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celestie0 · 6 months ago

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I actually kinda like the accidental pregnancy trope idk just two characters learning to coparent and then eventually falling in love is kinda cute 🥹 I’d love to see what you write for gojo I feel like he’d be scared but end being such an amazing dad

gojo x reader | accidental pregnancy trope [drabble]

little miracle. a gojo x reader story

a/n. ok anon i basically started answering this ask very minimally but i couldn't stop myself from writing and it basically became an entire story so enjoy i guess?? LOL my bad <3 warnings/tags. domestic fluff, angst, mentions of sick parent, mentions of death, pregnancy symptoms. there is happy ending!! word count. 2.2k

gojo and you are in your mid twenties but you're both just barely getting by, you're a new writer living in a tiny apartment in a big city and gojo is the cute waiter at your favorite diner who's just saving up some money because he wants to go back to school and you're both kindaaa crushing on each other, flirting w one another. the restaurant gojo works at ends up starting meal delivery option, and you order some pizza to your apartment just so that you can see him on a weekday and he's soooo super cheeky with it leaning in the doorframe entryway of your apartment with the pizza in his hand like "it says here someone ordered a hot guy in some super sexy black jeans, well he's here now" and you're like "you're such a fuckin idiot" and you abandon said pizza to fuck him on your facebook marketplace couch.

fast forward the next day n you wake up, but he's not there anymore. he left you a little note that says he's going away for a month since his mom is sick and he needs to be w her. you're confused by the note, and you wish he left his phone number because you realize you have no way of contacting him. but that's ok, he'll be back soon, right?

in the couple weeks following the night you both hooked up, you're feeling like shit in the mornings, nauseous, you realize you've missed your period but you shrug it off because it was never really normal anyways. but one morning you throw up, confused as hell, wondering if you got food poisoning. but as you swing your legs back and forth in your paper gown, sitting high up on your primary care doctor's examination room bed, they tell you that you're pregnant and you act like you've never even heard the word before.

there's no doubt gojo is the father, you haven't slept w anyone except him in months. and a baby was just...you can barely afford to pay your bills, you're already living paycheck to paycheck since your book isn't even out yet and you're just surviving w the advance from your old job. what the hell were you going to do? and you can't even tell him that you're pregnant, because he's god knows where, stranding you with no phone number to contact him and you feel so left behind and alone.

the first person he comes to see when he gets back into the city is you. he looks tired, probably from his travels, or possibly from what he saw back home w his mom laying sick in bed. but he's still so happy to see you, and he kisses you and tells you he missed you and you stop him to tell him that you need to talk. for him, there was life before you told him you were pregnant, and then there was life after. and now he was living in the after. standing still in the tiny living room of your apartment when you tell him he's the father, and the words that leave your mouth afterwards are drowned out in his head because he can only focus on that one thought at once.

father. he's going to be a father? whatever heaviness he finds in his chest from the word is replaced with adoration when he looks at you.

keeping it, was what you had told him next.

it was tough at first, because of the morning sickness and the hormones and the yelling at him for not bringing you the kfc you craved so badly a minute before he did, and then the crying that follows suit when you realize you're being mean to him. but he does everything you want, everything he knows how, because he doesn't know how to be a dad, and he figures the least he can do right now is know what to do for you. and the thought scares him, to death every day. as he's driving you to your doctor's appointments, he's praying under his breath that you and baby are ok and healthy. while he's waiting tables at work, he puts on his best smile for an extra tip because it's extra money for the baby, because she isn't even here yet and he already wants to give her everything she's ever wanted.

yes, she. a baby girl. you were having a baby girl. you cried when your ob/gyn slipped and told you the gender, because you asked for it to be kept secret, but what hurt even more was that you told gojo he didn't need to come to this appointment. just a routine little check up, not a big deal. i'll just have my friend drop me off, you said. little did you know it was the one where you would find out you two were having a little girl.

oh, gojo knows nothing about girls. would it be different from raising a boy? can he play wrestle w her when she's a little older, or would he have to be gentle with her? would he learn how to make flower crowns for her with daisies from the field just to see a smile on her tiny face? how will he ever be able to deny her anything, especially if she looks just like you?

the second trimester, you two felt like a young married couple, and for once it felt like things were bright. like you two knew what you were doing. like it wasn't a mistake, but a blessing. you wanted him, desired him, and he'd never desired anything more than he desired you. it took you a while to come around to having sex again, it felt wrong, because that was what got you two into this mess in the first place. but those feelings melted away when you two moved into his little ranch together on the outskirts of town and you knew what it felt like to be hugged by him in the mornings, his sleepy voice drawling in your ear about how much more beautiful you look with every passing day. in those moments, all the regret melts away.

it all comes crashing down in third trimester. you're angry, he's tired, you're sad, he swears he's trying his best but he just can't seem to understand what you need from him. you say you wished this never happened, he says he didn't ask for any of this, and you're sobbing on the kitchen floor with your head in your hands because it all just feels like some cruel twisted joke. like a dream you should be waking up from any second from now. he sits down on the cold tile beside you, solemn in the face. he already looks so much older than the bright eyed boy he used to be, twirling a pizza box around on his finger in the doorframe of your apartment. his cheeks have sunk in, and you realize we all die someday. his hand reaches out to hold yours, and he kisses the back of it, and he says he'll never leave. not like how he left all those months ago, with nothing but a note. no matter what it comes to, one thing he can always promise you, is that he'll never leave like that ever again.

when your baby girl was born, nothing else mattered. it's like all the turmoil you faced in the past eight months was not even worth paying a moment's care towards when you cradle her in your arms. gojo had been fighting back tears the entire time, mostly provoked by how difficult childbirth had been for you as he watched feeling helpless, but the moment he held his little girl in his arms, he couldn't fight back the tears anymore. and he cried, and he cried, and he cried. few fathers could treasure their daughters as much as gojo did, and he knows it's a promise every parent makes to their child, but he vowed he'll never let anything hurt her. never let anyone upset her. for as long as he lives, he'll keep all the cruelty away from her, and keep her safe forever. you both named her yuki, for snow drifting outside of the hospital window when she opens her eyes for the first time.

you two make the tough decision that it's best for gojo to go back to school like he originally planned while you take care of the baby at home. it's hard having him away, and it's torture for him too, since he seems to breathe and live just to make yuki giggle and smile. but it's what made fiscal sense, since you knew what it was like to grow up in a household with little money to feed or fend, and the two of you wanted more than that for your daughter.

gojo's mother succumbed to the very illness that had been haunting her since he visited her for a month over a year ago, and he cried to sleep when he realized she only got to hold her granddaughter once before she passed away. and for the first time in his life, gojo learned what it really meant to be a parent, and it was only found in losing his own. there was no time to grieve in the capacity that he wanted to, because he needed to be there for you and his little girl. a year ago, he would've been broken, beaten, and bruised, but now he bleeds only in his dreams, then buries and braves the seasons for the sake of you two. as he slips his shoes off at the front door after a long day, then walks into the dark of the house, turning the corner into your shared room, he sees you humming peacefully while rocking his daughter to sleep. and he realizes his entire world is sitting in that chair.

gojo graduates from his two year engineering program, and lands a job in the city. the same city you left to go live with him when you were pregnant. it was tough to come back to the same city you fled, because all you remember of it now is morning sickness and fear of your career and falling in love with a boy that had a boyish charming smile you knew would ruin you one day. and now he's taken you back, moving the little family you've made together into a house. a house! he bought you a house. it was a little one, with no more than two bedrooms, but there was enough room in your hearts to raise your daughter with love, and that was all she'd ever need. she can walk now, mumble words. she said dada first, and gojo never stops teasing you about it. and when she finally says mama, you felt like your whole heart would burst.

he proposes to you on the waterline of the city's park, at the top of golden hour while the wind is subtle and tame but still ruffles the fabric of your dress. waiter boy, on one knee in front of you, years of waiting tables but he cannot even bare to wait one more second to hear your answer to the most important question he'll ever ask anyone in his entire life.

and you say yes. and he promises he'll love you for the rest of his life.

the wedding is small, because you two decided not to invite all of the family that had become estranged ever since you told them that you were pregnant with a man's child who you weren't even so much as dating. his family became yours after that, with his aunts and uncles congratulating you and yuki's cousins playing with her before she was to skip down the aisle as flower girl. it was sad to see your side of the church so empty, but you could never truly feel empty in this world anymore. not with what all that you've gained in the process.

there is fear in love, and in life. there was fear in gojo's heart when he learned he was going to be a father when he barely even knew right from wrong. there was fear in learning you were going to be a mother when you knew you cannot protect your child from the same hurt that has haunted you for a lifetime. but there was joy too. joy in seeing your baby bump for the first time, joy in holding your daughter in your arms for the first time, joy in seeing a sparkling stone in a tiny box presented to you on a sunday by the boy who still made your heart skip a beat just by looking at him, and there was so much joy in marrying him too.

but you find the real joy comes in the moments that you expect nothing from at all, but they happily surprise you with the feeling nonetheless. like now, as you sit on a picnic blanket at the park and you watch your husband running across fluttering grass in the wind, chasing after your daughter whose giggles and shrieks fill the summer air. he catches her, throwing her up into the air before spinning her around in his arms, and you tuck your hair behind your ear as you watch it happen. you expected nothing from anything life had given you in the past four years, and yet it gave you all the joy in the world. where you could've expected sorrow and sadness, it gave you something beautiful instead. you never would've thought that the boy you locked eyes with through a shy flutter of your lashes underneath warm restaurant lighting, the one that winked at you with no shame despite you being surrounded by all of your friends, you never could've imagined he'd be who he is to you today. but for certain, now, you believe in it. you believe in little miracles.

[the end]

a/n. what the flying fuck. i'm gonna go cry now lmfao.

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comicaurora · 11 months ago

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Hey Red, sorry if this was asked already, but do you have any advice on writing a trickster hero? And do you have any favorites yourself?

Huh! This is something I've never really thought too hard about before, but I do have some loose and unformed thoughts!

So the trickster archetype is, broadly, a character who wins by being cunning and tricking the people around them. Typically this is because they are an underdog facing a powerful opponent, and if they face that opponent on the terms that opponent defines, they'll lose. For instance, a physically strong opponent might want to make everything into a contest of raw force; a politically powerful opponent might want to make things a legal battle; a commander of a large army might want to battle on a flat terrain-less battlefield and overpower the smaller enemy force through raw numbers; etc etc.

A trickster doesn't have the raw power to make a scenario happen. Instead, they achieve that scenario by making other characters make it happen, usually by misleading them into thinking it'll have some other outcome they want.

A classic example of this is found in a Brer Rabbit story where Brer Rabbit has been snatched by Brer Fox, and Brer Rabbit begs and pleads with him to not throw him into that briar patch, oh the torment he would experience in that briar patch would be unimaginable, drowning or burning would be bad but still better than that briar patch. Brer Fox naturally throws him into the briar patch, at which point Brer Rabbit vanishes into the underbrush and helpfully clarifies that he was born and bred in a briar patch. He was unable to escape through his own power, so instead he convinced Brer Fox that yeeting him into the briar patch would give Brer Fox something he wanted (Brer Rabbit's unimaginable torment) when in actuality it gave Brer Rabbit exactly the cover he needed to escape. It only worked because Brer Rabbit understood that Brer Fox was fundamentally not just hungry, he was cruel.

Tricksters usually achieve victory through lying, stealing, sneaking around and generally being dishonest. These are usually not seen as heroic traits, but the trickster hero is an archetype of character who is broadly heroic - and uses trickster tactics to win. It's an interesting suite of character traits to balance. In order to make a trickster heroic, them being the underdog usually needs to be played up. It's not really easy to root for someone with power to manipulate people for their own ends, but it's easy to root for someone scrappy and underleveled to manage to gumption their way to a victory over a broadly superior opponent.

A sympathetic trickster usually isn't someone who picks fights. Trouble comes to them, and then they need to find a way to escape or stop it. This is the paradigm that makes Bugs Bunny work as a trickster hero - he starts off basically every adventure minding his own business, and when someone comes around with a blunderbuss and a hankering for rabbit stew, their actions are what prompts him to unleash absolute hell on them by using toon physics and trapping them in ironclad social conventions to completely unbalance them until they're eventually defeated.

If we see a big, loud, powerful jerk try to stomp on someone small and innocuous, we're inclined to root for the small and innocuous person. This setup makes us very eager to see the small and innocuous person use tricks and shenanigans to make a fool of the powerful jerk, and it automatically makes us more okay with the sympathetic character doing on-paper unheroic things like lies and manipulation as long as they're doing them to someone we're primed to dislike.

So trickster heroes are usually fundamentally reactive characters. Something bad happens and they respond by unleashing hell. Another easy way to make a character instantly more heroic is to give them an even weaker, even more sympathetic character to protect or assist. Thus, many trickster heroes have a suite of supporting characters they're protecting who are not tricksters by nature, and are instead just there to be endangered or bullied by Nasty Mean Powerful People. Our trickster heroes stepping in to aid and protect other people thus gives their actions an even more heroic cast, because not only are they reactive to an outside threat, they're selflessly reactive.

This is the framing that's used in Leverage, where every episode has a victim of the week being cruelly taken advantage of by a jerkass of the week, at which point our team of liars, grifters and thieves roll up to ply their trade on the jerkass and award the spoils of war to the victim of the week. Because the person they're tricking is proven unequivocally to be truly awful and completely insulated from legal consequence a solid 98% of the time, we don't feel particularly bad seeing our team of heroes manipulate, gaslight and eventually absolutely destroy them over the course of a crisp 40 minutes. The vileness of the villain combos with the innocent powerlessness of the person they're advocating for, and thus their assorted unheroic qualities become reframed as absolutely heroic due to the circumstances under which they use them.

Crucial to the formula is the horrendous nastiness of the villain of the week, because if we were even kind of sympathetic to them, the schemes of the protagonists would be kinda scary. They are very good at quickly getting the bad guy to trust them and then taking apart everything they've built, and that's only fun to watch if the audience is 100% sure the villain deserves it and is not going to spend too much time thinking "wow, it would be terrifying if that happened to me." The fact that our heroes almost always take them down simply by leveraging (heh) the bad guy's badness is a big part of what makes the formula work. Almost every episode is functionally similar to a Briar Patch scenario - "oh gosh I sure hope no SOULLESS CAPITALIST VAMPIRES take advantage of how MANIPULABLE I am to try and get my MONEY and/or VALUABLES", and then the villain's own established cruelty cascades into their downfall when it runs into the dominos our heroes have set up to expose them. And that does a lot to make the audience sympathize with a crew of four self-admitted terrible people (and Hardison, who's an angel and we're delighted to have him)

Another way to get the audience to root for a potentially nonstandard protagonist is to set them up against a villain who is smug. Smugness is a very dangerous trait for any character to have, because it primes the audience to want to see them break. A villain who thinks they are too powerful or too strong or too smart to be defeated has the audience immediately rooting for them to be proven wrong just so they can watch the expression on their face. This is the strat they use in Columbo.

Every Columbo villain is rich and powerful and very insulated from legal consequences, and we start every episode seeing them arrange and execute an attempt at a perfect murder. We know from the start how they did it and usually why, and because they are smug - they are almost never regretful or reluctant - we become invested in seeing how Columbo figures out what they did, how they did it, and how he can prove it and get them arrested. Columbo is a nonstandard kind of trickster hero, because he is deeply and fundamentally a Lawful Good archetype, but he is also a very casual liar. The only time the audience sees Columbo almost certainly telling the truth is when he's dealing with background characters, his fellow policemen or his dog, or when he's by himself silently putting the pieces together; at all other points in the episode he will typically conceal how much he knows, how he knows what he knows and why he's asking specific probing questions. The audience has a tremendous amount of dramatic irony in terms of information about the perfect murder Columbo has to disassemble; we'll see Columbo zero in on exactly the one small detail that pokes a hole in the supposed airtight alibi, but instead of saying "I think you killed them and I am determined to prove it" he'll dance around why he's focusing on those details - just curiosity, just a desire for completeness, his superiors told him to continue the case and he doesn't know why, his wife is just such a big fan of their work, etc etc.

As a rule, the first time in any given episode that Columbo admits he's suspicious of the villain is the beginning of the last scene of the episode when he proves that they did it and they subsequently surrender. When Columbo is dealing with the villain, absolutely nothing he says can be trusted until that final scene - and it's a rare treat to get a glimpse of Columbo showing an honest emotion, especially something like genuine fury. Most of the time he maintains a very harmless and affable attitude, but sometimes when the villains are very smug and they know he's suspicious of them but can't prove anything yet, his righteous anger peeks through and we see why he does this.

He's a trickster hero because he can't unravel the case, the villain's motivation and the shape of the crime if the villain knows everything he knows and can correspondingly keep up with him. But he is 100% committed to exposing the truth of the situation and making the murderer face justice. Their perfect alibi is supposed to protect them from everything, but it's their confidence and certainty that they could never be caught that Columbo leverages to win. They never know entirely what to make of him, and he's never wholly honest with them - and with the audience - until the very end of the episode. It's good, cathartic payoff to an episode's worth of lies and manipulation from both main players, and it's always fun to see the non-smug party on the side of justice come out on top.

Some trickster heroes are more like standard heroes with trickster tendencies that occasionally surface. These guys are usually pretty straightforward, but in a pinch they can bust out a surprisingly cunning scheme or two - one such moment hits at the climax of Across the Spider-Verse, and it's a great moment of characterization for Miles, who has thus far been a pretty typically heroic guy who has unfortunately spent the entire movie thus far being lied to by people he trusted. It kicks off an enormously long and complicated chase sequence that takes the entire spider-community out of the home base chasing him through an absolutely massive complex and eventually onto a space elevator. It's such a fluid scene, you kind of just accept that it's a desperate chase sequence - Miles is just running. It doesn't occur to the other spider-people that Miles might have a plan beyond running until he basically tells Miguel that, hey, he did just get every other spider-person out of the facility that has the portal to get him home. He wasn't just running away, he was luring everybody away so he can leave.

And this moment is fantastic on a meta-level, because Spider-Man is traditionally a bit of a trickster hero. Most of his enemies are able to physically outpace him, and he needs to use mobility and strategy to take them down, often luring them into environments that work against them - like a fun moment in Spectacular Spider-Man where Spidey defeats the Rhino by luring him into a steam tunnel and basically giving him heatstroke through his armor plating. But because the entire core theme of this movie is "Miles isn't a real Spider-Man," it literally doesn't seem to occur to the other spider-people that Miles's seemingly panicked running might be him pulling a Spider-Man on them. We're so used to being in Miles's head and knowing when he's got a plan or a ploy that this is a very fun moment to watch. He's successfully deceived an entire army of spider-people, and the audience is just as blindsided as Miguel - and a little less electrocuted, so it's a lot more fun for us.

So yea, trickster heroes are a fun little space of character, but you gotta be careful to put them in the right kind of situation, lest their fundamental dishonesty come across as alarming rather than extremely rad.

#I also have a reboot example but I shan't inflict that on you guys without due cause #asks #writing stuff #not aurora

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bl0odyh3art · 1 month ago

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JUST LIKE HER.

warnings: incest (father/daughter), James being disgusting, james comparing you and Mary 😭, non-con to dub-con, and getting turned on by yelling.

this is dead dove/dark content. if are uncomfortable with this kind of content or don't like it, then do not interact.

a/n : this lowkey sucks to me

Being with your dad wasn't so bad. He supports you, cares for you, lets you drive his car sometimes, and decided it was okay for you to live with him still. Unless you find a nice spot. But there's one thing.

He's really, really, really, really, a serious loser. I mean come on…he's kinda pathetic. Sad to say it but it's true, your dad isn't always the best of the best. He can be lazy and dumb. Sometimes really touchy with you as well….but that's for another time. Whenever he sees you, cleaning, cooking, or whatever that reminds him of Mary in the slightest.

He'd go insane and go on long stories about her, of course he never told you what really happened…you'd hate him with all your guts and heart. He even feels pathetic for mistaking you for her once.

“Dad, it's been years. I thought you'd let go of it now.” You sighed as you grabbed the tiny towel to dry off a dish.

“I know, sweetie but it's just-....you look like her sometimes and that makes me freak out..” He looked away from you, what kind of father does that? Gets excited over almost seeing his dead wife but in reality it's just his daughter.

Honestly, when did you get so big? When you were a kid, you looked a lot more like him. Exactly like your dad, people would mistake you for a boy sometimes.

He was staring at you, long and good…just looking. ‘Would she feel just like Mary?’ He let his thoughts take over. What the fuck.

He cringed internally and put his head in his hands. He can't. He knows he shouldn't…but fuck. He saw all the bits of Mary…Mary…and himself. Mostly his genes but you were a perfect mix. The tits and ass…god he just wanted to grab them and compare them but that'd already make him more of a loser than he is.

Being miserable and wanting to fuck his own daughter? Really trying to make himself look bad at this point. But what could be the harm? Only once. He hid Mary's death for a bit…He can hide this too.

“What are you doing?” Scoffing at him as he puts his hands on your hips, Trying to swat them away.

“You look like her, y’know..?” He said in the softest and sad voice he had.

Pathetic ass loser trying to seduce his daughter. Barf.

“Okay…and?...” You tried to turn your head to look at him. He stared at you with a certain look you've seen before. The look you saw customers give you at work. “Let's fuck” look. He tried slipping his cold hands underneath your sweater, making you flinch and push him away.

“Hey! What the hell is wrong with you?” Your brows furrow and look disgusted with him. You should be disgusted because he deserves it.

“Honey, I'm so sorry…I don't know what came over me….” He sighed. He knew exactly what came over him but sadly it didn't work.

So plan B. Fuck her while she's sleeping. Not his proudest moments but hey, he's had worse moments. So during the night, while you're all tucked in and fast asleep. He comes in like the boogeyman at night and boom.

He can't wait another minute, feeling up your tits and kissing you…Okay, so it doesn't really taste like her but it's sweeter and softer.

After minutes of kissing you and feeling up your tits, you get up and slap him quickly “God, what the fuck is wrong with you? I can't even sleep anymore? Fuck…you're so gross, I can't believe mom delt with you.” You basically yelled at him and wow, that's what got him hard.

Whiskey Dick the whole time he was touching you but the yelling is what got him turned on. Fucking freak.

You couldn't do much, he's stronger and older, you had to give in and just let it happen. He has a big dick though…a real nice pale, veiny, pink tip dick. Pushing it deeper and deeper into you as he let go of strained groans.

“I'm sorry…. I'm- fuck I'm sorry baby but…I couldn't stop…” He breathed out into your neck, he got red pretty easily. his pretty neck is all red and his dick of course just absolutely throbbing against your soft walls. Making you cry out in pleasure and pain.

“Dad!...Oh God…ahah…please rub my clit…” you whined to him and he instantly listened. It's so cute. the perfect pussy, chubby, tight, and wet. After what seemed like hours, he finally came all in you. His jaw clenching, eyes closed, and hands stuck to your hips while he tried so hard to not moan ‘Mary’. No condom or anything. He wasn't capable of waiting for something like that. He felt guilty. Looking at your tired and exhausted expression.

“Baby…My baby…I'm so sorry for that..” He sighed out, leaning his head down to your shoulder and letting it rest there as you just patted his back. “S’okay, dad…” you slurred out, cock drunk.

At least he got some pussy finally.

#james sunderland smut #james sunderland x reader #james sunderland #silent hill 2 remake #silent hill #silent hill 2 #dad!james sunderland #tw.incest

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wileycap · 9 months ago

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The Stupidest Things In Netflix's Avatar The Last Airbender: A List

a.k.a.

a whiny rant from someone who has dedicated far too many of their already limited number of braincells to atla i know it's just a tv show but come on this is what tumblr is for let me whine

For your consideration, with many spoilers:

5. Katara Being Smug After Kicking Jet's Ass

In the original, Katara is betrayed by Jet. You can feel the raw emotion in the words "I trusted you! You're sick, and I trusted you!" immediately followed by her concern for the innocent people Jet has seemingly murdered. It's not a triumph, it's a wound, and the next time she sees Jet, her first reaction is "kill on sight".

This is great. It's heartwrenching, it's humanizing, and Katara using violence against Jet isn't a victory for her. It's just pain.

In the live action, Katara very mildly chastises Jet for trying to kill innocent people, which is... an interesting characterization for her, to say the least. Jet then tries to grab her, immediately followed by Katara throwing him and freezing him. She then just tells him goodbye. Her tone is placid, almost unaffected.

And then Jet says "Look at the power you have. That's because of me!"

Katara: "That wasn't you. That was me."

And then she strides off with a small smile, and that's the end of that. Sokka and Aang are not present. It's an incredibly hokey moment that's meant to emulate the style of feminine empowerment, but it has none of the substance. It glosses over any human feelings of hurt and betrayal. All that the it ends up doing is removing a story beat for Katara.

4. The Badgermoles

"They're blind! They sense feelings and react to them! Anger, fear... but mostly love."

Katara and Sokka hold hands in a cave and it makes the badgermole stop attacking them.

The blind badgermoles. Navigate by... love.

Yeah.

Do I need to say anything? Can we all see (pun intended) how stupid that is?

3. Bumi Makes Aang Choose Between Killing Him Or Letting Himself Die To Make The Dumbest Point Imaginable

Remember Bumi? Aang's old friend, a fun, kooky king? Well, here he's an actual fucking psychopath.

He collapses part of the roof onto Aang, and Aang holds it up with airbending. Another part of the roof collapses on Bumi, and Bumi just... shrugs his shoulders, fully intending to die. Aang holds that one up as well, and Bumi, instead of helping, makes the dumbest fucking point I've ever heard about "making tough choices", and urges Aang to let the boulder crush him.

Again. Bumi, the fun, wise king, wants Aang to kill him.

The situation is defused by Katara freezing a little strip on the floor so that Sokka can very slowly slide on it and tackle Bumi to safety. I can not emphasize how slow his slide is. Running would have been faster. Bumi has time to look at him and say "Huh?" as Sokka slowly slides across the floor. Oh, yeah, they were led onto the scene by the love-sensing badgermoles.

Then it's Aang's turn to be dumb. He says "you CAN rely on your friends" and hands Bumi a friendship rock. Bumi is pacified for now, but there is no telling when his next Saw trap will activate.

This made me actually feel bad. I just. I kept expecting for it to turn into a secret lesson, like Bumi in the original show, but it never did. Bumi's just a spiteful psychopath who is easily swayed by the gifting of rocks.

2. Koh The Face-Stealer Has A Backstory Now

Why? Mother of Faces? What? No.

No.

Iroh Is Intimidated By Zhao, And Then He Kills Zhao

Ah, Live Action Iroh. The most ineffectual man on the planet.

So, Zhao has the Moon Koi in a bag, and is ready to stab it with his special stabbing implement. Iroh is standing right behind him. RIGHT BEHIND HIM. Iroh has been there the whole time. Iroh does not want Zhao to kill the fish.

Iroh says: "Whatever you do to that spirit, I'll unleash on you tenfold!"

Remember how in the original, where that was like a big, shocking moment that he got angry? And how Zhao immediately let go of the fish, only to then have his anger get the best of him? How Zhao attacked the spirit by surprise?

Well, here it's a little different. For one, like I already said, Iroh doesn't come in suddenly, he sort of gets bullied into looking for the spirit by Zhao. Then he looks for the spirit, and after Zhao finds it, then he decides that he really has a problem with killing the spirit. He did protest before, but then he kind of just caved and helped anyways.

He threatens Zhao, and Zhao just... brushes him off. "Spare me your empty threats." Then the firebenders next to Iroh sort of... glower at him menacingly, and Iroh looks worried.

Zhao offers Iroh a place at his side once he becomes Fire Lord, which, uh? Okay. Fine. I actually don't have a problem with Zhao wanting to be Fire Lord, that seems to be entirely on brand for him, but everything he does to get to that goal is just stupid.

Aang arrives, they talk, Aang says "I don't matter", and then Iroh, who has sidled past the Glowering Firebenders Who Do Nothing Else, shoots the fish out of Zhao's hands. And then, as Zhao is on the ground, reaching for the fish with his special stabbing implement, Iroh forgets that he can shoot fire out of his hands, and lets Zhao stab the fish.

AND THEN Iroh, who literally stood by two different times and let Zhao kill the fish, decides to kick everyone's ass. And the Glowering Firebenders do nothing. One of them just stands in the background. Iroh doesn't even attack that guy.

In the original, Iroh immediately leaps into action after Zhao kills the spirit by means of surprise attack, takes out Zhao's guards in about a second, and Zhao escapes.

Here, he doesn't do anything at first except help Zhao find the spirit he doesn't want to see killed, then back down, then do something, then back down again, then do something again, then forget that he can do anything, and then he does something again.

It's just... so dumb. (So dumb it's brilliant!) No! It's just dumb!

And then, fifteen minutes later, after Zuko has dueled Zhao, Iroh kills him. Iroh just barbecues him by striking him from behind. Gee, Iroh, if you were willing to do that, why not just do it when Zhao was holding the fish?

Dishonorable mentions:

The fact that all of the actors fit their characters so well and have some great moments, but the show just doesn't support their performances at all. I feel so bad for all of them, being robbed of a chance to shine by some truly awful writing, editing and direction

The Ocean Spirit making Godzilla noises

June flirting with Iroh (didn't they say that they wanted to remove iffy stuff from the original? Well, that whole thing was iffy in the original. Why didn't you cut it entirely?)

Zuko doing the jazz hands to charge an attack

All the clunky and unnecessary exposition (for example: after Aang turns into the Ocean Spirit, Yue immediately turns to Sokka and narrates that Aang has turned into the Ocean Spirit, for almost 30 seconds)

The fact that Aang can only communicate with each Avatar at their shrines

The Ice Moon

The Cabbage Man literally turning to shout his line to the heavens while fire rages around him

The Secret Tunnel song being shoehorned in for no reason

Iroh's entire backstory being shoehorned in for no reason

Ozai being a caring dad actually

Zuko being shocked that Ozai prefers Azula

Gran Gran's speech

The fact that they showed Gyatso being killed by Sozin (literally nobody needed a big action scene, because that's what it was, predicated entirely on the genocide of the Air Nomads)

And finally, the fact that Sokka and Yue's reason for going to the Spirit Oasis is that Momo was fatally injured.

#avatar the last airbender #atla netflix #netflix atla #netflix avatar #aang #zuko #iroh #katara #jet #sokka #atla spoilers #atla zhao #fire lord ozai

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idiotmf · 4 months ago

Text

Excited Werewolf bf turning for the first time

(To the anon who brought up the cervitaur fluff: I shall deliver soon, it's a bit longer and more edited this time around. My anxious brain must notify you though, whoever you are. xD)

NSFW, MDNI

Another one of those 'hear me out' posts but like...

I keep seeing posts about werewolf bfs being scared to turn in front of you, but what about the opposite? What if you're the scared one?

Werewolf bf has to reassure you that it's "fine" and "nothing is going to happen" but he's so fucking excited to finally show you all of him, to show you his most primal form. But you're reluctant. You trust him of course, but you've heard the horror stories! The tales of werewolves in ruts destroying furniture, doors, hell, even chains sometimes.

Of course werewolf bf isn't going into rut, that time of the year hasn't come yet but remembering last year in his more humanoid form was already pretty hard on you.

He, of course, assures you that there is no way of him hurting you. So, eventually, you do give in and he bounces like an excited puppy, as he prepares by taking his clothes off.

Within moments, he has considerably grown in size, brown fur all over his broad body to match his dark eyes, his human features morphing into animalistic ones, yet he's not quite an animal.

“What do you think babe, cool right?” His excited voice booms through your apartment, his ears almost scraping against the ceiling. Your head barely reaches his chest, his arm alone longer than your leg. Having only ever seen shifted werewolves on TV, you hadn't considered the sheer size of them.

His tail wags so fast that things behind him get knocked off of your table just from the gust it creates and you can't help but think that it's sort of... Cute?

He's like a big puppy but he's your boyfriend! You touch his fur excitedly, marvelling at how soft it is, calling him a big teddy bear, which makes his tail wag faster. He lets you touch his face and sensitive ears, allowing you to get familiar with his more animalistic side. You stroke his head and his wildly flailing tail, as he licks your cheek with a large, wet tongue, leaving a trail of drool on your face.

Maybe this isn't so bad!

This thought, however, only stays for mere seconds, as he turns back towards you, ripping his tail out of your hands, your stomach now pressed against a cock bigger than your forearm, long, thick, hard, and begging to be touched by your small hands.

All your boyfriend does is growl at you in response to your surprised face, as he pushes you down on the large couch, your face morphing from shock into anticipation. Without a single word, he rips your pants off, exposing your excitement to him.

#teratophillia #monsterfucker #monster smut #werewolf x reader #x reader #gn reader #x reader smut #monster kink #monster fuqqer #monster fucker #exophelia #monster lover #monster x human #terato

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writing-mlm · 2 months ago

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Hii I just found your blog actually and I love your stories,and uh,per say if I were to request a spencer reid x m reader where reader is a famous author and composer and whenever the team meets him it's pure chaos,just fluff in general actually. you don't have to do this if you don't want to of course! - Moony (shh it's a nickname that stuck)

Don't Spoil the Ending

Summary: Meeting your boyfriend's friends is a natural step but what isn't is them harassing you because you keep killing their favorite characters Pairing: Spencer Reid x Male reader W.C: 3k a/n: PLEASE I KNOW THIS TOOK ACTUAL YEARS IM SORRY oh and the walking dead spoilers ig

Whenever Spencer had one of his spells, whether that be his migraines or moments where the world just feels too much. Too heavy, too big, too scary, he went to your house. Your house, his escape from everything. A quaint home he could see himself moving into.

A lovely one-bedroom, two-story home tucked into a hidden part of the city. There’s a small garden in the back, hardly filled with vegetables and mainly flowers. The front lawn, when he had first seen it, was mowed down to the dirt and replaced with various native plants. It didn’t take long for it to get to its current state, a lovely amalgamation of plants and wildlife that thrived in the almost cottage-looking home.

He eyed the official state-provided Certified Wildlife Habitat sign that hung just in front of the property and let his messenger bag slump from his shoulder. There was no need to keep up appearances, not when you open the door and wait for him with a cup in hand. His mug. His mug you’d gotten him from the flea market on your first date and had remained in your house since the tenth date where he had to rush out for a case and never picked it back up.

“Should I cancel with your team?” You ask, voice soft as he takes the mug and nearly inhales the tea. He looks at you, confused and you know then and there the headache is bad. “Your team is supposed to come over for dinner today.” Blinking, he sets the mug down on the shoe rack and kicks his shoes off.

“No,” He sighs, his internal debate lasting nearly two whole minutes. “A nap and the rest of the tea should be fine.” It wouldn’t, you both know that but the dinner has been rescheduled twice already. Once due to the flu that was making its rounds through the entire team and another because you had an emergency to attend to.

“Okay,” You hum, locking the door. He eyes each of the three locks and finds your hand. “Do you want to hear a specific symphony?”

“Do you have anything new?” He asks, letting you guide him up the old wooden stairs to your bedroom.

“I do,” You nod. “I learned some music from Howl’s Moving Castle.”

“For inspiration for the DreamWorks movie?” Nodding, he sits with his back pressed to your headboard and the blankets pulled up to his belt.

“Remember to take off anything tight. So your belt, those socks, and such.” He smiles and nods, doing that as you leave the room and make your way down to the living room. Your piano is loud and sits at the perfect volume from your bedroom for his headaches. At night it’s amazing, the black-out curtains and the hidden glow-in-the-dark stickers around your room make him fall asleep in minutes.

He listens as the steps creak and gets to work on getting himself comfortable. He should get up within the next two hours and help you prepare dinner for the team. But he doubts you’d actually wake him up on time for that and wait until everything is done so he could rest for as long as possible.

Sipping the tea, he grabs his phone and sets a timer before placing it under the pillow. It’s silent but the vibrations will wake him up if you don’t. After doing that, he sets his things on the rocking chair and hears the starting notes of the music drifting up. He tries his best to focus on the music and not the notes themselves as he tucks himself into bed.

—

He was right.

He was absolutely right in that you wouldn’t wake him up. You even took away his phone when you went to check on him sometime later. He only woke up when he smelt the food coming from the oven and the loud ow you hissed when you bumped your forearm against the oven racks.

He doesn’t bother to fix himself as he stuffs his feet into his house slippers and begins his descent down to the kitchen.

“Aw, sorry, hun. I didn’t mean to wake you,” You call over your shoulder, hearing the banister creek under his hand.

“You should’ve,” He chided while wiping the sleep from his eyes. His migraine is gone, which is honestly surprising. It must’ve been a terrible headache, then. Especially considering he doesn’t medicate for them anymore. “I was supposed to help you. You didn’t even let me buy groceries.” He frowns, staring at the array of food you’d made.

“Please,” You dismiss, putting a damp cloth over your burnt forearm. “My brother came over while you slept and made half of it. New recipes for his restaurant.” Spencer looks at the fancy little labels on the trays; shawarma, broccoli cheddar potatoes, sun-dried tomato pasta, garlic bread, baked ziti, and lemon pepper chicken.

“Did you already make the dessert? I can help with that,” He offers, scanning the counters.

“You needed your rest, Spencer. Everything is already made and Derek said he’ll be here in ten. He’s picking up Penelope and Emily.” He stares at you and you stare back. “Fine. I haven’t finished cleaning the living room. Could you grab the extra chairs from the shed? Or grab the large tray from the cabinet and organize the brownie dip?”

“I got the brownie dip,” Heading out to the shed, you grab four foldable chairs and remind yourself to clean the dusty leather once you get back inside. You’d rearranged your entire living room and dining room for today. The couches, which used to be in a more closed position, were all shoved against the walls and the shelves you had were hidden away inside of your shed. Your coffee table, which Spencer vaguely remembered had different shapes, was out in its longest form and several coasters were scattered around. Not to mention plate mates stacked on the edge.

He’s glad you left the wall decorations up, although he thinks you could’ve done without the framed picture of you and him at your cousin's wedding where he has cake smashed on his face and your fingers are covered in white frosting. You still deny doing that.

“Like this?” He asks once you’re done cleaning the chairs. Peering over his shoulder, you rub along his hips and nod.

“Looks perfect. Have you tried it yet?” He shakes his head and you grab a graham cracker and put some of the dip on it. He takes it and tries it, aware of your gaze on him.

“It’s good.” He affirms and you nod, grabbing a strawberry and dipping it inside.

“My nan used to make it when we were kids. It’s super good, but she added rainbow sprinkles.” The doorbell rings and Spencer goes upstairs to get himself properly dressed while you go to the door.

“Hey, guys!” You greet them, their names popping into your head as you see them. “It’s nice to finally meet you.”

“Your lawn is beautiful,” Penelope says as she hugs you, careful to not drop the dish she’s brought. You think it’s some type of finger food because it moves around. “How’d you get it like that?”

“Oh, thanks. It’s almost native plants. The bees and butterflies do most of the work.” Stepping aside, you greet Emily and Derek and check outside. There’s no one else so you close and lock the door. Just one lock so you don’t have to keep undoing it until everyone gets there.

“This is lovely,” Emily says, her eyes taking in your home. She eyes the support beams and then the vintage wallpaper. “Aw, look at Spencer!” She laughs, staring at the picture from the wedding just as he’s coming down the stairs. His arm snakes around your waist and you hold his hand, eyeing their shoes.

“Do you guys want some house slippers?” He asks for you and takes them to the closet where you keep them. You bought some new ones just for today. When they return the door rings again and this time Spencer gets the door while you set out the food. You’ve never really hosted before, so you awkwardly stand in the space between the dining room and living room until Spencer beckons you over.

“This is Hotch and Jack, you’ve met JJ, her husband Will, and their sons. Henry and Michael. He introduces and you shake hands with the men and wave at the boys.

“It’s good to see you again,” JJ says as she pulls you in for a hug. You’ve met her twice, once at the park accidentally and another while you both were hanging out with your sister and niece at the mall.

“Likewise, please sit. The food is done so feel free to serve yourself.”

She nods and she and Hotch set their food next to the rest of the food. She’d brought three bags of chips and Hotch had gotten ham and cheese sliders. Derek had made macaroni and cheese, Penelope brought over zucchini garlic bites, and Emily brought over two bottles of red wine.

“This is a lovely house,” Will says as the two of you stand awkwardly, watching the others talk to each other.

“Thank you. You have a lovely family,” He smiles over at them and nods.

“Are you and Spencer ever gonna…” He trails and you suck in a breath. Your home isn’t exactly big enough for kids, maybe just you and Spencer. It’s not even ideal for hosting, but you made it work.

“One day, maybe.” You answer, looking at him as he’s holding Henry. “We haven’t talked about that yet.” He nods and you get to leave when Rossi knocks on the door.

“Am I the last one?” He asks upon hearing the noise.

“They say the best is last, no?” He laughs and nods, presenting his famous pasta and you happily lead him to the food table. Some of the food is already gone and you see Spencer holding two plates. Making your way over to him, his eyes light up and he hands you one of the plates.

“I noticed some of it was going quickly,” He explains as you take the plate. It’s piled in neat forms, none of the food touching each other. “So, I made you what I thought you’d like.” Thanking him, you drag him to a seat and everyone settles down with their plates.

Turning the TV on, you put on a random show and tune the conversation going on around you.

“This is really good,” JJ says, pointing her fork at the broccoli cheese potatoes.

“Is it?” You ask and get an enthusiastic yes from Jack. “I’m allergic to broccoli so I’ve never actually tried it.”

“Aw man, you’re missing out.” Derek sighs, rubbing his stomach after he’d eaten three of them and you laugh, twirling the plastic fork around the Rossi pasta.

“(Y/n)’s brother owns a restaurant, he’s thinking of adding those to the menu.” Spencer explains and you nod, putting the fork down.

“It’s called Bun-Apple Tea. He’s thinking of adding those, the tomato pasta, and the baked ziti to his menu. I’m usually his test subject but he appreciates the wider audience.”

“Oh, he should add it.” Will says. He’s been busy feeding Michael bites of the garlic bread while also feeding himself the macaroni and cheese. “I took JJ there once, she loved it.” She nods and recounts the experience and your eyes widen.

“I worked that day!” You admit. “I was playing some music, were you the couple that had ordered the mushroom soup and the couple next to you tried to steal it?”

“Oh my god, yes!” She laughs. “You were playing the piano, right?” You nod and tell the story to the others.

“Spencer mentioned you’re a writer, too, right?” Hotch asks.

“I am,” Sheepishly, you look at Spencer. He smiles at you, not even sorry that he talks to his friends about you and your jobs. “I mainly write young adult fiction but I’ve started writing science fiction.” You elaborate.

“One of his books is getting a TV show.” Spencer easily boasts and everyone congratulates you. “He’s also going to be the lead composer for it.”

“That’s amazing.” Emily says. “What book is it?”

“It’s one of my series; The Walking Dead. It was also a comic book for a special edition my publisher did.” The conversations devolve until you get up for a second plate of food from the kitchen. Spencer follows you with a large grin and fixes himself some more juice.

“They like you,” He says and you look over at him. “I knew they would, of course.” He adds. “But this… wow. We should have a watch party for when the show comes out.”

“Maybe.”

—

“Ahh! My friend made this!” Penelope shouts as she shakes your shoulder. The first episode of The Walking Dead was set to air in just a couple of seconds and as Spencer predicted; it turned into a watch party.

It’s been nearly a year since the first time you’ve met them and you’ve been busy composing and having the final say over most of the show. Spencer sometimes tags along, giving his opinion on how certain things would look from a scientific standpoint. But there’s a lot of far-fetched imagination when it comes to zombies and what people could do.

You think he just likes learning from the design crew on how they do things. He does. But he also likes seeing your book come to life, remembering each detail, and having people fix them without you noticing.

Everything had come to fruition after several months of working and pitching ideas, not to mention filming and creating sets.

You’re all at JJ’s house, scattered amongst the floor with the boys upstairs asleep. You’d warned them it’s definitely not suitable for them just yet and they trusted that.

“This opening is good.” Derek says and you thank him. You want to tell him it was you and Bear McCreary who helped compose and Dominik Hauser who helped perform it with you but you don’t think he cares all that much.

Spencer lays his head on your shoulder and you wrap your arm around him, happily watching the show that you know is going to ruin them forever. You’re glad they haven’t read the books, because damn. You look at all these faces that don’t make it to the final chapter and wonder how mad they’re going to be when their favorite will inevitably die.

And boy, did they hate you.

By the end of season one they all but refused to tell you their favorite characters. Never mind the story has been written and you couldn’t change it. Penelope would send you voicemails crying whenever she watched an episode early, yelling at you for killing her favorite character or someone who definitely didn’t deserve it. You made it up to her by being able to let her meet the actors during Comic Con the same year.

Spencer, on the other hand, knows everything. They’ll pester him at work for spoilers and he’d just shrug.

“I don’t remember who died.” He tells Morgan one day.

“You remember what you ate for breakfast when you were ten. You know who dies this season! Who is it?” Derek demands, following Spencer out of the bullpen and into the elevator.

“I know,” Emily grins.

“How?” Derek asks, his gaze accusing Spencer of spilling the beans to her but not to him.

“It was a book first, genius,” She reminds him and shrugs. “I got tired of waiting and just read the book for this reason.” Stepping into the elevator Derek groans. He’s not going to read the book.

“How’d you like it?” Spencer asks and she groans, throwing her head back.

“It was so good! The deaths hurt like a bitch.” She explains and he laughs.

“His sister blocked him for a month for killing this one character.” He explains and she nods, that’s completely justified.

The elevator doors open and they spot you waiting at the front of the building, holding a cup of coffee and talking to JJ.

“Hey, sweetheart,” He kisses your forehead as your conversation comes to a natural stop.

“Sup,” Handing him the coffee, you greet the others. “I got your email Derek, and I’m not telling you.” You all walk outside and Derek pushes your head.

“I’ll just read the book.” He turns his nose up and you hum.

“This book took Spencer twenty minutes to read.”

“Damn. How long is the audiobook?”

“About thirty-six hours,” Spencer answers. “Thirty-five hours and fifty-two minutes long.”

“Oh, hell no. I’ll wait,”

“I couldn’t.” JJ sighs. “I finished the book last night.” He huffs and leaves the group, heading to his car. The others laugh and also split up leaving just you and Spencer.

“They’re not ready for Carl’s death.” He tells you, a hint of a smile on his face.

“You certainly weren’t,” You snicker, grabbing him by his wrist. “Now let’s hurry, I still need your opinion on suits for the award show.”

—

“You’re hurting my ears,” You tell Emily as she plays your piano in all the wrong ways. “My poor baby is being abused by you, I hope you know that. You monster.”

“What about me?” Penelope grins, playing your violin.

“You’re actually killing me. The two of you are going to become murderers at this rate.” She frowns and checks her fingers on the violin before playing one actual note. “That was good. But I can also see JJ about to pick up my trombone and that thing was my very first instrument so she should put it down.” Carefully, she sets it back in the case and Spencer comes down the stairs with Derek close behind.

“Oh, are we playing?” Derek asks and b-lines for the cello you have.

“They’re killing me,” You mumble to Spencer at the base of the stairs. Neither of you are hiding your expressions, not even when JJ joins Emily on the bench and they play horrid— horrid sounds.

“I’m about to spoil the Glenn death to get them to stop.” You whisper, staring at Penelope as she pressed too hard on the strings and winced.

“Don’t,” He gasps. “They’ll never recover.”

“Good. Neither will my ears after this torture!”

#x male reader #x reader #spencer reid x male reader #spencer reid x reader #spencer reid x you #spencer reid fanfiction #can you tell i rushed this

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jetii · 3 months ago

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i loveeeeeee ur writing. its like a masterpiece. mwah. i was wondering if you could do an angsty fic with the prompt "I loved you!" with any clone boy you want (maybe crosshair 👀) I was listening to Cardigan by taylor swift and it lowkey set the mood.

sorry if the request is very vague cause i never watched bad batch yet im a huge simp 🥲 so do whatever you want.

I know you got like a tonnnn on your plate and i lowkey feel bad requesting but you write really good so take ur time to take care of yourself.

hiiiii anon. if you are who i think you are, then you'll have already been watching TBB by now, but if you're not, what are you doing!! /affectionate

after listening to the song (i have a sister who is a swiftie but alas i am not) and thinking harder about your prompt, i was inspired to write this for Echo, so i hope that's okay!

The Way Back

Pairing: Echo x fem!Reader

Words: 9,621

Tags/Warnings: angst with a happy ending, hurt/comfort, established relationship, dramatic reunion, reader is a lawyer, Tech is a good brother, Echo needs a hug, allusion to panic attacks/alcoholism/depression

Summary: Echo always knew you were it for him, but the idea of seeing you again after so much has changed is more than he can take. Until one day he finds himself outside of your apartment, and the choice is made for him.

Previous Work | Next Work | Masterlist

Echo doesn’t leave the ship when it docks on Coruscant.

His eyes are locked on the city-planet, lit up like a giant firefly, watching the endless stream of ships coming in and out. Their trails of light make the whole thing seem dreamlike, surreal. Even that feels like too much, reminds him too much of the view from your apartment, and he tries to close his eyes, but his eyelids are made of glass.

The first time he saw Coruscant, there had been a moment of... what, awe? Terror? Something. Something big, anyway. He didn't understand then that you can have a feeling be a lot of things. He'd looked down on the galaxy's center of power and felt something bigger than he could possibly contain. Now, sitting alone on the Marauder with only the whirr of the vents for company, he thinks maybe the feeling was dread.

The first time they came back here after Echo joined the Batch, the others didn’t notice his unease. Or at least they didn't mention it. It was an adjustment period for everyone, Echo most of all, and his brothers gave him space to do things on his own terms, even when it meant he did nothing at all.

This time, it's different. He can tell they've noticed how he's been acting, and they're not just leaving him alone anymore. He can tell, because they're giving him looks. The kind of looks that ask questions he doesn't have answers for. They make excuses to stick close by, like they're afraid he might take off or that he's going to break down and have another panic attack. It makes him want to hide even more.

He's not going to, though. It's not so bad. Coruscant has always been a source of good memories for Echo, despite what happened. The sights, the sounds, the tastes — they're all still the same. He'd spent a long time on Coruscant before the Citadel happened, and he'd gotten used to it, the way the air smells, the feel of the rain against his skin. He had a whole life here. He was happy.

It's not so bad. He just... doesn't feel like going out, is all.

He knows he’s being stupid. He knows that he should be out there, enjoying what little downtime they’re afforded. Instead, he's on the ship, trying not to stare out the windows, trying to pretend that he isn't bothered by the thought of leaving, of the possibility of running into you again, however small that may be.

The worst part is that he's not sure why.

It's not that he doesn't want to see you. On the contrary, he does. More than anything. He hasn't stopped thinking about you, wondering if you're okay, if you’re happy, if you've thought of him. He's kept his ears open, and has managed to overhear a few stories here and there about you. The most recent had been about you winning a case for a group of Houk refugees who had been seeking asylum in the city, a big deal for a young lawyer to handle.

It had made him smile, a real, genuine smile, the kind he rarely got to have.

But there's something about seeing you again, about you seeing him that makes him hesitate, makes his stomach turn over and his throat tighten. Maybe it's because he doesn't want to know for certain, doesn't want to see that you're happy, that you've moved on, that you're doing well without him.

Maybe it's because he doesn't trust himself. He's different now, he knows that. He's different, and so are you. He doesn't know if he can face you, doesn't know if he'll be able to handle whatever is waiting for him.

When he woke up in Rex’s arms and realized the galaxy had kept moving without him, he hadn’t thought much of it, solely focused on survival, on the fact that he was alive at all. He hadn't cared about what he'd missed, who he'd left behind. He hadn't known how much time had passed, and the thought that he was a dead man hadn't even crossed his mind. He hadn't thought about you, hadn't given himself the time or space to consider the consequences. You'd been the furthest thing from his mind. He'd had to keep fighting, to keep living. But once he had the time to think about it, to regret, well, it was...

It's different.

There's no other word for it. Everything is different.

Echo has had time, too much time, to think about you, to regret losing you. It's kept him up late into the night cycle, lying in bed, staring up at the ceiling, unable to sleep, thoughts running a mile a minute.

You'd been a good person, a better one than he could ever hope to be, and he had loved you, and then he had died.

Or, he had thought he'd died. Turns out he hadn't. That had been the only mercy.

You'd been the first and only person in his entire life to see him as something other than a soldier, and he'd loved you for it. You'd seen him, really seen him, and you hadn't run. He had been terrified by that, but it had also been the best feeling in the world. And he had taken advantage of it. He had let you in, he had let himself fall in love, and then he had died.

It's different, now. He's different. The galaxy's moved on, and he's a ghost, and he's scared. He doesn't know how to face you, doesn't know if he can. So when they’d made it out of Skako Minor and Rex had asked if he wanted to comm you, he’d said no. And he's been saying no every time since.

A small voice inside his head, one that sounds a lot like Fives, tells him that's bullshit.

His brother would have called him out on his cowardice, and Echo thinks that's a fair assessment. But even though he misses you and wants nothing more than to hear your voice, it's better this way. It's better if you don't see him like this, if you never find out the truth. The thought of you seeing him, of you seeing what's left of the man you knew, is too much. He can't do that to you.

It's better if you never see him again. It's better if you have closure, if you've moved on and don't think about him anymore.

You deserve more. You deserve someone who hasn't lost as much as he has, someone who you won't have to worry about, someone who will be there for you.

Someone who can give you the life you want.

Echo knows he can't do that. And maybe if he says that enough times, he'll finally believe it.

“Why are you still here?”

The sound of Tech’s voice snaps him out of his thoughts. He turns and finds his brother watching him from the doorway, an expression of vague curiosity on his face, a soldering iron twirling absently in his hand.

Echo shrugs.

Tech gives a short, impatient huff.

"That is not an answer," he says, crossing his arms and looking pointedly at Echo.

"I was just..." He trails off. Just what? Just looking out the window and moping? He sighs. "Nevermind."

Tech steps into the cockpit, looking unconvinced. Echo can tell he has a question on the tip of his tongue, can see him considering his options. Tech is not the most tactful person in the galaxy, and Echo isn't really in the mood to hear his thoughts, not when they're bound to be blunt. But instead of asking, his brother simply takes his seat beside him and begins tinkering with the dashboard, checking the systems.

The two of them are quiet for a moment, the only sound the clinking of the tools. Then Tech pauses and looks at Echo.

Echo fidgets under his brother's gaze. "What?"

Tech doesn't respond right away, taking a second to look Echo over. His eyes flicker around the cockpit, as if the gauges and switchboards will give him some kind of clue, before coming back to his brother.

"There is nothing wrong with the ship," he says.

"Okay," Echo says, confused. "So?"

"So," Tech continues, "there is no reason for you to be here. We are scheduled to remain docked until 600 hours, and you have the day off. You could be anywhere."

Echo rolls his eyes, a prickle of annoyance flaring in his chest. "Yeah, well, I'm here, aren't I?"

"Yes, you are," Tech agrees. There's a moment where he considers something, and then he speaks again, "If I may offer a suggestion?"

"Go for it," Echo grumbles, not bothering to look at him.

"Go for a walk."

"A walk?"

"Yes. Physical activity is proven to improve mood and mental health. And you could do with the fresh air."

Echo frowns. "What's that supposed to mean?"

"It means," Tech says, not even pausing in his work, "that you've been spending an inordinate amount of time locked away in here."

"I'm not locked away," Echo protests.

"No, I suppose not. But you have not been yourself since we arrived."

Echo doesn't have an answer for that.

"Go for a walk," Tech repeats, and this time he does stop and turn to Echo. He leans back in his chair and removes his goggles, letting them rest on his forehead, and the intensity in his gaze makes Echo squirm a bit.

"Where?"

Tech gestures towards the open space in front of them, the sprawling metropolis. "There are a number of options available, I'm sure. There are parks, shopping districts, museums, restaurants..." He ticks the ideas off on his fingers one by one, and then points back to Echo. "Perhaps you should find out for yourself."

Echo snorts. "Thanks, but no thanks."

"Why not?"

"Because I don't want to," he says, the words coming out more defensively than he intended. "I'd rather just stay here."

"Yes, I can see that," Tech says dryly, and Echo gets the distinct impression that his brother is making fun of him.

He scowls.

Tech is undeterred. "But I don't think that is what you actually want to do."

Echo's mouth opens to argue, but then closes it just as quickly. He's not sure what to say, not sure if he wants to say anything. Tech isn't wrong. He doesn't really want to stay on the ship, not truly. The idea of getting out and going somewhere is tempting, and if he's being honest with himself, the last thing he wants to do is sit here, stewing in his thoughts alone. Or worse, with Tech.

And he does need to stretch his legs.

He looks out the window again, taking in the sight of the planet before him. He's not sure what's going to happen once they get the signal for the next job, if they'll ever be back. He might never have this opportunity again.

He takes a breath.

"Fine," he says, throwing his hands up in the air. "You win."

Tech's lips twitch, a barely contained smile. "As I usually do."

Echo shakes his head, a grin playing on his lips. He starts to make his way towards the door, and stops beside his brother.

"Thanks," he says, placing a hand on Tech's shoulder.

"You are welcome," Tech nods. “Try to be back by 0600 hours. If you are late, we will leave without you.

Echo snorts. "I wouldn't expect anything less."

He leaves Tech there and heads to the ramp. His steps slow as he reaches the bottom, but he forces himself forward, out into the bright sunlight and fresh air.

Echo spends the next few hours wandering around Coruscant, letting his feet guide him.

He goes wherever the crowds take him, stopping at whatever catches his interest. It's nice, being able to let his mind go blank and not have to worry about where he's going. He doesn't have to think about anything, doesn't have to consider the consequences, or the risks.

He just exists.

And it feels good.

When he eventually decides to turn back, he's a bit surprised at how far he's come. He hadn't intended to venture so deep into the city, had just wanted a walk to clear his head. But the area he's found himself in is one he recognizes.

Your apartment is nearby.

Echo can feel his pulse start to quicken, his palm begins to sweat, and he stops in the middle of the walkway.

The sun has begun to set, and the crowds are thinning. You’ll be on your way home from work soon, if you weren’t already. His brain helpfully supplies the route you would take, and his eyes flit up towards the skyline. He can't see your building, but he knows it's there, not far away.

The knowledge sits heavy in his chest.

No, he tells himself, shaking his head. I shouldn't.

He has no way of knowing if you're even home. For all he knows, you could be busy, out with friends or maybe on a date.

Don't, his mind warns him. She's moved on. You shouldn't.

He hasn't been to your apartment since the morning he left. The memory is a sharp one, a jagged knife cutting through the fog of his past. He remembers the way your bed had felt, the warmth of your body, the sound of your breathing as you slept tucked against him.

It had been so peaceful.

It had been so easy to leave.

His mind starts to replay those moments, the goodbye you had given him, and it's like a punch to the gut. He knows how much you care about him, knows that if you were to see him again, that wouldn't have changed. You wouldn't turn him away.

The night before, you talked for hours. Your conversation had been punctuated with kisses and caresses, laughter and confessions. You told him how much you wanted him to stay, how much you wished he didn't have to leave, how much you wished things could be different. You talked about what the future might hold for the two of you, and he remembers how that felt, how it made him believe, even for just a moment, that things would work out.

They didn't, of course.

But Echo is still here, and so are you, and he can't help but think that maybe, just maybe, the galaxy might be giving him a second chance.

He takes a deep breath.

There's no harm in taking a detour, he thinks.

He walks, following the familiar path, trying not to think too hard about what he's doing.

It doesn't take him long to reach the building. He hesitates in front of it, looking up at the facade. It looks just as it did the last time he was here. Same lobby, same doorman, same lift. They haven’t even fixed the panel that's been sticking, and it takes a good deal of force for him to press the button for your floor.

The doors close, and he stares at his reflection, at the dark circles under his eyes, the scruff that has accumulated on his cheeks and chin, the lines that have appeared at the corners of his eyes and across his forehead. And then his gaze wanders to the ports and implants, the reminder of what was taken from him and what he was left with. He traces the outline of one with his thumb, remembering how he used to be.

He looks tired.

What are you doing? He asks himself.

He's not sure what he's expecting, doesn't have a plan for what will happen. All he knows is that he can't get the image of you out of his head. He imagines you coming home from work, and him being there, waiting. Would you be surprised? Happy? What would you say? What would he say?

Echo sighs.

He's an idiot.

The lift dings, and the doors slide open.

Your apartment is halfway down the hall, and Echo's stomach clenches with each step he takes. He reaches it and stands outside for a minute, running his fingers over the metal door, staring at the numbers painted on the surface.

It's just a door, he tells himself. Nothing special. Just a door.

His hand moves on its own, hovering over the bell. He waits, listens. There's no sound coming from inside, no music, no voices. Maybe you're not home yet.

Or maybe you're out. Maybe you're not alone.

He rings the bell and holds his breath, counting the seconds.

One. Two. Three. Four.

Nothing.

Echo rings again, this time holding the button down for a few extra seconds, listening for any sign of movement.

There's nothing.

The knot in his stomach tightens, and he releases the button, letting out the breath he'd been holding. He runs a hand over his face, feeling the heat of his skin through his glove. He's sweating.

Well, that's it, then.

He'd thought he was prepared for this possibility, but hearing the silence behind the door and knowing that you aren't home has shaken him more than he anticipated.

Maybe this is for the best, he thinks. It's better this way. Safer.

But the disappointment is palpable.

He's not sure what to do. He considers waiting a little longer, just to make sure, but the more he thinks about it, the more stupid it seems. He doesn't belong here anymore. He shouldn't be here, standing outside your door, hoping for something that won't happen.

He needs to go.

As Echo turns away from the door, a voice calls out behind him.

"Can I help you?"

For half a second, he's sure he imagined it, sure that it's just his brain playing tricks on him, taunting him. But then the voice speaks again.

"Are you looking for someone?"

Echo spins around, heart leaping into his throat, and there you are.

Standing there, a few paces away, is the woman he's been dreaming about, the one he's thought about every day, the one he's missed so much that it hurts.

Your hair is different, longer than he's ever seen it, pulled away from your face. You're wearing a dress, something he's only seen a handful of times, and your makeup is impeccable, but he can still see the hint of tiredness behind your eyes. He wonders how many hours you've put in at work this week, how much you've had to fight for your clients.

But the most noticeable change is that you're looking at him. Your datapad is held loosely in your hands, a bag of groceries on your hip, and you’re staring at him, your brow furrowed in confusion.

He doesn’t blame you.

This is a strange situation, and you must be wondering who the hell is standing in front of you, why they rang your bell and then walked away.

"Um," Echo says, suddenly aware that he hasn't spoken. He clears his throat, trying to gather his wits. He didn't think this through. "Hi."

You blink, clearly not expecting that response.

"Hi," you reply, warily.

Echo tries to say something, but the words won't come.

He's frozen in place, staring at you, unable to do anything except take in your appearance, drinking in the sight of you. He didn't realize how much he needed to see you until now, and the relief he feels is overwhelming.

"Do I..." You trail off, studying him carefully. "Do I know you?"

He feels his heart break, just a little.

You don't recognize him. Of course, you wouldn't. It's been so long, and he's not the same man you knew. His face is one of thousands, identical and interchangeable. He doesn't even look like a clone anymore, not really. He's more machine than man, now, and he has no idea how he expected you to see him.

"Yeah," he manages to say, his voice hoarse. "Yeah, you do."

You raise your eyebrows, waiting. When he doesn't say anything else, you take a step towards him, squinting a little. He can feel the tension in his body, can sense your scrutiny. It's not comfortable, but it's not unpleasant, either.

"Sorry," you say, sounding frustrated, "I can't quite —"

You stop, your eyes widening, and Echo can see the exact moment it clicks.

"Oh," you gasp, covering your mouth with a shaking hand. The motion makes the paper bag of groceries on your arm start to slip, and Echo rushes forward to catch it, placing it on the floor by your feet. He stands up, and he can feel your eyes on him, can see the tears beginning to well up, can hear your breathing quicken.

He waits.

"Echo?" Your voice is soft, tentative, like you're not sure if he's real or not. Like he's some kind of ghost. He's not sure that's not what he is.

"Hey, cyar'ika," he says. His voice cracks, and he clears his throat again.

A small, incredulous laugh escapes you.

"Hi," you breathe. You cover your mouth again, trying to stifle the sob that rises from your chest. "I —"

You let out a shaky breath, and then another, and then all of a sudden, you're crying, tears streaming down your face. Your hands come up to wipe them away, but more keep falling, and Echo is overwhelmed with the desire to hold you, to take away the pain and the sadness, to make everything right. But he doesn't know if he's allowed, doesn't know if it would be welcome. So instead, he just stands there, helpless.

"I'm sorry," you hiccup, wiping your face with the back of your hand. "I can't believe it's you."

He smiles at that, his own eyes burning. "It's me," he confirms. "I'm here."

You're shaking your head, your eyes never leaving his face, as if you're afraid that he might disappear if you look away. He doesn't blame you, and he does his best to stay as still as possible. The last thing he wants is to scare you, or make you think he's going to leave. Not when he just got here.

"I thought..." You start, and then trail off.

"I know."

You swallow hard, taking a moment to compose yourself. "I thought you were dead."

Echo winces. He's heard those words from a lot of people, but coming from you, they hurt. "Yeah, I, uh... I thought so, too, for a while."

He sees the look of horror that crosses your face, the way your eyes grow wet again, and he wishes he hadn't said it.

"How... How long have you been back?" you ask. Your voice is quiet, strained, and Echo can hear the question underneath, the one you're afraid to ask. The one that makes his stomach twist into knots.

"Not long," he answers, trying to keep his tone even, light. "Only a couple months, really."

"Months?" you repeat, incredulous. "You've been back for months?"

Echo shifts uncomfortably and nods. "Yeah."

You stare at him, your mouth opening and closing as you search for words. "And... And you didn't comm me?"

"I, uh... No."

You let out a sharp exhale and turn away, bringing your hands to your face, and he can see that you're starting to shake again. You're silent for a moment, and he can feel his heart pounding, can feel the blood rushing in his ears. His stomach churns, and he feels like he's going to be sick.

"Why?" Your voice is tight, controlled. It's the same voice you use when you're working, the one you use to keep yourself calm, to keep yourself from getting angry.

"I just... I wasn't..." Echo trails off, not sure what to say. I wasn't sure if I was coming back? That's true, but not the whole truth. I wasn't sure you'd want to see me? Also true, but also not the full answer. I wasn't sure I was worth it? Yeah, that's the one.

But he can't say it.

He doesn't know if it's fear or guilt or shame, but whatever it is, it keeps the words stuck in his throat. You're waiting for an answer, and he's not sure he has one.

"Echo," you say, your voice a warning. You turn to face him again, and he can see the hurt and frustration in your eyes. He wants to hold you, wants to apologize, wants to take it all back. But he doesn't move. He can't.

"Why?" you repeat, more forcefully this time.

"I didn't want to bother you," he says. It's the best answer he can come up with, and the worst part is that it's also true. At least, that's what he tells himself.

But the moment the words leave his mouth, he knows it's the wrong thing to say. You stiffen, and then your jaw tightens. He can tell that you're barely holding it together, and he wants to say something, to explain, but he doesn't get the chance.

"You didn't want to bother me," you repeat, and Echo can hear the anger in your voice, can feel the sting of it. "I'm sorry, did I not make it clear how much I care about you?"

"No, you did," Echo says, backtracking, trying to placate you. "You did, I promise."

"Then please explain how you thought keeping me in the dark about the fact that the man I love was still alive and well was not a bother."

The word "love" hits him like a punch to the gut.

You love him. You still love him. You're still here, and you're still loving him, even after everything. He doesn't understand, doesn't know why. Doesn't know how. But he doesn't have time to think about it, not with the way you're looking at him, the hurt and confusion clear on your face.

"That's not what I meant," he says, his voice low, pleading. "It's not that. I promise."

You let out a shaky sigh, crossing your arms over your chest. "What's the difference, then?"

Echo opens his mouth, and then closes it again, not knowing what to say.

"I mourned you," you say. Your voice is soft, almost a whisper, but it sounds loud in the silence between the two of you. "I loved you, and I mourned you, and I was doing okay, and then you just show up, and act like it's no big deal, like I didn't spend weeks, months waiting for you to come back, hoping you'd come back, and..."

Your voice cracks, and a fresh wave of tears begins to roll down your cheeks. Echo reaches out to brush them away, and you flinch. The motion stings, but he doesn't say anything, doesn't push it. He lets his hand drop to his side.

"I'm sorry," he says. "I didn't... I didn't mean to hurt you."

"Yeah, well, you did," you say, sniffling.

The words hit him harder than he expects, and he feels his throat tighten.

"I didn't know what to say," he admits, his voice breaking. "I didn't know what to do."

"Why not?" you ask, and your anger has softened, turning into something else. "Did I do something wrong?"

"No!" Echo says quickly. "Of course not. You were perfect. You were... You were amazing."

You look at him, and there's a vulnerability in your eyes that makes him want to gather you in his arms and never let go. He thinks maybe he should. But before he can, you speak.

"So what happened?" you ask. Your voice is quiet, but Echo can hear the desperation, the need for an answer. "Where were you? Why didn't you come back?"

“I—“ Echo looks around, suddenly aware of the hallway and the closed doors surrounding him, closing in on him. The space is too small, the walls are too close, the air is too thick. He feels trapped, like the world is closing in around him, and he takes a step back.

"Can we... Can we not do this out here?" he asks, trying not to let his voice betray his panic.

You study him for a moment, considering. He doesn't blame you. After all, he'd shown up out of the blue, and you had every right to be suspicious. You're still crying, but there's a steeliness in your gaze, and he can tell you're weighing your options, deciding if he's worth it or not. His heart hammers against his ribs as he waits, praying that you'll give him a chance.

Finally, you let out a sigh and nod.

"Yeah," you say, "sure."

You bend down to pick up the groceries, and Echo rushes forward, scooping them up before you can. You look at him, surprised.

"Let me help," he says. "Please."

You hesitate, and Echo can see the worry on your face, but then you nod, fumbling for the keypad. The lock clicks open, and you push the door open, motioning for him to go ahead.

He steps inside, and the familiar scent of your apartment hits him hard. He hadn't realized how much he'd missed it, how much he'd come to associate it with safety and comfort. It makes his chest ache, and he takes a moment to steady himself, willing the tears to stop.

Your apartment is the same, and yet so different.

It's still cozy, but there's a coldness to the air, a lack of warmth. The curtains are closed, and the room is dark, the only light coming from the dim bulb above the stove in the kitchen. There are dishes stacked in the sink, and a few pieces of dirty laundry have been discarded on the couch. The floor is littered with shoes and other miscellaneous items, as if someone came home and kicked everything off their feet, leaving it all in a pile. Echo’s brow furrows at the mess, and he wonders when you started to let the place get this way.

"I'm sorry," you say, sounding embarrassed. You take the bag of groceries from him, your cheeks flushed. "I wasn't expecting company."

"Don't worry about it," he assures you.

"Here, let me..." You trail off, disappearing down the hall, and a moment later, he hears a door slam shut.

Echo stands there, unsure of what to do. His gaze wanders around the room, taking everything in, trying to find something to occupy himself with. It feels like years since he's been here, and the sensation is both comforting and strange. He remembers the nights he spent curled up next to you on the couch, the quiet mornings in the kitchen, the lazy afternoons spent in bed.

He shakes his head, trying to focus on the present.

You're back now, and he needs to concentrate.

He takes a seat at the kitchen table, drumming his fingers against the wood.

It's quiet, but Echo can hear you moving around, and he wonders if you're trying to clean up, trying to make the place a little more presentable. He doesn't care about any of that. He cares about you.

And he doesn't know what to say.

He runs his hand over his face, pressing the heel of his palm into his eye, trying to think. He's rehearsed this moment in his head, has imagined all the different ways it could go.

And now that it's actually happening, he can't remember a single one.

He's such an idiot.

The minutes pass, and you finally return. He hears you enter the room, the soft sound of your footsteps, but he can't bring himself to look up. Not yet.

"Echo," you say, and he can hear the hesitation in your voice. "What happened?"

"I don't know where to start," he confesses, dropping his hand and glancing up at you.

You've changed into something more comfortable, a pair of sweatpants and your favorite sweater, and your face is scrubbed clean, makeup-free. It's nice to see you this way, a reminder of the times you shared together, and the sight makes him smile.

"Why are you smiling?"

"Nothing, it's just..." He pauses, his eyes wandering over you. "I forgot how you looked in sweatpants."

You roll your eyes, but there's a hint of amusement on your face. "Seriously? You're sitting here, after being missing for months, and you're making fun of my fashion choices?"

"I'm not making fun of you," he says, chuckling. The pressure in his chest eases slightly, and he takes a breath. "I just meant that I missed seeing you this way."

You let out a quiet, disbelieving laugh, and then shake your head.

"You're unbelievable," you mutter.

Echo smiles, and for a moment, he feels normal. As if the last year never happened, and this was just a day like any other. As if he'd just come home from a mission, and you'd greet him with a kiss, and everything would be fine.

But then you sigh, and the moment is over.

"Look, I get that this is... Well, I'm sure this isn't what you were expecting," you say. You move to sit across from him, leaning your elbows on the table and resting your chin in your hands. "But we can't keep pretending like nothing happened. You have to talk to me."

Echo stares at you, his eyes taking in the familiar lines of your face, the curve of your lips, the color of your eyes. They aren’t as bright as he remembered, not as full of life, and the realization breaks his heart. This isn't how it's supposed to be.

"Okay," he begins, clearing his throat. "So, uh, this is going to be a lot."

"That's okay," you say gently. You give him a reassuring nod, and Echo feels a swell of gratitude for you. "Just... Start at the beginning, and we'll go from there."

"Right, the beginning." Echo nods, trying to organize his thoughts, and then he starts to speak.

He tells you everything, from the moment the explosion happened, to the moment he woke up and found himself in Rex's arms, everything in between. He tells you about his injuries, the surgeries, the physical therapy. He tells you about his time with the Batch, his newfound abilities, the things he's been able to do, the things he's learned. He talks about the missions, the jobs, the danger they've faced, and the risks they've taken. He tells you about the planets, the people, the experiences. He tries to leave nothing out, even the hard parts. The loss, the pain, the fear. He doesn't want to spare you any of it.

You sit there and listen, asking questions when necessary, but mostly staying silent. And when he's done, he sits there, feeling a strange sense of relief. He hadn't realized how much he needed to talk about everything, how much he'd been holding in. And he hadn't realized how good it would feel to tell you. To have someone who cared, someone he trusted, who knew him better than anyone.

When the words run out, and the room is silent, you let out a long, slow exhale. You sit there, your hands folded together, your gaze fixed on the tabletop, and Echo waits, not sure what to expect. But the longer the silence drags on, the more worried he gets.

"Cyar'ika?" he asks, his voice hesitant.

You take a breath and look up at him, and Echo is startled to see that your eyes are glassy, and there are fresh tear tracks running down your cheeks.

"Sorry," you apologize, wiping at them with your sleeve. "I'm not — I just..."

You take another breath, and then let it out, composing yourself. "Thank you," you say. "For telling me. I know that can't have been easy."

"It wasn't," Echo admits, and his throat tightens a little. "But I'm glad I did."

You offer him a small smile, but it doesn’t reach your eyes. You look like you’re far away, lost in your own thoughts, and Echo has a feeling you're not fully present, not in the moment. And he doesn't blame you. His words can't have been easy to hear.

"Is there anything else you want to know?" he asks, trying to break the silence.

You glance at him, your eyes focusing, and then look away, your jaw clenching. Echo can see the emotion on your face, can tell that you're struggling to stay calm, to hold it together. You've always been good at that, he thinks.

"I just..." You pause, taking a shaky breath, and Echo can see the tears forming in your eyes again. "I just don't understand."

He frowns, confused. "What do you mean?"

You close your eyes, taking a moment to collect yourself. Then, you stand up and begin pacing around the kitchen, your hands clasped behind your back. You move slowly, deliberately, your gaze fixed on the floor, like you're trying to make sense of something, figure something out.

Echo watches you, feeling uneasy. You're not giving anything away, and the silence is starting to get to him. He's never seen you in the courtroom, but he imagines this is the stance you take when you're interrogating a witness.

It's effective.

"Can you say something, please?" he asks. He knows he sounds desperate, but he doesn't care.

"I'm thinking," you say, and Echo bites his lip.

He feels like he's going to crawl out of his skin. He wants to get up, to follow you around the room, try to coax a response out of you. He wants to make this better, to make this right. But he knows that pushing you won't help, so he stays seated, trying to keep his patience.

You continue to pace, your expression blank, and the seconds tick by, the only sound the muffled noises of the city outside. It feels like an eternity has passed when you finally stop, standing in front of him, your arms crossed.

"I can't believe you thought I wouldn't want to see you," you say. Your voice is low, almost a whisper, and there's an edge to it that Echo doesn't recognize. It's not anger, not exactly. It's something else, something deeper.

"I know," he replies, his voice just as quiet.

"I thought you were dead," you say, the words coming out in a rush. "I grieved you. I mourned you. And then you show up, and you're... You're alive, and you're here, and you think the best thing to do is to leave me alone?"

"I didn't know what would happen," Echo explains, trying to keep his tone calm. "I wasn't sure if I was coming back, and I didn't want to —"

"No," you say sharply, cutting him off. "That's not an excuse. That's bullshit, and you know it."

Echo swallows, and nods, not sure what to say.

"We made promises," you continue, and Echo can hear the anger in your voice, can see the frustration on your face. "To each other. We talked about our future, we said things that... We made things that were real, and then you just decided it was too much, and you walked away. What the hell is that?"

"I'm sorry," Echo says around the lump forming in his throat. "I shouldn't have —"

"No," you interrupt, your eyes burning. "You shouldn't have."

Echo looks at you, and he feels like he's going to shatter. You’re staring at him with such intensity, and there's an anger in your gaze that he hasn't seen before. It's so different from the gentle look you usually give him, and it makes him ache.

"I didn't mean to hurt you," he says. "I swear, I didn't."

"Then why did you?" you ask, and there's a note of pleading in your voice. “I spent so long wondering, worrying, and you just... You didn't care."

"Of course I did," he argues. "It wasn't about that."

"Then what was it about, Echo?" you demand. "What was so important that you thought you couldn't tell me? That you couldn't comm me, or send a message, or do anything that would have let me know you were alive? That would have told me you were okay?"

"I didn't think —"

"What, that I'd care? That I'd worry? That I'd miss you? That I'd wonder where you were, and if you were okay, and what the hell happened to you?" you say, your voice rising.

Echo can feel the frustration building inside him, and he knows he shouldn't respond, knows that getting angry won't help, but the words tumble out before he can stop them. "I'm sorry," he snaps. "I wasn't exactly thinking clearly."

"That's not an excuse," you snap back, and Echo blinks, shocked. You're the most level-headed person he's ever met, and he's never heard you yell before.

"Yeah, well, it's the best one I've got," he says.

"Echo, I loved you," you say, and the past tense stings. "When Fives told me what happened to you, I —" Your voice catches, and the fight goes out of him. He can see the pain on your face, the hurt in your eyes, and he can't help but feel responsible. "I can't even describe it. It felt like my whole world was ending. And I don’t blame you for doing your duty, but I do blame you for not coming back to me."

"I know," he whispers. "I'm sorry. I really am."

You shake your head, turning away from him. "Why didn't you comm me?"

Echo hesitates. He doesn't want to admit his fears, his worries, the insecurities that have plagued him. He doesn't want to tell you how much he doubted, how much he doubted you. It feels too vulnerable, too raw. And it would only make you feel worse. But the longer the silence stretches, the more you deserve the truth. And he can't avoid it forever.

"I didn't think I was worth it," he says, his voice low. He can feel the heat in his cheeks, the sting of embarrassment. He can't look at you, doesn't want to see the pity, the disappointment, the anger. "I didn't think I was worth it."

You turn to face him, your expression softening.

"You were all I had left," he says. He feels exposed, and it's not a comfortable feeling, but he can't stop now. Not with the way you're looking at him. Not when he's so close to fixing this, to getting you back. "After everything that happened, I just... I couldn't bring myself to do it. I didn't think you'd want to see me."

"You really thought I'd just leave you?"

Echo can hear the hurt in your voice, and he's surprised at the sharpness of it. He expected to be met with some amount of anger, but he didn't expect it to cut so deep. He didn't think his insecurities would upset you so much. He's used to it, by now. After everything he's been through, the doubts and worries have become a constant, an almost comforting presence. But you were never supposed to know about them.

"It's not that," he says. "I know you wouldn't have left me. It's just... I didn't want to drag you down with me."

"That's stupid," you reply. There's no malice in your voice, but there's no sympathy, either. "What makes you think I couldn't handle it?"

"It's not about what you could handle," Echo says. "You didn't sign up for this. You didn't sign up for any of it."

"I signed up for you," you argue, and Echo is startled by the fierceness of your tone.

"And look at what that got you."

You fall silent, and Echo regrets the words the second they leave his mouth. He's always known he wasn't good enough for you, but it's different to actually say it out loud. It makes it real. And he's not sure he's ready for that. But you're looking at him like you can't believe he said it, and the disappointment in your eyes makes him feel even worse.

Your eyes rove over him, taking in the scarring, the metal implants, the ports and wires, the armor. You look like you’re seeing him for the first time, and the disgust and fear he’d thought might appear are nowhere to be found, just a profound sense of sadness and resignation.

"Oh, Echo," you breathe. The words are quiet, but they feel like a slap, and he has to look away, not wanting to meet your gaze.

"I'm not the man you knew," he says. He sounds defeated, even to his own ears. His eyes are burning, and he has to fight to keep the tears from falling. He hates how weak he feels, how small, how vulnerable. "I can't be. I'm... I'm not him anymore."

"Yes, you are," you insist. You reach out and take his hand, squeezing gently, and the sensation makes him jump. He'd almost forgotten how warm you are, how soft. How safe. He wants to hold on, to pull you close, to never let go. "You're still the same man, the same Echo, I just..."

"What?" he asks, when you trail off. "You just what?"

You sigh, dropping his hand and running your fingers through your hair, tugging lightly. The familiar gesture makes him ache. "I don't know, Echo," you admit. "I'm... I'm sad. And I'm angry. But I'm mostly just... Confused."

"Confused about what?"

"I'm confused as to why you didn't come back to me," you say. "I'm confused as to why you thought I'd want anything else."

"I thought you deserved better," he says, the words sounding hollow, even to his own ears. "I thought you deserved someone who was whole, who could give you a normal life, who didn't have a hundred years of baggage and trauma to deal with. And I was terrified that you already had that."

"Had what?"

"A normal life," he answers. "Without me. And the more I thought about it, the more I convinced myself it was true."

"It's not," you say. Your voice is quiet, but firm, and Echo looks at you, searching for any trace of doubt, of hesitation, of insincerity. But all he finds is determination, and it makes his heart clench. The intensity in your gaze is too much, and he has to look away. His eyes trail over the walls, the ceiling, the floor, lingering on the groceries on the table, the dishes in the sink, the empty bottles of wine shoved into the trash, the pile of laundry on the couch. There’s a dent in the wall that wasn't there the last time he was here, and the carpet is worn. He wonders when that happened.

He feels a tug on his arm, and then you're reaching up to cup his face, your hands soft and warm. You turn his head to face you, your thumb stroking his cheek. The touch is gentle, comforting, and Echo can't stop the sigh that escapes him. It's been so long since someone touched him like this, and it's nice. It's more than nice. It's familiar. It's safe. It's home.

"I only wanted you," you whisper.

"Even after everything?" he asks. He doesn't mean to sound so incredulous, but he can't help it. He's spent so long convincing himself that you were better off without him, and now, hearing you say the opposite, hearing you say the words he'd only ever hoped for, the ones he'd tried to convince himself were true... It's a lot to take in.

"Even after everything," you affirm.

"You could have had anyone," he says. "Why me?"

"Because I love you," you answer, as if it's the simplest thing in the galaxy. As if it's the most obvious thing in the universe. "And I don't want anyone else."

"Cyar'ika..." His voice cracks, and the tears are falling freely now. You wipe them away, and the touch makes his chest ache.

"I've never stopped loving you, Echo," you say. Your voice is barely audible, but Echo hears it. And it's the best sound he's ever heard. "And I don't plan on stopping now."

"I'm sorry," he says. "I'm sorry I left you, and I'm sorry I didn't comm you, and I'm sorry I was such a coward, and I'm —"

"Shh," you murmur, cutting him off. "I forgive you."

Echo can't speak. He's not sure he can move, can't even breathe. The relief is overwhelming, and it threatens to knock him off his feet. His chest tightens, and the tears won't stop falling, and he doesn't know what to do. He's missed you so much, has regretted leaving every single day, and now that you're here, now that he has you back, he can't find the words to express how grateful he is, how relieved, how happy.

"You really thought I was going to leave you?" you ask, and Echo can hear the note of humor in your voice, can see the ghost of a smile on your face. It's reassuring, and he lets himself smile, too.

"Honestly? Yes," he admits.

"Never," you reply.

Echo leans down and rests his forehead against yours, closing his eyes and breathing deeply. You move your hands down his face, brushing the tears away with your thumbs, before bringing them around his neck, wrapping your arms around him. He moves to do the same, pulling you closer and wrapping his arms around your waist. You let out a quiet gasp of surprise, and Echo chuckles, holding you tighter.

"I missed you," he whispers, and it feels good to say the words out loud. "So much."

"I missed you, too," you say, your breath warm against his neck. You tilt your head and press a kiss against his throat, and Echo feels his heart stutter. "More than I can say."

Echo hums and pulls away, bringing his hand up to brush the hair away from your face. Your skin is warm, and soft, and he leans in and presses a kiss against your forehead, savoring the contact. You sigh, and he can't resist the urge to kiss you again, this time on the cheek.

"Echo," you murmur, letting out a shaky breath.

He kisses the corner of your mouth, and then your jaw, and your grip on his neck tightens, your fingers digging into the fabric of his blacks. He moves down your throat, trailing kisses along the column of your neck, and you gasp.

"I missed you, too," he murmurs, and you laugh.

"Yeah, I got that," you say. "Now, will you please kiss me?"

Echo smiles and obliges.

The kiss is soft and sweet, and it tastes like home. He cups the back of your neck, his scomp moving to rest on your hip, and you let out a pleased noise, your hands sliding down to his shoulders. The warmth of your mouth, the way your lips part, the little gasps and sighs you make, it all makes him want to get closer, to be nearer.

You break the kiss, and Echo lets out a quiet whimper. You chuckle and rest your head on his shoulder, and Echo brings his hand up to stroke your hair, his fingers combing through the strands. You sigh and lean into his touch, and he can't help the contented smile that spreads across his face.

"I'm glad you're here," you murmur. "I'm glad you came back."

"Me, too," he says. He tilts your head up and presses a kiss to your temple, his lips lingering. You close your eyes and nuzzle his neck, and Echo sighs, holding you close. It feels so good to have you in his arms again, to be able to hold you, and he wishes he could stay here forever. But the reality of the situation catches up with him, and he can't help the wave of guilt that washes over him.

"I'm sorry, Cyar'ika," he says.

You frown, and pull away slightly. "What are you apologizing for?"

"I didn't think this through," he admits. "I... I didn't know what was going to happen, and now..." He pauses, letting out a frustrated sigh. "I just... I'm sorry. I’m leaving soon, and I know it's going to be hard, and I know you're going to have to say goodbye again, and I'm —"

"Echo," you interrupt, and your voice is firm. You put your hand on his chest, and he can feel the heat of it, even through the layers of armor and clothing. "I know what I signed up for. I'm not expecting anything different."

"But —"

"No," you cut him off. "No buts. I knew what this was, Echo. And I still want it."

"But you shouldn't have to," Echo argues. "I don't want to put you through that."

"Well, it's a little late for that," you reply. Your tone is sharp, and Echo winces. "Look, Echo. I know the situation isn't ideal, but I'm not going to walk away because it's hard. And I'm not going to stop caring just because it hurts." You look at him, and the determination in your gaze makes his heart skip a beat. "You're worth it, okay? No matter what."

"Cyar'ika —"

"No," you say, shaking your head. "You're not changing my mind. You can try, but it's not going to work. So don't waste your time." You give him a stern look, and then your face softens. "Okay?"

"Okay," Echo agrees. He knows it's futile to argue. He's never been able to say no to you. Not when it matters. "I'm still sorry, though."

You roll your eyes, and then stand on your toes and give him a quick kiss. "You're lucky I love you," you say, and the words make him feel lighter.

"Yeah, I am," he agrees, grinning.

"So, what now?" you ask.

Echo shrugs, suddenly feeling overwhelmed. He's been so focused on finding you, on convincing you to forgive him, on making things right, that he hasn't thought about what comes next. The prospect of it is both exhilarating and terrifying, and he doesn't know where to start. There's so much to do, and so little time. And he doesn't want to waste another second.

"Do you want to stay?" you offer.

"Stay?"

"Here," you clarify. "For a while. I don't know how long you can, but..." You pause, a flush spreading across your cheeks. “I was going to make dinner. If you wanted to stay."

"Dinner?" Echo repeats, and he can't hide the excitement in his voice. The idea of a home-cooked meal is so far removed from his life now, so distant, that the thought of it almost makes him lightheaded. "Really?"

You laugh, and the sound fills him with warmth. "Yes, Echo. Really."

"What are you making?" he asks. The question sounds childish, and he can't believe how eager he is, how excited.

"Just a simple dish," you say. You move towards the counter and begin putting the groceries away, and Echo follows you, a smile spreading across his face. While you tell him about the recipe, he moves toward your sink, picking up a dish and turning the water on. You look over at him, and the fondness in your eyes makes him blush. "You don't have to do that, Echo."

"I know," he replies. "I want to."

"Well, alright then."

The two of you work together, talking and laughing as you wash the dishes and prepare the food. Echo feels lighter than he has in months, and it's a relief to be here with you, to have something normal and familiar to do. Something so domestic, so ordinary, and yet, so special.

He wants to remember this.

When the food is ready, you gesture to the table, and Echo takes a seat. You sit across from him, and for a moment, the two of you just look at each other. He's missed you, missed this. Missed being here, missed having someone who knew him, someone he could trust. Someone he could love.

You're both quiet, and Echo can see the wheels turning in your head, can see the way your eyes dart over him, taking everything in. You're cataloging, committing him to memory too. The realization hits him, and his chest tightens. He'll be leaving soon, and you're doing what you can to make sure you won't forget him. It's a sobering thought, and he's not sure how to handle it.

"Hey," you say, and Echo looks up, meeting your gaze. "It's okay. We'll be fine."

"How did you know?" he asks, startled.

You shrug. "It's written all over your face."

"I'm sorry," he murmurs. "I wish I could stay."

"It's okay," you repeat. “We have the night, and that’s more than enough. For now, let's just enjoy the time we have."

Echo nods.

You're right.

You always are.

You smile, and it's so beautiful, so genuine, that it takes his breath away. You reach across the table and take his hand, giving it a gentle squeeze. He squeezes back, and you lean forward, resting your elbows on the table and putting your chin in your hand. The way you're looking at him, the affection in your eyes, it makes him feel like he's the only thing that matters, like he’s home.

And, right now, he is.

He's missed this.

He's missed you.

And as the two of you sit there, enjoying each other's company, Echo knows he's made the right choice. He knows that coming back was worth it, that finding you, fixing things, making things right, it's all been worth it. And he knows that, no matter what, he'll be back.

He'll find his way back to you.

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haunted-xander · 10 months ago

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I think one of the (several) reason for why Shadowbringers is so good is because the narrative is more about the individual characters than it is the Greater Conflict.

Like, the Greater Conflict is definitely there, obviously, it's what keeps the story going, but the focus is always on the people, much more so than the other expacs. HW and STB also have some level of character focus ofc, but it's very selective and even then the focus is based on them in the specific context of the current conflict.

But in SHB, the story bends around the characters' narratives, rather than the other way around. The story forms to put them in situations that challenges their flaws and limitations, by forcing them to confront it and actually deal with it. Even just at the very beginning, you see the twins being dealt a terrible hand that very neatly clashes against their faults.

Alisaie is confronted with a situation that she can and could never do anything about. She has no means to help the patients (at the time at least). The only way for her to help them is by eradicating the source of the affliction itself: the Light. But the Light isn't just some Big Bad she can kill and be done with. Even when all the lightwardens are down the Light is still there, it's just more manageable. Alisaie learns to not only see the bigger picture, but to care for it for her own reasons. For all that she has participated in Big Operations, it has always been because that's what others were doing, what others cared for to be done. She feels for the people of Doma and Ala Mhigo, but she didn't set out to liberate their homelands because she has any personal investment in it. But other people do, and she cares about what other people- be they strangers or friends- care about.

Caring about other peoples feelings and opinions isn't a flaw by itself of course, but doing things without any sense of personal purpose, is. This is what SHB helps her fix and confront, because it is personal now, she does it because she cares.

Alphinaud is forced into a situation where diplomacy and negotiations does and would never work. He can't talk himself into Eulemore, and he sure as hell can't convince Vauthry or the free citizens to let go of their life of ignorant luxury. The problem here also isn't as straightforward as a corrupt ruler, because even after Vauthry is revealed for the bastard he is, it takes considerable effort and convincing to get them to get off their asses and get to work. It's one thing to change the minds of people who wanted the same outcome just in a different way (like Ishgard- they rejected unity with the dragons, but they still wanted an end to the war), but it's another thing entirely to convince people that another way of life is even worth it.

And this is what SHB teaches Alphinaud, that words and deeds can achieve much, but that there is much more to diplomacy than appealing to their wants and/or sensibilities to convince them of an alternative outcome. His development may not be as immediately noticable as some of the others (largely bc he had a lot of it already from HW), but it is still very much there.

Urianger's development had already been build up and sort-of started already, but we don't really get to see it until it near explodes in his face after we kill Vauthry. Even after he swore off secrecy, he's forced to confront his morals when the Exarch bids his assistance. Urianger has always been looking at the greater picture, to the point he'd almost lose himself in it if it wasn't for the overwhelming guilt he feels. He works with the Exarch, because he knows he's the only one capable of it, and he hates the very fact that he is. When the climax of the plan is about to be executed, he is pained to the point that even he can't mask it anymore. He has betrayed their trust once more and once more it will result in the death of a friend.

But it doesn't, and that's what's needed for him to confront himself. As terrible and unexpected as the circumstances around it was, it did show him that there are other ways. There is no one way to solve a problem, the first choice doesn't need to be the only one. And he would find those other ones of he had just talked to the others.

The pay-off doesn't quite come until EW, where we see him actively make the choice to go against his first instinct of acquiesing to the Loporrits' plans, and instead chooses to consult us, but that scene wouldn't have made sense or even happened had it not been for his development in SHB.

Now, Y'shtola is a bit of an odd one because while she does get her due focus, she doesn't quite get the same amount of development as the others. Rather, it shows how she thrives when not held back by others interests and (often somewhat needless) bounderies. Her intelligence and charisma have the chance to shine, her independence and confidence now rewarded rather than punished. In ARR, she is constantly annoyed by the Maelstroms way of dealing with things, and how no one bothers to actually listen to her. Her advice and reprimands are almost entirely ignored until the problem blows up in their faces and they have no choice but to concede that she was right.

Being independent and confident aren't flaws by themselves, but her sometimes aggressive approaches to telling others off does her few favors. In SHB, she has the Night's Blessed who actually heed her word and respect her, they listen to her and actually take what she says- be it advise or reprimand- to heart.

She does also, however, have to deal with Thancred who, much like the Maelstrom, ignores her reprimands and doesn't listen to her. The difference here is that her bluntness actually serves a purpose. In ARR, her bluntness lacks tact and meaning, simply a result of frustration. The Maelstrom won't listen to someone who doesn't come up with fleshed-out arguments and solutions, but Y'shtola doesn't bother giving them any until she knows they'll listen. But with Thancred, she does give him the solution. It's just that the solution is him. His words, to be precise, and his acceptance. And he needs to be reminded of that, and she does. It doesn't automatically solve anything, but that's simply how it is with complicated situations like that.

Speaking of Thancred, his narrative is probably the most important of all for SHB. He's always been shown as a capable, but ultimately self-destructive man who genuinely does not know how to deal with himself in a healthy manner. Theoretically speaking he knows, he recognizes that he is self-destructive, but he still has no idea how to actually fix it. It's been shown as early as ARR when it results in him getting possessed, but it's not really made a point of until it almost ruins his relationship with Ryne. Up until now he could just ignore his problems, but with Ryne he can't because now The Problem(s) aren't just his anymore. Anything that would hurt him now would also hurt her, meaning that if he wants to continue doing the one thing he actually cares about (protecting his loved ones) then he needs to get his shit together.

But Thancred doesn't know how to. And for all that his friends try and try to help him, he doesn't know how to. He's paralyzed. Thancred is so deep into his self-destructive habits that it takes the threat of both his and the person(s) he loves the most in the worlds deaths to get him into action. He doesn't know if it's Minfilia or Ryne who will return, and I'm not sure he expected to survive Ran'jit. He only has this chance, and if he wants to die without (as many) regrets he has to do something now.

And he does. He does and what it is he does is tell Ryne that whatever happens, it has to be her own choice. That he will accept any outcome, that he will still care about her no matter what, that as long as she lives or dies as she wants to, that he still loves her. He still loves her. And it works, because that's what he's needed to do all this time, to be able to just tell her that she matters. That he cares.

He tells her to live her own life, and he learns to live his own too.

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demonpiratehuntress · 11 months ago

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How would Ace react if his girlfriend, who he is so attached to, doesn't want any physical contact because it is so terribly warm in the middle of summer. But in the winter y/n clings to him all the time because it's so cold and he's practically a walking heater. [Hope you like the idea😄]

this is cute! hope you like the answer :) sorry it took so long!

touch

Portgas D. Ace x F!Reader

summary - the ask above

warnings - none

Ace hates the warmer months. He swears summer and spring are his worst enemies, solely because they deprive him of the one thing he needs and wants the most. Your touch. He becomes a pouty baby during these seasons, because your need for his warmth decreases and your desire to hold him grows less and less because of how hot it already is.

"Aceeee," you groaned, rolling away from the commander in your shared bed. You were too hot, and as much as you loved him...he was making it worse.

He grumbled and tried to pull you back, "No, don't go anywhere."

"It's too hot!" You complained, trying to ease out of his grip.

Ace sighed and let you go, watching you as he opened his eyes. He knew his body heat could be too much for you in the warm months, but he still wished he could pull you close and snuggle you.

"This isn't fair," he whined, rolling onto his back.

You giggled at his childish reaction, "You're the one who ate the devil fruit babe."

"But-but-"

"No buts," you continued teasing. "Now you're too hot."

He grinned slyly, "That's not a bad thing."

Your eyes widened, "Oh my god, Ace!" You laughed and swatted his arm. "You're such an idiot."

"A lonely idiot," he complained, pouting.

You rolled your eyes and laughed, "Big baby."

But it's not just when you're sleeping that he misses your touch. It's also during the day, when he just wants to hug you and hold you, that you can't stand his heat and end up pushing him away.

"I'm sorry babe, but you're overheating my body!"

Cue another pout, "Can I at least hold your hand?"

"Fine."

You took his hand in yours, squeezing it gently to remind him that you didn't want to push him away like this, that you loved his clinginess and his touch but you were just too hot to take it these days. It was a silent reminder that you still loved him, and still wanted to hold him in some way. That made him feel much better.

Now, the colder months are a completely different story.

They might just be Ace's favourite time of the year. It's when he can be truly useful, and also when you cling to him the most. And he absolutely he adores it, because Ace would die for your touch.

You came out of your shared room one morning expecting more heat, but instead a harsh blast of cold greeted you. You shivered, hugging yourself and frowning as you immediately sought out your human heater boyfriend.

"Aww baby are you cold?" The fiery commander smirked, hands on his hips. His eyes were brighter now, mostly because he knew you needed him now.

"S-stop te-teasing," you managed, teeth chattering as the weather only worsened. "Just h-hug me al-already."

"As you wish."

Ace brought you close to him, wrapping his thick arms around you, shielding you from the cold. His body oozed heat, and you immediately relaxed and sighed contentedly as you melted into his embrace. You closed your eyes, leaning more against him as his body temperature helped even out yours.

"Thanks babe."

He smiled and kissed the top of your head. He held you like that for as long as you wanted to be held, or rather for as long as he could get away with before someone called either you or him for something. You followed him around, going wherever he went because you wanted to stay close to your personal source of heat. Ace had no issue with this, in fact he loved that you clung to him like your lifeline.

"It's so cold," you whimpered later that night, when you were both lying in bed. You were shivering, and no amount of clothes or blankets were helping. "I hate this."

"Come here," Ace pulled you against his body, "Just relax, baby." He rubbed soothing circles onto your stomach as he engulfed you in his strong arms, keeping you against his warm chest.

"Mhmm, this is better," you smiled, cuddling up to him more.

Ace couldn't agree more.

Even during off-ship endeavors, you would stick to Ace's side and grip his arm while leaning into him or he would have his arm around you, keeping you tucked into his side safely and warmly. He was always happy to do so, and dropped whatever he was doing whenever you came to him and complained you were cold.

Ace doesn't really believe in god, but he praises whatever divine being created the cold seasons and curses the one that created the warm ones.

#one piece #op #ace x reader #ace x you #portgas d ace #portgas d ace x reader #portgas d ace x you #one piece x reader #one piece x you

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dalliancekay · 5 months ago

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I'm just gonna write out what I think cos if someone sends me this again for the 113th time, I'm gonna snap. Look. Interviews (months!) before a premiere of something are tricky. You gotta be careful and VAGUE with what you say and what you want people to expect. Mostly creators focus on the themes in the first, maybe second episodes or so too trying not to give away much. Just the bare bones, what is already expected anyway. After all, they want you to watch it and go: "Ahhhh...." It was the same in S2 as well. (David describing in interviews how unmoored Crowley was in S2, how kind of disappointed etc and Michael how Az is also a bit disconcerted by not having a job, something big to belong to). But that's a description of - how we find the Ineffables in ep1, rather than describing the whole of Season 2. And there was a book first before the series and you must admit Aziraphale and Crowley are a bit different in the series than they are in the book. So caution was needed. PLUS their story has evolved again. It doesn't now end in the Ritz (I know it never really did for Neil and Terry who clearly wanted them to deal with the whole system somehow). The husbands have more trouble ahead. More details were added. We got more of their story, their journeys. Crowley doesn't change and is just waiting for Aziraphale to catch up with him is not much of a story, don't you think? Aziraphale is a naïve goody two shoes angel who has to realise Heaven is bad - is just so simple I'd be angry if I was Neil and read that. Well, okay, I AM angry.

And I'm sorry but Aziraphale has not lived a guarded life. He has lived a life of fear and anxiety with bosses who underestimate, belittle and laugh at him and think he's soft and rather pointless. Does anyone know what the question was Neil answers?

Yeah, Aziraphale changes a lot in S1 (esp first 2 eps, he's kind of forced to think about the stuff that was always kinda there but swept under a rug a bit in is mind). Crowley throws out - we should do something. This whole Armageddon thing, I don't like it. He is so much a questioner of everything, isn't he. Why does it have to be tis way. Makes no sense, what if... And generally, he doesn't have much to lose. If Hell wins, well, he knows what it's like. If Heaven wins, well, it'd be marginally better? Just about? If he survives to see it? Still sucks balls tho. So yes, David is right that Crowley NEEDS Aziraphale to see things his way and quickly. Cos EARTH.

Aziraphale knows the Earth came with a manual and an expiry date. He even told this to Angel!Crowley aeons ago.

So Aziraphale's journey (is not stopping believing Heaven is good and truth and light) is believing that he has choices. That the Plan might be Ineffable but it doesn't have to follow what he was told it must follow.

Crowley says, look, let's try, what do we have to lose. You like Earth as much as I do. And he gets Aziraphale to agree, they hatch a plan.

We watch Crowley come to love and trust Aziraphale through the ages after all he has been through. We watch Aziraphale to guard their little existence and carefully push at boundaries of what he thinks he can get away with. He wonders at what things are really like. What do they mean.

Their journey, is towards each other.

I don't know how they will smash the System before they fall into a tight embrace and never let go, but I know they will. Even if they have no idea yet that that is even possible. How could they.

And if I see one more post about how Aziraphale was backsliding and choosing his ‘faith’ over Crowley in the Final 15, I will set the internet on fire.

I can never decide if Heaven and Hell are more like mafia or like a dictatorship. Maybe a mix of both. Just cos they couldn't be killed, they were left alone for a bit. Didn't last long though, did it. They needed to be separated so they don't stop another go at destroying the little Universe project God started. I guess the Archangels are quite fed up with it.

Remember. Aziraphale and Crowley have nowhere to go. They never had. The best they could do was keep their little places on Earth. For themselves. For each other. Until they couldn't.

If you thought Aziraphale won't take the chance to have a tiny glimmer of an opportunity to destroy the fucking system in whatever way he can come up with (instead of what, being downmoted, having his memory erased too?), than you don't get him at all. Did he want to stay? You heard him say it. Was he allowed to? (No, really Metatron, nice chat but do fuck off for real now, I have a date with my demon). If you think Metatron wouldn't be back with a punishment for helping Gabriel than I don't know what to tell you.

Remember this?

And then they threatened the demon he loves.

ALSO Why do people keep bringing this back to justify their vague (or not so vague) dislike of Az (but but Neil said "I think Aziraphale needs to learn") cos they think Az betrayed Crowley by leaving or something. The angel is just so stubborn. And he just won't listen to Crowley... right? /s And they ignore all the other wonderful things Neil says about Aziraphale. Especially pointing out again and again and again how smart Aziraphale is. And you can see this. In canon. On screen. In the words and scenes of what Neil wrote. You can see Aziraphale's struggles - he is a part of something he disagrees with and has no way out (Hell is not a way out btw) and tries to live in his existence in the little bubble with Crowley while being extremely careful not to have it burst. Until it inevitably does. Just as he always knew it would. But okay, if you want to have Good Omens be about a demon who figured everything out and is now waiting for his fluffy little angel to catch up and apologise to him (a million times) for being stupid so they can finally ride into the sunset, have at it. TL;DR - Heaven is good and Heaven should/could be good are two different things - Aziraphale is not an idiot; whether he still believes God is good/neutral/whatever and just the management bad or not is up in the air, we can't know unless we ask him, but it's definitely not so simple as he needs to see it's bad, like Crowley did, end of story - The Ineffables HAVE NOWHERE TO GO. There isn't a secret third option where they can leave for and be happy if only Aziraphale opened his eyes - it's what the story is about - Crowley left Heaven for an even worse place. It would make zero sense for Aziraphale to follow his journey. Crowley is not free and doesn't have all the answers - I bet it has never occurred to either of them the whole System can be ever changed (we don't even know if it can be. The System is bigger than the UNIVERSE) - But I think that's what they'll do in S3

#good omens #aziraphale #crowley #ineffable husbands #aziracrow #good omens 2 #aziraphale my beloved #good omens thoughts #neil gaiman #kaypost

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raven-at-the-writing-desk · 7 months ago

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I read the post where you answered why you didn’t like Malleus and remembered that you placed Leona really highly on your favs list, and Leona is my favorite so do you mind me asking why do you like Leona?

[My TWST character tier list is here.]

[Anon is also referencing this Malleus post.]

THERE’S A REASON WHY L*ONA IS IN “Unfortunately Enjoy” TIER 😭 I think for like... over a year (2020-2021)? Probably closer to 1.5 years?? I really disliked him and swore up and down that I'd "never in my life simp for the fake cat". This was largely in part due to book 2, which to this day I believe did Leona a HUGE disservice and made him look very unintelligent and uninteresting. Then I was drip fed new Leona content as it steadily came out (vignettes, voice lines, event stories, his return in book 6) and my opinion of him vastly improved. Book 2 was just a really bad introduction to him and it greatly soured my first impressions. sjfyofqebfeiafns B-But now I'm too embarrassed to openly declare, "Yeah, I like a sad muscular l*on man. So what?" Some would say that's tsundere behavior... BUT I SAY I'M COMPLETELY JUSTIFIED FOR ACTING THIS WAY BECAUSE IT ISN'T EASY TO CONFESS WITH YOUR WHOLE CHEST THAT YOU LIKE KINGSCHOLAR OF ALL TWST CHARACTERS

... Anyway! For a much more expanded explanation, I'd recommend this post! It already states a lot of my thoughts, and I don't want to repeat them in yet another lengthy lion-related post. What I'll do instead is summarize the key points for you, plus add some commentary about Leona and Malleus at the end.

Admittedly, he is pretty. VERY pretty. I'm saying this as someone who normally really dislikes hair longer than shoulder length, the "wild"/bad boy aesthetic, and kemonomimi. Leona breaks ALL the rules and still somehow manages to wear everything and anything well because of his sheer confidence and natural grace. His physical features are also very striking... The sharp bright green eyes, the small waist and large chest (there's NO reason why he HAD to be built like that), his stupid smirk, etc.

His pettiness and sarcasm. Leona has, hands down, some of the funniest lines 🤡 I love that he has the balls to speak callously to everyone, including fellow dorm leaders and royalty. His best moments, however, are when he whips out the sarcasm on statements which are so patently untrue--like when he says he is a 'delicate prince' and a 'lost child', both moments from book 6. It's also hilarious whenever Leona speaks in a formal way, showing that he does have the education and the knowledge of how a prince should present himself, but just actively chooses to not make the effort and only does so mockingly or when social grace calls for it.

HIS BIG BRAIN FOLDS, HOLY COW (err, book 2 aside). Leona works smarter, not harder!! He's always one step ahead of everyone else, even if he appears sleepy or disinterested at the time. He figured out the trick behind the "indestructible" golden contracts, he sussed out Jamil WAY before book 4 ever came out (saying that Jamil has "eyes that always glare" and implying that Jamil poses a threat to Kalim's life; this is from Jamil's School Uniform vignette), he takes what he learns in textbooks and so easily translates it to real-world experiences (ie advising the first years on how to more efficiently mine magestones in Vargas Camp), etc. Additionally, Leona knows when to step in and when to be hands off. It's not done out of cowardice or laziness, but rather because he's thinking strategically. For example, he could have resisted capture at the hands of the Ferrymen, but he didn't because it would be smarter to just go with them willingly. It saves everyone a lot of time and energy, and it’s this kind of intelligent thinking that makes Leona really stand out.

He knows how to lead. There are many different types of beastmen, each with own beliefs, values, and traditions that are unique to their own group. As a result, it is very difficult to unify all beastmen within the Sunset Savanna under one rule. Guess who doesn't have this problem? THAT'S RIGHT, IT'S LEONA. There's a variety of beastmen in Savanaclaw, and he effortlessly rules over them and commands their respect.

He actively thinks about how to improve the Sunset Savanna. Leona's ideas are not always the best (like, yeah, you could introduce new technology to the country but expect significant social pushback from the people, who prioritize living in harmony with nature). However, I can really appreciate that he did not entirely turn his back on the people who feared his powers and talked him down. I think he eventually realized the flaws in his way of thinking and actively chose an energy and mining lab internship in hopes of researching ways to slowly implement changes that will benefit the Sunset Savanna while also remaining respectful of the people's beliefs. He is concerned about Falena's lax way of ruling and consistently brings up ideas in various voice lines about how they can improve the Sunset Savanna and its relationships with other countries and tourists. In spite of everything he went through, Leona never wants to hurt those who hurt him with their comments and comparisons to his elder brother. He does not ever want to tear down the system that kicked him down again and again, only wants to challenge it by proving his own merits and the merits of the other downtrodden that he leads.

As much as he wants to deny it, he cares about his underclassmen and goes out of his way to help them. There are sooo many examples of this that it cannot possibly fit in one bullet point. (I would really recommend reading the elongated post linked above, as I go into more detail on this.) Suffice to say, Leona has been shown guiding, instructing, and mentoring many other characters including, but not limited to: Epel, Ruggie, Jack, Jamil, and various Savanaclaw mob students. This really hits me in the heart because I love reliable big brother characters 😭 EVEN THOUGH LEONA IS TECHNICALLY A YOUNGER BROTHER...

He understands his strengths—and he understands others' strengths too. This man is fully aware of his magical might and powerful presence. He uses every last bit of it to full effect and to attain his goals, whatever those may be. One of my favorite uses has to be In Fairy Gala!! He distracted some pixies by simply demanding water and their attention so his partners in crime could escape—and what’s more, this was a plan he came up with on the spot because their mission was being jeopardized by unforeseen events. Leona is also good about pinpointing people’s best attributes and then helping them hone it. This happens a lot during club practice, bur it also occurs in book 6 between him and Jamil. Speaking of…

THAT WHOLE BOOK 6 CONVERSATION WITH JAMIL DESERVES ITS OWN BULLET POINT. This part was peak mentor mode Leona 😭 Sure, maybe he wasn’t the kindest with his wording, but I felt this was the wake up call Jamil needed to hear. What really got me though was the part where Leona tells Jamil there’s still hope for him… “unlike me”. (I believe this part was translated differently in EN to make Leona’s ego sound more inflated (ie “I’m not like you”) which saddens me immensely.) It paints the image that Leona is still struggling to believe his efforts will amount to anything and that he believes more in his juniors than in himself :(( (which informs my headcanon that Leona mentors younger students so that they can have the bright future he doesn’t think he can have for himself).

Emotional complexity. When you get down to it, what started off as a very basic story of jealousy and inferiority complex actually resulted in a deeply flawed, traumatized, and scarred individual who continues to doubt and put himself down but is slowly recovering. Leona is smart and charismatic—he is everything a leader should be, but he doesn’t truly see his own worth. (Ironically, the only people who do are the ones who look up to him and follow him.) And now… Leona’s actually got his eyes set on graduating! He has his internship plans set! I think he’s made such big strides since book 2, and it’s been so rewarding seeing him regain his willingness to try and succeed return to him.

Looking back on it, it’s so ironic how things ended up working out. Initially, I was totally on Lilia’s side when he insulted Leona and said he would never be the kind of leader Malleus is. Now I’m realizing how Leona does many of the things I don’t see Malleus doing (despite Lilia claiming Malleus is more fit to be king than Leona is).

Malleus isn’t harming his people by any means, but it’s more like he’s… stagnant? Complacent? He’s satisfied with the status quo and is comfortable resting on his laurels. And because of that, Malleus doesn’t really seem to consider what he, as a leader, can do for others, be it for his dorm members or doe his country. (Part of this is also how isolated and opposed to change Briar Valley is, of course! That kind of culture definitely shapes Malleus’s thinking.) He tends to avoid situations which involve navigating social complexities rather than dealing with them himself. Think of Ghost Marriage, when Sebek proposes in his place. Think of Fairy Gala, when Silver is the one that ultimately resolves the conflict between the diurnal fae (who have historically not been friendly with nocturnal fae) and NRC. Malleus is so sheltered that has not truly been put in situations where he has to make tough decisions or where he has been challenged. He has never had to claw and scream and beg for people to see his worth.

Leona has been through that emotional wringer, and though he’s been hurt so badly, he still came out the other side. In running from the shadow of his family—of his older brother—Leona found solace in this new kingdom, Savanaclaw. It’s a place to build himself up, to stew over the ideas he has that have yet to be realized, all with a safe mental distance from home. It’s through the many hardships he has experienced that has refined his wit and given it a place to practice, to be used.

When it comes down to it, Leona and Malleus are two sides of the same coin. Both arrogant princes, the second born and crown prince, respectively, wishing for the other’s circumstances. Leona desperately wants that respect and recognition that Malleus has. Malleus longs for the intimacy and camaraderie that Leona is so easily able to cultivate and command. Leona has been forced to adapt, to learn, to grow from his scars. Malleus struggles with the concept of change (understandable, given his background) and actively denies reality if he finds the truth to be unpleasant. He’s not used to facing dilemmas that cannot be solved with magical strength, and has not ever been challenged in such a way. Malleus doesn’t know how to deal with that, which is partly why be panics and loses himself to emotions in book 7. (By the end of it, I’m sure he’ll be given the chance to see the error of his ways though 💦 or at least I hope he does??)

Their characters are very different, and that’s not a bad thing!! If anything, it makes their dynamic so interesting to observe and it offers varying interpretations of the same “prince” trope. I definitely know which of the two I prefer 🤡

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