#if the second does that mean their perspective on the matter literally doesn't matter and they aren't you in a meaningful way?

[my-thoughts-and-junk]

thinking about this one post i saw that's like science fiction voyeurism snuff kink where your partner clones you and the clone is like "we agreed you were going to clone me and kill the CLONE" and your partner is like "you ARE the clone" and kills the clone and it's like. what are the moral implications of that.

[valsverse]

— GENERAL DATING HC'S (part two)

pairing: percy jackson, annabeth chase, leo valdez, piper mclean, jason grace, hazel levesque, frank zhang (respectively) x gn!reader word count: 3.9k

percy jackson

if anyone is boyfriend coded it's percy.

the way percy immediately squeezes your hand to call your attention the second he spots something he knows you'd love. whether it's your favorite song playing in a store, or the sight of pretty flowers in full bloom, percy's just as excited as you are !!

for some reason, percy really likes to shower you with hugs. whether you're out in public or nestled comfortably in your own cabin, he's quick to wrap his arms around you and hold you close! you can feel his warmth radiating against your skin as he presses his body close to yours, his face nuzzled snugly in the crook of your neck. he just doesn't want to let you go, at least not yet. maybe it's because he feels safe when he's holding onto you, and he doesn't want that feeling to disappear so quickly. not that you mind, though.

percy loovvees to hold your hand in public, like he literally can't get enough of it. no matter where you go, he would effortlessly slip his hand into yours, the coolness of his palm making contact with your own as you walk side by side through camp.

i feel like percy's hands are pretty cool to the touch, so during the colder months he likes to hold your hand and tuck it in his pocket to shield you from the cold. like, he doesn't want to let go, but he also doesn't want you to freeze LMAOO.

percy's kisses are varied. sometimes they're slow, sometimes they're quick or urgent, and a whole lot more. but each time, they're exhilarating. percy also has a habit of pulling and playing with your belt or waistband whenever you kiss, and it always catches you off guard, no matter how many times it happens. even when you're in the middle of doing something else, he'll grab you by the waistband and pull you in for a kiss. and when he's not tugging on it, he'll run his fingers around it, dragging his fingers around the fabric almost teasingly, LIKE GAH ZAMN.

percy lets you draw on his skateboard!! listen, i know he's only mentioned as a skater like twice in the book, but i don't care. he is a skater boy in my heart.

his skateboard is absolutely LITTERED with doodles of your favorite bands, or any other designs that came to mind, as well as temporary stickers that are already starting to fade. but percy doesn't mind at all because it looks cool and you're happy! so that's all that matters to him. he loves looking down at the marks you left on his skateboard with a stupid smile, even if it means he gets hit by a wall because he wasn't paying attention.

when percy is in love, it becomes evident in his every action. he makes it a point to look for your face throughout the day, be it in moments of triumph or defeat. he only wants for you to witness him at his best, and no amount of applause or pats on the back from others can compare to the feeling of your touch; the gentle caress of your thumb across his cheek accompanied by words of praise, are what he craves the most. :(( he wants your validation and approval, but struggles to express it, because behind his front lies just an awkward teen filled with doubts and insecurities, desperate to prove himself to you.

but when he's in the water?? in his ZONE?? that's a different story. his confidence level SOARS. his water powers are in full force, and he's flipping around in the water trying to impress you like a little kid LMAOO.

to percy, you're more than just his partner. the thought of living without you is unimaginable to him, and he refuses to even think about it. his love for you only grows with each passing day, and he swears that he couldn't love you more than already does, yet he knows that he will tomorrow.

annabeth chase

MY GF FR!!!! 🗣️🗣️🗣️

annabeth always loved you, but as time went on, her perspective on you began to shift. she loved the sound of your laughter, and the way you would enthusiastically recount your experiences of the day. there was something in the way your eyes would light up when you spoke, that made her heart skip a beat. at first, she didn't recognize the emotions that were building within her, but the second she tried to deny being in love with you, she realized she was.

meeting you, loving you, finally making you hers—made annabeth have a whole different perspective on love.

she always asks for your opinions first. all the time. she asks for your thoughts on her latest architectural design, questions your perspective on her favorite book. because she values YOU. your input matteres to her more than anyone else's because she knows that you understood her in a way that no one else could. (also i feel like annabeth lowkey mansplains sometimes so she's trying to make up for it lmaoo.)

if your hair is long enough to tie back, she'll match your ponytail to hers. <33 but if not, she'll run her fingers through your hair instead, twirling the edges around her finger absentmindedly. annabeth doesn't like accessories in her own hair, but she loves seeing them in yours !!

she's VERY careful when tidying up your hair. like, if you ask her to brush your hair for you, it'll take her a while because she's so particular about it. she just wants the best for you!! <3

annabeth is the best with cats idc. (doesn't she have two in ttc?) she'll kneel down to pet it, making that "pspspsps" sound to get its attention LMAOO. she'll literally scoop it up in her arms and cradle it like a baby.

if you're allergic to cats or simply don't like them, she'll keep a distance and pretend to share your dislike, meanwhile, she'll already have come up with a cute name for the cat in her head, probably something similar to your own. <33

annabeth isn't really big on pda, but she makes up for it with other acts of love !! she has a variety of love languages, each more prominent than the next, but her go-to move is holding hands. she'll gently pull you along on your museum date, explaining the origins and details of each monument with a proud smile !!

you and annabeth gossip about books. not people. and yes, i am telling the truth, she told me herself. (lie) she'll even read to you while you lay your head on her lap JUST so that you two can talk about it later.

but when it comes to architectural books, sometimes annabeth forgets that not everyone is as passionate about architecture as she is LMAOO. she'd be like, "can you believe that John Poulson bribed people for his work? i would never stoop to that level," and you'd just be sitting there with a polite smile on your face even though you have no idea wtf she's talking about. but she does it because she trusts you, not because she wants to confuse you LMAOO.

annabeth is never easily vocal when it comes to her emotions. while she can be sharp-tongued when expressing her opinions, when it comes to her feelings, most of the time she struggles to find the right words. sometimes, she's not even sure how to articulate what she's experiencing. the sudden rush of emotions she's feeling now, with you, can be overwhelming, to say the least. her love for you is intense, but annabeth wonders if it's enough to fully convey how much she loves you. if she loved you any less, maybe it would be easier for her to express herself. but the truth is, she loves you so much that it leaves her at a loss for words. a daughter of athena. at a loss for words.

leo valdez

this boy practically has permanent heart eyes for you — it's insane.

i think we all know this, but leo's definitely not one to hide his admiration for you. he's basically in a constant state of awe whenever you're around. he thinks you're the absolute prettiest person on earth, and he's LOUD about it. like, before you started dating he definitely looked up one of those cringe pick up line lists at least once in hopes of impressing you. (they didn't work.)

howeverrr, leo's affection for you runs deeper than just your physical appearance. you're not just eye candy to him. he values your inner qualities just as much as your outer ones, and he's always reminding you about it !!

mentioned this in pt 1, but this boy is an incredible cook and EVERYONE knows it. because of that, he's super perceptive when it comes to your food preferences, knowing exactly what dishes you love and those that you don't care for. he'll transfer food from his plate to yours because he wants you to enjoy your meal, and he'll and also happily devour any food that you dislike, while simultaneously insulting your taste LMAOO.

like one time you went to the bathroom, came back, and saw that the amount of your favorite food on your plate just doubled. 💀💀

leo loovvees taking photos of you. (let's pretend demigods are allowed to use phones) like, he'll snap away until his phone's storage is filled to the absolute BRIM. if you ask him to delete any unflattering ones, he'll do so but while fervently defending his collection, insisting that he takes so many pictures of you not because he's searching for the perfect shot, but because you look breathtaking from every angle. :((

in addition to his digital collection, leo also has a cherished polaroid board covered in various pictures, but the majority of them feature you. <33

leo spends a lot of time tinkering in his workshop, so if he has any scrap metal laying around (which he often does) he'll stay up late into the night creating something special just for you !!

leo looovveess kissing your cheek with a pronounced "mmMWAH!" sound. onces he's done, he'll turn his head slightly and look at you expectantly, indicating that he wants you to do the same to him. <33

he was probably the first one to say "i love you." in the relationship. he might've said it rather quickly because he was always sure about his feelings towards you even before your relationship had officially started, but he never pressured you to reciprocate. he was willing to wait for you to come to your own conclusion.

but until then, leo never stopped expressing his love for you. every morning and every night, he would whisper a giddy "i love you, mi amor" before rushing off to wherever he needed to be.

once you do finally say the words back to him though, he's grinning like an idiot for an entire two weeks. he'd often repeat his feelings for you, almost annoyingly, just to hear you say those four words he cherished the most back, 'i love you too.'

(also, this image is so leo. yes it's a green flag to me, and no i will not further elaborate.)

piper mclean

piper has a habit of linking arms with you !! like, wherever you go, the two of you are literally inseparable. she also sees it as a way to declare your relationship, because she's proud to be with you and has nothing to hide! <33 she's also a hand swinger fr.

she lets you cut her hair !!! mostly because she secretly loves the sensation of your hands on her face and your fingers weaving through her choppy locks, but also because she trusts your judgement! piper isn't afraid of alternating her appearance, but she especially want to look good for you.

speaking of alternating appearances, you two match outfits. all the time. is it sickenly cheesy? yes. do either of you particularly care? no. even when you aren't wearing matching outfits, you both have a collection of homemade matching jewelry, so both of you are always carrying a piece of each other, even if it's just a simple bracelet. <33

NICKNAMES IN FRENCH >>>> OMGG. her most used include "mon amour" meaning "my love", "mon ange" [my angel] and "ma chérie." [my dear/darling] and yes she is very much aware of the effect she has on you. <33 speaking of, she 100% helps you ace all your french exams. such a good gf.

she tells you all about her family history. piper loves how your eyes light up with genuine curiosity. with you, she feels more appreciated. :(( she'll you all about the culture, customs, and even a few traditional songs.

piper knows she has a good singing voice, but she still feels self-conscious whenever she showcases them in front of others. but when it comes to you? she'll sing all you want, since she feels a huge sense of comfort whenever you're around. whether it's through cuddles or other means, it's in your arms that she feels the most at peace, and it's also where she feels the most comfortable saying, "i love you." !!!

she teaches you how to use a dagger lmaoo. she'll carefully guide you, tell you how good you're doing (sometimes), and even sneak in a few kisses if she's feeling extra affectionate that day!!

piper hates being labeled as a typical daughter of aphrodite. she constantly feels the need to prove that she doesn't fall into the stereotype that comes with being a child of the goddess of love. but ever since you came into her life, ever since she started loving you, you taught her that she doesn't have to be ashamed just because her half-siblings fall into certain expectations. you've shown her that she should be able to be her own person without the restraints of being a daughter of aphrodite. and she might not always express it, but she's entirely grateful for that. for you. after all, we're all just fools in love, and you're the soul who showed her what love should truly be like.

jason grace

ugh, the chivalry radiating off this man is crazyy.

whenever you talk to jason, he always has a way of letting you know that he's listening to your every word. even if he's occupied with something else, he'll make a point to let you know that he is paying attention to you. he'll immediately direct his gaze towards you, and abandon whatever task he was previously engaged in, leaning in closer to you the longer you speak.

even if you try to cut your story short or apologize for repeating yourself, jason will NEVER rush you or make you feel uncomfortable. instead, he'll hold you close with his arms wrapped tightly around your waist, encouraging you to keep talking and sharing your thoughts. because jason doesn't mind hearing the same stories over and over again, as long as they're coming from you. <33

and even though he's always paying full attention whenever you speak, his gaze always seems to settle on your lips. and when you smile or laugh, he's completely mesmerized, unable to take his eyes off of you !! like you can LITERALLY see his eyes widen and his lips part, as if he can't believe how beautiful you are, because he can't get enough of you.

jason is the epitome of a gentleman FR!! 🗣️🗣️ he never fails to open doors for you, give you his jacket when you're cold, and even offer his hand as you make your way down the last few steps of the stairs. but that's only the surface level, we haven't even gotten to the real deal yet okayyy??

if you so much as utter a complaint about your feet aching or your shoes being too uncomfortable, he's already kneeling down, his broad back facing you with his hands gesturing for you to climb on for a piggy-back ride. he'll be running around camp like a lunatic, carrying you on his back or in his arms, but he doesn't care because he always puts your comfort and safety first !!

and if you happen to be walking through a cramped space with him in front of you, he effortlessly lifts you up by your arms so you can pass through without any trouble! what's even more impressive is jason's lightning-fast reflexes, especially when it comes to protecting you. if something is about to fall on you, he's always there to catch it before it can even graze you. and if you happen to trip, he swiftly catches you in his arms without making a fuss !!

his protective nature extends to the battlefield as well. even though he knows you're more than capable of defending yourself, he fights alongside you, ready to shield you from ANY harm.

whenever you hug jason, you always get lifted off the ground a few inches. like he almost doesn't realize he's doing it as he hoists you up off the ground with EASE. while you're just dangling from his arms LMAOO.

jason never fails to express his love for you verbally every day, but he also has a way of communicating it without speaking a word. he'll naturally reaches for your hand under the table, stealing quick kisses on your shoulder when no one is watching. even the way he touches you lingers, like he doesn't want to let go. and when you catch him gazing at you, and the transition of his grin to a subtle smirk AURGHJ!!

even before you started dating, jason fell for you and is honestly still falling, wanting you more and more with each passing day. all your flaws, mistakes, and imperfections included, he wants you. and only you.

hazel levesque

hazel is the best gf ever!!! she hypes you up every chance she gets. like, she literally never misses an opportunity to boost your confidence. she finds beauty in the most subtle things, like the tiniest ring on your finger, and truly believes that you look absolutely stunning in it, even if it's not her personal taste since she grew up in a different era. but she's so open to exploring new fashion styles and modern ideas for you, and also so that you guys can match. <33

whenever hazel leans in to kiss you, there's a touch of hesitancy in her movements. not because she doesn't want to kiss you !! she just wants to make sure you're comfortable. :(( she's clearly trying to gauge your reaction and make sure that everything is going well.

she worries that maybe she was too rough last time, (SHE WASN'T AT ALL LMAOO) or that she's moving too slowly this time around. you honestly find it cute how she worries about such small things, and in response, you wrap your arms around her and kiss her back, immediately dispersing ALL her concerns. <33

hazel is soo pretty in red lipstick omg. the way she leaves lipstick prints on your cheeks and playfully pecks at the skin on your neck while laughing is so cute!

hazel wants the absolute best for you! but don't underestimate her, this is the same girl who died to stop gaea at 13, okay? she's so brave. she respects all your boundaries and will always prioritize your safety and comfort first!

horseback riding. all the time. hazel is the only valid horsegirl. she'll go on and on about them, from their behavior and habits to their history.. but nothing makes her happier than seeing you genuinely interested in what she has to say!! she feels so special around you. :(( you've spend countless afternoons horseback riding with hazel. it's definitely one of your favorite pastimes now.

hehe i can definitely see you sharing your interests to her, and even introducing her to modern music/bands. it's probably a shock for hazel to switch time periods and witness the evolution of music. like, there are times when modern songs makes her all shy and stuff. but your love for it has definitely been able to sway her perspectives! she probably picks up matching band shirts or records as souvenirs when returning from her quests. <33

hazel loves hugs !! they often begin with excitement, both of you giggling like children. but as time passes, the embrace transforms into a soft and quiet hold. there's always a subtle competition between the two of you to see who will let go first, and hazel always emerges as the winner. <33

if forever does exist, hazel wants it to be you. her heart is overflowing with a million emotions, all of which are directed towards you. through your gentle guidance, she's learned to appreciate the beauty in even the most ordinary moments. the thought of losing you is unbearable. she never wants to let go of you. not now. not ever.

frank zhang

your guys' first date was definitely at an arcade/amusement park! he's hardcore blushing the entire time, while you totally crush him at all the activities. (he let you win) and, to top it off, he made sure to win you some impressive, oversized stuffed animals at the end!!

frank would pay close attention to all the details about you. like he literally knows stuff that you don't even remember telling him. 💀 even if you mention something in passing conversation, he'll make a mental note of it and remember it later on.

protective!frank standing up for others. anyone he cares about, including his friends and you. :(( he's not an angry person, sometimes he's even a little timid, so seeing him all loyal & passionate for those he loves really makes your heart swell up.

frank also leaves you sweet little notes frequently, and goes out of his way to get you lunch or anything else you might need !! sometimes after a long day, he'll come up behind you and wrap his arms around you, resting his head on your shoulder and asking about your day. <33

bear hugs are frank's thing. both literally and figuratively. he's the kinda person who would wrap his arms around you, and if you don't object, he'll keep holding you tightly while taking a few steps to maintain balance. and before you know it, you'll both be tumbling onto the couch or his bed, with his chest breaking your fall. but instead of feeling embarrassed or uncomfortable, both of you start laughing, with frank hugging your waist even tighter in affection. <33

frank is really protective but in a subtle, non-verbal way. like, he has a habit of wordlessly moving you to the safer side of the sidewalk. and, even if it is not yet dark outside, frank will insist on walking you home, making sure that you arrive safely. he doesn't want to be overbearing, but he's also just genuinely concerned about your safety. :((

frank isn't really a pda guy, but he absolutely adores hand holding! it's a subtle way of indicating that he's yours and you're his. also, there's just something comforting about the feeling of your palm against his, and he finds himself tracing the curvatures of your hand as like it's a map he's trying to memorize. it's a small gesture, but it means the world to him !!

frank does almost every subtle manner. oh, you need a hair tie? he's pulling off one of yours from his wrist. having trouble carrying groceries? he's already there. it's like he has a 6th sense for when you're even slightly uncomfortable.

you're frank's safe place. he can literally feel his worries and fears melt away as you hold each other. you're all he ever wanted love to be, and he knows that as long as he lives, he'll love you.

[humblefryingpan]

The "Amy likes spiders" poem in doki doki literature club (Natsuki's second poem) just makes me think of being closeted with internalized homophobia and I think it works really well for her

There's the poem if you haven't seen it!

(This is just me analyzing the poem and it's probably my longest post yet. I've been overanalyzing all the poems but this is the only one I've typed out atm lol)

It specifically makes me think of four things - Yuri liking different things and her disliking her for it, Natsuki being so far in the closet that she'll take any excuse to avoid the pretty girl™, Natsuki's self projection onto "Amy" and most importantly internalized homophobia, like I said earlier

It generally makes me think natsuri but I'll get to that later. So if we go from the internalized homophobia + closeted perspective (more like raised homophobic and doesn't know she's gay but ykwim), it reads as "a girl I know is a lesbian and Im meant to hate her for it. She's pretty and she makes me feel things but I can't be friends with her because she's a lesbian"

'The narrator' (Natsuki) heard a rumor that a girl, "Amy" (the lesbian), apparently likes 'spiders' (girls) and is repulsed. And that's why she isn't friends with her.

"Amy" sings the narrator's favorite love song, her voice is cute and it's making her heart pound. But she still likes 'spiders', so she can't be her friend.

She hurts her leg and "Amy" helped her get to the nurse. She tried to avoid touching her because her hands might be gross due to touching 'spiders', so she still can't be her friend.

"Amy" is very popular, but "she probably talks about spiders" (being gay). "What if her friends start to like spiders too?" (This entire verse rlly speaks for itself)

The next verse is shortest and even more repetitive than the rest of the poem (to emphasize her point) "it doesn't matter if she has other hobbies, it doesn't matter is she keeps it private, it doesn't matter if it doesn't hurt anyone" because to the narrator - she can't be "Amy's" friend, no matter how bad she wants to, because she's always going to be a 'spider lover' (lesbian) and she won't be able to ignore that.

And then the final nail to seal shut the door to the closet - "it's gross, she's gross, the world is better off without spider lovers. And I'm gonna tell everyone" because she needs everyone to know she hates 'spider lovers' to make sure no one knows she is also one. It's so gross because she was taught it was and now she can't stop thinking it's gross, no matter how nice/pretty/kind "Amy" is.

Onto the natsuri part so if you don't like that ship feel free to skip the rest of this (if you're still here lol)

Yuri and Natsuki like such different things (creepy and complex vs cute and simple) and they reach the point where they've argued so much that Natsuki doesn't want to admit she doesn't dislike Yuri. Even if she likes her poems, she'd never tell her because she feels like she can't at this point.

Natsuki couldn't see past their differences for a while, when she finally does, she's too embarrassed to apologize and too uncomfortable to befriend her without apologizing.

Nearly every verse of the poem will talk about how great the girl is. How she has a cute voice, she helped her, she has lots of friends, she makes her heart pound. But every verse she will still come back to "but she likes spiders. That's why I'm not friends with her". It feels like her gradually warming up to Yuri but still reminding herself that she can't be her friend, they're too different, Yuri likes creepy things (Yuri probably does like spiders so that's a bit more literal but it's also that spiders seem to symbolise everything she likes that Natsuki doesn't) and she couldn't be friends with someone so different.

And lastly, Natsuki's self projection (this is what the meaning is said to be in-game), meaning "Amy" is Natsuki herself. Natsuki likes manga and her friends won't believe it counts as literature. Her manga is the spider in this interpretation, she doesn't want people to judge her based on what she likes. She's had to be so defensive about what she likes, she may even judge herself for liking it at this point. She doesn't want people to judge people by their interests.

I keep seeing people say that Amy is a real person but that's one of the only interpretations that makes no sense to me. Because Natsuki may be a bit judgemental but even she wouldn't make an entire poem about disliking her classmate's love of spiders. She said herself that anyone that agrees with the narrator in the poem is a bad person. It's far more likely that "Amy" is a made up idea, she's barely even shown as a person. She's seemingly meant to be symbolic of Natsuki's flaws and insecurities, whatever you perceive those insecurities to be.

Portraying Amy as an actual person kinda cheapens the poem, at least in my opinion, because she was talking about how people should be given a chance no matter what (or who) they like and if Amy was a person it wouldn't make sense

[turbolezgooo]

Why ya'll hate on Cait and call her a dictator?

Well-written characters often have a story deeper than what you explicitly see them do or hear them say. Just because everything is set in a fantasy world, doesn't mean that characters are not affected by tragic events and the human condition.

First of all, Cait wasn't the one who made a police state. Ambessa and the council did that. Ambessa orchestrated the whole thing. Cait went along with it because she was turned around by grief. That shit messes with your judgment, but she was still trying to do what she and Vi agreed on. To focus on the real problem and prevent hurting innocent people.

Cait tried to control an unraveling situation AND literal warlord WHILE being inexperienced in how to deal with it, having a big ol' lesbian break up, AND dying inside.

You could see that when Cait argued to Ambessa that there are innocent people and there MUST be justifiable cause to arrest anyone. In Cait and Ambessa's interactions it's implied that Cait was getting in the way of Ambessa's agenda off-screen. She tried to keep something worse from happening because she does acknowledge the historical and current oppression of Zaunites.

This mirrors the way she offered Vi the badge to give her a voice in what happens to her sister if the enforcers caught her. The enforcers coming after Jinx was going to happen regardless of Cait. She took control by volunteering and taking precautions. See- While they did use gas, Vi would never agree to something that would permanently hurt the people of Zaun. The tactic gave them fewer chances of having to physically fight Zaunites who were just trying to defend themselves. Believe it or not, it was a controlled operation until grief got the better of Cait and things looked worse than it actually was.

The way that Cait deeply believes in equality in spite of a personal vendetta is why Ambessa sent Maddie to try and control her by 'filling' her hole (no pun intended). When Maddie attempted to have Cait stop the police state situation and withdraw, she did focus on Jinx at first but the second part of not wanting to make things worse was something she had a lot more to say about before Maddie interrupted. And Cait was right. What would have happened if she hadn't taken the role and played along? A puppet councillor or Ambessa herself would have been the figure head and do so much worse. Those people don't have the same perspective and understanding as Cait.

When Cait and Vi argue about listening to a war pig oink poison in her ear, she yells "I know!" as she throws a piece of war ship used in strategizing. You can tell her role was a strategic choice to have some control over the events that unfolded. That's why Vi didn't villinize her. Vi understood that Cait never really accepted anything Ambessa said. That's why she helped Vi at the commune. Cait was a double agent taking shit from all sides to stop worse things from happening.

She had grief and really crap options, but she always chose the lesser of the evils to try and stay true to who she really was. She even resigns in her argument with Vi, that she didn't put Jinx, her own mother's killer, in jail or punish her in any way. It's another example of her faltering in decision-making when overwhelming or unexpected things happen and it also tells us what she is. She's human. She doesn't make excuses for taking on an objectively bad role and making mistakes. When she said "We can't erase our mistakes.", she's also talking about herself. She takes responsibility and tries to do good. In the end, all she wanted was closure for her grief by having Jinx accept responsibility NOT by killing or abusing her or innocent Zaunites for that matter.

Imo there's a lot in Arcane that shows Cait as a flawed but inherently good person, and Vi absolutely knows it. They see each other warts and all. If you think CaitVi's lex scene was poorly written read this: https://www.tumblr.com/turbolezgooo/768190482340773888/bro-this-outrage-about-caitvi-relationship-in-s2?source=share

[jozor-johai]

Ned has this small speech in AGOT Bran I about why he must behead Gared, and I think there's some really interesting takeaways. Not about why he must do it, the part he focuses on; the part Ned doesn't focus on: why it's legal, and what that means for Gared.

"Do you understand why I did it?" "He was a wildling," Bran said. "They carry off women and sell them to the Others." His lord father smiled. "Old Nan has been telling you stories again. In truth, the man was an oathbreaker, a deserter from the Night's Watch. No man is more dangerous. The deserter knows his life is forfeit if he is taken, so he will not flinch from any crime, no matter how vile.

Ned moves our attention along to why Ned had to be his own headsman, but in just a few sentences here, we've been introduced to the paradox of law that makes this system so fundamentally unjust and broken.

We're told that "no man is more dangerous" than this deserter, so we might think, for a split second, that Ned feels he must kill the man because he is dangerous. But as Ned points out, the logic is actually the reverse: "he knows his life is forfeit if he is taken, so he will not flinch from any crime" (emphasis mine). It is not the prevalence of crime that is creating the demand for law, here, it's the existence of this extreme law that is generating the crime. Not wanting to be killed, the deserter would do anything to survive.

For Ned, the epitome of law in the North, who literally acts as judge, jury, and executioner, the tautology of the reasoning is irrelevant. The man is dangerous, now, whatever the situation. Of course, for Ned it's also really about an adherence to the laws of the Night's Watch, which is an institution as old as his house. It's their death sentence to declare, his to pass.

This time reading it, though, I was struck by how Ned's words here are an inversion to Septon Meribald's broken man speech, which is too long to relay here but ends with this:

"He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them . . . but he should pity them as well."

Septon Meribald is describing Gared here, just as much as he's describing the men at war. There isn't a mention here directly of the threat of punishment for desertion, which is more extreme with the Night's Watch than elsewhere, but the reality is the same. Here, though, Meribald's approach is entirely different than Ned's—Meribald, who walks among the smallfolk and gives away what good he can offer, has a much more understanding and empathetic view of these men.

Ned has the capacity for this understanding, but his role is simply not to have kindness here. All of the goodness and kindness Ned has otherwise just doesn't matter here, because here Ned is the law, and Ned is a lord still.

With the fact that even Ned is given this treatment, we see how rigid and unjust the laws and class structures are here. Even a "good person" is not good in Ned's position.

I think this highlights the cause behind the growing smallfolk unrest throughout the books and especially in Feast/Dance. Even the good lords, the ones who can see the problems at work here, are still lords, and still hold themselves to the status quo that keeps them in power above all else. And it takes a very different perspective—like the kind Arya has gotten, for example—to see it the way Meribald does. (Though Arya has gone the opposite route away from forgiveness... that's interesting too.)

[demodraws0606]

My thoughts on the latest episode (aka HU IS THE CULPRIT I WILL DIE ON THIS HILL)

Warning : My sassy attitude is not directed towards anyone else, I'm simply amusing myself and also I've only gotten barely 5 hours of sleep god save me.

This is gonna be very long and messy so strap in folks

It's so obviously not Eden or Ace it's painful (idc 'i'll die for my hubris). Not even just because Eden lying and being the culprit after all of that would be both underwelming and just...miserable. But also because of how the way we're getting the reveal in advance that it could only be Ace and Eden. The fact the cast was already on Eden's throat as well just makes this point even more clear to me.

This isn't like fucking Korekiyo in chapter 3 of DRV3, this isn't how a culprit reveal happens. Especially not when there's so much we don't know yet.

So who is the culprit ?

...

It's Hu, it's literally Hu.... and like 1 pourcent chance it's Nico but I think both of them are accomplices here.

The thing is, I don't buy any of the shit Nico is saying, their admission of guilt is strangely quick and detached. They also seem to go along with anything people say about them (like them framing Hu) which makes it even more suspicious, they could've just said they used Hu's weapon out of conveniance ? The only thing this episode has proved me is that Nico is an Active accomplice rather than a Passive one like I thought. For what reason ? I honestly don't know fully yet but again we don't know a lot about Nico anyways.

Hu's behavior really makes me think she did it and is acting out, mostly out of guilt. She seems really stressed this trial which while makes sense for character reasons, it also makes sense if she's the culprit and feeling guilty. It would explain her defending Eden and Nico mainly I think despite her probably being the culprit she doesn't want the perception that Eden/Nico has to be broken (especially not bc of her). I've already explained how Hu being the culprit makes sense from a character perspective so I'm not gonna get more into it.

By the way any arguments in this post being like "it would be out of character for Nico or Hu to do that" should honestly review their own hypocrisy if they think Eden did it, or even Ace for that matter.

Another thing that makes me even more convinced that it can't be Ace or Eden is that...you can't fucking prove any of them did it with 100 pourcent certainty. David fucking threw the BDA rule out of the window, so we can't be sure Eden didn't do it but like what decisive evidence would make it clear between the two of them.

The only pieces of evidence we have left is :

-The sticky ball of clothes (most likely turpentine because the soil of the relexation room would cause the ball to have stains on it)

-The alibi for the relaxation room water

-The missing glove (which I think i've changed my opinion on what it could mean here)

Eden did know about the ball of clothes (but that piece of fucking evidence has strings attached so we'll get to that) and Ace doesn't have an alibi against taking the water like Eden does.

The missing glove is the only evidence left untouched here and honestly I actually don't think it had anything to do with the glove having someone's hair or anything, mainly because first of all the culprit could've technically just removed any hair on the glove even if it was sticky.

And also there's something else that makes more sense.

I think they probably had to use the glove to avoid rope burn while trying to set up the mechanism to kill Arei. Especially with how high the playground's ceilling is, it wouldn't be child's play. I'm not really good at deciphering what could've possibly happenened directly in the murder but I'd argue it's just more likely that the culprit would be put in a situation were rope burn could happen. This murder set up would require a lot of physical effort, and if the culprit even slipped for a second their hands would end up being damaged from rope burn making them obviously look guilty (also ouchie), which I think is what happened.

It would also explain the scuffs on the floor, maybe the culprit was struggling to hold onto the rope leading to them causing marks with their feet while trying to pull on the rope.

The reason why I think the glove is missing is probably because it's damaged and the culprit wanted to avoid the cast knowing they used Arei's glove during the murder. In fact it's the only piece of evidence that is completely missing

But why ?

Has anyone realised something about, I argue, the three other main suspects here ?

Nico, Eden, Ace ?

They all have gloves.

"But a huge portion of the cast has gloves this doesn't mean anything, it's just a stylistic choice !!" Yeah, the majority of the cast has gloves.

I think now you can understand why the culprit wouldn't want the cast to know that the glove was used. Because if the cast did see the glove that was probably damaged, they would assume the culprit wore it and it would narrow down the suspect list to an extremely narrow pool. This forces them to basically take the glove and hope to fucking god the cast doesn't catch on which they clearly haven't yet.

You know who doesn't fucking wear gloves.

HU JING

My girl got no gloves on !!!!

So yeah, with the glove being untouched evidence yet I think it will be the main decisive thing to point out who the culprit truly is, and I just don't think it's just gonna be like "oh let's just search everyone to see which one has the glove !". For all we know the culprit could've fucking eaten the glove, I don't think we're getting another Min in trying to search shit on people's person.

Anyways I'm gonna transition to other stuff to explain how the Nico and Hu theory makes sense from a logical standpoint here.

Let's get on to the sticky ball of clothes.

First I want to get it out there that I do not think the ball being sticky is due to the soil of the relaxation room. Mono-TV's talk about the "special formula" was mostly to foreshadow the floor of the playground's properties, also the fucking ball would have stains on it.

For me this means the ball of clothes has to have been covered in turpentine especially now that we have confirmation from Ace directly.

This is extremely huge and I'm flabbergasted has no one has mentioned this. Pray tell where the fuck did that piece of cloth go, did it get isekai'd into another world ?

This question actually has multiple meaning here because that fucking ball of clothing actually has massive implications. It confirms a lot of things and also puts a lot of doubt in things that seemed to be confirmed.

Before that I also want to say that Arei 100 pourcent got knocked out with turpentine. I don't want to argue over and over again that it was used because I've done this before but I have to since there are multiple reasons why she had to have been knocked out.

The floor is extremely prone to scuffs, if Arei was struggling then we definitely would've seen more than just a few marks in one area.

The method of murder would have been extremely difficult if she was struggling, like to a ridiculous point. Especially with someone like Arei who has been shown to have been sneaky and very prone to attacking people in their weak spots.

The tape binding Arei's hand in hindsight actually probably wasn't to avoid her struggling, it was most likely due to how the mechanism of the murder work. Keep in mind how the murder had to have worked and imagine if Arei's hands were just loose and flopping around. There could have been possible injuries with her arms that would ruin the culprit's obvious plan to make it look like a suicide. It also just makes sense for weight reasons, again Arei having her arms flopping around would make moving her body even more difficult.

And even if you want disagree with all of that, the culprit could've just binded her tape to avoid the same mistake that happened with Ace with him waking up from the turpentine.

Now that I've made my case about Arei being knocked out, let's get on the actual new arguments I want to make.

First, we know for a fact that a piece of cloth was used to knock out Ace meaning it has to have gone somewhere, if you say "well they could've just thrown it away" I will personally come into your home and shit in your shoes. And you're also wrong because I've already proven that Arei had to have been knocked out.

This means the only piece of cloth available to us would be the sticky ball of clothes.

But...like let me just explain everything that's mind boggling about all of this.

-This ball of clothes had to have been made for Ace's murder to knock him out

-The only people who knew about the old clothes were Hu, Teruko and Whit. Eden only knowing later on, way after Ace's murder was planned probably, because Hu told her about it.

-The culprit used this ball of clothing against both Arei and Ace

-The cloth is suspiciously absent from the murder scene, which makes no sense considering Nico's account rely on them not having left the gym while trying to murder Ace. Them leaving to chuck the cloth aside only to come back to the gym doesn't make sense with the timeline in how we discover things.

Yep, I'm making the claim that Nico didn't actually kill Ace here, I still think it's Hu. Again you can try and complain all you want about how it's out of character for Nico but the reality is...shit is not adding up.

It's really suspicious how silent Hu becomes when her weapon is brought up, immediatly clamming up and not defending Nico anymore. When Teruko makes assumption that Nico lied to Hu to get her weapon, she doesn't reply with a betrayed "Nico is that true ?" or even a sentence she responds with "That's...". The amout of ellpises both Nico and Hu give are extremely suspicious and just make me side eye both of them extremely hard.

I'm gonna go on another tangent here, on the subject of Hu being suspicious. Mainly because I do wanna point out a moment that both makes Eden seem a lot more innocent and makes Hu a lot more guilty.

The subject of Arei potentially committing suicide.

Now, it's very clear that the way Arei was hung was meant to make it look like Arei killed herself, this was very much meant to be the culprit's intention. Both to hide the true murder mechanism and probably to mislead the cast. The fact that it's only an incidental red mark of Arei's wrist that proves she didn't kill herself, proves that the culprit intended for it to look like a suicide.

However guess who argues against this...Eden, which, if she is the culprit I don't see why she would do something like that (and if you say "well why is Hu defending Nico and Eden" I already explained it). Clearly the Eden!Culprit theory relies on her being capable of manipulation so there's no reason why she would be so caught up in her own feelings to just ruin her own plan like that.

You know who seems to really be into the idea of Arei killing herself though, Hu.

That's all I have to say on that, now let's get onto how I think Nico actually helped Hu.

I do think there's still a 50/50 on them working directly together or just Nico catching onto Hu's plans and deciding on their own to help her.

I do think Nico directly helped her though in two major ways

First, the water, it's the obvious one. Nico probably ended up giving the water the Hu here weither they did so with/without knowing Hu's intention doesn't really matter since they're deciding to keep quiet about it now.

I also want to quickly mention how Hu getting water from the relaxation room makes a lot of sense. Hu was busy with Eden in the kitchen and Teruko had taken all the drinks from the gym, so it's likely Hu was forced to take the water from the relaxation room.

Second, the note

Oooo baby let's get into my favorite realisation in watching this episode.

One piece of dialogue has made me realize something

This made me puzzled too, because yeah, who would be listening in and how did Arei not notice when she went into the room ?

Let me take you all back to Chapter 2 Episode 5

Rose and Teruko have a conversation about Rose's secret and that conversation lasts a good while, until...

Nico was actually shown to have been there the entire time, Teruko and Rose were talking without noticing they were there.

Nico then explains themselves like this, pretty much proving this is something they just like doing casually sometimes.

This actually would explain everything on how the eavesdropping happened, Nico was on the literal fucking floor of the infirmary leading to them listening to everyone's conversation. Which tmeans they could have had the information to write the note.

This would explain the inconcistencies as to why would the culprit know to eavesdrop and how they didn't get caught by Arei when she was barging into the room (if they were outside by the door).

Now this leads to two possibilities with Nico and their relation to Hu.

Either they worked together with Hu and they both came up with the murder together. Which means either of them could've written the note.

Or Nico helped Hu without her knowledge, making the note to help her (edit : just realised this doesn't make a lot of sense ignore this).

I believe this is all I have so far and I'm very tired so you won't get a conclusion

Oh wait I hear something in the background...

"WHAT ABOUT THE TAAAAAAAAPE"

First of all, y'all gaslit me into thinking Ace couldn't have taken the tape so I'm already sick of this tape bullshit being used as decisive unshakeable evidence.

You know what I think probably happened ? Ace took the tape, after all it disappeared when he woke up and it's possible that he just then threw it away in the trash.

I mean Ace did say he was gonna "commit a murder of his own", it would be in line with him taking the tape.

Why isn't he talking about it then ? Because he'd be seen as the fucking culprit and also Ace is not really the most honest bitch out need i mention Ace witholding info about David and Arei's conversation.

[watcherintheweyr]

People holding the "How romantic it must be, to be imprisoned in a castle and made to squeeze out heirs" against Rhaenyra are... reaching.

First of all, the MOMENT she noticed Alicent's expression has fallen, she makes an apology. She holds Alicent's hand and gives her a softer look- because she didn't mean for her malcontent to harm someone, she was simply trying to express why she was so disillusioned she was with her courtship.

Yall forget that at this point, Rhaenyra and Alicent are still fully estranged. Alicent never told Rhaenyra that her meetings with and marriage to Viserys were her fathers plot. To Rhaenyras point of view, it was her best friend, who had only just before, dismissed Rhaenyras concerns of plots to remarry her father and supplant her (Alicent literally tells the NAMED HEIR that it isn't her place to question the plots of men. When it very much ENTIRELY is her place- as Rhaenyra proves when she settles the Dragonstone conflict without bloodshed or battle, in a way Otto could have NEVER accomplished.)- all whilst **being a part of one of those plots.** and we only see Viserys telling Alicent not to tell Rhaenyra after *six months* of meetings like that have passed. To Rhaenyra this looks like Alicent being a scheming traitor, like many people probably proved to be through her life- only caring about her in how they could use her to elevate themselves. And this was her best friend. The girl she studied with, the girl who comforted her after the loss of her mother, the girl who helped to give her strength before she was was named heir, the girl she wanted to fly across the skies with. She felt betrayed, and from her perspective, she has every right to feel so. (And she does)

Then for three years, Rhaenyra tried to have space from the people she felt had broken her trust, tried to act as heir and also to avoid marriage due to the terror of what happened to her mother. She isnt disrespectful or vitriolic in any scene we see- she just wants to be left alone to read books and listen to music, to continue to try and be heir even if she sees Ottos writing on the wall. And every opportunity they get, Viserys AND Alicent refuse to allow her that space. And we know from ep.2 that Otto likely took every opportunity he had to undermine her efforts as heir.

Alicent then has the boy that Rhaenyras mother was slaughtered for, and Rhaenyra is made to witness how the realm salivates for a child to replace her as heir all because of his genitalia. Hiw hard she has tried, whatever she has done or accomplished doesn't matter to the realm. Only her sex. At Aegons name day, Hobart Hightower calls Aegon 'second of his name' and 'the conqueror babe' literally SAYING how the realm sees him as their future king already- and no one does or says anything to correct him.

So her relationship with Alicent is strained. And Rhaenyra doesn't even know what we know as the audience, that Otto is actively whispering treason and conspiracy to Alicent and she at no point warns Rhaenyra or Viserys.

Furthermore, Alicent DID make the comment in the carriage on the way to the hunt of Aegons quick birth. I highly doubt she meant for that comment to come across as it did, but it doesn't change that the comment was a slap in Rhaenyras face, to the point even the maids looked judgemental. And there was no apology or effort made to soothe that sting.

Anyways.

Rhaenyra returns from her courtship tour, and Alicent approaches her. They have perhaps the first gentle moment between them that they've had in years. Alicent expresses how romantic she feels the tour was.

Rhaenyra, who has the pressure of having to choose correctly- because choosing wrong could result in a husband who uses her as a broodmare as her mother was, or in a man who only wishes to use her so that he can have power over the throne, who wishes to use her to elevate himself and would hope to use Westeros' patriarchal traditions to make her his puppet queen. And the options we are shown are.. a man old enough to have met her great grandmother, a child, and a slightly older snob of a boy who is promptly slain for insulting the child. Reminder, that Daemon was not an option, nor was Harwin, who Viserys mocked as an option in ep.3. Rhaenyra KNOWS these men only want her for her blood and the throne and she expresses her frustration with it. She expresses that the tour is anything but romantic- none of these men love her. None of them care for *her.* only her power. Only her blood.

And the MOMENT she realizes her comment hurt Alicent, she attempts to make amends.

Yall will do ANYTHING to make her seem like this spoiled rotten, nasty princess.... except pay attention to context and the reality of Rhaenyras position and nature.

[toon-tales]

Hiya! Ok, so, this will be a continuation to this post! We'll be analyzing Broppy throughout Twt!

Let's begin!

Now, everything has changed. Poppy's the queen, and Branch... well, you know, found his true colors

Here's the thing, Branch is now much nicer to Poppy, unlike how he was in the first movie. He admires her, just like he used to do, but difference is, he's admiring her also in front of everyone, like, not literally admiring but you get it

Moving on to the part where Branch tries to confess his love to Poppy

Branch was about to say something really important to him, like, super duper important, and Poppy? She wasn't paying attention to him! Like, yeah, she would look at him but her mind was somewhere else, which, takes a point from her

"Being a good queen is the most important thing in the world to me, other than being your friend!"

I like that she included their friendship (much to Branch's dismay), because it shows that she did notice Branch's hurt expression, which gives her the point back

Seconds later, the high-five failed, miserably, if I may say, and what I really disliked is how Poppy was chill about it! She literally said, "For some reason we don't seem to make a good connection!" with that smile. But I'm sure this issue will be discussed later

Takes a deep breath

Anyway, let's skip to the scene of the strings, because I love love LOVE the difference between Branch's and Poppy's characters

"It's when all the trolls lived in harmony, and what's more important than living in harmony?"

"Well, I heard fighting. The strings together leads to fighting."

They're both right, again. Like I said in part 1, they both look at things from different perspectives yet they're both right.

The strings together did mean one big party, before it eventually led to the fighting

This is exactly like the scene when Poppy decided to go to Barb. Branch knew he couldn't leave her alone, and Poppy, in return, knew she didn't want to do this by herself

Let's move on to this scene:

You can clearly see that one of the focuses of the movie is that Poppy never listened to anyone but herself, and it shows. Even Branch didn't like it, you can see it in his face

But does Poppy take all the blame? Nope, I don't think so. Why? Look. True, she didn't hear anyone, but has anyone actually talked?

When they went to jail, all Branch did was comfort her. Yeah, she needed comfort because of what has just been said to her, but Branch could've approached the matter gently. But we don't know if he would've said that, because Biggie interrupted them

Later, when Hickory showed up, Poppy literally put too much trust into him, and Branch tried to tell her, but he didn't press the matter, which wasn't right of him. He should've expressed his feelings more, but they were about to get caught, so we don't really blame either of them

Now later, in this scene:

You can see that Poppy actually seemed to think about what Branch just told her. Maybe she just needed someone to say something. And I really want to know what would've happened if Chaz didn't interrupt them

And even more later, you can see how sad Branch is that Biggie said the truth to Poppy. And even more sad, and overthinking, when Hickory pointed out that Poppy doesn't listen

Until boy finally let it out

"But you never listened to me." All he wanted was her to listen to him! Like, bro!

"What do you mean?" And I think she was actually trying to at this point

Now, what i really love is how both of them seemed troubled by their own words

Unlike the usual fights, where (not all, just to be clear) people just want to bring each other down and prove they're right. They were genuinely upset, and accidentally let it out on each other

But I also want to point out how Poppy was when Branch left, cause, girl literally looked like she was about to cry. Her breathing was heavy too

And now, to 'Perfect for me'

Hear me out-

Now, there are two meanings for this sentence. It could mean that Branch is saying Poppy is the one, or it could mean that he's not enough for her. Imma go with the first suggestion for a reason: it would be 'too perfect for me', and I really think the lyrics goes better with the first one. Anyway, let me know what you guys think!

Now, here's the thing

Poppy wasn't listening to anyone other than herself or whoever agreed with her. She wanted to prove herself as a good queen, and it got them in trouble. She trusted a STRANGER. But to Branch? Oh, she was perfect

See, he loved her, flaws and all, and he was always there for her even if she got into a problem because of her recklessness. He was always there to catch her when she fell

And let's not forget that while Branch is now a gentleman, he was rude to Poppy for far too long. He crashed her invites in front of everyone, he didn't want to save the snack pack from the Bergens. But he had changed, and Poppy saw that. She saw his true colors, she saw him change for the better, even if he was still sarcastic and disagreed with her sometimes. He was perfect. She loved him, even before he got his true colors, as a friend at least

They both said words, hurtful words, yet each one thought of how perfect the other was for them

And I think more people need to understand that differences don't tear you apart

Skip, skip, skip, skip, skip, and hold it here:

Friendly reminder that they haven't talked, haven't made up, haven't literally anything since the fight, yet here Branch is, with a look of sheer panic on his face when he saw Poppy about to get hit. And here Poppy is, with this concerned look on her face and that desperate, "Branch," for her future boyfriend when he got hit instead

And now, to the confession scene:

Can you see how Branch looked at her? He looked proud, like, really proud

"And I love you, queen Poppy." He didn't say 'Poppy' like earlier. He said 'queen'. And I think that means that he now sees her as a true queen, after she had learned her lesson

Now can you see Poppy's eyes when Branch said that? She's happy, like, her eyes are literally wide with happiness. See the love in her eyes when she looks at him?!

Anywayyyyyy, that's it for Twt, hope you guys like it. As usual, feel free to add or comment on anything, and stay tuned for part 3!

Part one

Part three

[w1tchybusiness]

possible spoilers for Warframe: Jade Shadows ahead

i wish people would stop, take a breath, and actually think about jade shadows from an analytical place before they leave their reviews rather than just going "i think it's icky" because like. obviously it isn't perfect, i don't think anyone's arguing that, but it isn't gross or wrong- it's art, it's evocative, and it's going to resonate differently with everyone. i want to pick apart some common criticisms i've seen here from the perspective of someone who's played a lot of warframe and thought about some of the heavier themes present in the quest quite a lot.

It's weird that Jade is pregnant because I'm afraid of it/it's gross/it's fetishistic

Personal feelings of revulsion are not a reason to judge something on an objective level. It's perfectly valid to come out of Jade Shadows feeling weird about it- I do think that's kind of the point. The quest has a content warning before you begin it, because the subject matter is something that is really uncomfortable for a lot of people- that doesn't mean that the game shouldn't be allowed to explore it. Also, even if it was wrong to include something like this as fetish content, this argument would imply the game has already gone to weirder places. Looking at you, Grendel.

It's weird that they make the operator give birth via transference

This argument has a little more ground, but also kind of misunderstands how transference works. Yes, it is a hand-wavy "linking of the minds," but we do see clearly in quests like The Sacrifice that when linking with the more sentient frames like Umbra for the first time, the Operator is not fully controlling the frame. I think Umbra is the most appropriate comparison- when linking with Umbra properly for the first time, you don't immediately control Umbra- it's a more spiritual "linking souls helping him find peace" thing. I'd also say that even in the case the Operator was fully in control, I don't think what happened was remotely equatable to literally giving birth. Like. She breathed for 20 seconds and then dissolved into light and died, then there was a baby there. I don't know if you've ever seen a birth, but that isn't how it works. I feel like after all the shit our Operator has been through, "giving birth" through transference is kind of a drop in the bucket.

It's misogynistic to have Jade die in childbirth

????????

Ok. So let's pick apart the possible reasons that this would be misogynistic. Maybe fridging the woman? But. Not really, because she isn't really gone- the game even acknowledges that she will live on through you and through the motes in Hunhow's message. You can literally craft her and then boom, she's back. She may not have a gigantic speaking role, but no warframe does- hell, even the Stalker barely grunts out single words.

Another one I see a lot is the argument that her sole role in the quest is the whole "her whole personality is motherhood" situation- and that is fair, her role IS that- but that is the point of the quest. They hid this in the teasers because they wanted the reveal to be significant, not to intentionally obfuscate their misogynistic writing- while I certainly do agree that it is all too common for female characters to be pushed aside and relegated purely to motherhood, particularly in fandom spaces but that's an entirely different discussion. I think Warframe handled the motherhood issue well- a person used as a tool of unjust death for years (remember the Jade Light?) giving her own life to finally bring life into the world rather than taking it away- it clearly had purpose and thought behind it, and Warframe has already spent years providing female characters that don't revolve entirely around motherhood- though they aren't pushed into your face and provided immediately without any exploration, so it makes sense that some people on Tumblr would miss them. Warframes don't generally have fully fleshed-out personality- the more sentient frames like Dante and Umbra are an exception. Jade was on the verge of death, it's not shocking that we didn't see much of her personality. I don't doubt that we'll get some codex entries explaining more of her actual personality and story- the quest was just not the place and time.

At the end of the day, Warframe is a game about love, family, and sacrifice. Jade Shadows ticks all 3 of those boxes, probably in the most on-the-nose way we've seen yet. I'd love to make a post soon lauding the things I liked about it, the real narrative depth it presented, the meaning behind and the significance of the discomfort rooted in its themes, and its connections to Warframe's broader themes, but I've seen more negativity than positivity thus far which is... genuinely shocking. When I played it I had nothing but praise. Warframe's writing is usually a bit clunky, so I hadn't noticed anything particularly out of the ordinary, but a lot of people seem genuinely convinced that this expansion was somehow the worst we've ever seen when that is far from being the case. Operation Belly of the Beast has been a ton of fun, and the seeming finite nature of what's left adds a real gravitas to farming for Jade. I'm not shocked the quest itself felt a bit half-baked, I'm surprised they released this at all with 1999 coming up- I'm just happy to get some new content and a new frame whose concept I really enjoy.

[corviiids]

the armour of achilles is kind of like a death note and this is going to sound crazy but hear me out. everyone who ever wears achilles’ armour dies. achilles (duh), patroclus (book 16 goes crazy) and hector. the armour of achilles also (at least imo) notably alters the behaviour of the people who wear it — achilles’ anger is literally his defining trait and when patroclus puts it on he begins behaving erratically eg taunting aeneas, mocking cebriones’ death. hector also begins to behave much more brashly, eg yelling at polydamas in book 18 for daring to suggest that perhaps going back into the citadel is a good idea. SIMILARLY the use of a death note 1) dooms the user to being killed by their shinigami and 2) seems to alter in some way light’s behaviour — he has the same ideals before and after he picks it up but the light we see at the start of the series and the light in the yotsuba arc has absolutely no interest in killing people and is deeply offended by the notion he could do so.

like obviously achilles’ armour does not kill people but like. it kinda kills people. like hear me out

ok no you're cooking though. like, i think the thing about the death note is not that it has a supernatural power to alter behaviour, i think what it does is present its user with power on a new scope beyond what they previously considered possible and the overwhelm of that is so dizzying and perspective-changing that it alters your perception of what matters and what's possible. it literally is hubris, thinking yourself totally above consequences, thinking purely in ideals, getting that big picture vision that obscures the danger of the means in favour of walking towards that bright and shiny end

i really LIKE your vision of achilles' armour as being somehow symbolic of that capacity achilles has for inhuman rage and vengeance like, you're kidding about it having supernatural powers but even if we look at it in a purely symbolic way and not supernatural, that's fun as hell. we can even take this further and apply it to the second set of armour too (the one thetis brings achilles after patroclus' death) and change the conditions not even to wearing the armour but simply contemplating owning it, because that ends up being the subject of the feud between odysseus and ajax, and ajax goes so mad with righteous grief and fury that he turns bloodthirsty, and then he kills himself over the resulting shame. how excellent is this armour as a symbol of the same rage and pride that killed achilles!! reaching for something you think you want and deserve, losing aspects of yourself to achieve it, and going mad with the injustice when you don't reach it

and then odysseus wins the armour and survives his journey........ but like, he doesn't keep the armour. he gives it to achilles' son.

[saintsenara]

would you want to elaborate more on your thoughts on Alan Rickman as Snape? I'd love to hear more of your take on it. I dislike him in the role so much and it's insanely difficult to actually have a conversation about it sometimes because of how much some people like movie!Snape in large parts of the fandom

I have so many gripes with what happened to Snape, from how movie!Alan!Snape is a completely separate character to book!Snape (and how less flawed movie Snape overshadows the much more interesting and gray book version), how much I dislike his acting choices in certain moments to how much I dislike how he sees and describes the character in interviews

I've never heard of the diaries you mentioned, what did he say in them? I'm honestly also just curious if he even read any of the books because some of the things I've heard him say really make me doubt it 😭

there are dozens of us!

and i have no issue with being a #hater on the public timeline. for fun and profit.

but i'm actually going to start with two bits of rickman defending [it's giving diplomat].

the fact that the adult cast of the films was massively aged up in comparison to their book versions makes perfect sense. each individual film not only needed to be accessible for people who’d never read the books, but for people who'd never seen another film in the sequence - and so having a visual distinction between harry and james’ generations is completely necessary. we - as people who are undeniably more invested in the series than the average person - know that the great tragedy of the later books is that james and lily died so young that harry looks virtually indistinguishable from his father as he walks into the forest. but that doesn’t always work on screen…

it also doesn't bother me unduly that rickman doesn't physically resemble the canon snape. plenty of actors don't look anything like the characters they give brilliant performances of [and not only fictional characters, but real people], and it doesn't matter in the slightest - being an exact physical match for a character says nothing about an actor's ability to portray what they're like.

which is where my beef with film!snape starts...

the thing that never hits for me is that rickman plays snape - regardless of the situation he finds himself in - as emotionally repressed, cold, and controlled.

[even down to the costume - he was behind the decision to have snape be, literally, buttoned up].

i simply don't know how anyone could read the books and come away with this impression of snape without having fundamentally misunderstood the character. snape is incredibly emotionally demonstrative! he’s the male character other than harry - the literal narrative perspective - whose emotional state is described the most frequently! and his emotional state is always described in terms which make clear that he’s someone who feels very deeply and who registers his emotions clearly on his face!

rickman's version of snape bears no resemblance to this - and it means that his portrayal of two key aspects of snape's canon character always feels flat to me.

the first is snape's main negative trait - his cruelty. something is really lost in the fact that film!snape's cruelty is reduced to something arch and precise - and that it doesn't have the petty, childish, vindictive tone that it does in the books.

and the second is - of course - the experience which defines snape's canon arc - his grief. this is so inextricably bound up in the state of arrested development - still living at school! still beefing with people he knew when he was fifteen! - that the absence of snape's childish side in rickman's performance means that the way he portrays snape's grief is always going to feel half-baked.

and - specifically - rickman's emphasis on emotional repression in every aspect of snape's character undermines the fact that - in canon - snape's mingled love, grief, and guilt for lily is the only emotion he goes out of his way to repress, which allows the revelation of his feelings for lily in deathly hallows to actually feel like a mystery being solved.

snape is an interesting character precisely because he's so... feral - and rickman’s buttoned-up, suave, nowhere-near-as-gratuitously-mean-as-he-should-be take on him is the cause of many of the least complex and least compelling fanon!snapes [in particular, the snape prominent in pairings with female partners in which he’s kind, sophisticated, romantic, and definitely not really ugly].

the snapewives phenomenon was incredible, though. fair play to him for inspiring that.

when it comes to the diaries... what's complicated is reconciling two particular truths.

on the one hand, a diary is inherently a space for a person to record their private thoughts [they were published with the consent of his family, but they weren't originally written with the intention that they'd be published] - and, therefore, to record impolite, unpleasant, or unadmirable thoughts which they wouldn't express in person. rickman's diaries are incredibly whiny - and often quite unkind - but it's clear that this isn't because he was particularly whiny or unkind in person. obviously, it's a good and healthy thing that, if someone was pissing him off at a dinner party, he was cordial to them in conversation and saved that he thought they were an idiot for his private diary!

but, on the other hand, there are several threads which run through these private thoughts which made it impossible for me not to feel considerably less fond of him.

[chaifootsteps]

(incoming rant, apologies)

anon who said Stolas is not a "goodie pure angel who does everything right" - that's not entirely the problem his critics have, tbh?

the creators have said he's flawed but ultimately a good person, which is basically the narrative the show runs with: that Stolas is just a bit flawed and made some mistakes, but they're ultimately minor and he deserves to be happy

what his critics contend is that Stolas is not just a bit flawed but is abusive towards Blitzo and neglectful of Via far beyond just regular divorce upheaval. but the show never owns up to that - it never seems to think all that deeply about his behavior or how hypocritcal or neglectful he is

second the anon states that just because the show depicts his reactions doesn't mean the creators are saying he is innocent.

this completely ignores how framing works and how it can be used to send a message. when the camera shows Blitzo leaving the Anti Blitzo party while looking at Stolas smiling and surrounded in glowing light, what is the framing trying to say? it's not "the relationship was fractious and these two need time to themselves", it's "Blitzo has made a huge mistake and missed out on the love of his life due to his own flaws". when the camera favors Stolas crying when Blitzo chews him out, what is it trying to say? it's not "Blitzo has a point here", it's "Blitzo has gone too far and his cynicism is costing him love". when it shows a perspective shot from Blitzo's eyes looking at Stolas while he cries about wanting someone to want him, what is it trying to say? it's not "Stolas is still failing to tell Blitzo what he loves about him in particular", it's "Blitzo does want to be that person for Stolas but won't admit it"

the framing communicates what the writers mean and it favors Stolas, every single time

the part about "anyone who babifies him is in the wrong" - idk if this is aimed at his stans or in universe, but if it's talking about the characters it definitely doesn't seem that way. Verosika literally calls him "baby" and she's framed as being correct when she tells Blitzo he should just let Stolas go and sleep with someone else if he wants. she's the voice of reason in the episode as far as the framing goes - if she wasn't supposed to be, Blitzo would be allowed in the script to fill her in on all the context she's missing about the "relationship" and point out the amount of projection she's doing. but he's not and frankly I don't think the show has earnt the benefit of the doubt when it comes to the writing being secretly sophisticated - they literally had Stella say out loud 'I like tormenting you'. it's not that deep and acting like where they're going with Stolas will be is ignoring the consistent pattern around how he's been written or rather, rewritten

and this is a repeated pattern with Stolas - anytime someone could make an obvious rebuttal to something he says, they never do even when it makes little sense.

Stolas claims it wasn't cheating because Stella never loved him? For some reason Andrealphus and Stella don't point out it was still cheating no matter how he tries to spin it and he hurt Via to boot, in a scene where they're trying to assign blame to him to get more in a divorce settlement

And that's not going into the numerous times this happens with Blitzo. The opening of Apology Tour is basically an argument between the two and Blitzo, who has been characterized as a combative and defensive person to this point, suddenly doesn't pull out anything but vague notions about Stolas looking down on him despite the many, many things he could have said to point out how shitty Stolas has been?

even when Stolas pulls the ultimate self-centred card of 'I can't believe you prioritized your daughter's health over me even though you literally sent your employees to help', Blitzo responds with something the writers can use to make him look worse (that he didn't tell Stolas about the Harvest Moon assassination attempt, which is another retcon why he didn't but let's shelve that for now) instead of what you'd expect him to say: that Stolas is being a selfish jackass who thinks the world revolves around his entitled, ungrateful self when a prince like him should have had his legions rescue him instead of making a working class imp risk his family to help him

that example above really zeroes in on the dissonance. they've written Stolas to be a petty, vindictive piece of shit who's portrayed as somehow in the right for judging Blitzo for not immediately LARPing as his white knight and being at his beck and call whenever he asks for it. any writer who had an objective view of their own characters would not let Stolas say something as awful as he said in Apology Tour (and that's just one of many awful things he says in that scene alone) and just let it slide

but they do, because as far as they're concerned Stolas' petty behavior is just him being sassy and finally standing up for himself against...*checks notes* the person he coerced into sex who made no secret of the fact that he found Stolas' attentions repulsive from the start.

I'm genuinely curious where this 'critics take any line Stolas says in the worst faith possible' thing comes from, or claiming critics don't think comes from. It's because critics think about the episodes on more than a surface level that we criticize Stolas, because we don't accept what the framing is trying to say and nothing else.

In what way can someone take Stolas shaming his love interest for taking his daughter to the doctor in good faith? Or him engaging in literal abusive behavior by rewriting reality to favor himself (and being only nominally aware he's even doing it) and doing DARVO on Blitzo? If it was just one thing - just Stolas doing a classism occasionally - then it might be easier to think it was just him being insensitive.

But Stolas is a character who coerced someone into sex in a show that categorically refuses to use the words 'coercion' or 'rape' to describe what he's done, while showing blink and you miss it shots of Blitzo looking violated and furious at what he has to do to appease Stolas, during a musical montage that's once again framed like Blitzo is the one realizing he's wronged Stolas and getting teary-eyed about it.

this isn't critics claiming Stolas is being treated like a perfect angel when the show makes it clear he's flawed. this is critics claiming Stolas is abusive and the show is bending over backwards not only to hide it, but to act like he's this great catch Blitzo is missing out on and Blitzo is more in the wrong

One moment of Stolas saying 'well maybe I did something wrong' during that song doesn't make up for the fact that the writers act like someone who has had all of season 2 to put it together that he's screwed up and has been told multiple times what the problem is, is 'just not being self aware enough', like it's some minor thing he's trying to claim Blitzo was the one to make it all about sex or that he never looked down on him.

someone who rewrites reality as much as Stolas does and lacks apparently any ability to self-reflect and actually apologize and improve is abusive. period, kill shot, end of.

the only thing that would convince me at this point that the writing isn't trying to retcon Stolas into a better person than he is (and failing harder than ever) would be if in the upcoming storyline where he presumably loses everything, the writing spares no quarter that he messed up:

that the power dynamic between him and Blitzo is pointed out and how stacked the deck was in his favor is said explicitly without victim-blaming Blitzo

that using the fact he was getting shot at to make the deal is acknowledged for the aggravating factor it is

that he was gambling with Via's inheritance solely to get more sex out of Blitzo and him claiming to support his business is self-serving claptrap and he knew that all along

that he doesn't love Blitzo, he loves the idea of love and anyone who will save him from his loneliness will do (or at the very least he sucks at communicating why he loves Blitzo)

that Blitzo had every right to not only be confused but angry with him when he confessed and Stolas expected not only immediate forgiveness, but his love - love he felt entitled to and threw a tantrum when he didn't get it

that he's a neglectful father who promises to do better and not only fails to do so but prioritizes his affair over her and drinks himself into oblivion when he's sad even though there's a possibility she might need him

that he didn't tell her about Stella or the assassination attempt because he was again prioritizing Blitzo

that he's failed to raise his heir and teach her magic properly, the literal only thing the Goetia family wanted out of him

that he abuses his imp servants and sees the lower classes as invisible objects for him to use - when he isn't busy extorting sex out of them, that is

and finally that he blames everyone else for his problems and fundamentally never changes. Blitzo is still an object who should meet his needs and Via is still his neglected daughter who should accept the bare minimum from him when he remembers she exists

this isn't the profile of a flawed but sympathetic character, it's one of a deeply unsympathetic loser who takes while giving virtually nothing back. and that's what the show refuses to own up to. we're supposed to think Stolas is tragic but want him to turn his life around, while I would rather see Striker finish the job so Blitzo can be free of the miserable Stol1tz plotline and become a better person in other ways that actually matter, instead of finishing his transformation into Stolas' very own Emotional Support Poor

tl:dr but Stolas' critics don't think he's a Mary Sue. He's a Jerk Sue, a Black Hole Sue. He's a far worse person than the show wants to admit and they've sunk to truly pretzel levels of mental gymnastics trying to prove that to the viewers with all their retcons and insane troll logic lately

Excellent writeup. Stolas's writers say he's one thing, his words and actions say another, and it really is as simple as that.

[adhdo5]

A thing that bothers me about postcanon Xiyaos is that they tend to want to be fixit Xiyaos and in the process not only make it weird but also erase a lot of the appeal of postcanon Xiyao in general. Like I understand why people want to write LXC as purely regretful and oh how I could have killed that guy he was all that mattered in the world but like. He wasn't?

Sorry to say this but as much as Xiyao-Wangxian parallels real and the world and universe a lot of the tragedy is in how Xiyao were never ever going to be able to prioritize like Wangxian were bc Xiyao cannot extricate what they want personally from what they want ideologically. And just saying that JGY's death undoes this in LXC is a) boring b) untrue to the character and c) honestly kind of cringe from a moral evaluation perspective? Yes the thing is in the narrative of MDZS the kind of priorities Xiyao have are futile, because MDZS is about the futility and arrogance of those priorities, and that's why Xiyao are never going to survive MDZS,– and I would certainly say they're misguided and mixed up with awful obligation nonsense, but they're not in fact bad priorities or stupid considerations to have on a grander scale and something focusing on resolving those issues has to expand from MDZS's themes and answer not "what if they simply went Wangxian 2 about it" but "given that they are not and can never be Wangxian and Wangxian happy ending doesn't work for them what kind of story DOES Xiyao happy ending happen in"

And first thing second: a lot of these answers tend to do the thing where their answer is "Xiyao at age 20 was Xiyao happy ending" which is again not only a boring answer but kind of a shitty one! First of all no the fuck it wasn't, otherwise they wouldn't have done all that; second of all Oh so you claim you want a-Yao happy ending and forgive him all his crimes but the only form you want him in is one that in some sense hasn't committed what you perceived as the worst of his crimes yet? The only form you want him in is Meng Yao who does your laundry and cries about needing your support and is only relieved, not angry, not resentful, who's powerless and Yet To Be Corrupted? You want him untainted and want a medal for having a different perception of what "tainted" means? That's what killed him the first time around! Nothing has changed! Xichen-ge, look out!

Fuck that shit!!! Reckon with his crimes! Reckon with the fact that LXC has genuine reason to distrust him and vice versa! They have genuine moral differences and circumstantial disparities and personal-moral grievances with each other no shallower than Nieyao do! Give Jin Guangyao his power and reckon with the things he did for and with it and figure out how they're going to live with that!! You wanna be a Jin Guangyao apologist? START APOLOGIZING

And fucking frankly Lan Xichen has some damn apologizing to do too!! A thing not enough of this talks about is how privilege-blind he is and how he never actually understands JGY's circumstances or the depth of his plight; MDZS if fucking anything asks us to sit with the fact that the world they live in is so cruel as to make those motives to do genuinely horrible inexcusable things legitimate by asking NMJ and LXC to sit with that and both NMJ and LXC fail to do so in turn bc they can't accept that about their society (and tragically even as he is proof positive of that neither can JGY!!!!!!)!!!!!

And the fixation on pre-Crimes Meng Yao is honestly just kind of fucked! It's such an unhinged idea that you should chase not just the lover but the shape of the love you had when you were literally barely out of your teens as life-defining! Not to overestimate LXC's ability to Get Over It, because I do believe that he kind of never does, but it's just so miserable both on the ~kinda fetishizing this dubiously extant Innocence (ew!!!) front but also on the front of like , and you're going to make this too into an obligation for a character defined and crushed by his obligations, and assume this obligation eclipses literally everything and everyone else he cares about??? Miserable! Amatonormative! Literal decades have passed and you're going to say all that character development for both of them didn't happen? For the sake of The One nonsense? I know we're writing fic for a novel where the main couple are Like That and again I'm writing this whole thing because frankly I like postcanon Xiyao I am attached and I am rooting for postcanon Xiyao to get together very easily!! But even Wangxian are absolutely changed by the 20 years and they are resolving ! The problems ! That prevented them from having a relationship before ! It's a whole thing whatever whatever

TL;DR: You are all so amatonormative + make Lan Xichen worse + free my man JGY he did all that shit but free him anyway + in MY postcanon TGCFlike they're divorced

[yasmiralotta]

I feel so bad

I was in a thread. Defending Stolas, beacuse I don't see him as a abusive character in the way the antis do, I guess. And then one person comes in. And I am stating to feel like a bad person. Was I in the wrong here. I am shit at explaining things, and I really didn't try to offend anyone. I was just saying what my opinions are. I am crying right niw and I feel like never having an opinion again!

Them: There's a certain point you shouldn't respect someone's opinion. You sound like republicans saying "Agree to disagree" and what we disagree on is the right for people to live. Ignoring what is overtly abusive behavior isn't going to make it less abusive. All it does is normalize it for people who are less experienced.

Me: That's not what I was trying to get a across. And I respect your guys opinion on hating Stolas, so can you guys respect that I don't see him that way. Like, it's a cartoon we are talking about here. It can be interpeted in different ways because it's not real. Again. I do think that what Stolas did was not okay. But I think he is starting to change for the better. I belive that everyone desreves a second chance. And if it makes you feel better.IF I had to choose a side I would choose Blitzø. But it's not all black and white. And I am not going to choose sides on this. They are both broken and needs LOTS of help.

Me: I think people also forget that Blitzø is not afraid of Stolas. He mouthed of to Mammon. Blitzø is not scared of the higher ups. He could/would not let himself be intiminated like that. He's gone through to much shit for that.

Them: That isn't true because you are here commenting about how much you think you shouldn't have to respect our opinion. "He never did anything to ME so even though he abused you, I think I should not have to take sides and I'll still be his friend". Which is also the attitude you have.

Them: Coming here arguing with people and telling them they are wrong because you don't like the facts isn't respectful. And recognizing a lot of people who hate Stolas' do so because we are victims of narcissistic abuse and so recognize it readily while you defend that sort of person is inherently triggering, even when we have the space to not be personally invested or upset, we will never respect abuse defenders.

Them: And arguing that Blitz isn't afraid is to just entirely miss ... Everything. If you don't think people express fear as anger or lashing out, I wonder how you made it this far. After all, the terror response is literally "FIGHT or flight"

Me: I am sorry. I truly didn't mean to offend anyone. You don't have to like Stolas. Again. I am not saying what he did was right! I am just saying there is more to these characters. That's all. Again. Sorry. 100% sincerly. I didn't mean any harm.

Them: There is more to them, but how you decide to value that is a reflection of you. Dahmer brutally tortured and murdered young men of color and many people romanticize that as him being lonely and gay. John Wayne Gacy tortured and killed 33 boys between the ages of 12 and 18. He was also a victim of physical and sexual abuse. Does any of that matter? You can still see Stolas perspective and all the ways he was hurt and still have the sanity to say "that doesn't excuse what you did".

Them: When you start deciding that the abuse somebody went through is more important than the abuse that they inflict on others around them. That's a reflection of you. We're not even talking about the abuser anymore.

Am I an abuse apologizest? Am I a bad person for defending a character? It's just a cartoon right? I feel so fucking bad right now. I feel like I failed Blitzø. I feel like I shouldn't be in this fandom!! 😭 @lost-romantique @blitzsicedcoffee @hellaversity @firecrackerhh

Tagged some people I follow in the fandom 😢

[fanficmaniatic]

Not to be the over analyzing Cole fan… but am I the only one both surprised and delighted by this shot?

Cole is in the front and center, running, and he looks SO cool! I am rotting for him and everything he does!

Now, I need to admit this is weird. Cole is rarely put in front and center for shots, he is usually in the back, SPECIALLY in running shots, that’s why I have the head cannon that due to his weight/muscle he is not that fast (When compared to the other Ninja) And the show seems to follow this. To be honest I am having a hard time thinking of a running shot when he is front and center that doesn’t belong to Master of The Mountain. Because in there it doesn't matter whether or not he is the fastest, he was the focus character, therefore the focus of the shot goes to him.

And THAT'S what has me so intrigued. Master of the Mountain was Cole’s focus season, his moment to shine, it made sense when he was leading the Upply for him to be front and center... But Now? I am surprised it isn't Nya.

Okey, ignore for a second, the fact that Cole was one of the main 4, ignore the fact that he was the original leader of the team. Dragons risings is a soft reboot. Meaning that while all the other seasons are still relevant, A soft reboot is written in a way someone that has not watched the previous seasons can still jump in and follow along. That's why we have Arin and Sora, new characters that allow the writers to re-explain old concepts without it looking like the characters we grew up with are being idiots.

With this in mind I have to ask... Why is Cole front and center? (And I repeat, he is my absolutely favorite character here) but from the soft reboot perspective... isn't Cole a new character? isn't Cole someone new to the team and therefore new to the plot and narrative? In relationship to the plot and narrative of the soft reboot, Sora is the character we have spent more time with, yet it doesn't make sense for her to be front and center. Sora has not expressed desire to be the leader, and doesn't have the push to lead a team (at least not rn, when we only have her development up to half s1, and the trailer for part 2). Nya on the other hand, she is a character that through Sora's eyes -our POV character in essence- has some sort of authority, we have been with her for longer too. Nya is someone Sora can look up to, learn from, and follow... So it would make sense to have Nya in the front and center... Yet she is not even next Cole.

Notice how not only are both Sora and Nya parallels at the back, not front, they are also blurry... In fact, Cole is the ONLY character in this shot who is not blurry. In addition to being front and center, the animators blur the other characters as Cole runs closer to the camera. Hell, even in the composition, you could draw a clear triangle with the other characters, and Cole is a the peak. He is the focal point, and this ensures the viewer is looking at Cole, but more importantly HIS expression.

His is the only expression that is 1) clear to see, and 2) not showing fear. He is angry, focused... determined.

This bring the actual question of the post... Why use these visual framing devices this way if not to give Narrative focus to Cole?

Could this episode focus on Cole? could we maybe see how he found the formling and the serpentine? notice too how they are next to Cole, and in front of Nya and Sora -aka closer to Cole (Maybe both figurative and literally)-... Could this episode touch on his new team, perhaps show him leading? Because I can't think of another narrative reason as to why they would put so much visual focus of a running scene on Cole.

And you could say "Duh, the episode is of when they find Cole, of curse they are going to focus on him" and You'll be correct, but also you are not getting my point. What I am saying is that, if this level of focus is anything to go by, Cole fans are going to eat, this episode is going to be a meal. Cole is about to kick some mech's ass so bad that bitch is going to go back to the mechanic crying and we as viewers are going to have front row seats to the whole thing.

Cole might be having a focus episode where his leadership skills are shown, where he is being fatherly, where he is showing himself as the responsible rock of the team. THIS is not any focus episode, this is a five start restaurant meal. A buffet.

Anyways... I am trying to keep my hopes low, but I needed to put this out there real quick.

[melliae]

Refraction Railway Line #1 Abnormalities Part 1 (Analysis)

Madness.

Simply put, there’s no better way to describe the first Refraction Railway ever released, and not without good reason. We can’t really expect a forced “patchwork” made of several possibilities coming from 3 Sinners to make sense, can we? Project Moon surely just threw whatever they thought interesting to the wall to see what stuck.

However…

“Embracing the madness is a necessary step for humans to move forward.” - Lunacy’s Flavour Text.

I stated in my second analysis of RR2, in Sign of Roses’ section, that accepting madness is to admit the limitations of the conscious mind, that things are just so vast and complex that there’s no way for us to fully understand them, let alone predict them. Life’s essence is rooted in uncertainty, and so is humanity. To separate them is to mutilate and destroy both, and to deny the life that madness wishes for is to increase its power over you.

So… who knows? Maybe there’s something there, a thread we can’t fathom, just like how life is. To try to say something with utter confidence and “rationality” is just as irrational as the opposite. The only true difference is your own disposition to admit and be conscious about it.

And thus, honoring its name, let’s try to find meaning in that which is unknowable and uncertain by definition.

“A symbol always presupposes that the chosen expression is the best possible description or formulation of a relatively unknown fact, which is none the less known to exist or is postulated as existing.” - Psychological Types.

Misery Loves Company

“In any case, we now know why dragging on doesn't do us any favor. I felt like I was being dragged deeper into the swamp of gloom as the fight went on.” - Ishmael, Abnormality’s Observation Log #3.

Glupo is one of the strangest Abnormalities ever, but not because of its meaning, no. Its weirdness solely comes from the effects of its EGOs and EGO gifts, which literally have nothing to do with the actual mechanics of its fight, notwithstanding the actual logic of the former two. A weird little guy, all in all.

Anyway, moving into its meaning… Really, there’s no way to get it wrong: a Trauma Abnormality with skills that are exclusively Gloom-based, and a blue resin defined as Gloom itself that fills the arena and escapes from its body once its eyes are broken. To say that Blubbering Toad represents anything but depression (or any other deep-seated sorrow) is wishing to “not fit in” on purpose.

However, if you pay attention to some details present in its Mirror Dungeon Encounter (not battle) and Observation Logs, it becomes obvious that Glupo isn’t a representation of depression per se, but of a certain perspective over it: the Abnormality doesn’t just want to wallow in its misery, but also to be heard and seen.

“An eyeball belonging to the toad was on its tongue. When we picked it up, it blinked its other eye at us before going on its way. Was that its thanks for lending an ear?” - Abnormality Encounter (“Sit and Wait” option).

This necessity for someone to at least hear it is seen many times, both during its actual fight and its Encounter, with the Sinners and Dante wondering whether they should interrupt Glupo’s crying or let it finish. And considering that it heals back some or many of the deployed IDs to full SP in case you fail the check of the “mimic the cry” option shown below, which is determined only by the average SP of the team, it’s obvious what it truly wants.

“‘Cruh-huh, croohoo.’ The toad makes a different noise as if to answer. It sounds like an affirmative reply. It extracts its long blue tongue, snatching a person from our group. Sometime later, they walked back out of its mouth. They seemed drenched… in moisture, or gloom.”

No matter what Glupo does or to what place it moves, its despair will chase it forever, for the true crux of its problem lies inside—the “gloom resin” that fills its body and that melts its own eyes. It’s completely fruitless to get angry at it and fight off its sadness, and so it’s to comfort it lovingly, because Glupo simply knows such things won’t work. Its essence is that of Gloom manifested after all, an endlessly dark dampness that crushes and taints everything it touches, and one that the Toad doesn’t have any way to free itself from.

Without escape and without rest, Glupo’s only solace as an Abnormality resides in others’ acknowledgment of its pain, that someone will hear its cries one day and maybe—just maybe—will remain by its side in an attempt not to make it better, but as an attentive, non-judgemental ear.

“I wonder what would've happened we just waiting until it's finished crying? No, I'm not saying we should try it. I don't see it being efficient, either. It's just... I remember someone doing the same for me a long time ago, and it helped me back then.” - Ishmael, Abnormality’s Observation Log #3.

The sadness and emptiness inside one’s heart may never disappear, and all the attempts at soothing it may be fruitless. But the short-lived relief that’s born at the moment your visceral cries are heard—that you and your suffering are finally seen—is so much more precious than any other thing, because it means that someone is willing to share the pain you thought was unbearable, and we all know that the only way no one will have to cry ever again is to share our curses. The Abnormality is no exception, willing to help you to its own detriment once you lend it the companionship it yearns for.

Yet, it’s because of that very same dependence on people that Glupo becomes vulnerable to the thorns that poison relationships too, the bitterness that leads people to resentfully think that someone else is receiving the attention they think they themselves need, and the resulting self-pity and doubt over one’s predicament. It’s very different from the seeming indifference the Toad holds for the Wrath, Lust, and even Pride of the Sinners, which in turn reinforces the empathy it has shown during all its apparitions and that it earnestly hopes will be returned to it.

Depression surely is a terrifying thing, isn’t it? Melancholy, sorrow, agony, despair, emptiness… Being so deep in the abyss of such emotions, wishing more than anything for someone—anyone—to be by your side, isn’t something I want other people to experience. But if there’s no other way, if you have already ventured too far into the dark cave, then it’s important to remember something: humans are not meant to be alone; even in desolate silence, companionship is nothing short of salvation.

A "Leashed" Dog

“This creature was like a living battery. Collecting lightning in its body, it used the power to fuel itself. Alas, its usage of the lightning's energy was not for a self-motivated purpose such as pursuit of strength; the accumulated electric forces appeared to dictate its motion, giving me the impression that it was the will of the sky that it followed.” - Yi Sang, Abnormality’s Observation Log #3.

Have any of you seen the movie Frankenstein? The one that showed how electricity was the element that animated the Creature? Yes? Perfect, then, because everyone should know such a thing never happened in the original book. The “electricity” was just a cinematic adaptation of the “vital principle” that Dr. Frankenstein discovered, akin to God’s “secret”. However, for Project Moon, there seems to be no difference between the two things as implied by Yi Sang.

But then one must ask what “divine” will or power is represented through said electricity. For that, we have to look at two elements that I’ve already gone over in my previous analyses.

The first one is related to another Abnormality with purple lightning, Dreaming Electric Sheep. There’s not much to comment on here thanks to how obvious the symbolism is, but I want to emphasize something about its environment: the lightning comes from the dark and chaotic sky, from the “liminal world” that the Sheep lives in. This world is our second element, being an adequate symbol for the source of all dreams and vitality: the realm of the dreaming, unconscious God, the source of the “spirit" or psychological spark that enlivens the mind (and body).

Regarding the nature of the unconscious mind… I’ll have to explain it once more since it’ll be important later on. But basically, the unconscious, as theorized by Carl Jung, is divided into two levels: a personal layer, proper to the individual, and a deeper, more collective one that underlies the former. While they do have their own peculiarities and differences, their point in common is that they are the matrix of life, the source of all “psychic” energy and change, as well as their limitations and possibilities. To say that the domain of the divine is the unconscious, while blasphemous, isn’t inaccurate, yet one must take care not to assume they are “asleep” or—even worse—“dead” just because of said unconsciousness.

“As an autonomous psychic factor, Wotan produces effects in the collective life of a people and thereby reveals his own nature. For Wotan has a peculiar biology of his own, quite apart from the nature of man. It is only from time to time that individuals fall under the irresistible influence of this unconscious factor. [...] It seizes everything in its path and overthrows everything that is not firmly rooted. When the wind blows it shakes everything that is insecure, whether without or within.” - Carl Jung, Essay on Wotan.

The wilderness and madness of the “divine” is best seen with the Erlking, who is identified as the Devil by Nelly, and what is the Devil but another name for the stormy unconscious personified by Wotan-Odin? What I meant is that the Erlking—Heathcliff himself—was the tempest that tore apart Wuthering Heights personified, the culmination of the accumulated pain engraved in the very mansion and without which its residents couldn’t survive—the master, the scapegoat, the “source” of all evil. He was the manifestation of the spark and winds that pushed everyone and allowed them to live, despite being no different from corpses only held together by the resentment that flourished deep within them.

At the end, no one should be prideful enough to think of themselves as friends or equals of the “heavens”. At most, we are just toys and slaves of our superiors’ unpredictable wants. Such is the logic behind Alleyway Watchdog, who has given up entirely on its autonomy and dignity as an individual being, breathing and living to the whims of its unconscious master—succumbing to its own smallness. Naturally, I don’t think I have to point out how a watchdog connects to this idea, right?

With that part clear, it’s obvious why the Abnormality has both Envy and Sloth skills, with a body at the complete mercy of that psychological and capricious lightning received by the Telepole. Thus, more curious are its Pride and Lust skills, “Howl” and “Claw” respectively, that point to how succumbing to its own drives and instincts was something the Watchdog did on its own. There is no grandiose sense of duty behind all the mutilations, pain, and discharges, only resignation and loss of all self-control, becoming no more than a devil that lacks any sort of shame even during its most beastly expressions.

Overindulgence and loss of control are also present in Fairy Gentleman and Sign of Roses by that matter. But whereas the Fairy still has a humanoid identity and form, enough to reign over itself momentarily, the human effigy in the other two Abnormalities is beyond disfigured, near the brink of extinction, as it is representative of the collapse of rationality. And while Sign of Roses is a manifestation of a twisted divine love, Watchdog is the epitome of submission towards said “love”, lacking any semblance of self-determination and responsibility for just as God created and commands you, the “torment” acts through and seizes you without asking.

Towards the heavens and God, there’s no answer or question, only blind obedience. You just have to look at Faust and her relation with the Gesellschaft, the temptation offered by Mephistopheles the Devil, who originally presented himself as a black dog in Goethe’s novel. Or Sancho and her nature as a Bloodfiend that demands her to follow the Bloodstream, to the point she wasn’t able to stop herself when commanded to leave La Manchaland (though Rocinante did help with that). And I don’t think I have to go over Heathcliff’s case after my explanation about the Erlking, though I find it noteworthy to mention just how typical his portrayal of emotions as a storm truly is—nothing more classical than a Byronic hero!

And to end the analysis, I want to highlight how the Abnormality’s weakness to Pride and resistance to both Gloom and Envy show that, again, the Abnormality accepted this on its own, without complaint or sadness for its nature as mere marionette for something “higher” and more “primal”; it refuses to stand up and claim its own being, like most would have done. In contrast, the Body’s and Telepole’s particular weaknesses to Sloth reflect once more his inability to refuse the heavens’ whims, while the vulnerability to Wrath of the Person and Head does so with the classical trope of raging against the above, awakening the squashed soul with its own kind of “vital spark”.

At this point, I don’t think a final remark is needed. I’ve already gone over this topic a couple of times before, and the question remains the same: is it truly worth it to completely relinquish oneself to the soul and its inner storm, to be no more than a rabid beast that doesn’t know any better?

Please, Don’t Call It “Dumbass”

“A smile is displayed on the terminal, but in the robot’s gestures, you feel a plea for help.” - Abnormality Encounter.

Okay, I give up with this one. I don’t have the slightest idea of what the Robot means. The only thing I know is that it wants to be anywhere but in its “town”, so please, don’t call him “dumbass” :(

…

Okay, in all seriousness, I have an idea of what KQE stands for, but the lack of EGOs and the vague nature of the “town” makes the Abnormality difficult to analyze. Still, if I had to put my life on the line, then…

“<There must have been an issue with the tour program.> After printing those words, the robot stood still for a while. Just when you started to wonder if it was broken, the terminal flashed. <No response after multiple requests to the Administrator.> <System Error. System Error.> <Rebooting…> After that, it kept throwing up complicated words on a blue screen.” - Abnormality Encounter (“Tell it you took a tour” option).

The City is still using Windows

Abandonment. Complete and utter isolation after being transformed into an unrecognizable monster and used as such.

However, even though the “administrator” and “townsfolk” have completely abandoned it alongside the “town”, KQE continues to fulfill its role and protect the latter all alone. The Heart of the Townsfolk that appears once the Robot’s claw is avoided? Don’t be fooled by the name; the Heart is its own, as they do not only share the same traits and Sin affinities but also have their HP bars connected thanks to the Heart’s passive, which causes KQE to take damage and become staggered once it’s destroyed. All of this means that the Abnormality is the last of the “townsfolk”, the only one who makes sure to keep the forsaken ghost town functioning in spite of its agony and despair.

“The claw was a pretty big bother to get around, but when we cut into that thing somehow, that tin can stopped moving! Haha, that sure gave us a breather. …Well, it might be because the heart belonged to the robot.” - Gregor, Abnormality’s Observation Log #3.

Another interesting detail to note is how the (only) trait KQE and the Heart have, Mechanical Amalgam, is only shared with the MultiCrack Office IDs and enemies. And if we go by Heathcliff’s Uptie story of said Office below, then…

“Grabbing piping-hot items without hesitation. Walking for hours upon hours without ever getting tired. It was those little things, those minor details, that have been making the child feel a sense of alienation ever since he replaced most of his body with prosthetic parts. [...] Days rolling, clicking by like cogs in a machine. The child was merely growing used to that kind of life. The life in the City.”

Mind you, I’m not sure how applicable this loss of emotions is to other MultiCrack Fixers due Sasha’s attitude during MotWE, but it’s still worth considering how reminiscent of KQE’s situation it is. Besides, this kind of abstract meaning is somewhat in line with the rest of Abnormalities that share the “06” classification code: Steam Transport Machine, whose existence is basically the past given physical form; 1.76 MHz, a Trauma Abnormality that stems from PTSD (likely from the Smoker War veterans); and and Nothing There, an Original Abnormality that represents the emptiness that has assaulted the city, one of the many consequences of the “sickness of the mind”. All of this, unironically, tells us a lot about the Abnormality:

Speaking about Nothing There, it’s extremely important to highlight how its code is almost identical to KQE’s. This was likely intentional on Project Moon’s part; they want us to connect the emptiness or alienation that the two of them represent.

Thus, the true nature of KQE, as per the rest of "06" Abnormalities, is abstract, not physical. More specifically, in a very similar way to NT, it likely originated as a “void” or some sort of abstract thing that people filled with flesh and machinery.

Finally, considering it’s a mechanical amalgam in the same way as the MultiCrack Office Fixers (and the “heretics” pursued by N Corp.’s Inquisition), the effects of technology has on the human body and psyche is a fundamental part of its meaning as well.

While Project Moon has been mostly impartial regarding the overall idea of prosthetics and technological implants, it’s obvious they aren’t blind to the debates over them and their possible consequences. The MultiCrack Office is just the most recent case “against”, but prior to them was Canto III (sort of), and even before it was the Brotherhood of Iron in LoR. All of them point both at the real and perceived risks of technological transhumanism, which are the basis of KQE… Or better said, technological transhumanism is the consequence of KQE’s meaning—an amalgam of flesh and technology created to satisfy the emptiness inside to no avail, the result being a clunky, misshapen, and simply useless monstrosity.

Basically, what the Abnormality tells you is that the root of your (psychological) suffering doesn’t lie in the outside, but within your own soul. It’s not about trying to imitate someone else like Nothing There or to modify your body like KQE, because in both cases you are simply running away from your fundamental essence, from the thing that rightfully can be called your own self. You just need to see how miserable KQE is, with all of its skills being either Gloom- or Envy-based, to know that altering your body to soothe your fears isn’t really the path to happiness (especially if those modifications are old as fuck).

Now, to finish things here, let’s go over KQE’s last relevant element: its Sin resistances. The first ones correspond to its two weaknesses, Gloom and Lust, which imply that KQE is weak to… despair and love, as if its entire Encounter in the MDs didn’t show already how deep in pain and agony the Abnormality is. Anyway, moving to the resistances as such, we have both Wrath and Envy, which are quite self-explanatory, aren’t they? KQE has already gone beyond the “despair event horizon”, and none of your resentment, rejection, and anger will ever compare to the hell it dug for itself.

… Okay, maybe KQE does deserve to be called a “dumbass” somewhat.

Post-Commentary

Ahh, finally I can post this. I really wasn't lying with KQE being hard to analyze. I was stuck on it for like 1 or 2 weeks because I had problems trying to just understand what it was about. Really, I'm still not convinced of what I wrote, so if you have any idea, share it! Anything is welcome here xD

Now, regarding the organization of the posts, I was originally planning to publish the analysis of the 5 Abnos together... But Headless Ichthys happened, and I don't doubt MFE is going to be as dense as the Fish. So to avoid making an even worse wall of text, I decided to divide them in 3 and 2. I'll likely use this for any post with 5 Abnos from now on (otherwise, it'll be half and half).

Anyway, moving into some curiosities, something I didn't comment was about the alternating resistances to Gloom and Wrath of Glupo's eyes. It's a reference to Ishmael’s commentary at the beginning of the third Log: the left eye is dedicated to physical damage, therefore making it resistant to “physical attacks” (Wrath) and weak to “mental anguish” (Gloom); the right eye, focused on sanity loss, is the opposite.

Other interesting thing is how there seems to be a parallel between Glupo, the Tearful Thing, and STNOWC, if we go by the quote of Sinclair’s Cavernous Wailing. I’m not sure of the implications, or if it even was on purpose, but it’s worth highlighting.

Other thing I find curious was how Telepole's theme fits with Ishmael. More parallels between her and Heathcliff, I suppose.

Also, it’s funny Telepole always uses Wrath and Envy - resentment against others and oneself - with a third Sin affinity, which changes according to the Sinner: Gloom for Don, to represent how her deep sorrow over what happened with La Manchaland and original Don Quixote (unconsciously) guided her; and so is Lust for Heathcliff, embodying his (multi-)universal love for Catherine. Faust uses Lust too, and much more than Heathcliff by that matter…

And as last thing since it was released long afterward I finished Watchdog's section, but the check affinities of its new Encounter are pretty obvious: Pride and Envy because, seriously, those telepoles look goddamn fine! Oh, and they are kind of wasted in the dog anyway.

So, now with all finished, and ignoring the obvious disclaimer of spelling, grammar, and different interpretations, let's go for the 2nd part!

(Please kill me)