#if there was romance in the story - or if romance was a big part of the story - i'm sure they'd have played that up
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Is this, the anxiety about working women, a common interpretation? I’d never heard it before.
Not an interpretation I’d have come to myself, either. The femme fatales that I think of first aren’t usually working girls, they’re things like wealthy wives wanting to bump off their husbands (Phyllis Dietrichson from Double Indemnity), wealthy heiresses trying to cover up their (/family’s) crimes (Vivian Rutledge, The Big Sleep), itinerant conwomen (Vera, Detour), or ex gun-molls who shot their shady boyfriends and will do anything (and seduce anyone) to make it out alive and with the cash (Kathy Moffet, Out of the Past).
The femme fatale is more … the woman who pretends to love you (or even genuinely does love you) but whose priority is something else, often money, and she’ll use you until she gets it and then go through you for a shortcut afterwards. They’re usually not working girls, they’re bored and murderous wives, alluring crooks, or desperate blackmailers. They’re either rich already, seeking more control over their money, or desperately seeking financial stability via crime. The fear to me feels more like being used and discarded by a woman who wants something else more than you, at least in some of the cases?
Also, a lot of the classic 40s noir movies were based on books that were written much earlier, in the 30s, which would pre-date the post-war economic anxieties (although fit right in for the Depression-era economic anxieties, and the ‘woman willing to kill for money’ might well fit there). Though, granted, a lot of those stories were altered in the book-to-screen transition, and the adaptations likely did reflect more contemporary anxieties.
There was also some real life inspiration for some of the famous femmes fatale. Both Phyllis Dietrichson of Double Indemnity and Cora from The Postman Always Rings Twice, both by James M. Cain, might have been at least partly inspired by Ruth Snyder, a woman who in 1927 murdered her husband with her lover in the hopes of cashing out the insurance policy they’d ‘signed’ in his name.
There’s a lot going on with noir as a genre, it’s a whole melting pot for a bunch of early 20th century anxieties. The class changes coming out of the Belle Epoque, the interwar period, prohibition and rampant crime in the 20s, the massive economic turmoil of the stock market crash and the Great Depression in the 30s, and then, yes, the social changes during and following WWII in the 40s, with so many disaffected returning soldiers, rampant crime, and the skyrocketing rates of divorce that resulted from hasty wartime marriages. Noir as a genre was an attempt to ground Hollywood glamour in some of the darker realities of those very turbulent few decades, and while the femme fatale has certain common traits, she also has a lot of variety, reflecting more than one anxiety of the time. She’s just … the woman who’s just as hard and bleak and dangerous as the men, except men (in Hollywood movies in the 40s) didn’t usually fall in love with other men, but they could (and shouldn’t, and did) fall in love with the femme fatale. She was more a reflection of the general fear that the romance and safety of marriage that society had promised men at this time was no more real than the financial or physical safeties they’d been promised either.
Which, yes, women in the workforce is part of that disintegration of promised safeties, so I can see it as an element, an aspect of the fear. But I wouldn’t have said it was the driving one, just one more facet of the perceived social degradation embodied in the noir genre. Textually, a lot of the classic femmes fatale weren’t even in spitting distance of a factory job. For a start, it’s not exactly glamourous. And for a second, that’s a long, slow way to get what you want, when you can just murder or betray someone for money instead. Or string some poor lovesick sucker along as a patsy for your crimes, or as an escape hatch for your schemes.
Basically, I don't think the fear was of being supplanted, or at least not in all cases, it was more a fear of being used. Controlled. Betrayed. Murdered. The femme fatale wasn't the woman who replaced you, she was the woman who lured you, seduced you, lied to you, hurt you, controlled you, incited you to do things you wouldn't normally do. Instead of being the safe harbour, the soft, righteous reward promised to the hero, she hurt you instead. Used you. Love is a lie, marriage is a lie, and murder might well be the result.
My film noir hot take that I’ve been mulling over for a while is that I really don’t think the femme fatale in noir was an expression of anxiety about women working in the aftermath of WWII. Evil seductresses are present in literature since before the printing press, and in pulp crime fiction since at least the 1920s! And when did you ever see a femme fatale working as a mechanic or on an industrial assembly line? I’m not saying the archetype doesn’t pull from contemporary sexism, but Rosie the Riveter didn’t invent the idea of sexy mean ladies, especially in gritty melodrama.
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Let's Talk About "Marvelfication"
Okay, let me try to get this out of my system, because I do have some thoughts on this one.
See, as you know, I finished Dragon Age: Veilguard last week. And I did enjoy the game. I never was that attached to the franchise. I really enjoyed Inquisition back in the day when it came out, but after doing two runs with it never have really returned to it. I also did play one of the older games, though I am not fully sure which one, because it was a long while ago. But I just never got that attached to the franchise. (Which mostly has to do with my own personal issues with High Fantasy.)
But that is not what I wanted to talk about. What I wanted to talk about is more the thing I have seen now multiple people call out: "The Marvelfication" as some have called it. And mind you, I absolutely do agree with this: There were several scenes in this game where I thought to myself: "This feels kinda MCU."
However, what I kinda want to talk about is the specific wording here: "Marvelfication." Because it is super understandable that the first thing that comes to mind (for me as well) is the MCU. But I think the issue is way deeper than "MCU is popular, so let's do something like the MCU".
A lot of folks on Youtube and other platforms have talked about how a lot of "tropes" that people blame on the MCU are actually older than the MCU. The reason people associate it with the MCU is moreso that the MCU is just fucking everywhere since it became this big thing. It is what defines the media landscape.
The big issue actually is another one, though: Those tropes are everywhere because in a more and more conservative media landscape they are considered safe. These types of jokes are not risky in any way. These types of characters are not risky. These types of stories are not risky.
It is stories that are set in societies that are messed up, and then there is a big conflict that only tangentally relates to the ways the societies are messed up in, and then that conflict is resolved but the status quo does not change.
And that more than anything is what I would criticize about the game. Outside of very prominently centering some trans issues, the game has taken very little risks.
I wrote about that a bit last week in comparison to BG3, how safe the companions in Veilguard feel. This shows so harshly in direct comparison to BG3, because really, Larian sat down with player and told you: "Those assholes are your companions. Take it or leave it." Those people I know who never finished BG3 mostly never did because they could not stand the companions. Meanwhile those who, like me, got obsessed with the game, mostly did it because it feels so fucking satisfying when you start to get through to the companions after they started out as those assholes. This satisfaction is something Veilguard never really offers you - because... Well, I can assume that some of these characters had some edges at some point. But whatever edges there had been, those have gotten smoothed down, so now everyone is perfectly sweet. Sure, they might argue a bit here or there, and if you make decisions they do not agree with, they are gonna be pissy with Rook for a bit, but that's the most of it.
Same with a lot of other stuff. There is basically no sexual content in this game. You get one sex scene that is super tame and you see nothing - and one to two kisses per romance. No risk.
Any no matter what kinda choice the characters make, they are all gonna be nice, you know?
There is one thing in the finale of the game that is kinda risky, I will admit. But I will not talk about that yet, because I knwo a lot of people have not finished the game.
But for the most part the game does not risk anything.
And really, that is the core of what folks call "Marvelfication". Because pretty much this is also the issue with Marvel and Star Wars and pretty much all American made media: Outside of some smaller productions, some of which do well with the tumblr crowd but barely get any attention from mainstream audience (*coughs* Interview with the Vampire *coughs*) there is little risk taken. The humor is the same everywhere because this humor is considered safe. The characters feel kinda samey everywhere, because those characters are safe.
It is why I have stopped going to the cinema, because these days there are barely any movies I consider worth watching. It is ironically also why I have recently watched a whole lot more Japanese stuff, because it is easier to find stuff there that does not play it that safe.
It is also why I do these days mostly consume western stuff that has a 18+ rating on it - because at least with that stuff I know that it probably is not gonna play it "safe".
I just wish some media took more risks. I want those medium budget projects back, that cost like 30-50 million, so can make a profit with 100 million at the box office, without doing billions. I want some stuff in there that is not a big IP. I just want... stuff.
Right now I am looking at the soon end of What We Do In The Shadows, mostly because it is one of the few things on right now that does some risky stuff. And I miss those SyFy low budget originals, because some of it was kinda risky. Ugh.
The issue is not Marvel. It is not even Disney. It is that the creative industries in the US right now mainly put out big budget stuff that because of that big budget needs to be loved by everyone.
And look, I am trans. Hence I absolutely do see some value in the fact that Bioware clearly took position and said: "Okay, we get to do one risky thing, so that thing is gonna be to incluse a variety of trans characters." Which I love and respect. But I kinda wish the game had not been quite that pretty and instead also included a bit more edges on the characters.
... But I guess in the end there is still fanfiction, where I can still make the characters messy. lol
#dragon age#dragon age the veilguard#dragon age veilguard#marvelfication#mcu#marvel#disney#bioware#anti capitalism#baldur's gate 3
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And Everything Changed
Characters: Eddie Munson x reader
Summary: Eddie Munson’s D&D game takes a surprising turn when a new player arrives, leading to unexpected romance and vulnerability.
Word Count: 1527 words
Prompt: ‘Now Kiss her.’
A/N: This is for @caplanbuckybarnes Disney Celebration
Eddie Munson sat in the dimly lit room, drumming his fingers on the table, waiting for the Hellfire Club members to arrive. This was their big campaign night, the night when their characters would either emerge victorious or face unspeakable doom. But there was a problem—Gareth had dropped out last minute, flu. A replacement was required, and fast.
When Dustin suggested the idea earlier in the caffeteria, Eddie had balked.
"Are you sure about this?" Eddie asked, his fingers still tapping a restless rhythm. "She's never played DnD before."
"Trust me, Eddie. She’s cool. Plus, she's into fantasy stuff," Dustin replied, already confident that this would work out.
Eddie sighed and ran a hand through his untamable hair. It wasn’t that he doubted your ability to grasp the game—it was something else. You’d been hanging out with them more lately, joining their lunch tables and occasional after-school hangouts. And as much as Eddie tried to play it cool, there was something about you that made his pulse race and his thoughts jumble. You were... different. And maybe that’s what scared him.
"Alright, fine. Bring her in. But if she can't handle the pressure, it's on you," Eddie said, pretending to be casual, even though a small part of him was excited at the thought of spending the evening with you.
When you walked into the session that evening, Eddie’s breath hitched. You looked a little out of place, unsure of what you were stepping into, but still radiating confidence. Dustin had given you a brief rundown of what you were getting yourself into, but nothing could have prepared you for the theatrical spectacle that was Eddie Munson running a Dungeons & Dragons campaign.
"Welcome to the Hellfire Club," Eddie said, his voice deep and theatrical as he gestured to the table. "I hope you're ready for the most intense adventure of your life."
You smiled, a little shy but intrigued. "Thanks. I hope I don’t mess up too much."
"Nah, you'll be fine," Dustin chimed in. "Eddie's a good teacher."
Eddie shot Dustin a glare, as if to say 'don't oversell me,' but then he turned back to you and gave you one of his trademark devilish grins. "Alright, sit down, newbie. Let’s get started."
As the game kicked off, Eddie watched you carefully. You were picking things up quickly, asking questions when needed but mostly diving into the story with surprising enthusiasm. The room was buzzing with energy as everyone got lost in the game, but Eddie couldn’t help but be distracted by you.
It wasn’t just your character’s quick thinking or the way you seemed to take to the fantasy world so easily—it was you. The way your eyes lit up when something exciting happened in the game. The way you leaned forward when your character was in danger. And how, when you laughed at one of his ridiculous voices, it felt like a little victory.
As the campaign progressed, something shifted. The game wasn’t just a game anymore—it became a stage for something bigger. Every glance between your character and Eddie’s NPCs seemed to carry more weight. Every time your characters interacted, it felt like the two of you were playing out something just beneath the surface, something neither of you had the courage to confront directly.
And then it happened.
The group had just survived a major battle. Your character, an inexperienced mage, had managed to cast a spell that turned the tide in their favor, saving everyone from certain doom. Eddie, as the dungeon master, described the aftermath in vivid detail.
"The smoke clears, and all that’s left are the charred remains of your enemies. But as the dust settles, you realize something—your companion, Sir Andor," he said, referring to the noble knight NPC he’d been playing, "is badly wounded. He falls to the ground, bleeding."
You looked at Eddie, your brow furrowing. "I rush over to him. Can I do anything?"
Eddie leaned forward, the intensity of the moment pulling everyone in. "Sir Andor looks up at you, his breaths shallow. 'I fear... this is the end...,'" he said, dropping his voice low to play the character.
"No," you whispered, your voice filled with genuine emotion. "It can’t be the end."
The rest of the group was watching in silence, completely wrapped up in the drama unfolding between your character and Eddie’s. Even Dustin, who usually cracked jokes during the game, was unusually quiet.
"I want to... try to heal him," you said, almost hesitant.
Eddie’s heart skipped a beat. He wasn’t sure if it was the game or if it was you, sitting right there, your eyes locked with his. For a moment, it felt like everything else fell away.
"Roll for it," Eddie said, trying to keep his voice steady.
The dice clattered across the table. It was a high roll—just enough to succeed.
Eddie cleared his throat, slipping back into character. "Sir Andor looks at you, his eyes softening. 'You... you saved me,' he says, his voice filled with gratitude. He reaches out and touches your hand."
The room was thick with tension, everyone waiting for what would happen next. Your character had saved him, but the moment felt bigger than the game.
Dustin, sensing something in the air, leaned forward with a mischievous grin and whispered, "Now kiss her."
The table erupted in laughter, breaking the tension. But Eddie, instead of laughing it off, looked at you. He wasn’t sure why, but he couldn’t pull his eyes away. His heart was racing, and the playful comment had hit a little too close to home.
You looked back at him, a small smile playing on your lips. "Well, Sir Andor?" you teased, breaking the silence.
Eddie chuckled, but there was something different in his laugh now—something real. "I think Sir Andor... owes you more than just a kiss."
The rest of the game played out smoothly, but the dynamic between you and Eddie had changed. What had started as a game had turned into something far more personal. By the end of the night, as the other players packed up their things and said their goodbyes, you lingered behind, waiting for Eddie.
"I had fun tonight," you said softly, your voice carrying more meaning than just the game.
"Yeah? Even though you got thrown into the deep end?" Eddie asked, trying to sound casual, but his nerves were betraying him.
You shrugged. "I think I did alright. Plus, I had a good teacher."
Eddie smiled, but there was a vulnerability in his eyes now. He wasn’t sure if it was the game, the way you’d thrown yourself into the character, or the fact that you’d stayed after everyone else had left—but something had shifted. He wasn’t just crushing on you from a distance anymore. There was a real connection here, something deeper.
"I, uh..." Eddie started, his voice faltering. He wasn’t sure how to say what was on his mind, so he just blurted it out. "I’ve kinda liked you for a while, you know."
Your eyes widened slightly, but instead of pulling away, you stepped closer to him. "I know," you said quietly.
Eddie blinked, surprised. "You do?"
You nodded, a small smile tugging at your lips. "I’ve noticed. And... I kinda like you too."
Eddie’s heart skipped a beat, the world around him fading into the background. For a moment, he didn’t know what to say. He wasn’t used to feeling this vulnerable, this exposed. But at the same time, it felt right.
"I, uh... I don’t know how to do this," Eddie admitted, his voice softer now. "I’m not exactly the guy who gets the girl, you know?"
You reached out and took his hand, your touch grounding him. "You don’t have to be perfect, Eddie. I don’t want perfect. I just want someone who sees me, who’s willing to stick around even when things get messy."
Eddie looked at you, his heart swelling with something he hadn’t felt in a long time—hope. "Yeah?"
"Yeah," you said, stepping even closer. "I want someone who can love the parts of me that aren’t always easy."
Eddie swallowed hard, his eyes searching yours. He couldn’t believe what he was hearing. It was like you were speaking the words he’d always longed to hear but had never dared to hope for.
For a moment, there was nothing but the two of you, standing there in the dimly lit room, the echoes of your words hanging in the air. And then, without thinking, Eddie leaned in and kissed you—not in the way Sir Andor would have kissed your character in the game, but in a way that was real and raw, like it was the first time he’d ever truly let himself feel this way.
When he pulled back, his heart was pounding, and he could barely catch his breath. "So... does this mean you’re coming back to Hellfire next week?" he asked with a teasing grin.
You laughed softly, still holding his hand. "Yeah. I think I’ll stick around."
And just like that, everything changed for Eddie Munson.
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Love in the Big City TV Series Episodes 5 & 6: Kylie Once Again Recontextualizes Everything
Thanks as always to @lurkingshan and @bengiyo for the wrangling and discussion questions!
I already wrote about the relationship between Gyu-Ho and Yeong in this part, so I wanted to focus on something else for book club. And after working on the timeline in the series, I decided to revisit my meta for Part 3 of the novel, in which I wrote about how Kylie recontextualizes everything that came before we knew about her. I’d like to do the same here for the series while reflecting on the differences. Knowing when his mother died, the T-aras being present through the whole story, and starting the story after Kylie are the three big changes that I think worked really well in this adaptation, and all of these changes mean that the revelation about Kylie in episodes 5-6 hit a little differently than in the book.
[screenshot from this post by @how-to-be-a-tree]
With the revelation in this part that Yeong went to the military a few months before the T-aras, we now know that Yeong had recently contracted HIV just before the series began.The hints in episode 1 that he was struggling (hadn’t been going to class, doing odd jobs and asking for the extra clothes) make more sense. It also recontextualizes the aggressive kiss in the club where he kissed that stranger so hard he bled. This also means that, unlike in the novel, he meets and befriends Mi Ae after he was already diagnosed, and since he tells Gyu-Ho that he’s the only one Yeong’s ever told, we know he never told Mi Ae either. Watching them hold each other’s hands as they whisper their secrets in the dark takes a new sad tint to it knowing that Yeong could not trust her with his deepest shame.
[screenshot from this post by @maletimbe]
I wonder if part of his strong reaction to her outing him to Jun Ho was because he had been wanting to tell her, and it was painful knowing he could never trust her with that secret. I wonder if that’s why he doesn’t go to the T-aras after his fight with Mi Ae, but goes to Nam Gyu instead, because he wouldn’t be able to explain to the T-aras why he was so hurt, and on some level the T-aras have already rejected that part of him so he can’t trust them with that vulnerability.
I wonder if sending the T-aras off at Karaoke reminded him of Kylie and is part of what pushed him to break up with Nam Gyu. After his fallout with Mi Ae, when Yeoung is telling Nam Gyu to find someone braver than him, I wonder if he was thinking about Kylie.
When he goes to Nam Gyu’s funeral and asks how he died, I am pretty sure just by the way that scene was performed that he was thinking about Kylie and wondering whether he killed him–and it makes that revelation hit double-hard, that Nam Gyu was killed in a car accident speeding, because it just reinforced his worst fear: he had gotten Nam Gyu killed, just not in the way he thought. [I don’t actually hold Yeong accountable for Nam Gyu’s decision to speed, but I can imagine Yeong took it that way].
I wonder if Yeong was attracted to Yeong Su partially because of the way he tries to help his mother, who is an addict–there’s something in the way social stigma against addicts and poz folks is similar (partially because needle sharing is a way to contract HIV), and how acceptance of those states of being can often come together. I wonder if that's why he could take Yeong Su's more heteronormative kdrama lead style romance when it irritated him in Nam Gyu.
In any case, Yeong having HIV through that relationship and hiding it from Yeong Su makes his reading of Yeong Su’s article about the immorality of being gay hit even harder. I also think about how irregular his schedule was then, and how bad he was at taking his medication regularly and on time. And knowing that there are restrictions to travel and to moving places, I wonder if part of his rage at Yeong Su moving to America was about knowing that even if Yeong Su had asked, he could not have joined him (you can travel to the USA with HIV but it can be difficult to get a green card). Honestly he was probably too hit with the betrayal and callous rejection to do that full calculus in his head in that moment but I wanted an excuse to use this gif because watching Yeoung punch Yeong Su is good for the spirit:
It also recontextualizes the scenes with his mother, and how much she cared about appearances and judgment, and how she contextualized her own disease as a punishment from God, so how could he not do the same about his own? When overdoses on pills, and his mother tells him not to be in a rush to die, I wonder if the hospital successfully did not disclose his HIV status to her during that period.
Seeing the T-aras there and so worried about him must have been healing even if they still don’t know about this major part of him; he knows they love and care for him and want him alive. Yeong not telling the T-aras about his application to the company because he’s afraid of being rejected for his HIV status tells me that he still hasn’t told the T-aras about Kylie through Part 3; I’m not sure he ever will. But there are people in our lives who we love and who love us in return who we keep secrets from; it means there will always be a level of distance, but it does not mean we aren’t important to each other.
His mother dying at the beginning of Part 3 is a significant detail that we don’t get in the book, and it made me rethink why Parts 1 and 2 did not mention Kylie at all. In the series, we have Yeong writing Part 1 in episodes 1-2, Part 2 in episodes 3-4, and Part 3 in episodes 5-6. We know he wanted his mother to never know about Kylie, and we know that she followed his literary career and kept copies of his work even if she won’t read them. So it makes sense that he could only write about having HIV and incorporating that into his narrative after her death. I also wonder if Yeong being willing to open up to Gyu-Ho about Kylie has to do with his mother’s death: One of his reasons for keeping the secret so carefully is no longer present.
This isn't recontextualized because by the time we see this we know about Kylie, but how much of Yeong's fixation on Gyu-Ho's silent sleeping and needing to check he's still breathing has to do with his fear that Gyu-Ho still hasn't settled into the relationship and is tip-toeing around him, and how much of it has to do with his fear of giving Gyu-Ho HIV and making him ill? They're barely having sex so it's a pretty irrational fear but that's not how fear works. We know he's thinking about Kylie all the time through this section because he asks Gyu-Ho about how he feels abut Yeong being "dirty" more than once.
One last moment of painful reflection: The first two parts of this series had clear relationship pairings and parallels: Mi Ae and Nam Gyu in Part 1, and Yeong Su and Yeong's mother in Part 2. I was thinking about whether Kylie and Gyu-Ho are our pairing in Part 3, and while I don't think we get enough reflection about Kylie to make this case strongly, I'm struck by how Yeong characterizes Kylie as something he is "stuck with forever", and how he is determined to let Gyu-Ho go.
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Please, please, I need to ask you for a part 2 of Snowy Love now... they had a little boy, an exact copy of Tony, and of course, his name is Anthony Edward Stark Jr. 🥰 and just as Tony promised, they are going back to the same place with their baby boy now 🥰 Tony is the best hubs and dad, always so soft and protective... one night, as they observe their beautiful baby boy sleeping so peacefully, Tony will tell her that he wants another one, and they decide to have another baby 🥰 if you want you can spicy things up too, thank you 😘
I love the idea of Tony and reader having a special place like this to go 🥰
SNOWY LOVE - part II
⤷ ANTHONY “TONY” E. STARK
ᯓ★ Pairing: Anthony “Tony” E. Stark x fem!reader
ᯓ★ Genre: romance fluff, a tiny tiny spicy scene
ᯓ★ Request from: normal request
ᯓ★ Story type: short fanfic
ᯓ★ Part I
ᯓ★ Word count: 8k
ᯓ★ Summary: after your son, Edward, comes in the world your little Alps getaway get more interesting, so interesting that you and Tony decide you wouldn't mind another baby Stark.
ᯓ★ TW(s): mentions of birth, a little spicy scene
ᯓ★ Comment if you want to be added to the taglist (specify if you want the everything taglist or for a specific character)
ᯓ★ My Masterlist
ᯓ★ MARVEL Multiverse - choose an AU, pair it with your favorite character and make a request!
ᯓ★ Songs & Superheroes tales - The Game (to make a request, follow the rules on the link!)
ᯓ★ MARVEL Bingo
ᯓ★ English isn’t my first language
The weeks leading up to your due date are a mix of excitement, nerves, and more than a few late-night talks about the baby’s name. You’d both been bouncing ideas around since the second trimester, but nothing had fully clicked for both of you. Then, one evening, Tony hit you with a proposition that he was sure would be a “slam dunk.”
“What if…” Tony begins, giving you his best salesman smile, “we make him a junior?”
You nearly choke on the sip of water you’re drinking. “Junior?”
“Think about it.” He leans forward, eyebrows raised, already envisioning it. “Anthony Edward Stark Junior. Our little legacy. Our kid gets a great name, I get a mini-me, and you get to say, ‘I’m married to Tony Stark Senior.’ Everybody wins.”
You stare at him, trying to process. “Tony, I don’t know… A junior? I feel like it’s setting up some pretty big expectations.”
He tilts his head, giving you a puppy-dog look. “What if we just call him Edward, though? Classic, timeless, elegant… just like his mom.”
You narrow your eyes, both charmed and trying not to roll your eyes. “You’re really playing the flattery angle here.”
Tony grins. “Is it working?”
“Fine,” you sigh with a smirk. “But I’m calling him Edward. You don’t get to sneak in any nicknames like ‘Tiny Tony’ or ‘Starky’ or anything weird, got it?”
He beams. “Deal. Edward it is.”
On the big day, when the contractions start, Tony morphs into a chaotic mix of superhero and headless chicken. The moment you tell him, he’s grabbing his jacket, his tablet, and two power banks (just in case, he insists). He practically hustles you out the door, giving the driver a set of instructions that makes it sound like you’re about to pull off an international heist rather than have a baby.
In the delivery room, Tony is trying his best to be calm and supportive, but his nerves start showing the minute you go into active labor.
“Alright, babe, you’ve got this,” he says, squeezing your hand. “Just… breathe! And maybe, uh, try some meditation?”
You give him a look that could melt his Iron Man suit. “Oh, really? Breathe? How insightful. Maybe I should just think calming thoughts while this tiny human makes his dramatic entrance, Tony.”
He swallows, wide-eyed, clearly realizing he’s treading dangerous ground. “Right. Just, you know, ignore me. I’m here. Quietly. Totally quiet.”
But every time a contraction hits, he’s there, full of commentary and ideas, most of which involve technology he wishes he could be using. “You know, I could invent a pressure reducer—some kind of… I don’t know, anti-gravity cradle? That way, all the pressure is off you—”
“Tony!” you gasp between contractions, managing to laugh despite the pain. “Focus, please. No inventions right now.”
Finally, after what feels like hours of huffing, puffing, and a whole range of Tony’s attempts at encouragement (that occasionally backfire), you hear the first cries of your son. The room goes still, and Tony’s hand grips yours a little tighter, his face softening with awe as the doctor holds up your baby boy, all squirmy and red-faced.
You’re exhausted but overwhelmed with joy as they place him on your chest. The little guy blinks up at you, and as you look down, you’re struck by how much he already looks like his dad. From the dark hair to the tiny furrow in his brow, he’s unmistakably Tony’s son.
Tony’s voice breaks the silence, soft and filled with wonder. “Oh, look at him… He’s perfect.”
“Yeah,” you whisper, stroking your finger over his tiny hand. “He really is.”
After a few moments, Tony leans over, whispering so only you and the baby can hear. “Hey, Edward. Welcome to the team, little guy.”
You laugh softly, glancing up at Tony with a smirk. “I suppose we’ll let you keep the ‘Anthony Edward Junior’ for the birth certificate.”
Tony grins, looking a little misty-eyed. “And we’ll call him Edward. Just like we said.”
The baby shifts in your arms, yawning with a seriousness that makes you and Tony both laugh. “Look at that,” Tony says, chuckling, “he’s already judging us. He’s got the Stark stare down.”
“Oh, he’s definitely yours,” you say, tracing his tiny nose. “There’s no denying it.”
As the nurse takes Edward for his check-up, Tony stays close, keeping one eye on the baby and one on you, as if he can’t decide who needs more protection. At one point, Edward lets out a small cry, and Tony practically jumps out of his seat, only to be gently waved back by the nurse.
“Alright, alright, kiddo’s tough,” Tony mutters to himself, trying to act casual. Then, under his breath, he adds, “I’d better teach him about building armor for all life’s tough moments. Soon as he can walk.”
You smile, shaking your head. “Not just yet, Tony.”
“Fine. Maybe in a few years.” He smiles down at you, giving your hand a soft squeeze. “You did amazing, by the way. Both of you.”
Later, as you’re resting in the quiet room, Edward nestled in your arms, Tony sits by your side, his gaze fixed on the little bundle between you. He reaches over, brushing a hand over Edward’s dark hair.
“I have a feeling this little guy’s going to keep us on our toes,” he says, his voice warm with anticipation.
You chuckle. “I think he’s going to be just like his dad. Confident, a little dramatic, always ready for an adventure.”
Tony grins. “Then he’s got some pretty big shoes to fill. But don’t worry, kid.” He leans close to Edward, whispering, “You’ve got a head start. You’ve got the best mom in the world.”
Your heart swells, and you glance over at Tony, feeling overwhelmed with love and gratitude. “And the best dad.”
He reaches for your hand, holding it tight. “Here’s to the new adventure, Mrs. Stark. Alps trips, tiny skis, and all.”
And as Edward settles back down in your arms, his little hand wrapped around Tony’s pinky, you know you wouldn’t trade this moment, this family, for anything in the world.
November brings a fresh blanket of snow over the Alps, and true to his word, Tony whisks you and baby Edward back to the chalet for your first family trip as a trio. But this time, Tony has leveled up his promise a little bit.
“Alright, brace yourself,” he says with a smirk as the three of you arrive at the chalet’s entrance.
“Tony, what did you do?” you ask, eyeing him with playful suspicion.
He opens the door with a flourish. “Meet the new and improved chalet,” he declares as you step inside and notice everything from the original cozy stone walls to the carved wooden beams… looking the exact same as they had before. It’s still the chalet you remember, but now, as you glance around, you notice subtle but elegant upgrades: a sleeker kitchen, plush couches, perfectly arranged warm lighting, and something tells you Tony’s fingerprints are on each and every detail.
“JARVIS?” you call out, testing your theory.
“Yes, Mrs. Stark,” JARVIS replies smoothly, his voice filling the room. “I am here to assist you with anything you need during your stay.”
You look at Tony, arching an eyebrow. “You put JARVIS in the chalet?”
Tony grins. “What’s a chalet without a little Stark-level luxury? Besides, he’s got the heat, lights, baby-monitoring, and full security on lock. Plus, the moment Edward gets fussy, he’s going to give us gentle background white noise. Like having a top-notch babysitter that we don’t have to pay.”
You laugh, holding baby Edward closer to you. “Only you would find a way to make a rustic mountain getaway smart-tech enabled.”
Edward blinks up at the sound of JARVIS, his big brown eyes going wide. Tony leans over, stroking Edward’s tiny head with a grin. “See, kiddo? We’ve got all the comforts of home—just with a better view.”
Of course, while the chalet is all set up and the vacation is planned to perfection, the reality of bringing a seven-month-old to the Alps sets in quickly. For one thing, Edward seems endlessly fascinated with everything in sight—the crackling fire, the pinecone decorations, the view outside—but especially, he loves testing his new babbling skills at full volume whenever you’re trying to enjoy a quiet moment by the fireplace. And when it comes time to bundle him up in his little winter gear for some snow time, things get complicated fast.
Tony holds up the puffy snowsuit, squinting at it like it’s a complex piece of machinery. “Okay, so we just… put him in here? I don’t think he’ll fit. Are you sure this is his size?”
You stifle a laugh. “Yes, Tony. Babies’ clothes just tend to look a little oversized. Trust me, he’ll fit.”
After a few minutes of wrestling with the baby-sized marshmallow suit, Edward is all bundled up, looking a little like a tiny, slightly disgruntled snowman, his cheeks poking out from the snug hood.
“Well, look at you!” Tony coos, chuckling as he lifts Edward up. “You’re ready to brave Everest.” He leans in and whispers conspiratorially, “Just don’t expect us to climb it anytime soon, okay?”
You take a few steps outside, holding Edward’s tiny mittened hand, and Tony follows with a knowing smile. “Alright, team, it’s time to introduce the little guy to snow. First snowball?” he asks, already forming a little powdery ball.
“Nothing too rough, Stark,” you say with a laugh. But before you know it, Tony tosses a soft, fluffy snowball—more like a gentle powder puff—onto Edward’s lap.
Edward stares at the snowball with a very serious expression, reaching out to poke at it. His face lights up as his tiny mitten sinks into the snow, and he looks up at you, babbling excitedly.
“See?” Tony says, grinning. “Total natural. And he hasn’t even tried sledding yet!”
You and Tony spend the morning showing Edward the snow-covered world, taking him out to a little sled where he sits on your lap, squealing in delight as Tony gently pulls the sled along. Every now and then, he looks up at you with pure joy, and your heart just melts.
Later that evening, after you’ve managed to get Edward fed and snuggled into bed (which was an ordeal in itself, as he spent half the time grabbing at your hair and Tony’s glasses), you sit by the fireplace, wrapped in one of the soft blankets Tony stocked up on. Tony finally joins you after setting up a baby monitor with JARVIS’s help, plopping down on the couch beside you with a tired but satisfied smile.
He wraps an arm around you, pulling you close. “Well, we survived the first day. Barely.”
You laugh, resting your head on his shoulder. “It’s different with a baby, isn’t it?”
“Oh, absolutely,” he says, looking over at the baby monitor and grinning as he sees Edward sleeping peacefully. “But it’s kind of the best thing ever.”
You smile, thinking of all the little moments from the day—Edward’s excitement over the snow, his curious little face peeking out from the snowsuit, the way he’d babbled at the mountains like he was having a full conversation with them. “It really is.”
Tony’s hand drifts to your shoulder, and he kisses the top of your head. “Remember what I promised you? Yearly trips to the Alps, no matter what.”
You close your eyes, soaking in the warmth and the soft crackling of the fire. “And you’ve outdone yourself, Mr. Stark. This chalet is perfect.”
“Well, only the best for you and our little snow adventurer.” He chuckles, his eyes soft as he looks at you. “I can’t wait until he’s old enough to really take on the slopes. I’ll teach him everything I know.”
You raise an eyebrow, laughing. “Oh, so he’ll be an expert on the bunny slopes?”
Tony gasps in mock offense. “Excuse me! I did those bunny slopes with you for safety reasons.”
You grin, nudging him playfully. “Sure, sure.”
For the rest of the night, you both fall into comfortable conversation, talking about your favorite parts of the trip and laughing over Edward’s tiny adventures of the day. And even though there’s a new level of exhaustion that comes with traveling as parents, there’s also a new kind of joy, too—the kind that fills your heart in ways you never could have imagined.
As you settle in beside Tony, his arm around you and the fire casting warm shadows across the room, you feel it—the deep contentment of being right where you’re meant to be. You have each other, a beautiful family, and all the memories waiting to be made on snowy Alps trips just like this one.
The next morning, you and Tony have a grand plan: to get a family photo in the snow with the Alps as a backdrop. You picture a sweet little scene—Edward bundled up, the mountains glistening in the background, and you and Tony looking like that perfect, smiling family on a holiday card. But getting a baby and two semi-coordinated adults to cooperate for a “simple” photo quickly becomes its own comedy of errors.
First, there’s the task of getting Edward back into his snowsuit, which he’s now decided he hates. He’s wiggling, giggling, and pulling at the hood the entire time, giving Tony a run for his money as he tries to zip up the tiny suit.
“Alright, Edward, c’mon,” Tony pleads, one hand struggling with the zipper while Edward bats at his dad’s face with a mittened hand. “Just work with me here, buddy. Think of the memories.”
Edward lets out a little squeal that sounds suspiciously like laughter, and you can’t help but giggle as Tony finally manages to get the zipper all the way up.
“There we go!” Tony cheers, looking immensely proud, like he’s just invented a new suit himself.
With the baby finally bundled, you two tackle the next challenge: finding a spot outside where the snow isn’t too deep. Tony scouts ahead, and with JARVIS chiming in via earpiece to give him topographical tips, you both make your way to the perfect spot, nestled near a tall pine tree with a breathtaking view of the snow-capped Alps in the background.
Tony positions his phone on a nearby rock, sets the timer, and then hurries back to join you and Edward. But as he leans in, trying to hold Edward steady, his hand slips, and suddenly he’s teetering backward, flailing as he tries to catch his balance on the icy snow.
“Oh no—!” you gasp, holding Edward securely as Tony lets out a string of surprised curses and lands straight in a snowbank, his legs flopping over the edge like a giant starfish.
The phone’s camera timer goes off with a cheery click. The result? A perfectly crisp shot of you holding Edward, smiling serenely while Tony lies in the background, half-buried in snow, looking thoroughly betrayed by gravity.
You’re laughing so hard that Edward starts to giggle too, a bubbly little laugh that only makes the whole situation even funnier. Tony sits up, looking bemused but amused, his face pink from the cold. “Okay, that’s… that’s one for the family album.”
You grin, wiping tears of laughter from your eyes. “It’s a classic already.”
Not one to let the snow get the best of him, Tony gets up with determination, brushing the snow off with dramatic flair. “Alright, no one messes with a Stark like that. We’re getting this shot, and it’s going to be flawless.”
On attempt number two, Tony positions the phone on a steadier surface, checks the snow for any hidden ice, and rejoins you, looping an arm around your shoulder as you all face the camera with bright smiles.
Just as the timer ticks down, Edward reaches up, grabbing Tony’s nose with an impressive grip for a seven-month-old. The photo snaps just as Tony lets out a squawk of surprise, his expression halfway between amusement and “I’ve been captured by my own child.” The result is another photo that, while completely unscripted, somehow captures everything you love about this little family adventure.
“Alright, I’m calling it,” Tony laughs, taking a look at the new photo. “Apparently, we’re destined for candid shots only.”
You shrug, kissing Edward’s chubby little cheek. “Maybe that’s even better. We’re a chaotic family, Tony—why pretend otherwise?”
As you all make your way back to the chalet, Tony leans in, whispering, “Just so you know, I’m sending both of those pictures to Happy for our holiday card options. Let him decide which one says ‘Stark Family Adventure’ the best.”
Later, cozy by the fire with Edward dozing in his crib nearby, you and Tony swipe through the day’s photos, laughing over each and every attempt. The best shots—the ones where you’re all genuinely laughing, snow in your hair and mismatched expressions—are far from perfect, but they’re filled with real joy. And as you snuggle close, you know this will be the kind of memory you’ll treasure forever, a perfectly imperfect adventure in the Alps with the people you love most.
Three years later, you’re back at the chalet for your annual Alps getaway, and it’s no surprise that Edward is now an unstoppable force. At three years old, he’s practically a mirror image of Tony—a toddler with boundless energy, unfiltered curiosity, and a confidence level that has you equal parts impressed and on high alert.
“Okay, buddy,” Tony says, crouching down to zip up Edward’s puffy little parka. “Remember the rules for today. One, no climbing any trees. Two, no running past—”
“Got it!” Edward chirps, promptly bouncing up and bolting out the door, his tiny boots pattering across the snow.
You laugh, throwing Tony a knowing look as he sighs. “He’s got the Stark attention span, too,” you say.
Tony smirks. “Only the best traits, right?”
Outside, Edward has already discovered a stick and is poking it into the snow, chattering away to himself like he’s narrating his own discovery channel show. As you watch, he picks up a pine cone and waves it over his head like it’s a prized artifact.
“Look, Daddy!” he calls, holding up the pine cone with immense pride. “I found treasure!”
Tony, trying to keep up with Edward’s imaginative pace, kneels beside him, inspecting the pine cone with all the gravitas of a museum curator. “Ah, yes. A rare alpine pine cone. I’d say that’s worth at least ten points.”
“Ten points!” Edward exclaims, his face lighting up with joy.
You watch the two of them, warmth filling your chest. They’re a perfectly matched pair: Tony, the ever-encouraging, slightly mischievous dad, and Edward, who treats every rock, snowflake, and icicle as if it’s the most magical thing he’s ever seen.
Before long, Tony has convinced Edward that a snowball fight is in order. The two of them square off, and it’s a comical sight—Tony with his practiced aim and Edward with his… well, enthusiastic but chaotic form of defense, which mostly involves flinging snow in every possible direction.
You try to sit back and watch, but before you know it, Edward has roped you in. “Mommy! Help me!” he calls, his tiny face flushed with excitement.
“Oh, you’re going down, Stark!” you call, laughing as you crouch beside Edward, forming snowballs as fast as he can toss them.
Tony’s attempts at pretending to be defeated are the funniest part of it all. He stumbles around dramatically, flinging snow in the air and making ridiculous sound effects every time Edward hits him with a snowball. Edward laughs so hard he nearly tumbles backward, and his laughter is contagious, echoing through the snowy landscape around you.
After an hour of snowy chaos, you all retreat back inside, red-cheeked and chilled but perfectly happy. You wrap Edward in a cozy blanket, and he nestles up beside you on the couch, his head resting against your shoulder, still babbling about his “great snow victory.”
Tony sits on your other side, wrapping an arm around you both. “You think he’s going to be this wild every year?”
You smile, brushing a stray bit of snow out of Edward’s hair. “If he’s anything like you? Definitely.”
Tony laughs, his eyes softening as he looks down at Edward, who’s drifting off in the comfort of your arms. “I wouldn’t have it any other way.”
And in that moment, in the warmth of the chalet with your little family bundled together, you can’t imagine a better tradition. The mountains, the snow, and these beautiful, hilarious memories—they’re your family’s own perfect kind of magic.
After a long day of helping a highly enthusiastic but wildly unpredictable Edward navigate the beginner slopes, you and Tony are both thoroughly exhausted. Getting Edward to sleep has been an adventure on its own—he insisted on wearing his snow hat to bed, hugging his newfound pine cone “treasure” like a beloved teddy bear. But at last, he’s tucked under the cozy blankets, his soft snores filling the room as he finally rests.
You and Tony stand in the doorway, watching him with a mix of adoration and relief. Tony wraps his arms around you from behind, resting his chin on your shoulder as you both gaze at your son.
“Out like a light,” Tony murmurs softly, a trace of awe in his voice. “Gotta hand it to the Alps—only place that can actually wear this little guy out.”
You chuckle, leaning back into his embrace. “Only took skiing lessons, a snowball fight, and an epic bedtime negotiation to get him here.”
Tony smirks. “Can you blame him? Kid knows what he wants.” He drops a light kiss on your shoulder, his voice turning playfully suggestive. “Wonder where he gets that from?”
You roll your eyes, smiling despite yourself. “Pretty sure that’s all you, Mr. Stark.”
Tony pulls you closer, pressing his lips near your ear. “I think you underestimate just how… persuasive you can be, Mrs. Stark.”
You laugh softly, feeling the blush rise in your cheeks as Tony’s hands slip around your waist. “You’re incorrigible, you know that?”
He feigns innocence. “Just stating the facts. And for the record, I’m pretty persuasive too. I mean, look at this kid.” He nods toward Edward’s sleeping form. “That’s a whole collaboration project right there. A masterpiece, if I do say so myself.”
You shake your head, trying to keep a straight face. But then, as you glance back at Edward, all tucked up in his little cocoon of blankets, the thought slips out of you before you can catch it: “I wouldn’t mind adding to the… collection.”
Tony goes still, and you feel his arms tighten around you, the grin in his voice unmistakable. “Oh, really?”
You blush, nudging him with your elbow, but you don’t deny it. “Maybe…”
“Maybe, she says,” he murmurs, amusement dancing in his tone as he steps back, just enough to turn you around and face him. His eyes are sparkling with a familiar mischief, and you know exactly where this is going. “Well, Mrs. Stark, I don’t believe in wasting time.”
Without another word, he scoops you up in his arms, carrying you down the hall to your room with a determined grin. He pauses only to nudge the door shut with his foot and click the lock, just in case Edward decides to wander in on his way to a midnight snack.
The next morning, you both shuffle into the kitchen, happily disheveled but somewhat groggy after last night’s, uh, activities. Tony pours you both coffee while you tackle the task of assembling breakfast for the family, the scent of coffee filling the chalet. Just as you finish plating the pancakes, you hear the pitter-patter of small feet racing down the hall.
Edward appears in the doorway, all tousled bedhead and wide, curious eyes. He grins, hopping up into his chair with more energy than either of you can muster, and starts digging into his breakfast.
“Did you sleep well, buddy?” you ask, trying to keep the knowing smile off your face as Tony gives you a wink over his coffee mug.
“Yeah, I did,” Edward says, then tilts his head in thought. “Except for the weird noises.”
Your fork pauses mid-air. Tony freezes, eyebrows raising slightly as he trades a look with you.
“Oh? What kind of noises, honey?” you ask, trying to keep your tone light and innocent.
Edward scrunches his face, deep in toddler-level contemplation. “I dunno… kind of like ‘thump thump’ and then like… a squeaky sound?” He shrugs, perfectly unaware of the red hue creeping up both your faces. “I thought it was maybe animals outside. Like a bear!”
Tony chokes a little on his coffee, quickly composing himself as he nods, very seriously. “You know what? That’s exactly what it was. Just some… mountain animals. Bears, probably. Or… squirrels. Could’ve been squirrels too, I’d bet.”
Edward looks skeptical. “Squirrels? Squirrels go ‘squeak squeak’?”
You nod, putting on your best parental poker face. “Oh, absolutely. These Alps squirrels are, uh, very vocal.”
“And super fast,” Tony adds, trying to keep a straight face. “They must’ve just been scurrying around outside.”
Satisfied with this explanation, Edward returns to his breakfast, the mystery solved in his mind. But Tony can’t help himself—he sneaks a hand over, giving your knee a quick squeeze and winking at you over his mug, a mischievous smile dancing on his lips as he whispers, “Squirrels, huh?”
You bite back a laugh, nudging him with your foot under the table. “Keep it up, Stark, and you’ll be explaining squirrel noises for years to come.”
And as Edward chatters away about his plans for another day of snowy adventures, you and Tony share a quiet smile, thinking about how this mountain hideaway has become even more special to your family—memories made in the snow, and, apparently, memories made with a little help from the “squirrels.”
It’s a crisp spring afternoon in New York, and you’re back at Stark Tower, watching Edward chase his toy cars around the living room with endless energy. You can’t help smiling as he zooms his favorite red race car across the floor, making all the appropriate “vroom” noises, blissfully unaware that his whole world is about to change. You’ve just returned from the doctor, and the news you have to share with Tony feels like a small, joyful secret waiting to burst.
After waiting for the right moment all afternoon, you find Tony tinkering in his workshop. He’s bent over some project, half of his attention on JARVIS narrating stock reports, but as soon as he sees you standing in the doorway, he brightens up and sets down his tools.
“Hey, gorgeous. To what do I owe the pleasure?” He smirks, reaching for your hand and pulling you close.
“Well, I thought you might want a break,” you say, feeling the excitement bubble in your chest. “I actually have… some pretty big news.”
“Oh?” His eyebrow arches, his interest clearly piqued as he looks at you with that familiar Stark sparkle. “Do tell.”
Taking a deep breath, you let the words tumble out. “Tony, I’m pregnant.”
For a split second, there’s only silence as he processes what you’ve said. And then his face lights up with a joy so pure it makes your heart swell.
“You’re serious?” he whispers, almost as if he can’t believe it.
You nod, your smile growing wider. “We’re having another baby, Tony.”
His response is immediate; he wraps you in his arms, pulling you close, and you feel the warmth of his kiss on your forehead as he lets out a small, breathless laugh. “Another baby… wow. I’m gonna have two little Starks running around?” He pulls back to look at you, his hands on your shoulders, his gaze soft and a little awed. “You’re incredible, you know that?”
“Well, thank you,” you laugh. “But this is all teamwork.”
“Oh, believe me,” he says, his expression growing playfully mischievous, “I remember the teamwork.”
You give him a light smack on the chest, rolling your eyes. “Focus, Stark. We have another little person to tell the news to, remember?”
Tony’s eyes widen, glancing toward the hallway where Edward’s little voice can be heard playing. “Oh, you mean the future big brother. How do you think he’ll take it?”
“Honestly?” You shrug. “No idea. But I think he’ll be excited… once he gets past any confusion.”
Tony grins, his eyes sparkling with the thrill of telling Edward. “Let’s do it.”
You both head to the living room, where Edward is still entirely focused on his toy car, making it zoom up the arm of the couch and fly through the air before landing it perfectly on the carpet. At three and a half years old, he’s the spitting image of his father: curious, energetic, and already a little charmer. When he sees you and Tony approaching, he stops mid-vroom, looking up with big, curious eyes.
“Hey, big guy,” Tony says, crouching down to Edward’s level. “Mommy and I have some special news for you.”
Edward’s eyes light up with interest. “News?”
You smile, sitting down next to him. “Yes, honey. You’re going to be a big brother.”
Edward’s little face scrunches up in confusion. “Big… brother?”
“Yes,” you say, glancing at Tony for support. “That means Mommy has a baby in her belly, and when it’s ready, you’ll have a little brother or sister.”
Edward’s eyes widen even more, and he stares at your stomach, looking half-confused, half-impressed. “Mommy ate a baby?”
Tony immediately bursts into laughter, and you can’t help but laugh too. You shake your head, gently taking Edward’s little hand and placing it on your belly. “No, honey, Mommy didn’t eat a baby. The baby is growing in here. And in a few months, you’re going to have a little sibling.”
Edward’s hand stays on your belly, his face absolutely serious as he contemplates this information. “So… the baby is just there?” He presses a bit, as if expecting to feel something.
Tony chimes in, his voice warm. “Yep. Just there, buddy. Growing a little more every day.”
Edward’s face slowly shifts from confusion to excitement, his smile growing as he processes what it means. “I’m going to have a baby to play with?”
“Exactly,” you say, brushing his hair out of his face. “You’re going to be a big brother. And that means you get to help take care of the baby, teach them new things, and, when they’re big enough, play together.”
Edward’s grin is so wide now that it practically glows. “I’m gonna be a big brother!” He pauses, squinting up at Tony. “Like… like how Daddy is in charge of everyone?”
Tony grins, clearly enjoying this line of thought. “Well, not exactly. You’ll be a big brother, which means you’ll get to show the baby how to do all the fun stuff, like building towers and—”
“And playing cars!” Edward finishes with enthusiasm. “I’m gonna teach them everything!”
You exchange a tender smile with Tony, watching as Edward begins to babble on about all the things he’ll show his little sibling, his excitement growing with each idea. You can see Tony’s eyes soften as he watches Edward, his hand finding yours and giving it a gentle squeeze.
Edward scrambles off the couch and stands right in front of your belly, crossing his arms with determination. “Baby, you have to come out soon so I can show you everything, okay?”
You chuckle, running a hand through his messy hair. “It’ll be a few more months, sweetheart, but the baby will hear you.”
Edward nods seriously, placing both hands on your stomach as if he’s already the most devoted big brother. “Okay, baby. Don’t worry. I’m gonna be here to teach you all the important stuff.”
Tony chuckles, pulling you close with an arm around your shoulder. “I think this baby has a pretty awesome big brother waiting for them.”
Edward looks up at both of you, his face filled with pure, innocent excitement. “Is the baby going to look like me?”
“Maybe!” you say, smiling at his curiosity. “Or maybe the baby will look like Daddy.”
“Or you!” Tony adds, squeezing your shoulder. “But one thing’s for sure, they’re going to be very lucky to have you as their big brother.”
Edward beams, his eyes bright with pride. Then he suddenly looks thoughtful. “Does that mean I get to be in charge of them? Like when they don’t want to play?”
You and Tony share a glance, stifling laughter. “Well, being a big brother means you’re a helper,” you say. “And that means being patient and kind.”
Edward thinks about this, nodding slowly. “I can do that,” he says seriously. “I’m going to be the best big brother ever.”
With that, he dashes back to his toy cars, already chatting to them about his new sibling as if they, too, need to know the news. You and Tony watch him with affection, sharing a moment of pure contentment.
“Not bad, huh?” Tony murmurs, his hand slipping around your waist as he pulls you close.
“Not bad at all,” you reply, leaning into him. “I think he’s going to be amazing.”
Tony chuckles, his gaze softening as he watches Edward play. “You know, if he’s anything like me, that baby is going to have a lot of excitement to look forward to.”
“Let’s just hope they balance each other out,” you laugh. “Otherwise, I think I’ll have my hands full.”
Tony gives you a teasing smile. “I think you already do, Mrs. Stark.”
The snow has blanketed the Italian Alps in a serene white hush, and you can’t help but smile as you look out the chalet window, feeling at peace even with the slight ache in your lower back. You’re nine months pregnant, and the baby could come any day now, but you wouldn’t have missed this trip for the world—not when it’s become such a special tradition for your family. You’d made sure Tony understood that before you left. Despite his protests, he finally agreed. But only under the condition that you’d “take it easy” and let him handle absolutely everything.
The chalet has become even more luxurious, thanks to Tony’s constant upgrades and “adjustments.” And though it’s outfitted with everything you could possibly need, from a medical suite to Jarvis-powered heating control, Tony is still on edge. You feel his watchful gaze follow you even as you wander just a few steps around the cozy living room. Even more surprising, Edward seems just as watchful, hovering nearby with a little furrowed brow that mimics his father’s.
“Mama, you need more water?” he asks for the third time in an hour, holding up a glass in his little mittened hand, though he looks a bit wobbly carrying it.
You smile, reaching down to take it. “Thank you, sweetie. You know, I think I’m good for now.”
He looks relieved, climbing up onto the couch beside you and cuddling into your side, immediately leaning down to put his face near your belly. It’s become his favorite spot, his “sister perch,” as he calls it. “Hi, baby Mia,” he whispers, his breath tickling your belly. “I got Mama water like you need. But you gotta wait a little bit, okay? ‘Cause you’re supposed to come after Christmas.”
You giggle, reaching down to ruffle his hair. “I think she’s listening, Eddie.”
Tony walks in from the kitchen with his own cup of coffee and grins, watching the two of you with unmistakable fondness. He’s got his eye on Edward, who’s started this protective routine almost as if on cue. You’ve noticed that ever since you arrived, Edward has been watching you with extra concern, following you room to room with a serious expression that makes him look adorably like a miniature version of Tony.
“Keeping an eye on Mama, huh?” Tony asks, dropping into the armchair beside you. He catches Edward’s eye and gives him a wink, which Edward dutifully returns with a nod.
“Daddy said I gotta be extra good and make sure you and Mia are okay,” Edward explains seriously, his hand now gently patting your belly. “Because if she comes early, it’s up to me to keep you safe too.”
You glance over at Tony, arching a brow. “So, you’ve enlisted a tiny helper?”
Tony smirks, leaning back in his chair with a mock-casual expression. “Well, let’s just say I figured another set of eyes wouldn’t hurt. Especially with someone as stubborn as you, Mrs. Stark, insisting on a nine-month-pregnant trip to the Alps.”
You roll your eyes, stifling a laugh. “Oh, so now I’m the stubborn one?”
He just grins, leaning forward to gently place his hand beside Edward’s, rubbing soothing circles across your belly. “Mia, just for the record, we’d prefer it if you’d wait a little longer to make your debut, okay? Let’s give Mommy a couple more quiet nights.”
Edward chimes in, “Yeah, you stay in there, Mia!” He lowers his voice to a loud whisper, as though she might be eavesdropping. “Daddy says it’s cozy and warm in there.”
Watching Tony and Edward both focused so intently on you and the baby makes you feel an overwhelming rush of affection. Tony may be playfully aloof at times, but you know how protective he is, and seeing Edward’s instinct to care for you just as much—it’s almost too much for your heart to handle.
Over the next few days, their vigilance only increases. Edward insists on helping with every little task, from picking up anything you drop to insisting you don’t leave the couch without him.
One afternoon, you’re sitting near the fire, Tony stretched out beside you with Edward nestled between you both. Edward has his hand on your belly, his little face serious as he leans over, “talking” to Mia about all the things he’ll show her once she’s born. You glance over at Tony, who’s pretending to read a book but has a smile on his face, clearly listening in.
“Yeah, and I’ll show you the big mountain,” Edward whispers to your belly. “And all the squirrels! But you gotta wait a little ‘cause you’re too tiny now.”
“Big brother’s got it all figured out, huh?” you murmur, looking over at Tony.
Tony gives a soft laugh. “He’s thorough, what can I say?”
When evening falls, you sit with Tony as Edward helps him prepare dinner in the kitchen. Tony’s pretending not to notice that Edward is sneaking more carrot slices than he’s putting in the salad, and you’re listening to their banter with a smile. Just as Tony finishes the final stir, he glances over at you, his eyes brightening.
“Alright, gorgeous, dinner’s served.” He and Edward bring everything over to the table, setting it up with an odd mix of finesse and excitement. Edward clambers into his chair, looking proudly at the setup.
As you all dig in, Edward turns to you, as serious as ever. “Mama, do you think Mia can eat with us next year?”
You chuckle, nodding. “I think she’ll be joining us for a lot of meals, honey. And you can help show her how everything works.”
“I’m good at showing stuff,” Edward says, sounding very grown-up. He stabs his fork into his food, then pauses to look at you. “Mommy, is Mia gonna need to wait for food like me?”
“Maybe at first,” you say, glancing at Tony as you add, “But she’ll have a big brother who can teach her all about snacks.”
Tony nods seriously, reaching over to give Edward a high-five. “That’s right, buddy. You’ll have to show her all the important stuff—especially the snacks.”
Edward beams, looking very pleased with himself. Dinner continues in this cozy, easy rhythm, filled with little jokes and laughter, until you find yourself feeling so relaxed you almost forget how close you are to your due date.
Late that night, after Edward is tucked in, you and Tony settle into bed, and he wraps his arms around you from behind, his hand resting instinctively on your belly. You sigh, leaning into his warmth, grateful for the peace and quiet.
“Think she’s getting cozy in there?” Tony murmurs, rubbing small circles on your belly.
“She seems content,” you whisper back, smiling. “But then again, so am I.”
A comfortable silence falls between you as Tony presses a soft kiss to your shoulder. “I can’t believe we’re going to have two little ones soon.”
You chuckle. “And you doubted our Alps trip.”
He rolls his eyes playfully. “Hey, better safe than sorry. If I had my way, we’d be back in New York near the best hospital in the state.”
“Relax,” you say, lacing your fingers through his. “We’ve got everything we need right here.”
And as you lie there, cradled in Tony’s arms with the baby softly moving beneath your hand, you feel a deep, calm certainty—no matter where you are, as long as your family is by your side, everything will be exactly as it should be.
The evening is peaceful as you sit by the fireplace in the chalet, warming up after a full day spent playing in the snow. Tony’s got an arm around your shoulders, holding you close, while Edward is curled up on the rug in front of you, arranging his toys with focused concentration. You’re enjoying the rare calm, your hand resting on your belly, feeling the little nudges and kicks that Mia has made her daily ritual.
Suddenly, you feel a sharp, intense pressure low in your abdomen—a sensation that makes you gasp, your hand gripping Tony’s arm on instinct.
“Hey, you okay?” Tony looks at you, his brow furrowing in concern. Edward glances up too, his toy race car frozen mid-drive as he watches you with wide eyes.
“Um… I think…” Another wave hits you, stronger this time, making you tense. You can’t help but wince as a rush of pain makes it clear exactly what’s happening. “Tony, I think it’s time.”
“Time? Time for—oh!” Tony’s face goes through a series of rapid changes, from confusion to realization to full-blown panic. “Time! Okay, okay. That’s fine. We knew this was coming. I’ve got this.” But his eyes are wide, and his hands are already shaking as he reaches for his phone, practically tossing it out of his pocket in his haste.
Edward’s face scrunches up with worry. “Mama, are you okay? Is Mia coming now?”
You manage a reassuring smile for him, though it’s strained. “Yes, sweetheart. Mia’s on her way.”
Edward’s little mouth forms a perfect “O” as he stands there, frozen with his toy car clutched in his hand. “But she’s not supposed to come yet!” He looks to Tony for confirmation, a touch of panic in his voice. “Daddy, she’s coming early!”
“Uh, yeah, she sure is, buddy,” Tony mutters, trying to steady himself as he dials for the hospital. But when the call goes unanswered, he swears softly under his breath, his face paling. “Right. Nearest hospital it is. I’ve got this. Totally got this. Y/N, do you need a bag? Should I carry you?”
You laugh—well, as much as you can while clutching your belly. “Tony, just help me to the car. And grab the bag we packed in the bedroom. It’s all set.”
He nods, snapping into action as he wraps an arm around you, helping you up as gently as he can. Edward trails closely, his eyes fixed on you, looking like he’s ready to burst into tears. “Mama, is it going to hurt a lot?”
You nod, managing a comforting smile. “It’s going to be okay, Eddie. But yes, sometimes it does hurt a bit.”
With a nod, he straightens up, puffing out his little chest as if he’s trying to be brave for you. “I’ll protect you, Mama,” he says with a firmness that makes Tony’s mouth twitch, though he’s too frantic to fully appreciate the cuteness of it.
Tony helps you out to the car, keeping an arm firmly around you while Edward scrambles into his seat in the back, buckling himself with serious focus. He’s quiet as he watches Tony settle you in, his gaze darting between the two of you.
“Okay, everyone’s in. We’re good. We’re going to the hospital,” Tony announces, gripping the wheel and peeling out of the driveway with more speed than finesse.
The drive is quiet, save for Tony’s constant mutterings and reassurances. “Almost there, babe. Hang on. We’ve got this.”
Edward, still wide-eyed and silent, keeps glancing from Tony to you, his little hands clasped in his lap. Finally, he leans forward and says softly, “Daddy, is Mia going to come soon?”
Tony gives him a reassuring smile in the rearview mirror. “Pretty soon, buddy. But she’s going to be just fine, and so is Mommy.”
A few minutes later, the hospital comes into view. Tony whips into the parking lot, barely managing to park the car before he’s jumping out, rushing around to help you. The nurses spot the three of you, and within moments, you’re whisked into the maternity ward with Tony by your side, Edward clinging tightly to his other hand.
After a moment of hesitation, Tony looks at Edward, his expression softening. “Okay, Eddie, I think it’s time for you to hang out with the nurses while we bring Mia into the world, alright?”
Edward’s eyes are filled with worry as he looks up at you, his little brow furrowed. “Are you sure, Daddy? Maybe I should help.”
You reach out and give his hand a gentle squeeze, smiling through the pain. “Don’t worry, honey. I’ll see you soon.”
Reluctantly, he nods and lets go, and a nurse leads him to the waiting room, promising him hot chocolate. Once he’s settled, you let yourself focus fully on the task at hand, breathing deeply as another wave of contractions hits.
Hours later, as dawn breaks over the mountains, you’re finally holding a tiny, pink-cheeked bundle in your arms. Mia is here, and she’s perfect, with soft wisps of dark hair and the tiniest little nose. Tony looks at her with an expression you haven’t seen before, a mixture of awe, wonder, and pure love.
“She’s… wow,” he murmurs, his voice choked. He reaches out, his finger stroking her soft cheek. “She’s here. She’s finally here.”
You nod, tears slipping down your cheeks as you watch him. “She is. And she’s beautiful.”
Just then, there’s a knock on the door, and a nurse steps in with Edward, who’s clutching a small, stuffed bear that he insists is for Mia. He’s a little hesitant, staring at the tiny bundle in your arms with wide, curious eyes.
“Eddie, come meet your sister,” Tony says, beckoning him over with a soft smile.
Edward steps forward slowly, his eyes fixed on Mia with fascination. He gently sets the bear down beside her and looks up at you, his voice barely above a whisper. “Is that really her?”
“Yes, sweetie,” you murmur, shifting Mia just enough so Edward can see her more clearly. “This is Mia. Your baby sister.”
Edward’s face lights up as he takes it in. He reaches out tentatively, gently touching her tiny hand. “Hi, Mia. I’m your big brother,” he whispers, looking awed. Then he glances up at you and Tony, his voice growing more confident. “I’ll take care of you, Mia. Just like I promised.”
Tony chuckles, ruffling Edward’s hair. “That’s right, bud. You’re the best big brother she could ask for.”
Once you’re back at the chalet, it’s as if the whole place is holding its breath for Mia. Even the snowfall outside seems to have softened, the sky a soft pink and blue haze as the sun rises over the Alps. Tony helps you get settled on the couch, Mia tucked warmly in your arms. Edward is right beside you, eyes wide and sparkling as he stares at his sister, still in awe of the tiny new family member.
“Mommy, can I…?” He trails off, looking up at you with hopeful eyes.
Tony clears his throat, immediately stepping in. “Can you what, buddy?”
Edward meets Tony’s gaze with a bold determination. “Can I hold her?”
Tony opens his mouth, looking unsure. It’s clear he’s struggling, torn between letting Edward’s eager big-brother heart grow and the sheer terror of seeing his three-year-old son anywhere near such a delicate little bundle. You give Tony’s hand a reassuring squeeze, then smile softly at Edward.
“Of course you can, sweetheart. We’ll help you,” you say, and Tony shoots you a look that is part admiration and part mild panic.
With care and precision that would make any parent proud, you and Tony arrange Edward on the large bed, surrounding him with a fortress of pillows. He sits cross-legged, his little hands clasped in his lap, looking more serious than you’ve ever seen him.
“Alright, Edward, remember—very, very gentle,” Tony instructs, his voice a little shaky as he settles Mia in Edward’s lap. The look on his face says he’s ready to leap in at any second.
Edward nods with the utmost sincerity, keeping his hands steady as he holds Mia, his tiny fingers brushing over her soft blanket. He gazes down at her with awe, and Mia, as if she already knows her brother, blinks up at him, her eyes round and calm.
“Hi, Mia,” he whispers, his voice almost reverent. “It’s me, Edward. I’m your big brother.”
Tony, standing a mere inch away, watches like a hawk, his eyes locked on Edward’s every move. If there were any way for him to be closer without actually holding Mia himself, he’d probably do it. You catch him clenching and unclenching his fists, clearly debating if he should interfere, even though Edward is doing perfectly well.
You chuckle softly, nudging Tony’s shoulder. “Breathe. He’s got this.”
“Breathe?” Tony whispers back, glancing at you like you’ve suggested he let Edward juggle china plates. “Babe, our son is three. Mia’s barely a week old. This is like… a recipe for chaos.”
“But look,” you murmur, smiling as you take in the sight before you.
Edward leans down slightly, his face inches from Mia’s, his little voice filled with wonder. “You’re so small, Mia. But I’ll help you get big. Just like me.”
You feel your heart melt, watching your son speak to Mia with the wisdom and warmth of someone far beyond his years. Mia, sensing something special, gives a little yawn, her face scrunching up before she settles comfortably in Edward’s lap.
Tony’s shoulders ease just a fraction, and he shakes his head with a small smile. “Alright, you’re right. He’s got this.”
After a few moments, Edward looks up at Tony with a mix of pride and excitement. “Daddy, she’s not crying!”
Tony laughs, reaching out to ruffle Edward’s hair. “She’s not crying because she likes you, buddy. You’re already doing an amazing job.”
Edward beams, sitting up a little taller. “Yeah, I think she does like me. I’ve been practicing, Daddy. With my teddy bear, remember?”
Tony chuckles, nodding. “All that practice paid off, didn’t it?”
Satisfied that Edward has everything under control, you settle back, letting yourself enjoy this peaceful moment. It’s incredible to see Tony’s eyes soften with such pride as he watches Edward. When Mia stretches a tiny hand and accidentally grabs one of Edward’s fingers, Edward lets out a little squeak of excitement.
“She’s so strong!” he says, looking up at Tony. “Look, Daddy! She’s already holding my finger!”
Tony’s grin widens, and he’s now fully invested, crouching beside the bed to get a better look. “She’s a Stark, all right. Strong from day one.”
You share a knowing smile with Tony. Somehow, it feels like the chalet, with its vintage wood and cozy, fire-lit rooms, has truly become your family’s haven. This yearly trip has become more than just a tradition—it’s a ritual of love and connection, a reminder of the life you and Tony have built together.
When Edward finally looks up, he gives Mia one last gentle hug before releasing her back into your arms. “Mommy, can I hold her again tomorrow?”
You smile, nodding. “Of course, Eddie. She’ll need all the big-brother cuddles she can get.”
“Deal,” he says with a grin, hugging his knees to his chest, his excitement making his little feet wiggle.
Later, when Edward’s sound asleep and Mia is curled up beside you, Tony wraps his arms around you, pulling you close. The fire crackles softly, casting a warm glow around the room, and he leans down to press a gentle kiss to the top of your head.
“So, another perfect day?” he murmurs.
You nod, resting your head on his shoulder. “Perfect in every way.”
I love family man Tony so much you guys can't even understand
#amethyst arachnid#comics#marvel#marvel fanfiction#marvel x reader#movies#gaming#x reader#tony stark x reader#tony stark x you#tony stark fluff#tony stark fanfiction#tony stark imagine#iron man#iron dad#tony stark fic#tony stark#rdj#rdjr#robert downey jr#robert downey junior#robertdowneyjr#robert downey#marvel fluff#marvel cinematic universe#marvel mcu#mcu#mcu fandom#marvel tv#mcu fanfiction
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Please don't shake the cat
[DP x DC fic]
[Love at first... murder? - part 13]
<< Prev | Next >>
Part 1
Ao3
---
Private chat nicknames:
RedHood = Jason
Danny = Danny
---
Private chat
RedHood: *picture*
RedHood: this yours???
---
Seeing the picture of Ellie clamped onto Red Hood’s arm Danny lets out a sigh while rubbing his forehead. He takes a few seconds to look at the picture while deciding on how to reply.
---
Private chat
Danny: you don’t happen to be in Mexico right now by any chance, do you?
RedHood: No.
RedHood: I was out patrolling when I was suddenly bitten by her.
RedHood: Thought it might have been a criminal or stray cat or something like that at first.
RedHood: I was not expecting a feral teenager, but I can’t say this is the first time it’s happened.
Danny: damn, she was supposed to be in Mexico 😕😥
Danny: I guess this is what she was trying to tell me with that cryptic message she sent me huh
Danny: and the stray cat analogy isn’t too far off to be perfectly honest 🤔
RedHood: So you know her?
RedHood: Can you help me get her off? I’ve tried prying but she’s got some sick ass jaw strength.
RedHood: Which would have been pretty cool any other time, but it’s currently not really working in my favor.
Danny: I’m so sorry about her 😓 😓
Danny: we’ve been trying to teach her to ask for consent first
Danny: but it’s still a work in progress 😅
Danny: of course I'll help you get her off!! 😊🙃
RedHood: Great! You’re at your apartment, right?
RedHood: I’ll be there in two shakes.
Danny: please don’t shake the cat 😰
Danny: she’ll get grumpy and might latch on even tighter
Danny: I’ll come to you instead 🙃
Danny: you said you were patrolling, so crime alley, right? 🤔🤔
RedHood: Well, yes, but I doubt you’ll be able to get up where I am right now.
RedHood: Let me at least come down to the ground first and I’ll tell you how to get here.
RedHood: Danny?
---
Jason looks down at his unread messages with a slight frown. He puts his phone away and looks back at the teenager on his arm.
He gives his arm a small shake, causing her to growl at him which immediately makes him stop.
Right… No shaking the cat.
Jason lets out a weary sigh before looking down over the edge of the building to the ground below. He’s trying to think of the best way to get down with only one functional arm when a voice breaks him out of his reverie.
“Hey, Hood. I’m here!”
He turns around, slightly alarmed that there’s a second person who managed to sneak up on him tonight.
Damn, he’s getting rusty
Though from anyone whom he had been expecting to see, he had not been expecting to see the guy he messaged a minute ago standing behind him on the roof.
“How did you get here so quickly? And for that matter, how did you even get up here?” Jason asks confused.
“Oh, I flew” is Danny’s casual response, which gives Jason more questions than have been answered. But before he can decide whether he should bother asking for clarification Danny already moves on to the next topic.
“Anyway, let’s see what we can do about this,” he says, approaching Jason’s arm and the girl that’s hanging off of it.
“Good luck,” Jason says, holding out his arm a little better and watching bemused as Danny and the teen have a stare-down.
“Ellie, what did we say about biting others?”
The teen, Ellie, narrows her eyes and growls at him. Danny just crosses his arms and gives her an unimpressed stare.
“Nah-ah, you have to let him go. We ask before we bite someone. It’s called consent. Don’t make me get Jazz to give you another lecture”
It’s clear to Jason that Danny’s attempt at talking to her isn’t working when the teen proceeds to glance at Jason calculatingly before giving Danny a challenging look and biting down harder.
Apparently, it’s clear to Danny as well, as the next thing he does is let out a put-upon sigh before declaring “Well, I gave you a chance. Guess we’ll have to do this the hard way”
Danny then grabs a hold of her and tries pulling her off of him.
What is his life? Jason thinks as he’s standing there while Danny tries to physically pull the teenage girl, who decided his arm looked like a nice snack, off of him.
Though luckily for him, it seems to work as not a few seconds later Danny has pulled her off of his arm and is now holding the teenage girl with a bloody mouth up by her armpits.
Danny sets her down with a sigh but before he can speak up, the teen crosses her arms and levels Jason with a sharp look that makes him straighten up.
“Thou winneth this round, Red-Helmed Knight of the Night. Though thou should be prepareth, as the upcoming trials will be even more toilsome” Ellie declares while pointing at him, uncaring of the blood on her face.
“And I,” She points a finger back at herself for emphasis, ”Sir Ellie of the Infinite Realms, will—” she gets cut off when a fly enters her mouth.
Danny moves to help her but she holds up a hand to stop him, using her other hand to thump on her chest a few times.
She spits the dislodged fly out onto the floor and glares at it.
“Curse you! Foiling my monologuing once again!” she yells after the fly as it flies off.
Right…
Jason turns to Danny.
“So is she your sister?” he asks curiously. And totally not trying to fish for more information about Danny and his family.
Instead of Danny answering the question though, Ellie cuts him off.
“I’m his love child with the mayor of our town.”
Danny gives her a disgusted look.
“Ellie—”
She looks back at Danny with a shit-eating grin on her face.
Yeah, definitely siblings.
“I love my dads!” she says proudly, her eyes still on Danny.
Danny gives her a deadpan look in response before it changes to a more mischievous one.
“Oh, I’m sure Vlad would love to hear all about how you reclaimed him as a father figure—”
“Oh Ancients, no. Don’t even joke about that” She fake gags at him before turning back to Jason.
“Can I change my answer? I’m his bodyguard” She says, pointing her thumb at Danny.
That makes both Danny and Jason raise an eyebrow at her, though Jason’s can’t be seen through the helmet. They speak up at the same time.
“A bodyguard, huh?”
“No, you’re not, that’s Frighty”
Danny’s statement makes Jason pause and turn to look at him.
He’s got a bodyguard?
Ellie shakes her head happily.
“Nope! I took over the position. My knightly title isn’t just for show, y’know? I earned it fair and square!”
“When did this even happen? And why was I not told?” Danny asks, bewilderment covering his face.
Jason stays silent as he tries to make sense of the conversation.
“About…” Ellie takes a moment to think about it “3 months ago? I think it was when you were dealing with some time chores. And I thought it’d be a nice surprise, so… Surprise!” she exclaims, doing some jazz hands at the end of the sentence.
“What did you even do?”
“I snuck up on him and threw a Fenton Wii remote at his head which knocked him out cold. It counted as a win so I earned the position by right of conquest and gained my knighthood” She says with a shrug.
“Huh… think that would’ve worked for Pariah Dark as well? Would’ve made things so much easier…”
Ellie gives another careless shrug as Danny lets out a small reminiscent sigh. Meanwhile, Jason stands awkwardly to the side.
“Well, either way, I’m proud of you. Do you have a video?”
“Tucker filmed it for me, yeah”
“Nice”
They high-five with grins on their faces. At this point, Jason lets out a small cough which has the Fenton siblings turn around startled and proceed to then give him identical sheepish smiles.
They really look like they could be twins…
“Ah, sorry Red Hood. And again, I’m sorry for Ellie.” Danny says, rubbing the back of his neck with a small blush on his face.
“I’ll take her back home. And uhh… see you next time?”
Jason gives him a smile from under his helmet.
“Sure, if you’re still up for that next date?” Jason trails off with some hope.
His words make Danny’s blush darken.
“Ah uh, yeah! Yeah, of course! The next date! Uhmm, I’ll text you! Or you can text me. That’s fine too!”
Next to him, Ellie rolls her eyes and makes some fake gagging motions. She then grabs Danny by his arm and starts dragging him away.
“Come on, Loverboy. You can and your paramour can flirt later. When I’m not there… and after he’s passed my trials” she says, muttering the latter part low enough that Jason can’t hear. But, judging by the way Danny’s head snaps back to her and how his brows furrow, he did hear.
Just as Jason goes to reply, giving them a thank you and a goodbye of his own, perhaps even an offering to help them get down from the roof, he picks up on movement behind him.
Quickly turning around has him regretting not leaving the rooftop earlier, as he watches the Bats (and birds) land.
Fuck.
---
Taglist:
@i-always-say-yea @uraniumwizard @why-must-i-be-like-this @griffinthing @i23432i @imsotiredfanficlovertm
#dp x dc#dp x dc fic#dpxdc#dcxdp#dc x dp#dp x dc crossover#dead on main#dead on main ship#jason realising danny has fangs + pointy ears + has a way to fly + is pretty cold: :0 vampire!#at this rate jason's gonna think he's the bella swan in this story#gonna be living out his main character in a supernatural ya romance novel dreams#the supernatural part for this 'dream' is new but ehh he doesn't mind#big thansk to sami_the_simple on ao3 for the please don't shake the cat line lol#they said something like that in a comment and i loved it#anyway hopefully i'll be able to update some more soon#but in the meantime i hope you enjoy this chapter :)
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I will say that the mourn watch background makes so much sense of rook's occasional social awkwardness. this poor fucker had really barely ever been outside before when they were kicked out from home for shenanigans and varric adopted them like a puppy slash poor little meow meow because they reminded him so much of hawke when they were young ssssh that's my headcanon. what's more they were raised by a bunch of fifth house style freaks (affectionate) who also had never been outside before. as baby jesus was laid in a manger baby rook was laid in a coffin. as baby moses was found in the bullrushes, baby rook was found among the shin bones. they may have glimpsed normalcy before once on a sunny day, but only about three degrees removed and around a corner.
considering their circumstances and previous life experiences I think they're doing great at social interactions actually don't worry sweetie you're doing amazing, realizing most people get a bit nervous if you talk too much about skulls and bone saws around them is a great first step! a joke not landing with your audience here and there is detail work we can fine tune at another time let's get some of these fundamentals in place first <- me and varric encouraging them as they're stepping into this brand new world
#this is probably part of why I'm not romancing emmrich with rye (apart from the lucanis Situation I'm in lol). I think#that maybe it's better for them to get to expand their horizons a bit haha. explore some other interests#also lowers the effect of fucking in a coffin b/c I think rye has definitely been there done that before#dragon age#dragon age: the veilguard spoilers#dragon age: the veilguard#dragon age spoilers#rook ingellvar#a watcher's work is never done#love the watcher background. da:o circle mage background vibes all over again. but with more skeletons this time#it looks like it's statistically the least picked option which like. well okay I can't force people to have taste lmao#(also people probably wanted to play the big factions that tie into more of the main story like the shadow dragons and veiljumpers)#home and hearth (the hearth is for cremations)#well clearly not because the nevarrans don't believe in that quitter talk haha. but in principle
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what’s your favorite fictional dynamic?
Oh found family without a DOUBT!!! I love s good romance and all but found family will always be my favorite dynamic between characters🙏
Blood related and non blood related and throw in a cute romantic interest if needed… it’s perfect
#some of the most important stories to me in my childhood were lord of the rings and undertale#both have found family as a pretty big part of it and i think it has left an undeniable impact on the media I consume#and how I consume it too#I will alwayd look for platonic dynamics between a big group first#romance is secondary to me#deadbaguettesask
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Fuck it. I'm gonna bite the bait just to say that there were many instances where jc clearly trated wwx like a brother/friend in the BOOK, aka the canon text in case anyone was confused or have seemed to have selectively forgotten about.
From the part where jc scoffs at the prospect of wwx getting together with a servant. Laughing and proclaiming that he was treated better than he was (in reference to his own sister peeling his lotus seeds for him which she didn't do for jc).
Then there was him standing up for him on NUMEROUS occasions throughout the book. Such as before the LP Massacre. He could have let his mother beat wwx senseless, but he tried to stop her from doing so, begging and crying even for her to stop and take the punishment for him. Despite the risk it took to do so.
Not to mention the excuses he made to the rest of the cw after the war when he stood up for wwx and shrugged off his casual and overly familiar demeanour.
Then ofc there was the sacrifice he made for wwx (which he didn't have to do as the only male sect heir) whilst they were on the run from the Wens that ultimately led up to the events in the novel..
The Cloud Recesses era.. the part after jfm gave away his dogs and jc steadily welcomed wwx in his life, willing to scare away any dogs that threatened him..
These are all things a nasty, homophobic rich man would NEVER do for his servant if he only saw them as such.
If he was classist as you all seem to think he is, then he would never dream of doing all the above CANON EVENTS for wwx's sake. Js.
These were all in the book. To ignore them, that means you are ignoring mxtx's work and you clearly did not understand the complicated relationship wwx and jc had.
Because it was made clear throughout the text that jc never saw him as a servant. They shared a room, went to school together and made HUGE sacrifices for eachother. So much so, that their relationship pissed of jc's mother.
If you ignore that then you are ignoring a VERY IMPORTANT part of the text. And I have to wonder if y'all only came into the fandom for the mlm relationship between wwx and lwj and not the the story. Clearly, y'all are selectively ignoring some very IMPORTANT facts. Js. This book is MORE than just a bl........
And if that's the case, then you have no place arguing jc canon facts. Js.
#canon jiang cheng#jiang cheng#mxtx mdzs#mo dao zu shi#This tired argument.....#Why do antis willfully ignore the most important part of the text????#The part that leads up to the canon events??#And inevitably the story????#Are they threatened because lwj isn't a main part of it???#It's not our fault or problem that lwj hardly had as big of an influence to the main plot as jc did#Shrugs#Fyi I'm not ignoring the mlm aspect of the book#This was some groundbreaking work for the gay community with compelling characters that broke these stereotypes#But by boiling down the book to just the mlm aspect and focusing only on the mlm relationship is doing this work a disservice#Especially when there is so much more to this book than just romance#I feel like people only focus on that aspect of the book#And that's a bit boring imo. It is perfectly okay for you explore to other aspects of the book. It won't make you hate wngxian any less.#You can appreciate the interesting mlm relationship mxtx created whilst enjoying the non romantic aspect of the story#The other characters included#It is not that hard#Js.
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oc evolution tag, thank you @sikoi :))) <3
i randomly posted their real evolution a few days ago before we were doing these should have waited lmao. i did remake this edit at one point though!!! very cute
#racking my brain for sims who i've had long enough that they've had a big evolution i'm honestly coming up short#my villareal characters and other townies like only ever get skin details changed and we don't talk about the heavy blush phase#do i even have other sims. i cant think of any rn. they are the first ocs i ever posted on simblr ever i think. which is CRAZY#anyway even this edit's kind of old i never do beckett/connor couple stuff anymore do i it's weird#their romance is really really not the main focus of the story at all so ig i just am always thinking about other parts of their characters#their romance is one of the least developed things about them to be honest. which is weird for me i love an unhinged romance#beckett#connor#ts4#blood sports
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2023 reads // twitter thread
To Shape A Dragon’s Breath
YA fantasy
a young Indigenous girl finds & bonds with a dragon hatchling - the first time in many generations for her people - and is required to go to the coloniser’s dragon academy in their mainland city, to learn how to raise her dragon and the science of its magic
historical inspired setting on the cusp of industrial revolution with steampunk vibes
bi polyamorous MC, Black lesbian SC, nonverbal autistic SC
#To Shape A Dragon’s Breath#aroaessidhe 2023 reads#this is really really good i loved it!#the chapter titles are all like snippets of a story. or like sentence fragments that match up. which is cool#it is definitely more about being indigenous in a coloniser institution than Dragon School - not Super dragon heavy if you want that#I suspect the subsequent books will get into that when she gets big enough to ride and stuff#t’s also def YA! i’ve seen a few ppl assume it’s adult and be like its very young :( but like. I mean its perfectly reasonable for a 15yo m#definitely a Lot of racism and colonialism which is not fun to read! though it's still through a YA lens. there was def a part of me that#was imagining consequences of the narrative as if it were an adult novel#on that line of thought - at the end a lot of it is kind of solved by them going to the king and he's is like. oh no racism is happening?#that's bad i'll deal with those people! which felt like. a little simplistic. but maybe the easiest way to end the narrative for book 1 -#I don't think the author ACTUALLY is going to portray the king as a Good Guy throughout the series - it just felt conveniently like -#a simple YA solution to some very big and complex elements? if that makes sense? (but again - it is YA so it's allowed I suppose!)#some of the worldbuilding (like all the science learning) is probably setup for next books - we don’t really see any practical application#the romances are also subtle and not Overbearing In Book One which i like - leave some space for the series!#also her getting fanmail from a 10yo mixed race girl who looks up to her 🥺#anyway. i really loved it!#oh also it reminded me a little of leviathan. i guess just the steampunk/time period/european culture....#To Shape A Dragon's Breath
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If no one got me I know random ass straight couples do
#les normaux#I love them#please go read it it’s a magical mlm romance and they’re a really sweet side couple#with a big part of thr story#and thr art is so good#chainsaw man#violence fiend#kobeni x violence#kobeni higashiyama#galgali#I just think they’re silly they have very few apparemces together but Idnc
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The worst thing Fandom and amatonormativity has done is convince people that A Silent Voice is a romance
#A Silent Voice#Allonormativity#Amatonormativity#Koe No Katachi#Shoya Ishida#Shoko Nishimiya#The Shape Of Voice#Oriented Aroace#Queerplatonic#Queer Platonic Relationship#Queer Platonic Partner#Disabled Pride#Disabled#Friendship#Its Literally A Story Of Friendship And Redemption About Ableism And Bullying#Its About Making It Up To Shoko Not Falling For Her. Which Also Just DOESNT Happen.#Shoya Shows Multiple Times In Both Manga And Anime That He Is Uncomfortable With Romance And Sex ESPECIALLY When Shoko Is Brought Up#Her Crush On Him Is Such A Small Part Of The Series And Is Not Even A Big Focal Point Of It.#Mental Health#Depression
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"There's no platonic explanation for this" blah blah blah "there's no heterosexual explanation for this" blah blah blah--
Ok then, there is no romantic explanation for TemenosxCrick, CasttixMalaya, OlbericxErhardt, etc--
#ramblings#I won't lie I LOVE octopath for not giving ANY of the main characters love interests#even though primrose and osvald are implied to have experienced romantic attraction it's not like part of their story#I'm never expected to identify with someone who is involved in a romantic plotline and I'm so glad#and there is background romance and romantic feelings from other characters which is totally fine!#idk. I just think this is a big part of why I love the series and the characters so much#it doesn't feel like romance is an “expected” part of life for anyone#8path#8path2#octopath traveler#ok ok I am done aroposting and temeposting for today. maybe
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and like sidenote if i can make a post with a target audience of zero. i feel like fhsy was to d20 what aa3 was to ace attorney but aa3 pulled it off better for reasons i cannot explain
#it is. the amatonormativity#^ guy who was REALLY pissed about the sandra lynn stuff#like yknow that bit in the first ep where brennan is like 'oh this drama is going down' and so like the pcs investigate it#probs bcos they think itll like kick off their new quest#and then it turns out to be like. petty romantic drama.#thats kind of a microcosm of the entire season for me#not to say there werent parts i liked (looks at the picture of baron i printed out and hung on my wall)#(and most of the leviathan stuff was brilliant and ayda is a role model for me)#but its all so tied up in the rest of that shit that i dont rlly wanna rewatch it the way ive rewatched fy 6+ times#likening this to aa3 bcos of the rlly noticeable uptick in romantic content in it compared to the rest of the trilogy#like prior to that all that rlly comes to mind is like. 2-3 and pearl's shipping shenanigans and larry existing#but in aa3 both mia and phoenix have past lovers who play big parts#theres a married couple theres tigre and viola (who sidenote i ENTIRELY missed as romantic my first playthru. i am dense)#there's the business with fawles#like it felt like romance played a large part in every case in aa3#where even when it came up in 1 + 2 it was usually ancillary (2-3 excepted but like. ppl regard that case as a fluke in most regards)#you COULD argue that maggey and adrian also inject some romantic presence in the story#but idk it just doesnt feel as central or prevalent as in aa3#like i saw a post abt adrian and celeste being cousins in the aa anime being not just the sailor moon 'best cousins' thing#but like. reinforcing the themes of familiar devotion as aa2's core. and that was rlly foundational to my understanding of the game#even tho its a change that comes from an adaptation#whereas you Couldnt make that change in aa3 without it changing A Lot of shit#where was i going with this. shrug.#the zelda and tracker relationship drama was entirely manufactured as punishing the pcs for not centering npcs#whose relationship issues were ancillary to the overarching plot they were focused on and which hadnt rlly been brought up beforehand#'why didnt gorgug call zelda :/' do u want zac to pause the kalina mystery to roleplay good relationship communication with the dm??#like its one thing looking at sy as a narrative but looking at it as a ttrpg campaign with limited time and a need to split character focus#i dont see what it did for the story besides give gorgug something to angst abt. didnt rlly feel like there was character growth or an arc#sigh. MANDATORY DISCLAIMER its been at least a year since i watched sy and longer before that since ive played aa3#but at the time my feelings were strong and have only calcified. romance as a theme in something not generally abt romance
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losing braincells from reading the dungeon meshi subreddit's posts/comments
#dunmeshi#and the funniest part is that these types of “fans” only recently started being more active or existing at all#while i've been reading the manga and all the extra content for almost 3 years now and big surprise the fandom was still queer back then#i know i should just mute and ignore but it does fucking piss me off that they accuse us of not caring about the characters/story#when they're the ones liking fucking pregnant marcille fanart#yes that was a thing i had to see#which was not only a jumpscare but also (drumrolls) canonically impossible!!#i wasnt even a big shipper after reading the manga (tho even then i couldn't deny that marcille was gay as hell)#one of the things i really do appreciate about dunmeshi is how it's a character focused story that doesn't have any main romance storylines#and even then i could understand that everyone has a different way of interpreting and enjoying the same story#and ryoko kui has written queer rep b4- Otta herself is a canon lesbian! who has a type but let's not judge her lmao
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