#if only because I crave validation

[i-will-write]

Guess who posted a new wip instead of working on literally anything else? That's right: me!

[soupbtch]

ummm. my fic is done.

[silverwhittlingknife]

I noticed something in a lot of your Dick and Tim fics. It's probably so obvious, but you always write that Tim is watching Dick. In your newest one, Tim's watching Dick, in The Return Tim's watching Dick, and you even write that Tim is always watching him. Is Tim trying to read Dick? Trying to understand? Or does he understand him by watching? What is he trying to figure out by watching Dick? What does that say about Tim? I really hope this is intentional lmao because I would be embarrassed. Maybe this is just something so obvious that I'm just getting now.

YES IT’S ON PURPOSE <333 Anon. Anon. I'm so sorry this answer took forever, but listen, this was a really delightful ask <333 I think about this a lot.  I really love origin stories—I like stories that resonate through a character’s history. 

And for me, a whole lot of what interests me about Dick and Tim is that theme of watching and being watched. Seeing and being seen.

"Watch me on the trapeze, Tim. I'm going to do my act...'specially for you." | "Timmy, don't look." | "I turned away... I couldn't watch. Then I heard you crying and I turned back... I'm sorry, Dick. I didn't want to hurt you by telling you all this." Dick's watching me. Gauging my reactions. (Tim watching Dick watching Tim!) | "I'm taking off the blindfold." "No!" | "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." | I love that kid. Too much to let him see me like this. (But Tim spots him anyway.)

Spotlights and lighthouses and cameras and photographs. Blindness and vision and masks and detective work and trust.

I'm going to try to be coherent about this but it's gonna be incoherent sdfsf BUT I'M GOING TO TRY so. Below the cut, a really long grab-bag of my rambling on vision and watchers and watching.

Tim + watching / Dick + being watched / different dynamics

Tim's origin story

Being watched goes with vulnerability/exposure

Incomplete list of moments with Dick and Tim and vision

Tim + watching

The first time we see Tim's face in LPoD: a close-up on his eyes looking for Dick, a close-up on his eyes at the moment that he sees Dick, a pullback to his face at the moment of recognition, a pullback to his face + his camera (you could maybe even argue that Tim comes into existence at the moment that he sees Dick, like, conceptually. the act of seeing is his defining characteristic. it is the thing that makes his character happen. he is the kid who's watching.)

Tim's a very vision-centric character: he's first introduced as a camera, then as a pair of binoculars, then as a pair of eyes. His whole backstory is about watching: watching Dick's parents die, watching Dick on TV, watching Batman and Robin. I've grabbed a few panels above with Tim watching Dick but there are so many more. His major deductions are all vision-based: he sees Dick-the-acrobat and later recognizes Dick-as-Robin; he sees Bruce-in-the-past and recognizes him as Bruce-of-our-time; the climactic moment in Red Robin is about going into a dark cave with a torch so he can see what's there.

And he's a detective. He pries into secrets. He analyzes people. He's a worrywart and a fusser who always wants to understand what's going on with other people. In a lot of those panels where Tim's watching Dick, his inner monologue is busy deducing Dick's emotions and trying to psychoanalyze him. Tim's caring and watchful and intuitive... but all those qualities also make him very very intrusive.

Dick + being watched

Dick performing acrobatics for Bruce, Donna, and Tim in Detective Comics 38 (his first appearance), New Teen Titans 16, Batman 441, and Nightwing 88 (where he reflects he's glad to be back in the hot glare of the spotlight)

Dick's a detective too, of course - Tim deliberately mirrors Dick, both in-universe and out-of-universe. But also Dick's a performer who loves being watched and also wants to control how he's seen. He gets a kick out of showing off, making puns, kicking ass, taking names, and he gets a kick out of having an appreciative audience. And he's got a kind of yearning for recognition - it hurts, when Bruce won't look at him, and in fights with Bruce, Babs, Roy, he'll often bring up the past, trying to get them to acknowledge a shared history.

At the same time, he's a very private person who withdraws and hides and pushes people away when he's upset. Right before Tim shows up, Dick's just ghosted the Titans because he's having emotional turmoil and doesn't want to have it in front of them, and they're trying to respect his wishes... but that solitude doesn't last long, because then Tim tracks him down. Tim will do this again when Dick's having an emotional crisis and trying to avoid everybody in Nightwing 110.

Possible dynamics

Tim watches Dick in Robin 11, while silently analyzing Dick's anxieties about Two-Face

"The watcher and the person being watched" is a dynamic that really interests me, partly because it can be so complicated?

You can see in Dick and Tim their very first roles: enthusiastic performer and the enthusiastic audience member. Dick likes to perform and show off and entertain; Tim likes to watch; those are roles they both easily slide into and they have a lot of fun together! But also you can look at the harsher side: the crime victim and the voyeur, the amateur photographer and the guy who hates being photographed. Dick's intensely private about his vulnerabilities; Tim's intrusive and watchful and constantly trying to figure out how other people tick. Sometimes Tim's the caring friend who watches Dick closely, reads him well, understands him; sometimes he's the nosy mini-detective who pries into Dick's secrets. And that's just two different ways of describing the same thing!

One of the things that kinda fascinates me about Dick and Tim's relationship is that in a lot of ways it's built on a bunch of low-key boundary violations. A lot of their early relationship is driven by Tim's desire to know more about Dick vs. Dick's reluctance to get close to anyone from Gotham; Tim's often out-of-line, but without his pushiness, it's hard to see how they would've developed a relationship at all. Later on, their friendlier relationship is marked by Dick teasing and low-key bullying Tim; it's pretty obvious that Tim isn't actually bothered by this, but it does involve Dick ignoring whatever Tim's claiming he doesn't like ("Quit it!" "Shh").

And one of the aspects of those boundary-violations is that Tim has a habit of witnessing things that Dick would prefer that nobody see. Tim's a witness to Dick's first and most miserable tragedy; he sees the aftermath of some of Dick's fights with Bruce; he's there when Donna dies. And he's sharp and observant and analytical, and I like to imagine this as being something Dick's not entirely comfortable with.

When Dick first meets Tim, it's before he's learned to wear a mask. And Tim spends a lot of time trying to see through Dick's masks, and he's pretty good at it, and a lot of that prying comes from love and care, because one of the ways that Tim shows love and respect and admiration is by trying to absorb absolutely everything about you, like a little sponge. But there's also something unsparing and even threatening about the search for the truth of someone else. It can be comforting or threatening, to know someone's watching you.

And I love how all that complexity is wrapped up in Tim's origin story? Both the giddy childish "Watch me on the trapeze" and then the awful grim reality of what Tim actually sees as a result and then the difficult connection when Dick and Alfred finally get Tim to explain how he knows their secret identities.

Tim's origin story

Tim (recounting his origin story in LPoD): My parents held me back as the thing moved to you. I cried out to warn you. (Two panels where we see just Tim's eyes, as he watches a crying Dick. He sees Batman approach and start trying to comfort Dick.)

I think fiction sometimes presents "being understood / seen / known" as an uncomplicatedly good thing, and there's nothing wrong with that! But I like complications, and I like the way Tim's origin story frames that moment of witnessing as difficult and fraught. Tim doesn't want to tell Dick how he knows their secret identities because he thinks it'll hurt Dick to know it: I don't want to hurt you, Dick, and I'm really afraid I might. And he's not wrong. It is painful; it does hurt; it's not something Dick's happy to know.

Dick's a very private person, and there's a painful intimacy to Tim's origin story - it's not Tim's fault he was there, but at the same time, it's not like Dick chose to have the most traumatic moment of his life on stage in front of an audience of strangers, you know? It's kind of a violation. In NTT/NT/Nightwing, Dick's pretty violently hostile to photographers, and he's intensely private about trauma in general, and I like to imagine this as partly a reaction to that foundational trauma of losing the most important people in his life and also doing it publicly.

And Tim's part of that audience. And he sees the worst part, the part that Dick can't talk about. He sees the bodies and the blood. He has nightmares about it for years. He hears Dick crying and sees him holding onto his parents' bodies. Not at all the kind of first impression Dick would want to make. Not at all the kind of person he wants to be seen as. And that understanding can be painful, because it's so close to the bone, and when Tim's just a stranger, it's upsetting, because Tim knows things that Dick would never have chosen for him to know. Their few conversations about it are awkward partly because Tim's thirteen and awkward... but at the same time, it's not Tim's fault so much as the situation! There's no way for Tim to talk about what he saw that wouldn't be uncomfortable for Dick.

... And yet, and yet. Tim's also one of the last people to see the Graysons alive. He sees Dick and his parents together; he even takes a picture with them. He remembers the whole thing so vividly he'll recognize Dick's somersault years later. He sees the grief. And so I think of that connection as kind of a metaphor for witnessing. Tim sees these things and they become real; Dick can't hide from them; in the act of being seen he's caught, he's in a spotlight, all the grief made real. You can't hide, that way. And Tim's got this unforgiving memory; he won't ever forget; he won't ever stop knowing.

But then, too: Dick's seen, he's known. Even at the very beginning, when Tim doesn't know enough to understand what he knows, he knows the important things.

So that shared memory is a barrier and a bond between them. It can be a source of discomfort or a source of comfort. And that's how I think about Tim watching Dick in general - it's complicated, and sometimes Dick's glad of it, and sometimes he resents it, and also it just is, it's a fact of Tim, that Tim watches. It's notable when he's not watching, when he's turned away.

Being watched goes with vulnerability/exposure

So I'm going to talk about the fraught feeling of being watched more in a little bit, but first: I think it's fascinating that Dick likes screwing around with games where Tim can't see!

Here's Nightwing 25 - Dick's come up with the idea of trainsurfing while blindfolded:

Tim: Are you sure this is such a good idea? Dick: Shh! Listen. Tune into the changing sounds and - Tim: I'm not so - Dick: JUMP!

Here's Robin 49 - clambering through a tunnel into No Man's Land:

Dick: Hard not to think about the river. All the water above us. And bugs. This tunnels' probably full of 'em. And rats. Big ones. Big blind rats with teeth as long as -

Here's Gotham Knights 9 - ambushing Tim in a sorta game of hide-and-seek:

Dick: Gotcha! Tim: Augh!

I feel like mmm I don't want to emphasize power dynamics too much because it's easy to overplay it BUT when I think about headcanons it's interesting to me to think about how maybe when Tim can't see, Dick's more in charge / in control, and so he feels more comfortable and less vulnerable, and that's often when he's most relaxed and playing around the most?

Whereas the moments when Tim's looking at him are often a bit more fraught, as here in Lonely Place of Dying:

Tim: I'm sorry, Dick. I really am. I didn't want to hurt you by telling you all this. Dick... Dick: It's all right, Tim. No matter how old you are, there are some things you never forget. Or get over. (Silent panel: Tim's watching Dick as Dick turns away and stares into the window.)

Or here in Nightwing 6, when Tim wakes him up from a nightmare:

Dick (internally, imagining a kid falling): He shouts to me. He always shouts to me. I never hear what he says. Tim: Nightwing! Wake up!

Or here in Gotham Knights 26, when Bruce is accused of murder:

(Silent panel where Tim's watching Dick.) Tim: I'm sorry. This must be hard for you. Dick: Me? Why? Tim: Well, I mean, it'd be one thing if we really knew he was innocent, but as it is - Dick: Wait, what? Stop right there. What are you saying, Tim?

Here's Tim spotting him before he can get away in Nightwing 110:

Dick (watching Tim from a distance, internally): Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops. Kept any civilians from getting shot. God, I love that kid. Too much to let him see me like this. Tim: Hey! (appearing on the roof above him, fake-cheerful) You weren't gonna leave without saying hi, were you? Dick (looking away, very quietly): Hey, Timmy. Tim: Look at you, man! Back on both feet! Think you're done stopping bullets with your body for a while? Dick: Hope springs eternal. (Silent panel with Tim watching Dick, who's turned away.) Tim: You okay, Dick? Dick: I'm fine. Tim: Well, where're you staying these days? Dick: With some people.

Of course, sometimes Tim's watchfulness is frustrating but also a comfort, as in Detective Comics 874:

Tim (watching Dick, who's looking away): Are you listening to me, Batman? I'm saying the gas the Dealer used on you was powerful stuff. Dick: I'm fine, Red Robin. Besides...you're here now. Tim: You're not fine. And with or without me, you shouldn't be out on patrol ye - Dick: Sshhh. Here they come.

(Later in the comic, Dick mentally concedes that Tim's right that he hasn't really recovered from the gas, and Tim saves him from drowning when he's hallucinating. So Dick feels kind of exposed by the scrutiny, but also... he invited Tim along, so there's trust there, too - Tim's perceptiveness can be a good thing, too, when things are serious.)

Incomplete summary of moments with Dick and Tim and vision

I think I already mentioned a lot of these but here is my LIST

almost the first thing that Dick says to Tim is "watch me on the trapeze, Tim" and then Tim does and he basically never stops watching;

Tim watches Dick's parents die and watches Dick sobbing on-stage and watches him on TV and recognizes him by seeing a particular trick because he's dreamed about Dick doing the trick in his recurring nightmares about that night;

in New Titans 65 which is their very first team-up comic after Tim's origin, Dick's training pre-Robin Tim and gives him a test about watching for details and later Tim's takeaway is "I saw how [the Titans] listened to you";

there's a moment in Showcase '93 12 which is just Tim watching Dick and analyzing what's going on with him and there's another moment in Prodigal which is the same thing;

in Nightwing 6 Tim sneaks into Dick's apartment and hides in the dark and Dick spots him and tackles him; one of their most important bonding comics is Nightwing 25, where Dick insists on blindfolding him to get him to rely less on vision; when they sneak into No Man's Land they're in the dark and Tim can't see again and Dick's teasing him;

there are multiple moments when Tim can't see Dick for a bit and panics about his safety, in Nightwing 25, in No Man's Land, in Transference, in Bruce Wayne: Murderer;

Tim's there watching when Dick's wedding to Kory falls apart and he's there watching when Bruce and Dick fight and he's there watching when Donna dies and he's watching when Dick and Bruce swing together on the night before Infinite Crisis, and when Dick goes down and almost dies in Infinite Crisis we cut to Tim watching and seeing it happen and screaming;

there are multiple moments which are just silent panels of them staring at each other trying to figure out what's going on with each other or having a stand-off - in Bruce Wayne: Murderer, in Resurrection, in Red Robin;

in the aftermath of Donna's death there's a panel where Dick's watching Tim from a distance and not approaching;

in the aftermath of Blockbuster Dick spends half the comic just staring at Tim from a distance and hiding himself because "I love that kid - too much to let him see me like this," but Tim sees him anyway and chases him down and then they lie to each other and *ranting* LISTEN TO ME the whole comic is about Dick trying to AVOID being SEEN both literally but also METAPHORICALLY AND --!!!

(the only thing i'm even as halfway obsessive about for them is the heights thing because also there are a bunch of moments involving falling or Tim being anxious about heights and worried that he'll fall or Dick will fall)

In conclusion

Consider the progression in all these moments where Tim's watching an upset Dick and worrying about him!! From reaching out instinctively-but-pointlessly when he's too far away in the LPoD flashback, to almost reaching out in LPoD but hesitating, to putting a hand on Dick's back to walk him back to the Cave in Gotham Knights 10, to physically dragging him clear of the water in Batman: Black Mirror!

In conclusion I don't have a conclusion but basically YES, "watching Dick" is a core Tim characteristic as far as I'm concerned, and Tim watches Dick a lot and that can mean all kinds of things from admiration to nosy intrusiveness to worry to care to gratitude to trying-to-figure-out-what's-going-on-with-him, and sometimes Dick's resentful and sometimes he's relieved and sometimes he's playful and sometimes it's a mix of all those feelings.

And at first it's always Tim watching Dick, but later you've got Dick watching Tim too, and there's that moment where Dick's secretly watching him fight but Tim spots him in Nightwing 110 and there's a silent panel where Dick's watching him in Resurrection and at the very end of Robin there's a scene where Dick's secretly watching him fight but Tim spots him and in the very last issue of Red Robin Dick's watching the end of the confrontation with Boomerang and in Prodigal Dick's the one who notices his face is bruised and aaaaaaah

Anyway I think they're neat <3

[pulim-v]

You see I'm feeling very conflicted right now because part of me doesn't want to show this yet (it's a massive spoiler for the way FGCC will develop) and part of me wants to make this just for myself but the attention-seeking part of me needs all of my mutuals to see this but another part of me knows I'm honestly just being a drama queen

[marrfixated]

(More thoughts and drafting! Some weird formatting I know but it was all one block in my notes)

Emma is doing just fine. Average. It’s really not so bad.

She’s just been dealing with a lot of change. And with too many things not changing.

Which is… an odd thing to struggle with.

Because she likes change. Daunting challenges. The unpredictable. Doing new things every day and never being scared of them. And she likes independence.

She had thought so, at least.

After the show, she had been hit in the face with just how… isolated she was. She had only had two friends before the first season, but she had left them behind. Her mother wasn’t doing the best, and she didn’t have any nearby family.

She found herself laying in her bed in the middle of the day most of the time, scrolling through her contacts and old conversations.

Or scrolling through her comments on TikTok.

A few weeks ago, she had tried some stunt involving a motorcycle and an inflatable pool. She probably wouldn’t have messed it up if her hands weren’t trembling.

(She had forgot to check the breaks, and wasn’t sure if they were working.)

(They were.)

The blood dripping down her face and the gash in her lip didn’t sting as much as it did watching the video.

She looked ridiculous, and she probably always did. It was better when she had someone else to do it with. Maybe she was losing her touch.

She didn’t post the video.

She turned back to dancing instead, which did feel less embarassing, despite the constant mocking feedback. Sure, the jokes were “funny”, but she didn’t care about any of it. She didn’t feel the rush, she wasn’t planning every day, and she wasn’t known or loved for anything.

Except for what she lost.

And, the show, to an extent.

-Ugh, she misses the show. She shouldn’t, but as stupid as it sounds, she really did. She missed doing crazy things and talking to people. Having a chance of winning. Beating everyone. Being cheered on. It wasn’t always great, but at least it was something. She misses doing something.

And she really misses Bowie. She missed Bowie, but she knows better than anyone that she can’t go back to that. They just- have better things to do now. He probably does.

He’s got Raj- which is great! And she’s happy for him! She’s happy for everyone. For Wayne, however he’s doing, for Julia, despite everything.

And Caleb. For having Priya.

Emma is jealous that Bowie gets to have someone.

Emma is jealous that everyone else gets to have someone.

Emma is jealous that, unlike everyone else, winning the show probably wouldn’t have made her any happier.

She isn’t sure what would.

[chenziee]

I have three zine fics that I can theoretically post now but I'm so mentally and emotionally exhausted after the past two weeks that I can't even bring myself to just... post any of them

[unladielike]

Every once in a while, I'd remember @spiritpyro's Hayate mentioning in his internal monologue that he likes everything about Vivian, including even her personality and her speech patterns, which to this day, makes me emotional, because as a character, Vivian has gone through a lot... from characters getting pissed off at her for saying the wrong thing (thereby ending a thread prematurely) to characters outright not getting her humour and claiming she's unkind, even though it hadn't been her intention to offend them.

Granted, I don't really treat those as canon occurrences, because I'm not really a single verse blog, so any interactions from partners who have broken mutuals with me/deactivated/didn't follow me on my remade blog are null and void (meaning as far as Vivian is concerned, they have never occurred and will no longer be referenced in any threads/headcanon posts except for this one), but at the same time, I will lay in bed at night sometimes... and have this startling revelation that the way Vivian had been treated remarkably mirrors the experiences of most autistic people I've read about/heard from. Honestly, it's astounding to me how many on Reddit would describe similar struggles/feelings she also has, to the point where even though the RPC has a general distaste for slice-of-life muses, I still take comfort in the fact she is at least relatable.

Like, yeah, I might not be the most descriptive/poetic writer on this godforsaken site, but in my opinion, my characterization is where my writing truly shines best... and so, Hayate catching feelings for Vivian (despite me portraying both her flawed and endearing sides as a young, neurodivergent woman in her early twenties) is such a memorable thing to me, that I would find myself occasionally thinking about it even while I'm at work. I mean, granted, Vivian is nowhere near as dysfunctional as the main female lead from Asper Kanojo (That's My Atypical Girl), but it cannot be denied she is still very hard to love... to the point where Hayate pretty much fell out of love with her in an alternate universe.

Either way, it honestly hurt me on a deep, visceral level when Hayate was like, 'Fucking think before you speak', when they fought that one time, because autistic people will commonly be told that at some point in their lives... furthermore, Vivian had to hear that from someone she loves, so I can only imagine how betrayed she must have felt, especially since she already tries super hard when it comes to explaining things from her point of view and can only process her thoughts when speaking them due in part to her disability.

At the same time, though, it also makes me think that in the event Vivian and Hayate would romantically be together, this would realistically be a reoccurring issue within their relationship, where every time they would argue, she'd utter out stuff that would potentially annoy him, because according to Hayate, Vivian probably doesn't put a lot of thought into her words... so there would be instances where she would view him as an absolute alien. Still, knowing Vivian, I could also see the aftermath of their fights being one of those rare, few moments where she would wish she was more normal; after all, if she happened to be less difficult, Hayate might actually become less frustrated with her.

Since this is Hayate we're talking about, however, I could also see him potentially researching autism a bit more and slowly reaching a point where he would better understand Vivian, but either way, their relationship is one I always have fun, psycho-analyzing, because it's between an unpredictable, misanthrophic man and a manic, neurodivergent woman.

[kingsofgaytham]

i have finished my ofmd rewatch and yes i'm happy i did it cause my love for this show and its cast grew even more since i noticed so many tiny details or background subplots i missed the first time, the whole cravat exchange between Stede and Ed...but now my heart breaks even more for them, especially poor Edward, manipulated by Izzy and pushed to his limits where he once again puts on the persona he detests but this time he's also mourning the life he already envisioned in his head with Stede :((((

their reunion is gonna be so emotional and i hope by the end of season 2 we get to see Ed embrace his true desires (like soft, silk clothes and eating marmalade at the sunrise with his dumb boyfriend) and i'm excited for Stede to finally experience mutual love, not an empty spectacle put on for the society even tho he really needs to work on his thinking and communication skills cause this whole drama could've been avoided if he told Ed he wants to fix things with his family first ANYWAY i'm sure s2 will make me cry and laugh and scream and i can't wait 💜

[no-te-lo-voy-a-dar]

i just realized i sometimes say things actually quite self deprecating and don't notice until later?? if they are pointed out or the reaction is the opposite, like damn I thought i had all my issues noted but apparently not because i still say shit like that and apparently mean it - but i don't see a difference or i've noticed that forever so is there really a difference?

there's things engraved sometimes in your mind and self as a result of repetitive reactions and comments that you really just, take as a fact huh? they take root like weeds and u may chop the leaves but if you don't dig find all the root system u will keep having to trim and struggling with how much resources it's taking

anyways

[kennexara]

getting real fucking sick of the fact every month my brain spins a wheel with 3 sections labelled irrationally angry, irrationally sad, and irrationally anxiety and then spins another wheel with one section labelled ‘eat sugar until you’re sick’ and makes me live by the two results for an entire week and then afterwards looks back and is like ‘damn bitch you live like this?’ as if it isn’t fucking responsible. 

[lomakes]

I think I have really unrealistic standards on how much time I should take on a drawing

[looking-cool-joker]

i can’t get into discourse that i’m not mentally prepared for i can’t get into discourse that i’m not mentally prepared for i can’t get into discourse that i’m

[magnusbae]

I spoke of it in the past and I'll speak about it again. Likes here do not work the same way as they do on other platforms. Liking something will not truly promote this post anywhere other than a very conditional period of filtering the search by popularity and even that is unreliable.

What I don't see people speak enough about is that no one expects you to reblog things you don't enjoy / want more of. (and those who do are entitled and guilt tripping, so not worth speaking of anyways.)

The heart of this whole issue is that if you want to see more of something you must reblog it. Nothing less, nothing more.

The condition is always what you want. However you do have to understand that if you do want something and you don't stand behind it for whatever reason—then you, simply put, will not get more of it.

Content creators are people who work for free for your entertainment. What fandom seems to be forgetting is that they're still just people and are part of the fandom, too. They do post so other people will see and enjoy it. The only payment for their free labor is passing the things you like along for other people to see and decide if they like it too.

Leaving a 'like' on it, will not bring you more of the content you enjoy, since chances are that after long enough of only likes, the person will quit. Tumblr culture is built upon the sharing of things you enjoy, not the silent consumption in the darkness. If you're self conscious, open a side blog and post it there, or perhaps reflect upon the people you interact with and their judgment of you as a person, I don't know :)

Still, bottom line is, it's not about guilt tripping or forcing you to reblog things you don't want or like— it's about encouraging you to understand that you are part of a community, and you are part of an ecosystem, and you do have the power to influence what content gets created— you do! By putting your reblogs where your heart is :)

[hyperfixatingonsmth]

my week just keeps getting better and better...

[marsbotz]

doughy one sided crush on orel. see my vision

[blood-orange-juice]

allo person here with an unpopular opinion: ‘sex’ is a social construct. 

let’s be real: whenever I met people who implied someone was incomplete without a sexual partner, they... were usually having pretty bad sex. I’ve talked to them, I tried to sleep with some of them, it was thoroughly disappointing.

they enjoy talking about it, anticipating it, obsessing over it and simply checking the box ‘I do have sex sometimes’ waaaay more than actual sex. ‘sex’ is a ‘yay, I’m recognized as a valuable person by someone’ kind of thing for them. checking that box is more important than exploring what they actually like.

and if they are annoyed by ace people it’s not because they can’t grasp how someone doesn’t like sex, it’s because they suddenly see that their social bargaining chips aren’t really that valuable.

the irony of it? people for whom sex is actually important (as an activity by itself, not a social status thing) will have just as many problems fitting in as an average asexual person. actual sex is very different from the societal idea of ‘sex’. you’ll also notice that these folks don’t normally pester ace people and generally understand ace people better.

this is some weird cultural thing, tons of books have been written about it but it still puzzles me.

tl;dr: if someone tries to shame an asexual person for being asexual, please know they only do it because their sex life sucks

y'know, one thing i don't see get talked about much in regards to asexuality is how it feels to never be 'sexually motivated' by anything

and not just when it comes to advertisements using 'sexy' models to try and sell you stuff, but like. in general

sex as a favor, sex as a bribe, sex in exchange for whatever

casual sex, 'friends with benefits' situations, even simple flirting

it all looks a whole lot different from the perspective of someone who's immune to manipulation via sex appeal, who has virtually no understanding as to why sex would motivate someone to cheat on their partner, etc. etc.

sex is worthless to me

i mean, it's useful as a story element in fiction, but it genuinely perplexes me that sex is such a driving force behind so many aspects of irl society & of people's individual lives, for better or for worse

and that it's so deeply ingrained into how the average person views the world & various situations, because the average person feels sexual attraction, whereas i do not

i think the barrier between aces & allos is actually even deeper than it seems on the surface at times, because it's more than just the grating expectation that everyone must want to 'settle down' and have kids, it's also the fact that the majority of the world is sort of 'in' on a joke that aces will never truly be a part of