he looks just as out of place in Eddie’s life as this man does, even though he looks comfortable there too. 

Eddie shifts his arms around Steve, bringing him back to the present. The song has changed and Steve feels the slow melody wash over him.

“Wait,” Steve cries out, flailing up and out of Eddie’s arms as he registers the new song. It’s soft with a steady beat. It’s got synth-- the sound Eddie told him he likes in pop music. This song isn’t loud and chaotic like the rest. The voice is soothing and the lyrics are mostly simple enough. It’s different, and he can’t believe it but–

All of my love, all of my love

all of my love to you, oh

“This one. I like this song. Like actually like it.”

Eddie sits up and stares at him. He can see the dramatic shock and annoyance on Eddie’s face. But it’s doing nothing to hide his broad smile and shining eyes. 

“Steven. Stevie. Baby, sweetheart, this absolutely cannot be your favorite Zeppelin song. Out of all the songs on all the albums and all the hours of poetic melodies I’ve forced upon you, you choose the most non-Zep Zeppelin song.” Steve laughs sweetly as he watches Eddie fail to keep the glee out of his supposedly annoyed voice.

The cup is raised, the toast is made yet again

One voice is clear above the din

“This song isn’t even metall!" Eddie screeches. He rants and raves, waiving his arms as he regales Steve with all of the reasons he should absolutely not like this one particular song. He's shining with happiness, dial turned up to a hundred and it's all aimed at Steve. He can't help but to gaze back fondly, enraptured in the adorably obnoxious spectacle.

"It’s all synth, almost no guitar because Page didn’t even write this one! He wrote all of them except two songs, Stevie, and of course that’s the one you chose. No one who knows good music even likes this album. It’s not even metal music and honestly I almost didn’t show it to you, that’s how bad it is!” They're both giggling, leaning falling slowly into the other's space. Facing one another, their feet tangled together, Steve twists and pulls on Eddie's rings. Just to touch.

“Well, maybe that’s why I like it,” Steve snarks, taking his hand. “Plus it’s a love song.” Daring to reach out.

All of my love, all of my love, yes

All of my love to you

Eddie’s smile dims a bit, softens at the edges as he grows serious. “It’s not a love song Stevie, not like that.” He’s looking at Steve but he isn’t. Looking past him into the back of his thoughts. “The lead singer, he wrote it for his son. His kid died of some kind of bad illness while he was on tour. Didn’t make it back in time.”

He pauses, and Steve waits. Knows Eddie has more to say, hoping his patience will pay off. Eddie’s sight refocuses and he heaves a heavy sigh. His eyes glisten as they lock onto Steve.  

“My mom used to sing it all the time. While she was cooking, or putting me to bed, or pulling weeds in the garden. She’d sing it constantly. Hell, she didn’t even know all the words, but she’d still try and sing the interludes– ya know, the music between the lyrics.” He laughs lightly, a stray tear just barely hanging on. Steve tightens his grip around Eddie’s hands and presses a kiss to his knuckles. A silent sign of gentle support and encouragement. 

“Sounds like a love song to me,” Steve whispers. Leaning forward, he presses a kiss to his forehead and pulls Eddie into a tight hug. 

All of my love, all of my love, to you now

“A love song just for you, from both of us.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've always headcanoned that Eddie loves Led Zeppelin, because he plays guitar and loves metal and reads Lord of the Rings so of course he would.

[hypazia]

This is my (very late) gift to @aikuinen (thank you very much for the fun prompt and the patience) for the @palestaticexchange.

[smallenoughtopurr]

Chainshipping is so funny like yeah these two are probably soulmates but they likely would have never met let alone liked each other under normal circumstances. Their matchmaker was a serial killer with a god complex. They had what the other was missing but they'd never realize that without being broken down to their most vulnerable selves in front of the other.

They have the least romantic love story which actually makes it more romantic to me.

[reunitedinterlude]

summer phantasy: the album

tracks 13-16 (x)

[monicaeidolith]

it's been 8 years and she's still down bad for her neighbor (who wouldn't)

and so there she is: Step 3 Athena! 🌙✨

Step 1 & Step 2 here

(Infos about Athena in every steps except 4 below if you're interested)

(watch out it's long.)

Step 1 -

At 10, Athena is a very curious girl, somewhat nosey and a bit clumsy (main reason why she often has bandages). She likes puzzles, creepy stuff and drawing (but nothing that serious about that hobby yet). While she isn't very shy, she's still uneasy around people she doesn't know and moving to a new town isn't helping. She has trouble accepting changes, and this whole situation is a way too big change.

Athena is very close to her mom during step 1. Unfortunately for her, she doesn't really look like her that much and she's kind of bothered by that, especially because the person she obviously looks like, her "dad", isn't there. Not having a dad isn't really a huge problem for her, but Athena fears a little bit people's opinion on that subject: "Is it weird that I don't have a dad...?".

She's feeling sad and scared about moving out, as she has to get used to a completely different world (in her eyes). "At least I have my mom", she thinks. But if moving in Golden Grove was scary at first, meeting Qiu and Tamarack was a huge help for Athena to feel included.

She thinks Qiu, aka "Autumn", is funny but also a huge show-off, haha. She LOVES to tease Qiu. But Athena's also genuinely worried about Qiu sometimes, because that kid is a huge people-pleaser.

When it comes to Tamarack, man... Athena totally puts this girl on a pedestal. She thinks Tamarack is amazing and pretty. And should Tamarack say anything positive about Athena, you can be certain the latter will go crazy internally. At 10, Athena doesn't realize she actually has a huge crush on Tamarack yet, though.

Step 2 -

At 14, Athena became a sort of troublemaker, she barely cares about rules. She's not mean but she grew to be more blunt and direct than she was as a 10-year-old, this and her current appearance make her seem unapproachable. However she kept her soft side, a side that she ironically doesn't even keep that much hidden but that you still have to deserve. If at 10 she would often have bandages because of her clumsiness, at 14, it's mostly because she's reckless. Some things that remained are her love for puzzles, creepy stuff and drawing, in fact, she started to get interested in visual arts.

In fact, the tough side of her personality grew when her first group friends with Qiu and Tamarack slowly fell apart. She couldn't do anything to prevent that from happening, so she felt like she had to toughen up. But to be honest, she's becoming tired of being the sole link between them, she's barely trying to now. Maybe Qiu and Tamarack won't become friends again. She has to accept it... but maybe Athena still has troubles accepting changes, no matter how old she is, after all.

Despite all that, Athena still treats both of them nicely. She still teases Qiu whenever she can (watch out Athena, the teasing could backfire on you). Her worries about them are still present too, but for different reasons than in step 1. Even 4 years later, Athena still retrieve Qiu's lost papers because they would NOT do it themselves. No matter what, Autumn remains her dear friend and the feeling is mutual.

Tamarack, aka "Tam", is her best friend! ... and the girl she has a crush on, Athena realized it now. Athena doesn't know if Tam feels the same way or not, though. Athena still thinks Tamarack is the most amazing and most talented person out there, she wishes Tam could see it too. She's highly worried about Tamarack potentially leaving Golden Grove at any moment but she tries to hide it from Tamarack. "Tam probably has enough of people walking on eggshells with her", she thinks. Athena dislikes Tamarack's parents for not only never being there for their daughter but also for making her situation so uncertain, only for their own interests (in her eyes).

Another feeling started to grow: jealousy. Athena will feel jealous of anyone who seems a bit too close to Tamarack. Does she think she's no match for Tamarack? Yes. Does that stop her from being jealous? No. She knows she has no right to be, Tamarack is a wonderful girl, it's impossible not to like her, but she can't help it.

Athena grew to be even more bothered by her lack of resemblance with her mother. Some times before turning 14, she started to dye her hair cranberry, just like her mom's hair color (let's say Opal didn't really like to see that her daughter started dyeing her hair at her young age, reaction Athena didn't appreciate, all she wanted was to look like her mom, what's the problem?). Ironically, while Athena wishes so hard to look like her mom, her relationship with her became somewhat strained. As if resembling a completely unknown guy wasn't enough. Living his best life nowhere to be found, uh? Resentment is the word here. Never towards her mom, even if their relationship is not that good at this point, but towards this guy who gave her his physical traits she never wanted and started to despise.

At least she became used to live in Golden Grove.

Step 3 -

At 18, Athena is not the rough troublemaker that she was at 14 anymore. Now she's more like a silly prankster, seemingly always up to something more stupid than before, although she remains reckless and blunt (but less on purpose and more out of habit). Of course, her interest in visual arts remained intact. Her liking for creepy stuff turned into a huge love for horror and its aesthetic.

Her relationship with her mom is getting better than it was 4 years ago. Athena grew out of the resentment she had for her "dad" during step 2 and learned to accept she may not look that much like her mom, but that it doesn't cancel the fact she's Opal's daughter no matter how she looks. Plus "some bits of [Opal] did end up in [her]" after all, right?

Athena's relationship with Autumn is what you could describe as "siblings by hearts", Athena does consider them as the sibling she never had.

Athena and Tamarack are still officially "besties for life", but little do they know that they both ended up falling in love with each other, plain and simple.

Her jealousy and resentment did tone down, but when she thinks back to her 14-year-old self, she feels bad, so bad. For being jealous of Tamarack's friends, for being resentful of a random donor and basically making many things about herself. "Man, I was such a prick. And for what?".

If when she was 14, Athena felt like she was no match for Tamarack because she put Tam on a pedestal, at 18, she now thinks she's simply not good enough as a person for Tamarack. She kind of "accepted" that if Tamarack only wants to be friends, then it's fine, she cannot force Tam to love her back. It's silly to think someone like her could be extra-special in Tam's heart anyway (girl if you knew.), it's nice enough to be her best friend.

Between step 2 and 3, Athena managed to put a label on herself: she's lesbian.

[papa-evershed]

I'm just gonna be honest here, Dexter's dead. The last we saw, Dexter is dead. And when I was doing my research I realized it was confirmed at the end of New Blood that he was dead. [...] What can you say about how Resurrection will bring Dexter back?

Michael C. Hall talks Dexter: Resurrection with Variety

[lastofthe20thcenturygirls]

maomao is so perfect like she respects the man who raised her will always listen to what he says. doesn't feel emotions strongly. hates her biological father just because. is forever loyal to the consort she served. loves money. bought a gift for that one girl who always shared gossips with her as she couldn't afford it herself liked seeing the girl happy and adored her as a lil sister even shed a tear when read her letter. is extremely good at connecting the dots. is always worried about that child consort and her heart was warmed to see the child found someone who cares for her. would harshly judge you if you didn't think the celestial nymph eunuch wasn't the most beautiful creature in the whole of creation. would run to save someone's life even getting punched wouldn't stop her. doesn't get affected by all the hanky-pankys that goes around her. might even give you her important hair stick if you are important to her. cares about her three sisters so much she'll make sure they end up with the kind of men they prefer. would hold a grudge against you if you chose her birth mother instead of her sister. very chill. can just casually wonder about the size of boobs of women the same way she always wonders about the missing equipment of the eunuchs. always thinking about abortion medicines is always making abortion medicines. loves experimenting with herbs and poisons. loves eating snakes would be extra happy if you locked her in a room with snakes as a punishment. wants to give birth once because she wants to eat her own placenta. very open-minded. always gives it her all

[cursedvida]

Clean Sky || Noa x Mae

Authors note: just a little oneshoot of this couple bc they inspired me so much. Not warnings, just Noa having a meltdown. English isn't my first language so i'm sorry in advance lol.

Humans were nothing more than echoes of a world that existed far from his own, outside the comfort of his village, and they had never sparked even the slightest curiosity in him. He knew they were wild, irrational beings, sometimes stealing ape's food if they weren't careful enough. Scavengers like any other animals, nothing out of the ordinary. Noa had never seen one in person, but he hadn't had any particular interest in doing so either.

Ironically, now he can't stop thinking about them.

Specifically, about her.

He often wonders what became of the human girl. Echo, Nova, Mae. As many names as faces, as many facets as secrets she holds. During the arduous mornings of work trying to rebuild the village, the young ape finds himself surprised more times than he'd like, thinking about how that skinny-legged, weak-armed human must be wandering alone in such a hostile world. Humans are quick and agile, but also fragile and delicate. During their time traveling together, Noa often felt that, if he wanted to, he could easily break her in two. If he had embraced her with the same fervor with which he pounced on Soona or Anaya, he probably would have broken her a bone. But then he reminds himself that it makes no sense to consider such a thing, because he would never have embraced a human, nor would he do so now.

Days pass and life in the village returns to normalcy, the routines that once brought him joy now become monotonous and bland, as if something inside him tells him that this is not where he should be. There is something within him, an inexplicable urge that pushes him to go beyond what he has always known. Perhaps it's because he hasn't completely shaken off the anxious anguish he felt watching his entire clan disappear, or it may be because of the infinite enormity of the world beyond the walls of his home he experienced during his travel. But at some moments, he realizes that maybe it's all because of the stars that, every night, remind him of the universe he saw through that human machine and that Mae seemed to long for as much as he did.

On clear nights, Noa can't help but wonder if the human is seeing the same sky as him, if the stars shining so brightly from his village are the same ones she can see. He never got to know much about her, and the little she wanted to reveal was probably lies, but there was something in her eyes the last time they met, a certain melancholic sparkle that has stuck inside him like a huge thorn he's unable to remove. He doesn't quite understand why the image of the girl's moist eyes comes to mind every time he closes his eyes on nights illuminated by the headlights of the universe, but every time he recalls her face, he feels a current that urges him to run away from there as fast as possible, leaving him utterly terrified.

He had never been interested in leaving his village or living away from his clan. His mother, his friends and the people he grew up with mean everything to him, and yet suddenly he remembers that human hands are terribly similar to his own, only much smaller, with fingers so delicate they almost resemble brittle branches. He had touched Mae's hand a couple of times, unintentionally, feeling skin devoid of calluses or roughness, smooth and soft skin that made him wonder how it could resemble him so much and yet be so terribly different.

[6okuto]

🧺 #24: "sitting together for a road trip" with kenma for @dira333 from my fruits basket ! :3

dira this is so good for a friends to lovers plot..

akaashi’s volunteered to drive for this next portion of the trip, so kuroo and bokuto are free to click through a dozen songs to sing along to. they’re loud, and sometimes wrong which earns a snort or remark from you and kenma behind them. but their spirits are high and no teasing keeps their attention for long– not with another catchy pre-chorus coming up.

kenma shoots you a sidelong glance. between your seats, there’s a blanket with a bag of snacks nestled in the middle. you feel his gaze and turn to look at him, and he says…something, but his friends are still singing, and you can’t quite hear.

you furrow your brows and he sighs (not forgetting to frown at the back of kuroo’s head as if it would deter him) before leaning in closer. you mirror his movement, and you’re close enough you could bump foreheads if you wanted.

“sorry.”

“for what?”

“...seriously?”

you quietly laugh. “it’s okay, this has been fun.”

“we haven’t even gotten to where we’re staying yet.”

“so?”

kenma blinks at you, looks between your smile and the three others ahead of you. “...okay. but if they get too loud, tell me and we can kick the back of their seats together.” and he smiles for maybe the third time since the karaoke session started when you laugh and agree.

and !! at some point he catches you watching him game, so you both lean over the blanket and snacks again so you can get a better view. but it gets a little uncomfortable, and you’re both shifting every few minutes to avoid bags of chips and a box of cereal from jabbing your side. so at the next rest stop, you switch places with the blanket and move to sit beside him instead—

“if that’s okay with you? or i can hold the snacks if you still wanna grab them.” you offer.

but kenma shakes his head and reassures you, “no, it’s okay, this is a lot easier anyway.”

and sitting next to each other is nothing out of the ordinary—you’ve done this plenty of times out of the confines of a van’s backseats. but it’s a few hours in and you’re getting sleepy, and you register too late (and barely at all) that the pillow you had against the window is no longer in reach, so your head falls the only other direction there is,

right onto kenma’s shoulder.

and despite being so so close to hitting a new high score after dozens of attempts, he can only be glad he had his earphones in so the others didn’t hear the “game over” that follows embarrassingly fast afterward.

[hargr00vy]

babes your glow is showing

[kathonyy]

BRIDGERTON 2x05 An Unthinkable Fate

[kirby-the-gorb]